WO1997004438A1 - Inner support structure for a stringed instrument - Google Patents

Inner support structure for a stringed instrument Download PDF

Info

Publication number
WO1997004438A1
WO1997004438A1 PCT/NO1996/000164 NO9600164W WO9704438A1 WO 1997004438 A1 WO1997004438 A1 WO 1997004438A1 NO 9600164 W NO9600164 W NO 9600164W WO 9704438 A1 WO9704438 A1 WO 9704438A1
Authority
WO
WIPO (PCT)
Prior art keywords
support structure
cross member
pin
longitudinal
lid
Prior art date
Application number
PCT/NO1996/000164
Other languages
French (fr)
Inventor
Mikal HAGETRÖ
Original Assignee
Hagetrö Fioliner A.S
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Hagetrö Fioliner A.S filed Critical Hagetrö Fioliner A.S
Priority to AU64727/96A priority Critical patent/AU6472796A/en
Publication of WO1997004438A1 publication Critical patent/WO1997004438A1/en

Links

Classifications

    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/02Resonating means, horns or diaphragms

Definitions

  • the present invention is concerned with an inner support structure for a stringed instrument, according to the introductory part of Claim 1.
  • Fig. 1 shows a violin body according to the present invention, as seen from above,
  • Fig. 2 shows a cross section of the violin body from Fig. 1, along the line II-II
  • Fig. 3 shows a cross section of the violin body from Fig. 1, along the line III-III
  • Fig. 4 and 5 show the trestle from Fig. 3, as seen from the side and from above, respectively,
  • Fig. 6 shows the violin body from Fig. 1, seen from above and without lid, and
  • Fig. 7 shows a cross section of the violin body from Fig. 6, taken along thejine VII-VII.
  • Fig. 1 shows a violin body, generally denoted 1, that is equipped with a lid 2. Furthermore is situated a hole 3 for a pin for fastening the string bridge. This will be closer described below.
  • Fig. 2 shows the upper and lower frame end 5 and 6, respectively, and the lid 2 and a bottom 4 in the violin body 1.
  • a longitudinal support 10 Between upper and lower frame end 5, 6 is situated a longitudinal support 10.
  • the support 10 is fastened to the upper section of the frame ends 5, 6, near the lid 2, and extends from both ends substantially toward the middle.
  • the centre of the support 10 bears against a cross member 8 which is fastened both to the bottom 4 and to a longitudinal member 7 at the centre of the bottom.
  • the cross member 8 has a hole 9 for reception of a pin 18.
  • a sound pin 11 is disclosed, which shall hereafter be described.
  • a longi- tudinal trestle 12, 13, comprising an upper chord 12 and a lower chord 13.
  • a longi- tudinal trestle 12, 13 comprising an upper chord 12 and a lower chord 13.
  • the upper chord 12 lies up against the lid, and the lower chord 13 lies down against the bottom 4.
  • the lower chord 13 is fastened to the cross member 8 by a pin 18.
  • the function of the trestle 12, 13 is such that when the upper chord 12 is pressed down, the lower chord 13 is raised, and vice versa.
  • the cross member 8 is fastened to a frame 14.
  • Fig. 7 it can be seen that the cross member 8 is narrower on the frame fastened end, so that it can have some flexibility there.
  • a string bridge (not shown) is connected to the cross member 8 by the sound pin 11.
  • the string bridge is situated on one side (over the E-string) in a hole 16 of the sound pin, and on the opposite side (over the G-string) against a reinforcement 19 in the lid 2.
  • the sound pin 11 is situated in a slot 17 in the cross chord. It is fastened so that it can have a slight movement in a transverse direction due to the shape of the pin, while it is mainly fixed in the longitudinal direction, e.g. with glue.
  • the string bridge functions through the sound pin 11 with a downward force against the cross member 8.
  • the support 10 works against the forces from the strings, and contribute to the frame being supported. When the upper chord 12 is pressed down, the lower chord 13 is raised.
  • the inner static structure in the violin has resultant forces in lid and bottom which are close to zero.
  • this structure bears the forces and not the resonance box as in known violins.
  • the top and the bottom can be of thinner designed thinner, thereby improving the sound quality substantially.
  • the improvment results because the lid lies between the trestle 12, 13 and the string bridge, and is vibrated by the sounds of the strings.
  • the string bridge will move from side to side, depending on which string is played.
  • the E-string will press the pin 11 down, and this will work through the cross member 8 over to the longitudinal trestle 12, 13, so that it is moved upward ⁇ ly.
  • the support 10 can alterna ⁇ tively be pressed together in a suitable apparatus, or be lined with a sheet of iron or another metal. This gives a fine tone, and it is not necessary to tune the violin as often.

Abstract

An inner support structure for a violin (1), comprising a frame (14) having an upper and a lower end (5, 6), a lid (2) and a bottom (4). A longitudinal member (7) is situated at least along the centre of the bottom (4), and a string bridge lies against the lid (2) at one of its ends and is fastened to a sound pin (11) at its other end. The sound pin (11) is connected to a cross member (8) that is fastened to the bottom (4) at the frame (14). During playing, the string bridge will move from side to side: the E-string will press the sound pin (11) down, and this will work through the cross member (8) over to the longitudinal trestle (12, 13), so that it is moved upwardly. The same thing will happen when the G-string is played, but in reverse order, that is, the trestle (12, 13) is moved downwardly and the pin is moved upwardly. In this way is established the correct pumping effect and acoustics.

Description

Inner support structure for a stringed instrument
The present invention is concerned with an inner support structure for a stringed instrument, according to the introductory part of Claim 1.
Background
When the strings of the violin are tightened, the bottom of the violin is exposed to a tensile force. This involves the bottom being raised due to its having a curved shape. It can be shown that the compressive force on the lid is greater near the neck than near the string holder. This condition leads to the so called wolf tones.
In order to counteract the tensile forces from the strings, the resonance box has until now been made of a relatively heavy wooden construction. This is a drawback, as all components of the violin should be as light as possible, while at the same time be as being as rigid as possible. Also from a dynamic consideration, known structures have the drawback that the dynamic effects are influenced to an unacceptable level by static conditions.
Support structures for stringed instruments are previously known, e.g. through US- Patent Specifications 1 635 502, 2 145 978 and 4 172 404. These known devices, however, do not solve the problem of providing a light support structure giving a good sound quality, as they do not work against the static forces from the strings.
Object
It is thus an object of the invention to provide an inner support structure for a violin, where the static forces from the strings are substantially neutralized, and where the dynamic effects are substantially independent of static conditions.
The invention
The object of the invention is achieved with a device having features as stated in the characterizing part of patent claim 1. Further features are clear from the following dependent claims. In the following, the invention will be explained in more detail with reference to an embodiment and to the accompanying drawings, where
Fig. 1 shows a violin body according to the present invention, as seen from above,
Fig. 2 shows a cross section of the violin body from Fig. 1, along the line II-II, Fig. 3 shows a cross section of the violin body from Fig. 1, along the line III-III,
Fig. 4 and 5 show the trestle from Fig. 3, as seen from the side and from above, respectively,
Fig. 6 shows the violin body from Fig. 1, seen from above and without lid, and
Fig. 7 shows a cross section of the violin body from Fig. 6, taken along thejine VII-VII.
Fig. 1 shows a violin body, generally denoted 1, that is equipped with a lid 2. Furthermore is situated a hole 3 for a pin for fastening the string bridge. This will be closer described below.
Fig. 2 shows the upper and lower frame end 5 and 6, respectively, and the lid 2 and a bottom 4 in the violin body 1. Between upper and lower frame end 5, 6 is situated a longitudinal support 10. The support 10 is fastened to the upper section of the frame ends 5, 6, near the lid 2, and extends from both ends substantially toward the middle. The centre of the support 10 bears against a cross member 8 which is fastened both to the bottom 4 and to a longitudinal member 7 at the centre of the bottom. The cross member 8 has a hole 9 for reception of a pin 18. Further, a sound pin 11 is disclosed, which shall hereafter be described.
As mentioned above, the longitudinal support 10 is situated against the frame at the neck and the bottom, in order to take up the pressure which is formed when the strings are tightened, typically about 40 kg. Without this support the frame will have a tend- ency to become unstable both in construction and in maintaining the string tension. The effect of this support is thus achievment of correct vibrations, corresponding to that of old (aged) violins which have hardened, in contrast to newer (younger) violins, where the wood still travels.
Between upper and lower frame end 5 and 6, respectively, is also situated a longi- tudinal trestle 12, 13, comprising an upper chord 12 and a lower chord 13. This can be seen in Fig. 3. In Fig. 4 and 5, the trestle 12, 13 is depicted separately. The upper chord 12 lies up against the lid, and the lower chord 13 lies down against the bottom 4. With reference also to Fig. 6 and 7 it can be seen that the lower chord 13 is fastened to the cross member 8 by a pin 18. The function of the trestle 12, 13 is such that when the upper chord 12 is pressed down, the lower chord 13 is raised, and vice versa.
The cross member 8 is fastened to a frame 14. In Fig. 7 it can be seen that the cross member 8 is narrower on the frame fastened end, so that it can have some flexibility there. A string bridge (not shown) is connected to the cross member 8 by the sound pin 11. The string bridge is situated on one side (over the E-string) in a hole 16 of the sound pin, and on the opposite side (over the G-string) against a reinforcement 19 in the lid 2. The sound pin 11 is situated in a slot 17 in the cross chord. It is fastened so that it can have a slight movement in a transverse direction due to the shape of the pin, while it is mainly fixed in the longitudinal direction, e.g. with glue. The string bridge functions through the sound pin 11 with a downward force against the cross member 8. The support 10 works against the forces from the strings, and contribute to the frame being supported. When the upper chord 12 is pressed down, the lower chord 13 is raised.
The inner static structure in the violin has resultant forces in lid and bottom which are close to zero. Thus, it is this structure that bears the forces and not the resonance box as in known violins. This means that the top and the bottom can be of thinner designed thinner, thereby improving the sound quality substantially. The improvment results because the lid lies between the trestle 12, 13 and the string bridge, and is vibrated by the sounds of the strings. During playing, the string bridge will move from side to side, depending on which string is played. The E-string will press the pin 11 down, and this will work through the cross member 8 over to the longitudinal trestle 12, 13, so that it is moved upward¬ ly. The same thing will happen when the G-string is played, but in reverse order, that is, the trestle 12, 13 is moved downwardly and the pin is moved upwardly. In this way the correct pump effect is established, in other words, the lid is moved down when the bottom is moved up, and vice versa. In order to relieve the unstable properties of the wood, the support 10 can alterna¬ tively be pressed together in a suitable apparatus, or be lined with a sheet of iron or another metal. This gives a fine tone, and it is not necessary to tune the violin as often.

Claims

Claims:
1. Inner support structure for a stringed instrument, especially a violin (1), com¬ prising a frame (14) having an upper and a lower end (S, 6), a lid (2) and a bottom (4), wherein a longitudinal member (7) is situated at least along the centre of the bottom (4), and where a string bridge lies against the lid (2) at one of its ends and is
S fastened to a sound pin (11) at its other end, characterized in that the sound pin (11) being connected to a cross member (8) that is fastened to the bottom (4) at the frame (14).
2. Support structure according to Claim 1, characterized in that the sound pin (11) being connected to the cross member (8) by 0 a slot (17), so that the sound pin (11) is allowed have movement in transverse direction of the instrument, but not in a longitudinal direction.
3. Support structure according to Claim 1 or 2, characterized in that between the upper and lower frame end (5, 6) there is situated a longitudinal support (10) which lies against a cross member (8) which is fixed in the S bottom (4) and to the longitudinal member (7).
4. Support structure according to Claim 1, 2 or 3, characterized in that between the upper and lower frame end (5, 6) is situated a longitudinal trestle (12, 13) comprised of an upper chord (12) and a lower chord (13), where the upper chord (12) lies up against the lid, and the lower chord (13) lies down 0 against the bottom (4).
5. Support structure according to Claim 4, characterized in that the lower chord (13) is fixed to the cross member (8) by a pin (18).
6. Support structure according to any one of Claims 1-5, 5 characterized in that the cross member (8) being narrower at the fastening to the frame (14), so that it is somewhat flexible.
7. Support structure according to any one of the Claims 1-6, characterized in that the longitudinal support (10) being prepressed in order to establish a good shape stability.
PCT/NO1996/000164 1995-07-24 1996-07-05 Inner support structure for a stringed instrument WO1997004438A1 (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
AU64727/96A AU6472796A (en) 1995-07-24 1996-07-05 Inner support structure for a stringed instrument

Applications Claiming Priority (2)

Application Number Priority Date Filing Date Title
NO952921 1995-07-24
NO952921A NO300828B1 (en) 1995-07-24 1995-07-24 Internal strut construction for stringed instruments

Publications (1)

Publication Number Publication Date
WO1997004438A1 true WO1997004438A1 (en) 1997-02-06

Family

ID=19898423

Family Applications (1)

Application Number Title Priority Date Filing Date
PCT/NO1996/000164 WO1997004438A1 (en) 1995-07-24 1996-07-05 Inner support structure for a stringed instrument

Country Status (3)

Country Link
AU (1) AU6472796A (en)
NO (1) NO300828B1 (en)
WO (1) WO1997004438A1 (en)

Cited By (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CZ297584B6 (en) * 2005-09-13 2007-01-10 Kulhánek@Daniel Sound box of electric acoustic stringed musical instrument, particularly of guitar or bass guitar
WO2009106892A2 (en) * 2008-02-28 2009-09-03 Michael Gillett A stringed musical instrument
DE202008008793U1 (en) * 2008-07-01 2009-11-26 Schmitz, Edwin Violin-like string instrument

Citations (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US1413916A (en) * 1919-05-12 1922-04-25 Kincannon John William Violin
DE2618624A1 (en) * 1976-04-28 1977-11-10 Weidler Redesigned medieval instrument such as chrotta - has strings extending between two openings in rectangular sound box giving mellower violin-like tone
US5325756A (en) * 1990-12-13 1994-07-05 Gondwana Musical Instrument Company Pty. Ltd. Stringed musical instrument

Patent Citations (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US1413916A (en) * 1919-05-12 1922-04-25 Kincannon John William Violin
DE2618624A1 (en) * 1976-04-28 1977-11-10 Weidler Redesigned medieval instrument such as chrotta - has strings extending between two openings in rectangular sound box giving mellower violin-like tone
US5325756A (en) * 1990-12-13 1994-07-05 Gondwana Musical Instrument Company Pty. Ltd. Stringed musical instrument

Cited By (7)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CZ297584B6 (en) * 2005-09-13 2007-01-10 Kulhánek@Daniel Sound box of electric acoustic stringed musical instrument, particularly of guitar or bass guitar
WO2009106892A2 (en) * 2008-02-28 2009-09-03 Michael Gillett A stringed musical instrument
WO2009106892A3 (en) * 2008-02-28 2010-11-04 Michael Gillett A stringed musical instrument
GB2470529A (en) * 2008-02-28 2010-11-24 Michael D Gillett A stringed musical instrument
GB2470529B (en) * 2008-02-28 2012-01-04 Michael D Gillett A stringed musical instrument
US8294010B2 (en) 2008-02-28 2012-10-23 Michael Gillett Stringed musical instrument
DE202008008793U1 (en) * 2008-07-01 2009-11-26 Schmitz, Edwin Violin-like string instrument

Also Published As

Publication number Publication date
AU6472796A (en) 1997-02-18
NO952921D0 (en) 1995-07-24
NO952921L (en) 1997-01-27
NO300828B1 (en) 1997-07-28

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