WO2010006516A2 - A new keys marking and music composing method for a keyboard instrument - Google Patents

A new keys marking and music composing method for a keyboard instrument Download PDF

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Publication number
WO2010006516A2
WO2010006516A2 PCT/CN2009/070665 CN2009070665W WO2010006516A2 WO 2010006516 A2 WO2010006516 A2 WO 2010006516A2 CN 2009070665 W CN2009070665 W CN 2009070665W WO 2010006516 A2 WO2010006516 A2 WO 2010006516A2
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WIPO (PCT)
Prior art keywords
mark
note
key
keyboard instrument
music
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PCT/CN2009/070665
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French (fr)
Chinese (zh)
Inventor
褚晓帅
赵易天
哈布尔
Original Assignee
Chu Xiaoshuai
Zhao Yitian
Ha Bu Er
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Application filed by Chu Xiaoshuai, Zhao Yitian, Ha Bu Er filed Critical Chu Xiaoshuai
Publication of WO2010006516A2 publication Critical patent/WO2010006516A2/en

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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10GREPRESENTATION OF MUSIC; RECORDING MUSIC IN NOTATION FORM; ACCESSORIES FOR MUSIC OR MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR, e.g. SUPPORTS
    • G10G1/00Means for the representation of music
    • G10G1/02Chord or note indicators, fixed or adjustable, for keyboard of fingerboards

Definitions

  • the present invention relates to a method for musical instrument manufacturing and music profiling, and more particularly to a novel keyboard identification and profiling method for a keyboard instrument. Background technique
  • the existing score cannot record the fixed (sound name) and the first (snap name) information at the same time. If there is no prior practice, the transfer cannot be completed directly.
  • the symbols used in the existing scores are not unique to the naming of the notes. There is no absolute continuity. If there is no practice first, the relationship cannot be directly learned through the symbols. For example: C, C# (Db), D, D# (Eb), E, F, F# (Gb), G, G# (Ab), A, A# (Bb), B are used as the description of 12 sound names in the staff. , but the naming is not unique, and there is a lack of well-known continuity between the notes. There is a semitone relationship between E and F.
  • the technical problem to be solved by the present invention is to provide a keyboard that can quickly and directly perform the performance without the need to familiarize with the keys of the musical instrument, different sound zones, and the like, and eliminates the time spent on reading the spectrum and other performance preparation time.
  • New button identification and profiling methods for musical instruments are used.
  • a novel button identification and compiling method for a keyboard musical instrument is characterized in that the button identifier is a combination of a note mark and a sound zone mark, and each key on the keyboard instrument is marked, and the traditional music score of the music piece is followed. The position of the corresponding button is rewritten to complete the compilation of the music.
  • the note marks use the same note mark to mark different zones of the same note.
  • the zone markers are labeled with the same zone marker for the same zone of different notes.
  • each key on a keyboard instrument can be determined by a combination of a note mark and a zone mark.
  • the piano has 88 keys, a total of seven zones, and each zone has 12 notes (the other 4 buttons are 4 notes of the same zone, which can be marked with another unique zone marker, due to performance Rarely used, not considered here).
  • Use the 'red orange, yellow, green, blue, and purple' seven colors to mark the sound zone in sequence the lowest sound zone is marked in red, and the highest sound zone is marked in purple; the numbers 1-12 are used to mark different notes in the same zone.
  • each key on the piano can be determined by a combination of a number (1-12) and a color (red orange, green, blue, and blue).
  • the names of the twelve locations may be twelve hours, twelve consecutive digits, twelve consecutive Chinese characters, twelve zodiac signs, twelve o'clock, twelve constellations, twelve months, twelve consecutive Icons, twelve characters with continuity, twelve things with continuity, twelve with continuous movements, etc.
  • the profiling is to sequentially compose the key identification corresponding to the key sequence of playing the music.
  • the 'key position or finger position information' and 'note information' are obtained at the same time.
  • the keyboard instrument with the button mark it is not necessary to spend time on the key or position of the instrument.
  • the musical scores prepared by the present invention can be read by mouth, and those who are not sensitive to music can play back in a back-to-back manner.
  • the long-term memory of the clock disc can be easily converted into a corresponding figure by using the number or symbol used in the keyboard identification.
  • you convert music from symbols to graphics it makes it easier for people to understand music theory from a spatial and graphical perspective. Includes intervals, chords, scales, tones, transitions, alignments, and more.
  • the profiling described in the present invention can be performed on printed matter, electronic documents or electronic devices.
  • DRAWINGS 1 is a front plan view of a color mark of a circular keyboard for a musical instrument of the present invention
  • FIG. 2 is a front plan view of a punctuation mark for a circular keyboard of a musical instrument
  • FIG. 3 is a schematic view showing an embodiment of a button mark for a piano according to the present invention.
  • FIG. 4 is a partially enlarged view of the piano keyboard of the embodiment of the present invention for the key recognition of the piano;
  • FIG. 5 is a “single version of the “Sky of the Night in Moscow” using the present invention obtained in the third embodiment. detailed description
  • the piano has 88 keys for a total of seven sound zones.
  • seven colors of 'red orange, yellow, green, blue, and purple' are used in order to mark the sound zone, the lowest.
  • the zone is marked in red and the highest zone is marked in purple.
  • the prelude has a left hand and a right hand, each playing a different number.
  • the accompaniment After entering the song, the accompaniment also has the right and left hands, playing different numbers.
  • buttons 1-12 corresponds to the note number 1
  • the other note marks are clockwise.
  • each group of buttons is 7 different octaves of the same note, arranged in an ascending order from the outside to the inside, that is, each note has 7 zones, respectively, 7
  • Different punctuation marks are used as the sound zone markers. Therefore, for example, the keynotes 1 of different sound zones are marked as follows from the outside to the inside: 1, "1, '1, 1, 1, 1", 1 :, key notes of different zones 2 Mark the 7 buttons separately from the outside to the inside: 2, "2.
  • each key of the instrument can be determined by a combination of a note and a zone mark (such as "11, 9', 8:”) , thereby completing the button identification of the pitch instrument.
  • each chord played on the pitch instrument has a fixed set of markers corresponding to it.
  • the traditional F major chord uses three notes of F, A, and C. These three notes are in the sound.
  • On the circular instrument it is 9 o'clock, 1 o'clock, 4 o'clock position, which corresponds to the combination of marks with note marks 9, 1, 4, which form a triangle on the circular instrument, so when playing You need to remember these 3 marker numbers or this triangle shape to play the F major chord.
  • the melody instrument is "circular"
  • the user remembers the triangular shape composed of the note marks 9, 1, and 4 corresponding to the F major chord. Keeping the shape and turning the shape in one direction gives a new chord. Rotate a number clockwise to get the note number 10, 2, 5 combination, which is the Gb junior chord. Rotate a number counterclockwise to get the combination of note marks 8, 12, and 3, which is the E major chord. In the same way, the 12 major chords are all this 'shape', but the direction of the 'shape' is different.
  • the first sound in the prelude is the note 4 in the 'sound zone, so the first note is 4'.
  • the order of the key identification is recorded, and the music spectrum is obtained as follows:

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  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Electrophonic Musical Instruments (AREA)

Description

技术领域 Technical field
本发明涉及一种用于乐器制造和音乐编谱的方法, 特别涉及一种键盘乐 器新型按键标识和编谱方法。 背景技术  The present invention relates to a method for musical instrument manufacturing and music profiling, and more particularly to a novel keyboard identification and profiling method for a keyboard instrument. Background technique
在现有普通键盘乐器中每个琴键或指位上没有音名、 唱名、 或其他标识 命名, 人们需要通过事先的练习来熟悉乐器的琴键, 无法直接完成演奏。  In the existing ordinary keyboard instruments, there is no name, nickname, or other logo naming on each key or finger position. People need to familiarize themselves with the keys of the instrument through prior practice, and cannot directly perform the performance.
现有乐谱无法同时记录固定调 (音名) 和首调 (唱名) 信息, 如果没有 事先的练习, 无法直接完成转调。 现有乐谱中使用的符号, 对音符的命名不 唯一, 没有绝对的连续性, 如果没有事的先练习, 无法通过符号直接得知音 程关系。比如:五线谱中使用 C、 C# (Db)、 D、 D# (Eb)、 E、 F、 F# (Gb)、 G、 G# (Ab)、 A、 A# (Bb)、 B作为 12个音名的描述, 但命名不唯一, 而且音符之间缺乏众所 周知的连续性, E和 F之间是半音关系, B和 C之间是半音关系, 但其他字母 之间却是全音关系, 所以必须借助 # b符号来描述中间的音符。如果没有事先 的练习, 无法通过字母直接对音符之间的音程关系有明确的认识。 发明内容  The existing score cannot record the fixed (sound name) and the first (snap name) information at the same time. If there is no prior practice, the transfer cannot be completed directly. The symbols used in the existing scores are not unique to the naming of the notes. There is no absolute continuity. If there is no practice first, the relationship cannot be directly learned through the symbols. For example: C, C# (Db), D, D# (Eb), E, F, F# (Gb), G, G# (Ab), A, A# (Bb), B are used as the description of 12 sound names in the staff. , but the naming is not unique, and there is a lack of well-known continuity between the notes. There is a semitone relationship between E and F. There is a semitone relationship between B and C, but the other letters are in a full-tone relationship, so the #b symbol must be used. To describe the notes in the middle. Without prior practice, there is no clear understanding of the interval relationship between notes by letters. Summary of the invention
本发明所要解决的技术问题是提供一种无需事先熟悉乐器的琴键、不同的 音区等工作, 免除花费在识谱上的时间和其他演奏准备工作时间, 即可快速 直接完成演奏的一种键盘乐器新型按键标识和编谱方法。  The technical problem to be solved by the present invention is to provide a keyboard that can quickly and directly perform the performance without the need to familiarize with the keys of the musical instrument, different sound zones, and the like, and eliminates the time spent on reading the spectrum and other performance preparation time. New button identification and profiling methods for musical instruments.
本发明所述的一种键盘乐器新型按键标识和编谱方法, 其特征在于所述 按键标识是音符标记和音区标记的组合, 对键盘乐器上的每个按键进行标记, 将乐曲传统乐谱音符按照所对应的按键的位置名称改写即完成对该乐曲的编 谱。  A novel button identification and compiling method for a keyboard musical instrument according to the present invention is characterized in that the button identifier is a combination of a note mark and a sound zone mark, and each key on the keyboard instrument is marked, and the traditional music score of the music piece is followed. The position of the corresponding button is rewritten to complete the compilation of the music.
所述音符标记用相同的音符标记对同一音符的不同音区进行标示。 所述音区标记用相同的音区标记对不同音符的同一音区进行标示。 The note marks use the same note mark to mark different zones of the same note. The zone markers are labeled with the same zone marker for the same zone of different notes.
这样键盘乐器上的每个按键都可以由一个音符标记和一个音区标记的组 合来确定。 如钢琴有 88个琴键, 共七个音区, 每个音区有 12个音符(另外 4 个按键为同一音区的 4个音符, 可以使用以另一独特音区标记进行标识, 由 于演奏时很少用到, 在此暂不考虑)。 按顺序使用 '红橙黄绿青蓝紫' 七种 颜色来标记音区, 最低的音区使用红色标记, 最高的音区使用紫色标记; 按 顺序使用数字 1-12来标记同一音区的不同音符, 这样该钢琴上的每个键都可 以由一个数字 (1-12 ) 和一种颜色 (红橙黄绿青蓝紫) 的组合来确定。 除了 采用颜色区分不同音区之外, 还可以使用 1一 12数字添加不同的标点符号区 分不同音区。 除了采用 1一 12数字标记同一音区的不同音符之外, 还可以采 用十二个循环公认连续性的名称。 所述十二个位置的名称可以是十二个钟点、 十二个连续数字、 十二个连续汉字、 十二生肖、 十二时辰、 十二星座、 十二 个月、 十二个有连续性的图标、 十二个有连续性的字符、 十二个有连续性的 事物, 十二个有连续性的动作等。  Thus each key on a keyboard instrument can be determined by a combination of a note mark and a zone mark. For example, the piano has 88 keys, a total of seven zones, and each zone has 12 notes (the other 4 buttons are 4 notes of the same zone, which can be marked with another unique zone marker, due to performance Rarely used, not considered here). Use the 'red orange, yellow, green, blue, and purple' seven colors to mark the sound zone in sequence, the lowest sound zone is marked in red, and the highest sound zone is marked in purple; the numbers 1-12 are used to mark different notes in the same zone. Thus, each key on the piano can be determined by a combination of a number (1-12) and a color (red orange, green, blue, and blue). In addition to using color to distinguish different zones, you can also use 1-12 digits to add different punctuation to distinguish different zones. In addition to using the 1-12 number to mark different notes in the same zone, you can use twelve cycles of recognized continuity names. The names of the twelve locations may be twelve hours, twelve consecutive digits, twelve consecutive Chinese characters, twelve zodiac signs, twelve o'clock, twelve constellations, twelve months, twelve consecutive Icons, twelve characters with continuity, twelve things with continuity, twelve with continuous movements, etc.
所述的编谱是将弹奏乐曲的按键顺序所对应的按键标识顺序编制。  The profiling is to sequentially compose the key identification corresponding to the key sequence of playing the music.
人们读取按键标识后, 同时获得的 '键位或手指位置信息' 和 '音符信 息', 在有按键标识的键盘乐器上, 不用专门在认识乐器的键位或指位上花费 时间, 同时使用本发明编制的乐谱可以用口诀的方式读出来, 对乐音不敏感 的人, 可以靠背口诀的方式背谱演奏。  After reading the button logo, the 'key position or finger position information' and 'note information' are obtained at the same time. On the keyboard instrument with the button mark, it is not necessary to spend time on the key or position of the instrument. The musical scores prepared by the present invention can be read by mouth, and those who are not sensitive to music can play back in a back-to-back manner.
将本发明应用于音圆乐器后, 利用人们对钟表圆盘的长期记忆, 可以把 键盘标识中使用的数字或符号, 很容易地转化成对应的图形。 当把音乐从符 号转化成图形后, 让人们更容易地从空间、 图形的角度理解音乐理论。 包括 音程、 和弦、 音阶、 调式、 转调、 对位法等等。  After the invention is applied to a musical instrument, the long-term memory of the clock disc can be easily converted into a corresponding figure by using the number or symbol used in the keyboard identification. When you convert music from symbols to graphics, it makes it easier for people to understand music theory from a spatial and graphical perspective. Includes intervals, chords, scales, tones, transitions, alignments, and more.
本发明所述的编谱可以在印刷品、 电子文档或电子设备上完成。  The profiling described in the present invention can be performed on printed matter, electronic documents or electronic devices.
在音圆乐器、 有音圆标识的传统乐器上演奏非十二平均律音阶, 用到的 数字 (或符号) 指示配件, 也应属于本发明范围之内。 附图说明 图 1是本发明所述用于音圆乐器圆形键盘的颜色标识正面俯视示意图; 图 2 是本发明所述用于音圆乐器圆形键盘的标点符号标识正面俯视示意 图; It is also within the scope of the present invention to play a non-twelfth temperament scale on a musical instrument with a circular instrument and a vocal circle. The number (or symbol) used to indicate the accessory is also within the scope of the present invention. DRAWINGS 1 is a front plan view of a color mark of a circular keyboard for a musical instrument of the present invention; FIG. 2 is a front plan view of a punctuation mark for a circular keyboard of a musical instrument;
图 3是本发明所述用于钢琴的按键标识实施例示意图;  3 is a schematic view showing an embodiment of a button mark for a piano according to the present invention;
图 4是本发明所述用于钢琴的按键标识实施例钢琴键盘局部放大图; 图 5是实施例 3中使用本发明得到的 "《莫斯科郊外的晚上》简易版独奏" 曲谱图。 具体实施方式  4 is a partially enlarged view of the piano keyboard of the embodiment of the present invention for the key recognition of the piano; FIG. 5 is a "single version of the "Sky of the Night in Moscow" using the present invention obtained in the third embodiment. detailed description
实施例 1  Example 1
以用于钢琴的按键标识为例, 钢琴有 88个琴键, 共七个音区, 在键盘上 部的琴体上按顺序使用 '红橙黄绿青蓝紫' 七种颜色来标记音区, 最低的音 区使用红色标记, 最高的音区使用紫色标记。  For example, in the case of a button logo for a piano, the piano has 88 keys for a total of seven sound zones. In the upper part of the keyboard, seven colors of 'red orange, yellow, green, blue, and purple' are used in order to mark the sound zone, the lowest. The zone is marked in red and the highest zone is marked in purple.
以演奏 "《莫斯科郊外的晚上》 弹唱伴奏"为例, 前奏中有左手和右手 之分, 分别演奏不同的数字。  For example, in the performance of "Night in the Outskirts of Moscow", the prelude has a left hand and a right hand, each playing a different number.
按前奏中数字和颜色或标点标识, 在钢琴上找到对应的颜色音区内或对 应标点音区内的数字, 顺序按下琴键, 实现演奏。  Press the number in the intro and the color or punctuation mark to find the number in the corresponding color zone or corresponding to the punctuation zone on the piano, and press the key in sequence to achieve the performance.
进入歌曲演唱之后, 伴奏也有左右手之分, 分别演奏不同的数字。  After entering the song, the accompaniment also has the right and left hands, playing different numbers.
按伴奏中数字和颜色或标点标识, 在钢琴上找到对应的颜色音区内或对 应标点音区内的数字, 顺序按下琴键, 就可以实现琶音式的伴奏, 同时按下 琴键, 就可以实现柱式和弦的伴奏。  Press the number and color or punctuation mark in the accompaniment to find the number in the corresponding color sound zone or corresponding to the punctuation sound zone on the piano. Press the key in sequence to realize the vocal accompaniment. Press the key at the same time. Accompaniment of column chords.
用口诀的方式背诵下每行伴奏中的数字后, 就可以实现背谱演奏。 记住 口诀以后, 按数字的位置, 在音圆图上就可以得到每个口诀的形状。 把口诀 的形状转个方向, 得到一组新的数字口诀, 演奏新的数字口诀, 就可以完成 转调。 实施例 2  After playing back the numbers in each line of the accompaniment in a mouth-and-mouth manner, you can perform the back spectrum performance. Remember that after the mouth, by the position of the number, you can get the shape of each mouth on the circular chart. Turn the shape of the mouth in one direction, get a new set of digital ports, and play a new digital port to complete the transition. Example 2
以用于音圆乐器的按键标识为例, 对本发明的具体实施方式进行说明。 该音圆乐器有 12个音符, 所以该音圆乐器上的按键标识有 12个音符标 记, 分别为数字 1-12, 标准音高 A按键上对应音符标记 1, 其他音符标记按 顺时针方向分别对应剩余的 11组按键上; 该音圆乐器每一组按键为同一音符 的 7个不同八度, 从外到内按升高的顺序排列, 即每个音符有 7个音区, 分 别用 7个不同的标点符号作为音区标记。 所以, 比如不同音区的按键音符 1, 按从外到内的顺序分别对这 7个按键标记为:1、 " 1、 ' 1、 1、 、 1 " 、 1 :, 不同音区的按键音符 2按从外到内的顺序分别对这 7个按键标记为:2、 "2、A specific embodiment of the present invention will be described by taking a key mark for a musical instrument as an example. The pitch instrument has 12 notes, so the button on the instrument has 12 note marks, which are numbers 1-12, the standard pitch A button corresponds to the note number 1, and the other note marks are clockwise. Corresponding to the remaining 11 groups of buttons; each group of buttons is 7 different octaves of the same note, arranged in an ascending order from the outside to the inside, that is, each note has 7 zones, respectively, 7 Different punctuation marks are used as the sound zone markers. Therefore, for example, the keynotes 1 of different sound zones are marked as follows from the outside to the inside: 1, "1, '1, 1, 1, 1", 1 :, key notes of different zones 2 Mark the 7 buttons separately from the outside to the inside: 2, "2.
' , 2、 2, 、 2 " 、 2 :, 依此类推。 这样该音圆乐器的每一个按键均可由一 个音符标记和一个音区标记的组合 (如 " 11、 9' 、 8 : ) 确定, 从而完成该 音圆乐器的按键标识。 ' , 2 , 2 , , 2 " , 2 :, and so on. Thus each key of the instrument can be determined by a combination of a note and a zone mark (such as "11, 9', 8:") , thereby completing the button identification of the pitch instrument.
使用按键标识后, 在音圆乐器上演奏的每个和弦均有一组固定的标记组 合与之对应, 例如传统的 F大三和弦用到了 F、 A、 C三个音符, 这三个音符 在音圆乐器上就是 9点钟、 1点钟、 4点钟位置, 即对应着音符标记分别为 9、 1、 4的标记组合, 这 3个标记在音圆乐器上组成一个三角形, 所以在演奏时 之需要记住这 3个标记数字或这个三角形形状就可以演奏出 F大三和弦。  After using the button logo, each chord played on the pitch instrument has a fixed set of markers corresponding to it. For example, the traditional F major chord uses three notes of F, A, and C. These three notes are in the sound. On the circular instrument, it is 9 o'clock, 1 o'clock, 4 o'clock position, which corresponds to the combination of marks with note marks 9, 1, 4, which form a triangle on the circular instrument, so when playing You need to remember these 3 marker numbers or this triangle shape to play the F major chord.
因为音圆乐器是 "圆形" 的, 所以在使用了音圆乐器演奏指示配件的音 圆乐器上完成转调也非常方便。比如用户记住了 F大三和弦对应的音符标记 9、 1、 4所组成的三角形形状, 保持这个形状, 把这个形状转个方向, 就得到了 一个新的和弦。 顺时针旋转一个数字, 得到的音符标记 10、 2、 5组合, 就是 Gb大三和弦。 逆时针旋转一个数字, 得到的音符标记 8、 12、 3组合, 就是 E 大三和弦。 同理, 12个大三和弦都是这个 '形状', 只是 '形状' 的方向不同 而已。 实施例 3  Since the melody instrument is "circular", it is very convenient to perform the transposition on the vocal instrument using the phonograph instrument. For example, the user remembers the triangular shape composed of the note marks 9, 1, and 4 corresponding to the F major chord. Keeping the shape and turning the shape in one direction gives a new chord. Rotate a number clockwise to get the note number 10, 2, 5 combination, which is the Gb junior chord. Rotate a number counterclockwise to get the combination of note marks 8, 12, and 3, which is the E major chord. In the same way, the 12 major chords are all this 'shape', but the direction of the 'shape' is different. Example 3
以用实施例 2中的音圆乐器演奏 "《莫斯科郊外的晚上》 简易版独奏"为 演奏该曲需要两个音圆乐器分左右手弹奏。  To play with the syllabary instrument of the second embodiment, "The Evening in the Outskirts of Moscow", a simple solo, requires two vocal instruments to be played by the left and right hands.
前奏一中第一个音为在' 音区内的音符 4, 所以第一个音记为 4' , 以此 类推, 按照弹奏该乐曲的按键顺序所对应的按键标识顺序, 记录下按键标识 的顺序, 得到该曲曲谱为: 见图 5。 The first sound in the prelude is the note 4 in the 'sound zone, so the first note is 4'. Similarly, according to the key identification sequence corresponding to the key sequence of playing the music, the order of the key identification is recorded, and the music spectrum is obtained as follows:
按曲谱中的提示,在音圆乐器上找到对应标记的按键。依照曲谱中的顺序, 依次按下音圆乐器上对应的按键, 就可以实现演奏。  According to the prompt in the score, find the corresponding button on the circular instrument. According to the order in the score, you can play the performance by pressing the corresponding button on the instrument.
用口诀的方式背诵下每行伴奏中的数字后, 就可以实现背谱演奏。记住口 诀以后, 按数字的位置, 在音圆图上就可以得到每个口诀的形状。 把口诀的 形状转个方向, 得到一组新的数字口诀, 演奏新的数字口诀, 就可以完成转 调。  After playing back the numbers in each line of the accompaniment in a mouth-and-mouth manner, you can perform the back spectrum performance. After remembering the mouth, by the position of the number, you can get the shape of each mouth on the phonetic circle. Turn the shape of the mouth in one direction, get a new set of digital ports, and play a new digital port to complete the transfer.
以上所述, 对于本领域的普通技术人员来说, 可以根据本发明的技术方 案和构思作出其他各种相应的修改和改进, 但所有这些修改和改进都应被包 涵于本发明的权利要求的保护范围内。  In the above, various other modifications and improvements can be made in accordance with the technical solutions and concepts of the present invention, but all such modifications and improvements should be included in the claims of the present invention. Within the scope of protection.

Claims

权利要求 Rights request
1、 一种键盘乐器新型按键标识和编谱方法, 对键盘乐器上的每个按键进 行标记, 其特征在于所述按键标识是音符标记和音区标记的组合, 将乐曲传 统乐谱音符按照所对应的按键的位置名称改写实现对该乐曲的编谱。  1. A new type of key recognition and profiling method for a keyboard instrument, which marks each key on the keyboard instrument, wherein the key identifier is a combination of a note mark and a sound zone mark, and the traditional music note of the music piece is corresponding to the corresponding The position name of the button is rewritten to implement the music composition of the music.
2、 如权利要求 1所述的一种键盘乐器新型按键标识和编谱方法, 其特征 在于所述音符标记用相同的音符标记对同一音符的不同音区进行标示。  2. A novel key labeling and compiling method for a keyboard instrument according to claim 1, wherein said note mark uses the same note mark to mark different zones of the same note.
3、 如权利要求 1所述的一种键盘乐器新型按键标识和编谱方法, 其特征 在于所述音区标记用相同的音区标记对不同音符的同一音区进行标示。  3. A novel key labeling and compiling method for a keyboard instrument according to claim 1, wherein said sound zone mark uses the same sound zone mark to mark the same sound zone of different notes.
4、 如权利要求 1所述的一种键盘乐器新型按键标识和编谱方法, 其特征 在于所述编谱可以在印刷品、 电子文档或电子设备上完成。  4. A novel key labeling and compiling method for a keyboard instrument according to claim 1, wherein said profiling can be performed on a printed matter, an electronic document or an electronic device.
PCT/CN2009/070665 2008-07-17 2009-03-06 A new keys marking and music composing method for a keyboard instrument WO2010006516A2 (en)

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