WO2011145188A1 - Acoustic-feel adjustment device - Google Patents

Acoustic-feel adjustment device Download PDF

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Publication number
WO2011145188A1
WO2011145188A1 PCT/JP2010/058448 JP2010058448W WO2011145188A1 WO 2011145188 A1 WO2011145188 A1 WO 2011145188A1 JP 2010058448 W JP2010058448 W JP 2010058448W WO 2011145188 A1 WO2011145188 A1 WO 2011145188A1
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WO
WIPO (PCT)
Prior art keywords
sound
ceiling
performer
absorber
sound field
Prior art date
Application number
PCT/JP2010/058448
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French (fr)
Japanese (ja)
Inventor
秀和 古澤
泰也 窪田
Original Assignee
株式会社ハウス119
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Publication date
Application filed by 株式会社ハウス119 filed Critical 株式会社ハウス119
Priority to PCT/JP2010/058448 priority Critical patent/WO2011145188A1/en
Publication of WO2011145188A1 publication Critical patent/WO2011145188A1/en

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    • EFIXED CONSTRUCTIONS
    • E04BUILDING
    • E04BGENERAL BUILDING CONSTRUCTIONS; WALLS, e.g. PARTITIONS; ROOFS; FLOORS; CEILINGS; INSULATION OR OTHER PROTECTION OF BUILDINGS
    • E04B1/00Constructions in general; Structures which are not restricted either to walls, e.g. partitions, or floors or ceilings or roofs
    • E04B1/62Insulation or other protection; Elements or use of specified material therefor
    • E04B1/74Heat, sound or noise insulation, absorption, or reflection; Other building methods affording favourable thermal or acoustical conditions, e.g. accumulating of heat within walls
    • E04B1/82Heat, sound or noise insulation, absorption, or reflection; Other building methods affording favourable thermal or acoustical conditions, e.g. accumulating of heat within walls specifically with respect to sound only
    • E04B1/8227Heat, sound or noise insulation, absorption, or reflection; Other building methods affording favourable thermal or acoustical conditions, e.g. accumulating of heat within walls specifically with respect to sound only screens ; Arrangements of sound-absorbing elements, e.g. baffles
    • E04B1/8236Stage shells

Definitions

  • the present invention relates to a sound field feeling adjusting device in which a sound absorbing portion is positioned above a head of a person such as a musical instrument player or a singer to change a human sense based on reflected sound from above.
  • a performance hall such as a hall where performances and singing are performed. It is most desirable to accurately grasp the spread of the sound (musical sound / voice) generated by the singer and the echo state of the generated sound in the hall, etc., but the opportunity to practice at the convenience of the performer etc. in such a hall Since it is extremely difficult to set up, practice is usually performed in a room having a general structure such as a smaller practice room.
  • a conventional sound absorbing plate for making a sound absorbing structure on a wall or the like in a room has a configuration shown in the above-mentioned patent document.
  • a sound source such as a musical instrument
  • the sound absorption plate is replaced with existing ceiling materials and wall materials over a wide range of room ceilings and walls. It is necessary to provide a sound absorbing plate or add it to the indoor space side of the ceiling or wall.
  • the sound absorption plate is fixedly installed on the ceiling or wall, so it is not possible to finely adjust the sound absorption or reflection state later.
  • the present invention has been made to solve the above problems, and appropriately adjusts the reflection state of the sound from the sound source without a large-scale work of disposing the sound absorbing material over a wide range of the ceiling.
  • the sound field feeling adjusting device is configured so that a sound from a sound source is set between a ceiling and a floor in an indoor space in a direction parallel to the floor or inclined within a range of ⁇ 30 ° from the direction.
  • a substantially plate-like sound absorber disposed above the head of the subject to be listened to and disposed in the middle of the shortest propagation path until the sound from the sound source is reflected by the ceiling and reaches the ear of the subject; It includes at least a gantry that supports the sound absorber from below.
  • the sound from a sound source such as a musical instrument is reflected on the ceiling, and is in the middle of the propagation path until reaching a target person who listens to the sound from the sound source, such as a musical instrument player or a singer.
  • the sound absorber supported by the gantry is placed at a position above the target person, so that the sound emitted from the sound source is reflected from the ceiling of the room and reaches the target person as it is.
  • the reflected sound reaching the target from the sound source is limited to the amount of reflected sound that is not reflected at all, or the sound from the sound source is reflected slightly on the lower surface of the sound absorber, so that the sound reaches the target from above.
  • the difference from the performance hall such as a hall is large, and the reflected sound from the low ceiling in the general indoor space, which was a factor that made the subject feel uncomfortable
  • the sound field is based on a high ceiling It can be given to the subject instead of the sound field feeling very close to the demonstration hall such as the hall, etc., and it is related to the subject's performance and singing practice, etc. Can provide an excellent practice environment, and can eliminate the sense of incongruity during the performance, leading to improved performance during the performance.
  • the sound absorber is arranged so that the inclination angle can be adjusted as necessary.
  • the inclination angle of the sound absorber disposed above the subject can be adjusted, and the reflection state of the sound from the sound source on the sound absorber by adjusting the inclination angle of the sound absorber, That is, by changing the arrival state of the reflected sound to the target person, the sound field feeling received by the target person can be finely adjusted based on the reflected sound from the sound absorbing body, and the sound absorbing body according to individual differences for each target person can be adjusted.
  • any audience can be given a desired sound field feeling, and the sound field feeling can be finely adjusted assuming the performance field scheduled for the demonstration, creating an environment that supports various performance situations. Can be provided.
  • the sound field feeling adjusting device may include one or a plurality of sound absorbing members different from the sound absorbing body at a position corresponding to a rear portion and / or a side portion of the target person in the gantry as necessary.
  • the body is detachably installed.
  • the sound absorber is arranged at the back and sides of the subject with the gantry supported by the gantry, and the sound absorber is also used for reflection on the back and sides of the subject.
  • the sound field feeling adjusting device is arranged, if necessary, on the rear part and / or the side part where the pedestal does not come into contact with the subject and the accessories handled by the subject. It is attached to the upper part of.
  • the pedestal is arranged at a position away from the subject and its accessories, and the subject is instrumental as a performer by attaching the sound absorber to the upper portion of the pedestal and positioning it above the subject.
  • the pedestal does not become an obstacle to performance, and the sound absorber is supported by the cradle without any particular problem, and the adjustment of the sound reflection state by the sound absorber can be appropriately executed.
  • 1 is a side view of a sound field feeling adjusting device according to a first embodiment of the present invention.
  • 1 is a plan view of a sound field feeling adjusting device according to a first embodiment of the present invention.
  • It is a side view of the 1st modification of the sound field feeling adjustment apparatus which concerns on the 1st Embodiment of this invention.
  • It is a side view of the 2nd modification of the sound field feeling adjustment apparatus which concerns on the 1st Embodiment of this invention.
  • It is a top view of the 3rd modification of the sound field feeling adjustment apparatus which concerns on the 1st Embodiment of this invention.
  • the sound field feeling adjusting device 1 plays the musical instrument 70 with a direction inclined at a predetermined angle from a direction parallel to the floor 60 between the ceiling 50 and the floor 60 in the indoor space. And above the head of the performer 80 as the subject, and at a midpoint of the shortest propagation path from the sound 50 from the instrument 70 as the sound source to the sound reflected by the ceiling 50 and reaching the ear of the performer 80.
  • This is a configuration comprising a substantially plate-like sound absorber 10 and a gantry 20 that supports the sound absorber 10 from below.
  • the sound absorbing body 10 is formed as a substantially plate-like body having sound absorbing properties, and is attached to the upper portion of the support column standing upright substantially vertically of the gantry 20 by being inclined by 30 ° from the direction parallel to the floor 60. It is the structure arrange
  • a known structure including a plate having a large number of holes drilled and disposed on the surface, and a porous sound absorbing material disposed on the plate is provided. The detailed description is omitted.
  • the height at which the sound absorber 10 is disposed is about 200 to 300 mm or more above the head of the performer 80 in the standing or sitting position so as not to give a feeling of pressure,
  • the range needs to be within the room without being in contact with the ceiling 50, and is preferably about 1500 to 2000 mm, for example.
  • the size (area) of the sound absorber 10 needs to be set according to the distance from the player 80 so that the sound field of the player 80 can be appropriately adjusted by appropriate sound absorption. This area can be reduced if the player 80 is approached, but conversely, if the player 80 is provided away from the player 80, the area increases. From the viewpoint of workability for mounting the sound absorber 10 on the gantry 20 and realistic conditions such as the strength and size of the gantry 20 that supports the sound absorber 10, the width of the sound absorber is about 600 to 900 mm and the depth is about 600 to 1800 mm. It is preferable to set to.
  • the optimum value of the height, size, and inclination angle of the sound absorber 10 varies depending on the structure of the room, the sound pressure of the sound emitted from the sound source, and the subject such as the performer. Therefore, it is necessary to adjust to an appropriate state.
  • the sound absorber 10 is supported so as to be positioned above the head of the player 80 with respect to the musical instrument 70 as a sound source, so that the sound from the musical instrument 70 is temporarily reflected by the ceiling 50 and played by the player 80.
  • the sound absorber 10 is located just in the middle of the shortest propagation path when reaching the ear of the user.
  • the sound absorbing action of the sound absorber 10 absorbs the sound going to the ceiling at the lower surface portion of the sound absorber 10 in the middle of the propagation path, or the sound reflected by the ceiling is absorbed by the upper surface portion of the sound absorber 10 in the middle of the propagation path.
  • the arrival of the sound from the ceiling side, that is, from above, to the player 80 is greatly suppressed.
  • the gantry 20 includes a support column 21 that stands substantially vertically and a lowermost pedestal portion 22 that supports the support column 21 and is attached to the top of the support column 21 with the sound absorber 10 protruding forward.
  • the support column 21 and the pedestal portion 22 do not come into contact with an accessory handled by the performer 80, such as the performer 80 who is a person who adjusts the sense of sound field, the musical instrument 70 and its supporting equipment installed in the vicinity thereof, that is,
  • the support column 21 is positioned behind the performer 80, and the pedestal portion 22 is positioned on the left and right sides of the performer 80 and the musical instrument 70, respectively.
  • a plurality of sound absorbers 11 are arranged in a standing state along the support column 21 at the front surface position of the support column 21 on the rear side of the player 80 in the gantry 20. This is a mechanism for changing the sound reflection state behind the 80.
  • the pedestal portion 22 is sufficiently long to extend from the support column 21 at the back of the player 80 to the front side so that the entire pedestal 20 does not fall with the sound absorber 10 attached to the top of the support column 21.
  • the center of gravity of the upper part of the gantry is secured so as not to be located in front of the pedestal part 22.
  • a plurality of casters 22a may be provided in the lower portion of the pedestal portion 22 to facilitate movement and position adjustment of the apparatus with respect to the floor.
  • the support column 21 and the pedestal portion 22 forming the pedestal 20 are disposed at positions where the performer 80, the musical instrument 70 as the accessory, and the supporting device thereof do not come into contact.
  • the pedestal portion 22 is disposed at a position from the left and right sides of the musical instrument 70 on the floor surface to the back of the performer 80, and the column 21 is placed on the back of the performer 80 on the pedestal portion 22. Is disposed.
  • the sound absorber 11 is mounted in a standing state on the front surface of the column 21 and the sound absorber 10 is mounted and fixed on the upper portion of the column 21, the sound field feeling adjusting device 1 can be handled integrally. In this state, the player 80 moves the position of the entire apparatus while making the sound of the instrument 70, and finely adjusts the position of the sound absorber 10 with respect to the player 80. In a desired state.
  • the sound generated from the musical instrument 70 which is a sound source, diffuses to the surroundings, and the direct sound reaches the player 80.
  • Each of the reflected sounds reaches the player 80 with a predetermined time delay, but is radiated upward from the musical instrument 70 and originally should be reflected by the ceiling 50 in the indoor space to reach the player 80.
  • Most of the indirect sound reaches the sound absorber 10 above the performer 80 and is absorbed.
  • a sound going from the instrument 70 to the ceiling 50 is absorbed by the lower surface portion of the sound absorber 10 on the upper side of the performer 80.
  • the sound that reaches the performer 81 from the ceiling side, that is, from above is reflected by a small part of the sound that has not been absorbed when the sound that has reached the lower surface portion of the sound absorber 10 from the instrument 70 is not completely absorbed. Only the sound reaching the performer 80 or the sound that is emitted from the instrument 70 and reflected by the wall or ceiling 50 more than once, and that reaches the performer 80 through the position without the sound absorber 10 with the sound energy greatly attenuated. Thus, the player 80 listens to these sounds.
  • the sound source instrument 70 radiates from the sound source instrument 70 and is reflected once from the ceiling 50, which is the basis for impressing the presence of the low ceiling 50 in the sound field feeling
  • the sound energy that is still directed toward the performer 80 still remains.
  • a large reflected sound is prevented from reaching the player 80, and only the reflected sound having a low sound energy such as a sound that is slightly absorbed without being completely absorbed by the sound absorber 10 from above the player 80 is played by the player 80.
  • the state of reaching the player 80 is similar to a state in which the upward sound generated from the musical instrument 70 is reflected by a far ceiling surface far away from the musical instrument 70 and reaches the player 80.
  • the sound field feels the same as when performing on a high ceiling stage such as a hall.
  • the sound directed to the side or downward from the musical instrument 70 is adjusted in the reflection state by another sound absorbing material separately provided on the wall or floor, and unnecessary reflection that adversely affects the sound field feeling of the player 80.
  • this is the same as a known sound absorbing method for walls and floors, and a description thereof will be omitted.
  • the sound absorber 10 supported by the gantry 20 is arranged above the performer 80, and the sound emitted from the sound source is reflected by the ceiling 50 of the room.
  • the sound reaching the player 80 from above is suppressed and the sound reaching the player 80 from above is limited to a weak sound such as the sound from the sound source reflected very slightly on the lower surface of the sound absorber 10.
  • the state of the sound reaching the performer 80 from above is the same as a space with a ceiling that is considerably higher than the room, there is a large difference from a performance hall such as a hall, and the factor that makes the performer 80 uncomfortable
  • the sound field feeling based on the reflected sound from the low ceiling 50 in a general indoor space that has been changed to a sound field feeling very close to a demonstration hall such as a hall with a high ceiling can be given to the performer 80.
  • the sound field feeling in the room of the general structure is able to provide excellent training environment with no little difference with the demonstration field, Hakare uncomfortable eliminated at the time of demonstration, is linked to the performance improvement at the time of demonstration.
  • the sound field 10 can be moved relative to the performer 80 to make the sound field feel easy and simple. It can be adjusted, and the environment for listening to the sound of the performer 80 can be easily improved and an appropriate sound field feeling can be obtained.
  • the sound absorber 10 is arranged at an upper portion of the column 21 of the gantry 20 and is inclined by 30 ° from a direction parallel to the floor 60.
  • the angle of inclination of the sound absorber may be different, or the sound absorber may be arranged in a direction parallel to the floor.
  • the sound absorber 12 can be arranged so that the inclination angle can be adjusted at the upper part of the column 23 of the gantry 20, and the situation of the indoor space, the type of musical instrument, the head of the subject person, etc.
  • the sound absorber 12 is adjusted in a direction parallel to the floor or in a predetermined tilted direction within a tiltable range so that it can be a target player such as a player in any situation.
  • the sound absorber 12 is adjusted in a direction parallel to the floor or in a predetermined tilted direction within a tiltable range so that it can be a target player such as a player in any situation.
  • the sound absorber 10 on the support column 21 of the gantry 20 is configured to have a fixed height.
  • the length of the support 24 for mounting the sound absorbing body 13 on the gantry 20 can be adjusted, and the height of the sound absorbing body 13 can be adjusted along with the adjustment of the length of the support.
  • the height of the sound absorber 13 is appropriately adjusted within a range in which the length of the column can be changed, A sound field feeling very close to a demonstration hall such as a hall can be given, and the range in which the position of the sound absorber 13 can be moved with respect to the subject can be widened to increase the adjustment allowance, and a more appropriate sound field feeling can be easily obtained.
  • the sound absorber 10 is arranged in a fixed state with respect to the upper portion of the column 21 of the gantry 20, but is not limited thereto, and is shown in FIG.
  • the sound absorber 14 is slidable and moved back and forth with respect to the portion of the pedestal 20 where the sound absorber 14 is supported in a state where the sound absorber 14 extends forward.
  • the position of the sound absorbing body 14 in the front-rear direction can be changed within a supportable range, and the sound field feeling given to the target person such as the performer can be finely adjusted. A sound field feeling close to the desired demonstration hall can be obtained with certainty.
  • the sound absorber 10 is supported above the head of the performer 80 and the sound absorber 11 is supported by the mount 20 on the back side of the player 80, respectively.
  • the sound absorber 15 supported by the pedestal 26 can also be arranged at a place on the side of the performer. The sound that is reflected on the side wall of the performer or the sound that is reflected off the wall and directed toward the performer from the side is absorbed by the sound absorber 15, and the reflected sound that reaches the performer from the side wall is received. As a result, it is possible to prevent the influence of the wall or furniture on the side of the performer on the player's feeling of the sound field. In this case, it is preferable that the direction of the sound absorber 15 can be adjusted so that the sound field feeling given to the subject such as the performer can be finely adjusted so as to be close to the performance place desired by the subject.
  • FIGS. 1-10 A second embodiment of the present invention will be described with reference to FIGS.
  • a large instrument such as a piano, which is fixedly installed on the floor and has a musical sound generation site slightly away from the performer, and a device arranged corresponding to the performer. explain.
  • the sound field feeling adjusting device 2 includes the sound absorber 30 and the gantry 40 as in the first embodiment.
  • the gantry 40 has a rectangular frame as a different point. It is formed in an upright state at predetermined intervals on the left and right sides, and its upper part is connected by a beam member to form a unitary combination.
  • a substantially plate-like sound absorber 30 is attached to the upper part, and at the side of the instrument 71
  • the sound absorbers 31 and 32 are also attached to the left and right frame portions that are in the standing state, respectively, and the sound absorbers 30, 31, and 32 are disposed so as to surround the performer and the musical instrument 71 from above and from the left and right. .
  • the sound absorbers 30, 31, and 32 are formed as substantially plate-like bodies having sound absorbing properties, as in the first embodiment, are attached to the upper and side portions of the gantry 40, and face the musical instrument 71 of the performer.
  • the configuration is such that the musical instrument 71 is disposed in front of the front portion.
  • the sound absorbing properties of the sound absorbers 30, 31, and 32 are based on a known configuration similar to that of the first embodiment, and will not be described in detail.
  • the sound absorbing body 30 attached to the upper portion of the gantry 40 is oriented in parallel with the floor 60, and the height thereof has a sufficient interval that does not contact the musical instrument 71 on the lower side. Therefore, it is necessary to set the range within the room without being in contact with the ceiling 50. For example, it is preferably about 1800 to 2000 mm.
  • the size (area) of the upper sound absorber 30 is related to the mounting relationship with the gantry 40 that straddles the musical instrument 71, the mounting workability of the sound absorber 30, the strength and size of the gantry 40 that supports the sound absorber 30, and the like. From the realistic conditions, it is preferable to set the width of the sound absorber to 1600 to 1800 mm and the depth (dimension in the front-rear direction) to about 600 to 1800 mm. However, the optimum value of the height, size, and angle of inclination of the sound absorber 30 varies depending on the structure of the room, the sound pressure of the sound emitted from the sound source, and the subject such as the performer. Therefore, it is necessary to adjust to an appropriate state.
  • the sound absorber 30 is supported so as to be present above the musical instrument 71 above the performer's head with respect to the musical instrument 71 as a sound source, so that the sound from the musical instrument 71 is temporarily on the ceiling 50.
  • the sound absorber 30 is located just in the middle of the shortest propagation path when reflected and reaches the performer's ear.
  • the sound absorbing action of the sound absorber 30 absorbs the sound going to the ceiling at the lower surface portion of the sound absorber 30 in the middle of the propagation path, or the sound reflected by the ceiling is absorbed by the upper surface portion of the sound absorber 30 in the middle of the propagation path.
  • the arrival of the sound from the ceiling side, that is, from above, to the performer is greatly suppressed.
  • the sound absorbers 31 and 32 on the left and right of the gantry 40 are sized so as to cover the frame portion of the gantry 40 while corresponding to the arrangement position and size of the upper sound absorber 30.
  • the dimensions are set to about 1800 to 2000 mm, and the depth (front-rear direction dimensions) is set to about 600 to 1800 mm.
  • the gantry 40 is disposed in a place where it does not come into contact with a player who is a sound field adjustment target or a musical instrument 71 located in front of the gantry, and in particular, two left and right frames that stand substantially vertically.
  • the parts including the sound absorbers 31 and 32 attached thereto are arranged on the left and right sides of the musical instrument 71 and separated from the musical instrument 71 by a predetermined distance.
  • a foot part 41 At the lower ends of the left and right frame parts, there is provided a foot part 41 that protrudes sideways and contacts the floor to prevent the standing frame part from tilting left and right or falling over. preferable.
  • gantry 40 can be attached to the top of the gantry 40 for use.
  • other equipment such as lighting equipment, a camera, and a microphone can be attached to the top of the gantry 40 for use.
  • the gantry 40 is disposed at a position near the performance position of the performer as the target person and not in contact with the performer or the musical instrument 71 as the accessory.
  • the frame parts of the gantry are respectively arranged on the left and right sides of the musical instrument 71 on the floor surface, and the beam members are arranged so as to straddle the musical instrument 71 above these frame parts.
  • the sound absorbing bodies 30, 31, and 32 are attached and fixed to the upper part and the left and right parts of the gantry 40, the sound field feeling adjusting device 2 can be handled integrally. In this state, the player moves the position of the entire apparatus while making the sound of the musical instrument 71, and finely adjusts the positions of the sound absorbers 30, 31, 32 with respect to the player. The feeling is in a desired state.
  • the sound generated from the musical instrument 71 as a sound source diffuses to the surroundings, and the direct sound reaches the player and is reflected by a wall or the like.
  • the indirect sound which was supposed to reach the performer by being reflected from the ceiling 50 in the indoor space, is radiated upward from the musical instrument 71.
  • the sound absorbing body 30 above the musical instrument 71 is reached and most of the sound absorbing body 30 is absorbed.
  • a sound that is going from the musical instrument 71 to the ceiling 50 is absorbed by the lower surface portion of the sound absorber 30 in the middle of the propagation path, or a sound that is reflected by the ceiling 50 and goes toward the performer. Sound is absorbed by the upper surface portion of the sound absorber 30 in the middle. The sound reaching the performer from the ceiling side, that is, from above, is reflected by a small part of the sound that has not been absorbed when the sound that has reached the lower surface portion of the upper sound absorber 30 from the instrument 71 is not completely absorbed.
  • the sound source instrument 71 radiates from the sound source instrument 71 and reflects once on the ceiling 50, which is the basis for impressing the presence of the low ceiling 50 in the sense of sound field, the sound energy is still high, going directly to the performer.
  • the state where the reflected sound is absorbed by the upper sound absorber 30 and only the reflected sound with low sound energy such as the sound emitted from the musical instrument 71 and slightly reflected by the sound absorber 30 reaches the performer.
  • a sound with a high ceiling such as a hall or the like, is approximated to the state in which the upward sound emitted from 71 is reflected by a far ceiling surface far away from the instrument 71 and reaches the performer. You can feel the same sound field as you do above.
  • the sound directed from the musical instrument 71 toward the left and right side walls and the like is largely absorbed by the inner surfaces of the other sound absorbing bodies 31 and 32 attached to the left and right frame portions where the gantry 40 is erected.
  • the sound reflected on the wall or the like and directed toward the performer is absorbed by the outer surfaces of the sound absorbing bodies 31 and 32, and the reflected sound reaching the performer from the side is greatly reduced. It is also possible to prevent the sound field feeling of the performer from being affected by walls and furniture existing on the side of the performer.
  • the sound field feeling adjusting device is located at a position above the performer, which is in the middle of the propagation path from the sound from the musical instrument 71 as the sound source reflected by the ceiling 50 to reach the performer.
  • the sound absorber 30 supported by the gantry 40 is arranged to suppress the sound emitted from the sound source from being reflected by the ceiling 50 of the room and reaching the performer as it is, and the sound reaching the performer from above is suppressed. Since the sound from the sound source is limited to a weak sound such as a slight reflection on the lower surface of the sound absorber 30, the player performs a demonstration such as a hall with a high ceiling as in the first embodiment. It can provide a sound field feeling that is very close to the venue, and can provide an excellent environment in which the sound field feeling is almost the same as the demonstration hall even in a general structure room. Cause a sense of incongruity with the difference in sound field There.
  • the sound field feeling adjusting device when the musical instrument played by the performer as the target person is a sound source, the reflected sound in the indoor space of the sound emitted from the musical instrument reaches the performer. It is configured to change the state with a sound absorber and adjust the player's sense of sound field so that the player can practice the performance while having a sound field feeling similar to that of the demonstration hall. For a sound source that is not a musical instrument or a singer himself, away from the subject who is not a performer or singer, it is arranged near the subject and changes the state in which the reflected sound in the indoor space reaches the subject. It is also possible to adjust the sound field feeling of the target person. By using this apparatus, the target person who is not a performer or a singer obtains a sound field feeling close to a hall or the like while in the room, for example. Listening to the performance or singing of others or the sound output from the speakers It is also possible.
  • the sound field feeling adjusting device is installed in an indoor space, and in a state where the musical instrument is played, it is possible to give a sound field feeling very close to a performance place such as a hall to the performer of the musical instrument as the target person.
  • the measurement evaluation for confirming the sound absorption performance is carried out, and the result compared with the measurement result in the indoor space in the apparatus non-installation state as a comparative example will be described.
  • the sound field adjustment device is appropriately disposed in an indoor space, and when the performer plays a musical instrument, the waveform changes with the passage of time of sound at a height position corresponding to the player's ear position. (Time waveform) was measured.
  • the instrument was measured for each of a guitar and a piano.
  • the sound absorber was placed above the performer as shown in the first embodiment.
  • the sound absorber was placed above the musical instrument above the performer for measurement.
  • the frequency component was obtained from the time waveform of the sound by fast Fourier transform.
  • FIG. 14 shows the case of a piano. Furthermore, the time waveform of the sound and the graph of the frequency component obtained by each measurement when the sound field feeling adjusting device as a comparative example is not provided are shown in FIG. 13 for the guitar and in FIG. 15 for the piano. Each is shown.
  • the upper graph shows the time waveform of the sound, the horizontal axis is time, and the vertical axis is amplitude. Note that the waveform measurement time is shown longer in the comparative example, and the waveform is compressed sideways accordingly.
  • the lower graph shows frequency components (20 to 20 kHz), with the horizontal axis representing frequency and the vertical axis representing sound level.
  • the sound field feeling adjusting device of the present invention is provided in the indoor space, so that the reflection from above is suppressed, so that the waveform obtained is sufficiently smooth in the same time width, and the sound It can be seen that the noise level is also quieter with the noise component suppressed, and that the direct sound ratio where the pure harmonic component of the instrument appears is relatively increased from the frequency component. Becomes clear.
  • the sound field feeling at this time is not affected by a low ceiling, that is, corresponds to a state where the ceiling is at a sufficiently high position.
  • the sound field feeling adjusting device of the present invention by using the sound field feeling adjusting device of the present invention, the effect of sound reflection in the installed indoor space is suppressed, and the ceiling is sufficient even in a general indoor space with a low ceiling. It is obvious that the subject can be given a sound field feeling similar to that in a high space, and the environment for listening to the sound of the subject listening to the sound from the sound source can be easily improved.

Abstract

The disclosed acoustic-feel adjustment device can appropriately adjust how sound reflects above a sound source, providing an acoustic feel close to that of a high-ceilinged space without large-scale engineering work such as the provision of sound-absorbing materials on the ceiling. A sound-absorbing body (10) supported by a mount (20) is provided above musicians (80) or other subjects, in the middle of a propagation path by which sound from a sound source such as instruments (70) reflects off the ceiling (50) of the room and returns to the aforementioned subjects. Said sound-absorbing body helps prevent a state in which sound emitted from the sound source reflects off the ceiling (50) and then returns as is to the subjects. The manner in which and degree to which sound reaches the subjects from above is thus made similar to that in a space with a ceiling significantly higher than that of the aforementioned room. Even in an ordinary indoor space, the subjects can thus be provided with an acoustic feel that is extremely close to that of an actual performance space with a high ceiling, such as a hall. Consequently, even in a room with an ordinary structure, subjects practicing for an instrumental, vocal, or other performance can be provided with a practice environment that differs little from the actual performance space, making the actual performance feel more comfortable.

Description

音場感調整装置Sound field adjustment device
 本発明は、楽器演奏者や歌唱者等の人の頭部上方に吸音部分を位置させて、上方からの反射音に基づく人の感覚を変化させる音場感調整装置に関する。 [Technical Field] The present invention relates to a sound field feeling adjusting device in which a sound absorbing portion is positioned above a head of a person such as a musical instrument player or a singer to change a human sense based on reflected sound from above.
 コンサートや発表会等を目的として、楽器演奏者が演奏の練習を行ったり、歌唱者が歌唱の練習を行う場合、演奏や歌唱を実演するホール等の実演場で練習を行うのが、楽器や歌唱者から発生する音(楽音・音声)の広がりやこうした発生音のホール等での反響状態を正確に把握する上で最も望ましいが、こうしたホール等で演奏者等の都合に合わせて練習の機会を設定するのは極めて難しいことから、通常は、より小さい練習室等の一般的な構造の部屋内で練習が行われていた。 When a musical instrument player practices a performance or a singer practices a singing for a concert or a presentation, it is important to practice in a performance hall such as a hall where performances and singing are performed. It is most desirable to accurately grasp the spread of the sound (musical sound / voice) generated by the singer and the echo state of the generated sound in the hall, etc., but the opportunity to practice at the convenience of the performer etc. in such a hall Since it is extremely difficult to set up, practice is usually performed in a room having a general structure such as a smaller practice room.
 しかしながら、空間内における音の反射について特に配慮、対策がなされていない部屋の室内空間で繰返し練習を行った場合、特にアマチュア演奏者等が一般的な住宅における部屋の狭い室内空間でのみ練習を行った場合、演奏者や歌唱者がその室内空間の音響特性に基づいて感じる音場感を、そのまま演奏・歌唱時の音場感として受止め、これに慣れてしまうことで、ホール等の広い実演場で演奏や歌唱を実演する際に、練習時との環境の変化に伴う音場感の違いから、演奏者や歌唱者が違和感を覚えるだけでなく、音に対する感覚に狂いを生じて、適切に演奏・歌唱を行えなくなるという問題を生じていた。 However, when practicing repeatedly in an indoor space where there is no particular consideration or countermeasure for sound reflection in the space, amateur players, etc., practice only in a narrow indoor space in a typical house. In this case, the sound field feeling felt by the performer or singer based on the acoustic characteristics of the room space is accepted as the sound field feeling at the time of performance and singing and is used to this. When demonstrating performances and singing on the ground, the difference in sound field feeling due to environmental changes from the time of practice not only makes the player or singer feel uncomfortable, but also creates a sense of insensitivity to the sound. The problem of being unable to perform and sing was caused.
 このため、楽器演奏者や歌唱者が演奏・歌唱の練習を行うような用途での利用も想定される部屋では、ホール等より著しく狭い部屋の室内空間で特有の音の反射が生じるのを抑えるために、室内の天井や壁の内面に特殊な吸音材を配設して吸音構造とし、不要な反射を抑えることが提案されている。こうした目的で用いられるもののうち、室内の天井や壁の内装材として配設される吸音板の例として、特開2001-132132号公報に開示されるものがある。 For this reason, in a room that is expected to be used for musical instrument players and singers to practice performances and singing, it is possible to suppress reflection of specific sound in the room space of a room that is significantly narrower than a hall or the like. For this reason, it has been proposed to provide a sound absorbing structure by arranging a special sound absorbing material on the ceiling or the inner surface of the wall to suppress unnecessary reflection. Among those used for such purposes, there is one disclosed in Japanese Patent Laid-Open No. 2001-132132 as an example of a sound absorbing plate disposed as an interior material for a ceiling or wall in a room.
 前記従来の吸音板を用いて壁等を形成することにより、部屋の狭さに伴って反射音が過剰に生じることを防ぎ、練習時の音場感に特別な部屋の癖のようなものが加味されるのをできるだけ抑えることで、実演時に演奏者が違和感を覚えにくくすることが可能となる。 By forming walls and the like using the conventional sound absorbing plate, it is possible to prevent excessive reflections from occurring due to the narrowness of the room, and to make the sound field feel special during practice. It is possible to make it difficult for the performer to feel uncomfortable at the time of the performance by suppressing the additions as much as possible.
特開2001-132132号公報JP 2001-132132 A
 従来の室内の壁等を吸音構造とするための吸音板は、前記特許文献に示される構成となっており、室内に面する天井や壁として設けることで、楽器等の音源から発生した音に対し吸音性能を発揮させ、音の反射を抑えられるものの、適切な反射抑制効果を生じさせるためには、部屋の天井や壁の広い範囲にわたって、吸音板を既設の天井材や壁材に代えて設けるか、吸音板を天井や壁の室内空間側に追加して設ける必要がある。こうした吸音板を用いて天井や壁を吸音構造とするにあたっては、特に、天井への吸音板の固定配設作業が大がかりなものとなり、大きなコストがかかってしまうという課題を有していた。 A conventional sound absorbing plate for making a sound absorbing structure on a wall or the like in a room has a configuration shown in the above-mentioned patent document. By providing it as a ceiling or wall facing the room, sound generated from a sound source such as a musical instrument can be obtained. In order to achieve sound absorption performance and suppress sound reflection, however, in order to produce an appropriate reflection suppression effect, the sound absorption plate is replaced with existing ceiling materials and wall materials over a wide range of room ceilings and walls. It is necessary to provide a sound absorbing plate or add it to the indoor space side of the ceiling or wall. When such a sound absorbing plate is used to make a sound absorbing structure on the ceiling or wall, the work of fixing and mounting the sound absorbing plate to the ceiling becomes particularly large, and there is a problem that a large cost is required.
 また、吸音性能を発揮させるために、吸音板を天井や壁に固定設置する関係上、後から吸音や反射状態を細かく調整することはできず、演奏者や歌唱者が実演予定のホール等に近い音場感を得られるように調整を図ろうとする場合には、別の吸音材等を追加で配設せざるを得ず、特に天井については、状況に応じた柔軟な対応が難しいという課題も有していた。 In addition, in order to demonstrate the sound absorption performance, the sound absorption plate is fixedly installed on the ceiling or wall, so it is not possible to finely adjust the sound absorption or reflection state later. When trying to make adjustments so that a close sound field can be obtained, it is necessary to add another sound absorbing material etc., especially for the ceiling, it is difficult to flexibly respond to the situation Also had.
 本発明は、前記課題を解消するためになされたもので、吸音材を天井の広い範囲に配設するような大がかりな作業なしに、音源からの音の上方での反射状態を適切に調整して、狭い部屋特有の音の反射による音場感への影響を抑えられ、音を聴く対象者にホール等の天井の高い空間に近い音場感を与えることができる音場感調整装置を提供することを目的とする。 The present invention has been made to solve the above problems, and appropriately adjusts the reflection state of the sound from the sound source without a large-scale work of disposing the sound absorbing material over a wide range of the ceiling. Providing a sound field adjustment device that can suppress the effect on the sound field feeling due to the reflection of sound peculiar to a narrow room and can give the sound listener a sound field feeling close to a high ceiling space such as a hall The purpose is to do.
 本発明に係る音場感調整装置は、室内空間における天井と床との間で、床と平行な向き又は当該向きから±30°以内の範囲で傾斜した向きとされて、音源からの音を聴く対象者の頭部より上側で、且つ音源からの音が天井で反射して前記対象者の耳に達するまでの最短の伝播経路の途中位置に配置される略板状の吸音体と、当該吸音体を下から支持する架台とを少なくとも備えるものである。 The sound field feeling adjusting device according to the present invention is configured so that a sound from a sound source is set between a ceiling and a floor in an indoor space in a direction parallel to the floor or inclined within a range of ± 30 ° from the direction. A substantially plate-like sound absorber disposed above the head of the subject to be listened to and disposed in the middle of the shortest propagation path until the sound from the sound source is reflected by the ceiling and reaches the ear of the subject; It includes at least a gantry that supports the sound absorber from below.
 このように本発明においては、楽器等の音源からの音が天井で反射してこの音源からの音を聴く対象者、例えば楽器の演奏者や歌唱者等、に達するまでの伝播経路の途中にあたる、対象者より上方の位置に、架台で支持された吸音体を配置し、音源から発した音が部屋の天井で反射してそのまま対象者へ到達する状態となるのを抑え、吸音体の位置から対象者に到達する反射音を、反射音が全く無いか、音源からの音が吸音体下面でごくわずかに反射した分にとどめるようにして、対象者への上方からの音の到達状態を部屋より相当高い天井のある空間と同様とすることにより、ホール等の実演場との差異が大きく、対象者に違和感を与える要因となっていた一般的な室内空間における低い天井からの反射音に基づく音場感を、高い天井があるホール等の実演場に極めて近い音場感に代えて、対象者に与えることができ、対象者の演奏や歌唱等の練習に係り、一般的な構造の部屋においても実演場とほとんど差異がない優れた練習環境を提供でき、実演時の違和感解消を図れ、実演時のパフォーマンス向上に繋げられる。また、室内空間への設置にあたっては、部屋を大がかりに改修する必要がなく、簡易且つ低コストで導入できると共に、吸音体の位置を対象者に対して動かせることで音場感を容易且つ簡易に調整でき、手軽に対象者の音を聴く環境を改善して適切な音場感を得られることとなる。 As described above, in the present invention, the sound from a sound source such as a musical instrument is reflected on the ceiling, and is in the middle of the propagation path until reaching a target person who listens to the sound from the sound source, such as a musical instrument player or a singer. The sound absorber supported by the gantry is placed at a position above the target person, so that the sound emitted from the sound source is reflected from the ceiling of the room and reaches the target person as it is. The reflected sound reaching the target from the sound source is limited to the amount of reflected sound that is not reflected at all, or the sound from the sound source is reflected slightly on the lower surface of the sound absorber, so that the sound reaches the target from above. By making it similar to a space with a ceiling that is considerably higher than the room, the difference from the performance hall such as a hall is large, and the reflected sound from the low ceiling in the general indoor space, which was a factor that made the subject feel uncomfortable The sound field is based on a high ceiling It can be given to the subject instead of the sound field feeling very close to the demonstration hall such as the hall, etc., and it is related to the subject's performance and singing practice, etc. Can provide an excellent practice environment, and can eliminate the sense of incongruity during the performance, leading to improved performance during the performance. In addition, when installing in an indoor space, it is not necessary to renovate the room on a large scale, and it can be introduced simply and at low cost, and the sound field can be easily and easily moved by moving the position of the sound absorber relative to the subject. It is possible to adjust, and it is possible to easily improve the environment for listening to the sound of the subject and obtain an appropriate sound field feeling.
 また、本発明に係る音場感調整装置は必要に応じて、前記吸音体が、傾斜角度を調整可能として配設されるものである。 Also, in the sound field feeling adjusting device according to the present invention, the sound absorber is arranged so that the inclination angle can be adjusted as necessary.
 このように本発明においては、対象者より上方に配設される吸音体の床面に対する傾斜角度を調整可能とし、この吸音体の傾斜角度調整で音源からの音の吸音体での反射状態、すなわち対象者への反射音の到達状態を変化させられることにより、吸音体からの反射音に基づいて対象者が受ける音場感を細かく調整でき、対象者ごとの個人差に応じた吸音体の微調整で、いずれの対象者にも所望の音場感を与えられると共に、実演予定の実演場を想定して音場感の調整を細かく行うこともでき、様々な実演状況に対応した環境を提供できる。 As described above, in the present invention, the inclination angle of the sound absorber disposed above the subject can be adjusted, and the reflection state of the sound from the sound source on the sound absorber by adjusting the inclination angle of the sound absorber, That is, by changing the arrival state of the reflected sound to the target person, the sound field feeling received by the target person can be finely adjusted based on the reflected sound from the sound absorbing body, and the sound absorbing body according to individual differences for each target person can be adjusted. With fine adjustment, any audience can be given a desired sound field feeling, and the sound field feeling can be finely adjusted assuming the performance field scheduled for the demonstration, creating an environment that supports various performance situations. Can be provided.
 また、本発明に係る音場感調整装置は必要に応じて、前記架台における、前記対象者の存在位置の後部及び/又は側部にあたる箇所に、前記吸音体とは別の一又は複数の吸音体を着脱可能に立設されるものである。 Further, the sound field feeling adjusting device according to the present invention may include one or a plurality of sound absorbing members different from the sound absorbing body at a position corresponding to a rear portion and / or a side portion of the target person in the gantry as necessary. The body is detachably installed.
 このように本発明においては、架台上部の吸音体とは別に、対象者の後部や側部に吸音体を架台に支持させて配置し、対象者の後方や側方における反射についても、吸音体で反射状態を変えて、対象者への反射音の到達状態を調整できるようにすることにより、壁からの反射音の影響も抑えて、対象者の音場感をより一層ホール等の実演箇所に近い状態とすることができる。 Thus, in the present invention, apart from the sound absorber at the top of the gantry, the sound absorber is arranged at the back and sides of the subject with the gantry supported by the gantry, and the sound absorber is also used for reflection on the back and sides of the subject. By changing the reflection state and adjusting the arrival state of the reflected sound to the target person, the influence of the reflected sound from the wall is suppressed, and the target person's sound field feeling is further demonstrated in the hall, etc. It can be in a state close to.
 また、本発明に係る音場感調整装置は必要に応じて、前記架台が、前記対象者及び対象者の取扱う付属物と接触しない後部及び/又は側部に配置され、前記吸音体が、架台の上部に取付けられるものである。 Moreover, the sound field feeling adjusting device according to the present invention is arranged, if necessary, on the rear part and / or the side part where the pedestal does not come into contact with the subject and the accessories handled by the subject. It is attached to the upper part of.
 このように本発明においては、架台を対象者とその付属物から離れた箇所に配置し、この架台上部に吸音体を取付けて対象者より上方に位置させることにより、対象者が演奏者として楽器を演奏する場合に、架台が演奏の障害となることもなく、特に問題なく吸音体を架台で支持して、吸音体による音の反射状態の調整が適切に実行できる。 As described above, in the present invention, the pedestal is arranged at a position away from the subject and its accessories, and the subject is instrumental as a performer by attaching the sound absorber to the upper portion of the pedestal and positioning it above the subject. When the singer is played, the pedestal does not become an obstacle to performance, and the sound absorber is supported by the cradle without any particular problem, and the adjustment of the sound reflection state by the sound absorber can be appropriately executed.
本発明の第1の実施形態に係る音場感調整装置の正面図である。It is a front view of the sound field feeling adjustment apparatus which concerns on the 1st Embodiment of this invention. 本発明の第1の実施形態に係る音場感調整装置の側面図である。1 is a side view of a sound field feeling adjusting device according to a first embodiment of the present invention. 本発明の第1の実施形態に係る音場感調整装置の平面図である。1 is a plan view of a sound field feeling adjusting device according to a first embodiment of the present invention. 本発明の第1の実施形態に係る音場感調整装置の第一の変形例の側面図である。It is a side view of the 1st modification of the sound field feeling adjustment apparatus which concerns on the 1st Embodiment of this invention. 本発明の第1の実施形態に係る音場感調整装置の第二の変形例の側面図である。It is a side view of the 2nd modification of the sound field feeling adjustment apparatus which concerns on the 1st Embodiment of this invention. 本発明の第1の実施形態に係る音場感調整装置の第三の変形例の平面図である。It is a top view of the 3rd modification of the sound field feeling adjustment apparatus which concerns on the 1st Embodiment of this invention. 本発明の第1の実施形態に係る音場感調整装置の第四の変形例の正面図である。It is a front view of the 4th modification of the sound field feeling adjustment apparatus which concerns on the 1st Embodiment of this invention. 本発明の第1の実施形態に係る音場感調整装置の第四の変形例の平面図である。It is a top view of the 4th modification of a sound field feeling adjustment device concerning a 1st embodiment of the present invention. 本発明の第2の実施形態に係る音場感調整装置の斜視図である。It is a perspective view of the sound field feeling adjustment apparatus which concerns on the 2nd Embodiment of this invention. 本発明の第2の実施形態に係る音場感調整装置の正面図である。It is a front view of the sound field feeling adjustment apparatus which concerns on the 2nd Embodiment of this invention. 本発明の第2の実施形態に係る音場感調整装置の平面図である。It is a top view of the sound field feeling adjustment apparatus which concerns on the 2nd Embodiment of this invention. 本発明の音場感調整装置を設けた室内空間でのギター演奏時の演奏者位置における音の時間波形及びその周波数成分を示すグラフである。It is a graph which shows the time waveform and the frequency component of the sound in the player position at the time of the guitar performance in the indoor space which provided the sound field feeling adjustment apparatus of this invention. 本発明の音場感調整装置を設けない室内空間でのギター演奏時の演奏者位置における音の時間波形及びその周波数成分を示すグラフである。It is a graph which shows the time waveform of the sound in the player position at the time of the guitar player in the indoor space which does not provide the sound field feeling adjustment apparatus of this invention, and its frequency component. 本発明の音場感調整装置を設けた室内空間でのピアノ演奏時の演奏者位置における音の時間波形及びその周波数成分を示すグラフである。It is a graph which shows the time waveform of the sound in the player position at the time of the piano performance in the indoor space which provided the sound field feeling adjustment apparatus of this invention, and its frequency component. 本発明の音場感調整装置を設けない室内空間でのピアノ演奏時の演奏者位置における音の時間波形及びその周波数成分を示すグラフである。It is a graph which shows the time waveform of the sound in the player position at the time of the piano performance in the indoor space which does not provide the sound field feeling adjustment apparatus of this invention, and its frequency component.
(本発明の第1の実施形態)
 以下、本発明の第1の実施形態に係る音場感調整装置を前記図1ないし図3に基づいて説明する。本実施形態においては、ドラムセット等の床置きで支持され、且つ楽音の発生部位が比較的演奏者に近い部位にある楽器とその演奏者に対応して配設される装置の例について説明する。
(First embodiment of the present invention)
Hereinafter, the sound field feeling adjusting apparatus according to the first embodiment of the present invention will be described with reference to FIGS. In the present embodiment, an example of an instrument that is supported by a floor such as a drum set and that has a musical sound generation site relatively close to the performer and an apparatus that is arranged corresponding to the performer will be described. .
 前記各図において本実施形態に係る音場感調整装置1は、室内空間における天井50と床60との間で、床60と平行な向きから所定角度傾斜した向きとされて、楽器70を演奏する前記対象者としての演奏者80の頭部より上方で、且つ前記音源としての楽器70からの音が天井50で反射して演奏者80の耳に達するまでの最短の伝播経路の途中位置に配置される略板状の吸音体10と、この吸音体10を下から支持する架台20とを備える構成である。 In each of the drawings, the sound field feeling adjusting device 1 according to the present embodiment plays the musical instrument 70 with a direction inclined at a predetermined angle from a direction parallel to the floor 60 between the ceiling 50 and the floor 60 in the indoor space. And above the head of the performer 80 as the subject, and at a midpoint of the shortest propagation path from the sound 50 from the instrument 70 as the sound source to the sound reflected by the ceiling 50 and reaching the ear of the performer 80 This is a configuration comprising a substantially plate-like sound absorber 10 and a gantry 20 that supports the sound absorber 10 from below.
 前記吸音体10は、吸音性を有する略板状体として形成され、架台20の略垂直に起立する支柱上部に、床60と平行な向きから30°傾けて取付けられ、演奏者80の頭部の上方に配設される構成である。この吸音体10の吸音性については、多数の孔が穿設されて表面に配設される板と、この板に重ねて配設される多孔質の吸音材等とを備えた公知の構成に基づくものであり、詳細な説明を省略する。 The sound absorbing body 10 is formed as a substantially plate-like body having sound absorbing properties, and is attached to the upper portion of the support column standing upright substantially vertically of the gantry 20 by being inclined by 30 ° from the direction parallel to the floor 60. It is the structure arrange | positioned above. With respect to the sound absorbing property of the sound absorber 10, a known structure including a plate having a large number of holes drilled and disposed on the surface, and a porous sound absorbing material disposed on the plate is provided. The detailed description is omitted.
 吸音体10を配設する高さは、立位又は座位にある演奏者80の頭部の上方で、圧迫感を与えないように頭部から約200~300mm以上は離した状態とする一方、室内で天井50に接触させずに配置できる範囲とする必要があり、例えば1500~2000mm程度とするのが好ましい。 The height at which the sound absorber 10 is disposed is about 200 to 300 mm or more above the head of the performer 80 in the standing or sitting position so as not to give a feeling of pressure, The range needs to be within the room without being in contact with the ceiling 50, and is preferably about 1500 to 2000 mm, for example.
 また、吸音体10の大きさ(面積)は、適度な吸音により演奏者80の音場感を適切に調整可能とするために、演奏者80からの距離に応じた面積を設定する必要があり、演奏者80に近付ければこの面積を小さくできるものの、逆に演奏者80から離して設ける場合には面積が大きくなる。吸音体10を架台20上に取付ける作業性や、吸音体10を支持する架台20の強度や大きさ等の現実的な条件面から、吸音体の幅を600~900mm、奥行を600~1800mm程度に設定するのが好ましい。ただし、吸音体10の高さや大きさ、傾斜の角度は、部屋の構造や音源から出る音の音圧、また演奏者等の対象者によって最適値が変化することから、用いる際の条件に応じて適切な状態に調整することが求められる。 In addition, the size (area) of the sound absorber 10 needs to be set according to the distance from the player 80 so that the sound field of the player 80 can be appropriately adjusted by appropriate sound absorption. This area can be reduced if the player 80 is approached, but conversely, if the player 80 is provided away from the player 80, the area increases. From the viewpoint of workability for mounting the sound absorber 10 on the gantry 20 and realistic conditions such as the strength and size of the gantry 20 that supports the sound absorber 10, the width of the sound absorber is about 600 to 900 mm and the depth is about 600 to 1800 mm. It is preferable to set to. However, the optimum value of the height, size, and inclination angle of the sound absorber 10 varies depending on the structure of the room, the sound pressure of the sound emitted from the sound source, and the subject such as the performer. Therefore, it is necessary to adjust to an appropriate state.
 こうした吸音体10が、音源である楽器70に対して、演奏者80の頭部の上方に位置するように支持されることで、楽器70からの音が仮に天井50で反射して演奏者80の耳に達する場合の最短伝播経路の途中に、吸音体10がちょうど位置することとなる。そして、この吸音体10の吸音作用で、天井へ向おうとする音が伝播経路途中の吸音体10下面部分で吸音されたり、天井で反射した音が伝播経路途中の吸音体10上面部分で吸音されたりすることとなり、天井側すなわち上方からの音の演奏者80への到達が大幅に抑制される。 The sound absorber 10 is supported so as to be positioned above the head of the player 80 with respect to the musical instrument 70 as a sound source, so that the sound from the musical instrument 70 is temporarily reflected by the ceiling 50 and played by the player 80. The sound absorber 10 is located just in the middle of the shortest propagation path when reaching the ear of the user. The sound absorbing action of the sound absorber 10 absorbs the sound going to the ceiling at the lower surface portion of the sound absorber 10 in the middle of the propagation path, or the sound reflected by the ceiling is absorbed by the upper surface portion of the sound absorber 10 in the middle of the propagation path. As a result, the arrival of the sound from the ceiling side, that is, from above, to the player 80 is greatly suppressed.
 前記架台20は、略垂直に起立する支柱21とこれを支持する最下部の台座部22とを備え、支柱21最上部に吸音体10を前方に張出した状態で取付けられる構成である。支柱21及び台座部22は、音場感の調整対象者である演奏者80や、その近傍に設置される楽器70及びその支持器具といった、演奏者80の取扱う付属物と接触しない箇所、すなわち、支柱21は演奏者80の後ろ側、台座部22は演奏者80及び楽器70の左右側方に、それぞれ位置することとなる。 The gantry 20 includes a support column 21 that stands substantially vertically and a lowermost pedestal portion 22 that supports the support column 21 and is attached to the top of the support column 21 with the sound absorber 10 protruding forward. The support column 21 and the pedestal portion 22 do not come into contact with an accessory handled by the performer 80, such as the performer 80 who is a person who adjusts the sense of sound field, the musical instrument 70 and its supporting equipment installed in the vicinity thereof, that is, The support column 21 is positioned behind the performer 80, and the pedestal portion 22 is positioned on the left and right sides of the performer 80 and the musical instrument 70, respectively.
 また、架台20における、演奏者80の後ろ側となる支柱21前面位置には、最上部の吸音体10とは別に、複数の吸音体11が支柱21に沿って起立状態で配置され、演奏者80の後方における音の反射状態を変化させる仕組みである。 In addition to the uppermost sound absorber 10, a plurality of sound absorbers 11 are arranged in a standing state along the support column 21 at the front surface position of the support column 21 on the rear side of the player 80 in the gantry 20. This is a mechanism for changing the sound reflection state behind the 80.
 前記台座部22は、支柱21最上部に吸音体10が取付けられた状態で架台20全体が倒れないように、演奏者80の後方の支柱21側から前方側に伸出する長さを十分に確保され、吸音体10と支柱21を合わせた架台上部の重心が、台座部22より前方に位置しないように形成される構成である。この台座部22下部にはキャスター22aを複数設けて、装置の床に対する移動や位置調整を容易にする構成としてもかまわない。 The pedestal portion 22 is sufficiently long to extend from the support column 21 at the back of the player 80 to the front side so that the entire pedestal 20 does not fall with the sound absorber 10 attached to the top of the support column 21. The center of gravity of the upper part of the gantry is secured so as not to be located in front of the pedestal part 22. A plurality of casters 22a may be provided in the lower portion of the pedestal portion 22 to facilitate movement and position adjustment of the apparatus with respect to the floor.
 次に、本実施形態に係る音場感調整装置の設置及び使用状態について説明する。前提として、音場感の調整対象者である楽器の演奏者80の側方や前方については、あらかじめ、部屋の壁等に別途吸音材を配置することで、壁での反射音が狭い部屋特有の癖のある状態とならないような対策がなされているものとする。 Next, the installation and use state of the sound field feeling adjusting apparatus according to this embodiment will be described. As a premise, for the side and front of the musical instrument player 80 who is the target of sound field adjustment, a sound absorbing material is placed in advance on the wall of the room, so that the reflected sound on the wall is unique to the room. Measures shall be taken so as not to be in the state of a defect.
 まず、前記対象者としての演奏者80の演奏位置近傍における、演奏者80や前記付属物としての楽器70及びその支持器具と接触しない位置に、架台20をなす支柱21及び台座部22を配設する。具体的には、床面上の楽器70の左右側方から演奏者80の後方にかけての位置に台座部22を配設し、この台座部22上の演奏者80の後方となる部位に支柱21を配設する。さらに、支柱21の前面位置に吸音体11を起立状態として取付けると共に、支柱21上部に吸音体10を取付けて固定すれば、音場感調整装置1として一体に取扱えることとなる。この状態で、演奏者80が楽器70の音を出しながら、装置全体の位置を動かして、演奏者80に対する吸音体10の位置を微調整して、楽器演奏状態における演奏者80の音場感が所望の状態となるようにする。 First, in the vicinity of the performance position of the performer 80 as the target person, the support column 21 and the pedestal portion 22 forming the pedestal 20 are disposed at positions where the performer 80, the musical instrument 70 as the accessory, and the supporting device thereof do not come into contact. To do. Specifically, the pedestal portion 22 is disposed at a position from the left and right sides of the musical instrument 70 on the floor surface to the back of the performer 80, and the column 21 is placed on the back of the performer 80 on the pedestal portion 22. Is disposed. Furthermore, if the sound absorber 11 is mounted in a standing state on the front surface of the column 21 and the sound absorber 10 is mounted and fixed on the upper portion of the column 21, the sound field feeling adjusting device 1 can be handled integrally. In this state, the player 80 moves the position of the entire apparatus while making the sound of the instrument 70, and finely adjusts the position of the sound absorber 10 with respect to the player 80. In a desired state.
 この音場感調整装置1を設けた状態で演奏者80が楽器70を演奏すると、音源である楽器70から発生した音は周囲に拡散し、直接音が演奏者80に達する他、壁等で反射した音がそれぞれ所定の時間遅れを伴いつつ演奏者80に達することとなるが、楽器70から上方に放射され、本来は室内空間の天井50に反射して演奏者80に達するはずであった間接音は、演奏者80の上方にある吸音体10に達してその大部分が吸音される。 When the player 80 plays the musical instrument 70 with the sound field feeling adjusting device 1 provided, the sound generated from the musical instrument 70, which is a sound source, diffuses to the surroundings, and the direct sound reaches the player 80. Each of the reflected sounds reaches the player 80 with a predetermined time delay, but is radiated upward from the musical instrument 70 and originally should be reflected by the ceiling 50 in the indoor space to reach the player 80. Most of the indirect sound reaches the sound absorber 10 above the performer 80 and is absorbed.
 具体的には、楽器70から天井50へ向おうとする音が演奏者80上側の吸音体10の下面部分で吸音される。天井側すなわち上方から演奏者81に到達する音は、楽器70から吸音体10の下面部分に達した音が完全に吸音されなかった場合に、その吸音されなかったわずかな一部が反射されて演奏者80に達するものや、楽器70から発して壁や天井50で二回以上反射し、音のエネルギーを大きく減衰させた状態で吸音体10のない位置を通って演奏者80に達する音のみとなり、これらの音を演奏者80が聴くこととなる。 Specifically, a sound going from the instrument 70 to the ceiling 50 is absorbed by the lower surface portion of the sound absorber 10 on the upper side of the performer 80. The sound that reaches the performer 81 from the ceiling side, that is, from above is reflected by a small part of the sound that has not been absorbed when the sound that has reached the lower surface portion of the sound absorber 10 from the instrument 70 is not completely absorbed. Only the sound reaching the performer 80 or the sound that is emitted from the instrument 70 and reflected by the wall or ceiling 50 more than once, and that reaches the performer 80 through the position without the sound absorber 10 with the sound energy greatly attenuated. Thus, the player 80 listens to these sounds.
 こうして、音場感において低い天井50の存在を印象付ける基となる、音源の楽器70から発して天井50で一回反射した後、直接演奏者80の方に向おうとする、まだ音のエネルギーの大きい反射音を、演奏者80へ到達できないようにし、演奏者80の上方からは、吸音体10で完全に吸音されずわずかに反射した音など、音のエネルギーの小さい反射音のみが演奏者80に達するようにした状態は、あたかも楽器70から発して上方に向った音が、楽器70から大きく離れた遠方の天井面で反射して演奏者80に達する状態に近似することとなり、演奏者80にはホール等のような高い天井のあるステージ上で演奏するのと同様の音場感を与えられる。 In this way, after the sound source instrument 70 radiates from the sound source instrument 70 and is reflected once from the ceiling 50, which is the basis for impressing the presence of the low ceiling 50 in the sound field feeling, the sound energy that is still directed toward the performer 80 still remains. A large reflected sound is prevented from reaching the player 80, and only the reflected sound having a low sound energy such as a sound that is slightly absorbed without being completely absorbed by the sound absorber 10 from above the player 80 is played by the player 80. The state of reaching the player 80 is similar to a state in which the upward sound generated from the musical instrument 70 is reflected by a far ceiling surface far away from the musical instrument 70 and reaches the player 80. The sound field feels the same as when performing on a high ceiling stage such as a hall.
 なお、楽器70から演奏者80の後方に向う音は、演奏者80の後ろ側に配置される吸音体11で大部分を吸音され、演奏者80にその後方から達する反射音は大幅に減ることとなり、演奏者80の音場感に演奏者80後方に存在する壁や家具等の影響が及ぶことを防止できる。 Note that most of the sound directed from the musical instrument 70 toward the back of the performer 80 is absorbed by the sound absorber 11 disposed on the back side of the performer 80, and the reflected sound reaching the performer 80 from behind is greatly reduced. Thus, it is possible to prevent the sound field feeling of the performer 80 from being affected by walls, furniture, etc. existing behind the performer 80.
 また、楽器70から側方や下方に向う音は、壁や床に別途配設された他の吸音材で反射状態を調整され、演奏者80の音場感に悪影響を与えるような不要な反射が生じない状態とされるが、これについては公知の壁や床における吸音手法と同様であり、説明を省略する。 Further, the sound directed to the side or downward from the musical instrument 70 is adjusted in the reflection state by another sound absorbing material separately provided on the wall or floor, and unnecessary reflection that adversely affects the sound field feeling of the player 80. However, this is the same as a known sound absorbing method for walls and floors, and a description thereof will be omitted.
 このように、本実施形態に係る音場感調整装置は、演奏者80の上側に、架台20で支持された吸音体10を配置して、音源から発した音が部屋の天井50で反射してそのまま演奏者80へ到達する状態になるのを抑え、上方から演奏者80に到達する音を、音源からの音が吸音体10下面でごくわずかに反射した分などの弱い音にとどめるようにして、演奏者80への上方からの音の到達状態を、部屋より相当高い天井のある空間と同様とすることから、ホール等の実演場との差異が大きく、演奏者80に違和感を与える要因となっていた一般的な室内空間における低い天井50からの反射音に基づく音場感を、高い天井があるホール等の実演場に極めて近い音場感に代えて、演奏者80に与えることができ、演奏者80の演奏の練習に係り、一般的な構造の部屋においても音場感が実演場とほとんど差異のない優れた練習環境を提供でき、実演時の違和感解消を図れ、実演時のパフォーマンス向上に繋げられる。また、室内空間への設置にあたり、部屋を大がかりに改修する必要がなく、簡易且つ低コストで導入できると共に、吸音体10の位置を演奏者80に対し動かせることで音場感を容易且つ簡易に調整でき、手軽に演奏者80の音を聴く環境を改善して適切な音場感を得られることとなる。 As described above, in the sound field feeling adjusting apparatus according to the present embodiment, the sound absorber 10 supported by the gantry 20 is arranged above the performer 80, and the sound emitted from the sound source is reflected by the ceiling 50 of the room. The sound reaching the player 80 from above is suppressed and the sound reaching the player 80 from above is limited to a weak sound such as the sound from the sound source reflected very slightly on the lower surface of the sound absorber 10. Thus, since the state of the sound reaching the performer 80 from above is the same as a space with a ceiling that is considerably higher than the room, there is a large difference from a performance hall such as a hall, and the factor that makes the performer 80 uncomfortable The sound field feeling based on the reflected sound from the low ceiling 50 in a general indoor space that has been changed to a sound field feeling very close to a demonstration hall such as a hall with a high ceiling can be given to the performer 80. Yes, for practice of performer 80 Ri, the sound field feeling in the room of the general structure is able to provide excellent training environment with no little difference with the demonstration field, Hakare uncomfortable eliminated at the time of demonstration, is linked to the performance improvement at the time of demonstration. In addition, when installing in an indoor space, it is not necessary to renovate the room on a large scale, it can be introduced simply and at low cost, and the sound field 10 can be moved relative to the performer 80 to make the sound field feel easy and simple. It can be adjusted, and the environment for listening to the sound of the performer 80 can be easily improved and an appropriate sound field feeling can be obtained.
 なお、前記実施形態に係る音場感調整装置において、吸音体10は、架台20の支柱21上部で、床60と平行な向きから30°傾けられて配設される構成としているが、これに限らず、吸音体の傾斜角度を異なる角度としたり、吸音体を床と平行な向きで配設する構成とすることもできる。また、図4に示すように、吸音体12を架台20の支柱23上部で傾斜角度を調整可能として配設する構成とすることもでき、室内空間の状況や楽器の種類、対象者の頭部高さの差異等の条件に応じて、吸音体12を床と平行な向きや所定の傾斜した向きにその傾斜可能な範囲で適宜調整して、どのような状況でも演奏者等の対象者に、ホール等の実演場に極めて近い音場感を与えられると共に、実演予定の実演場を想定して音場感の調整を細かく行うこともでき、様々な実演状況に対応した練習環境を構築して利用できる。 In the sound field feeling adjusting device according to the embodiment, the sound absorber 10 is arranged at an upper portion of the column 21 of the gantry 20 and is inclined by 30 ° from a direction parallel to the floor 60. Not limited to this, the angle of inclination of the sound absorber may be different, or the sound absorber may be arranged in a direction parallel to the floor. Further, as shown in FIG. 4, the sound absorber 12 can be arranged so that the inclination angle can be adjusted at the upper part of the column 23 of the gantry 20, and the situation of the indoor space, the type of musical instrument, the head of the subject person, etc. Depending on conditions such as height differences, the sound absorber 12 is adjusted in a direction parallel to the floor or in a predetermined tilted direction within a tiltable range so that it can be a target player such as a player in any situation. In addition to providing a feeling of sound field that is very close to the performance venues such as halls, it is possible to finely adjust the sound field feeling assuming the planned performance venue, and build a practice environment corresponding to various performance situations Available.
 また、前記実施形態に係る音場感調整装置において、架台20の支柱21上における吸音体10は、その高さを固定状態とされる構成としているが、これに限らず、図5に示すように、架台20における吸音体13を取付ける支柱24の長さを調整可能として、支柱長さの調整に伴って吸音体13の高さ調整が図れる構成とすることもでき、室内空間の状況、特に天井の高さや、対象者の頭部高さの差異等の条件に応じて、吸音体13の高さを支柱長さの変更可能な範囲で適宜調整して、演奏者等の対象者に、ホール等の実演場に極めて近い音場感を与えられると共に、吸音体13の位置を対象者に対して動かせる範囲を広げて、調整代を大きくでき、より適切な音場感を容易に得られる。 Moreover, in the sound field feeling adjusting apparatus according to the embodiment, the sound absorber 10 on the support column 21 of the gantry 20 is configured to have a fixed height. In addition, the length of the support 24 for mounting the sound absorbing body 13 on the gantry 20 can be adjusted, and the height of the sound absorbing body 13 can be adjusted along with the adjustment of the length of the support. In accordance with conditions such as the height of the ceiling and the difference in the head height of the subject, the height of the sound absorber 13 is appropriately adjusted within a range in which the length of the column can be changed, A sound field feeling very close to a demonstration hall such as a hall can be given, and the range in which the position of the sound absorber 13 can be moved with respect to the subject can be widened to increase the adjustment allowance, and a more appropriate sound field feeling can be easily obtained. .
 また、前記実施形態に係る音場感調整装置において、吸音体10は、架台20の支柱21上部に対し固定状態とされて配設される構成としているが、これに限らず、図6に示すように、架台20の支柱25上部で吸音体14を前方に張出した状態で支持する部分に対して、吸音体14がスライドして前後に移動可能となるようにして、吸音体14の前後方向における位置調整も行える構成とすることもでき、吸音体14の前後方向における位置を支持可能な範囲で変化させて、演奏者等の対象者に与えられる音場感を細かく調整でき、対象者の所望する実演場に近い音場感を確実に得られる。 Moreover, in the sound field feeling adjusting apparatus according to the embodiment, the sound absorber 10 is arranged in a fixed state with respect to the upper portion of the column 21 of the gantry 20, but is not limited thereto, and is shown in FIG. As described above, the sound absorber 14 is slidable and moved back and forth with respect to the portion of the pedestal 20 where the sound absorber 14 is supported in a state where the sound absorber 14 extends forward. The position of the sound absorbing body 14 in the front-rear direction can be changed within a supportable range, and the sound field feeling given to the target person such as the performer can be finely adjusted. A sound field feeling close to the desired demonstration hall can be obtained with certainty.
 さらに、前記実施形態に係る音場感調整装置においては、吸音体10を演奏者80の頭部上方に、また吸音体11を演奏者80の後ろ側に、それぞれ架台20に支持させて配設する構成としているが、この他、図7、8に示すように、演奏者の側方となる箇所にも架台26に支持された吸音体15を配設する構成とすることもでき、楽器から演奏者側方の壁等へ向う音、あるいは壁等で反射して側方から演奏者に向う音を、この吸音体15で吸音して、演奏者に側方の壁等から達する反射音を減らせることとなり、演奏者の音場感に演奏者側方の壁や家具等の影響が及ぶことを防止できる。この場合、吸音体15の向きを調整可能として、演奏者等の対象者に与えられる音場感を、対象者の所望する実演場に近いものとなるよう細かく調整できるようにするのが好ましい。 Furthermore, in the sound field feeling adjusting device according to the embodiment, the sound absorber 10 is supported above the head of the performer 80 and the sound absorber 11 is supported by the mount 20 on the back side of the player 80, respectively. In addition to this, as shown in FIGS. 7 and 8, the sound absorber 15 supported by the pedestal 26 can also be arranged at a place on the side of the performer. The sound that is reflected on the side wall of the performer or the sound that is reflected off the wall and directed toward the performer from the side is absorbed by the sound absorber 15, and the reflected sound that reaches the performer from the side wall is received. As a result, it is possible to prevent the influence of the wall or furniture on the side of the performer on the player's feeling of the sound field. In this case, it is preferable that the direction of the sound absorber 15 can be adjusted so that the sound field feeling given to the subject such as the performer can be finely adjusted so as to be close to the performance place desired by the subject.
 (本発明の第2の実施形態)
 本発明の第2の実施形態を図9ないし図11に基づいて説明する。本実施形態においては、ピアノ等の、床に固定設置され、且つ楽音の発生部位が演奏者から少し離れた部位にある大型の楽器とその演奏者に対応して配設される装置の例について説明する。
(Second embodiment of the present invention)
A second embodiment of the present invention will be described with reference to FIGS. In the present embodiment, an example of a large instrument such as a piano, which is fixedly installed on the floor and has a musical sound generation site slightly away from the performer, and a device arranged corresponding to the performer. explain.
 前記各図において本実施形態に係る音場感調整装置2は、前記第1の実施形態同様、吸音体30と、架台40とを備える一方、異なる点として、架台40が、矩形の枠体を左右に所定間隔でそれぞれ立設状態とし、その上部を梁部材で連結して一体に組合わせた形状として形成され、上部に略板状の吸音体30が取付けられると共に、楽器71の側方で起立状態となる左右の枠体部分にもそれぞれ吸音体31、32が取付けられ、吸音体30、31、32が演奏者や楽器71を上方及び左右から取囲む状態として配設されるものである。 In each of the drawings, the sound field feeling adjusting device 2 according to the present embodiment includes the sound absorber 30 and the gantry 40 as in the first embodiment. On the other hand, the gantry 40 has a rectangular frame as a different point. It is formed in an upright state at predetermined intervals on the left and right sides, and its upper part is connected by a beam member to form a unitary combination. A substantially plate-like sound absorber 30 is attached to the upper part, and at the side of the instrument 71 The sound absorbers 31 and 32 are also attached to the left and right frame portions that are in the standing state, respectively, and the sound absorbers 30, 31, and 32 are disposed so as to surround the performer and the musical instrument 71 from above and from the left and right. .
 前記吸音体30、31、32は、前記第1の実施形態と同様、吸音性を有する略板状体として形成され、架台40の上部と側部に取付けられ、演奏者の楽器71に面する前面部分より前方で且つ楽器71を囲んで配設される構成である。これら吸音体30、31、32の吸音性については、前記第1の実施形態同様の公知の構成に基づくものであり、詳細な説明を省略する。 The sound absorbers 30, 31, and 32 are formed as substantially plate-like bodies having sound absorbing properties, as in the first embodiment, are attached to the upper and side portions of the gantry 40, and face the musical instrument 71 of the performer. The configuration is such that the musical instrument 71 is disposed in front of the front portion. The sound absorbing properties of the sound absorbers 30, 31, and 32 are based on a known configuration similar to that of the first embodiment, and will not be described in detail.
 吸音体30、31、32のうち、架台40上部に取付けられる吸音体30は、床60と平行な向きとされ、その高さは、下側にある楽器71に接触しない十分な間隔を有する一方、室内で天井50に接触させずに配置できる範囲とする必要があり、例えば1800~2000mm程度とするのが好ましい。 Among the sound absorbing bodies 30, 31, and 32, the sound absorbing body 30 attached to the upper portion of the gantry 40 is oriented in parallel with the floor 60, and the height thereof has a sufficient interval that does not contact the musical instrument 71 on the lower side. Therefore, it is necessary to set the range within the room without being in contact with the ceiling 50. For example, it is preferably about 1800 to 2000 mm.
 また、この上部の吸音体30の大きさ(面積)は、楽器71を跨ぐ架台40との取付関係や、吸音体30の取付作業性、吸音体30を支持する架台40の強度や大きさ等の現実的な条件面から、吸音体の幅を1600~1800mm、奥行(前後方向寸法)を600~1800mm程度に設定するのが好ましい。ただし、吸音体30の高さや大きさ、傾斜の角度は、部屋の構造や音源から出る音の音圧、また演奏者等の対象者によって最適値が変化することから、用いる際の条件に応じて適切な状態に調整することが求められる。 In addition, the size (area) of the upper sound absorber 30 is related to the mounting relationship with the gantry 40 that straddles the musical instrument 71, the mounting workability of the sound absorber 30, the strength and size of the gantry 40 that supports the sound absorber 30, and the like. From the realistic conditions, it is preferable to set the width of the sound absorber to 1600 to 1800 mm and the depth (dimension in the front-rear direction) to about 600 to 1800 mm. However, the optimum value of the height, size, and angle of inclination of the sound absorber 30 varies depending on the structure of the room, the sound pressure of the sound emitted from the sound source, and the subject such as the performer. Therefore, it is necessary to adjust to an appropriate state.
 こうした吸音体30が、音源である楽器71に対して、演奏者の頭部より上側となる楽器71の上方位置に存在するように支持されることで、楽器71からの音が仮に天井50で反射して演奏者の耳に達する場合の最短伝播経路の途中に、吸音体30がちょうど位置することとなる。そして、この吸音体30の吸音作用で、天井へ向おうとする音が伝播経路途中の吸音体30下面部分で吸音されたり、天井で反射した音が伝播経路途中の吸音体30上面部分で吸音されたりすることとなり、天井側すなわち上方からの音の演奏者への到達が大幅に抑制される。 The sound absorber 30 is supported so as to be present above the musical instrument 71 above the performer's head with respect to the musical instrument 71 as a sound source, so that the sound from the musical instrument 71 is temporarily on the ceiling 50. The sound absorber 30 is located just in the middle of the shortest propagation path when reflected and reaches the performer's ear. The sound absorbing action of the sound absorber 30 absorbs the sound going to the ceiling at the lower surface portion of the sound absorber 30 in the middle of the propagation path, or the sound reflected by the ceiling is absorbed by the upper surface portion of the sound absorber 30 in the middle of the propagation path. As a result, the arrival of the sound from the ceiling side, that is, from above, to the performer is greatly suppressed.
 一方、架台40左右の吸音体31、32は、上部の吸音体30の配置位置や大きさに対応させつつ、架台40の枠体部分を覆う大きさとされ、具体的には、高さ方向の寸法は1800~2000mm程度、奥行(前後方向寸法)を600~1800mm程度に設定されることとなる。 On the other hand, the sound absorbers 31 and 32 on the left and right of the gantry 40 are sized so as to cover the frame portion of the gantry 40 while corresponding to the arrangement position and size of the upper sound absorber 30. The dimensions are set to about 1800 to 2000 mm, and the depth (front-rear direction dimensions) is set to about 600 to 1800 mm.
 前記架台40は、音場感の調整対象者である演奏者や、その前方に位置する楽器71と接触しない箇所に配設されることとなり、特に、略垂直に起立する左右の二つの枠体部分は、これらに取付けられる吸音体31、32も含め、楽器71の左右側方に楽器71から所定間隔離して配設される。この左右の枠体部分の下端部には、側方に大きく突出して床と接触し、起立状態の枠体部分が左右に傾いたり倒れたりするのを防ぐ足部41を設けるようにするのが好ましい。 The gantry 40 is disposed in a place where it does not come into contact with a player who is a sound field adjustment target or a musical instrument 71 located in front of the gantry, and in particular, two left and right frames that stand substantially vertically. The parts including the sound absorbers 31 and 32 attached thereto are arranged on the left and right sides of the musical instrument 71 and separated from the musical instrument 71 by a predetermined distance. At the lower ends of the left and right frame parts, there is provided a foot part 41 that protrudes sideways and contacts the floor to prevent the standing frame part from tilting left and right or falling over. preferable.
 また、架台40最上部には、照明設備やカメラ、マイク等他の機器を取付けて用いるようにすることもできる。 Also, other equipment such as lighting equipment, a camera, and a microphone can be attached to the top of the gantry 40 for use.
 次に、本実施形態に係る音場感調整装置の設置及び使用状態について説明する。前提として、演奏者の前方や後方については、あらかじめ、部屋の壁等に別途吸音材を配置することで、壁での反射音が狭い部屋特有の癖のある状態とならないような対策がなされているものとする。 Next, the installation and use state of the sound field feeling adjusting apparatus according to this embodiment will be described. As a premise, for the front and rear of the performer, measures are taken in advance so that the sound reflected on the wall is not narrow and the room has a unique habit by placing a separate sound absorbing material on the wall of the room. It shall be.
 まず、前記対象者としての演奏者の演奏位置近傍における、演奏者や前記付属物としての楽器71と接触しない位置に、架台40を配設する。具体的には、床面上の楽器71の左右側方に架台の枠体部分をそれぞれ配設し、これらの枠体部分の上部に楽器71を跨ぐようにして梁部材を配設し、これらを連結して一体の架台40とする。さらに、架台40の上部と左右各部に吸音体30、31、32を取付けて固定すれば、音場感調整装置2として一体に取扱えることとなる。この状態で、演奏者が楽器71の音を出しながら、装置全体の位置を動かして、演奏者に対する吸音体30、31、32の位置を微調整して、楽器演奏状態における演奏者の音場感が所望の状態となるようにする。 First, the gantry 40 is disposed at a position near the performance position of the performer as the target person and not in contact with the performer or the musical instrument 71 as the accessory. Specifically, the frame parts of the gantry are respectively arranged on the left and right sides of the musical instrument 71 on the floor surface, and the beam members are arranged so as to straddle the musical instrument 71 above these frame parts. Are connected to form an integrated gantry 40. Furthermore, if the sound absorbing bodies 30, 31, and 32 are attached and fixed to the upper part and the left and right parts of the gantry 40, the sound field feeling adjusting device 2 can be handled integrally. In this state, the player moves the position of the entire apparatus while making the sound of the musical instrument 71, and finely adjusts the positions of the sound absorbers 30, 31, 32 with respect to the player. The feeling is in a desired state.
 この音場感調整装置2を設けた状態で演奏者81が楽器71を演奏すると、音源である楽器71から発生した音は周囲に拡散し、直接音が演奏者に達する他、壁等で反射した音がそれぞれ所定の時間遅れを伴いつつ演奏者に達することとなるが、楽器71から上方に放射され、本来は室内空間の天井50に反射して演奏者に達するはずであった間接音は、楽器71の上方にある吸音体30に達してその大部分が吸音される。 When the player 81 plays the musical instrument 71 with the sound field adjustment device 2 provided, the sound generated from the musical instrument 71 as a sound source diffuses to the surroundings, and the direct sound reaches the player and is reflected by a wall or the like. However, the indirect sound, which was supposed to reach the performer by being reflected from the ceiling 50 in the indoor space, is radiated upward from the musical instrument 71. The sound absorbing body 30 above the musical instrument 71 is reached and most of the sound absorbing body 30 is absorbed.
 具体的には、楽器71から天井50へ向おうとする音が伝播経路途中にある吸音体30の下面部分で吸音されたり、天井50で反射して演奏者の方に向おうとする音が伝播経路途中にある吸音体30の上面部分で吸音されることとなる。天井側すなわち上方から演奏者に到達する音は、楽器71から上部の吸音体30の下面部分に達した音が完全に吸音されなかった場合に、その吸音されなかったわずかな一部が反射されて演奏者に達するものや、楽器71から発して壁や天井50で二回以上反射し、音のエネルギーを大きく減衰させた状態で吸音体30のない位置を通って演奏者に達する音のみとなり、これらの音を演奏者が聴くこととなる。 Specifically, a sound that is going from the musical instrument 71 to the ceiling 50 is absorbed by the lower surface portion of the sound absorber 30 in the middle of the propagation path, or a sound that is reflected by the ceiling 50 and goes toward the performer. Sound is absorbed by the upper surface portion of the sound absorber 30 in the middle. The sound reaching the performer from the ceiling side, that is, from above, is reflected by a small part of the sound that has not been absorbed when the sound that has reached the lower surface portion of the upper sound absorber 30 from the instrument 71 is not completely absorbed. Only the sound that reaches the performer, or the sound that is emitted from the instrument 71 and reflected by the wall or ceiling 50 more than once and that reaches the performer through the position without the sound absorber 30 with the sound energy greatly attenuated. The performer will listen to these sounds.
 こうして、音場感において低い天井50の存在を印象付ける基となる、音源の楽器71から発して天井50で一回反射した後、直接演奏者の方に向おうとする、まだ音のエネルギーの大きい反射音を、上部の吸音体30で吸音し、楽器71から発して吸音体30でわずかに反射した音など、音のエネルギーの小さい反射音のみが演奏者に達するようにした状態は、あたかも楽器71から発して上方に向った音が、楽器71から大きく離れた遠方の天井面で反射して演奏者に達する状態に近似することとなり、演奏者にはホール等のような高い天井のあるステージ上で演奏するのと同様の音場感を与えられる。 In this way, after the sound source instrument 71 radiates from the sound source instrument 71 and reflects once on the ceiling 50, which is the basis for impressing the presence of the low ceiling 50 in the sense of sound field, the sound energy is still high, going directly to the performer. The state where the reflected sound is absorbed by the upper sound absorber 30 and only the reflected sound with low sound energy such as the sound emitted from the musical instrument 71 and slightly reflected by the sound absorber 30 reaches the performer. A sound with a high ceiling, such as a hall or the like, is approximated to the state in which the upward sound emitted from 71 is reflected by a far ceiling surface far away from the instrument 71 and reaches the performer. You can feel the same sound field as you do above.
 また、楽器71から左右側方の壁等に向う音は、架台40の立設された左右の枠体部分に取付けられた他の吸音体31、32の内側面で大部分を吸音される他、壁等で反射して演奏者の方に向おうとする音が吸音体31、32の外側面で吸音されることとなり、演奏者にその側方から達する反射音は大幅に減ることとなり、演奏者の音場感に演奏者側方に存在する壁や家具等の影響が及ぶことも防止できる。 In addition, the sound directed from the musical instrument 71 toward the left and right side walls and the like is largely absorbed by the inner surfaces of the other sound absorbing bodies 31 and 32 attached to the left and right frame portions where the gantry 40 is erected. The sound reflected on the wall or the like and directed toward the performer is absorbed by the outer surfaces of the sound absorbing bodies 31 and 32, and the reflected sound reaching the performer from the side is greatly reduced. It is also possible to prevent the sound field feeling of the performer from being affected by walls and furniture existing on the side of the performer.
 なお、楽器71から、演奏者から見た前方や後方、下方に向う音は、壁や床に別途配設された他の吸音材で反射状態を調整され、演奏者の音場感に悪影響を与えるような不要な反射が生じない状態とされるが、これについては公知の壁や床における吸音手法と同様であり、説明を省略する。 Note that the sound from the musical instrument 71 toward the front, rear, and downward as viewed from the performer is adjusted in the reflection state by another sound absorbing material separately provided on the wall or floor, which adversely affects the player's sound field feeling. Such unnecessary reflection is not generated, but this is the same as a known sound absorbing method for walls and floors, and a description thereof will be omitted.
 このように、本実施形態に係る音場感調整装置は、音源である楽器71からの音が天井50で反射して演奏者に達するまでの伝播経路の途中にあたる、演奏者より上方の位置に、架台40で支持された吸音体30を配置し、音源から発した音が部屋の天井50で反射してそのまま演奏者へ到達する状態になるのを抑え、上方から演奏者に到達する音を、音源からの音が吸音体30下面でごくわずかに反射した分などの弱い音にとどめるようにすることから、前記第1の実施形態と同様、演奏者には高い天井があるホール等の実演場に極めて近い音場感を与えることができ、一般的な構造の部屋においても音場感が実演場とほとんど差異のない優れた環境を提供でき、演奏者に演奏の練習時と実演時とで音場感の違いに伴う違和感を生じさせない。 As described above, the sound field feeling adjusting device according to the present embodiment is located at a position above the performer, which is in the middle of the propagation path from the sound from the musical instrument 71 as the sound source reflected by the ceiling 50 to reach the performer. The sound absorber 30 supported by the gantry 40 is arranged to suppress the sound emitted from the sound source from being reflected by the ceiling 50 of the room and reaching the performer as it is, and the sound reaching the performer from above is suppressed. Since the sound from the sound source is limited to a weak sound such as a slight reflection on the lower surface of the sound absorber 30, the player performs a demonstration such as a hall with a high ceiling as in the first embodiment. It can provide a sound field feeling that is very close to the venue, and can provide an excellent environment in which the sound field feeling is almost the same as the demonstration hall even in a general structure room. Cause a sense of incongruity with the difference in sound field There.
 なお、前記各実施形態に係る音場感調整装置においては、対象者としての演奏者の演奏する楽器が音源の場合に、この楽器から発する音の室内空間での反射音が演奏者に到達する状態を吸音体で変化させ、演奏者の音場感を調整し、演奏者が実演場と同様の音場感を持ちながら演奏の練習を行えるようにする構成としているが、これに限らず、演奏者や歌唱者でない対象者から離れた位置の、楽器や歌唱者自身ではない音源に対し、対象者近傍に配設されて、室内空間での反射音が対象者に到達する状態を変化させ、対象者の音場感を調整する構成とすることもでき、本装置を用いることで、演奏者や歌唱者でない対象者が、例えば、部屋にいながらホール等に近い音場感を得つつ、他者の演奏・歌唱やスピーカーから出力される音声を聴くことも可能である。 In the sound field feeling adjusting device according to each of the above embodiments, when the musical instrument played by the performer as the target person is a sound source, the reflected sound in the indoor space of the sound emitted from the musical instrument reaches the performer. It is configured to change the state with a sound absorber and adjust the player's sense of sound field so that the player can practice the performance while having a sound field feeling similar to that of the demonstration hall. For a sound source that is not a musical instrument or a singer himself, away from the subject who is not a performer or singer, it is arranged near the subject and changes the state in which the reflected sound in the indoor space reaches the subject. It is also possible to adjust the sound field feeling of the target person. By using this apparatus, the target person who is not a performer or a singer obtains a sound field feeling close to a hall or the like while in the room, for example. Listening to the performance or singing of others or the sound output from the speakers It is also possible.
 本発明の音場感調整装置を室内空間に設置し、楽器が演奏される状態で、前記対象者としての楽器の演奏者に対し、ホール等の実演場に極めて近い音場感を与えられるような吸音性能を確認するための測定評価を実施し、比較例としての装置非設置状態の室内空間における測定結果と比較した結果について説明する。 The sound field feeling adjusting device according to the present invention is installed in an indoor space, and in a state where the musical instrument is played, it is possible to give a sound field feeling very close to a performance place such as a hall to the performer of the musical instrument as the target person. The measurement evaluation for confirming the sound absorption performance is carried out, and the result compared with the measurement result in the indoor space in the apparatus non-installation state as a comparative example will be described.
 本発明の音場感調整装置を室内空間に適切に配設した上で、演奏者が楽器を演奏した場合に、演奏者の耳位置に対応する高さ位置で音の時間経過に伴う波形変化(時間波形)を測定した。楽器はギターとピアノのそれぞれの場合について測定し、ギターの場合、吸音体は前記第1の実施形態に示したように、演奏者の上方に配置して測定を行った。また、ピアノの場合、吸音体は前記第2の実施形態に示したように、演奏者より上側となる楽器の上方に配置して測定を行った。測定後、音の時間波形から高速フーリエ変換により周波数成分(周波数スペクトル)を求めた。 The sound field adjustment device according to the present invention is appropriately disposed in an indoor space, and when the performer plays a musical instrument, the waveform changes with the passage of time of sound at a height position corresponding to the player's ear position. (Time waveform) was measured. The instrument was measured for each of a guitar and a piano. In the case of a guitar, the sound absorber was placed above the performer as shown in the first embodiment. In the case of a piano, as shown in the second embodiment, the sound absorber was placed above the musical instrument above the performer for measurement. After the measurement, the frequency component (frequency spectrum) was obtained from the time waveform of the sound by fast Fourier transform.
 また、比較例として、室内空間に前記音場感調整装置を設けない場合に、同様の楽器演奏状態で、吸音体がない点以外は同じ位置関係として測定を行い、同様に周波数成分を求めた。 In addition, as a comparative example, when the sound field feeling adjusting device was not provided in the indoor space, measurement was performed with the same positional relationship except that there was no sound absorber in the same musical instrument performance state, and the frequency component was similarly obtained. .
 本発明の音場感調整装置を室内空間に設けた場合における各測定で得られた、所定時間にわたる音の時間波形、及びその周波数成分(周波数スペクトル)の各グラフを、ギターの場合を図12に、ピアノの場合を図14にそれぞれ示す。さらに、比較例としての前記音場感調整装置を設けない場合における各測定で得られた音の時間波形及びその周波数成分のグラフを、ギターの場合を図13に、ピアノの場合を図15にそれぞれ示す。前記各図において上段のグラフが音の時間波形を示しており、横軸が時間、縦軸は振幅である。なお、波形測定時間は比較例の場合がより長く示されており、その分、波形が横に圧縮された状態となっている。また、下段のグラフは周波数成分(20~20kHz)を示しており、横軸が周波数、縦軸は音のレベルである。 The graphs of the time waveform of sound over a predetermined time and the frequency components (frequency spectrum) obtained by each measurement when the sound field feeling adjusting device of the present invention is provided in an indoor space are shown in FIG. FIG. 14 shows the case of a piano. Furthermore, the time waveform of the sound and the graph of the frequency component obtained by each measurement when the sound field feeling adjusting device as a comparative example is not provided are shown in FIG. 13 for the guitar and in FIG. 15 for the piano. Each is shown. In each figure, the upper graph shows the time waveform of the sound, the horizontal axis is time, and the vertical axis is amplitude. Note that the waveform measurement time is shown longer in the comparative example, and the waveform is compressed sideways accordingly. The lower graph shows frequency components (20 to 20 kHz), with the horizontal axis representing frequency and the vertical axis representing sound level.
 前記各図より、ギターとピアノのいずれにおいても、比較例としての、室内空間に装置を設けない場合の測定結果によれば、得られた波形は細かく乱れ、音の大きさも大きくなっており、また様々な周波数の音を含み、聴感では音が明瞭でなく騒々しく感じる状態に対応している。波形からは、音源からの直接音に様々な方向からの反射音が雑音として加わっていることがわかり、この時の音場感は、低い天井の存在の影響を受けたものとなる。 From the above figures, in both guitar and piano, as a comparative example, according to the measurement results when no device is provided in the indoor space, the obtained waveform is finely disturbed, the volume of the sound is also large, It also includes sounds of various frequencies, and corresponds to a state in which the sound is not clear but feels noisy. From the waveform, it can be seen that the reflected sound from various directions is added to the direct sound from the sound source as noise, and the sound field feeling at this time is influenced by the presence of a low ceiling.
 これに対し、室内空間に本発明の音場感調整装置を設けた場合の測定結果によれば、上方からの反射が抑えられることで、得られる波形は同じ時間幅において十分滑らかであり、音の大きさも雑音分が抑えられて静かになり、また周波数成分から、楽器の純粋な倍音成分があらわれる直接音の割合が相対的に増大していることがわかり、雑音のない分、聴感でも音が明瞭になる。この時の音場感は、低い天井の影響を受けない、すなわち天井が十分高い位置にある状態に相当するものとなる。 On the other hand, according to the measurement result when the sound field feeling adjusting device of the present invention is provided in the indoor space, the reflection from above is suppressed, so that the waveform obtained is sufficiently smooth in the same time width, and the sound It can be seen that the noise level is also quieter with the noise component suppressed, and that the direct sound ratio where the pure harmonic component of the instrument appears is relatively increased from the frequency component. Becomes clear. The sound field feeling at this time is not affected by a low ceiling, that is, corresponds to a state where the ceiling is at a sufficiently high position.
 これらにより、本発明の音場感調整装置を用いることで、設置された室内空間における、特に天井での音の反射による影響を抑えて、一般的な天井の低い室内空間においても、天井が十分高い空間と同様の音場感を対象者に与えられ、音源からの音を聴く対象者の音を聴く環境を手軽に改善できることは明らかである。 Thus, by using the sound field feeling adjusting device of the present invention, the effect of sound reflection in the installed indoor space is suppressed, and the ceiling is sufficient even in a general indoor space with a low ceiling. It is obvious that the subject can be given a sound field feeling similar to that in a high space, and the environment for listening to the sound of the subject listening to the sound from the sound source can be easily improved.
 1、2         音場感調整装置
 10、11       吸音体
 12、13、14、15 吸音体
 20          架台
 21          支柱
 22          台座部
 22a         キャスター
 23、24、25、26 支柱
 30、31、32    吸音体
 40          架台
 41          足部
 50          天井
 60          床
 70、71       楽器
 80          演奏者
DESCRIPTION OF SYMBOLS 1, 2 Sound field feeling adjustment apparatus 10, 11 Sound absorber 12, 13, 14, 15 Sound absorber 20 Base 21 Strut 22 Base 22a Caster 23, 24, 25, 26 Strut 30, 31, 32 Sound absorber 40 Base 41 Foot Department 50 Ceiling 60 Floor 70, 71 Musical instrument 80 Player

Claims (4)

  1.  室内空間における天井と床との間で、床と平行な向き又は当該向きから±30°以内の範囲で傾斜した向きとされて、音源からの音を聴く対象者の頭部より上側で、且つ音源からの音が天井で反射して前記対象者の耳に達するまでの最短の伝播経路の途中位置に配置される略板状の吸音体と、
     当該吸音体を下から支持する架台とを少なくとも備えることを
     特徴とする音場感調整装置。
    Between the ceiling and the floor in the indoor space, the direction parallel to the floor or inclined within the range of ± 30 ° from the direction, above the head of the subject who listens to the sound from the sound source, and A substantially plate-like sound absorber disposed at a midway position in the shortest propagation path until the sound from the sound source is reflected by the ceiling and reaches the ear of the subject;
    A sound field feeling adjusting device comprising at least a gantry for supporting the sound absorber from below.
  2.  前記請求項1に記載の音場感調整装置において、
     前記吸音体が、傾斜角度を調整可能として配設されることを
     特徴とする音場感調整装置。
    In the sound field feeling adjusting device according to claim 1,
    A sound field feeling adjusting device, wherein the sound absorbing body is arranged so that an inclination angle can be adjusted.
  3.  前記請求項1又は2に記載の音場感調整装置において、
     前記架台における、前記対象者の存在位置の後部及び/又は側部にあたる箇所に、前記吸音体とは別の一又は複数の吸音体を着脱可能に立設されることを
     特徴とする音場感調整装置。
    In the sound field feeling adjusting device according to claim 1 or 2,
    A sound field feeling characterized in that one or a plurality of sound absorbers different from the sound absorber are detachably installed at a position corresponding to a rear part and / or a side part of the position where the subject is present in the gantry. Adjustment device.
  4.  前記請求項1ないし3のいずれかに記載の音場感調整装置において、
     前記架台が、前記対象者及び対象者の取扱う付属物と接触しない後部及び/又は側部に配置され、
     前記吸音体が、架台の上部に取付けられることを
     特徴とする音場感調整装置。
    In the sound field feeling adjusting device according to any one of claims 1 to 3,
    The platform is disposed on the rear and / or side that does not contact the subject and the accessories handled by the subject;
    A sound field feeling adjusting device, wherein the sound absorber is attached to an upper part of a gantry.
PCT/JP2010/058448 2010-05-19 2010-05-19 Acoustic-feel adjustment device WO2011145188A1 (en)

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Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS5555900U (en) * 1978-10-05 1980-04-15
JP2004339830A (en) * 2003-05-16 2004-12-02 Yamaha Corp Construction method for acoustic room, and diffusion panel
JP2006095115A (en) * 2004-09-29 2006-04-13 Kokuyo Co Ltd Fixture
JP2006276670A (en) * 2005-03-30 2006-10-12 Kenwood Corp Acoustic reflection unit

Patent Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS5555900U (en) * 1978-10-05 1980-04-15
JP2004339830A (en) * 2003-05-16 2004-12-02 Yamaha Corp Construction method for acoustic room, and diffusion panel
JP2006095115A (en) * 2004-09-29 2006-04-13 Kokuyo Co Ltd Fixture
JP2006276670A (en) * 2005-03-30 2006-10-12 Kenwood Corp Acoustic reflection unit

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