WO2009096762A2 - Easy guitar - Google Patents

Easy guitar Download PDF

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Publication number
WO2009096762A2
WO2009096762A2 PCT/KR2009/000526 KR2009000526W WO2009096762A2 WO 2009096762 A2 WO2009096762 A2 WO 2009096762A2 KR 2009000526 W KR2009000526 W KR 2009000526W WO 2009096762 A2 WO2009096762 A2 WO 2009096762A2
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WO
WIPO (PCT)
Prior art keywords
guitar
chord
string
playing
signal
Prior art date
Application number
PCT/KR2009/000526
Other languages
French (fr)
Korean (ko)
Other versions
WO2009096762A3 (en
Inventor
Jay-Yeob Hwang
Giho Yang
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed filed Critical
Priority claimed from KR1020090008645A external-priority patent/KR20090085005A/en
Publication of WO2009096762A2 publication Critical patent/WO2009096762A2/en
Publication of WO2009096762A3 publication Critical patent/WO2009096762A3/en

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    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/36—Accompaniment arrangements
    • G10H1/38—Chord
    • G10H1/386—One-finger or one-key chord systems
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H3/00—Instruments in which the tones are generated by electromechanical means
    • G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
    • G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
    • G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2230/00—General physical, ergonomic or hardware implementation of electrophonic musical tools or instruments, e.g. shape or architecture
    • G10H2230/045—Special instrument [spint], i.e. mimicking the ergonomy, shape, sound or other characteristic of a specific acoustic musical instrument category
    • G10H2230/075—Spint stringed, i.e. mimicking stringed instrument features, electrophonic aspects of acoustic stringed musical instruments without keyboard; MIDI-like control therefor
    • G10H2230/135—Spint guitar, i.e. guitar-like instruments in which the sound is not generated by vibrating strings, e.g. guitar-shaped game interfaces
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2250/00—Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing
    • G10H2250/315—Sound category-dependent sound synthesis processes [Gensound] for musical use; Sound category-specific synthesis-controlling parameters or control means therefor
    • G10H2250/441—Gensound string, i.e. generating the sound of a string instrument, controlling specific features of said sound

Definitions

  • the present invention relates to an Easy Guitar for easy guitar playing.
  • the present invention is intended to present a guitar that can only be played automatically with the left hand and only enjoy the rest of the playing technique as much as a real guitar.
  • the present invention intends to present a more economical guitar.
  • the present invention is to propose a guitar that is easy to carry.
  • the EZ-AG introduced in the background was unable to use the left-handed playing technique in right-handed performance mode, and if you want to use both left-handed and right-handed playing techniques, you would have to play guitar chords or single notes with your left hand directly on the neckboard. did. Therefore, in the automatic pitch mode, the playing technique only allowed the right hand chord movement and the left hand various techniques could not be used.
  • Right hand playing mode was a mode for practicing the right hand easily.
  • the neck doesn't need six strings, just a sensor that can detect any technique with your left hand on the string that's being swept. That is, one touch sensor recognizes the playing movement of the left hand, for example, choking (bending), pulling, sliding, and gives an output corresponding to the playing movement to the currently playing sound.
  • 1 is a guitar-shaped embodiment according to the present invention.
  • FIG. 3 is a block diagram of the present invention.
  • FIG. 6 is an embodiment of a play mode display.
  • FIG. 7 is a diagram showing sounds corresponding to positions of actual guitar fingers.
  • 9 is an example implemented as a mobile device.
  • 10 is a screen configuration of an example implemented in a mobile device.
  • the object of the present invention is to remove only the parts that need to be used in the guitar playing, that is, to extract the correct sound from the complex fingerboard, and to just feel the expression, so that it can be fully enjoyed by the body technique. To present.
  • the present invention basically requires a sheet music (hereinafter referred to as song data) in a form that can be read by a computer program.
  • a computer chip hereinafter referred to as a controller
  • a kind of computer converts the sound into sound according to a predetermined song data.
  • the present invention does not simply play as the music data, but improvises the performance according to the performance of the player, and thus requires a device to receive the performance of the player.
  • the left hand's playing movement, except for holding notes, requires a touch sensor to recognize modulation such as choking and sliding, and six strings to receive the right hand chord signal and a string sensor to detect the touch of the string. .
  • the basic devices described above when the selected song data starts playing, converts the sound on the song data to sound according to the chord signal of the right hand, and outputs the sound according to the technique according to the modulation signal of the left hand. You can output it by modulating it with added sound.
  • 1 is a guitar-shaped embodiment according to the present invention.
  • the present invention is a chord (2) for receiving the input for bending the string with the right hand, a string sensor (9) for detecting the string is bent, and choking or pulling and sliding the string on the fingerboard with the left hand Touch sensor (5) for receiving the performance of the performance, and the memory for storing the musical score data of the song required to automatically record the sound, and the speaker (7) for output, and for connecting to external devices such as external memory
  • the selected song When the player selects the song to be played from memory by using the menu button and the select button, the selected song is loaded into the standby mode.
  • the play start button When the play start button is pressed, the selected song starts to play and waits for a chord signal or modulation signal to be input by the right or left hand. If no chord signal or modulated signal is input by the end of the performance, the player's performance will not sound at all. If the chord signal or modulated signal is input while the playing time remains, the sound corresponding to the current playing time recorded in the song data is appropriately adjusted according to the chord signal by the right hand and the modulated signal by the left hand and output to the speaker. .
  • the present invention is extremely compact because no other long neck is required. In addition, it is natural that manufacturing costs can be reduced accordingly.
  • the string sensor 2 individually detects which string is bent from each string, so that not only the stroke but also the arpeggio method can be played as it is.
  • the virtual string 51 on the fingerboard is drawn on the touch screen 5 so as to use the virtual string 51 on the fingerboard to express the main method of using the left hand. For example, if you want to pull the string inside the finger, just touch the finger to the virtual string 51 as shown in the pull.
  • the fingerboard drawn on the touch screen 5 is divided into five parts 53, 54, 55, 56, and 57 with four virtual frets 52.
  • the center portion 55 is the same as the note on the current playing time recorded in the song data of the current playing music, up by one space based on it up by one semitone up, and conversely down by one space down by one semitone down.
  • the current playing sound is a sole
  • pressing 56 above one column is modulated with the sole # and the output sound is output.
  • the monitor 6 outputs the lyrics 61 of the song currently being played in accordance with the progress of the song, or displays the current chord 62.
  • the monitor 6 displays a selection menu according to the operation status of the control buttons 31 and 32, or displays an instrument selection, a volume change, a playing speed, and the like.
  • the touch sensor 5 and the monitor 6 are used together in one touch screen.
  • FIG. 3 is a block diagram of the present invention.
  • the memory described above corresponds to the data portion 11 on the block diagram.
  • the data unit 11 also stores sound sources of various instruments, and when the instrument is selected according to the operation of the control button 3 corresponding to the command input unit 14, the controller 19 receives the data and sends it to the data unit 11. Call up the corresponding sound source and use it as the performance sound.
  • the strings 2 and the string sensor 9 become a chord signal input section 12.
  • the controller 19 transmits the detected chord signal of the performer to the control unit 19, and the control unit 19 finds the sound on the string playing point immediately after receiving the chord signal from the song data, and the music output unit 16 including the amplifier and the speaker. Convert it to sound and pass it on.
  • the touch sensor 5 such as a touch pad, a touch screen, or a lever corresponds to a modulation signal input unit 13.
  • the detected player's modulation signal is transmitted to the controller 19, and the controller 19 transmits the modulation signal.
  • the sound to be outputted at present is modulated according to the effect of the modulation signal and transmitted to the music output unit 16.
  • Control buttons such as a power button, a menu button, and a selection button correspond to the command input unit 14.
  • the power button lets you turn the machine on and off, and the menu button lets you select a song, adjust the volume, change the instrument, or control the playing speed.
  • the select button allows the controller 19 to transmit an item selected by the player from these menus.
  • the display unit 15 comprising a monitor displays the lyrics 61, the chord 62, and the like when playing, and displays a context menu when the player is operating the menu.
  • the music output unit 16 including the amplifier and the speaker receives the music signal from the control unit 19 and amplifies and outputs it to the speaker.
  • the external memory interface unit 17 is a function that can extend the data unit 11 to an external memory, and the control unit 19 can read the external memory and write song data or sound sources of other instruments.
  • the communication unit 18 serves to connect to a computer or to connect to a karaoke device. You can receive new song data from your computer or send a play signal to your computer, and you can add your own guitar address to the karaoke song accompaniment by sending a play signal to your karaoke equipment.
  • the control unit 19 controls all the components. To do this, it is composed of a computer chip, and an appropriate program must be loaded to perform the above functions without error.
  • the player When the player selects a song through the menu and inputs a start, the player plays the selected song (100).
  • the controller continuously waits for generation of the chord signal or modulation signal (200), and if the chord signal is generated, checks the signal (300), and checks the pitch of the current time point from the song data (400).
  • the corresponding modulation signal is checked (600) and the pitch to be output is modulated according to the modulation signal to output the adjustment sound (700). If there is no modulated signal, it is just output to the adjustment sound without modulation.
  • the picture at the top is the score on the song data. If you play the strings that match the score without the left-handed modulating signal, the performance is output as the score.
  • the output sound is output like a sheet music at the bottom.
  • the chord signal a becomes the output signal c in the last figure, because when the chord signal of a occurs, the playing sound at that point was the sole, and in the second figure, the second chord occurred with the right hand. Since the modulation b of the left hand occurred only after the repetition at, the controller outputs a wave by lowering one note of the current sound.
  • the performer performed a sliding pretending like a real guitar playing technique, and the output also reflected the sliding effect.
  • the fingerboard position to be noted when playing this guitar solo part will be determined.
  • the player can refer to the monitor while striking the string. Of course, you don't have to hit the same.
  • it is different it is a feature of the present invention that the sound is changed in different ways. However, the rest of the strings that are not bent in the guitar solo are written notes that correspond to the chords that match the current playing sound.
  • the chord playing part and the guitar solo part are set so as to be distinguished from each other in advance, so that the performance is automatically converted from the chord playing mode to the guitar solo playing mode or vice versa. Accordingly, the monitor may indicate that you are playing chords or playing other solos.
  • FIG. 6 is an embodiment of a play mode display.
  • (A) in the figure shows the chord playing mode on the playing mode display section 63, and (b) shows the solo playing mode.
  • the song data used in the present invention most preferably includes pitch data such as chords and lyrics data synced thereto.
  • pitch data such as chords and lyrics data synced thereto.
  • lyrics part will be omitted for convenience.
  • FIG. 7 is a diagram showing sounds corresponding to positions of actual guitar fingers.
  • TAB sheet music which is commonly found in guitar textbooks, is the use of sheet music and strings. In other words, if you draw a note on the first string and write the number 2, it means to press and hold the fret 2 of the first string. If so, you will hear F # sound as shown in the drawing.
  • the present invention is as if the data is created by the strings of the guitar as if the tab music.
  • the horizontal line indicates the strings of the guitar and the strings 1 through 6 in order from top to bottom.
  • the vertical line corresponds to the length of the song, and the distance of one cell is one beat.
  • the numbers in the circles drawn on the strings indicate the location of the frets on the strings.
  • the first chord in the figure is Am and plays four beats.
  • Am picks up on an actual guitar he starts to play the strings one by one, followed by one open fret, one fret, two frets, two frets, open strings, and open strings.
  • This drawing is a visually readable example, but in actual text,
  • the orange circle is the solo part.
  • the colors are color coded only and do not need to be distinguished from actual data.
  • chord composition (yellow circle) is marked so that other strings that do not actually need to be played will sound harmonious if they are struck. Because of this, even if the player does not play the original song, but the other strings are played, the other notes that match the chords are output and appear as an ad-lib that matches the mood of the song.
  • Entering a code name is convenient if you enter a code name, choose a code name from the code name table, A, B, C, D, E, F, G, m, M, 4, 5, 6, It is also possible to present a selection menu such as 7, 9, 11, 13, Aug, Sus, Dim, etc. and input the code name in combination.
  • the length can be 1/16, 1/8, 1/4, 1/3, 1/2, 1, 1.5, 2, 3, 4, etc., and can be entered in beat length units. You can also make a choice.
  • the following is an example of creating song data and a description of each data.
  • the present invention can use a MIDI file as music data. You can replace the guitar part of the MIDI file with the sound of the easy guitar, and output the rest of the instrument part with MIDI sound so that you can enjoy the ensemble alone.
  • 9 is an example implemented as a mobile device.
  • the virtual string is divided into two parts for the left hand and the right hand, so when the user presses the virtual string for the right hand, the touch screen recognizes this and makes a sound.
  • all components necessary for the present invention are contained in the mobile device.
  • 10 is a screen configuration of an example implemented in a mobile device.
  • Figure (c) shows the screen in chord playing mode.
  • Figure (d) shows the screen in solo playing mode.
  • the chord display section 65 displayed on the left side of the screen becomes closer to the position of the chord 62 currently being played, as well as the chord 62 currently being played, as well as the chord 64 to be played after a few beats.
  • the code display unit 65 is divided into five spaces, each having a time difference of one beat.
  • Am (62) is the chord currently playing
  • D (64) is the chord to be played one beat
  • G is the chord to be played four beats later.
  • the name of the chord to be played appears from the four beats before it, so that the beat is closer to the currently playing chord position (62), so that the tempo can be checked visually, allowing the player to adjust the playing tempo according to the instrument's playing tempo. It has the effect of making it work.
  • the first chord name is dropped one step at a time when the song starts for the first time (it seems to go up in the picture, but when it is actually played, the top and bottom of the screen are flipped and fall).
  • buttons 3 for selecting, starting or stopping a song to be played are provided, virtual strings 5 for the left hand and virtual strings 2 for the right hand are provided, and lyrics 61 are also displayed. do.
  • the bar (10) displayed on the string that should be currently bent on the virtual strings (2) for the right hand has the play length from the virtual string (5) for the left hand to the opposite side. Marked as length, moved and dropped.
  • the timing at which the rod 10 moves is programmed so that the performance timing is exactly matched by striking the string at the moment it hits the far end of the virtual string 2 for the right hand. This is a common technique in music games.
  • the player may enjoy the solo performance according to the movement of the bar 10 in accordance with the original song, or improvise performance such as improvising other strings, raising or lowering the impromptu, according to his own entertainment.
  • chord currently playing will be held for as long as you hold it down.
  • the code will be replaced with the code you dragged.
  • the chord was held at the current chord and the next chord was played at the original tempo as soon as the finger was released.
  • the playing time of is treated as omitted.
  • the present invention can be played with a simple guitar as a particular guitar part in the background of the original song of the actual singer.
  • the song data for the present invention requires more recording data recording the performance of the actual musician, and the particular guitar part may be omitted from the recorded data, or the easy guitar according to the present invention may use the corresponding channel. You can provide a function that can be disabled.
  • the song data (pitch automatic setting data) for automatically setting the recording data and the pitch is naturally natural.
  • the present invention can be applied to a virtual guitar or a karaoke using a computer program, which is a dummy embodiment in which there is no sound source or song data and no program capable of processing the same.
  • the dummy type extracts only the chord signal and modulated signal of the player, and transmits it to a computer or a karaoke apparatus.
  • the dummy does not have to include parts such as an amplifier unit including a speaker, a monitor, a menu button or a selection button, and an external memory interface unit.
  • the present invention allows the guitar to be made very small, light and inexpensive while automatically giving the pitch and making the most of the improvisation of the player.

Abstract

The present invention relates to an automatic guitar, more specifically to an easy guitar which plays chords automatically. Generally, since a learner has difficulties in learning how to play guitar, the guitar is not a popular musical instrument. The most difficult part of playing the guitar is playing the chords with your left hand. Therefore, this invention presents a guitar which plays chords automatically, but in all other aspects requires the same technique when playing it as a real guitar. For this purpose, the invention comprises: a string which is inputted for a strum of a right hand; a string sensor which senses the vibration of a string; a touch sensor which is inputted for chording such as choking, pulling and sliding a string on a finger board with a left hand; a memory wherein musical key data needed for necessary songs are stored to play chords automatically; a speaker for outputting a sound; various external terminals which are connected to external instruments such as an external memory, etc.; various control buttons such as a volume button, a power button and a menu button, etc.; a monitor which displays various playing states and lyrics, etc.; and a control unit which controls the above parts according to a program. When a selected music starts to play, the corresponding chords to the right hand's strum signal and the left hand's changing signal are played and outputted through the speaker. Consequently, this invention enables people who gave up learning how to play guitar to enjoy playing a guitar easily. The easy guitar can be economically installed at a mobile machine like a cell phone or a gaming device, etc. Additionally, further playing pleasure can be obtained by connecting the simple and durable automatic guitar to a karaoke system.

Description

[๊ทœ์น™ ์ œ26์กฐ์— ์˜ํ•œ ๋ณด์ •]ใ€€์ž๋™์Œ์ • ๊ธฐํƒ€ [Correction under Rule 26] Automatic pitch
๋ณธ ๋ฐœ๋ช…์€ ์‰ฌ์šด ๊ธฐํƒ€์—ฐ์ฃผ๋ฅผ ์œ„ํ•œ ์ด์ง€๊ธฐํƒ€(Easy Guitar)์— ๊ด€ํ•œ ๊ฒƒ์ด๋‹ค.The present invention relates to an Easy Guitar for easy guitar playing.
์•…๊ธฐ์ œ์กฐ์—…์ฒด์ธ ์•ผ๋งˆํ•˜์˜ ์ด์ง€๊ธฐํƒ€ ๋ชจ๋ธ EZ-AG๋Š”, ์‰ฌ์šด ์—ฐ์ฃผ๋ฅผ ์œ„ํ•œ ๊ธฐํƒ€๋ผ๊ธฐ ๋ณด๋‹ค๋Š” ์‰ฝ๊ฒŒ ๋ฐฐ์šธ ์ˆ˜ ์žˆ๋Š” ๊ธฐํƒ€๋ฅผ ํ‘œ๋ฐฉํ•œ ๊ธฐํƒ€์ธ๋ฐ, ์™ผ์† ์ฃผ๋ฒ•์„ ์‰ฝ๊ฒŒ ๋ฐฐ์šธ ์ˆ˜ ์žˆ๋„๋ก ๋ˆŒ๋Ÿฌ์•ผ ํ•˜๋Š” ์ง€ํŒ๋ถ€๋ถ„์— LED๋ถˆ๋น›์ด ์ž๋™์œผ๋กœ ๋“ค์–ด์˜ค๊ณ , ์˜ค๋ฅธ์† ์ฃผ๋ฒ•๋งŒ์„ ์—ฐ์Šตํ•  ์ˆ˜๋„ ์žˆ๋„๋ก ์™ผ์†์„ ์งš์ง€ ์•Š์•„๋„ ์ฝ”๋“œ๋Š” ์ž๋™์œผ๋กœ ์งš์–ด์ง€๊ณ  ์˜ค๋ฅธ์† ํƒ„ํ˜„์‹ ํ˜ธ์— ๋”ฐ๋ผ ๊ธฐํƒ€์†Œ๋ฆฌ๊ฐ€ ๋‚˜์˜ค๋„๋ก ๋งŒ๋“ค์–ด์ ธ ์žˆ๋‹ค.Yamaha's Izigita model EZ-AG is a guitar that is easy to learn rather than a guitar for easy performance, and the LED lights light up automatically on the fingerboard that needs to be pressed so that you can easily learn how to play the left hand. In other words, the chords are automatically sounded and the guitar sounds according to the right-hand chord signal so that you can practice only the right-hand technique.
์ผ๋ฐ˜์ ์œผ๋กœ, ๊ธฐํƒ€๋Š” ๋ฐฐ์šฐ๊ธฐ๊ฐ€ ๋งค์šฐ ์–ด๋ ค์›Œ ๋Œ€์ค‘์ ์ธ ์•…๊ธฐ๊ฐ€ ๋˜์ง€ ๋ชปํ•˜๊ณ  ์žˆ๋Š”๋ฐ, ๊ฐ€์žฅ ์–ด๋ ค์šด ๊ฒƒ์ด ๋ฐ”๋กœ ์™ผ์†์œผ๋กœ ๊ธฐํƒ€์˜ ์Œ์„ ์งš์–ด๋‚ด๋Š” ์ผ์ด๋‹ค. ์ด์—, ๋ณธ ๋ฐœ๋ช…์€ ์™ผ์†์œผ๋กœ ์งš์–ด์•ผ ํ•˜๋Š” ์Œ๋งŒ ์ž๋™์œผ๋กœ ์งš์–ด์ฃผ๊ณ  ๋‚˜๋จธ์ง€ ์—ฐ์ฃผํ…Œํฌ๋‹‰์˜ ์ฆ๊ฑฐ์›€์€ ์ง„์งœ ๊ธฐํƒ€ ๋ชป์ง€ ์•Š๊ฒŒ ์ถฉ๋ถ„ํžˆ ์ฆ๊ธธ ์ˆ˜ ์žˆ๋Š” ๊ธฐํƒ€๋ฅผ ์ œ์‹œํ•˜๊ณ ์ž ํ•œ๋‹ค.In general, guitars are so difficult to learn that they are not popular instruments, the most difficult of which is to pick up the guitar with your left hand. Accordingly, the present invention is intended to present a guitar that can only be played automatically with the left hand and only enjoy the rest of the playing technique as much as a real guitar.
๋˜ํ•œ, ๋Œ€๋ถ€๋ถ„์˜ ์•…๊ธฐ๋„ ๋งˆ์ฐฌ๊ฐ€์ง€์ด์ง€๋งŒ ๊ธฐํƒ€ ์—ญ์‹œ ๊ทธ ๊ฐ€๊ฒฉ์ด ๋งŒ๋งŒ์น˜ ์•Š์•„ ๊ฐ–๊ณ  ์‹ถ์–ด๋„ ์•„๋ฌด๋‚˜ ๊ฐ€์งˆ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ์•„๋‹ˆ์—ˆ๋‹ค. ์ด์—, ๋ณธ ๋ฐœ๋ช…์€ ์ข€ ๋” ๊ฒฝ์ œ์ ์ธ ๊ธฐํƒ€๋ฅผ ์ œ์‹œํ•˜๊ณ ์ž ํ•œ๋‹ค.Also, most instruments are the same, but the guitar was also priceless, so if anyone wanted to, it wasn't for everyone. Accordingly, the present invention intends to present a more economical guitar.
๋˜ํ•œ, ๊ธฐ์กด์˜ ๊ธฐํƒ€๋Š” ๊ทธ ํฌ๊ธฐ๊ฐ€ ๋„ˆ๋ฌด ์ปค์„œ ํ”„๋กœ์—ฐ์ฃผ๊ฐ€๊ฐ€ ์•„๋‹ˆ๋ฉด ์–ด๋””๋“  ์‰ฝ๊ฒŒ ๋“ค๊ณ  ๋‹ค๋‹ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ์•„๋‹ˆ์—ˆ๋‹ค. ์ด์—, ๋ณธ ๋ฐœ๋ช…์€ ํœด๋Œ€ํ•˜๊ธฐ ํŽธํ•œ ๊ธฐํƒ€๋ฅผ ์ œ์‹œํ•˜๊ณ ์ž ํ•œ๋‹ค.Also, existing guitars were so big that they couldn't be easily carried anywhere unless they were professional performers. Accordingly, the present invention is to propose a guitar that is easy to carry.
๋ฐฐ๊ฒฝ๊ธฐ์ˆ ์—์„œ ์†Œ๊ฐœํ•œ EZ-AG๋Š” ์˜ค๋ฅธ์†์—ฐ์ฃผ๋ชจ๋“œ์—์„œ ์™ผ์†์˜ ์—ฐ์ฃผํ…Œํฌ๋‹‰์„ ์‚ฌ์šฉํ•  ์ˆ˜๊ฐ€ ์—†์—ˆ์œผ๋ฉฐ, ๋งŒ์•ฝ ์™ผ์†๊ณผ ์˜ค๋ฅธ์†์˜ ์—ฐ์ฃผํ…Œํฌ๋‹‰์„ ๋ชจ๋‘ ์‚ฌ์šฉํ•˜๋ ค๋ฉด ๊ธฐํƒ€์˜ ์ฝ”๋“œ๋‚˜ ๋‹จ์ผ ์Œ์„ ๋„คํฌ์ƒ์˜ ์ง€ํŒ์—์„œ ์™ผ์†์œผ๋กœ ์ง์ ‘ ์งš์–ด์•ผ๋งŒ ํ–ˆ๋‹ค. ๋”ฐ๋ผ์„œ, ์ž๋™์œผ๋กœ ์Œ์ •์„ ์งš์–ด์ฃผ๋Š” ๋ชจ๋“œ์—์„œ๋Š” ์—ฐ์ฃผํ…Œํฌ๋‹‰์€ ๋‹จ์ง€ ์˜ค๋ฅธ์†์˜ ํƒ„ํ˜„๋™์ž‘๋งŒ ๊ฐ€๋Šฅํ•˜๊ณ  ์™ผ์†์˜ ๋‹ค์–‘ํ•œ ํ…Œํฌ๋‹‰์€ ์‚ฌ์šฉํ•  ์ˆ˜๊ฐ€ ์—†๋Š” ๊ฒƒ์ด์—ˆ๋‹ค.The EZ-AG introduced in the background was unable to use the left-handed playing technique in right-handed performance mode, and if you want to use both left-handed and right-handed playing techniques, you would have to play guitar chords or single notes with your left hand directly on the neckboard. did. Therefore, in the automatic pitch mode, the playing technique only allowed the right hand chord movement and the left hand various techniques could not be used.
์ด๋Š” ์‰ฌ์šด ์—ฐ์ฃผ๋ฅผ ์œ„ํ•œ ๊ธฐํƒ€๊ฐ€ ์•„๋‹ˆ๋ผ ์‰ฌ์šด ํ›ˆ๋ จ์„ ์œ„ํ•œ ๊ธฐํƒ€์˜€๊ธฐ ๋•Œ๋ฌธ์ธ ๊ฒƒ์ธ๋ฐ, ์˜ค๋ฅธ์†์—ฐ์ฃผ๋ชจ๋“œ๋Š” ์˜ค๋ฅธ์†์„ ์‰ฝ๊ฒŒ ์—ฐ์Šตํ•˜๋Š” ๋ชจ๋“œ์˜€๋˜ ๊ฒƒ์ด๋‹ค.This is because it wasn't a guitar for easy play, but a guitar for easy training. Right hand playing mode was a mode for practicing the right hand easily.
์ด๋Ÿฐ ๊ธฐํƒ€๋กœ๋Š” ์˜ค๋ฅธ์†์—ฐ์ฃผ๋ชจ๋“œ๋กœ ์‚ฌ๋žŒ๋“ค ์•ž์—์„œ ์ž๋ž‘์Šค๋Ÿฝ๊ฒŒ ์—ฐ์ฃผํ•  ์ˆ˜๋Š” ์—†๋‹ค. ์™œ๋ƒ ํ•˜๋ฉด ์™ผ์†์€ ๋ชปํ•œ๋‹ค๋Š” ๊ฒƒ์„ ์ง์ ‘์ ์œผ๋กœ ๋“œ๋Ÿฌ๋‚ด๋Š” ์ผ์ด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค.With such a guitar, you can't play proudly in front of people in right-hand play mode. Because it is a direct indication that the left hand cannot.
๋˜ํ•œ, ์ด ๊ธฐํƒ€๋Š” ๋„คํฌ๋ฅผ ์‹ค์ œ ๊ธฐํƒ€์™€ ๊ฐ™์ด ๊ฐ–์ถ”๊ณ  ์žˆ์–ด์•ผ ํ•˜๋ฏ€๋กœ ์ œ์ž‘์›๊ฐ€๊ฐ€ ๋น„์‹ธ ์†Œ๋น„์ž๊ฐ€๊ฒฉ์ด ๋†’์„ ์ˆ˜๋ฐ–์— ์—†์–ด ๋งŽ์€ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ํ˜œํƒ์„ ์ฃผ๊ธฐ ์–ด๋ ค์› ๋‹ค.In addition, since the guitar must be equipped with a neck like a real guitar, it is difficult to benefit many people because the production cost is high and the consumer price is high.
๋˜ํ•œ, ์™ผ์†์„ ์œ„ํ•œ ์ง€ํŒ์ด ๋ฐ˜๋“œ์‹œ ํ•„์š”ํ•˜์—ฌ ๊ธฐํƒ€์˜ ํฌ๊ธฐ๊ฐ€ ์‹ค์ œ ๊ธฐํƒ€์™€ ๋‹ค๋ฅผ ๋ฐ” ์—†๊ธฐ ๋•Œ๋ฌธ์— ํœด๋Œ€์šฉ์œผ๋กœ ํ•˜๊ธฐ์—๋Š” ๋‹ค๋ฅธ ๊ธฐํƒ€์™€ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ๋ฌด๋ฆฌ๊ฐ€ ์žˆ์—ˆ๋‹ค.In addition, since the fingerboard for the left hand is absolutely necessary and the size of the guitar is not different from the actual guitar, it was impossible to carry it like other guitars.
๋ณธ ๋ฐœ๋ช…์ด ์ œ์‹œํ•˜๊ณ ์ž ํ•˜๋Š” ๊ฒƒ์„ ๊ตฌํ˜„ํ•˜๊ธฐ ์œ„ํ•œ ์ˆ˜๋‹จ์„ ๊ฐ€์žฅ ์‰ฝ๊ฒŒ ์„ค๋ช…ํ•˜๋ฉด,The easiest way to describe what the present invention intends to present is
์•ž์„œ ์„ค๋ช…๋œ EZ-AG ๊ธฐํƒ€์™€ ๊ฐ™์€ ๊ฒƒ์—์„œ, ๋„คํฌ๋ถ€๋ถ„์—๋Š” ์—ฌ์„ฏ๊ฐœ์˜ ํ˜„์€ ํ•„์š”์—†๊ณ , ๋‹จ์ง€ ํ˜„์žฌ ํ‰๊ฒจ์ง€๊ณ  ์žˆ๋Š” ํ˜„์— ์™ผ์†์œผ๋กœ ์–ด๋–ค ํ…Œํฌ๋‹‰์ด ๊ตฌ์‚ฌ๋˜๋Š”์ง€๋งŒ ๊ฐ์ง€ํ•  ์ˆ˜ ์žˆ๋Š” ์„ผ์„œ๋งŒ ์žˆ์œผ๋ฉด ๋œ๋‹ค. ์ฆ‰, ํ•˜๋‚˜์˜ ํ„ฐ์น˜์„ผ์„œ๊ฐ€ ์™ผ์†์˜ ์—ฐ์ฃผ๋™์ž‘, ์˜ˆ์ปจ๋Œ€, ์ตธํ‚น(๋ฒค๋”ฉ), ํ’€๋ง, ์Šฌ๋ผ์ด๋”ฉ๊ณผ ๊ฐ™์€ ์—ฐ์ฃผ๋™์ž‘์„ ์ธ์‹ํ•˜์—ฌ ํ˜„์žฌ ์—ฐ์ฃผ์ค‘์ธ ์Œ์— ์—ฐ์ฃผ๋™์ž‘์— ํ•ด๋‹นํ•˜๋Š” ํšจ๊ณผ๋ฅผ ์ฃผ์–ด ์ถœ๋ ฅํ† ๋ก ํ•˜๋Š” ๊ฒƒ์ด๋‹ค.Like the EZ-AG guitar described earlier, the neck doesn't need six strings, just a sensor that can detect any technique with your left hand on the string that's being swept. That is, one touch sensor recognizes the playing movement of the left hand, for example, choking (bending), pulling, sliding, and gives an output corresponding to the playing movement to the currently playing sound.
๊ทธ๋ ‡๊ฒŒ ํ•˜๋ฉด, ์—ฐ์ฃผ์ž๋Š” ์ •ํ™•ํžˆ ์–ด๋–ค ์ง€ํŒ ์œ„์˜ ํ˜„์„ ์งš์–ด์•ผ ํ•˜๋Š”์ง€๋Š” ์‹ ๊ฒฝ์“ธ ํ•„์š” ์—†์ด, ๊ทธ๋ƒฅ ์™ผ์†์œผ๋กœ ์ตธํ‚นํ•˜๋Š” ์‹œ๋Š‰๋งŒ ํ„ฐ์น˜์„ผ์„œ ์œ„์—์„œ ํ•˜๋ฉด, ๊ณก๋ฐ์ดํ„ฐ๋กœ๋ถ€ํ„ฐ ์ž๋™์œผ๋กœ ์งš์–ด์ง„ ํ˜„์žฌ ์—ฐ์ฃผ์ค‘์ธ ์Œ์— ์ตธํ‚น์„ ํ•œ ๊ฒƒ์œผ๋กœ ๊ฐ„์ฃผ๋˜์–ด ๊ทธ ์Œ์— ์ตธํ‚นํšจ๊ณผ๋ฅผ ์ค€ ์†Œ๋ฆฌ๊ฐ€ ์ถœ๋ ฅ๋˜๋Š” ๊ฒƒ์ด๋‹ค.That way, the player doesn't have to worry about exactly what chord on the fingerboard he wants to play, but if he's just choking with his left hand on the touch sensor, he's considered choking on the currently playing note automatically from the song data. The sound with choking effect is output.
๋ณธ ๋ฐœ๋ช…์— ์˜ํ•˜๋ฉด, ๊ธฐํƒ€๋ฅผ ์–ด๋ ค์›Œ์„œ ํฌ๊ธฐํ•˜๋˜ ์‚ฌ๋žŒ๋“ค๋„, ๋งค์šฐ ์‰ฝ๊ณ  ์ฆ๊ฒ๊ฒŒ ๊ธฐํƒ€๋ฅผ ์—ฐ์ฃผํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ, ๊ธธ๊ณ ๋„ ๋ณต์žกํ•œ ์ง€ํŒ์ด ๋ถˆํ•„์š”ํ•˜์—ฌ ํœด๋Œ€ํฐ์ด๋‚˜ ๊ฒŒ์ž„๊ธฐ ๋“ฑ์˜ ๊ฐ์ข… ๋ชจ๋ฐ”์ผ๊ธฐ๊ธฐ์— ๊ฒฝ์ œ์ ์œผ๋กœ ํƒ‘์žฌ๊ฐ€ ๊ฐ€๋Šฅํ•˜๊ณ , ๋งค์šฐ ๊ฐ„๋‹จํ•˜๊ณ ๋„ ๋‚ด๊ตฌ์„ฑ์„ ๊ฒธ๋น„ํ•œ ๊ฐ€์ƒ๊ธฐํƒ€๋ฅผ ๋…ธ๋ž˜๋ฐฉ ์‹œ์Šคํ…œ์— ์—ฐ๊ฒฐํ•˜์—ฌ ๋”์šฑ ์‹ ๋‚˜๋Š” ๋…ธ๋ž˜๋ฐฉ์„ ์ฆ๊ธธ ์ˆ˜ ์žˆ๋Š” ํšจ๊ณผ๊ฐ€ ์žˆ๋‹ค.According to the present invention, people who gave up their guitars with difficulty can play the guitar very easily and happily, and long and complicated fingerboards are unnecessary, so that they can be economically mounted on various mobile devices such as mobile phones and game machines, and are very simple. Durable virtual guitar can be connected to the karaoke system to enjoy more exciting karaoke.
๋„ 1์€ ๋ณธ ๋ฐœ๋ช…์— ๋”ฐ๋ฅธ ๊ธฐํƒ€๋ชจ์–‘ ์‹ค์‹œ์˜ˆ์ด๋‹ค.1 is a guitar-shaped embodiment according to the present invention.
๋„ 2๋Š” ํœด๋Œ€ํ˜• ์‹ค์‹œ์˜ˆ์ด๋‹ค.2 is a portable embodiment.
๋„ 3์€ ๋ณธ ๋ฐœ๋ช…์˜ ๋ธ”๋Ÿญ๋„์ด๋‹ค.3 is a block diagram of the present invention.
๋„ 4๋Š” ๋ณธ ๋ฐœ๋ช…์˜ ์ž‘๋™์›๋ฆฌ๋ฅผ ๋‚˜ํƒ€๋‚ธ ํ๋ฆ„๋„์ด๋‹ค.4 is a flowchart showing the operation principle of the present invention.
๋„ 5๋Š” ๋ณธ ๋ฐœ๋ช…์— ๋”ฐ๋ฅธ ๋ณ€์ฃผ์˜ ์˜ˆ์ด๋‹ค.5 is an example of variation according to the present invention.
๋„ 6์€ ์—ฐ์ฃผ๋ชจ๋“œ ํ‘œ์‹œ์˜ ์‹ค์‹œ์˜ˆ์ด๋‹ค.6 is an embodiment of a play mode display.
๋„ 7์€ ์‹ค์ œ ๊ธฐํƒ€์ง€ํŒ์˜ ์œ„์น˜๋ณ„๋กœ ๋Œ€์‘๋˜๋Š” ์Œ์„ ํ‘œ์‹œํ•œ ๊ทธ๋ฆผ์ด๋‹ค.7 is a diagram showing sounds corresponding to positions of actual guitar fingers.
๋„ 8์€ ๊ณก๋ฐ์ดํ„ฐ์˜ ์˜ˆ์ด๋‹ค.8 is an example of music data.
๋„ 9๋Š” ๋ชจ๋ฐ”์ผ๊ธฐ๊ธฐ๋กœ ๊ตฌํ˜„๋œ ์˜ˆ์ด๋‹ค.9 is an example implemented as a mobile device.
๋„ 10์€ ๋ชจ๋ฐ”์ผ๊ธฐ๊ธฐ๋กœ ๊ตฌํ˜„๋œ ์˜ˆ์˜ ํ™”๋ฉด๊ตฌ์„ฑ์ด๋‹ค.10 is a screen configuration of an example implemented in a mobile device.
๋ณธ ๋ฐœ๋ช…์˜ ๋ชฉ์ ์€, ๊ธฐํƒ€์—ฐ์ฃผ์—์„œ ๋จธ๋ฆฌ๋ฅผ ์จ์•ผ ํ•˜๋Š” ๋ถ€๋ถ„, ์ฆ‰, ๋ณต์žกํ•œ ์ง€ํŒ์—์„œ ์ •ํ™•ํ•œ ์Œ์„ ์งš์–ด๋‚ด๋Š” ์ผ๋งŒ ์ œ๊ฑฐํ•˜๊ณ , ํ‘œํ˜„ํ•˜๊ณ ์ž ํ•˜๋Š” ๋Š๋‚Œ๋Œ€๋กœ๋งŒ ํ•˜๋ฉด ๋˜๋Š”, ๊ทธ๋ž˜์„œ ๋ชธ์œผ๋กœ ์ตํžŒ ํ…Œํฌ๋‹‰๋ถ€๋ถ„๋งŒ์œผ๋กœ๋„ ์ถฉ๋ถ„ํžˆ ์ฆ๊ธธ ์ˆ˜ ์žˆ๋Š” ์ด์ง€๊ธฐํƒ€๋ฅผ ์ œ์‹œํ•˜๋Š” ๊ฒƒ์ด๋‹ค.The object of the present invention is to remove only the parts that need to be used in the guitar playing, that is, to extract the correct sound from the complex fingerboard, and to just feel the expression, so that it can be fully enjoyed by the body technique. To present.
๋จผ์ €, ์ด๋Ÿฌํ•œ ๋ชฉ์ ์„ ๊ฐ€์ง„ ๋ณธ ๋ฐœ๋ช…์˜ ํ•ต์‹ฌ๋ถ€๋ถ„์„ ์ดํ•ดํ•˜๊ธฐ ์‰ฝ๋„๋ก ์„ค๋ช…ํ•˜๊ธฐ๋กœ ํ•œ๋‹ค.First, the essential part of the present invention having this purpose will be described in an easy to understand manner.
์ฒซ์งธ, ์ •ํ™•ํ•œ ์Œ์„ ์งš์ง€ ์•Š์•„๋„ ์ž๋™์œผ๋กœ ์Œ์ด ์ •ํ•ด์ ธ์•ผ ํ•˜๋ฏ€๋กœ, ๋ณธ ๋ฐœ๋ช…์€ ๊ธฐ๋ณธ์ ์œผ๋กœ ์ปดํ“จํ„ฐํ”„๋กœ๊ทธ๋žจ์ด ์ฝ์„ ์ˆ˜ ์žˆ๋Š” ํ˜•ํƒœ์˜ ์•…๋ณด(์ดํ•˜, ๊ณก๋ฐ์ดํ„ฐ)๊ฐ€ ํ•„์š”ํ•˜๋ฉฐ, ์ด ๊ณก๋ฐ์ดํ„ฐ๋ฅผ ์ฝ์–ด ์†Œ๋ฆฌ๋ฅผ ๋‚ด์ค„ ์ˆ˜ ์žˆ๋Š” ์ž‘์€ ์ปดํ“จํ„ฐ์นฉ(์ดํ•˜, ์ œ์–ด๋ถ€)์ด ํ•„์š”ํ•˜๋‹ค. ์ฆ‰, ๋ฏธ๋ฆฌ ์—ฐ์ฃผ์ˆœ์ด ์ •ํ•ด์ง„ ๊ณก๋ฐ์ดํ„ฐ๋Œ€๋กœ ์ผ์ข…์˜ ์ปดํ“จํ„ฐ๊ฐ€ ์†Œ๋ฆฌ๋กœ ๋ณ€ํ™˜์‹œ์ผœ ๋‚ด์ฃผ๋Š” ๊ฒƒ์ด๋‹ค.First, since the sound is to be determined automatically without pointing to the correct sound, the present invention basically requires a sheet music (hereinafter referred to as song data) in a form that can be read by a computer program. A computer chip (hereinafter referred to as a controller) is required. In other words, a kind of computer converts the sound into sound according to a predetermined song data.
๋‘˜์งธ, ๋ณธ ๋ฐœ๋ช…์€ ๊ณก๋ฐ์ดํ„ฐ ๋Œ€๋กœ ๊ทธ๋ƒฅ ์—ฐ์ฃผ์‹œ์ผœ์ฃผ๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ์—ฐ์ฃผ์ž์˜ ์—ฐ์ฃผ๋™์ž‘์— ๋งž์ถ”์–ด ์ฆ‰ํฅ์—ฐ์ฃผ๋ฅผ ๋‚ด์ฃผ์–ด์•ผ ํ•˜๋ฏ€๋กœ, ์—ฐ์ฃผ์ž์˜ ์—ฐ์ฃผ๋™์ž‘์„ ์ž…๋ ฅ๋ฐ›์„ ์žฅ์น˜๊ฐ€ ํ•„์š”ํ•˜๋‹ค. ์Œ์„ ์งš๋Š” ์ผ์„ ์ œ์™ธํ•œ ์™ผ์†์˜ ์—ฐ์ฃผ๋™์ž‘์œผ๋กœ๋Š” ์ตธํ‚น, ์Šฌ๋ผ์ด๋”ฉ๊ณผ ๊ฐ™์€ ๋ณ€์กฐ๋™์ž‘์„ ์ธ์‹ํ•  ํ„ฐ์น˜์„ผ์„œ๊ฐ€ ํ•„์š”ํ•˜๊ณ , ์˜ค๋ฅธ์†์˜ ํƒ„ํ˜„์‹ ํ˜ธ๋ฅผ ์ž…๋ ฅ๋ฐ›์„ 6๊ฐœ์˜ ํ˜„๊ณผ, ํ˜„์˜ ํ„ฐ์น˜๋ฅผ ๊ฐ์ง€ํ•  ํ˜„์„ผ์„œ๊ฐ€ ํ•„์š”ํ•˜๋‹ค.Second, the present invention does not simply play as the music data, but improvises the performance according to the performance of the player, and thus requires a device to receive the performance of the player. The left hand's playing movement, except for holding notes, requires a touch sensor to recognize modulation such as choking and sliding, and six strings to receive the right hand chord signal and a string sensor to detect the touch of the string. .
์…‹์งธ, ์œ„์— ์„ค๋ช…๋œ ๊ธฐ๋ณธ ์žฅ์น˜๋“ค์€, ์„ ๊ณก๋œ ๊ณก๋ฐ์ดํ„ฐ๊ฐ€ ์—ฐ์ฃผ์‹œ์ž‘๋˜๋ฉด ์˜ค๋ฅธ์†์˜ ํƒ„ํ˜„์‹ ํ˜ธ์— ๋งž์ถ”์–ด ๊ณก๋ฐ์ดํ„ฐ ์ƒ์˜ ์Œ์„ ์†Œ๋ฆฌ๋กœ ๋ณ€ํ™˜ํ•˜์—ฌ ์ถœ๋ ฅํ•ด์ฃผ๊ณ , ์™ผ์†์˜ ๋ณ€์กฐ์‹ ํ˜ธ์— ๋งž์ถ”์–ด ์ถœ๋ ฅ์†Œ๋ฆฌ๋ฅผ ํ…Œํฌ๋‹‰์— ํ•ด๋‹นํ•˜๋Š” ํšจ๊ณผ๊ฐ€ ๊ฐ€๋ฏธ๋œ ์†Œ๋ฆฌ๋กœ ๋ณ€์กฐ์‹œ์ผœ์„œ ์ถœ๋ ฅํ•ด์ฃผ๋ฉด ๋˜๋Š” ๊ฒƒ์ด๋‹ค.Third, the basic devices described above, when the selected song data starts playing, converts the sound on the song data to sound according to the chord signal of the right hand, and outputs the sound according to the technique according to the modulation signal of the left hand. You can output it by modulating it with added sound.
์ด์ƒ์ด ๊ธฐ๋ณธ ์›๋ฆฌ์ด๋ฉฐ, ๋ณธ ๋ฐœ๋ช…์˜ ๊ฐœ๋žต์ ์ธ ๋ชจ์–‘ ๋ฐ ๊ตฌ์„ฑ์š”์†Œ, ๋™์ž‘์›๋ฆฌ์— ๋Œ€ํ•œ ์„ค๋ช…์„ ๋„๋ฉด์„ ์ฐธ์กฐํ•˜์—ฌ ์„ค๋ช…ํ•˜๊ธฐ๋กœ ํ•œ๋‹ค.The above is the basic principle, and the outline shape, components, and operation principle of the present invention will be described with reference to the drawings.
๋„ 1์€ ๋ณธ ๋ฐœ๋ช…์— ๋”ฐ๋ฅธ ๊ธฐํƒ€๋ชจ์–‘ ์‹ค์‹œ์˜ˆ์ด๋‹ค.1 is a guitar-shaped embodiment according to the present invention.
๋ณธ ๋ฐœ๋ช…์€, ์˜ค๋ฅธ์†์œผ๋กœ ํ˜„์„ ํ‰๊ธฐ๋Š” ๊ฒƒ์„ ์œ„ํ•œ ์ž…๋ ฅ๋ฐ›๊ธฐ ์œ„ํ•œ ํ˜„(2)๊ณผ, ํ˜„์ด ํ‰๊ฒจ์ง€๋Š” ๊ฒƒ์„ ๊ฐ์ง€ํ•˜๋Š” ํ˜„์„ผ์„œ(9), ๊ทธ๋ฆฌ๊ณ  ์™ผ์†์œผ๋กœ ์ง€ํŒ์œ„์˜ ํ˜„์„ ์ตธํ‚นํ•˜๊ฑฐ๋‚˜ ํ’€๋ง, ๊ทธ๋ฆฌ๊ณ  ์Šฌ๋ผ์ด๋”ฉํ•˜๋Š” ๋“ฑ์˜ ์—ฐ์ฃผ๋™์ž‘์„ ์ž…๋ ฅ๋ฐ›๊ธฐ ์œ„ํ•œ ํ„ฐ์น˜์„ผ์„œ(5), ๊ทธ๋ฆฌ๊ณ  ์ž๋™์œผ๋กœ ์Œ์„ ์งš์–ด์ฃผ๊ธฐ ์œ„ํ•ด ํ•„์š”ํ•œ ๊ณก์˜ ์•…๋ณด๋ฐ์ดํ„ฐ๊ฐ€ ์ €์žฅ๋˜๋Š” ๋ฉ”๋ชจ๋ฆฌ, ๊ทธ๋ฆฌ๊ณ  ์ถœ๋ ฅ์„ ์œ„ํ•œ ์Šคํ”ผ์ปค(7), ๊ทธ๋ฆฌ๊ณ  ์™ธ๋ถ€๋ฉ”๋ชจ๋ฆฌ ๋“ฑ ์™ธ๋ถ€๊ธฐ๊ธฐ๋“ค๊ณผ ์—ฐ๊ฒฐ์„ ์œ„ํ•œ ๊ฐ์ข… ์™ธ๋ถ€ ๋‹จ์ž(8), ๊ทธ๋ฆฌ๊ณ  ์Œ๋Ÿ‰, ์ „์›, ๋ฉ”๋‰ด๋ฒ„ํŠผ ๋“ฑ์˜ ๊ฐ์ข… ์กฐ์ ˆ๋ฒ„ํŠผ(3), ๊ทธ๋ฆฌ๊ณ  ๊ฐ์ข… ์กฐ์ž‘์ƒํ™ฉ ๋ฐ ๊ฐ€์‚ฌ ๋“ฑ์„ ๋‚˜ํƒ€๋‚ด ์ฃผ๋Š” ๋ชจ๋‹ˆํ„ฐ(6), ๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฌํ•œ ๋ถ€๋ถ„๋“ค์„ ํ”„๋กœ๊ทธ๋žจ์— ๋”ฐ๋ผ ์ œ์–ดํ•˜๋Š” ์ œ์–ด์žฅ์น˜๋กœ ์ด๋ฃจ์–ด์ ธ ์žˆ๋‹ค.The present invention is a chord (2) for receiving the input for bending the string with the right hand, a string sensor (9) for detecting the string is bent, and choking or pulling and sliding the string on the fingerboard with the left hand Touch sensor (5) for receiving the performance of the performance, and the memory for storing the musical score data of the song required to automatically record the sound, and the speaker (7) for output, and for connecting to external devices such as external memory Various external terminals (8), various control buttons (3) such as volume, power, menu button, monitor (6) showing various operating conditions and lyrics, and a control device for controlling these parts according to a program. consist of.
์—ฐ์ฃผ์ž๊ฐ€ ๋ฉ”๋‰ด๋ฒ„ํŠผ๊ณผ ์„ ํƒ๋ฒ„ํŠผ์„ ์ด์šฉํ•˜์—ฌ ๋ชจ๋‹ˆํ„ฐ๋ฅผ ์ฐธ์กฐํ•˜์—ฌ ์—ฐ์ฃผํ•˜๊ณ ์ž ํ•˜๋Š” ๊ณก์„ ๋ฉ”๋ชจ๋ฆฌ์—์„œ ์„ ํƒํ•˜๋ฉด, ์„ ํƒํ•œ ๊ณก์ด ์—ฐ์ฃผ๋Œ€๊ธฐ์ƒํƒœ๋กœ ๋กœ๋“œ๋œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์—ฐ์ฃผ์‹œ์ž‘๋ฒ„ํŠผ์„ ๋ˆ„๋ฅด๋ฉด, ์„ ํƒํ•œ ๊ณก์ด ์—ฐ์ฃผ๋˜๊ธฐ ์‹œ์ž‘ํ•˜๊ณ , ์˜ค๋ฅธ์†์ด๋‚˜ ์™ผ์†์— ์˜ํ•ด ํƒ„ํ˜„์‹ ํ˜ธ๋‚˜ ๋ณ€์กฐ์‹ ํ˜ธ๊ฐ€ ์ž…๋ ฅ๋˜๋Š” ๊ฒƒ์„ ๋Œ€๊ธฐํ•˜๊ฒŒ ๋œ๋‹ค. ๋งŒ์•ฝ ์—ฐ์ฃผ๊ฐ€ ๋‹ค ๋๋‚  ๋•Œ๊นŒ์ง€ ํƒ„ํ˜„์‹ ํ˜ธ ๋˜๋Š” ๋ณ€์กฐ์‹ ํ˜ธ๊ฐ€ ์•„๋ฌด ๊ฒƒ๋„ ์ž…๋ ฅ๋˜์ง€ ์•Š์œผ๋ฉด ์—ฐ์ฃผ์ž์˜ ์—ฐ์ฃผ์Œ์€ ์ „ํ˜€ ๋‚˜์˜ค์ง€ ์•Š๊ฒŒ ๋œ๋‹ค. ์—ฐ์ฃผ์‹œ๊ฐ„์ด ๋‚จ์•„ ์žˆ๋Š” ์ƒํƒœ์—์„œ ํƒ„ํ˜„์‹ ํ˜ธ๋‚˜ ๋ณ€์กฐ์‹ ํ˜ธ๊ฐ€ ์ž…๋ ฅ๋˜๋ฉด, ๊ณก๋ฐ์ดํ„ฐ์— ๊ธฐ๋ก๋˜์–ด ์žˆ๋Š” ํ˜„์žฌ ์—ฐ์ฃผ์‹œ์ ์— ๋งž๋Š” ์Œ์ด ์˜ค๋ฅธ์†์— ์˜ํ•œ ํƒ„ํ˜„์‹ ํ˜ธ ๋ฐ ์™ผ์†์— ์˜ํ•œ ๋ณ€์กฐ์‹ ํ˜ธ์— ๋”ฐ๋ผ ์ ์ ˆํžˆ ์กฐ์ •๋˜์–ด ์Šคํ”ผ์ปค๋กœ ์ถœ๋ ฅ๋˜๋Š” ๊ฒƒ์ด๋‹ค.When the player selects the song to be played from memory by using the menu button and the select button, the selected song is loaded into the standby mode. When the play start button is pressed, the selected song starts to play and waits for a chord signal or modulation signal to be input by the right or left hand. If no chord signal or modulated signal is input by the end of the performance, the player's performance will not sound at all. If the chord signal or modulated signal is input while the playing time remains, the sound corresponding to the current playing time recorded in the song data is appropriately adjusted according to the chord signal by the right hand and the modulated signal by the left hand and output to the speaker. .
์ด์ƒ, ๋ณธ ๋ฐœ๋ช…์˜ ๊ฐœ๋žต์ ์ธ ๋ชจ์–‘, ๊ตฌ์„ฑ์š”์†Œ ๋ฐ ์ž‘๋™์›๋ฆฌ์— ๋Œ€ํ•˜์—ฌ ์„ค๋ช…ํ•˜์˜€๋‹ค. ์ดํ•˜๋ถ€ํ„ฐ๋Š” ์ข€ ๋” ์ž์„ธํ•œ ์„ค๋ช…์„ ๋„๋ฉด๊ณผ ํ•จ๊ป˜ ์„ค๋ช…ํ•˜๊ธฐ๋กœ ํ•œ๋‹ค.In the above, the outline shape, components, and operation principle of this invention were demonstrated. Hereinafter, a more detailed description will be described with drawings.
๋„ 2๋Š” ํœด๋Œ€ํ˜• ์‹ค์‹œ์˜ˆ์ด๋‹ค.2 is a portable embodiment.
๋„ 2์˜ ํœด๋Œ€ํ˜• ์‹ค์‹œ์˜ˆ์—์„œ ๋ณด๋Š” ๋ฐ”์™€ ๊ฐ™์ด ๋ณธ ๋ฐœ๋ช…์€ ๊ธฐํƒ€์˜ ๊ธด ๋„คํฌ๊ฐ€ ํ•„์š”์—†๊ธฐ ๋•Œ๋ฌธ์— ๊ทนํžˆ ์†Œํ˜•ํ™”๊ฐ€ ๊ฐ€๋Šฅํ•˜๋‹ค. ๋˜ํ•œ, ๊ทธ์— ๋”ฐ๋ผ ์ œ์ž‘์›๊ฐ€๋„ ์ ˆ๊ฐํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€ ๋‹น์—ฐํ•˜๋‹ค.As shown in the portable embodiment of Fig. 2, the present invention is extremely compact because no other long neck is required. In addition, it is natural that manufacturing costs can be reduced accordingly.
๋„ 2์—์„œ ๋ณด๋ฉด, ๊ธฐ๋ณธ์ ์œผ๋กœ, ํ˜„(2), ํ˜„์„ผ์„œ(9), ์™ผ์†์„ ์œ„ํ•œ ํ„ฐ์น˜์Šคํฌ๋ฆฐ(5), ์ „์›๋ฒ„ํŠผ(33), ๋ฉ”๋‰ด๋ฒ„ํŠผ(32), ์„ ํƒ๋ฒ„ํŠผ(31), ๋ชจ๋‹ˆํ„ฐ(6), ์™ธ๋ถ€์—ฐ๊ฒฐ๋‹จ์ž๋“ค(8)์ด ๋งˆ๋ จ๋˜์–ด ์žˆ๊ณ , ์ผ€์ด์Šค์˜ ๋‚ด๋ถ€์—๋Š” ์ปดํ“จํ„ฐ์นฉ์œผ๋กœ ๋œ ์ œ์–ด๋ถ€์™€ ๊ณก๋ฐ์ดํ„ฐ๊ฐ€ ์ €์žฅ๋˜๋Š” ๋ฉ”๋ชจ๋ฆฌ๊ฐ€ ๋‚ด์žฅ๋˜์–ด ์žˆ๋‹ค.2, basically, string 2, string sensor 9, touch screen 5 for the left hand, power button 33, menu button 32, selection button 31, monitor 6 External connection terminals 8 are provided, and a case in which a control unit made of a computer chip and a memory storing music data are stored.
ํ˜„(2)์€ ๊ฐ๊ฐ์˜ ํ˜„๋“ค ์ค‘์—์„œ ์–ด๋–ค ํ˜„์ด ํ‰๊ฒจ์ง€๋Š”์ง€ ํ˜„์„ผ์„œ(9)๋Š” ๊ฐœ๋ณ„์ ์œผ๋กœ ๊ฐ์ง€ํ•˜๊ฒŒ ๋˜์–ด ์žˆ์–ด, ์ŠคํŠธ๋กœํฌ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ์•„๋ฅดํŽ˜์ง€์˜ค ์ฃผ๋ฒ•๋„ ๊ทธ๋Œ€๋กœ ์—ฐ์ฃผํ•  ์ˆ˜๊ฐ€ ์žˆ๋‹ค.The string sensor 2 individually detects which string is bent from each string, so that not only the stroke but also the arpeggio method can be played as it is.
ํ„ฐ์น˜์Šคํฌ๋ฆฐ(5)์—๋Š” ์ง€ํŒ ์œ„์˜ ๊ฐ€์ƒํ˜„(51)์ด ํ•˜๋‚˜ ๊ทธ๋ ค์ ธ ์žˆ์–ด์„œ ์™ผ์†์œผ๋กœ ๊ตฌ์‚ฌํ•˜๊ณ  ์‹ถ์€ ์ฃผ๋ฒ•์„ ์ง€ํŒ ์œ„์˜ ๊ฐ€์ƒํ˜„(51)์œผ๋กœ ๊ตฌ์‚ฌํ•˜๋„๋ก ๋˜์–ด ์žˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด, ํ˜„์„ ์†๊ฐ€๋ฝ ์•ˆ์ชฝ์œผ๋กœ ๋‹น๊ธฐ๊ณ  ์‹ถ์œผ๋ฉด ๊ทธ๋ฆผ์ฒ˜๋Ÿผ ๊ฐ€์ƒํ˜„(51)์— ์†๊ฐ€๋ฝ์„ ๋Œ€๊ณ  ์•ˆ์ชฝ์œผ๋กœ ๋‹น๊ธฐ๋ฉด ๋œ๋‹ค.The virtual string 51 on the fingerboard is drawn on the touch screen 5 so as to use the virtual string 51 on the fingerboard to express the main method of using the left hand. For example, if you want to pull the string inside the finger, just touch the finger to the virtual string 51 as shown in the pull.
ํ„ฐ์น˜์Šคํฌ๋ฆฐ(5) ์ƒ์— ๊ทธ๋ ค์ง„ ์ง€ํŒ์€ 4๊ฐœ์˜ ๊ฐ€์ƒํ”„๋ ›(52)์œผ๋กœ 5๊ฐœ์˜ ๋ถ€๋ถ„(53, 54, 55, 56, 57)์œผ๋กœ ๋‚˜๋‰˜์–ด์ ธ ์žˆ๋‹ค. ์ด๋•Œ ์ค‘์•™๋ถ€๋ถ„(55)์€ ํ˜„์žฌ ์—ฐ์ฃผ๊ณก์˜ ๊ณก๋ฐ์ดํ„ฐ์— ๊ธฐ๋ก๋œ ํ˜„์—ฐ์ฃผ์‹œ์ ์ƒ์˜ ์Œ๊ณผ ๊ฐ™๊ณ , ๊ทธ๊ฒƒ์„ ๊ธฐ์ค€์œผ๋กœ ์œ„๋กœ ํ•œ ์นธ์”ฉ ์˜ฌ๋ผ๊ฐ€๋ฉด ๋ฐ˜์Œ์”ฉ์ด ์˜ฌ๋ผ๊ฐ€๊ณ  ๋ฐ˜๋Œ€๋กœ ์•„๋ž˜๋กœ ํ•œ ์นธ์”ฉ ๋‚ด๋ ค๊ฐ€๋ฉด ๋ฐ˜์Œ์”ฉ์ด ๋‚ด๋ ค๊ฐ„๋‹ค. ์ฆ‰, ํ˜„์‹œ์ ์˜ ์—ฐ์ฃผ์Œ์ด ์†”์ผ ๋•Œ ํ•œ ์นธ ์œ„(56)๋ฅผ ๋ˆ„๋ฅด๋ฉด ์ถœ๋ ฅ์Œ์ด ์†”#์œผ๋กœ ๋ณ€์กฐ๋˜์–ด ์ถœ๋ ฅ๋˜๋Š” ๊ฒƒ์ด๋‹ค. ๋˜ํ•œ ๊ฐ€์ƒํ”„๋ ›(52) ์œ„์— ์†๊ฐ€๋ฝ์„ ๋Œ€์—ˆ๋‹ค ์˜ค๋ฅธ์† ํƒ„ํ˜„๊ณผ ํ•จ๊ป˜ ์‚ด์ง ๋–ผ๋Š” ๋“ฑ์˜ ์—ฐ์ฃผํ…Œํฌ๋‹‰์„ ๊ตฌ์‚ฌํ•  ์ˆ˜ ์žˆ๋‹ค.The fingerboard drawn on the touch screen 5 is divided into five parts 53, 54, 55, 56, and 57 with four virtual frets 52. At this time, the center portion 55 is the same as the note on the current playing time recorded in the song data of the current playing music, up by one space based on it up by one semitone up, and conversely down by one space down by one semitone down. In other words, if the current playing sound is a sole, pressing 56 above one column is modulated with the sole # and the output sound is output. In addition, it is possible to use a playing technique, such as placing a finger on the virtual fret 52 and gently releasing it with the right hand string.
๋ชจ๋‹ˆํ„ฐ(6)์—๋Š” ํ˜„์žฌ ์—ฐ์ฃผ์ค‘์ธ ๊ณก์˜ ๊ฐ€์‚ฌ(61)๋ฅผ ๊ณก์˜ ์ง„ํ–‰์— ๋งž์ถ”์–ด ์ถœ๋ ฅํ•˜๊ฑฐ๋‚˜, ํ˜„์žฌ ์ฝ”๋“œ(62)๋ฅผ ํ‘œ์‹œํ•˜๋„๋ก ๋˜์–ด ์žˆ๋‹ค. ๋ชจ๋‹ˆํ„ฐ(6)๋Š” ์ด๋ฐ–์—๋„ ์กฐ์ ˆ๋ฒ„ํŠผ(31, 32)์˜ ์กฐ์ž‘์ƒํ™ฉ์— ๋”ฐ๋ผ ์„ ํƒ๋ฉ”๋‰ด๋ฅผ ํ‘œ์‹œํ•˜๊ฑฐ๋‚˜ ์•…๊ธฐ์„ ํƒ, ์Œ๋Ÿ‰๋ณ€ํ™”, ์—ฐ์ฃผ์†๋„ ๋“ฑ์„ ํ‘œ์‹œํ•˜๊ฒŒ ๋˜์–ด ์žˆ๋‹ค.The monitor 6 outputs the lyrics 61 of the song currently being played in accordance with the progress of the song, or displays the current chord 62. In addition, the monitor 6 displays a selection menu according to the operation status of the control buttons 31 and 32, or displays an instrument selection, a volume change, a playing speed, and the like.
๋ณธ ์‹ค์‹œ์˜ˆ๋Š” ํ„ฐ์น˜์Šคํฌ๋ฆฐ ํ•˜๋‚˜๋กœ ํ„ฐ์น˜์„ผ์„œ(5)์™€ ๋ชจ๋‹ˆํ„ฐ(6)๋ฅผ ํ•จ๊ป˜ ์“ด ์˜ˆ์ด๋‹ค.In this embodiment, the touch sensor 5 and the monitor 6 are used together in one touch screen.
๋„ 3์€ ๋ณธ ๋ฐœ๋ช…์˜ ๋ธ”๋Ÿญ๋„์ด๋‹ค.3 is a block diagram of the present invention.
์•ž์„œ ์„ค๋ช…ํ•œ ๋ฉ”๋ชจ๋ฆฌ๋Š” ๋ธ”๋Ÿญ๋„ ์ƒ์—์„œ ๋ฐ์ดํ„ฐ๋ถ€(11)์— ํ•ด๋‹นํ•œ๋‹ค. ๋ฐ์ดํ„ฐ๋ถ€(11)์—๋Š” ์—ฌ๋Ÿฌ ์•…๊ธฐ์˜ ์Œ์›๋„ ํ•จ๊ป˜ ์ €์žฅ๋˜์–ด ์žˆ๊ณ , ๋ช…๋ น์ž…๋ ฅ๋ถ€(14)์— ํ•ด๋‹นํ•˜๋Š” ์กฐ์ ˆ๋ฒ„ํŠผ(3)์˜ ์กฐ์ž‘์— ๋”ฐ๋ผ ์•…๊ธฐ๊ฐ€ ์„ ํƒ๋˜๋ฉด ์ด๋ฅผ ์ œ์–ด๋ถ€(19)๊ฐ€ ๋ฐ›์•„์„œ ๋ฐ์ดํ„ฐ๋ถ€(11)์— ์žˆ๋Š” ํ•ด๋‹นํ•˜๋Š” ์Œ์›์„ ๋ถˆ๋Ÿฌ์„œ ์—ฐ์ฃผ์Œ์œผ๋กœ ์‚ฌ์šฉํ•œ๋‹ค.The memory described above corresponds to the data portion 11 on the block diagram. The data unit 11 also stores sound sources of various instruments, and when the instrument is selected according to the operation of the control button 3 corresponding to the command input unit 14, the controller 19 receives the data and sends it to the data unit 11. Call up the corresponding sound source and use it as the performance sound.
ํ˜„(2)๊ณผ ํ˜„์„ผ์„œ(9)๋Š” ํƒ„ํ˜„์‹ ํ˜ธ์ž…๋ ฅ๋ถ€(12)๊ฐ€ ๋œ๋‹ค. ๊ฐ์ง€๋œ ์—ฐ์ฃผ์ž์˜ ํƒ„ํ˜„์‹ ํ˜ธ๋ฅผ ์ œ์–ด๋ถ€(19)์—๊ฒŒ ์ „๋‹ฌํ•˜๋Š” ์—ญํ• ์„ ํ•˜๊ณ , ์ œ์–ด๋ถ€(19)๋Š” ํƒ„ํ˜„์‹ ํ˜ธ๋ฅผ ์ „๋‹ฌ๋ฐ›์€ ์ฆ‰์‹œ ํ˜„์—ฐ์ฃผ์‹œ์ ์ƒ์˜ ์Œ์„ ๊ณก๋ฐ์ดํ„ฐ์—์„œ ์ฐพ์•„ ์•ฐํ”„์™€ ์Šคํ”ผ์ปค๋กœ ์ด๋ฃจ์–ด์ง„ ์Œ์•…์ถœ๋ ฅ๋ถ€(16)์— ์†Œ๋ฆฌ๋กœ ๋ณ€ํ™˜ํ•˜์—ฌ ์ „๋‹ฌํ•œ๋‹ค.The strings 2 and the string sensor 9 become a chord signal input section 12. The controller 19 transmits the detected chord signal of the performer to the control unit 19, and the control unit 19 finds the sound on the string playing point immediately after receiving the chord signal from the song data, and the music output unit 16 including the amplifier and the speaker. Convert it to sound and pass it on.
ํ„ฐ์น˜ํŒจ๋“œ๋‚˜ ํ„ฐ์น˜์Šคํฌ๋ฆฐ ๋˜๋Š” ๋ ˆ๋ฒ„ ๋“ฑ์˜ ํ„ฐ์น˜์„ผ์„œ((5)๋Š” ๋ณ€์กฐ์‹ ํ˜ธ์ž…๋ ฅ๋ถ€(13)์— ํ•ด๋‹นํ•œ๋‹ค. ๊ฐ์ง€๋œ ์—ฐ์ฃผ์ž์˜ ๋ณ€์กฐ์‹ ํ˜ธ๋ฅผ ์ œ์–ด๋ถ€(19)์—๊ฒŒ ์ „๋‹ฌํ•˜๊ณ , ์ œ์–ด๋ถ€(19)๋Š” ๋ณ€์กฐ์‹ ํ˜ธ๋ฅผ ์ „๋‹ฌ๋ฐ›์€ ์ฆ‰์‹œ ํ˜„์žฌ ์ถœ๋ ฅํ•ด์•ผ ํ•˜๋Š” ์—ฐ์ฃผ์Œ์„ ๋ณ€์กฐ์‹ ํ˜ธ๊ฐ€ ์˜๋ฏธํ•˜๋Š” ํšจ๊ณผ์— ๋งž๊ฒŒ ์ ์ ˆํžˆ ๋ณ€์กฐํ•˜์—ฌ ์Œ์•…์ถœ๋ ฅ๋ถ€(16)์— ์ „๋‹ฌํ•œ๋‹ค.The touch sensor 5 such as a touch pad, a touch screen, or a lever corresponds to a modulation signal input unit 13. The detected player's modulation signal is transmitted to the controller 19, and the controller 19 transmits the modulation signal. Upon receipt, the sound to be outputted at present is modulated according to the effect of the modulation signal and transmitted to the music output unit 16.
์ „์›๋ฒ„ํŠผ, ๋ฉ”๋‰ด๋ฒ„ํŠผ, ์„ ํƒ๋ฒ„ํŠผ ๋“ฑ์˜ ์กฐ์ ˆ๋ฒ„ํŠผ๋“ค์ด ๋ช…๋ น์ž…๋ ฅ๋ถ€(14)์— ํ•ด๋‹นํ•œ๋‹ค. ์ „์›๋ฒ„ํŠผ์€ ๊ธฐ๊ณ„๋ฅผ ์ผœ๊ฑฐ๋‚˜ ๋Œ ์ˆ˜ ์žˆ๋„๋ก ํ•ด์ฃผ๊ณ , ๋ฉ”๋‰ด๋ฒ„ํŠผ์€ ์—ฐ์ฃผ์ž๊ฐ€ ๊ณก์„ ๊ณ ๋ฅด๊ณ  ์‹ถ๊ฑฐ๋‚˜, ์Œ๋Ÿ‰์กฐ์ ˆ์„ ํ•˜๊ณ  ์‹ถ๊ฑฐ๋‚˜, ์•…๊ธฐ๋ฅผ ๋ฐ”๊พธ๊ณ  ์‹ถ๊ฑฐ๋‚˜, ์—ฐ์ฃผ์†๋„๋ฅผ ์กฐ์ ˆํ•˜๊ณ  ์‹ถ์„ ๋•Œ ๋ˆ„๋ฅด๋ฉด ์—ฌ๋Ÿฌ ๊ฐ€์ง€ ์กฐ์ ˆ๋ฉ”๋‰ด๊ฐ€ ๋ชจ๋‹ˆํ„ฐ์— ๋‚˜ํƒ€๋‚˜๋„๋ก ํ•ด์ฃผ๋ฉฐ, ์„ ํƒ๋ฒ„ํŠผ์€ ์ด๋Ÿฌํ•œ ๋ฉ”๋‰ด ์ค‘์—์„œ ์—ฐ์ฃผ์ž๊ฐ€ ์„ ํƒํ•œ ํ•ญ๋ชฉ์„ ์ œ์–ด๋ถ€(19)์— ์ „๋‹ฌํ•˜๋„๋ก ํ•ด์ค€๋‹ค.Control buttons such as a power button, a menu button, and a selection button correspond to the command input unit 14. The power button lets you turn the machine on and off, and the menu button lets you select a song, adjust the volume, change the instrument, or control the playing speed. The select button allows the controller 19 to transmit an item selected by the player from these menus.
๋ชจ๋‹ˆํ„ฐ๋กœ ์ด๋ฃจ์–ด์ง€๋Š” ๋””์Šคํ”Œ๋ ˆ์ด๋ถ€(15)๋Š” ์—ฐ์ฃผ์ค‘์ผ ๋•Œ ๊ฐ€์‚ฌ(61)์™€ ์ฝ”๋“œ(62) ๋“ฑ์„ ํ‘œ์‹œํ•˜๊ณ , ์—ฐ์ฃผ์ž๊ฐ€ ๋ฉ”๋‰ด์กฐ์ž‘์ค‘์ผ ๋•Œ๋Š” ์ƒํ™ฉ์— ๋งž๋Š” ๋ฉ”๋‰ด๋ฅผ ํ‘œ์‹œํ•œ๋‹ค.The display unit 15 comprising a monitor displays the lyrics 61, the chord 62, and the like when playing, and displays a context menu when the player is operating the menu.
์•ฐํ”„์™€ ์Šคํ”ผ์ปค๋กœ ์ด๋ฃจ์–ด์ง€๋Š” ์Œ์•…์ถœ๋ ฅ๋ถ€(16)๋Š” ์ œ์–ด๋ถ€(19)์˜ ์Œ์•…์‹ ํ˜ธ๋ฅผ ์ „๋‹ฌ๋ฐ›์•„ ์ฆํญํ•˜์—ฌ ์Šคํ”ผ์ปค๋กœ ์ถœ๋ ฅํ•œ๋‹ค.The music output unit 16 including the amplifier and the speaker receives the music signal from the control unit 19 and amplifies and outputs it to the speaker.
์™ธ๋ถ€๋ฉ”๋ชจ๋ฆฌ์ธํ„ฐํŽ˜์ด์Šค๋ถ€(17)๋Š” ๋ฐ์ดํ„ฐ๋ถ€(11)๋ฅผ ์™ธ๋ถ€๋ฉ”๋ชจ๋ฆฌ๋กœ ํ™•์žฅํ•  ์ˆ˜ ์žˆ๋Š” ๊ธฐ๋Šฅ์ด๋ฉฐ, ์ œ์–ด๋ถ€(19)๋Š” ์™ธ๋ถ€๋ฉ”๋ชจ๋ฆฌ๋ฅผ ์ฝ์–ด ๊ณก๋ฐ์ดํ„ฐ๋‚˜ ๋‹ค๋ฅธ ์•…๊ธฐ์˜ ์Œ์›์„ ์“ธ ์ˆ˜ ์žˆ๋‹ค.The external memory interface unit 17 is a function that can extend the data unit 11 to an external memory, and the control unit 19 can read the external memory and write song data or sound sources of other instruments.
ํ†ต์‹ ๋ถ€(18)๋Š” ์ปดํ“จํ„ฐ์™€ ์—ฐ๊ฒฐํ•˜๊ฑฐ๋‚˜ ๋…ธ๋ž˜๋ฐฉ๊ธฐ๊ธฐ์— ์—ฐ๊ฒฐํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•ด์ฃผ๋Š” ์—ญํ• ์„ ํ•œ๋‹ค. ์ปดํ“จํ„ฐ์—์„œ ์ƒˆ๋กœ์šด ๊ณก๋ฐ์ดํ„ฐ๋ฅผ ์ „์†ก๋ฐ›๊ฑฐ๋‚˜ ์ปดํ“จํ„ฐ๋กœ ์—ฐ์ฃผ์‹ ํ˜ธ๋ฅผ ๋ณด๋‚ผ ์ˆ˜ ์žˆ์œผ๋ฉฐ, ๋…ธ๋ž˜๋ฐฉ๊ธฐ๊ธฐ์—๋Š” ์—ฐ์ฃผ์‹ ํ˜ธ๋ฅผ ๋ณด๋‚ด ๋…ธ๋ž˜๋ฐฉ ๋…ธ๋ž˜๋ฐ˜์ฃผ์— ์ž์‹ ์˜ ๊ธฐํƒ€์—ฐ์ฃผ์†Œ๋ฆฌ๋ฅผ ๋”ํ•  ์ˆ˜ ์žˆ๋‹ค.The communication unit 18 serves to connect to a computer or to connect to a karaoke device. You can receive new song data from your computer or send a play signal to your computer, and you can add your own guitar address to the karaoke song accompaniment by sending a play signal to your karaoke equipment.
์ œ์–ด๋ถ€(19)๋Š” ๋ชจ๋“  ๊ตฌ์„ฑ์š”์†Œ๋ฅผ ์ œ์–ดํ•œ๋‹ค. ๊ทธ๋Ÿฌ๊ธฐ ์œ„ํ•˜์—ฌ ์ปดํ“จํ„ฐ์นฉ์œผ๋กœ ์ด๋ฃจ์–ด์ ธ ์žˆ์œผ๋ฉฐ, ์•ž์„œ ์„ค๋ช…ํ•œ ๊ธฐ๋Šฅ๋“ค์„ ์ด์ƒ์—†์ด ์ˆ˜ํ–‰ํ•  ์ˆ˜ ์žˆ๋„๋ก ์ ์ ˆํ•œ ํ”„๋กœ๊ทธ๋žจ์ด ํƒ‘์žฌ๋˜์–ด ์žˆ์–ด์•ผ ํ•œ๋‹ค.The control unit 19 controls all the components. To do this, it is composed of a computer chip, and an appropriate program must be loaded to perform the above functions without error.
๋‹ค์Œ์€, ๋ณธ ๋ฐœ๋ช…์˜ ์ž‘๋™์›๋ฆฌ๋ฅผ ํ๋ฆ„๋„์™€ ํ•จ๊ป˜ ์ƒ์„ธํžˆ ์„ค๋ช…ํ•œ๋‹ค.Next, the operation principle of the present invention will be described in detail with a flowchart.
๋„ 4๋Š” ๋ณธ ๋ฐœ๋ช…์˜ ์ž‘๋™์›๋ฆฌ๋ฅผ ๋‚˜ํƒ€๋‚ธ ํ๋ฆ„๋„์ด๋‹ค.4 is a flowchart showing the operation principle of the present invention.
์—ฐ์ฃผ์ž๊ฐ€ ๋ฉ”๋‰ด๋ฅผ ํ†ตํ•ด ์„ ๊ณก์„ ํ•˜๊ณ  ์‹œ์ž‘์„ ์ž…๋ ฅํ•˜๋ฉด ์„ ํƒ๋œ ๊ณก์„ ์—ฐ์ฃผํ•œ๋‹ค(100).When the player selects a song through the menu and inputs a start, the player plays the selected song (100).
์ œ์–ด๋ถ€๋Š” ํƒ„ํ˜„์‹ ํ˜ธ๋‚˜ ๋ณ€์กฐ์‹ ํ˜ธ๊ฐ€ ๋ฐœ์ƒํ•˜๋Š”์ง€ ๊ณ„์† ๋Œ€๊ธฐํ•˜๊ณ  ์žˆ๋‹ค๊ฐ€(200), ํƒ„ํ˜„์‹ ํ˜ธ๊ฐ€ ๋ฐœ์ƒํ•˜๋ฉด ์–ด๋–ค ์‹ ํ˜ธ์ธ์ง€ ํ™•์ธํ•˜์—ฌ(300), ํ˜„์žฌ ์‹œ์ ์˜ ์Œ์ •์„ ๊ณก๋ฐ์ดํ„ฐ๋กœ๋ถ€ํ„ฐ ํ™•์ธํ•œ๋‹ค(400).The controller continuously waits for generation of the chord signal or modulation signal (200), and if the chord signal is generated, checks the signal (300), and checks the pitch of the current time point from the song data (400).
์ด๋•Œ ๋ณ€์กฐ์‹ ํ˜ธ๊ฐ€ ์žˆ๋Š”์ง€์— ๋”ฐ๋ผ(500) ์žˆ์œผ๋ฉด ํ•ด๋‹น ๋ณ€์กฐ์‹ ํ˜ธ๋ฅผ ํ™•์ธํ•˜์—ฌ(600) ์ถœ๋ ฅํ•  ์Œ์ •์„ ๋ณ€์กฐ์‹ ํ˜ธ์— ๋งž๊ฒŒ ๋ณ€์กฐํ•˜์—ฌ ์กฐ์ •์‚ฌ์šด๋“œ๋ฅผ ์ถœ๋ ฅํ•œ๋‹ค(700). ๋งŒ์•ฝ ๋ณ€์กฐ์‹ ํ˜ธ๊ฐ€ ์—†์œผ๋ฉด ๊ทธ๋ƒฅ ๋ณ€์กฐ ์—†์ด ์กฐ์ •์‚ฌ์šด๋“œ๋กœ ์ถœ๋ ฅํ•œ๋‹ค.At this time, if there is a modulation signal (500), the corresponding modulation signal is checked (600) and the pitch to be output is modulated according to the modulation signal to output the adjustment sound (700). If there is no modulated signal, it is just output to the adjustment sound without modulation.
์—ฐ์ฃผ์‹œ๊ฐ„์ด ๋‚จ์•˜๋Š”์ง€์˜ ์—ฌ๋ถ€๋ฅผ ํŒ๋‹จํ•˜์—ฌ(800) ๋‚จ์•„ ์žˆ์œผ๋ฉด ๋‹ค์‹œ ํƒ„ํ˜„์‹ ํ˜ธ ๋ฐ ๋ณ€์กฐ์‹ ํ˜ธ๋ฅผ ๋Œ€๊ธฐํ•˜๊ณ , ์—ฐ์ฃผ์‹œ๊ฐ„์ด ๋๋‚ฌ์œผ๋ฉด ์—ฐ์ฃผ๋ฅผ ์ข…๋ฃŒํ•œ๋‹ค(900).If it is determined whether the playing time remains (800), if the remainder waits for the chord signal and the modulation signal, and if the playing time is over, the playing is terminated (900).
๋‹ค์Œ์€, ๋ณธ ๋ฐœ๋ช…์ด ๊ณก๋ฐ์ดํ„ฐ์˜ ๋‹จ์ˆœํ•œ ์—ฐ์ฃผ์Œ์„ ์‹ค์ œ๋กœ ์–ด๋–ป๊ฒŒ ๋ณ€์ฃผํ•  ์ˆ˜ ์žˆ๋Š”์ง€ ์‚ดํŽด๋ณด๊ธฐ๋กœ ํ•œ๋‹ค.Next, we will look at how the present invention can actually vary the simple playing sound of the song data.
๋„ 5๋Š” ๋ณธ ๋ฐœ๋ช…์— ๋”ฐ๋ฅธ ๋ณ€์ฃผ์˜ ์˜ˆ์ด๋‹ค.5 is an example of variation according to the present invention.
์ œ์ผ ์œ„์— ์žˆ๋Š” ๊ทธ๋ฆผ์€ ๊ณก๋ฐ์ดํ„ฐ์ƒ์˜ ์•…๋ณด์ด๋‹ค. ์™ผ์†์˜ ๋ณ€์กฐ์‹ ํ˜ธ ์—†์ด ์•…๋ณด์— ๋งž๋Š” ํƒ„ํ˜„๋งŒ ํ•œ๋‹ค๋ฉด ์—ฐ์ฃผ์Œ์€ ์•…๋ณด๋Œ€๋กœ ์ถœ๋ ฅ๋œ๋‹ค.The picture at the top is the score on the song data. If you play the strings that match the score without the left-handed modulating signal, the performance is output as the score.
์—ฌ๊ธฐ์„œ๋Š” ์ด ๊ณก์„ ๋ณ€์ฃผํ•˜๋Š” ์˜ˆ๋ฅผ ๋“ค๊ธฐ๋กœ ํ–ˆ์œผ๋ฏ€๋กœ, ํƒ„ํ˜„์„ ๋‘๋ฒˆ์งธ ๊ทธ๋ฆผ์ฒ˜๋Ÿผ ์•ž์˜ ๋งˆ๋””๋ฅผ ํŠ€๋“ฏ์ด ์ž…๋ ฅํ•œ ๊ฒƒ์œผ๋กœ ํ•˜๊ณ , ์™ผ์†์— ์˜ํ•œ ๋ณ€์กฐ์‹ ํ˜ธ๋Š” ๋’ค์˜ ๋งˆ๋””์˜ ๋‘๋ฒˆ์งธ ์Œ์ด ๋ฐ˜๋ฐ•์ž ์—ฐ์ฃผ๋œ ์‹œ์ ์— ํ•œ ์Œ ๋‚ด๋ฆฐ ์‹ ํ˜ธ๋ฅผ ์ž…๋ ฅํ•œ ๊ฒƒ์œผ๋กœ ํ•œ๋‹ค.In this example, we've decided to change the song so that the tan string is bounced from the previous node as shown in the second picture, and the left-hand modulated signal is lowered by one note when the second note of the second bar is played. It is assumed that a signal is input.
์ด๋ ‡๊ฒŒ ๋˜๋ฉด, ๋ณธ ๋ฐœ๋ช…์— ์˜ํ•ด ์ถœ๋ ฅ์Œ์€, ๋งจ ์•„๋ž˜์˜ ์•…๋ณด์ฒ˜๋Ÿผ ์ถœ๋ ฅ๋œ๋‹ค. ๋‘๋ฒˆ์งธ ๊ทธ๋ฆผ์—์„œ ํƒ„ํ˜„์‹ ํ˜ธ a๊ฐ€ ๋งˆ์ง€๋ง‰ ๊ทธ๋ฆผ์—์„œ์˜ ์ถœ๋ ฅ์‹ ํ˜ธ c๋กœ ๋˜๋Š” ๊ฒƒ์€, a์˜ ํƒ„ํ˜„์‹ ํ˜ธ๊ฐ€ ์ผ์–ด๋‚  ๋•Œ ๊ทธ ์‹œ์ ์˜ ์—ฐ์ฃผ์Œ์€ ์†”์ด์—ˆ๊ธฐ ๋•Œ๋ฌธ์ด๊ณ , ๋‘๋ฒˆ์งธ ๊ทธ๋ฆผ์—์„œ ๋’ค์˜ ๋งˆ๋””์—์„œ ์˜ค๋ฅธ์†์œผ๋กœ ๋‘๋ฒˆ์งธ ํƒ„ํ˜„์ด ์ผ์–ด๋‚œ ์ƒํ™ฉ์—์„œ ๋ฐ˜๋ฐ•์ž๋งŒ์— ์™ผ์†์˜ ๋ณ€์กฐ b๊ฐ€ ์ผ์–ด๋‚ฌ๊ธฐ ๋•Œ๋ฌธ์— ์ œ์–ด๋ถ€๋Š” ํ˜„์žฌ์˜ ์Œ์ธ ์†”์„ ํ•œ ์Œ ๋‚ฎ์ถ”์–ด ํŒŒ๋ฅผ ์ถœ๋ ฅํ•œ ๊ฒƒ์ด๋‹ค. ์—ฐ์ฃผ์ž๋Š” ์‹ค์ œ ๊ธฐํƒ€ ์—ฐ์ฃผ๊ธฐ๋ฒ•์ฒ˜๋Ÿผ ์Šฌ๋ผ์ด๋”ฉ์„ ํ•œ ์‹œ๋Š‰์„ ํ•œ ๊ฒƒ์ด๋ฉฐ, ์ถœ๋ ฅ ๋˜ํ•œ ์Šฌ๋ผ์ด๋”ฉํ•œ ํšจ๊ณผ๊ฐ€ ๋ฐ˜์˜์ด ๋˜์—ˆ๋‹ค.In this case, according to the present invention, the output sound is output like a sheet music at the bottom. In the second figure, the chord signal a becomes the output signal c in the last figure, because when the chord signal of a occurs, the playing sound at that point was the sole, and in the second figure, the second chord occurred with the right hand. Since the modulation b of the left hand occurred only after the repetition at, the controller outputs a wave by lowering one note of the current sound. The performer performed a sliding pretending like a real guitar playing technique, and the output also reflected the sliding effect.
๋‹ค์Œ์€, ์ด๋Ÿฌํ•œ ๊ธฐ๋Šฅ์œผ๋กœ ์‹ค์ œ ์–ด๋–ค ๋ณ€์ฃผ๊ฐ€ ๊ฐ€๋Šฅํ•œ์ง€ ์˜ˆ๋ฅผ ๋“ค๊ธฐ๋กœ ํ•œ๋‹ค.Next, let's take an example of what kind of variation is actually possible with this function.
์„ ํƒ๋œ ๊ณก์—์„œ ๊ธฐํƒ€์†”๋กœ ๋ถ€๋ถ„์ด ์žˆ๋‹ค๊ณ  ํ•˜๋ฉด, ์ด ๊ธฐํƒ€์†”๋กœ ๋ถ€๋ถ„์„ ์—ฐ์ฃผํ•  ๋•Œ ์งš์–ด์•ผ ํ•˜๋Š” ์ง€ํŒ์˜ ์œ„์น˜๋Š” ๊ฐ๊ฐ ์ •ํ•ด์ ธ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ๊ณก๋ฐ์ดํ„ฐ์— ๋”ฐ๋ผ ์งš์–ด์•ผ ํ•˜๋Š” ์ง€ํŒ์˜ ์œ„์น˜๋ฅผ ๊ณ„์‚ฐํ•˜์—ฌ ๋ชจ๋‹ˆํ„ฐ์˜ ์ฝ”๋“œํ‘œ์‹œ๋ถ€์— ํ˜„์žฌ ์งš์–ด์ ธ์•ผ ํ•˜๋Š” ์ง€ํŒ์˜ ์œ„์น˜๋ฅผ ํ‘œ์‹œํ•˜๋ฉด, ์—ฐ์ฃผ์ž๋Š” ๋ชจ๋‹ˆํ„ฐ๋ฅผ ์ฐธ์กฐํ•˜๋ฉด์„œ ํ•ด๋‹นํ•˜๋Š” ํ˜„์„ ํ‰๊ธธ ์ˆ˜ ์žˆ๋‹ค. ๋ฌผ๋ก  ๋˜‘๊ฐ™์ด ํ‰๊ธฐ์ง€ ์•Š์•„๋„ ๋œ๋‹ค. ๋‹ค๋ฅด๊ฒŒ ํ‰๊ธฐ๋ฉด ๋‹ค๋ฅด๊ฒŒ ํ‰๊ธฐ๋Š” ๋Œ€๋กœ ๋ณ€์ฃผ๋œ ์†Œ๋ฆฌ๊ฐ€ ๋‚˜์˜ค๋Š” ๊ฒƒ์ด ๋ณธ ๋ฐœ๋ช…์˜ ํŠน์ง•์ธ ๊ฒƒ์ด๋‹ค. ๊ทธ๋Ÿฐ๋ฐ, ๊ธฐํƒ€์†”๋กœ ๋ถ€๋ถ„์—์„œ ํ‰๊ฒจ์ง€์ง€ ์•Š๋Š” ๋‚˜๋จธ์ง€ ํ˜„์—๋Š” ํ˜„์žฌ ์—ฐ์ฃผ์Œ์— ๋งž๋Š” ์ฝ”๋“œ์— ํ•ด๋‹นํ•˜๋Š” ์Œ์ด ์งš์–ด์ ธ ์žˆ๋‹ค. ๋”ฐ๋ผ์„œ, ์—ฐ์ฃผ์ž๊ฐ€ ์›๊ณก์— ๋”ฐ๋ฅธ ํ˜„์„ ํ‰๊ธฐ์ง€ ์•Š๊ณ  ์ „ํ˜€ ๋‹ค๋ฅธ ํ˜„์„ ํ‰๊ธด๋‹ค ํ•˜๋”๋ผ๋„ ์ „ํ˜€ ์–ด์šธ๋ฆฌ์ง€ ์•Š๋Š” ๋ถˆํ˜‘ํ™”์Œ์ด ๋‚˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ์ฝ”๋“œ์— ๋งž๋Š” ์†Œ๋ฆฌ๊ฐ€ ๋‚˜๋ฏ€๋กœ, ์—ฐ์ฃผ์ค‘์ธ ๊ณก์— ์ฉ ์–ด์šธ๋ฆฌ๋ฉด์„œ๋„ ์™„์ „ํžˆ ์ƒ‰๋‹ค๋ฅธ ๋ถ„์œ„๊ธฐ์˜ ๊ธฐํƒ€์• ๋“œ๋ฆฝ์„ ์—ฐ์ฃผํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋˜๋Š” ๊ฒƒ์ด๋‹ค. ๋”๊ตฌ๋‚˜, ํƒ„ํ˜„๋„ ์›๊ณก๊ณผ๋Š” ์กฐ๊ธˆ ๋‹ค๋ฅด๊ฒŒ ํ•˜๋ฉด์„œ ์ ์ ˆํžˆ ์™ผ์†ํšจ๊ณผ๋ฅผ ๋„ฃ๊ธฐ๋ผ๋„ ํ•œ๋‹ค๋ฉด ๊ทธ ๋Š๋‚Œ์€ ์Šค์Šค๋กœ ์ „๋ฌธ ์—ฐ์ฃผ๊ฐ€๊ฐ€ ๋œ ๊ฒƒ ๊ฐ™์€ ์ฐฉ๊ฐ์„ ๋ถˆ๋Ÿฌ ์ผ์œผํ‚ฌ ์ •๋„์ผ ๊ฒƒ์ด๋‹ค.If there is a guitar solo part in the selected song, the fingerboard position to be noted when playing this guitar solo part will be determined. By calculating the position of the fingerboard according to the song data and displaying the position of the fingerboard currently on the monitor's chord display, the player can refer to the monitor while striking the string. Of course, you don't have to hit the same. If it is different, it is a feature of the present invention that the sound is changed in different ways. However, the rest of the strings that are not bent in the guitar solo are written notes that correspond to the chords that match the current playing sound. Therefore, even if the player does not pierce the strings according to the original song, but does not play any strings at all, it does not sound discordantly, but rather the sound that matches the chord, so that the guitar adds a completely different atmosphere that suits the song being played. You can do it. In addition, if the tanhyeon is a little different from the original song and properly left-handed, the feeling will be like a professional musician.
๋ฐ”๋กœ ์ด๋Ÿฐ ์  ๋•Œ๋ฌธ์— EZ-AG ๊ธฐํƒ€์™€๋Š” ๋‹ฌ๋ฆฌ, ์‹ค์ œ ๊ธฐํƒ€๊ฐ€ ์•„๋‹Œ ์ด์ง€๊ธฐํƒ€๋ฅผ ์—ฐ์ฃผํ•ด๋„ ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ฐฝํ”ผํ•˜์ง€ ์•Š๊ณ , ์˜คํžˆ๋ ค ์‚ฌ๋žŒ๋“ค์˜ ํƒ„์„ฑ์„ ๋ถˆ๋Ÿฌ์ผ์œผํ‚ฌ ์ˆ˜๋„ ์žˆ๋Š” ๊ฒƒ์ด๋‹ค. ๋ฌด์—‡๋ณด๋‹ค๋„, ์—ฐ์ฃผ์ž ๋ณธ์ธ์—๊ฒŒ ์žˆ์–ด์„œ, ์˜ˆ์ˆ ์˜ ๊ธฐ๋ณธ์ธ ์ฐฝ์ž‘์˜ ๊ธฐ์จ์„ ์–ด๋ ต์ง€ ์•Š๊ฒŒ ๋ˆ„๋ฆด ์ˆ˜๊ฐ€ ์žˆ๋‹ค๋Š” ๊ฒƒ์ด ๊ฐ€์žฅ ํฐ ๋‹ค๋ฅธ ์ ์ด๋ผ ํ•  ๊ฒƒ์ด๋‹ค.That's why, unlike EZ-AG guitars, playing guitars that aren't real guitars doesn't embarrass others, but can inspire people. Above all, the biggest difference is that for the performer himself, he can enjoy the joy of creation which is the basis of art without difficulty.
๊ณก๋ฐ์ดํ„ฐ์—๋Š” ์ „์ฒด์ ์œผ๋กœ ์ฝ”๋“œ์—ฐ์ฃผ๋ฅผ ํ•˜๋Š” ๋ถ€๋ถ„๊ณผ ๊ธฐํƒ€์†”๋กœ ๋ถ€๋ถ„์€ ๋ฏธ๋ฆฌ ์„œ๋กœ ๊ตฌ๋ถ„๋˜๋„๋ก ์„ค์ •๋˜์–ด ์žˆ์–ด์„œ ์—ฐ์ฃผ์ค‘์— ์ž๋™์œผ๋กœ ์ฝ”๋“œ์—ฐ์ฃผ ๋ชจ๋“œ์—์„œ ๊ธฐํƒ€์†”๋กœ์—ฐ์ฃผ ๋ชจ๋“œ๋กœ, ๋˜๋Š” ๊ทธ ๋ฐ˜๋Œ€๋กœ ๋ณ€ํ™˜์ด ๋œ๋‹ค. ์ด์— ๋”ฐ๋ผ, ๋ชจ๋‹ˆํ„ฐ์—๋Š” ์ฝ”๋“œ์—ฐ์ฃผ์ค‘์ด๊ฑฐ๋‚˜ ๊ธฐํƒ€์†”๋กœ์—ฐ์ฃผ์ค‘์ž„์„ ํ‘œ์‹œํ•  ์ˆ˜๋„ ์žˆ๋‹ค.In the song data, the chord playing part and the guitar solo part are set so as to be distinguished from each other in advance, so that the performance is automatically converted from the chord playing mode to the guitar solo playing mode or vice versa. Accordingly, the monitor may indicate that you are playing chords or playing other solos.
๋„ 6์€ ์—ฐ์ฃผ๋ชจ๋“œ ํ‘œ์‹œ์˜ ์‹ค์‹œ์˜ˆ์ด๋‹ค.6 is an embodiment of a play mode display.
๋„๋ฉด์˜ (a)๋Š” ์—ฐ์ฃผ๋ชจ๋“œ ํ‘œ์‹œ๋ถ€๋ถ„(63)์— ์ฝ”๋“œ์—ฐ์ฃผ๋ชจ๋“œ๋ฅผ ํ‘œ์‹œํ•œ ๊ฒฝ์šฐ์ด๊ณ , (b)๋Š” ์†”๋กœ์—ฐ์ฃผ๋ชจ๋“œ๋ฅผ ํ‘œ์‹œํ•œ ๊ฒฝ์šฐ์ด๋‹ค.(A) in the figure shows the chord playing mode on the playing mode display section 63, and (b) shows the solo playing mode.
๋งŒ์•ฝ์—, ๋‘ ๋ช… ์ด์ƒ์˜ ์—ฐ์ฃผ์ž๋ผ๋ฆฌ ํ•ฉ์ฃผ๋ฅผ ์œ„ํ•œ ์—ฐ์ฃผ๋ฅผ ํ•  ๋•Œ๋Š” ์ฝ”๋“œ์—ฐ์ฃผ ํŒŒํŠธ์™€ ๊ธฐํƒ€์—ฐ์ฃผ ํŒŒํŠธ๊ฐ€ ์™„์ „ํžˆ ๊ตฌ๋ถ„๋˜์–ด ๋ชจ๋“œ๋ณ€ํ™˜์ด ์„ค์ •๋˜์ง€ ์•Š์€ ๊ณก๋ฐ์ดํ„ฐ๋ฅผ ์‚ฌ์šฉํ•˜๋ฉด ๋œ๋‹ค.If two or more players are playing for an ensemble, you can use the song data for which the chord part and other part are completely separated and the mode conversion is not set.
๋‹ค์Œ์€, ๋ณธ ๋ฐœ๋ช…์— ์‚ฌ์šฉ๋˜๋Š” ๊ณก๋ฐ์ดํ„ฐ์˜ ์‹ค์‹œ์˜ˆ๋ฅผ ๋„๋ฉด๊ณผ ํ•จ๊ป˜ ์„ค๋ช…ํ•˜๊ธฐ๋กœ ํ•œ๋‹ค.Next, an embodiment of music data used in the present invention will be described with reference to the drawings.
๋ณธ ๋ฐœ๋ช…์— ์“ฐ์ด๋Š” ๊ณก๋ฐ์ดํ„ฐ๋Š” ์ฝ”๋“œ ๋“ฑ์˜ ์Œ์ •๋ฐ์ดํ„ฐ์™€ ๊ทธ์— ์‹ฑํฌ๋˜๋Š” ๊ฐ€์‚ฌ๋ฐ์ดํ„ฐ๋ฅผ ํฌํ•จํ•˜๋Š” ๊ฒƒ์ด ๊ฐ€์žฅ ๋ฐ”๋žŒ์งํ•˜๋‹ค. ํ•˜์ง€๋งŒ ์—ฌ๊ธฐ์„œ๋Š” ์Œ์ •๋ฐ์ดํ„ฐ๋ฅผ ์ฒ˜๋ฆฌํ•˜๋Š” ์›๋ฆฌ๋ฅผ ์„ค๋ช…ํ•˜๊ธฐ ์œ„ํ•ด ํŽธ์˜์ƒ ๊ฐ€์‚ฌ ํŒŒํŠธ๋Š” ๊ทธ ์„ค๋ช…์„ ์ƒ๋žตํ•˜๊ธฐ๋กœ ํ•œ๋‹ค.The song data used in the present invention most preferably includes pitch data such as chords and lyrics data synced thereto. However, for the sake of explanation of the principle of processing the pitch data, the lyrics part will be omitted for convenience.
๋„ 7์€ ์‹ค์ œ ๊ธฐํƒ€์ง€ํŒ์˜ ์œ„์น˜๋ณ„๋กœ ๋Œ€์‘๋˜๋Š” ์Œ์„ ํ‘œ์‹œํ•œ ๊ทธ๋ฆผ์ด๋‹ค.7 is a diagram showing sounds corresponding to positions of actual guitar fingers.
์‹ค์ œ ์กฐ์œจ๋œ ๊ธฐํƒ€์—์„œ ์™ผ์†์œผ๋กœ ์ž„์˜์˜ ์ง€ํŒ์„ ๋ˆ„๋ฅด๊ณ  ํ•ด๋‹น ํ˜„์„ ํ‰๊ธฐ๋ฉด ๋„๋ฉด๊ณผ ๊ฐ™์€ ์Œ์ด ๋‚˜์˜ค๊ฒŒ ๋œ๋‹ค. ๊ธฐํƒ€๊ต๋ณธ ๋“ฑ์—์„œ ํ”ํžˆ ๋ณผ ์ˆ˜ ์žˆ๋Š” ํƒ€๋ธŒ(TAB) ์•…๋ณด๋Š” ๋ฐ”๋กœ ๊ธฐํƒ€์˜ ์ง€ํŒ๊ณผ ํ˜„์œผ๋กœ ๋œ ๊ทธ๋ฆผ์„ ์•…๋ณด ์‚ฌ์šฉํ•œ ๊ฒƒ์ด๋‹ค. ์ฆ‰, 1๋ฒˆํ˜„ ์œ„์— ์Œํ‘œ๋ฅผ ๊ทธ๋ฆฌ๊ณ  ์ˆซ์ž 2๋ฅผ ์ ์œผ๋ฉด, 1๋ฒˆํ˜„์˜ 2๋ฒˆ ํ”„๋ ›์„ ๋ˆ„๋ฅด๊ณ  ์น˜๋ผ๋Š” ์˜๋ฏธ์ด๋‹ค. ๊ทธ๋Ÿด ๊ฒฝ์šฐ ๋„๋ฉด์—์„œ ๋ณด๋Š” ๋ฐ”์™€ ๊ฐ™์ด F# ์†Œ๋ฆฌ๊ฐ€ ๋‚œ๋‹ค.On an actual tuned guitar, press any fingerboard with your left hand and slap the strings, and you will hear the sound as shown in the drawing. TAB sheet music, which is commonly found in guitar textbooks, is the use of sheet music and strings. In other words, if you draw a note on the first string and write the number 2, it means to press and hold the fret 2 of the first string. If so, you will hear F # sound as shown in the drawing.
๋ณธ ๋ฐœ๋ช…์—์„œ๋Š” ๋งˆ์น˜ ํƒ€๋ธŒ์•…๋ณด์ฒ˜๋Ÿผ ๊ธฐํƒ€์˜ ํ˜„๋ณ„๋กœ ๋ฐ์ดํ„ฐ๊ฐ€ ์ž‘์„ฑ๋˜๋Š” ์˜ˆ๋กœ ๋“ค๊นŒ ํ•œ๋‹ค.In the present invention, it is as if the data is created by the strings of the guitar as if the tab music.
๋„ 8์€ ๊ณก๋ฐ์ดํ„ฐ์˜ ์˜ˆ์ด๋‹ค.8 is an example of music data.
๊ฐ€๋กœ์ค„์€ ๊ธฐํƒ€์˜ ํ˜„์„ ๋‚˜ํƒ€๋‚ด๋ฉฐ ์œ„์—์„œ๋ถ€ํ„ฐ ์•„๋ž˜๋กœ ์ฐจ๋ก€๋กœ 1๋ฒˆ๋ถ€ํ„ฐ 6๋ฒˆ ํ˜„์„ ๋‚˜ํƒ€๋‚ธ๋‹ค. ์„ธ๋กœ์ค„์€ ๊ณก์˜ ๊ธธ์ด์— ํ•ด๋‹นํ•˜๋ฉฐ ํ•œ ์นธ์˜ ๊ฑฐ๋ฆฌ๋Š” ํ•œ ๋ฐ•์ž์ด๋‹ค. ํ˜„ ์œ„์— ๊ทธ๋ ค์ง„ ๋™๊ทธ๋ผ๋ฏธ ์•ˆ์˜ ์ˆซ์ž๋“ค์€ ๊ทธ ํ˜„ ์œ„์—์„œ ์งš์–ด์ง„ ํ”„๋ ›์˜ ์œ„์น˜๋ฅผ ๋‚˜ํƒ€๋‚ธ๋‹ค.The horizontal line indicates the strings of the guitar and the strings 1 through 6 in order from top to bottom. The vertical line corresponds to the length of the song, and the distance of one cell is one beat. The numbers in the circles drawn on the strings indicate the location of the frets on the strings.
๋„๋ฉด์—์„œ ์ฒ˜์Œ ๋‚˜์˜ค๋Š” ์ฝ”๋“œ๋Š” Am์ด๋ฉฐ ๋„ค ๋ฐ•์ž ๊ธธ์ด๋งŒํผ ์—ฐ์ฃผ๋œ๋‹ค. Am๋ฅผ ์‹ค์ œ ๊ธฐํƒ€์—์„œ ์žก์„ ๋•Œ 1๋ฒˆ ํ˜„๋ถ€ํ„ฐ ์ฐจ๋ก€๋กœ ๊ฐœ๋ฐฉํ˜„, 1ํ”„๋ ›, 2ํ”„๋ ›, 2ํ”„๋ ›, ๊ฐœ๋ฐฉํ˜„, ๊ฐœ๋ฐฉํ˜„์„ ์žก๊ฒŒ ๋˜๋ฏ€๋กœ, ๊ณก๋ฐ์ดํ„ฐ๋„ ๊ทธ๋ ‡๊ฒŒ ์ž‘์„ฑ๋˜์–ด ์žˆ์Œ์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ์ด ๋„๋ฉด์€ ์‹œ๊ฐ์ ์œผ๋กœ ์•Œ๊ธฐ ์‰ฝ๊ฒŒ ํ‘œํ˜„ํ•œ ์˜ˆ์ด์ง€๋งŒ, ์‹ค์ œ ํ…์ŠคํŠธ๋กœ ๋‚˜ํƒ€๋‚ด ๋ณด๋ฉด,The first chord in the figure is Am and plays four beats. When Am picks up on an actual guitar, he starts to play the strings one by one, followed by one open fret, one fret, two frets, two frets, open strings, and open strings. This drawing is a visually readable example, but in actual text,
(Am,0,1,2,2,0,0)์™€ ๊ฐ™์€ ์‹์œผ๋กœ ํ•  ์ˆ˜๋„ ์žˆ์„ ๊ฒƒ์ด๋‹ค. (Am, 0,1,2,2,0,0) could be used as well.
(์ฝ”๋“œ๋„ค์ž„, 1๋ฒˆํ˜„์„ ์งš๋Š” ์œ„์น˜, 2๋ฒˆํ˜„์„ ์งš๋Š” ์œ„์น˜, 3๋ฒˆํ˜„์„ ์งš๋Š” ์œ„์น˜, 4๋ฒˆํ˜„์„ ์งš๋Š” ์œ„์น˜, 5๋ฒˆํ˜„์„ ์งš๋Š” ์œ„์น˜, 6๋ฒˆํ˜„์„ ์งš๋Š” ์œ„์น˜)์˜ ๋ฐฉ์‹์œผ๋กœ ๋‚˜ํƒ€๋‚ธ ๊ฒฝ์šฐ์ด๋‹ค.This is the case of the code name, the location of the first string, the location of the second string, the location of the third string, the location of the fourth string, the location of the fifth string, and the location of the sixth string.
์ด์™€ ๊ฐ™์€ ๋ฐ์ดํ„ฐ๋กœ ์—ฐ์ฃผ๋˜๋Š” ๊ณก์—์„œ a์˜ ์—ฐ์ฃผ์‹œ์ ์— a๊ฐ€ ์žˆ๋Š” 1๋ฒˆ ํ˜„์„ ํ‰๊ธฐ๋ฉด ๊ทธ ์—ฐ์ฃผ์‹œ์ ์€ ์•„์ง b๊ฐ€ ์žกํžŒ ์ƒํƒœ๊ฐ€ ๋˜๋ฏ€๋กœ b์™€ ๋™์ผํ•œ ์Œ์ด ์ถœ๋ ฅ๋˜๋Š” ๊ฒƒ์ด๋‹ค.If you play a string with a at the beginning of a in a song played with this data, the same note as b will be output since the beginning of the string is still in the state of b.
์ด์ œ, ์•„๋ž˜์— ์žˆ๋Š” ์†”๋กœ ๋ชจ๋“œ๋ฅผ ์„ค๋ช…ํ•˜๊ธฐ๋กœ ํ•œ๋‹ค.Now let's explain the solo mode below.
์ฃผํ™ฉ์ƒ‰ ๋™๊ทธ๋ผ๋ฏธ๋กœ ๋œ ๊ฒƒ์ด ์†”๋กœ์—ฐ์ฃผ ๋ถ€๋ถ„์ด๋‹ค. ์—ฌ๊ธฐ์„œ๋Š” ํŽธ์˜์ƒ ์ƒ‰์„ ๊ตฌ๋ถ„ํ•œ ๊ฒƒ์ผ๋ฟ ์‹ค์ œ ๋ฐ์ดํ„ฐ์—์„œ๋Š” ๊ตฌ๋ถ„ํ•  ํ•„์š”๊ฐ€ ์—†๋‹ค.The orange circle is the solo part. For simplicity, the colors are color coded only and do not need to be distinguished from actual data.
์•ž์„œ ์„ค๋ช…ํ–ˆ๋“ฏ์ด, ์‹ค์ œ๋กœ ์—ฐ์ฃผํ•  ํ•„์š”๊ฐ€ ์—†๋Š” ๋‹ค๋ฅธ ํ˜„์—๋„ ๋งŒ์•ฝ ํ‰๊ฒจ์กŒ์„ ๊ฒฝ์šฐ ํ™”์Œ์ด ๋งž๋Š” ์†Œ๋ฆฌ๋ฅผ ๋‚ผ ์ˆ˜ ์žˆ๋„๋ก ์ฝ”๋“œ๊ตฌ์„ฑ์Œ(๋…ธ๋ž€ ๋™๊ทธ๋ผ๋ฏธ)์„ ํ‘œ์‹œํ•ด๋‘์—ˆ๋‹ค. ์ด๋ ‡๊ฒŒ ์ด๋ฃจ์–ด์ ธ ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ์—ฐ์ฃผ์ž๊ฐ€ ์›๊ณก๋Œ€๋กœ ์—ฐ์ฃผํ•˜์ง€ ์•Š๊ณ  ๋‹ค๋ฅธ ํ˜„์„ ํ‰๊ฒผ์„ ๋•Œ์—๋„ ํ™”์Œ์— ๋งž๋Š” ๋‹ค๋ฅธ ์Œ์ด ์ถœ๋ ฅ๋˜์–ด ๊ณก์˜ ๋ถ„์œ„๊ธฐ์— ์ž˜ ์–ด์šธ๋ฆฌ๋Š” ์• ๋“œ๋ฆฝ์œผ๋กœ ๋‚˜์˜ค๊ฒŒ ๋˜๋Š” ๊ฒƒ์ด๋‹ค.As mentioned earlier, the chord composition (yellow circle) is marked so that other strings that do not actually need to be played will sound harmonious if they are struck. Because of this, even if the player does not play the original song, but the other strings are played, the other notes that match the chords are output and appear as an ad-lib that matches the mood of the song.
๋‹ค์Œ์€, ์ƒˆ๋กœ์šด ๊ณก๋ฐ์ดํ„ฐ๋ฅผ ๋ณธ ์ด์ง€๊ธฐํƒ€์—์„œ ์ง์ ‘ ์ž…๋ ฅํ•˜๋Š” ๋ฐฉ๋ฒ•์— ๊ด€ํ•˜์—ฌ ์„ค๋ช…ํ•˜๊ธฐ๋กœ ํ•œ๋‹ค.Next, a method of directly inputting new song data in the present guitar will be described.
๋ณธ ๋ฐœ๋ช…์€ ๋ฉ”๋‰ด๋ฒ„ํŠผ, ์„ ํƒ๋ฒ„ํŠผ, ํ„ฐ์น˜์Šคํฌ๋ฆฐ ๋“ฑ์ด ๊ตฌ๋น„๋˜์–ด ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ๋‹ค์†Œ ๋ณต์žกํ•œ ๋ฐ์ดํ„ฐ๋ผ๋„ ์–ผ๋งˆ๋“ ์ง€ ์ž…๋ ฅ์ด ๊ฐ€๋Šฅํ•˜๋‹ค.In the present invention, since a menu button, a selection button, a touch screen, and the like are provided, even more complicated data can be input.
์ž‘๊ณกํ”„๋กœ๊ทธ๋žจ๋“ค์—์„œ ์ผ๋ฐ˜์ ์œผ๋กœ ๋งŽ์ด ์‚ฌ์šฉํ•˜๋Š” ์œ ์ €์ธํ„ฐํŽ˜์ด์Šค๋ฅผ ๊ฑฐ์˜ ๊ทธ๋Œ€๋กœ ์‚ฌ์šฉํ•  ์ˆ˜๋„ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด, ์ƒˆ ๊ณก ์ž…๋ ฅํ•˜๊ธฐ -> ์ฝ”๋“œ์ž…๋ ฅ -> ๊ธธ์ด ์ž…๋ ฅ -> ์ฝ”๋“œ ์ž…๋ ฅ -> ๊ธธ์ด ์ž…๋ ฅ ... ์ฝ”๋“œ ์ž…๋ ฅ -> ๊ธธ์ด ์ž…๋ ฅ -> ์Œ์ƒ‰ ์„ ํƒ -> ์†๋„ ์„ค์ • -> ํŒŒ์ผ๋ช… ์ž…๋ ฅ -> ์ €์žฅ ๋“ฑ์˜ ์ˆœ์œผ๋กœ ๊ณก๋ฐ์ดํ„ฐ๋ฅผ ์ž‘์„ฑํ•  ์ˆ˜ ์žˆ๋‹ค.You can use the user interface that is commonly used in composition programs. For example, enter a new song-> enter chords-> enter length-> enter chords-> enter length ... enter chords-> enter length-> select voice-> set speed-> enter filename-> save Song data can be created in order.
์ฝ”๋“œ๋ฅผ ์ž…๋ ฅํ•˜๋Š” ๋ฐฉ๋ฒ•์€ ์ฝ”๋“œ๋„ค์ž„์œผ๋กœ ์ž…๋ ฅํ•˜๋Š” ๊ฒƒ์ด ํŽธํ•  ๊ฒƒ์ด๋ฉฐ, ์ฝ”๋“œ๋„ค์ž„์€ ์ฝ”๋“œ๋„ค์ž„ํ‘œ์—์„œ ๊ณ ๋ฅด๋„๋ก ํ•˜๊ฑฐ๋‚˜, A, B, C, D, E, F, G, m, M, 4, 5, 6, 7, 9, 11, 13, Aug, Sus, Dim ๋“ฑ์˜ ์„ ํƒ๋ฉ”๋‰ด๋ฅผ ์ œ์‹œํ•˜๊ณ  ์ฝ”๋“œ๋„ค์ž„์„ ์กฐํ•ฉ์‹์œผ๋กœ ์ž…๋ ฅํ† ๋ก ํ•  ์ˆ˜๋„ ์žˆ๋‹ค.Entering a code name is convenient if you enter a code name, choose a code name from the code name table, A, B, C, D, E, F, G, m, M, 4, 5, 6, It is also possible to present a selection menu such as 7, 9, 11, 13, Aug, Sus, Dim, etc. and input the code name in combination.
๊ธธ์ด๋Š” 1/16, 1/8, 1/4, 1/3, 1/2, 1, 1.5, 2, 3, 4 ๋“ฑ์œผ๋กœ ๋ฐ•์ž ๊ธธ์ด ๋‹จ์œ„๋กœ ์ž…๋ ฅํ† ๋ก ํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ, ํ•ด๋‹นํ•˜๋Š” ์Œํ‘œ๋กœ ํ‘œ์‹œ๋œ ๊ทธ๋ž˜ํ”ฝ์„ ์„ ํƒํ•˜๊ฒŒ ํ•  ์ˆ˜๋„ ์žˆ๋‹ค.The length can be 1/16, 1/8, 1/4, 1/3, 1/2, 1, 1.5, 2, 3, 4, etc., and can be entered in beat length units. You can also make a choice.
๋‹ค์Œ์€ ๊ณก๋ฐ์ดํ„ฐ์˜ ์ž‘์„ฑ์˜ˆ ๋ฐ ๊ฐ ๋ฐ์ดํ„ฐ์— ๋Œ€ํ•œ ํ•ด์„ค์ด๋‹ค.The following is an example of creating song data and a description of each data.
Tempo=96Tempo = 96
ํ•ด์„ค : 1๋ถ„์— 96๋ฐ•์žCommentary: 96 beats per minute
Chords=C 4, Am 4, Dm 4, G7 4, โ€ฆChords = C 4, Am 4, Dm 4, G7 4,...
ํ•ด์„ค : C์ฝ”๋“œ 4๋ฐ•์ž, Am 4๋ฐ•์ž, Dm 4๋ฐ•์ž, G7 4๋ฐ•์ž, โ€ฆComment: C code 4 beats, Am 4 beats, Dm 4 beats, G7 4 beats,โ€ฆ
Solo=Pause 3, C4 1, D4 ยฝ, G4 ยฝ, F4 1/3, E4 1/3, D4 1/3,โ€ฆSolo = Pause 3, C4 1, D4 ยฝ, G4 ยฝ, F4 1/3, E4 1/3, D4 1/3,...
ํ•ด์„ค : 3๋ฐ•์ž ์‰ฌ๊ณ , 4๋ฒˆ์งธ ๋„ 1๋ฐ•์ž(4๋ถ„์Œํ‘œ), 4๋ฒˆ์งธ ๋ ˆ 8๋ถ„์Œํ‘œ, 4๋ฒˆ์งธ ์†” 8๋ถ„์Œํ‘œ, 4๋ฒˆ์งธ ํŒŒ 8๋ถ„์…‹์ž‡๋‹จ์Œํ‘œ, 4๋ฒˆ์งธ ๋ฏธ 8๋ถ„์…‹์ž‡๋‹จ์Œํ‘œ, 4๋ฒˆ์งธ ๋ ˆ 8๋ถ„์…‹์ž‡๋‹จ์Œํ‘œ, โ€ฆComment: Rest of three beats, fourth beat, one beat (quarter note), fourth les eighth note, fourth sole eighth note, fourth wave eighth triplet, fourth mi eighth triplet, fourth resh Eight minutes three double notes,โ€ฆ
์ด๋Ÿฐ ๋ฐฉ๋ฒ•์œผ๋กœ ์ƒˆ ๊ณก์„ ์ฆ‰์„์—์„œ ์ž…๋ ฅํ•œ ํ›„์— ์—ฐ์ฃผ๋ฅผ ์„ ํƒํ•˜๊ณ  ์™ผ์†๊ณผ ์˜ค๋ฅธ์†์œผ๋กœ ๋ณ€์กฐ์‹ ํ˜ธ์™€ ํƒ„ํ˜„์‹ ํ˜ธ๋ฅผ ์ž…๋ ฅํ•˜๋ฉด ๋ฐฉ๊ธˆ ์ž‘์„ฑํ•œ ๊ณก์„ ๊ธฐํƒ€์†Œ๋ฆฌ๋กœ ์—ฐ์ฃผํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ด๋‹ค.In this way, you can enter the new song on the fly, select Play, and enter the modulated and chord signals with your left and right hands so that you can play the song you just created.
๋˜ํ•œ, ๋ณธ ๋ฐœ๋ช…์€ ๋ฏธ๋””ํŒŒ์ผ์„ ๊ณก๋ฐ์ดํ„ฐ๋กœ ์‚ฌ์šฉํ•  ์ˆ˜๊ฐ€ ์žˆ๋‹ค. ๋ฏธ๋””ํŒŒ์ผ ์ค‘์—์„œ ์›ํ•˜๋Š” ๊ธฐํƒ€ ํŒŒํŠธ๋ฅผ ๋ณธ ์ด์ง€ ๊ธฐํƒ€์˜ ์—ฐ์ฃผ์Œ์œผ๋กœ ๋Œ€์ฒดํ•˜๊ณ , ๋‚˜๋จธ์ง€ ์•…๊ธฐ ํŒŒํŠธ๋Š” ๋ฏธ๋””์‚ฌ์šด๋“œ๋กœ ์ถœ๋ ฅํ•˜๋ฉด ํ˜ผ์ž์„œ๋„ ํ•ฉ์ฃผ๋ฅผ ์ฆ๊ธธ ์ˆ˜ ์žˆ๊ฒŒ ๋œ๋‹ค.In addition, the present invention can use a MIDI file as music data. You can replace the guitar part of the MIDI file with the sound of the easy guitar, and output the rest of the instrument part with MIDI sound so that you can enjoy the ensemble alone.
๋‹ค์Œ์€ ๋ฉ€ํ‹ฐํ„ฐ์น˜์Šคํฌ๋ฆฐ์„ ๊ตฌ๋น„ํ•œ ๋ชจ๋ฐ”์ผ๊ธฐ๊ธฐ์—์„œ ์˜ค๋ฅธ์†์„ ์œ„ํ•œ ๊ฐ€์ƒํ˜„๊นŒ์ง€ ์ง€์›ํ•˜์—ฌ ๊ตฌํ˜„ํ•˜๋Š” ๋ฐฉ๋ฒ•์— ๊ด€ํ•˜์—ฌ ์„ค๋ช…ํ•˜๊ธฐ๋กœ ํ•œ๋‹ค.Next, a method of supporting and implementing a virtual string for a right hand in a mobile device having a multi-touch screen will be described.
๋„ 9๋Š” ๋ชจ๋ฐ”์ผ๊ธฐ๊ธฐ๋กœ ๊ตฌํ˜„๋œ ์˜ˆ์ด๋‹ค.9 is an example implemented as a mobile device.
๊ทธ๋ฆผ์—์„œ์™€ ๊ฐ™์ด, ๊ฐ€์ƒํ˜„์€ ์™ผ์†์šฉ๊ณผ ์˜ค๋ฅธ์†์šฉ ๋‘ ๋ถ€๋ถ„์œผ๋กœ ๋‚˜๋ˆ„์–ด์ ธ ์ง€์›๋˜๊ณ  ์žˆ์–ด์„œ, ์˜ค๋ฅธ์†์šฉ ๊ฐ€์ƒํ˜„์„ ํ‰๊ธฐ๋ฉด ํ„ฐ์น˜์Šคํฌ๋ฆฐ์ด ์ด๋ฅผ ์ธ์‹ํ•˜์—ฌ ์†Œ๋ฆฌ๋ฅผ ๋‚ด์ฃผ๋Š” ๊ฒƒ์ด๋‹ค. ์ด๋Ÿฐ ์‹ค์‹œ์˜ˆ์—์„œ๋Š” ๋ชจ๋ฐ”์ผ๊ธฐ๊ธฐ์— ๋ณธ ๋ฐœ๋ช…์— ํ•„์š”ํ•œ ๋ชจ๋“  ๊ตฌ์„ฑ์š”์†Œ๊ฐ€ ๋‹ค ๋‹ด๊ธฐ๊ฒŒ ๋˜๋Š” ๊ฒƒ์ด๋‹ค.As shown in the figure, the virtual string is divided into two parts for the left hand and the right hand, so when the user presses the virtual string for the right hand, the touch screen recognizes this and makes a sound. In this embodiment, all components necessary for the present invention are contained in the mobile device.
๋„ 10์€ ๋ชจ๋ฐ”์ผ๊ธฐ๊ธฐ๋กœ ๊ตฌํ˜„๋œ ์˜ˆ์˜ ํ™”๋ฉด๊ตฌ์„ฑ์ด๋‹ค.10 is a screen configuration of an example implemented in a mobile device.
๊ทธ๋ฆผ (c)๋Š” ์ฝ”๋“œ์—ฐ์ฃผ๋ชจ๋“œ ์ค‘์ธ ํ™”๋ฉด์ด๋ฉฐ, ๊ทธ๋ฆผ (d)๋Š” ์†”๋กœ์—ฐ์ฃผ๋ชจ๋“œ ์ค‘์ธ ํ™”๋ฉด์ด๋‹ค.Figure (c) shows the screen in chord playing mode. Figure (d) shows the screen in solo playing mode.
ํ™”๋ฉด์˜ ์ขŒ์ธก์— ํ‘œ์‹œ๋œ ์ฝ”๋“œํ‘œ์‹œ๋ถ€(65)๋Š” ํ˜„์žฌ ์—ฐ์ฃผ์ค‘์ธ ์ฝ”๋“œ(62)๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๋ช‡ ๋ฐ•์ž ํ›„์— ์—ฐ์ฃผ๋  ์ฝ”๋“œ(64)๊ฐ€ ์—ฐ์ฃผ์ง„ํ–‰์— ๋”ฐ๋ผ ์ ์  ํ˜„์žฌ ์—ฐ์ฃผ์ค‘์ธ ์ฝ”๋“œ(62)์˜ ์œ„์น˜๋กœ ๊ฐ€๊นŒ์›Œ์ง„๋‹ค. ๊ทธ๋ฆผ์—์„œ๋Š” ์ฝ”๋“œํ‘œ์‹œ๋ถ€(65)๋ฅผ ๋‹ค์„ฏ ์นธ์œผ๋กœ ๋‚˜๋ˆ„์–ด ๊ฐ๊ฐ ํ•œ ๋ฐ•์ž์˜ ์‹œ๊ฐ„์ฐจ์ด๋ฅผ ๋‘” ๊ฒฝ์šฐ์ด๋‹ค. ์ฆ‰, ๊ทธ๋ฆผ์—์„œ Am(62)๋Š” ํ˜„์žฌ ์—ฐ์ฃผ์ค‘์ธ ์ฝ”๋“œ์ด๋ฉฐ, D(64)๋Š” ํ•œ ๋ฐ•์ž ๋’ค์— ์—ฐ์ฃผ๊ฐ€ ๋  ์ฝ”๋“œ์ด๋ฉฐ, G๋Š” ๋„ค ๋ฐ•์ž ๋’ค์— ์—ฐ์ฃผ๋  ์ฝ”๋“œ์ธ ๊ฒƒ์ด๋‹ค.The chord display section 65 displayed on the left side of the screen becomes closer to the position of the chord 62 currently being played, as well as the chord 62 currently being played, as well as the chord 64 to be played after a few beats. In the figure, the code display unit 65 is divided into five spaces, each having a time difference of one beat. In other words, Am (62) is the chord currently playing, D (64) is the chord to be played one beat, and G is the chord to be played four beats later.
์ด๋Ÿฐ ๋ฐฉ์‹์€ ์—ฐ์ฃผ๊ฐ€ ๋  ์ฝ”๋“œ๋ช…์ด ๋„ค ๋ฐ•์ž ์ „๋ถ€ํ„ฐ ๋‚˜ํƒ€๋‚˜์„œ ํ•œ ๋ฐ•์ž๋งˆ๋‹ค ํ˜„์žฌ ์—ฐ์ฃผ์ค‘์ธ ์ฝ”๋“œ์œ„์น˜(62)๋ฅผ ํ–ฅํ•ด ๊ฐ€๊นŒ์›Œ์ง€๊ฒŒ ๋˜๋ฏ€๋กœ, ๊ทธ ํ…œํฌ๋ฅผ ๋ˆˆ์œผ๋กœ ํ™•์ธํ•  ์ˆ˜ ์žˆ์–ด, ๊ธฐ๊ธฐ์˜ ์—ฐ์ฃผํ…œํฌ์— ๋งž์ถ”์–ด ์—ฐ์ฃผ์ž๊ฐ€ ์—ฐ์ฃผํ…œํฌ๋ฅผ ์กฐ์ ˆํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•ด์ฃผ๋Š” ํšจ๊ณผ๊ฐ€ ์žˆ๋‹ค.In this way, the name of the chord to be played appears from the four beats before it, so that the beat is closer to the currently playing chord position (62), so that the tempo can be checked visually, allowing the player to adjust the playing tempo according to the instrument's playing tempo. It has the effect of making it work.
๋˜ํ•œ, ๊ณก์„ ์ฒ˜์Œ ์‹œ์ž‘ํ•  ๋•Œ๋Š” ๋ฐ•์ž์— ๋”ฐ๋ผ ์ฒซ ์ฝ”๋“œ๋ช…์ด ํ•œ ๋‹จ๊ณ„์”ฉ ๋–จ์–ด์ง€๊ฒŒ ๋˜๋ฏ€๋กœ(๊ทธ๋ฆผ์—์„œ๋Š” ์˜ฌ๋ผ๊ฐ€๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋ณด์ด์ง€๋งŒ ์‹ค์ œ ์—ฐ์ฃผ์‹œ์—๋Š” ํ™”๋ฉด์˜ ์œ„์•„๋ž˜๊ฐ€ ๋’ค์ง‘ํžˆ๊ฒŒ ๋˜๋ฏ€๋กœ ๋–จ์–ด์ง€๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋œ๋‹ค) ๊ณก์‹œ์ž‘ํƒ€์ž„์„ ์นด์šดํŠธ๋‹ค์šดํ•˜๋Š” ํšจ๊ณผ๊ฐ€ ์žˆ๊ฒŒ ๋œ๋‹ค.In addition, the first chord name is dropped one step at a time when the song starts for the first time (it seems to go up in the picture, but when it is actually played, the top and bottom of the screen are flipped and fall).
ํ™”๋ฉด์—๋Š” ์—ฐ์ฃผํ•  ๊ณก์„ ๊ณ ๋ฅด๊ฑฐ๋‚˜ ์‹œ์ž‘ํ•˜๊ฑฐ๋‚˜ ๋ฉˆ์ถ”๋Š” ๋“ฑ์˜ ์กฐ์ž‘๋ฒ„ํŠผ๋“ค(3)์ด ๋งˆ๋ จ๋˜๊ณ , ์™ผ์†์„ ์œ„ํ•œ ๊ฐ€์ƒ ํ˜„(5)๊ณผ ์˜ค๋ฅธ์†์„ ์œ„ํ•œ ๊ฐ€์ƒ ํ˜„๋“ค(2)์ด ๋งˆ๋ จ๋˜๊ณ , ๊ฐ€์‚ฌ(61)๋„ ํ‘œ์‹œ๋œ๋‹ค.On the screen, operation buttons 3 for selecting, starting or stopping a song to be played are provided, virtual strings 5 for the left hand and virtual strings 2 for the right hand are provided, and lyrics 61 are also displayed. do.
๊ทธ๋ฆผ (d)์™€ ๊ฐ™์ด ์†”๋กœ์—ฐ์ฃผ๋ชจ๋“œ์—์„œ๋Š” ์˜ค๋ฅธ์†์„ ์œ„ํ•œ ๊ฐ€์ƒํ˜„๋“ค(2) ์œ„์— ํ˜„์žฌ ํ‰๊ฒจ์ ธ์•ผ ํ•˜๋Š” ํ˜„ ์œ„์— ํ‘œ์‹œ๋˜๋Š” ๋ง‰๋Œ€(10)๊ฐ€ ์™ผ์†์„ ์œ„ํ•œ ๊ฐ€์ƒํ˜„(5) ์ชฝ์—์„œ๋ถ€ํ„ฐ ๊ทธ ๋ฐ˜๋Œ€์ชฝ์œผ๋กœ ์—ฐ์ฃผ๊ธธ์ด๋งŒํผ์˜ ๊ธธ์ด๋กœ ํ‘œ์‹œ๋˜์–ด ์ด๋™๋˜์–ด ๋–จ์–ด์ง„๋‹ค. ๋ง‰๋Œ€(10)๊ฐ€ ์ด๋™ํ•˜๋Š” ํƒ€์ด๋ฐ์€ ์˜ค๋ฅธ์†์„ ์œ„ํ•œ ๊ฐ€์ƒํ˜„(2)์˜ ๋งจ ๋์— ๋ถ€๋”ชํžˆ๋Š” ์ˆœ๊ฐ„์— ํ•ด๋‹น ํ˜„์„ ํ‰๊ธฐ๋ฉด ์—ฐ์ฃผํƒ€์ด๋ฐ์ด ์ •ํ™•ํžˆ ๋งž๋„๋ก ํ”„๋กœ๊ทธ๋ž˜๋ฐ๋œ๋‹ค. ์ด์™€ ๊ฐ™์€ ๋ฐฉ์‹์€ ์Œ์•…๊ด€๋ จ ๊ฒŒ์ž„์—์„œ ํ”ํžˆ ๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ธฐ๋ฒ•์ด๋‹ค.As shown in (d), in the solo performance mode, the bar (10) displayed on the string that should be currently bent on the virtual strings (2) for the right hand has the play length from the virtual string (5) for the left hand to the opposite side. Marked as length, moved and dropped. The timing at which the rod 10 moves is programmed so that the performance timing is exactly matched by striking the string at the moment it hits the far end of the virtual string 2 for the right hand. This is a common technique in music games.
์—ฐ์ฃผ์ž๋Š” ์ด ๋ง‰๋Œ€(10)์˜ ์›€์ง์ž„์— ๋งž์ถ”์–ด ์†”๋กœ์—ฐ์ฃผ๋ฅผ ์›๊ณก์— ๋งž๊ฒŒ ์ฆ๊ธธ ์ˆ˜๋„ ์žˆ๊ณ , ์ž์‹ ์˜ ํฅ์— ๋”ฐ๋ผ ์ฆ‰ํฅ์ ์œผ๋กœ ๋‹ค๋ฅธ ํ˜„์„ ํ‰๊ธฐ๊ฑฐ๋‚˜ ์Œ์„ ๋†’์ด๊ฑฐ๋‚˜ ๋‚ฎ์ถ”๋Š” ๋“ฑ์˜ ์ฆ‰ํฅ์—ฐ์ฃผ๊ฐ€ ๊ฐ€๋Šฅํ•œ ๊ฒƒ์ด๋‹ค.The player may enjoy the solo performance according to the movement of the bar 10 in accordance with the original song, or improvise performance such as improvising other strings, raising or lowering the impromptu, according to his own entertainment.
๋‹ค์Œ์€, ์ฝ”๋“œํ‘œ์‹œ๋ถ€(65)๋ฅผ ์ด์šฉํ•œ ์—ฐ์ฃผํ…œํฌ ์กฐ์ ˆ๋ฐฉ๋ฒ•์— ๊ด€ํ•˜์—ฌ ์„ค๋ช…ํ•˜๊ธฐ๋กœ ํ•œ๋‹ค. Next, a performance tempo adjustment method using the chord display unit 65 will be described.
์™ผ์† ์ง‘๊ฒŒ์†๊ฐ€๋ฝ์œผ๋กœ ํ˜„์žฌ์ฝ”๋“œ(62)๋ฅผ ๋ˆ„๋ฅด๋ฉด, ๋ˆ„๋ฅด๊ณ  ์žˆ๋Š” ๋™์•ˆ์—๋Š” ํ˜„์žฌ ์—ฐ์ฃผ์ค‘์ธ ์ฝ”๋“œ๊ฐ€ ๊ณ„์† ์œ ์ง€๋˜๊ณ , ์ด์–ด์งˆ ์ฝ”๋“œ(64)๋ฅผ ์™ผ์† ์ง‘๊ฒŒ์†๊ฐ€๋ฝ์œผ๋กœ ๋Œ์–ด์„œ ํ˜„์žฌ์ฝ”๋“œ๋ž€(62)์œผ๋กœ ์˜ฎ๊ธฐ๋ฉด ๊ทธ ์˜ฎ๊ฒจ์ง„ ์ˆœ๊ฐ„๋ถ€ํ„ฐ ํ˜„์žฌ ์—ฐ์ฃผ์ค‘์ธ ์ฝ”๋“œ๊ฐ€ ๋Œ์–ด ์˜จ ์ฝ”๋“œ๋กœ ๋ฐ”๋€Œ๊ฒŒ ๋œ๋‹ค. ์ „์ž์˜ ๊ฒฝ์šฐ์—๋Š” ์ฝ”๋“œ์ง„ํ–‰์„ ํ˜„์žฌ์ฝ”๋“œ๋กœ ์œ ์ง€ํ•˜๊ณ  ์žˆ๋‹ค๊ฐ€ ๋ˆ„๋ฅด๊ณ  ์žˆ๋˜ ์†๊ฐ€๋ฝ์„ ๋†“๋Š” ์ˆœ๊ฐ„ ๋‹ค์Œ ์ฝ”๋“œ๊ฐ€ ์›๋ž˜์˜ ํ…œํฌ๋Œ€๋กœ ์—ฐ์ฃผ๋˜๋ฉฐ, ํ›„์ž์˜ ๊ฒฝ์šฐ ์ด์–ด์งˆ ์ฝ”๋“œ๊ฐ€ ํ˜„์žฌ ์ฝ”๋“œ๋ž€์œผ๋กœ ๊ฐ•์ œ๋กœ ์˜ฎ๊ฒจ์ง„ ์ˆœ๊ฐ„์— ์›๋ž˜ ์—ฐ์ฃผ์ค‘์ด์—ˆ๋˜ ์ฝ”๋“œ์˜ ์—ฐ์ฃผ์‹œ๊ฐ„์€ ์ƒ๋žต๋œ ๊ฒƒ์œผ๋กœ ์ฒ˜๋ฆฌ๋œ๋‹ค.If you press the current chord 62 with your left forefinger, the chord currently playing will be held for as long as you hold it down. The code will be replaced with the code you dragged. In the former case, the chord was held at the current chord and the next chord was played at the original tempo as soon as the finger was released. The playing time of is treated as omitted.
์ด๋ ‡๊ฒŒ ํ•จ์œผ๋กœ์จ, ์—ฐ์ฃผ์ž๋Š” ์ฆ‰ํฅ์ ์œผ๋กœ ํ…œํฌ๋ฅผ ๋Šฆ์ถ”๊ฑฐ๋‚˜ ๋น ๋ฅด๊ฒŒ ์กฐ์ ˆํ•  ์ˆ˜๊ฐ€ ์žˆ๋Š” ๊ฒƒ์ด๋‹ค.In this way, the player can improvise or slow down the tempo on the fly.
์ด์ƒ์œผ๋กœ, ๋ชจ๋ฐ”์ผ๊ธฐ๊ธฐ์—์„œ ๊ตฌํ˜„ํ•  ์ˆ˜ ์žˆ๋Š” ์‹ค์‹œ์˜ˆ์— ๋Œ€ํ•˜์—ฌ ์„ค๋ช…ํ•˜์˜€์ง€๋งŒ, ์ด๋Ÿฌํ•œ ํ™”๋ฉด๊ตฌ์„ฑ์ด ๋ชจ๋ฐ”์ผ๊ธฐ๊ธฐ์—๋งŒ ๊ตญํ•œ๋˜๋Š” ๊ฒƒ์ด ์•„๋‹Œ ๊ฒƒ์€ ๋‹น์—ฐํ•˜๋‹ค. ํ„ฐ์น˜์Šคํฌ๋ฆฐ์„ ๊ตฌ๋น„ํ•œ ๊ธฐ๊ธฐ๋ผ๋ฉด ์ด๋Ÿฌํ•œ ํ™”๋ฉด๊ตฌ์„ฑ์œผ๋กœ ์–ผ๋งˆ๋“ ์ง€ ์ œํ’ˆ์„ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ด๋‹ค.As mentioned above, although the embodiments which can be implemented in the mobile device have been described, it is natural that such a screen configuration is not limited to the mobile device. If you have a device with a touch screen, you can make as many products as you can with this screen configuration.
๋˜ํ•œ, ๋ณธ ๋ฐœ๋ช…์€ ์‹ค์ œ ๊ฐ€์ˆ˜์˜ ์›๊ณก์„ ๋ฐฐ๊ฒฝ์œผ๋กœ ํ•˜์—ฌ ๊ทธ ์ค‘์—์„œ ํŠน์ • ๊ธฐํƒ€ ํŒŒํŠธ๋งŒ์„ ๋ณธ ์ด์ง€ ๊ธฐํƒ€๋กœ ์—ฐ์ฃผํ•˜๊ฒŒ ํ•  ์ˆ˜๋„ ์žˆ๋‹ค.In addition, the present invention can be played with a simple guitar as a particular guitar part in the background of the original song of the actual singer.
๊ทผ๋ž˜์—๋Š” ๊ณก์„ ๋…น์Œํ•  ๋•Œ ๊ฐ ์—ฐ์ฃผ ํŒŒํŠธ๋ณ„๋กœ ์ฑ„๋„์„ ๋‹ฌ๋ฆฌํ•˜์—ฌ ๋…น์Œํ•˜๊ณ , ์ด๋ฅผ ํ”Œ๋ ˆ์ด ํ•  ๋•Œ๋„ ํ”Œ๋ ˆ์ด์–ด๊ฐ€ ์ฑ„๋„๋ณ„๋กœ ์„ ํƒํ•˜์—ฌ ๋ณผ๋ฅจ๋„ ์ฑ„๋„๋ณ„๋กœ ๊ฐ๊ธฐ ์›ํ•˜๋Š” ๋Œ€๋กœ ์กฐ์ ˆํ•˜์—ฌ ํ”Œ๋ ˆ์ดํ•  ์ˆ˜ ์žˆ๋„๋ก ์ง€์›ํ•˜๋Š” ์˜ˆ๋“ค์ด ์žˆ๋Š”๋ฐ, ์ด๋Ÿฌํ•œ ์ฑ„๋„๋ณ„๋กœ ๋…น์Œ๋œ ์›๊ณก์„ ์ด์šฉํ•˜๋ฉด ์‹ค์ œ ๊ฐ€์ˆ˜์˜ ์›๊ณก ์ค‘์—์„œ ํŠน์ • ๊ธฐํƒ€ ํŒŒํŠธ๋ฅผ ๋ณธ ์ด์ง€ ๊ธฐํƒ€์˜ ์—ฐ์ฃผ์ž๊ฐ€ ๋Œ€์‹ ํ•˜๋Š” ํผํฌ๋จผ์Šค๋ฅผ ์—ฐ์ถœํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ด๋‹ค.Recently, when recording a song, there is an example that supports different channel recording for each performance part, and when playing it, the player selects by channel and adjusts the volume as desired by channel. Using recorded originals, you can see a particular guitar part from the original singer's original song, and create a performance that is replaced by the guitar player.
์ด๋ฅผ ์œ„ํ•ด์„œ๋Š”, ๋ณธ ๋ฐœ๋ช…์„ ์œ„ํ•œ ๊ณก๋ฐ์ดํ„ฐ๋กœ๋Š” ์‹ค์ œ ๋ฎค์ง€์…˜์˜ ์—ฐ์ฃผ์Œ์„ ๋…น์Œํ•œ ๋…น์Œ๋ฐ์ดํ„ฐ๊ฐ€ ๋” ํ•„์š”ํ•˜๊ณ , ์ƒ๊ธฐ ๋…น์Œ๋ฐ์ดํ„ฐ์—์„œ๋Š” ํŠน์ • ๊ธฐํƒ€ ํŒŒํŠธ๊ฐ€ ๋น ์ ธ ์žˆ์„ ์ˆ˜๋„ ์žˆ์œผ๋ฉฐ, ๋˜๋Š” ๋ณธ ๋ฐœ๋ช…์— ์˜ํ•œ ์ด์ง€ ๊ธฐํƒ€๊ฐ€ ํ•ด๋‹น ์ฑ„๋„์„ ๋น„ํ™œ์„ฑํ™” ์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” ๊ธฐ๋Šฅ์„ ์ œ๊ณตํ•˜๋ฉด ๋œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ƒ๊ธฐ ๋…น์Œ๋ฐ์ดํ„ฐ์™€ ์Œ์ •์ด ์ž๋™์œผ๋กœ ์„ค์ •๋˜๋„๋ก ํ•ด์ฃผ๋Š” ๊ณก๋ฐ์ดํ„ฐ(์Œ์ •์ž๋™์„ค์ •๋ฐ์ดํ„ฐ)๊ฐ€ ์‹œ๊ฐ„๋ณ„๋กœ ์‹ฑํฌ๋˜์–ด ์žˆ์Œ์€ ๋‹น์—ฐํ•˜๋‹ค.To this end, the song data for the present invention requires more recording data recording the performance of the actual musician, and the particular guitar part may be omitted from the recorded data, or the easy guitar according to the present invention may use the corresponding channel. You can provide a function that can be disabled. The song data (pitch automatic setting data) for automatically setting the recording data and the pitch is naturally natural.
๋งˆ์ง€๋ง‰์œผ๋กœ, ๋ณธ ๋ฐœ๋ช…์€ ์ปดํ“จํ„ฐ ํ”„๋กœ๊ทธ๋žจ์„ ์ด์šฉํ•œ ๊ฐ€์ƒ๊ธฐํƒ€ ๋˜๋Š” ๋…ธ๋ž˜๋ฐฉ์—๋„ ์ ์šฉํ•  ์ˆ˜ ์žˆ๋Š”๋ฐ, ์Œ์›์ด๋‚˜ ๊ณก๋ฐ์ดํ„ฐ๊ฐ€ ์—†๊ณ , ๋˜ ๊ทธ๊ฒƒ์„ ์ฒ˜๋ฆฌํ•  ์ˆ˜ ์žˆ๋Š” ํ”„๋กœ๊ทธ๋žจ๋„ ํƒ‘์žฌ๋˜์–ด ์žˆ์ง€ ์•Š์€ ๋”๋ฏธํ˜• ์‹ค์‹œ์˜ˆ๊ฐ€ ๊ทธ๊ฒƒ์ด๋‹ค. ์ด ๋”๋ฏธํ˜•์€ ์—ฐ์ฃผ์ž์˜ ํƒ„ํ˜„์‹ ํ˜ธ์™€ ๋ณ€์กฐ์‹ ํ˜ธ๋งŒ์„ ์ถ”์ถœํ•˜์—ฌ ๋ณธ์ฒด์ธ ์ปดํ“จํ„ฐ๋‚˜ ๋˜๋Š” ๋…ธ๋ž˜๋ฐฉ๊ธฐ๊ธฐ์— ์ „๋‹ฌํ•˜๋„๋ก ๋˜์–ด ์žˆ๊ณ , ๋‚˜๋จธ์ง€๋Š” ๋ชจ๋‘ ๋ณธ์ฒด์—์„œ ์ด๋ฃจ์–ด์ง„๋‹ค. ๊ทธ๋ ‡๊ธฐ ๋•Œ๋ฌธ์— ๋”๋ฏธํ˜•์—๋Š” ์Šคํ”ผ์ปค๋ฅผ ํฌํ•จํ•œ ์•ฐํ”„๋ถ€, ๋ชจ๋‹ˆํ„ฐ, ๋ฉ”๋‰ด๋ฒ„ํŠผ์ด๋‚˜ ์„ ํƒ๋ฒ„ํŠผ, ๊ทธ๋ฆฌ๊ณ  ์™ธ๋ถ€๋ฉ”๋ชจ๋ฆฌ์ธํ„ฐํŽ˜์ด์Šค๋ถ€ ๊ฐ™์€ ๋ถ€๋ถ„์€ ๋ฐ˜๋“œ์‹œ ๊ตฌ๋น„๋˜์–ด ์žˆ์–ด์•ผ ํ•  ํ•„์š”๊ฐ€ ์—†๋‹ค.Finally, the present invention can be applied to a virtual guitar or a karaoke using a computer program, which is a dummy embodiment in which there is no sound source or song data and no program capable of processing the same. The dummy type extracts only the chord signal and modulated signal of the player, and transmits it to a computer or a karaoke apparatus. For this reason, the dummy does not have to include parts such as an amplifier unit including a speaker, a monitor, a menu button or a selection button, and an external memory interface unit.
์ด์ƒ์—์„œ ๋ณธ ๋ฐ”์™€ ๊ฐ™์ด, ๋ณธ ๋ฐœ๋ช…์€ ์Œ์ •์„ ์ž๋™์œผ๋กœ ์งš์–ด์ฃผ๋ฉด์„œ๋„ ์—ฐ์ฃผ์ž์˜ ์ฆ‰ํฅ์—ฐ์ฃผ๋ฅผ ์ตœ๋Œ€ํ•œ ์‚ด๋ ค๋‚ผ ์ˆ˜ ์žˆ๋Š” ๊ธฐํƒ€๋ฅผ, ๋งค์šฐ ์ž‘๊ณ , ๊ฐ€๋ณ๊ณ , ๋˜ํ•œ ์ €๋ ดํ•˜๊ฒŒ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋„๋ก ํ•ด์ค€๋‹ค.As described above, the present invention allows the guitar to be made very small, light and inexpensive while automatically giving the pitch and making the most of the improvisation of the player.

Claims (13)

  1. ์ด์ง€ ๊ธฐํƒ€์— ์žˆ์–ด์„œ,For easy guitar,
    ์—ฐ์ฃผ์‹œ๊ฐ„์ˆœ์œผ๋กœ ์Œ์ •์ด ๊ธฐ๋ก๋œ ๊ณก๋ฐ์ดํ„ฐ๊ฐ€ ์ €์žฅ๋œ ๋ฉ”๋ชจ๋ฆฌ ์ˆ˜๋‹จ;๊ณผ,Memory means for storing tune data in which pitches are recorded in order of performance time; and
    ์ƒ๊ธฐ ๊ณก๋ฐ์ดํ„ฐ์—์„œ์˜ ํƒ€์ด๋ฐ ์ƒ ํ˜„์žฌ ์—ฐ์ฃผ ์ค‘์ธ ์Œ์ •์˜ ๋†’๋‚ฎ์ด๋ฅผ ์กฐ์ •ํ•˜๋Š” ์‹ ํ˜ธ๋ฅผ ์ž…๋ ฅํ•  ์ˆ˜ ์žˆ๋Š” ๋ณ€์กฐ์‹ ํ˜ธ์ž…๋ ฅ๋ถ€;์™€,A modulation signal input unit for inputting a signal for adjusting the pitch of the currently playing pitch in timing in the song data;
    ์ƒ๊ธฐ ์กฐ์ •๋œ ์Œ์ •์„ ์ถœ๋ ฅํ•˜๋„๋ก ์‹ ํ˜ธ๋ฅผ ์ž…๋ ฅํ•  ์ˆ˜ ์žˆ๋Š” ํƒ„ํ˜„์‹ ํ˜ธ์ž…๋ ฅ๋ถ€;์™€,A chord signal input unit capable of inputting a signal to output the adjusted pitch; and
    ์ƒ๊ธฐ ๋ณ€์กฐ์‹ ํ˜ธ์ž…๋ ฅ๋ถ€ ๋ฐ ํƒ„ํ˜„์‹ ํ˜ธ์ž…๋ ฅ๋ถ€๋กœ๋ถ€ํ„ฐ ์ž…๋ ฅ๋˜๋Š” ์‹ ํ˜ธ์™€, ์ƒ๊ธฐ ๊ณก๋ฐ์ดํ„ฐ๋ฅผ ํ•ด์„ํ•˜์—ฌ ์•Œ๋งž์€ ์Œ์„ ์ƒ์„ฑํ•˜๊ฑฐ๋‚˜ ๋ณ€์กฐํ•˜์—ฌ ๊ทธ ๊ฒฐ๊ณผ์‹ ํ˜ธ๋ฅผ ์Œ์„ฑ์ถœ๋ ฅ๋ถ€๋กœ ๋‚ด๋ณด๋‚ด๋Š” ์ œ์–ด๋ถ€;์™€,A control unit which analyzes the signals inputted from the modulation signal input unit and the chord signal input unit and the music data to generate or modulate appropriate sounds, and outputs the resulting signals to the voice output unit;
    ์ƒ๊ธฐ ๊ฒฐ๊ณผ์‹ ํ˜ธ๋ฅผ ์ œ์–ด๋ถ€๋กœ๋ถ€ํ„ฐ ๋ฐ›์•„ ์Œ์„ฑ์‹ ํ˜ธ๋กœ์จ ์ถœ๋ ฅํ•˜๋Š” ์Œ์„ฑ์ถœ๋ ฅ๋ถ€;๋กœ ์ด๋ฃจ์–ด์ง„ ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€.And a voice output unit for receiving the result signal from the controller and outputting the result signal as a voice signal.
  2. ์ œ 1ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 1,
    ์ƒ๊ธฐ ํƒ„ํ˜„์‹ ํ˜ธ์ž…๋ ฅ๋ถ€๋Š” 6๊ฐœ์˜ ๋ฌผ๋ฆฌ์ ์ธ ์ŠคํŠธ๋ง์ด๊ฑฐ๋‚˜ ๋˜๋Š” ํ„ฐ์น˜์Šคํฌ๋ฆฐ ์ƒ์˜ ๊ฐ€์ƒ ์ŠคํŠธ๋ง์ธ ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€.And the chord signal input unit is six physical strings or a virtual string on a touch screen.
  3. ์ œ 1ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 1,
    ์ƒ๊ธฐ ๋ณ€์กฐ์‹ ํ˜ธ์ž…๋ ฅ๋ถ€๋Š” ์ŠคํŠธ๋ง์ด 1์ค„์ด๋ฉฐ, ์ƒ๊ธฐ ์ŠคํŠธ๋ง๊ณผ ํ‰ํ–‰ ๋˜๋Š” ์ˆ˜์ง๋ฐฉํ–ฅ์œผ๋กœ ์›€์ง์—ฌ์„œ ์Œ์˜ ๋†’๋‚ฎ์ด๋ฅผ ์กฐ์ •ํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€.And said modulating signal input unit has one string and can adjust the pitch of the sound by moving in parallel or vertical direction with said string.
  4. ์ œ 1ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 1,
    ์ƒ๊ธฐ ๋ณ€์กฐ์‹ ํ˜ธ์ž…๋ ฅ๋ถ€ ๋ฐ ํƒ„ํ˜„์‹ ํ˜ธ์ž…๋ ฅ๋ถ€๊ฐ€ ํ•˜๋‚˜์˜ ํ„ฐ์น˜์Šคํฌ๋ฆฐ์œผ๋กœ ๋œ ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€.And the modulated signal input unit and the chord signal input unit comprise a single touch screen.
  5. ์ œ 1ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 1,
    ์ƒ๊ธฐ ๊ณก๋ฐ์ดํ„ฐ๋Š”, ์‹ค์ œ ์—ฐ์ฃผ์Œ์„ ๋…น์Œํ•œ ๋…น์Œ๋ฐ์ดํ„ฐ ๋ฐ ์—ฐ์ฃผํƒ€์ด๋ฐ์— ๋งž๋Š” ๋‹จ๋…์Œ ๋ฐ ํ™”์Œ์„ ์ž๋™์œผ๋กœ ์ •ํ•ด์ฃผ๊ธฐ ์œ„ํ•œ ์Œ์ •์ž๋™์„ค์ •๋ฐ์ดํ„ฐ์™€, ์‹œ๊ฐ„๋ณ„๋กœ ์‹ฑํฌ๋˜์–ด ์žˆ๋Š” ๊ฐ€์‚ฌ๋กœ ์ด๋ฃจ์–ด์ ธ ์žˆ๋Š” ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€.The song data may be composed of recording data recording actual performance sounds, automatic pitch setting data for automatically determining single notes and chords suitable for a performance timing, and lyrics that are synchronized with time.
  6. ๊ฐ€์ƒ ์ง€ํŒ๊ณผ ๊ฐ€์ƒ ์ŠคํŠธ๋ง์ด ๊ตฌ๋น„๋œ ์ด์ง€ ๊ธฐํƒ€๋ฅผ ๊ตฌํ˜„ํ•˜๋Š” ๋ฐฉ๋ฒ•์— ์žˆ์–ด์„œ,In a method for implementing an easy guitar with a virtual fingerboard and a virtual string,
    ์—ฐ์ฃผ์‹œ๊ฐ„๋ณ„๋กœ ์Œ์ •์ด ๊ธฐ๋ก๋˜์–ด ์žˆ๋Š” ๊ณก๋ฐ์ดํ„ฐ๋ฅผ ๋กœ๋“œํ•˜๋Š” ๊ณผ์ •;๊ณผ,Loading song data in which the pitches are recorded for each performance time; and
    ์ƒ๊ธฐ ๊ฐ€์ƒ ์ง€ํŒ์œผ๋กœ๋ถ€ํ„ฐ์˜ ์ž…๋ ฅ์‹ ํ˜ธ์— ๋”ฐ๋ผ ์ƒ๊ธฐ ๊ณก๋ฐ์ดํ„ฐ ์ƒ์˜ ํ˜„์žฌ ์Œ์ •์˜ ๋†’๋‚ฎ์ด๋ฅผ ๋ณ€์กฐํ•˜๋Š” ๋ณ€์กฐ์‹ ํ˜ธ ์ฒ˜๋ฆฌ๊ณผ์ •;๊ณผ,A modulation signal processing step of modulating a height of a current pitch on the tune data according to an input signal from the virtual fingerboard;
    ์ƒ๊ธฐ ๋ณ€์กฐ์‹ ํ˜ธ ์ฒ˜๋ฆฌ๊ณผ์ •์—์„œ ๋ณ€์กฐ๋œ ์Œ์ •์„ ์ƒ๊ธฐ ๊ฐ€์ƒ ์ŠคํŠธ๋ง์œผ๋กœ๋ถ€ํ„ฐ์˜ ์ž…๋ ฅ์‹ ํ˜ธ์— ๋”ฐ๋ผ ์Œ์„ฑ์‹ ํ˜ธ๋กœ ์ถœ๋ ฅํ•˜๋Š” ํƒ„ํ˜„์‹ ํ˜ธ ์ฒ˜๋ฆฌ๊ณผ์ •;์„ ํฌํ•จํ•˜๋Š” ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€ ๊ตฌํ˜„ ๋ฐฉ๋ฒ•.And a chord signal processing step of outputting a pitch modulated by the modulated signal processing as a voice signal according to an input signal from the virtual string.
  7. ์ œ 6ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 6,
    ์ƒ๊ธฐ ๋ณ€์กฐ์‹ ํ˜ธ ์ฒ˜๋ฆฌ๊ณผ์ •์€, ๋ณ€์กฐ์‹ ํ˜ธ์ž…๋ ฅ๋ถ€์˜ ๊ธฐ์ค€ ํ”„๋ › ์ƒ์œผ๋กœ ์ž…๋ ฅ๋˜๋Š” ์‹ ํ˜ธ๋Š” ์ƒ๊ธฐ ๊ณก๋ฐ์ดํ„ฐ์—์„œ ์„ค์ •๋œ ์Œ์ •์œผ๋กœ ์ •ํ•ด์ง€๊ณ , ์ƒ๊ธฐ ๊ธฐ์ค€ ํ”„๋ ›๋ณด๋‹ค ๋†’์€ ๋ฐฉํ–ฅ์œผ๋กœ์˜ ํ”„๋ ›์œผ๋กœ ์ž…๋ ฅ๋˜๋Š” ์‹ ํ˜ธ๋Š” ์ƒ๊ธฐ ๊ณก๋ฐ์ดํ„ฐ์—์„œ ์„ค์ •๋œ ์Œ์ •๋ณด๋‹ค ํ”„๋ ›๋‹น ๋ฐ˜์Œ์”ฉ ๋†’์€ ์Œ์ •์œผ๋กœ ์ •ํ•ด์ง€๊ณ , ์ƒ๊ธฐ ๊ธฐ์ค€ ํ”„๋ ›๋ณด๋‹ค ๋‚ฎ์€ ๋ฐฉํ–ฅ์œผ๋กœ์˜ ํ”„๋ ›์œผ๋กœ ์ž…๋ ฅ๋˜๋Š” ์‹ ํ˜ธ๋Š” ์ƒ๊ธฐ ๊ณก๋ฐ์ดํ„ฐ์—์„œ ์„ค์ •๋œ ์Œ์ •๋ณด๋‹ค ํ”„๋ ›๋‹น ๋ฐ˜์Œ์”ฉ ๋‚ฎ์€ ์Œ์ •์œผ๋กœ ์ •ํ•ด์ง€๋Š” ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€ ๊ตฌํ˜„ ๋ฐฉ๋ฒ•.In the modulating signal processing process, a signal input onto a reference fret of a modulation signal input unit is determined at a pitch set in the tune data, and a signal input to a fret in a direction higher than the reference fret is sound information set in the tune data. And a signal input to the frets in a direction lower than the reference frets is set to a low pitch at a half pitch per fret, which is set in the song data.
  8. ์ œ 6ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 6,
    ์—ฐ์ฃผ์˜ ๋ชจ๋“œ๊ฐ€ ์ฝ”๋“œ ๋ชจ๋“œ์™€ ์†”๋กœ ๋ชจ๋“œ๊ฐ€ ๊ตฌ๋ถ„๋˜์–ด ์žˆ๊ณ , ์ด์™€ ๊ฐ™์€ ๋ชจ๋“œ๊ฐ€ ์—ฐ์ฃผ ์ค‘์— ์ž๋™์œผ๋กœ ๋ณ€ํ™˜๋˜๋Š” ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€ ๊ตฌํ˜„ ๋ฐฉ๋ฒ•.Easy mode implementation method characterized in that the mode of the performance is divided into chord mode and solo mode, and such mode is automatically converted during the performance.
  9. ์ œ 6ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 6,
    ์—ฐ์ฃผ์˜ ํ…œํฌ๋ฅผ ์—ฐ์ฃผ์ž๊ฐ€ ์ž„์˜๋กœ ์กฐ์ ˆํ•˜๋Š” ์ธํ„ฐํŽ˜์ด์Šค๋ฅผ ์ œ๊ณตํ•˜๊ณ , ์ƒ๊ธฐ ์ธํ„ฐํŽ˜์ด์Šค์— ๋”ฐ๋ผ ์—ฐ์ฃผ์˜ ํ…œํฌ๊ฐ€ ์กฐ์ ˆ๋˜๋Š” ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€ ๊ตฌํ˜„ ๋ฐฉ๋ฒ•.And an interface for arbitrarily adjusting the tempo of the performance by the player, and the tempo of the performance is adjusted according to the interface.
  10. ์ œ 9ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 9,
    ์ƒ๊ธฐ ์ธํ„ฐํŽ˜์ด์Šค๋Š” ๊ณก๋ฐ์ดํ„ฐ์— ์„ค์ •๋œ ์ฝ”๋“œ๋“ค์ด ์—ฐ์ฃผ์‹œ๊ฐ„์— ๋งž์ถ”์–ด ์ฐจ๋ก€์ฐจ๋ก€ ํ•œ์ชฝ ๋ฐฉํ–ฅ์œผ๋กœ ์Šคํฌ๋กค ๋˜๊ณ , ์Šคํฌ๋กค ๋˜๋Š” ๋ฐฉํ–ฅ์˜ ๋์ชฝ์— ํ˜„์žฌ ์—ฐ์ฃผ ์ค‘์ธ ์ฝ”๋“œ๊ฐ€ ํ‘œ์‹œ๋˜๊ณ , ์•„์ง ๋„๋ž˜ํ•˜์ง€ ์•Š์€ ์ฝ”๋“œ๋ฅผ ์—ฐ์ฃผ์ž๊ฐ€ ๋Œ์–ด๋‹น๊ฒจ ํ˜„์žฌ ์—ฐ์ฃผ ์ค‘์ธ ์ฝ”๋“œ์˜ ์œ„์น˜๋กœ ์˜ฎ๊ธฐ๋ฉด ์ƒ๊ธฐ ์•„์ง ๋„๋ž˜ํ•˜์ง€ ์•Š์€ ์ฝ”๋“œ๊ฐ€ ํ˜„์žฌ ์—ฐ์ฃผ ์ค‘์ธ ์ฝ”๋“œ๋กœ ์„ค์ •๋˜๊ณ , ํ˜„์žฌ ์—ฐ์ฃผ ์ค‘์ธ ์ฝ”๋“œ๋ฅผ ์—ฐ์ฃผ์ž๊ฐ€ ๊ณ„์† ๋ˆ„๋ฅด๊ณ  ์žˆ์œผ๋ฉด ์ฝ”๋“œ ์„ค์ •์ด ๊ทธ๋Œ€๋กœ ์œ ์ง€๋˜๋Š” ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€ ๊ตฌํ˜„ ๋ฐฉ๋ฒ•.In the interface, the chords set in the song data are sequentially scrolled in one direction according to the playing time, the chord currently playing is displayed at the end of the scrolling direction, and the player who pulls out a chord not yet arrived, Moving to a position sets the chord which has not yet arrived to the currently playing chord, and the chord setting is maintained as long as the player keeps pressing the currently playing chord.
  11. ์ œ 8ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 8,
    ์†”๋กœ ๋ชจ๋“œ๋Š” ๊ณก๋ฐ์ดํ„ฐ์˜ ํ•ด์„ ์ƒ ์†”๋กœ ์Œ์ •์„ ์ถœ๋ ฅํ•ด์•ผ ํ•˜๋Š” ํƒ€์ด๋ฐ์— ๋งž์ถ”์–ด ํ•ด๋‹นํ•˜๋Š” ์ŠคํŠธ๋ง์„ ํƒ„ํ˜„ํ•  ์ˆ˜ ์žˆ๋„๋ก ํžŒํŠธ๋ฅผ ์ฃผ๊ธฐ ์œ„ํ•ด, ์ƒ๊ธฐ ํ•ด๋‹นํ•˜๋Š” ์ŠคํŠธ๋ง์„ ๋”ฐ๋ผ ์›€์ง์ด๋‹ค๊ฐ€ ํƒ€์ด๋ฐ์— ๋งž์ถฐ ๋์—์„œ ๋ฉˆ์ถ”๋„๋ก ์•ˆ๋‚ด์ด๋ฏธ์ง€๊ฐ€ ํ‘œ์‹œ๋˜๋Š” ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€ ๊ตฌํ˜„ ๋ฐฉ๋ฒ•.In the solo mode, the guide image is displayed to move along the corresponding string and stop at the end according to the timing to give a hint to the string corresponding to the timing at which the solo pitch should be output. Easy other implementation method, characterized in that.
  12. ์ œ 6ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 6,
    ๊ฐ€์‚ฌ๊ฐ€ ์‹ฑํฌ๋˜์–ด ํ‘œ์‹œ๋˜๋Š” ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€ ๊ตฌํ˜„ ๋ฐฉ๋ฒ•.Easy guitar implementation method characterized in that the lyrics are displayed in sync.
  13. ์ œ 6ํ•ญ์— ์žˆ์–ด์„œ,The method of claim 6,
    ๊ณก๋ฐ์ดํ„ฐ ํŽธ์ง‘๊ธฐ๊ฐ€ ์ œ๊ณต๋˜๋Š” ๊ณผ์ •์„ ํฌํ•จํ•˜๋Š” ๊ฒƒ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์ด์ง€ ๊ธฐํƒ€ ๊ตฌํ˜„ ๋ฐฉ๋ฒ•.Easy guitar implementation method characterized in that it comprises a process provided a song data editor.
PCT/KR2009/000526 2008-02-03 2009-02-03 Easy guitar WO2009096762A2 (en)

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US8835738B2 (en) 2010-12-27 2014-09-16 Apple Inc. Musical systems and methods
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