US5602353A - Bridge saddle with adjustable intonation system - Google Patents
Bridge saddle with adjustable intonation system Download PDFInfo
- Publication number
- US5602353A US5602353A US08/368,744 US36874495A US5602353A US 5602353 A US5602353 A US 5602353A US 36874495 A US36874495 A US 36874495A US 5602353 A US5602353 A US 5602353A
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- United States
- Prior art keywords
- saddle
- strings
- segments
- intonation
- instrument
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- Expired - Lifetime
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
- G10D3/04—Bridges
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H3/00—Instruments in which the tones are generated by electromechanical means
- G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
- G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
- G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
- G10H3/185—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar in which the tones are picked up through the bridge structure
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/461—Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
- G10H2220/465—Bridge-positioned, i.e. assembled to or attached with the bridge of a stringed musical instrument
- G10H2220/471—Bridge-positioned, i.e. assembled to or attached with the bridge of a stringed musical instrument at bottom, i.e. transducer positioned at the bottom of the bridge, between the bridge and the body of the instrument
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/461—Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
- G10H2220/525—Piezoelectric transducers for vibration sensing or vibration excitation in the audio range; Piezoelectric strain sensing, e.g. as key velocity sensor; Piezoelectric actuators, e.g. key actuation in response to a control voltage
Definitions
- the present invention relates generally to apparatus and methods for adjusting the intonation of a stringed instrument such as a guitar and for adjusting the output of individual strings of a stringed instrument utilizing an electrical pickup.
- string length for correct intonation is dependent on several factors including the mass of the string, the core wire diameter of the string, the instrument's action height, and scale length, to name several.
- the scale length is set by the factory, as is the basic position of the saddle. If the manufacturer has positioned the saddle correctly based on a certain set of strings, and if the player always uses only those strings, at the factory action height positions, he may reasonably hope the guitar will play in tune. Quite often, of course, the guitar does not play satisfactorily in tune. This leads to repairs or modifications at custom guitar repair shops which alter the intonation of the individual strings by filing the top edge of the bridge saddle to move the location of the supporting point for the string. Since a typical bridge saddle is only 3/32 inch to 1/8 inch wide, this task is delicate and involved.
- a skilled luthier will first confirm that the basic saddle location is correct, and that some additional work will permit him to accurately set the intonation for each string. He may then take a file and slightly flatten the top of the existing saddle. If the original saddle location is wrong, the luthier fills the saddle slot and cuts a new one.
- the luthier will then typically determine the preferred intonation point for each string as follows.
- a short length of guitar string of approximately 0.020-inch diameter has a right angle bend placed therein approximately 1/4 inch from the end of the string.
- the luthier can then slip this 1/4-inch long by 0.020-inch diameter wire under the string which is to be adjusted. Although this minutely raises the action height of the string, it is not sufficient to be noticeable.
- the luthier moves this wire toward the front, i.e., the neck end, or back of the saddle and compares the harmonic at the twelfth fret with the fretted tone at that point. Moving the wire segment back increases the length of the string, and causes the fretted note to be flatter in pitch.
- the luthier marks the saddle to indicate the correct location of the support point, and then moves his bent wire to the next string and repeats the process.
- the saddle is removed from the guitar and placed in a vise.
- the luthier then uses a small file to notch excess material away from the marked locations.
- the saddle is replaced and the instrument is tuned. This is a time-consuming and expensive procedure.
- An intonation adjustment system for a stringed instrument having a plurality of strings and an instrument saddle supporting the strings includes a saddle setup tool having a plurality of selectable, distinctly spaced intonation points so that a preferred one of said selectable, distinctly spaced intonation points can be determined for each of the strings of the instrument.
- the system further includes a set of prefabricated candidate saddle segments from which can be selected a group of selected saddle segments making up the instrument saddle and providing any possible combination of said selectable intonation points for said plurality of strings.
- the group of selected saddle segments includes three selected saddle segments, each of which supports two of the strings.
- the group of three saddle segments will include two outside segments and one inside segment.
- the set of prefabricated candidate saddle segments includes a first subset of candidate outside saddle segments and a second subset of candidate inside saddle segments.
- the saddle setup tool can be used to quickly determine the preferred one of the selectable intonation points for each string, and then the prefabricated saddle segments can be selected having those preferred intonation points and the instrument can be quickly assembled having a customized saddle with individually selected intonation points for each string.
- an improved pickup is provided for placement in the saddle slot of the instrument under the bridge saddle.
- the pickup includes a plurality of transducer elements, each of which is associated with one of the strings of the guitar, and each of which is movable relative to the other in a direction transverse to a length of the strings so that a volume output of the strings relative to each other may be adjusted.
- FIG. 1 is a perspective sectioned view of a hollow body, flat top acoustic guitar incorporating the bridge saddle and pickup of the present invention.
- FIG. 2 is an enlarged cross-section view taken along line 2--2 of FIG. 1 showing the details of construction of the pickup and showing the placement of the pickup and bridge saddle within the saddle slot of the bridge.
- FIG. 3 is a plan view of a segmented bridge saddle having three segments each of which have individually selectable string intonation points for two strings.
- FIG. 4 is a back elevation view of the bridge saddle of FIG. 3.
- FIG. 5 is a plan view of a saddle setup tool utilized to select the preferred intonation point for each string.
- FIG. 6 is a back elevation view of the setup tool of FIG. 5.
- FIG. 7 is a section view taken along line 7--7 of FIG. 5 illustrating the five selectable intonation points for each guitar string.
- FIG. 8 is an elevation view of the upper end of a portion of a candidate saddle segment which shows in solid lines a supporting ridge in position 5, and which shows in phantom lines a supporting ridge in position 1.
- FIG. 9 is a view similar to FIG. 8 of another candidate saddle segment showing in solid lines a supporting ridge in position 4 and in phantom lines a supporting ridge in position 2.
- FIG. 10 is an elevation view of another candidate saddle segment showing a supporting ridge in position 3.
- FIG. 11 is an elevation view of a female portion of a jig assembly for holding the saddle segments together while filing off the lower edges thereof to adjust an intonation height of the bridge saddle.
- the view of FIG. 11 is taken along line 11--11 of FIG. 12.
- FIG. 12 is an elevation sectioned view taken along line 12--12 of FIG. 11 showing the assembled jig assembly with a segmented bridge saddle held in place therein.
- FIG. 13 is a plan view of an insulating strip utilized with the pickup of FIG. 2
- FIG. 14 is a view similar to FIG. 2 showing an alternative embodiment of the pickup.
- FIG. 15 is a plan view taken along line 15--15 of FIG. 4 showing details of the alternative pickup of FIG. 14.
- the guitar 10 may be more generally referred to as a stringed instrument 10.
- the guitar 10 illustrated is a hollow bodied, acoustic guitar having a body generally designated by the numeral 12 with a flat top 14.
- the present invention may also be used with a solid body guitar where applicable.
- a neck 16 extends from the body 12 and terminates in a peghead 18.
- Six strings 20 are mounted on the body 12 and neck 16.
- Strings 20 are preferably steel strings. Each string at its forward end is attached to one of a plurality of tuning heads 22.
- the string extends over a forwardmost support piece generally referred to as a nut 24.
- the rearward portion of the strings are supported by a bridge saddle 26.
- the rear end of the strings are attached to bridge pins such as 28.
- the bridge saddle 26 is mounted in a bridge 30 which itself is rigidly attached to the top 14 of guitar body 12. As best seen in FIG. 2, the bridge 30 has a saddle slot 32 formed therein within which the bridge saddle 26 is received. If it is desired to amplify the output of the guitar, an electric pickup generally designated by the numeral 34 is placed in the saddle slot 32 beneath the bridge saddle 26 so that the vibrations of strings 20 are transmitted through the bridge saddle 26 to the electrical pickup 34 which transforms the physical vibrations into electrical signals which may then be amplified.
- the bridge saddle 26 is best seen in FIGS. 3 and 4.
- the bridge saddle 26 is preferably constructed of three saddle segments 26A, 26B and 26C. Each of the three saddle segments will support two of the strings 20.
- any one of five selectable, distinctly spaced intonation points can be selected for each of the strings 20. This is accomplished by providing a set of prefabricated candidate saddle segments from which can be selected the group of saddle segments 26A, 26B and 26C making up the instrument saddle 26 and providing any possible combination of said selectable intonation points for said plurality of strings.
- FIGS. 8, 9 and 10 represent the five possible intonation points which can be selected for each string from the set of prefabricated candidate saddle segments.
- FIGS. 8, 9 and 10 are taken along the same line as line 2--2 of FIG. 1 and thus are oriented like the bridge saddle 26 seen in FIG. 2.
- the solid lines in FIG. 8 show an intonation point or supporting ridge 5 which represents the rearwardmost intonation point, and in phantom lines FIG. 8 shows a forwardmost intonation point designated by the numeral 1.
- FIG. 9 the solid lines illustrate intonation point 4 and the phantom lines illustrate intonation point 2.
- FIG. 10 the centralmost intonation point designated by the numeral 3 is represented.
- the saddle segments may be injection molded from a hard plastic material.
- FIGS. 5-7 illustrate a saddle setup tool 36 which is utilized to select the preferred intonation point 1, 2, 3, 4 or 5 for each string.
- the saddle setup tool 36 has a top surface 38 having five parallel spaced grooves 40, 42, 44, 46 35 and 48 defined therein.
- a temporary movable ridge 50 may be placed in a selected one of the grooves 40-48 to support the string 20 while the intonation of the string is checked.
- the temporary movable ridge 50 may be formed from a piece of bent guitar string or wire having a diameter of approximately 0.020 inches.
- the grooves 40-48 correspond to selectable supporting ridge positions 1-5, respectively.
- a saddle setup tool width 54 between positions 1 and 5 on the setup tool 36 is substantially equal to the saddle width 55 between positions 1 and 5 as illustrated in FIG. 8.
- Positions 1 and 5 may be referred to as a forward edge and a rearward edge, respectively, of the bridge saddle 26.
- the points 1 through 5 are equally spaced.
- the instrument saddle 26 has an arcuate top profile 56 which is matched by the arcuate top profile 38 of setup tool 36.
- the saddle segments 26A and 26C are mirror images of each other and are different in profile from the saddle segment 26B.
- the saddle segment 26B can be referred to as an inside segment, and the saddle segments 26A and 26C can be referred to as outside saddle segments.
- a set of prefabricated candidate saddle segments is provided for the position 26A, that those same saddle segments can be utilized for the position 26C by simply reversing the same.
- the set of prefabricated saddle segments from which the inside segment 26B will be selected will be fewer in number since the inside segment 26B can be reversed to provide multiple alternative supporting ridge positions from a given saddle segment.
- the set of prefabricated candidate saddle segments can be described as including a first subset of candidate outside saddle segments from which segments 26A and 26C will be selected, and a second subset of candidate inside saddle segments from which saddle segment 26B will be selected.
- the second subset is exclusive of the first subset, i.e., that is there are no common members between the first and second subsets.
- the first subset of candidate outside saddle segments must include twenty-five different candidate outside saddle segments, each having a different combination of two intonation points, to provide all possible combinations of supporting positions for two strings.
- the second subset of candidate inside saddle segments must include fifteen different candidate inside saddle segments, each having a different combination of two intonation points in order to provide all possible combinations of intonation points for the two strings supported by inside segment 26B. That this is so is shown by the following Table I which illustrates the positions provided by the fifteen different inside saddle segments in both their primary position and reverse position. It is seen that segments numbered 5, 9, 12, 14 and 15 provide duplicate positions when reversed, so that the fifteen segments provide a total of twenty-five different possible combinations of the five supporting positions for the two strings.
- a kit including the set of prefabricated candidate saddle segments with one specimen of each possible combination needed for the segments 26A, 26B and 26C, that set will include twenty-five different candidate outside saddle segments and fifteen different candidate inside saddle segments. Additionally, it is desirable to include one or more blank inside saddle segments and one or more blank outside saddle segments to provide for the unlikely event that it is desired to custom construct a segment having a supporting ridge at a slightly different position than one of the five positions provided by the prefabricated segments, and also to provide for the unlikely event that the outside segments 26A and 26C require the same combination of supporting ridges.
- the set of candidate saddle segments can of course include more than one specimen of each possible combination of two intonation points.
- a kit for use by luthiers may be marketed including multiple copies of each different prefabricated candidate saddle segment along with a single setup tool 36 and a single jig 90. The luthier would use this kit to set up a large number of instruments and would gradually use up the collection of candidate saddle segments.
- the right outside saddle segment 26A supports the first and second strings on supporting ridges 58 and 60 which are in the 3 and 1 positions, respectively.
- Inside saddle segment 26B supports the third and fourth strings on supporting ridges 62 and 64 which are in the 2 and 3 positions, respectively.
- Left outside saddle segment 26C includes supporting ridges 66 and 68 which support the fifth and sixth strings in the 4 and 5 positions, respectively.
- Any desired combination of supporting ridges 58-68 with each ridge in any one of the positions 1-5 can be provided by simply selecting the appropriate prefabricated candidate saddle segments from the set of candidate saddle segments.
- the saddle setup tool 36 provides several other features which aid in setting up the guitar 10.
- the saddle setup tool 36 has first and second supporting screws 70 and 72 which are received in threaded bores 74 and 76 which extend vertically through the saddle setup tool 36.
- the action height of the setup tool 36 may be adjusted to determine a preferred action height for the instrument saddle 26.
- a thin metal strip (not shown) should be placed in the bottom of saddle slot 32 to prevent screws 70 and 72 from digging into the wooden bridge 30.
- a second unique feature of the saddle setup tool 36 is the provision of first and second piezo-electric transducers 78 and 80 which are imbedded in the setup tool 38 and from which electrical leads 82 and 84 extend to an electronic tuner 86.
- the electronic tuner 86 will represent the frequency of vibrations generated when the string is struck so that the harmonic at the twelfth fret can be compared to the fretted tone at that point by comparison of readings on the electronic tuner 86.
- the selection of the preferred intonation point can also be done by ear.
- the setup tool 36 may be molded from plastic material with the piezo-electric crystals 78 and 80 with their lead wires 82 and 84 imbedded therein at the time of molding.
- FIGS. 11 and 12 illustrate a jig generally designated by the numeral 90 which is constructed to hold the saddle segments while their bottom edges 88 are ground off as desired.
- the jig 90 includes first and second jig portions 92 and 94.
- First jig portion 92 has a recess 96 defined therein which is shaped to receive and hold the group of selected saddle segments 26A, 26B and 26C in position relative to each other, analogous to the positions of FIG. 4, while material is removed from their lower edge 88 to adjust an action height thereof.
- a pair of threaded studs 98 extend from first jig portion 90 through bores 100 in second jig portion 94.
- a wing nut 102 is received on each stud 98.
- the second jig portion 94 has a flat surface 104 facing the recess 96. The bridge saddle 26 when placed in the recess 96 can be clamped and held therein by tightening down on the wing nuts 102.
- the second jig portion 94 has a recess 106 defined therein which is shaped substantially identically to the recess 96.
- the setup tool 36 may be placed in the recess 106 so that the desired location of bottom edge 88 may be easily marked on the saddle segments 26A, 26B and 26C.
- FIGS. 2 and 13 the details of construction of pickup 34 will be described.
- the pickup 34 includes an electrically conductive channel 110 having a bottom 112 and first and second flanges 114 and 116 extending upward from opposite edges of bottom 112.
- a layer 118 of insulating material covers the bottom 112 of channel 110.
- a first conductor means 120 lies on top of the insulating material 118.
- Six piezo-electric transducer elements 122 lie on top of first conductor means 120. Each of the piezo-electric transducer elements 122 lies below a respective one of the strings 20.
- a strip 124 of insulating material having a plurality of openings 126 has the six transducer elements 122 each received within a respective one of the openings 126 as best seen in FIG. 13.
- FIG. 13 is a plan view of only the strip 124 with the piezo-electric crystals 122 positioned therein.
- the strip of insulating material 124 has a vertical thickness less than a thickness of the piezo-electric transducer elements 122 as defined between their top and bottom poles 134 and 136.
- the insulating strip 124 will not interfere with the forces transmitted across the piezo-electric transducer elements 122.
- each of the openings 126 has a lateral dimension 128 transverse to the length of strings 20 which lateral dimension is greater than a lateral width 130 of the transducer elements 122.
- the lateral dimension 128 of each opening 126 defines a zone of lateral movability of its associated transducer element 122.
- a second conductor means 132 lies on top of the transducer elements 122.
- Each of the piezo-electric transducer elements 122 can be described as having top and bottom poles 134 and 136 of opposite polarity.
- the first conductor means 120 is in electrically conductive contact with the bottom poles of each of the plurality of piezo-electric transducer elements 122.
- the second conductor means 132 is in electrically conductive contact with the top poles 134 of each of the plurality of piezo-electric transducer elements 122.
- Each of the piezo-electric transducer elements 122 is movable laterally in a direction transverse to the length of strings 20 so that a relative volume output of its associated string 20 relative to the others of the strings 20 may be adjusted. It will be appreciated that the more nearly directly below its associated string that a given transducer element 122 is located, the stronger the electrical signal generated by that transducer element will be for a given physical vibration of the string. Thus, by moving a given transducer element 122 laterally away from a position directly below its associated string, the relative electrical output generated for that string will be reduced.
- the first conductor 120 is a first common conductor 120 which electrically connects all of the bottom poles 136 of the plurality of transducer elements 122
- the second conductor means 132 is a second common conductor means 132 which electrically connects all of the top poles 134 of the plurality of transducer elements 122. It will be appreciated, however, that it is possible to use first and second conductor means 120 and 132 which provide individual electrical contacts with each transducer element 122 so that the electrical outputs of the six transducer elements 122 are isolated from each other.
- first and second conductor means 120 and 132 include a tacky conductive adhesive upper or lower surface 138 or 140, respectively, in electrically conductive contact with the transducer elements 122 in order to hold the transducer elements 122 in place relative to the first and second conductors 120 and 132.
- the tacky conductive adhesive surface 138 and/or 140 is capable of being repeatedly removed from contact with the plurality of transducer elements 122 so that a position of one or more of the elements 122 relative to the conductor means 120 and 132 can be adjusted, and then the tacky conducting adhesive will again be engaged with the transducer element 122 when the pickup is reassembled as shown in FIG. 2.
- Materials suitable for use as the tacky conductive adhesive referred to herein include 3M #1181 copper foil with conductive adhesive (available from the 3M Company) which has been heat-treated to reduce its surface tack. This could be done by placing a roll of the tape in an oven at 65° C. (120° F.) for approximately twelve hours.
- the second conductor 132 overlies and engages the top edges of first and second flanges 114 and 116 of channel 110.
- the second conductor 132 using the tacky adhesive described above, may in fact wrap around the flanges 114 and 116 and the transverse ends of the channel 110 as an easy means to secure the second conductor 132 to channel 110.
- the electrically conductive channel 110 and the second conductor means 132 provide a conductive cage surrounding the transducer elements 122.
- the cage will typically be grounded so as to provide a shield against electrical interference from outside sources with the electrical signals generated by the piezo-electric transducer elements 122.
- alternating ones of the six piezo-electric transducer elements 122 are polarized in an opposite manner.
- the leftmost transducer element 122 in FIG. 13 may have a positive top pole and a negative bottom pole, while the transducer element 122 to the right thereof will have a negative top pole and a positive bottom pole, and so forth.
- extraneous forces such as pressure from the palm of a hand applied across the entire bridge saddle 26, will be out of phase in the alternating transducers and thus the signals generated by the individual transducers will cancel each other. This reduces noise and improves fidelity of the output from the pickup.
- the channel 110 has an outside width 142 defined between outside surfaces of the first and second flanges 114 and 116.
- the piezo-electric transducer elements 122 extend higher than the upper edges of the first and second flanges 114 and 116.
- the second conductor means 132 is a separate element from the bridge saddle 26 itself, and the bridge saddle 26 has a saddle width 144 at least as great as the outside width 142 of channel 110.
- the bottom edge 88 of bridge saddle 26 is in load-bearing engagement through the second conductor means 132 with the piezo-electric transducer elements 122.
- segmented bridge saddle 26 insures maximum pressure and output from each crystal as compared to a single unsegmented bridge saddle.
- the channel 110 is constructed of brass with the bottom 112 and flanges 114 having thicknesses of 0.010 inch.
- the insulating layer 118 is constructed of material commonly referred to as fish paper and having a thickness of 0.005 inch.
- the first conductor means 120 is a strip of copper foil having a thickness of 0.005 inch.
- the piezo-electric transducer elements have a vertical thickness of 0.020 inch.
- the second conductor means 132 is another strip of copper foil having a thickness of 0.005 inch with conductive adhesive on the bottom surface thereof.
- the insulating strip 124 has a thickness of 0.010 inch.
- the lateral dimension 128 of opening 126 is 0.250 inch
- the lateral width 130 of transducer element 122 is 0.125 inch thus providing room for 0.125 inch lateral movement of each transducer element 122.
- Typical width of elements 122 in a direction parallel to the strings is 0.065 inch.
- each transducer element could be associated with more than one string.
- each transducer element could be associated with a pair of strings. This would be especially applicable to a twelve-string guitar which preferably would have six transducer elements, each of which would underlie a pair of strings.
- Both the intonation adjustment and the adjustable piezos may be utilized in original equipment manufacture or may be utilized to retrofit existing instruments.
- FIGS. 14 and 15 illustrate an alternative design of the pickup which is designated generally by the numeral 146.
- the pickup 146 includes a channel 148 having first and second flanges 150 and 152.
- An insulating layer 154 overlies the bottom of channel 148.
- a first conductor means 156 overlies insulating layer 154.
- a plurality of piezo-electric transducer elements 158 lie on top of first conductor means 156.
- first and second flanges 150 and 152 extend higher than the piezo-electric transducer elements 158.
- the channel 148 has an inside width 160 defined between inside surfaces of the first and second flanges 150 and 152.
- a modified bridge saddle 162 has a narrower saddle width 164, as compared to saddle 26 of FIG. 2, so that the lower portion of bridge saddle 162 is received between the inside surfaces of first and second flanges 150 and 152.
- a second conductor means 164 is provided by a layer of conductive material which is formed on the bottom portion and lower side portions of bridge saddle 162.
- the second conductor means 166 engages the top surface of the piezo-electric transducer elements 158 and is also in electrical contact with the inside surfaces of the upper portions of first and second flanges 150 and 152 so that the second conductor means 166 and channel 148 provide a conductive cage surrounding the transducer elements 158.
- the transducer elements 158 are substantially square in shape and have first and second opposite edges 168 and 170, respectively, nearest to the first and second flanges 150 and 152, respectively.
- the transducer elements 158 each have an element width 172 defined between first and second edges 168 and 170, with the element width 172 being less than the inside width 160 of channel 148.
- the pickup 146 further includes first and second electrically insulating separators 174 and 176 located between the first and second edges 168 and 170 and the inside surfaces of first and second flanges 150 and 152, respectively.
- the separators 174 and 176 engage the inside surfaces of flanges 150 and 152, respectively, and engage the first and second edges 168 and 170, respectively, so that the transducer element 158 is snugly held between flanges 150 and 152.
- the first and second electrically insulating separators 174 and 176 are opposite sides of a four-sided insulating frame 178 surrounding the transducer element 158.
- a separate frame such as 178 surrounds each of the transducer elements 158, and the transducer elements 158 are laterally movable along the entire length of channel 148.
- the zone of possible positioning of each transducer element 158 is defined simply by the positions of the transducer elements on either side thereof.
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- Electrophonic Musical Instruments (AREA)
Abstract
Description
TABLE I ______________________________________ Inside Segment No. Primary Position Reverse Position ______________________________________ 1 1-1 5-5 2 1-2 4-5 3 1-3 3-5 4 1-4 2-5 5 1-5 1-5 6 2-1 5-4 7 2-2 4-4 8 2-3 3-4 9 2-4 2-4 10 3-1 5-3 11 3-2 4-3 12 3-3 3-3 13 4-1 5-2 14 4-2 4-2 15 5-1 5-1 ______________________________________
Claims (33)
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
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US08/368,744 US5602353A (en) | 1992-06-12 | 1995-01-04 | Bridge saddle with adjustable intonation system |
Applications Claiming Priority (2)
Application Number | Priority Date | Filing Date | Title |
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US89778792A | 1992-06-12 | 1992-06-12 | |
US08/368,744 US5602353A (en) | 1992-06-12 | 1995-01-04 | Bridge saddle with adjustable intonation system |
Related Parent Applications (1)
Application Number | Title | Priority Date | Filing Date |
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US89778792A Continuation | 1991-06-13 | 1992-06-12 |
Publications (1)
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US5602353A true US5602353A (en) | 1997-02-11 |
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Family Applications (2)
Application Number | Title | Priority Date | Filing Date |
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US08/283,627 Expired - Lifetime US5455381A (en) | 1992-06-12 | 1994-09-21 | PIE20 electric pickup with adjustable string output |
US08/368,744 Expired - Lifetime US5602353A (en) | 1992-06-12 | 1995-01-04 | Bridge saddle with adjustable intonation system |
Family Applications Before (1)
Application Number | Title | Priority Date | Filing Date |
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US08/283,627 Expired - Lifetime US5455381A (en) | 1992-06-12 | 1994-09-21 | PIE20 electric pickup with adjustable string output |
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US (2) | US5455381A (en) |
Cited By (17)
Publication number | Priority date | Publication date | Assignee | Title |
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US6075198A (en) * | 1997-08-19 | 2000-06-13 | Grant; W. Gerry | Solid body instrument transducer |
US6184450B1 (en) | 1998-09-02 | 2001-02-06 | Leblanc Curtis Robert | Universal, multi-position, tuning mechanism and bridge for stringed musical instruments |
US6392137B1 (en) | 2000-04-27 | 2002-05-21 | Gibson Guitar Corp. | Polyphonic guitar pickup for sensing string vibrations in two mutually perpendicular planes |
US6689943B2 (en) | 2001-01-17 | 2004-02-10 | Gibson Guitar Corp. | Acoustic guitar with integral pickup mount |
US20040103776A1 (en) * | 1999-04-26 | 2004-06-03 | Juszkiewicz Henry E. | Digital guitar processing circuit |
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USD731585S1 (en) * | 2013-01-30 | 2015-06-09 | Adam Reiver | Pickup mount |
US9761212B2 (en) | 2015-01-05 | 2017-09-12 | Rare Earth Dynamics, Inc. | Magnetically secured instrument trigger |
US9875732B2 (en) | 2015-01-05 | 2018-01-23 | Stephen Suitor | Handheld electronic musical percussion instrument |
US20180204556A1 (en) * | 2015-09-14 | 2018-07-19 | Ichiro Katayama | Pickup and stringed instrument with pickup |
US10096309B2 (en) | 2015-01-05 | 2018-10-09 | Rare Earth Dynamics, Inc. | Magnetically secured instrument trigger |
US11335310B2 (en) | 2018-06-18 | 2022-05-17 | Rare Earth Dynamics, Inc. | Instrument trigger and instrument trigger mounting systems and methods |
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US5900572A (en) * | 1996-07-15 | 1999-05-04 | Donald Dean Markley | Pliable pickup for stringed instrument |
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US11348563B2 (en) * | 2019-03-20 | 2022-05-31 | Lloyd Baggs Innovations, Llc | Pickup saddles for stringed instruments utilizing interference fit |
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Cited By (26)
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US6075198A (en) * | 1997-08-19 | 2000-06-13 | Grant; W. Gerry | Solid body instrument transducer |
US6184450B1 (en) | 1998-09-02 | 2001-02-06 | Leblanc Curtis Robert | Universal, multi-position, tuning mechanism and bridge for stringed musical instruments |
US20070089594A1 (en) * | 1999-04-26 | 2007-04-26 | Juszkiewicz Henry E | Digital guitar system |
US20040103776A1 (en) * | 1999-04-26 | 2004-06-03 | Juszkiewicz Henry E. | Digital guitar processing circuit |
US20040144241A1 (en) * | 1999-04-26 | 2004-07-29 | Juskiewicz Henry E. | Digital guitar system |
US7952014B2 (en) | 1999-04-26 | 2011-05-31 | Gibson Guitar Corp. | Digital guitar system |
US6888057B2 (en) | 1999-04-26 | 2005-05-03 | Gibson Guitar Corp. | Digital guitar processing circuit |
US7399918B2 (en) | 1999-04-26 | 2008-07-15 | Gibson Guitar Corp. | Digital guitar system |
US7220912B2 (en) | 1999-04-26 | 2007-05-22 | Gibson Guitar Corp. | Digital guitar system |
US6392137B1 (en) | 2000-04-27 | 2002-05-21 | Gibson Guitar Corp. | Polyphonic guitar pickup for sensing string vibrations in two mutually perpendicular planes |
US6689943B2 (en) | 2001-01-17 | 2004-02-10 | Gibson Guitar Corp. | Acoustic guitar with integral pickup mount |
US20040168566A1 (en) * | 2003-01-09 | 2004-09-02 | Juszkiewicz Henry E. | Hexaphonic pickup for digital guitar system |
US7166794B2 (en) | 2003-01-09 | 2007-01-23 | Gibson Guitar Corp. | Hexaphonic pickup for digital guitar system |
US7220913B2 (en) | 2003-01-09 | 2007-05-22 | Gibson Guitar Corp. | Breakout box for digital guitar |
US20040261607A1 (en) * | 2003-01-09 | 2004-12-30 | Juszkiewicz Henry E. | Breakout box for digital guitar |
US7351895B1 (en) * | 2004-05-07 | 2008-04-01 | Curtis Robert LeBlanc | Stringed musical instrument bridge and zero fret with easily adjustable intonation mechanics for acoustic instruments |
US20050251992A1 (en) * | 2004-05-17 | 2005-11-17 | Dunwoodie David A | Saddle for stringed instruments |
WO2005111991A1 (en) * | 2004-05-17 | 2005-11-24 | David Andrew Dunwoodie | Saddle for stringed instruments |
US7285714B2 (en) | 2005-09-09 | 2007-10-23 | Gibson Guitar Corp. | Pickup for digital guitar |
US20070056435A1 (en) * | 2005-09-09 | 2007-03-15 | Juszkiewicz Henry E | Angled pickup for digital guitar |
USD731585S1 (en) * | 2013-01-30 | 2015-06-09 | Adam Reiver | Pickup mount |
US9761212B2 (en) | 2015-01-05 | 2017-09-12 | Rare Earth Dynamics, Inc. | Magnetically secured instrument trigger |
US9875732B2 (en) | 2015-01-05 | 2018-01-23 | Stephen Suitor | Handheld electronic musical percussion instrument |
US10096309B2 (en) | 2015-01-05 | 2018-10-09 | Rare Earth Dynamics, Inc. | Magnetically secured instrument trigger |
US20180204556A1 (en) * | 2015-09-14 | 2018-07-19 | Ichiro Katayama | Pickup and stringed instrument with pickup |
US11335310B2 (en) | 2018-06-18 | 2022-05-17 | Rare Earth Dynamics, Inc. | Instrument trigger and instrument trigger mounting systems and methods |
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