US3327046A

US3327046A - Organ with reed resonators

Info

Publication number: US3327046A
Application number: US303084A
Authority: US
Inventors: Jr Walter Munch
Original assignee: DH Baldwin Co
Current assignee: BPO ACQUISITION CORP; DH Baldwin Co
Priority date: 1963-08-19
Filing date: 1963-08-19
Publication date: 1967-06-20
Anticipated expiration: 1984-06-20

Description

Jame m, 1%? W. M UNCH, JR 3,327,046

ORGAN WITH REED RESONATORS Filed Aug. 19, 1963 2 Sheets-Sheet 1 INVENTOR WALTER MUNCH, IR.

ATTORNEY5 June 2@, W. UNC R ORGAN WITH REED RESONATORS 2 Sheets-Sheet 2 Filed Aug. 19, 1963 INVENTOR R MUNCH, JR

ATTORNEY5 United States Patent 3,327,046 ORGAN WITH REED RESONATORS Walter Munch, Jr., Covington, Ky., assignor to D. H. Baldwin Company, Cincinnati, Ohio, a corporation of Ohio Filed Aug. 19, 1963, Ser. No. 303,084 21 Claims. (Cl. 84-123) This invention relates generally to electro-mechanical resonators and more particularly to organ tone generating systems employing such resonators.

In the art of organ tone generation by electronic circuitry, the need frequency arises for a high Q resonator, Qs of the order of 50 being especially desirable because resonators may be employed to control waveform envelopes and a Q of about 20400 provide favorable rise and decay times for various musical tones in the audio band. It follows that type of resonators which may find application in electronic musical instruments preferably should be capable of adjustment of Q, but also such resonators should be relatively temperature insensitive in respect to tuning, and the frequency values should be constant with driving voltage, i.e. with amplitude of vi- 'bration of the resonator.

In the past it has been common to utilize high Q electrical resonant circuits as resonators for tone generating systems. In order to attain the values of Q which are required, resort has been had to toroidal cores in the inductances of the circuits, which are expensive. In a fairly complex organ system a very large number of resonators may be required, and economic considerations then become predominant. According to the present invention, use is made in organ tone forming systems of electromechanical resonators, which may be fabricated economically and which have the desired electrical and mechanical characteristics. The invention concerns itself with the resonators per se (which may have other uses than those described in the present invention) and further concerns novel systems, which utilize such resonators, for generating organ tones.

The present invention is related in subject matter to an application for US. patent filed in the name of Wayne, Ser. No. 46,704 filed Aug. 1, 1960, entitled Electric Organ, and assigned to the assignee of the present application, and which concerns an organ system in which harmonic rich generators apply their output to a series of semitone filters, which individually select the semitones into separate channels. The signal content of the separate channels is then processed and combined to produce a tone having a desired frequency spectrum. The filters employed to separate the semitones may have desirable characteristics apart from the stated function, i.e. they may have sufliciently high Q to impart a relatively long build up time or onset, and a relatively long decay, to the individual tone components. Furthermore, they may be slightly detuned with respect to their driving signals, in order to establish transient responses which are musically desirable, and they may introduce chiif. Chili components may be introduced into an organ tone in response to transient excitation of certain of the resonators, which may not be driven in steady state for the particular tone, more specifically, a chitf resonator may be transiently excited in response to and during onset of excitation of another resonator which is to be excited in steady state. In the Wayne application purely electrical high Q resonators are employed, but the suggestion is made that electro-mechanical resonators may be employed instead.

The resonators of the present invention are further useful in an organ tone generating system disclosed in a copending application for U.S. patent, in the name of Cunningham, Ser. No. 302,968 filed August 19, 1963, entitled, Chiff and Tone Generator, and assigned to the assignee 3,327,046 Patented June 20, 1967 of the present application. In the system of Cunningham a square wave or sine wave generator system is employed, and for each tone an electrical resonant filter or resonator is employed, tuned to the fundamental of the tone, and having a Q selected to insert an appropriate rise and decay time into the wave envelope of the response of the resonant filter to the generator output. The filters may also be detuned with respect to the generator fundamental frequency in order to impart a variation of frequency during tone onset and decay, due to the combination of steady state response of the resonator with its transient response, these occurring at the driving frequency and at the filter resonant frequency, respectively. The response of the filter is applied to a harmonic generator, the output of which constitutes a frequency spectrum appropriate for tone generation and the tone may be further formed, as required, by means of tone forming filters, the latter operating in a manner generally well understood in the art of org-an tone production.

In both the Wayne application and the Cunningham application chili? is introduced into certain of the organ tones. For example, chili? is commonly found in the flute tones of pipe organs. The serious musician desires an electronic organ to simulate the tones of pipe organs and accordingly desires particularly to insert chiff into flute tone outputs of the electronic organ. Some difference of opinion appears to exist among musicians in respect to precise definitions of chitf. In the case of flute tones, it is agreed that chiff consists of a transient, gradually rising and gradually decaying frequency component equal to about 5.5 times the fundamental frequency of the flute tone, and which occurs only during the build up of the flute tone. In the case of the harmonic flute the chili may be at a sub-harmonic frequency. Some writers on the subject believe that chili is always accompanied by wind noises, but this is disputed. It is also disputed whether transient frequency components which occur during onset only, and which may correspond with a harmonic or subharmonic, or any partial, of the fundamental frequency of a given tone, as distinguished from an un-harmonic or sub-harmonic frequency, may properly be denominated chiif. For the purpose of the present application any of these transient frequencies having a suitable transient wave shape, and which serve to simulate the onset quality of any tones of a pipe organ more closely than would be the case otherwise, are denominated chiff. In the Wayne application chiif is produced by shock exciting a resonator especially selected for the purpose. In the Cunningham application, on the other hand, chiff is produced by applying, to an oscillator, a gating Wave which keys on the oscillator at the onset of a tone, and which modulates the amplitude of the oscillator during the onset of the tone in such a way as to generate or simulate chiff. The electromechanical resonators of the present invention have been found valuable for the purpose of producing chiif effects, in organs of both the Wayne and the Cunningham types, more particularly, though not exclusively, because such resonators have been found to possess a transient response at approximately flute tone chiif frequency, i.e. about 6.3 times the fundamental frequency applied to the resonator.

It is, accordingly, a primary object of the present invention to provide an improved electr-o-mechanical resonator.

It is a further object of the invention to provide a novel reed type electro-mechanical resonator which is driven by a piezo-electric driver, and which is found to have the property that an onset transient occurs on energization by a driving voltage without a corresponding decay transient when the resonator is tie-energized in respect to its driving voltage, which may be a step function voltage.

It is still another object of the invention to provide an electro-mechanical resonator of the tuning fork type in which the tines of the fork are composite, each tine being composed in part of a piezo-electric element and in part of an element fabricated of other material, having a different density or different Youngs modulus, or both, and which more particularly has the characteristic that its Youngs modulus does not appreciably vary with the amplitude of its vibration.

Still another object of the invention resides in the provision of an electro-mechanical resonator in which the tines are piezo-electric elements.

A further object of the invention resides in the provision of a tuning fork employing tines having'piezo-electrio drivers, or consisting of piezoelectric elements, in which the location of the electrodes on the tines is selected to reduce the amplitudes of certain modes of vibration of the tuning fork. 1

Electro-mechanical resonators employing piezo-electric drivers or in which the piezoelectric element constitutes the resonating component of the resonator are found to have responses or modes of vibration, which may be undesirable. In the case of tone generating systems, such modes introduce undesired tonal components, which must be eliminated by filtering. In the case of a flexural mode of vibration of a mechanical resonator, a mode of vibration occurs at 6.3 times the fundamental mode of the resonator, and many additional modes may occur, these several modes being of relatively high amplitudes, sometimes approaching that of the fundamental. Accordingly, in resonators intended to be employed in tone generating systems, it is essential that the undesired modes be reduced in amplitude as far as possible, although for some purposes one or more of the modes may be musically useful.

A problem occurs, especially in musical instruments, of mounting electro-mechanical resonators so that they will not be subject to external shock and vibration. This is accomplished according to the present invention by designing the resonators in a tuning fork conformation, so that there will exist one point of the fork which is always a node for all modes of vibration simultaneously and using that point for mounting the resonator. It is thereby economically feasible to reduce intercoupling between forks.

It is desirable that electro-mechanical resonators be electro-statically driven because such resonators may be expected to be fabricated at reduced cost. The use of coils for driving resonators inevitably becmoes expensive. However, piezo-electric crystals employed as resonators are not feasible because impedances involved are extremely high and because it is difificult to fabricate such crystals in required shapes for audio applications, i.e. as elongated rods. For example, a length of approximately 2 may be required for about a 100 c.p.s. resonator, and the length and thickness may be measured in a :few hundredths of an inch. Resonators of very many different lengths and different operating frequencies are required for application to a single organ, and the use of crystals for so many different frequencies would be prohibitively expensive.

In accordance with the present invention use is made of ceramic piezoelectric resonators because of their reasonable cost, ease of design for audio frequency operation, and their excellent mechanical properties. Use further is made of composite resonators, i.e., if a resonator is in the form of tuning fork each time of the tuning fork is composed of a piezo-electric section and a nonpiezo-electric section. It is then found that by properly selecting the length of the piezoelectric section with respect to the total length of the tine, certain modes of vibration may be de-emphasized.

Ceramic piezo-electric material varies in Youngs modulus over a considerable range of value in accordance with stress. This means that when the material is used as a resonator the resonant frequency of the resonator becomes a function of the driving voltage. Moreover, when the resonator is utilized because of its slow response property, in forming the envelopes of tones, frequency may vary as the tone builds up, with a corresponding build up of mechanical vibration amplitudes. This effect may involve a variation of frequency of more than 1%, which is audibly obtrusive. By utilizing spring steel, for example, for a large portion of the length of the tine and piezo-electric material for the remainder of the tine, or by building the tines entirely of spring steel having cemented thereto piezo-electric driving elements, the tonal frequency shift with amplitude of vibration may be radically reduced, since spring steel has a Youngs modulus which does not appreciably vary with deflection. While spring steel has been suggested as a suitable time material, this is not requisite. Other materials may be selected which have the required resilience to form resonators having desired Q values, and spring steel has been found to represent merely one example of a suitable material.

A further broad object of the invention resides in modes of inclusion of electro-mechanical resonators in electronic organ tone generators, to take advantage of the properties of such resonators which are not available in purely electrical resonators.

The above and still further objects, features and advantages of the present invention will become apparent upon consideration of the following detailed description of one specific embodiment thereof, especially when taken in conjunction with the accompanying drawings, wherein:

FIGURE 1 is a block diagram of an organ tone generator, according to the invention;

FIGURE 2 is a view in elevation of a tuning fork resonator according to the invention, useful in the system of FIGURE 1; 1

FIGURE 3 is a view in plan of a modification of the resonator of FIGURE 2;

FIGURES 4a, 4b and 5 are wave forms useful in explaining the'invention of FIGURES 1-3;

FIGURE 6 is a sketch of a functional equivalent of a tuning fork resonator;

FIGURE 7 is a view in plan of a modification of the resonator of FIGURES 2 and 3;

FIGURES 8, 9, 10 and 11 are block diagrams of modifications of the system of FIGURE 1.

Referring now more particularly to FIGURE 1 of the accompanying drawings, the reference numeral 10 denotes an oscillator, which may be a sine wave oscillator for the purposes of the present invention but which preferably is a square wave oscillator since such oscillators may be fabricated more cheaply than sinusoidal oscillators in the audio frequency range. In series with the oscillator 10 may be provided a source of DC voltage 11. As will appear as the description proceeds, the source of DC voltage 11 is not necessary, but is advisable, when a square wave generator is employed, but is necessary when a sinusoidal generator is employed. A mechanically resonant filter 12 is connected to the generator 10 via a key switch 13, operated by a key of an electronic organ. Mechanically resonant filter 12, the details of which will be described hereinafter by reference to other figures of the accompanying drawings, has a fundamental response frequency equal to the fundamental frequency of the generator 10. Further the mechanically resonant filter 12 has a transient response frequency in a second mode, equal to about 6.3 times the fundamental frequency of the generator 10. The Q of the resonator 12 is assumed to be approximately 50. Assuming that the generator 10 has a fundamental frequency of about c.p.s., an appropriate rise time will be available in the resonator 12 to provide simulation of the rise times of certain organ tones. For other organ tones a different rise time may be desirable and accordingly the Q of the resonator 12 may be adjusted to suit the application, in a manner to be described hereinbelow. I

Resonator 12 has a second mode transient response at 6.3 times the fundamental response, as has been above explained. This frequency approaches with reasonable closeness to a chiif frequency suitable for the fundamental frequency, although perfect chiif frequency should, according to some writers on the subject, be 5.5 times the fundamental frequency. According to the modification of the present invention as illustrated in FIGURE 1, the output of the resonator 12 is applied in parallel to two low Q band-pass filters. One of the filters, 14, which may be a band-pass filter having sufficient width that it does not modify appreciably the response of the resonator 12, selects the fundamental response of the filter for further application in the tone generating system. The other filter, 15, selects the chiff component of the filter response. The output of the filter 14 alone is applied to a harmonic generator 16, various examples of which are disclosed in the above mentioned Cunningham application. The spectrum generated by the harmonic generator 16 may be applied to a tone forming filter 17. The generator 16 and the filter 17 together form a tone simulating one or another of the tone types appropriate to electronic organs. The output of the tone filter 17 is applied to suitable amplification system 18, and is radiated acoustically by a loudspeaker or other analogous device 19. The output of the chiif filter is applied to the input of the amplifier 18, so that the chiff plus the fundamental tone may be combined. Chitf is a tone component which is required to occur only at the onset of a tone and not at its decay and furthermore is a component which requires a relatively slow buildup and slow decay during the onset time of the main tone and does not occur during the steady state of the main tone. Accordingly, the resonator 12, in order to produce a chiif component of a generated tone is required to have peculiar characteristics, not normally found in resonators. Appropriate characteristics are inherent in resonators fabricated according to the present invention, and illustrated in FIGURES 2, 3 and 4 of the present invention.

Referring now to FIGURE 2 of the drawings, there is illustrated a tuning fork configuration 20 having tWo

tines

21 and 22 joined by a bridging element 23 at one end of the tines, the remaining ends of the tines being free to vibrate in the flexural mode. While such a tuning fork may have many modes of vibration, at the center point 24 of the bridging element 23 all these modes of vibration have Zero amplitude. Accordingly center point 24 is utilized as a mounting point for the tuning fork 20. Point 24 is suspended from a helical spring 25 which may extend vertically, in a mounted and operating tuning fork, and spring 25 may extend from the central point of a horizontally extending helical spring 26, the ends of which are secured to mounting

posts

27, 28. Each tine is composed of a spring steel rod 29 which constitutes an extension of the piezo-electric rod 30, and is cemented thereto at point 31 for that purpose.

Signal may be applied at terminal 33, and abstracted at terminal 39. The bridging element 23, when fabricated of metal, may be utilized as a ground or common point for the system.

Use of a composite tine has great advantage in the system. It is found experimentally that tines of purely piezo-electric ceramic have a considerable variation of frequency with driving amplitude or driving voltage applied to terminal 33. This occurs because Youngs modulus for the material involved varies with strain. This is an extremely undesirable property from the point of view of a music instrument. In order to reduce the impact of this property steel is used as a major portion of the tines. In one specific embodiment of the invention, for example, Where the tines have a total length of 2" and are designed for resonance at 100 c.p.s., the piezo-electric element may have a length of 1.6. The remainder of the length is made up of spring steel. However, the length of the piezoelectric element may be reduced to 6 for example so that the major part of the tine is spring steel. The total length of piezo-electric element employed is a function of the voltage sensitivity desired for the system, and the total length of piezo-electric element cannot be reduced indefinitely without seriously reducing the output of the system for a given signal input. A compromise value must be reached, for which variation of resonance frequency is acceptable. Where variation of resonant frequency of the order of l /2% is acceptable the entire tine may be fabricated of pieZo-electric material, as in FIGURE 3, Where the tines 4t) and 41 are no longer composite tines but are totally piezo-electric. In the system of FIGURE 3 the

electrodes

42, 43 for the time and 44, 45 for the tine 41 do not extend over the entire piezo-electric body. Accordingly, while the entire tine is made of piezo-electric material, and has a length resonant to the frequency involved, the entire tine is not electrically active. The theory on which is based the effectiveness of reduced electrical length for a piezo-electric vibrator is that for all modes above the first the crystal has both positive and negative curvature. The phase of the output voltage generated by the crystal is dependent upon the sign of the curvature. Thus there is a point along the crystal at which the voltage caused by the positive curvature of the crystal cancels the voltage caused by the negative curvature of the crystal. While it is impossible, according to the available experimental evidence, to eliminate all modes by selection of length of electrode in relation to tine length, any given mode can be reduced by a factor of over 30 db, and for some electrode lengths a great many of the higher modes may be radically reduced simultaneously. For example for a tine 1.9" long, for which the electrode length extends 1.1 from the mount end, it is found that the third mode can be reduced over db, the 4th mode over db, the 5th mode over 50 db, while the first mode is attenuated only about 7 or 8 db and the second mode only about 20 db.

For the application of the resonators of FIGURES 2 and 3 to tone generating systems for electronic organs, the second mode is often desirable but the remaining modes are undesirable. Accordingly, the fact that the second mode cannot be radically reduced is not of serious import. However, if it were desired to highly attenuate the second mode also this might be possible by appropriately selecting the electrode length for one of the tines so as to minimize the second mode and for the other tine so as to minimize the remaining modes.

In addition, it is possible to load the crystal, for example as in FIGURE 3, wherein are shown loads 50 in the form of masses positioned so as to vary frequency. Each of the modes has a point at which vibration is a maximum. For the first mode vibration amplitude is a maximum at the free end of the tine. For the other modes it occurs at other points. By applying mass loads to the points of the tine at which a given mode vibrates at maximum amplitude, the frequency of that mode can be varied differentially with respect to the other modes because the other modes do not vibrate at maximum amplitude at that same point. In FIGURE 2 is shown the utilization of mass loads 51 at the ends of the tine. This varies the frequency of the resonator in the fundamental or first mode.

The total mass of the bridging element 23 is important because as this mass is varied the coupling between the tines is varied. Eventually a point is reached at which the coupling between the tines is sufiiciently great that the two tines constitute critically coup-led circuit. Such circuits, in their transient response, are quite different than singly coupled circuits, under coupled circuits or overcoupled circuits.

In FIGURE 4a of the accompanying drawings is illustrated the transient response of an essentially singly resonant tube circuit to which has been applied a step voltage of the type illustrated in FIGURE 5. It will be seen that the oscillations rapidly attain a very high or maximum amplitude, when the step function commences, and decays as a function of time according to the Q of the resonator.

Such a response is not suitable for the tonal characteristic known as chiff. The latter requires a gradually built up transient followed by a gradually decaying transient rather than a transient which builds up very suddenly and then decays. However, the transient response of a critically doubly tuned circuit, which is illustrated in FIGURE 4b does approximate the envelope characteristic of chiff, and accordingly the resonators of FIGURES 2 and 3 may be designed to provide appropriate transient characteristic for utilization in chiff generators by suitably coupling the tines. This may be best accomplished by suitably reducing or increasing the mass of the bridging element 23, on an empirical basis. One of the important characteristics of the resonators of FIGURES 2 and 3 is the transient response of these filters in the second mode. This is a mode which is particularly, though not exclusively, useful for production of chilf. The production of chiff requires a transient at onset on the main tone, but must not occur at decay of the main tone. The reason why a resonator of the type of FIGURE 2 has the requisite onset transient for the fundamental tone, but not for its decay relates to the character of the resonator. For the fundamental frequency, a transient occurs when the driving signal is removed, as well as when it is applied, assuming that the fundamental frequency of the resonator is equal to or substantially equal to the driving frequency. If the driving frequency is not equal to the resonant frequency of the resonator, then as the driving frequency is switched on, the resonator is shock excited by the driving frequency, but is also driven by the driving frequency. The two frequencies initially exist together, causing a peculiar beating effect which is musically very pleasant. This effect, however, exists only during onset of the wave because the transient component dies out in a time determined by the Q of the resonator, leaving only the steady state. Moreover, the steady state becomes a constant amplitude in due course, and then represents the fundamental of the tone being generated. The sole effect on the steady state of the detuning of the resonator is that the response is at lower amplitude than would be the case were the resonator precisely tuned. In the case of the second mode, however, this is not true since there is no driving frequency corresponding with the second mode vibration. Accordingly, the second mode vibration is solely a transient response. FIGURE 6 of the accompanying drawings represents a mechanical equivalent of a tuning fork. To the terminal 60 may be applied a step function, i.e. may be applied a DC. steady state voltage on closure of the switch 61. The driving tine of the resonator is exemplified by a resonator 62 having

electrodes

63, 64. Mechanical coupling between the tines is exemplified by the line 65 and the driven tine is represented by the crystal 66, the output terminal being 67. When the switch 61 is closed a voltage appears across the

electrodes

63, 64, which is applied to the elements 62. The resonator 62 is then shock excited and vibrates in its various modes, transiently. One may assume that the coupling between the resonators 62 and 66 is so slight that the circuit looks like a singly coupled circuit to the driving step function. In such case there would be a rapid or instantaneous initiation of the transient at maximum amplitude, which will decay as a function of time to zero as in FIGURE 4a. When the switch is opened, on the other hand, the voltage on the

electrodes

63, 64 remains because the electrodes constitute a capacitor. That voltage will decay very slowly through any leakage path which may exist, the latter being represented by resistance 68, or an actual resistance may be inserted at the position 68. Accordingly, there is no rapid decay of applied voltage at the resonator 62 when switch 61 is opening, and there is no ringing force applied on decay of the tone. The distinction then is that when the switch 61 is closed, a sudden voltage is applied to the

electrodes

63, 64 but when the switch 61 is open the contrary effect, i.e. a sudden reduction of voltage does not occur. If now the coupling 65 is sufficiently great the resonators 62 and 66 look like a critically coupled circuit. In such case, when the switch 61 is closed the initial transient starts at 0 and builds up to some predetermined value and thereafter decays to 0, as indicated in FIGURE 4b of the drawings. This occurs in the system of FIGURE 1, for the second mode because for the second mode only a transient voltage is applied, i.e. either a step function, in the case of a voltage supplied by the battery 11 of FIGURE 1, or in absence of the battery by the level of the square wave 10 when switch 13 is closed. Battery 11 is particularly useful in the case of sine wave excitation, because for sine wave excitation the point in the cycle of the sine wave at which the switch closes is indeterminate. The switch may be closed when the sine wave is small or when it is very large and in each case the transient response would be different, since the transient response is a function of the ringing impact, i.e. the value of the voltage at the moment the switch is closed.

The piezo-electric elements of FIGURES 2 and 3 are flexural elements, which implies that each element is composed of two differently polarized ceramic layers in a sandwich. For some purposes it is desirable to utilize a ceramic piezo-electric device which operates in the longitudinal mode. For such a mode only a single layer of ceramic is required. This single layer, as at 70 in FIG- URE 7 may be cemented to a tine 71 of a steel tuning fork '72 and may have a single electrode plated thereon as 73, the tine itself constituting another electrode, if desired, or two electrodes may be provided on the ceramic, as is commonly the case when the ceramics are purchased commercially. In FIGURE 7 the ceramic is operated in the longitudinal mode, i.e. it has a length determined by the voltage applied thereto. This is not true of the tine since the latter is made of steel. The combination of the two effects, i.e. elongation of ceramic 70 without a corresponding elongation of the tine 71 causes a bending of the tine 71 and accordingly causes tuning fork action.

Various ways of employing the resonators of FIGURES 2, 3 and 7 in organ systems, in addition to that indicated in FIGURE 1 of the accompanying drawings are envisaged. In FIGURE 8 the output of the resonator 12, including its second overtone at approximately 6.3 times the fundamental, are applied in toto to the harmonic generator 16. The system being otherwise the same as in FIGURE 1. The harmonic generator 16 then generates harmonics of the chiff frequency as well as harmonics of the steady state frequency and the chiff now is a relatively complex chiff instead of being essentially a single frequency chiff. The advantage of the system of FIGURE 8 over the system of FIGURE 1 is that two filters are eliminated from the system of FIGURE 1 and the disadvantage is that the chiff component is not a pure tone, which it preferably should be. Chiff is normally employed with pure flute tones, although various forms of chiff may also occur with other tones. For the pure flute tone very few harmonic tones are required, and accordingly any harmonics provided by the harmonic generators may be of very low amplitude, or may be non-existent. Accordingly, for flute tones in particular, the requirement for separate fundamental and chiff filters becomes non-existent and the system of FIGURE 8 becomes entirely practical.

In the system of FIGURE 9 two mechanical resonators are employed, i.e. connected in parallel with the switch 13 are resonator 12a and resonator 12b. Resonator 12a is designed to have a minimum second mode as well as minimum 3rd, 4th, 5th mode, etc. Resonator 12b, on the other hand, is tuned to about 5.5 times the fundamental frequency and also is designed to minimize all modes other than the fundamental mode. The resonator 12b is then shock excited, when switch 13 is closed, since the driving frequency provided by the oscillator 10 contains no component at 5.5 times the fundamental. The resonator 12a is driven in the fundamental mode. Accordingly, the resonator 12b provides a transient at 5.5 times the fundamental frequency on onset of the tone, i.e. when the keyswitch 13 is closed, but, because of the considerations explained by reference to FIGURE 6 of the drawings, there is no terminating transient.

In the system of FIGURE 10 two resonators are employed, identified by the reference numerals 12c and 12a. These are designed to have the same fundamental fre quency. However the resonator 120 is designed to minimize the second mode, while the resonator 12d is designed to provide a substantial second mode oscillation. The resonator 12d is not excited by the generator 10 in the system of FIGURE 10 but is excited by a DC. source 60 which is connected to the resonator 12d by means of a key switch 61 ganged to the key switch 13. The resonator 12d is an overcoupled tuning fork which is designed to produce an envelope of transient response appropriate to chiif production. The transient response of the resonator 12d then is composite, i.e. there is a transient response at the fundamental and there is a transient response in the second mode, but there is no steady state response. The resonator 12c produces only a fundamental response, or produces other than fundamental mode responses which are greatly reduced in amplitude, and produces its own transient onset and decay for the fundamentals. The resonator 12d provides no transient on decay but only at onset, i.e. any transient on decay is so slow as to be audibly ineffective. The advantage of the system of FIGURE 10 is that the two resonators may be similar in many of their constructional features, which simplifies fabrication, A further advantage is that two dilferent fundamental transient responses occur, at onset, which enhances the transient response of the finally generated tone. This system also enables easy selection of a desired chilf frequency.

FIGURE 11 is similar to FIGURE 10 except in that the resonator 1212 is operated in its second mode, i.e. is resonant in its fundamental mode to 5.5 times the frequency of the generator 10. The output of resonator 12e is a transient, since it is excited only by a chitf function.

Various other applications of the resonators of FIG- URES 2, 3 and 7 may be envisaged, particularly by reference to the Wayne and the Cunningham applications, wherein are disclosed various forms of tone generating systems employing resonators.

While I have described and illustrated one specific embodiment of my invention, it will be clear that variations of the details of construction which are specifically illustrated and described may be resorted to without departing from the true spirit and scope of the invention as defined in the appended claims.

What I claim is:

1. A transient generating system for an electronic organ having a fundamental tone frequency, comprising a source of voltages, said source of voltages including a source of oscillations at said tone frequency, a key switch, an electromechanical resonator system, all in series, said electromechanical resonator system having a transient response mode at about six times said fundamental tone frequency on switch closure and having essentially no transient response mode at subsequent switch opening.

2. An electronic organ tone generator, comprising in sequence, a source of voltages having a fundamental tone frequency, a key switching system, an electro-mechanical resonator system, said electro-mechanical resonator system having a fundamental vibration mode at least approximately at said fundamental frequency and a second mode of vibration, an output system in cascade with said resonator system, said second mode having a frequency appropriate to generation of chiff for said fundamental tone frequency.

3. The combination according to claim 2 wherein said electro-mechanical resonator system is a reed type resonator having a piezo-electric drive.

4-. The combination according to claim 3 wherein said reed type generator is a tuning fork.

5. The combination according to claim 2 wherein said resonator system is a pair of resonators, one of said resonators having a vibrating mode at said fundamental frequency, the other of said resonators having a vibrating mode at about six times said fundamental frequency of said one of said resonators.

6. The combination according to claim 5 wherein said resonators are connected in parallel with respect to said output system.

7. The combination according to claim 5 wherein said last mentioned vibrating mode is a second mode of said other of said resonators.

8. The combination according to claim 5 wherein said last mentioned vibrating mode is a fundamental mode of said other of said resonators.

9. A system according to claim 2 wherein said source of voltages includes a DC. source and a source at the said fundamental tone frequency, and wherein said key switching system includes separate switches connected in series with said separate source.

10. In a tone generator for an electronic organ, a source of oscillations, said oscillations including a component at frequency f, a key switch in cascade with said source, an electromechanical resonator connected in cascade with said key switch, a tone forming system in cascade with said resonator, an output system in cascade with said tone forming system, a chiff generator, said chilT generator comprising a second electro-mechanical resonator, an electrostatic drive for said second electromechanical resonator, an output circuit for said second electro-mechanical resonator, means coupling said output circuit for said second electro-mechnical resonator to said output system, and means responsive to actuation of said key switch for applying only a shock exciting signal to said second electro-mechanical resonator, said shock exciting signal having no steady state component at any resonant mode of said second resonator, said second resonator having a resonant mode at about 5.5 times said frequency f.

11. A tone generator for an electronic organ, comprising a source of voltages including a component at a fundemental tone frequency, an organ key switching system operatively associated with said source, an electromechanical resonator system connected to said switching system for application of said voltages to said resonator system on actuation of said switching system, said electromechanical resonator system having at least a first vibrational mode adjacent to said fundamental tone frequency and slightly displaced therefrom and a second vibrational mode at a frequency appropriate to generation of chili? components for said fundamental tone frequency, the Q of said resonator at said fundamental tone frequency being in the range 20 to and the frequency difference between said fundamental tone frequency and the frequency of said first mode enabling substantial steady state response in said first mode at said fundamental tone frequency, said resonator system including at least one resonator of tuning fork configuration and including at least one electrostatic drive, a harmonic generator responsive to said resonator system and an output system responsive to said harmonic generator and said resonator.

12. The combination according to claim 11 wherein said source of voltages includes a DC component.

13. The combination according to claim 11 wherein said resonator system consists of a single resonator.

14. The combination according to claim 11 wherein said resonator system includes a pair of resonators having resonant modes at least near said chiff frequency and at least near said fundamental tone frequency.

15. The combination according to claim 11 wherein said source of voltages includes a source of alternating voltage and a source of direct voltage, and wherein said switching system includes separate switches for said alternating and direct voltages, and wherein said resonator system includes separate resonators for said chiff and said tone.

16. In an electrical musical instrument,

a sine wave generator for producing an electrical steady state tone signal corresponding with one frequency component of a musical note;

non-linear circuit means for adding steady state harmonics to said signal, thereby producing a steady state complex wave corresponding with said musical note,

key operated means for at will connecting said sine wave generator to said non-linear circuit means,

means connected between said key operated means and said non-linear circuit means for altering the fre quency of said electrical signal, and

electro-acoustic means for radiating said complex wave, wherein said means for altering the frequency of said signal is an electromechanical device having a mechanical resonance frequency musically related to the frequency of said steady state tone signal.

17. The combination according to claim 16 wherein said means for altering the frequency of said signal is a means for only transiently altering the frequency of said signal.

18. The combination according to claim 17 wherein said means for altering the frequency of said signal is an electromagnetic device having a mechanical resonance frequency musically related to the frequency of said steady state tone signal.

19. The combination according to claim 17 wherein is further provided means for adding a chiif component to said complex wave.

20. The combination according to claim 19 wherein said means for adding a chill? component includes a mechanically resonant device.

21. In a system for generating chifi,

an electromechanical voltage responsive resonator hav ing two voltage responsive electrodes to which shock voltage may be applied to excite said resonator into shock excitation,

said electrodes being arranged and adapted to capacitively store electrical energy in response to said voltage,

resistance connected across said electrodes and having a value such that said electrodes discharge said electrical energy at a sufliciently slow rate that said resonator is not shock excited during said discharge, and

switch means for applying said shock voltage across said electrodes at will.

References Cited UNITED STATES PATENTS 2,989,886 6/1961 Markowitz 841.19

ARTHUR GAUSS, Primary Examiner.

J. BUSCH, Assistant Examiner.

Claims

1. A TRANSIENT GENERATING SYSTEM FOR AN ELECTRONIC ORGAN HAVING A FUNDAMENTAL TONE FREQUENCY, COMPRISING A SOURCE OF VOLTAGES, SAID SOURCE OF VOLTAGES INCLUDING A SOURCE OF OSCILLATIONS AT SAID TONE FREQUENCY, A KEY SWITCH, AN ELECTROMECHANICAL RESONATOR SYSTEM, ALL IN SERIES, SAID ELECTRO-MECHANICAL RESONATOR SYSTEM HAVING A TRANSIENT RESPONSE MODE AT ABOUT SIX TIMES SAID FUNDAMENTAL TONE FREQUENCY ON SWITCH CLOSURE AND HAVING ESSENTIALLY NO TRANSIENT RESPONSE MODE AT SUBSEQUENT SWITCH OPENING.