WO2002097603A1 - Method for analysing a digital audio flow and device for receiving said flow - Google Patents

Method for analysing a digital audio flow and device for receiving said flow Download PDF

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Publication number
WO2002097603A1
WO2002097603A1 PCT/FR2002/001827 FR0201827W WO02097603A1 WO 2002097603 A1 WO2002097603 A1 WO 2002097603A1 FR 0201827 W FR0201827 W FR 0201827W WO 02097603 A1 WO02097603 A1 WO 02097603A1
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stream
audio
format
digital
digital audio
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PCT/FR2002/001827
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French (fr)
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Edouard Ritz
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Thomson Licensing S.A.
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Publication of WO2002097603A1 publication Critical patent/WO2002097603A1/en

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    • GPHYSICS
    • G06COMPUTING; CALCULATING OR COUNTING
    • G06FELECTRIC DIGITAL DATA PROCESSING
    • G06F3/00Input arrangements for transferring data to be processed into a form capable of being handled by the computer; Output arrangements for transferring data from processing unit to output unit, e.g. interface arrangements
    • G06F3/16Sound input; Sound output
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10LSPEECH ANALYSIS OR SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING; SPEECH OR AUDIO CODING OR DECODING
    • G10L19/00Speech or audio signals analysis-synthesis techniques for redundancy reduction, e.g. in vocoders; Coding or decoding of speech or audio signals, using source filter models or psychoacoustic analysis

Definitions

  • the present invention relates to a method for analyzing a digital audio stream as well as a device for receiving such a stream.
  • a digital audio stream is a stream of information encoded in digital form (that is to say basically in the form of bits) and which represents an audio signal, that is to say a signal intended to be reproduced as an acoustic signal.
  • Such a digital audio stream is for example received by a digital decoder as the soundtrack of an audio-video program, for example a television program.
  • a digital audio stream is coded according to a single predetermined standard, for example MPEG2, known to the digital decoder (in general, moreover, because the digital decoder is supplied by the transmitter of the digital audio-video source which encoded the stream).
  • the inventor has realized that, on the contrary, a problem arises when it is desired to transmit digital audio data of variable coding format, which can therefore be raw data, in a digital stream. This is of course desirable in an advanced multimedia environment.
  • the problem arises in this way: it is a matter of being able to decode data from a digital audio stream when no information on the format is only available in the digital stream.
  • the inventor proposes a method for analyzing a digital audio stream which comprises a step of comparing part of the digital stream with at least one specific signature of a digital audio format.
  • the method includes the following additional step when said comparison is negative: comparison of a second part of the digital stream to a second specific signature of a second digital audio format; - said comparison step is repeated regularly in order to detect a dynamic change in format;
  • the digital audio stream is part of an audio-video stream received from a broadcaster
  • said part of the digital stream is part of raw audio data.
  • a device for receiving a digital audio stream which comprises means for comparing part of the digital stream with at least one specific signature of a digital audio format.
  • the comparison means have access to a plurality of signatures for comparison with respective parts of the digital stream;
  • control means allow the regular implementation of the comparison means
  • an audio decoder is configured as a function of format information supplied by the comparison means
  • the device comprises means for receiving a continuous audio video stream.
  • FIG. 1 shows a header of an audio frame in MPEG ES format
  • FIG. 2 shows a header of a PES packet of an MPES PES stream
  • FIG. 3 shows the structure of an audio frame in AC-3 format
  • FIG. 4 shows the structure of an audio stream in WAVE format
  • FIG. 5 shows the flowchart of automatic format detection.
  • An example of a method is described below, implemented for example in software form, making it possible to automatically detect the format of a broadcast digital audio stream (in the form of a continuous data stream, or of data packets which follow in time), and extract all the parameters (sampling frequency, bit rate, number of channels, type, selected channels, prologic mode, number of front, rear channels ...) allowing automatic configuration of a decoder multi-format audio to play the stream in question.
  • the example is described below for the following audio formats:
  • MPEG 1 and 2 (layer I, II, III) Elementary Stream (ES) MPEG 1 and 2 (layer I, II, III) Packetized Elementary Stream (PES)
  • AC-3 Elementary Stream (ES) AC-3 Packetized Elementary Stream (PES) WAVE but can be easily extended to other digital audio formats.
  • the automatic detection of digital audio format described in this document is a technique that can intervene in a fairly wide application framework, since this method can be implemented and adapted to all types of data dissemination, regardless of the transport medium used. (satellite, cable and terrestrial broadcasting, packet transmission over computer networks, data flow - streaming - over the Internet, etc.). The reason is that this method works on any binary data stream (sequence of 0 and 1).
  • a transmitter digital broadcasting center, server, etc. transmits or broadcasts a binary stream of audio data in a given format, unknown to the receiver (s).
  • Each receiver is equipped with a multi-format and configurable audio stream decoding system (hardware or software).
  • the receiver receives the data, must automatically detect the format of the audio stream from a list of supported formats, and extract the decoding parameters to configure the audio decoder, so that it can play the audio stream in question.
  • the decoder must also be able to detect a dynamic change in audio format occurring during the broadcast. For example, an MPEG ES audio stream is broadcast.
  • the receiver receives the data, analyzes it, detects that the format of the stream is MPEG ES, configures the decoder and starts playing the MPEG stream. Along the way, a format change occurs and an AC3 stream is broadcast while the receiver is still decoding the MPEG stream. On reception of the first AC3 data, the receiver detects the format discontinuity and performs the appropriate processing (it can report the error, ignore the AC3 data, reconfigure itself to play the new AC3 stream, etc.)
  • the receiver knows a priori (that is to say before any reception) the syntax of the bitstream data stream (bitstream) of a certain number of audio formats , and therefore has at the outset a list of formats that it can identify.
  • the list of supported formats is as follows:
  • MPEG 1 and 2 (layer I, II, III) Elementary Stream (ES) MPEG 1 and 2 (layer I, II, III) Packetized Elementary Stream (PES) AC-3 Elementary Stream (ES) AC-3 Packetized Elementary Stream ( PES)
  • the detection problem therefore amounts to selecting from among the formats known to the receiver (cf. list above) that which corresponds to the data received. If the data received does not follow the syntax of the formats in this list, detection is impossible.
  • the actual detection method is based on the following principle:
  • a signature characteristic of the format is defined. This signature, extracted from the binary train syntax of each audio format, makes it possible to identify it in a unique and certain way.
  • the detection algorithm consists in analyzing the binary data stream received to iteratively search for each signature in a given order: we start by searching for the signature of the MPEG ES format, if we fail, we search for the signature of the following format and so on until all the formats in the list have been exhausted. Detection succeeds if a signature has been found. It fails if no signature was found after browsing the list of all known formats of the receiver. In which case, we know with certainty that the stream received does not belong to any of the known formats (but we do not know what its format is).
  • An audio frame of an MPEG elementary stream begins with a 32-bit header consisting of the fields shown in Figure 1.
  • the synchronization pattern (Syncword) is coded on 12 bits and the standard fixes its value at OxFFF (in hexadecimal), the standard guarantees that this pattern appears only in the header and nowhere else.
  • an MPEG header is invalid if at least one of the following fields takes a value reserved by the standard:
  • the signature of an MPEG ES stream can therefore be defined by the following condition: If in the binary data stream received, there is a 4-byte word starting with OxFFF and whose bits:
  • the signature of an MPEG ES stream is equivalent to the detection in the bit stream of a valid MPEG header.
  • the PES layer of the MPEG standard is a system layer used to transport audio-video data. It is an overlay of the ES layer (Elementary Stream).
  • a PES packet begins with a PES header containing the fields shown in Figure 2.
  • the standard fixes the value of the Packet Start Code Prefix at 0x000001 and guarantees that this code cannot be encountered elsewhere in the flow than in the PES Header.
  • This code indicates the start of a PES packet.
  • the Stream Id field coded on 1 byte, is used to identify the type of elementary stream (ES) contained in the PES packet.
  • ES elementary stream
  • a value of Stream d equal to '110xxxxx' where x can be equal to 0 or 1 identifies an MPEG audio elementary stream 1 or 2. So any value of Streamjd between OxCO and OxDF (inclusive) identifies an MPEG audio stream.
  • the PES Header Length field is used to determine the length of the PES header, and therefore to determine where the start of the Payload of the PES packet is located.
  • the Payload of an audio PES packet contains the data of the elementary stream and therefore begins with a header. Therefore, if in the data bitstream there are 3 consecutive bytes taking the hexadecimal value 0x000001 followed by 3 bits taking the binary value '1 10', then the stream is an MPEG PES audio stream.
  • we add to this signature that of an MPEG ES stream Le. it is verified that the first audio frame contained in the PES packet begins with a valid MPEG header.
  • the AC-3 stream consists of successive synchronization windows in which each part represents information important for decompression and data recovery.
  • SI block represents the synchronization information.
  • BSI block contains information on the type of coding and on the data structure.
  • Block AB n each block contains the audio data of the different channels. Each block consists of 256 sound samples.
  • Aux block this part can contain additional information on the previous blocks; this information is used when emergency data is needed.
  • CRC block the error check makes it possible to check that the information is not incorrect.
  • a CRC code is also found in the SI frame in order to reduce the number of false synchronization frames.
  • SI contains a 40-bit synchronization word used to indicate the start of the AC3 frame. This word is at the start of each frame. These 40 bits are divided into 4 variables: Syncword, Crc1, Fscod and Frmsizecod.
  • Syncword (16 bits) - synchronization word - is always 0x0B7 i.e. '0000 1011 0111 0111'.
  • the bit order in the stream is left bit first.
  • Crc1 (16 bits): error control code is used for 5/8 of the frame. The most significant bit first during transmission.
  • BSI contains information about the type of data carried in the flow. It is only from this data that it is possible to reconstruct the original samples. Less important information is also transported, such as language, time, type of service (dialogue, comment, music, etc.).
  • Bsmod - Data type (3 bits): these 3 bits associated with Acmod allow to indicate the type of service transported in the stream.
  • Acmod - Audio coding mode (3 bits): this code is used to determine the number of voices used. It is possible to encode up to 6 channels. The six channels available are: central channel C, front left channel L, front right channel R, rear left channel SL, rear right channel SR, box LFE. The box is not counted in the number of channels but is activated by setting the Ifeon variable to 1.
  • Lfeon - Low frequency channel (1 bit): This bit is set to 1 when the specific subwoofer channel is present in the stream.
  • the AC3 ES format is identified by its 16-bit synchronization word, which is always 0x0B77 in hexadecimal. If this pattern is identified in the received bit stream and if the information in the SI and BSI block that follows (the Syncword marks the start of the SI block.) Is valid, e. that no field takes the value reserved by the standard, then the audio stream received is in AC3 ES format.
  • the signature of the AC3 ES format is therefore defined as follows:
  • the decoding of the SI and BSI blocks makes it possible to extract the decoding parameters to configure the audio decoder.
  • An AC3 PES stream begins with a Startcode 0x000001 and has a Streamid value set to OxBD (private_stream_1 in the standard
  • PES starts with Syncword 0x0B77 and that the SI and BSI blocks are valid.
  • An audio stream in WAVE format has the structure shown in Figure 4.
  • a WAVE file is characterized by the value of the following fields:
  • ChunklD RIFF (0x52494646 in hexadecimal)
  • Subchunk2ID data (0x64617461 in hexadecimal)

Abstract

The invention relates to a method for analysing a digital audio flow comprising a stage in which part of a digital flow is compared to at least one specific signature of a digital audio format. The invention also relates to a device for receiving one such flow.

Description

Procédé d'analyse d'un flux audio numérique et dispositif de réception d'un tel flux Method for analyzing a digital audio stream and device for receiving such a stream
La présente invention concerne un procédé d'analyse d'un flux audio numérique ainsi qu'un dispositif de réception d'un tel flux.The present invention relates to a method for analyzing a digital audio stream as well as a device for receiving such a stream.
Un flux audio numérique est un flux d' informations codées sous forme numérique (c'est-à-dire à la base sous forme de bits) et qui représentent un signal audio, c'est-à-dire un signal destiné à être restitué comme signal sonore.A digital audio stream is a stream of information encoded in digital form (that is to say basically in the form of bits) and which represents an audio signal, that is to say a signal intended to be reproduced as an acoustic signal.
Un tel flux audio numérique est par exemple reçu par un décodeur numérique comme bande son d'un programme audio-vidéo, par exemple une émission de télévision. De manière classique, un tel flux audio numérique est codé selon une seule norme prédéterminée, par exemple MPEG2, connue du décodeur numérique (en général d'ailleurs parce que le décodeur numérique est fourni par l'émetteur de la source audio-vidéo numérique qui a encodé le flux).Such a digital audio stream is for example received by a digital decoder as the soundtrack of an audio-video program, for example a television program. Conventionally, such a digital audio stream is coded according to a single predetermined standard, for example MPEG2, known to the digital decoder (in general, moreover, because the digital decoder is supplied by the transmitter of the digital audio-video source which encoded the stream).
Plus récemment, d'autres normes (ou formats) de codage audio numérique se sont développées, comme par exemple AC-3 et WAVE. Le format sous lequel est codée l'information audio numérique (c'est-à-dire le format du fichier audio pour la micro-informatique) est disponible sous forme d'un indicateur, comme l'extension du fichier pour la micro-informatique. Ainsi, l' unité centrale d'un micro-ordinateur a accès au format utilisé en lisant l'extension du fichier audio, par exemple ' .wav' pour le format WAVE. De manière similaire, une information relative au format audio utilisé est disponible lors de la transmission de données par une interface numérique du type IEC 61937, selon laquelle les données audio sont encapsulées avec ajout de l' information relative au format.More recently, other standards (or formats) for digital audio coding have developed, such as, for example, AC-3 and WAVE. The format in which digital audio information is encoded (i.e. the format of the audio file for microcomputing) is available as an indicator, such as the file extension for microcomputing . Thus, the central unit of a microcomputer has access to the format used by reading the extension of the audio file, for example '.wav' for the WAVE format. Similarly, information relating to the audio format used is available during the transmission of data by a digital interface of the IEC 61937 type, according to which the audio data is encapsulated with the addition of information relating to the format.
L'inventeur a réalisé qu' un problème se pose au contraire lorsque l'on désire transmettre des données audio numériques de format de codage variable, qui peuvent donc être des données brutes, dans un flux numérique. Ceci est bien sûr souhaitable dans un environnement multimédia évolué. Du côté du récepteur (où doit avoir lieu le décodage) - par exemple un décodeur numérique, le problème se pose de la sorte : il s'agit d'être capable de décoder des données d' un flux audio numérique quand aucune information sur le format n'est disponible dans le flux numérique. Pour remédier à ce problème, l'inventeur propose un procédé d'analyse d'un flux audio numérique qui comporte une étape de comparaison d'une partie du flux numérique à au moins une signature spécifique d'un format audio numérique. Selon d'autres caractéristiques avantageuses,The inventor has realized that, on the contrary, a problem arises when it is desired to transmit digital audio data of variable coding format, which can therefore be raw data, in a digital stream. This is of course desirable in an advanced multimedia environment. On the receiver side (where decoding should take place) - for example a digital decoder, the problem arises in this way: it is a matter of being able to decode data from a digital audio stream when no information on the format is only available in the digital stream. To remedy this problem, the inventor proposes a method for analyzing a digital audio stream which comprises a step of comparing part of the digital stream with at least one specific signature of a digital audio format. According to other advantageous characteristics,
- le procédé comporte l'étape supplémentaire suivante lorsque ladite comparaison est négative : comparaison d'une seconde partie du flux numérique à une seconde signature spécifique d' un second format audio numérique ; - ladite étape de comparaison est répétée de manière régulière afin de détecter un changement dynamique du format ;- The method includes the following additional step when said comparison is negative: comparison of a second part of the digital stream to a second specific signature of a second digital audio format; - said comparison step is repeated regularly in order to detect a dynamic change in format;
- le flux audio numérique fait partie d'un flux audio-vidéo reçu d'un diffuseur ;- the digital audio stream is part of an audio-video stream received from a broadcaster;
- ladite partie du flux numérique fait partie de données audio brutes.- said part of the digital stream is part of raw audio data.
Il est également proposé un dispositif de réception d'un flux audio numérique qui comporte des moyens de comparaison d'une partie du flux numérique à au moins une signature spécifique d'un format audio numérique. Selon des caractéristiques avantageuses,There is also proposed a device for receiving a digital audio stream which comprises means for comparing part of the digital stream with at least one specific signature of a digital audio format. According to advantageous characteristics,
- les moyens de comparaison ont accès à une pluralité de signatures pour comparaison avec des parties respectives du flux numérique ;the comparison means have access to a plurality of signatures for comparison with respective parts of the digital stream;
- des moyens de commande permettent la mise en œuvre régulière des moyens de comparaison ;- control means allow the regular implementation of the comparison means;
- un décodeur audio est configuré en fonction d' une information de format fournie par les moyens de comparaison ;- an audio decoder is configured as a function of format information supplied by the comparison means;
- le dispositif comprend des moyens de réception d' un flux audiovidéo continu. La description qui suit sera faite en référence aux dessins annexés dans lesquels :- The device comprises means for receiving a continuous audio video stream. The following description will be made with reference to the accompanying drawings in which:
- la figure 1 représente un en-tête d' une trame audio au format MPEG ES ;- Figure 1 shows a header of an audio frame in MPEG ES format;
- la figure 2 représente un en-tête d'un paquet PES d'un flux MPEG PES ;- Figure 2 shows a header of a PES packet of an MPES PES stream;
- la figure 3 représente la structure d'une trame audio au format AC-3 ; - la figure 4 représente la structure d' un flux audio au format WAVE ;- Figure 3 shows the structure of an audio frame in AC-3 format; - Figure 4 shows the structure of an audio stream in WAVE format;
- la figure 5 représente l'organigramme de la détection automatique de format. On décrit dans la suite un exemple de méthode, mise en œuvre par exemple sous forme logicielle, permettant de détecter automatiquement le format d' un flux audio numérique diffusé (sous forme d' un flux de données continu, ou de paquets de données qui se suivent dans le temps), et d'en extraire tous les paramètres (fréquence d'échantillonnage, débit, nombre de canaux, type, canaux sélectionnés, mode prologic, nombre de voies avant, arrière...) permettant de configurer automatiquement un décodeur audio multi-format afin de jouer le flux en question. L'exemple est décrit ci-dessous pour les formats audio suivants :- Figure 5 shows the flowchart of automatic format detection. An example of a method is described below, implemented for example in software form, making it possible to automatically detect the format of a broadcast digital audio stream (in the form of a continuous data stream, or of data packets which follow in time), and extract all the parameters (sampling frequency, bit rate, number of channels, type, selected channels, prologic mode, number of front, rear channels ...) allowing automatic configuration of a decoder multi-format audio to play the stream in question. The example is described below for the following audio formats:
MPEG 1 et 2 (layer I, II, III) Elementary Stream (ES) MPEG 1 et 2 (layer I, II, III) Packetized Elementary Stream (PES)MPEG 1 and 2 (layer I, II, III) Elementary Stream (ES) MPEG 1 and 2 (layer I, II, III) Packetized Elementary Stream (PES)
AC-3 Elementary Stream (ES) AC-3 Packetized Elementary Stream (PES) WAVE mais peut être facilement étendu à d'autres formats audio numériques.AC-3 Elementary Stream (ES) AC-3 Packetized Elementary Stream (PES) WAVE but can be easily extended to other digital audio formats.
La détection automatique de format audio numérique décrite dans ce document est une technique qui peut intervenir dans un cadre applicatif assez large, puisque cette méthode peut être mise en œuvre et adaptée à tous type de diffusion de données, quel que soit le médium de transport utilisé (diffusion par satellite, câble et hertzien terrestre, transmission par paquets sur réseaux informatiques, flux de données - streaming - sur le réseau Internet, etc.). La raison est que cette méthode fonctionne sur un train binaire de données (suite de 0 et de 1) quelconque.The automatic detection of digital audio format described in this document is a technique that can intervene in a fairly wide application framework, since this method can be implemented and adapted to all types of data dissemination, regardless of the transport medium used. (satellite, cable and terrestrial broadcasting, packet transmission over computer networks, data flow - streaming - over the Internet, etc.). The reason is that this method works on any binary data stream (sequence of 0 and 1).
Le contexte d' utilisation est le suivant : Un émetteur (centre de diffusion numérique, serveur, etc.) transmet ou diffuse un flux binaire de données audio dans un format donné, inconnu du (des) récepteur(s). Chaque récepteur est équipé d'un système de décodage de flux audio (matériel ou logiciel) multi-format et configurable. Le récepteur reçoit les données, doit détecter automatiquement le format du flux audio parmi une liste de formats supportés, et extraire les paramètres de décodage pour configurer le décodeur audio, afin que celui ci puisse jouer le flux audio en question. Le décodeur doit également être capable de détecter un changement dynamique de format audio intervenant au cours de la diffusion. Par exemple, un flux audio MPEG ES est diffusé. Le récepteur reçoit les données, les analyse, détecte que le format du flux est du MPEG ES, configure le décodeur et commence à jouer le flux MPEG. En cours de route, un changement de format intervient et un flux AC3 est diffusé alors que le récepteur est toujours en train de décoder le flux MPEG. Sur réception des premières données AC3, le récepteur détecte la discontinuité de format et effectue le traitement approprié (il peut signaler l'erreur, ignorer les données AC3, se reconfigurer pour jouer le nouveau flux AC3, etc.)The context of use is as follows: A transmitter (digital broadcasting center, server, etc.) transmits or broadcasts a binary stream of audio data in a given format, unknown to the receiver (s). Each receiver is equipped with a multi-format and configurable audio stream decoding system (hardware or software). The receiver receives the data, must automatically detect the format of the audio stream from a list of supported formats, and extract the decoding parameters to configure the audio decoder, so that it can play the audio stream in question. The decoder must also be able to detect a dynamic change in audio format occurring during the broadcast. For example, an MPEG ES audio stream is broadcast. The receiver receives the data, analyzes it, detects that the format of the stream is MPEG ES, configures the decoder and starts playing the MPEG stream. Along the way, a format change occurs and an AC3 stream is broadcast while the receiver is still decoding the MPEG stream. On reception of the first AC3 data, the receiver detects the format discontinuity and performs the appropriate processing (it can report the error, ignore the AC3 data, reconfigure itself to play the new AC3 stream, etc.)
Afin de mettre en œuvre la méthode de détection de format, on propose que le récepteur connaisse a priori (c'est-à-dire avant toute réception) la syntaxe du train binaire de données (bitstream) d' un certain nombre de formats audio, et dispose donc au départ d' une liste de formats qu' il sait identifier. Dans l'exemple, la liste des formats supportés est la suivante :In order to implement the format detection method, it is proposed that the receiver knows a priori (that is to say before any reception) the syntax of the bitstream data stream (bitstream) of a certain number of audio formats , and therefore has at the outset a list of formats that it can identify. In the example, the list of supported formats is as follows:
MPEG 1 et 2 (layer I, II, III) Elementary Stream (ES) MPEG 1 et 2 (layer I, II, III) Packetized Elementary Stream (PES) AC-3 Elementary Stream (ES) AC-3 Packetized Elementary Stream (PES)MPEG 1 and 2 (layer I, II, III) Elementary Stream (ES) MPEG 1 and 2 (layer I, II, III) Packetized Elementary Stream (PES) AC-3 Elementary Stream (ES) AC-3 Packetized Elementary Stream ( PES)
WAVEWAVE
Le problème de la détection revient donc à sélectionner parmi les formats connus du récepteur (cf. liste ci-dessus) celui qui correspond aux données reçues. Si les données reçues ne suivent pas la syntaxe des formats de cette liste, la détection est impossible.The detection problem therefore amounts to selecting from among the formats known to the receiver (cf. list above) that which corresponds to the data received. If the data received does not follow the syntax of the formats in this list, detection is impossible.
La méthode de détection à proprement parler repose sur le principe suivant :The actual detection method is based on the following principle:
Pour chacun des formats supportés par le récepteur (cf. liste ci- dessus), on définit une signature caractéristique du format. Cette signature, extraite de la syntaxe du train binaire de chaque format audio, permet de l' identifier de manière unique et certaine. Une fois ces signatures définies, l'algorithme de détection consiste à analyser le train binaire de données reçu pour y rechercher itérativement chaque signature dans un ordre donné : on commence par rechercher la signature du format MPEG ES, si on échoue, on recherche la signature du format suivant et ainsi de suite jusqu'à avoir épuisé tous les formats de la liste. La détection réussit si une signature a été trouvée. Elle échoue si aucune signature n'a été trouvée une fois parcourue la liste de tous les formats connus du récepteur. Auquel cas, on sait avec certitude que le flux reçu n'appartient à aucun des formats connus (mais on ignore quel est son format).For each of the formats supported by the receiver (see list above), a signature characteristic of the format is defined. This signature, extracted from the binary train syntax of each audio format, makes it possible to identify it in a unique and certain way. Once these signatures have been defined, the detection algorithm consists in analyzing the binary data stream received to iteratively search for each signature in a given order: we start by searching for the signature of the MPEG ES format, if we fail, we search for the signature of the following format and so on until all the formats in the list have been exhausted. Detection succeeds if a signature has been found. It fails if no signature was found after browsing the list of all known formats of the receiver. In which case, we know with certainty that the stream received does not belong to any of the known formats (but we do not know what its format is).
On définit dans fa suite pour chaque format une signature possible.In the following, a possible signature is defined for each format.
Format MPEG ES :MPEG ES format:
Une trame audio d' un flux élémentaire (ES) MPEG commence par un en-tête de 32 bits se composant des champs représentés en figure 1.An audio frame of an MPEG elementary stream (ES) begins with a 32-bit header consisting of the fields shown in Figure 1.
Le motif de synchronisation (Syncword) est codé sur 12 bits et la norme fixe sa valeur à OxFFF (en hexadécimal), la norme garantit que ce motif n'apparaît que dans l' en-tête et nulle part ailleurs.The synchronization pattern (Syncword) is coded on 12 bits and the standard fixes its value at OxFFF (in hexadecimal), the standard guarantees that this pattern appears only in the header and nowhere else.
Par ailleurs un en-tête MPEG est invalide si au moins un des champs suivants prend une valeur réservée par la norme :Furthermore, an MPEG header is invalid if at least one of the following fields takes a value reserved by the standard:
Layer = 00 Bitrate index =11 1 1Layer = 00 Bitrate index = 11 1 1
Sampling frequency = 1 1Sampling frequency = 1 1
Emphasis = 10Emphasis = 10
La signature d' un flux MPEG ES peut donc être définie par la condition suivante : Si dans le train binaire de données reçu, on trouve un mot de 4 octets commençant par OxFFF et dont les bits :The signature of an MPEG ES stream can therefore be defined by the following condition: If in the binary data stream received, there is a 4-byte word starting with OxFFF and whose bits:
- 14 et 15 (Layer) diffèrent de ' 00'- 14 and 15 (Layer) differ from '00'
- 17 à 22 (Bitrate index et Sampling frequency) diffèrent de ' 11 1 1 1 1 ' - 31 et 32 (Emphasis) diffèrent de ' 10' alors le flux est au format MPEG ES.- 17 to 22 (Bitrate index and Sampling frequency) differ from '11 1 1 1 1' - 31 and 32 (Emphasis) differ from '10' so the stream is in MPEG ES format.
En d'autres termes, la signature d' un flux MPEG ES équivaut à la détection dans le train binaire d' un en-tête MPEG valideIn other words, the signature of an MPEG ES stream is equivalent to the detection in the bit stream of a valid MPEG header.
Format MPEG PES La couche PES de la norme MPEG est une couche système servant au transport des données audio-vidéo. C'est une sur-couche de la couche ES (Elementary Stream). Un paquet PES commence par un en-tête PES contenant les champs indiqués en figure 2.MPEG PES format The PES layer of the MPEG standard is a system layer used to transport audio-video data. It is an overlay of the ES layer (Elementary Stream). A PES packet begins with a PES header containing the fields shown in Figure 2.
La norme fixe la valeur du Packet Start Code Prefix à 0x000001 et garantit que ce code ne peut pas être rencontré ailleurs dans le flux que dans le PES Header. Ce code indique le début d' un paquet PES. Le champs Stream Id, codé sur 1 octet, sert à identifier le type de flux élémentaire (ES) contenu dans le paquet PES. Une valeur de Stream d égale à ' 110xxxxx' où x peut valoir indifféremment 0 ou 1 identifie un flux élémentaire audio MPEG 1 ou 2. Donc toute valeur de Streamjd comprise entre OxCO et OxDF (inclus) identifie un flux MPEG audio.The standard fixes the value of the Packet Start Code Prefix at 0x000001 and guarantees that this code cannot be encountered elsewhere in the flow than in the PES Header. This code indicates the start of a PES packet. The Stream Id field, coded on 1 byte, is used to identify the type of elementary stream (ES) contained in the PES packet. A value of Stream d equal to '110xxxxx' where x can be equal to 0 or 1 identifies an MPEG audio elementary stream 1 or 2. So any value of Streamjd between OxCO and OxDF (inclusive) identifies an MPEG audio stream.
Le champ PES Header Length permet de déterminer la longueur de l'entête PES, et donc de déterminer à quel endroit se trouve le début de la Payload du paquet PES. La Payload d' un paquet PES audio contient les données du flux élémentaire et commence donc par un en-tête. Par conséquent, si dans le train binaire de données, on trouve 3 octets consécutifs prenant la valeur hexadécimale 0x000001 suivis de 3 bits prenant la valeur binaire ' 1 10' , alors le flux est un flux MPEG PES audio. Par mesure de précaution, on rajoute à cette signature celle d' un flux MPEG ES, Le. on vérifie que la première trame audio contenue dans le paquet PES commence par une entête MPEG valide. On définit ainsi la signature du format audio MPEG PES :The PES Header Length field is used to determine the length of the PES header, and therefore to determine where the start of the Payload of the PES packet is located. The Payload of an audio PES packet contains the data of the elementary stream and therefore begins with a header. Therefore, if in the data bitstream there are 3 consecutive bytes taking the hexadecimal value 0x000001 followed by 3 bits taking the binary value '1 10', then the stream is an MPEG PES audio stream. As a precaution, we add to this signature that of an MPEG ES stream, Le. it is verified that the first audio frame contained in the PES packet begins with a valid MPEG header. We thus define the signature of the MPEG PES audio format:
Si dans le train binaire de données reçu, la séquence binaire ' 000000000000000000000001110' est trouvée et que la Payload du paquet PES courant débute par un en-tête MPEG valide (cf. ci-dessus), alors le flux est au format MPEG PES. Flux AC3 ES :If in the received binary data stream, the binary sequence '000000000000000000000000001010' is found and the Payload of the current PES packet begins with a valid MPEG header (see above), then the stream is in MPEG PES format. AC3 ES flow:
La structure d' une trame audio AC3 figure sur le schéma de la figure 3.The structure of an AC3 audio frame is shown in the diagram in Figure 3.
Le flux AC-3 est constitué de fenêtres de synchronisation successives dans lesquelles chaque partie représente des informations importantes pour la décompression et la récupération des données.The AC-3 stream consists of successive synchronization windows in which each part represents information important for decompression and data recovery.
Bloc SI : représente les informations sur la synchronisation. Bloc BSI : renferme les informations sur le type de codage et sur la structure des données. Bloc AB n : chaque bloc renferme les données audio des différentes voies. Chaque bloc est constitué de 256 échantillons sonores.SI block: represents the synchronization information. BSI block: contains information on the type of coding and on the data structure. Block AB n: each block contains the audio data of the different channels. Each block consists of 256 sound samples.
Bloc Aux : cette partie peut contenir des informations supplémentaires sur les blocs précédents ; ces informations sont utilisées en cas de besoin de donnée de secours. Bloc CRC : le contrôle d'erreur permet de vérifier que les informations ne sont pas erronées. Un code CRC se trouve aussi dans la trame SI afin de réduire le nombre de fausses trames de synchronisations.Aux block: this part can contain additional information on the previous blocks; this information is used when emergency data is needed. CRC block: the error check makes it possible to check that the information is not incorrect. A CRC code is also found in the SI frame in order to reduce the number of false synchronization frames.
SI contient un mot de 40 bits de synchronisation permettant d'indiquer le début de la trame AC3. Ce mot est au début de chaque trame. Ces 40 bits se découpent en 4 variables : Syncword, Crc1, Fscod et Frmsizecod.SI contains a 40-bit synchronization word used to indicate the start of the AC3 frame. This word is at the start of each frame. These 40 bits are divided into 4 variables: Syncword, Crc1, Fscod and Frmsizecod.
Syncword (16 bits) - mot de synchronisation - est toujours 0x0B7 c'est-à-dire '0000 1011 0111 0111 '. L'ordre des bits dans le flux est bit de gauche en premier. Crc1 (16 bits) : code de contrôle d'erreur sert pour les 5/8 de la trame. Le bit de poids fort en premier lors de la transmission.Syncword (16 bits) - synchronization word - is always 0x0B7 i.e. '0000 1011 0111 0111'. The bit order in the stream is left bit first. Crc1 (16 bits): error control code is used for 5/8 of the frame. The most significant bit first during transmission.
Fscod (2 bits) : cette variable indique la fréquence de l'échantillon. Le code ' 11 ' est réservé par la norme AC3.Fscod (2 bits): this variable indicates the frequency of the sample. The code '11' is reserved by the AC3 standard.
Frmsizecod (6 bits) : ce mot permet de déterminer le nombre de mot de 16 bits précédant la prochaine trameFrmsizecod (6 bits): this word determines the number of 16-bit words preceding the next frame
BSI contient les informations sur le type de données transportées dans le flux. Ce n'est qu'à partir de ces données qu' il est possible de reconstituer les échantillons d' origines. Des informations moins importantes sont aussi transportées, comme la langue, l' heure, le type de service (dialogue, commentaire, musique, etc.).BSI contains information about the type of data carried in the flow. It is only from this data that it is possible to reconstruct the original samples. Less important information is also transported, such as language, time, type of service (dialogue, comment, music, etc.).
Bsid - Authentification du flux (5 bits) : dans la version courante du codage Dolby Digital, la valeur de Bsid est ' 01000' (= 8).Bsid - Stream authentication (5 bits): in the current version of Dolby Digital coding, the value of Bsid is '01000' (= 8).
Bsmod - Type de données (3 bits) : ces 3 bits associés à Acmod permettent d' indiquer le type de service transporté dans le flux. Acmod - Mode du codage audio (3 bits) : ce code permet de déterminer le nombre de voix utilisées. Il est possible d'encoder jusqu'à 6 voies. Les six canaux disponibles sont les suivants : voie centrale C, voie avant gauche L, voie avant droite R, voie arrière gauche SL, voie arrière droite SR, caisson LFE. Le caisson n'est pas compté dans le nombre de voies mais est activé part la mise à 1 de la variable Ifeon.Bsmod - Data type (3 bits): these 3 bits associated with Acmod allow to indicate the type of service transported in the stream. Acmod - Audio coding mode (3 bits): this code is used to determine the number of voices used. It is possible to encode up to 6 channels. The six channels available are: central channel C, front left channel L, front right channel R, rear left channel SL, rear right channel SR, box LFE. The box is not counted in the number of channels but is activated by setting the Ifeon variable to 1.
Cmixlev - Niveau sonore de la voie centrale (2 bits) : ces deux bits permettent d' indiquer l' atténuation à réaliser sur la voie centrale.Cmixlev - Sound level of the central channel (2 bits): these two bits are used to indicate the attenuation to be achieved on the central channel.
Surmixlev - Niveau sonore des voies arrière (2 bits) : ces deux bits permettent d' indiquer l' atténuation à réaliser sur les voies arrière. Dsurmod - Mode Dolby surround (2 bits) : ces deux bits indiquent la présence d' un mode Dolby surround encodé dans les voies gauche et droite.Surmixlev - Noise level of the rear channels (2 bits): these two bits indicate the attenuation to be achieved on the rear channels. Dsurmod - Dolby surround mode (2 bits): these two bits indicate the presence of a Dolby surround mode encoded in the left and right channels.
Lfeon - Canal de basse fréquence (1 bit) : Ce bit est à 1 lorsque le canal spécifique au caisson de basse est présent dans le flux.Lfeon - Low frequency channel (1 bit): This bit is set to 1 when the specific subwoofer channel is present in the stream.
Le format AC3 ES est identifié par son mot de synchronisation de 16 bits qui vaut toujours 0x0B77 en hexadécimal. Si ce motif est repéré dans le train binaire reçu et si les informations du bloc SI et BSI qui suivent (le Syncword marque le début du bloc SI.) sont valides, e. qu' aucun champ ne prend la valeur réservée par la norme, alors le flux audio reçu est au format AC3 ES. La signature du format AC3 ES se définit donc de la manière suivante:The AC3 ES format is identified by its 16-bit synchronization word, which is always 0x0B77 in hexadecimal. If this pattern is identified in the received bit stream and if the information in the SI and BSI block that follows (the Syncword marks the start of the SI block.) Is valid, e. that no field takes the value reserved by the standard, then the audio stream received is in AC3 ES format. The signature of the AC3 ES format is therefore defined as follows:
Syncword ' 0x0 B77' trouvé dans le flux + bloc SI et BSI valides.Syncword '0x0 B77' found in the stream + valid SI and BSI block.
Par ailleurs, le décodage des blocs SI et BSI permet d'extraire les paramètres de décodage pour configurer le décodeur audio.Furthermore, the decoding of the SI and BSI blocks makes it possible to extract the decoding parameters to configure the audio decoder.
Format AC3 PES:AC3 PES format:
Un flux AC3 PES commence par un code Startcode 0x000001 et a une valeur de Streamid fixé à OxBD (private_stream_1 dans la normeAn AC3 PES stream begins with a Startcode 0x000001 and has a Streamid value set to OxBD (private_stream_1 in the standard
MPEG) par la norme ATSC. A cette condition, on ajoute pour plus de sûreté la signature d' un flux AC3 ES, Le. on s' assure que la Payload du paquetMPEG) by ATSC standard. To this condition, the signature of an AC3 ES stream, Le, is added for greater safety. we make sure that the Payload of the package
PES débute par le Syncword 0x0B77 et que les blocs SI et BSI sont valides.PES starts with Syncword 0x0B77 and that the SI and BSI blocks are valid.
Si dans le train binaire de données on trouve un mot de 4 octetsIf in the binary data stream there is a 4 byte word
(Startcode et Streamid) prenant la valeur hexadécimale 0x000001 BD, et que la Payload du paquet PES courant débute par le Syncword 0x0B77 et que les informations suivantes correspondent à des champs valides des blocs SI et BSI, alors le flux audio reçu est au format AC3 PES.(Startcode and Streamid) taking the hexadecimal value 0x000001 BD, and the Payload of the current PES packet begins with the Syncword 0x0B77 and the following information corresponds to valid fields of the SI and BSI blocks, then the audio stream received is in AC3 format SEP.
Format WAVEWAVE format
Un flux audio au format WAVE a la structure représentée en figure 4. Un fichier WAVE est caractérisé par la valeur des champs suivants :An audio stream in WAVE format has the structure shown in Figure 4. A WAVE file is characterized by the value of the following fields:
ChunklD = RIFF (0x52494646 en hexadécimal)ChunklD = RIFF (0x52494646 in hexadecimal)
Format = WAVE (0x57415645 en hexadécimal)Format = WAVE (0x57415645 in hexadecimal)
SubchunklID = "fmt_" (0x666d7420 en hexadécimal) AudioFormat = 1SubchunklID = "fmt_" (0x666d7420 in hexadecimal) AudioFormat = 1
Subchunk2ID = data (0x64617461 en hexadécimal)Subchunk2ID = data (0x64617461 in hexadecimal)
Ces valeurs constituent la signature d' un fichier WAVE. Par conséquent, si dans le train binaire donné on trouve successivement : le mot 0x52494646 à une adresse notée ADR le mot 0x57415645 à l'adresse ADR+8octets le mot 0x666d7420 à l'adresse ADR+12octets le demi-mot 0x0001 à l'adresse ADR+20 octets le mot 0x666d7420 à l'adresse ADR+36 octets alors le flux audio est au format WAVE.These values constitute the signature of a WAVE file. Therefore, if in the given bitstream we successively find: the word 0x52494646 at an address marked ADR the word 0x57415645 at the address ADR + 8 bytes the word 0x666d7420 at the address ADR + 12 bytes the half-word 0x0001 at the address ADR + 20 bytes the word 0x666d7420 at the address ADR + 36 bytes then the audio stream is in WAVE format.
Une fois définies les signatures de chaque format audio, la détection automatique se résume à une simple recherche de signatures dans un train binaire de données. Cette recherche s'effectue suivant l'organigramme représenté en figure 5. Once the signatures of each audio format have been defined, automatic detection comes down to a simple search for signatures in a binary data stream. This search is carried out according to the flow chart represented in FIG. 5.

Claims

REVENDICATIONS
1. Procédé d'analyse d'un flux audio numérique qui comporte une étape de comparaison d'une partie du flux numérique à au moins une signature spécifique d'un format audio numérique.1. A method of analyzing a digital audio stream which comprises a step of comparing part of the digital stream with at least one specific signature of a digital audio format.
2. Procédé selon la revendication 1 qui comporte l'étape supplémentaire suivante lorsque ladite comparaison est négative : - comparaison d' une seconde partie du flux numérique à une seconde signature spécifique d' un second format audio numérique.2. Method according to claim 1 which comprises the following additional step when said comparison is negative: - comparison of a second part of the digital stream to a second specific signature of a second digital audio format.
3. Procédé selon la revendication 1 ou 2, dans lequel ladite étape de comparaison est répétée de manière régulière afin de détecter un changement dynamique du format.3. The method of claim 1 or 2, wherein said comparing step is repeated regularly to detect a dynamic change in format.
4. Procédé selon l' une des revendications 1 à 3, dans lequel le flux audio numérique fait partie d' un flux audio-vidéo reçu d' un diffuseur.4. Method according to one of claims 1 to 3, wherein the digital audio stream is part of an audio-video stream received from a broadcaster.
5. Procédé selon l' une des revendications 1 à 4, dans lequel ladite partie du flux numérique fait partie de données audio brutes.5. Method according to one of claims 1 to 4, wherein said part of the digital stream is part of raw audio data.
6. Dispositif de réception d'un flux audio numérique caractérisé en ce qu'il comporte des moyens de comparaison d'une partie du flux numérique à au moins une signature spécifique d'un format audio numérique.6. Device for receiving a digital audio stream, characterized in that it comprises means for comparing a part of the digital stream with at least one specific signature of a digital audio format.
7. Dispositif selon la revendication 6, dans lequel les moyens de comparaison ont accès à une pluralité de signatures pour comparaison avec des parties respectives du flux numérique.7. Device according to claim 6, in which the comparison means have access to a plurality of signatures for comparison with respective parts of the digital stream.
8. Dispositif selon la revendication 6 ou 7, dans lequel des moyens de commande permettent la mise en œuvre régulière des moyens de comparaison. 8. Device according to claim 6 or 7, wherein control means allow the regular implementation of the comparison means.
9. Dispositif selon l'une des revendications 6 à 8, dans lequel un décodeur audio est configuré en fonction d'une information de format fournie par les moyens de comparaison.9. Device according to one of claims 6 to 8, in which an audio decoder is configured as a function of format information supplied by the comparison means.
10. Dispositif selon l'une des revendications 6 à 9, qui comprend des moyens de réception d' un flux audio-vidéo continu. 10. Device according to one of claims 6 to 9, which comprises means for receiving a continuous audio-video stream.
PCT/FR2002/001827 2001-06-01 2002-05-31 Method for analysing a digital audio flow and device for receiving said flow WO2002097603A1 (en)

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