US3018680A - Electrical musical instrument - Google Patents
Electrical musical instrument Download PDFInfo
- Publication number
- US3018680A US3018680A US857116A US85711659A US3018680A US 3018680 A US3018680 A US 3018680A US 857116 A US857116 A US 857116A US 85711659 A US85711659 A US 85711659A US 3018680 A US3018680 A US 3018680A
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- US
- United States
- Prior art keywords
- coil
- strings
- pick
- bridge
- magnetic
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Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H3/00—Instruments in which the tones are generated by electromechanical means
- G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
- G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
- G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
- G10H3/185—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar in which the tones are picked up through the bridge structure
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/461—Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
- G10H2220/465—Bridge-positioned, i.e. assembled to or attached with the bridge of a stringed musical instrument
- G10H2220/475—Bridge-positioned, i.e. assembled to or attached with the bridge of a stringed musical instrument on the side, i.e. picking up vibrations from a side of the bridge
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/461—Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
- G10H2220/465—Bridge-positioned, i.e. assembled to or attached with the bridge of a stringed musical instrument
- G10H2220/485—One transducer per string, e.g. 6 transducers for a 6 string guitar
Definitions
- This invention relates to improvements for a stringed musical instrument having a magnetic pick-up, the improvements more particularly residing in a novel technique of employing the magnetic pick-up to convert string vibration into electrical variations, and in a novel arrangement of parts for carrying out this technique.
- the principal object of this invention is to produce tones without the harshness and metallic sound usually produced by most electrical instruments.
- the type of magnetic pick-up contemplated for use in the present invention is that having a coil and either a permanent magnet or an electromagnet core, and in which electrical currents or variations are induced in the coil capable of being amplified and passed through a loud speaker for producing the sound of a musical instrument.
- Illustrative of present techniques employed to induce currents in the coil of the pick-up is that requiring placement of the pick-up in close proximity to metallic strings which when vibrated vary the magnetic field of the pick-up magnetic core, or if non-metallic strings are used, that requiring attachment to the strings of a suitable armature which when vibrated also varies the magnetic field of the pick-up magnetic core.
- the technique of the present invention may also incorporate the above method of inducing coil currents, as a primary mode of producing a signal it contemplates actual movement of the pick-up coil through the magnetic field of the pick-up magnetic core.
- the pick-up consisting of a coil and magnetic core, structurewise is no different than that readily purchasable in commerce, but in practice the coil is arranged to be freely movable relative to the magnetic core and by direct mechanical connection to the strings is made to vibrate therewith.
- a preferred manner of providing this mechanical connection is to ai'fix the coil to a novel floating bridge suspended from the strings of the instrument.
- FIG. 1 is a plan view of a musical instrument having amagnetic pick-up
- FIG. 2 is an enlarged fragmentary view of a portion of the instrument of FIG. 1 showing the pick-up in greater detail and with the coil casing partly broken away;
- FIG. 3 is a view taken on line 33 of FIG. 2;
- FIG. 4 is a side view projected from FIG. 2.
- FIG. 1 the numeral generally designates a suitably illustrative type of stringed instrument such as a guitar, the same having a body 11 on which is suitably mounted a tail piece 12, and a neck 13 in the end of which are suitably disposed a number of upstanding pegs 14. Stretched between the tail piece 12 and pegs 14 are the six strings 15 of the guitar 10. Also shown in FIG. 1 is a bridge 16 which functions to properly space the strings 15 one from the other, and a magnetic pick-up generally designated 17.
- the pick-up 17 is conventional, having a magnetic core consisting of six upstanding permanent magnets 18 each stationarily positioned under one of the strings 15, and a coil 19 surrounding the magnets 18 and consisting of magnetic wire 20 wound around an insulating bobbin 21 in the direction of the arrow A.
- the ends of the coil wire 20 are suitably connected to conductors 22 and 23 which extend through an opening 24 in the protective casing 25 of the coil 19 and are connected to an amplifier and loud speaker unit (not shown).
- the tops of the magnets 18 extend to within close proximity of the strings 15 in the event that these strings are metallic and it is desired to induce electrical currents in the coil 19 using prior art techniques.
- the pick-up 17 functions conventionally to electrically amplify the sound of the guitar 10, the strings 15 when metallie and when set in motion serving to'vary the magnetic field of the magnets 18 and thereby induce currents characteristic of this string motion in the coil 19.
- the strings 15 are individually seated in one of six inclined slots 26 provided in the upper edge of the bridge 16. Due to the inclination of the slots 26 and as a result of tightening up on the pegs 14, the strings 15 in obvious manner are made to support the bridge 16 in spaced relation above the body 11. Afiixed to the bottom edge of the bridge 16, by any suitable manner, is the coil 19, and accordingly it too is free of contact with the body 11 or for that matter with any other parts of the guitar 10 other than its bridge 16. I
- the coil 19 is thus freely suspended about the magnets 18 which extend upwardly from a suitable base 27 secured to the body 11 through a central coil opening 28.
- the tail piece 12 is supported by threaded members 29 threadably disposed therein and in a base 30 secured to the body 10 and is thus adjustable vertically merely by rotation of the knobs 31 provided on each of the members 29 to insure that there is a clearance B between the coil 19 and the guitar body 10.
- the mounting or linking of the coil 19 to a bridge 16 freely suspended from the strings 15 in effect provides a.mechanical system through which string vibration is faithfully transmitted to the coil 19.
- the coil 19 is made to move through the magnetic flux of the field of the magnets 18 with the result that currents or electrical variations are induced in the coil 19 characteristic of the string vibration.
- a magnetic pick-up for an instrument having a body and neck and means on each between which a plurality of strings are stretched in spaced relation to the body, the pick-up comprising a bridge having inclined slots therein in which the strings of the instrument are individually seated to maintain proper spacing of one string to the other and which seated strings when tensioned are adapted to support the bridge in spaced relation to the body, a plurality of permanent magnets secured to the body, and a coil surrounding the permanent magnets and affixed to the bridge and otherwise free from contact with any parts of the instrument, whereby string vibration causes movement of the coil through the magnetic flux of the magnetic field of the magnets inducing currents in the coil characteristic of the string vibration.
- a magnetic pick-up for an instrument having a body and neck and means on each between which a plurality of strings are stretched in spaced relation to the body comprising a bridge having string retaining means spaced along an upper edge thereof for individually seating each of said strings in proper spaced relation to each other with said bridge extending substantially perpendicularly of said strings, the location of said string retaining means along said upper bridge edge relative to said spaced strings being such that the strings are located on opposite sides of the center of said bridge causing said strings, when tensioned, to exert opposing pressures on said string retaining means to support the bridge in spaced relation to the body, means for creating a magnetic field secured across the body beneath said strings and in close proximity to the lower edge of said bridge, and a coil surrounding the magnetic field creating means affixed to said bridge along its lower edge and otherwise free from contact with any parts of the instrument, whereby string vibration causes movement of the coil through the magnetic fiux of the magnetic field inducing currents in the coil characteristic of the string vibration.
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- Physics & Mathematics (AREA)
- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Electrophonic Musical Instruments (AREA)
Description
Jan. 30, 1962 L. PAUL ELECTRICAL MUSICAL INSTRUMENT Filed Dec. 5. 1959 2 Sheets-Sheet 1 INVENTOR.
L56 P/N/L BY W M A/TO/P/VE Y Jan. 30, 1962 L. PAUL 3,018,680
. ELECTRICAL MUSICAL INSTRUMENT Filed Dec. 3. 1959 2 Sheets-Sheet 2 I MW IN VEN TOR.
ATTJAA/Ey United States Patent 3,018,680 ELECTRICAL MUSICAL INSTRUMENT Les Paul, Deerhaven Road, Mahwah, NJ. Filed Dec. 3, 1959, Ser. No. 857,116 2 Claims. (Cl. 841.16)
This invention relates to improvements for a stringed musical instrument having a magnetic pick-up, the improvements more particularly residing in a novel technique of employing the magnetic pick-up to convert string vibration into electrical variations, and in a novel arrangement of parts for carrying out this technique.
The principal object of this invention is to produce tones without the harshness and metallic sound usually produced by most electrical instruments.
The type of magnetic pick-up contemplated for use in the present invention is that having a coil and either a permanent magnet or an electromagnet core, and in which electrical currents or variations are induced in the coil capable of being amplified and passed through a loud speaker for producing the sound of a musical instrument.
Illustrative of present techniques employed to induce currents in the coil of the pick-up is that requiring placement of the pick-up in close proximity to metallic strings which when vibrated vary the magnetic field of the pick-up magnetic core, or if non-metallic strings are used, that requiring attachment to the strings of a suitable armature which when vibrated also varies the magnetic field of the pick-up magnetic core.
While the technique of the present invention may also incorporate the above method of inducing coil currents, as a primary mode of producing a signal it contemplates actual movement of the pick-up coil through the magnetic field of the pick-up magnetic core. The pick-up, consisting of a coil and magnetic core, structurewise is no different than that readily purchasable in commerce, but in practice the coil is arranged to be freely movable relative to the magnetic core and by direct mechanical connection to the strings is made to vibrate therewith. As will be more fully described subsequently herein, a preferred manner of providing this mechanical connection is to ai'fix the coil to a novel floating bridge suspended from the strings of the instrument.
In the drawings:
FIG. 1 is a plan view of a musical instrument having amagnetic pick-up; I
FIG. 2 is an enlarged fragmentary view of a portion of the instrument of FIG. 1 showing the pick-up in greater detail and with the coil casing partly broken away;
FIG. 3 is a view taken on line 33 of FIG. 2; and
FIG. 4 is a side view projected from FIG. 2.
Referring in detail to the drawings, in FIG. 1 the numeral generally designates a suitably illustrative type of stringed instrument such as a guitar, the same having a body 11 on which is suitably mounted a tail piece 12, and a neck 13 in the end of which are suitably disposed a number of upstanding pegs 14. Stretched between the tail piece 12 and pegs 14 are the six strings 15 of the guitar 10. Also shown in FIG. 1 is a bridge 16 which functions to properly space the strings 15 one from the other, and a magnetic pick-up generally designated 17.
As best seen in FIG. 2, structurewise the pick-up 17 is conventional, having a magnetic core consisting of six upstanding permanent magnets 18 each stationarily positioned under one of the strings 15, and a coil 19 surrounding the magnets 18 and consisting of magnetic wire 20 wound around an insulating bobbin 21 in the direction of the arrow A. The ends of the coil wire 20 are suitably connected to conductors 22 and 23 which extend through an opening 24 in the protective casing 25 of the coil 19 and are connected to an amplifier and loud speaker unit (not shown). The tops of the magnets 18 extend to within close proximity of the strings 15 in the event that these strings are metallic and it is desired to induce electrical currents in the coil 19 using prior art techniques. This is to say that as just described the pick-up 17 functions conventionally to electrically amplify the sound of the guitar 10, the strings 15 when metallie and when set in motion serving to'vary the magnetic field of the magnets 18 and thereby induce currents characteristic of this string motion in the coil 19.
However, apart from this method of inducing a signal in the coil 19, and representing a departure from prior art techniques, it is proposed to induce currents in the coil 19 by actually moving the same through the magnetic field of the magnets 18. The arrangement of parts shown in detail in FIGS. 3 and 4 is one preferred mode of carrying out this improved technique.
Referring to FIG. 3, it is shown that the strings 15 are individually seated in one of six inclined slots 26 provided in the upper edge of the bridge 16. Due to the inclination of the slots 26 and as a result of tightening up on the pegs 14, the strings 15 in obvious manner are made to support the bridge 16 in spaced relation above the body 11. Afiixed to the bottom edge of the bridge 16, by any suitable manner, is the coil 19, and accordingly it too is free of contact with the body 11 or for that matter with any other parts of the guitar 10 other than its bridge 16. I
As best seen in FIG. 4, the coil 19 is thus freely suspended about the magnets 18 which extend upwardly from a suitable base 27 secured to the body 11 through a central coil opening 28. In this regard, the tail piece 12 is supported by threaded members 29 threadably disposed therein and in a base 30 secured to the body 10 and is thus adjustable vertically merely by rotation of the knobs 31 provided on each of the members 29 to insure that there is a clearance B between the coil 19 and the guitar body 10. The mounting or linking of the coil 19 to a bridge 16 freely suspended from the strings 15 in effect provides a.mechanical system through which string vibration is faithfully transmitted to the coil 19. Thus, when the strings 15 are set in motion, the coil 19 is made to move through the magnetic flux of the field of the magnets 18 with the result that currents or electrical variations are induced in the coil 19 characteristic of the string vibration. Employing the above technique of inducing currents in the coil 19 of a magnetic pick-up 17 and amplifying these currents and passing the same through a loud speaker, it has been possible to produce tones which are free of ditortion and which lack the harshness and metallic sound usually produced by most electrical instruments.
It will be understood that the improved technique of the present invention isnot to be limited to use solely with a guitar but has wide application to any stringed musical instrument, and further that the arrangement of parts herein described is but one preferred embodiment for carrying out this improved technique and may be widely modified within the invention as defined by the appended claims.
In this connection, a modification which is readily suggested by the embodiment just described and which will be understood to be Within the teachings of the present invention, is that in which the coil 19 and the magnets 18 are merely interchanged. In other words, the magnets 18 can be affixed in any suitable manner to the floating bridge 16 and the coil 19 stationarily mounted to the guitar body 11, and the same advantageous results obtained as with the embodiment hereinbefore described.
What is claimed is:
1. A magnetic pick-up for an instrument having a body and neck and means on each between which a plurality of strings are stretched in spaced relation to the body, the pick-up comprising a bridge having inclined slots therein in which the strings of the instrument are individually seated to maintain proper spacing of one string to the other and which seated strings when tensioned are adapted to support the bridge in spaced relation to the body, a plurality of permanent magnets secured to the body, and a coil surrounding the permanent magnets and affixed to the bridge and otherwise free from contact with any parts of the instrument, whereby string vibration causes movement of the coil through the magnetic flux of the magnetic field of the magnets inducing currents in the coil characteristic of the string vibration.
2. A magnetic pick-up for an instrument having a body and neck and means on each between which a plurality of strings are stretched in spaced relation to the body, the pick-up comprising a bridge having string retaining means spaced along an upper edge thereof for individually seating each of said strings in proper spaced relation to each other with said bridge extending substantially perpendicularly of said strings, the location of said string retaining means along said upper bridge edge relative to said spaced strings being such that the strings are located on opposite sides of the center of said bridge causing said strings, when tensioned, to exert opposing pressures on said string retaining means to support the bridge in spaced relation to the body, means for creating a magnetic field secured across the body beneath said strings and in close proximity to the lower edge of said bridge, and a coil surrounding the magnetic field creating means affixed to said bridge along its lower edge and otherwise free from contact with any parts of the instrument, whereby string vibration causes movement of the coil through the magnetic fiux of the magnetic field inducing currents in the coil characteristic of the string vibration.
References Cited in the file of this patent UNITED STATES PATENTS 509,240 Owen Nov. 21, 1893 660,953 Hammann Oct. 30, 1900 1,516,947 Beindorf Nov. 25, 1924 1,948,104 Firestone et al. Feb. 20, 1934 2,033,440 Miesiner Mar. 10, 1936 2,048,515 Pfeil July 21, 1936 2,486,647 Harker Nov. 1, 1949 2,612,072 Armond Sept. 30, 1952 2,709,388 Allers May 31, 1955 2,918,837 Webster Dec. 29, 1959
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
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US857116A US3018680A (en) | 1959-12-03 | 1959-12-03 | Electrical musical instrument |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
US857116A US3018680A (en) | 1959-12-03 | 1959-12-03 | Electrical musical instrument |
Publications (1)
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US3018680A true US3018680A (en) | 1962-01-30 |
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Family Applications (1)
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US857116A Expired - Lifetime US3018680A (en) | 1959-12-03 | 1959-12-03 | Electrical musical instrument |
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Cited By (13)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US3174380A (en) * | 1963-09-13 | 1965-03-23 | Jack C Cookerly | Stringed instrument bridge and anchoring means |
US3192304A (en) * | 1962-03-08 | 1965-06-29 | Rizzutti Vincent | Sound producing banjo |
US3237502A (en) * | 1964-05-11 | 1966-03-01 | Semie A Moseley | Stringed musical instrument |
US3288906A (en) * | 1963-04-25 | 1966-11-29 | Ormston Burns Ltd | Stringed musical instruments with pickup and damping means between bridge and fingerboard |
US3509264A (en) * | 1967-12-29 | 1970-04-28 | Allen J Green | Electric drum or other percussion instrument |
US3525797A (en) * | 1968-01-16 | 1970-08-25 | Leonard W Pavia | Stringed musical instrument with electromagnetic pickup also functioning as a bridge |
US3675529A (en) * | 1969-11-27 | 1972-07-11 | Philips Corp | Electromechanical transducer for tuning individual strings of a musical instrument |
US3896695A (en) * | 1973-11-16 | 1975-07-29 | Lyle Heath Kingsbury | Bridge for musical instrument |
US4051761A (en) * | 1974-06-11 | 1977-10-04 | Artur Nylen | Method for adjusting the tone characteristic of tone generating elements and a device therefor |
US4378721A (en) * | 1978-07-20 | 1983-04-05 | Kabushiki Kaisha Kawai Seisakusho | Pickup apparatus for an electric string type instrument |
US4951543A (en) * | 1987-04-20 | 1990-08-28 | Cipriani Thomas J | Increased torque bridge for guitars |
US5696337A (en) * | 1996-02-13 | 1997-12-09 | Hall; Charles R. | Concave finger board for stringed instruments |
US20090235805A1 (en) * | 2008-03-24 | 2009-09-24 | Hamilton Robert N | Stringed Instrument for Producing Precise Rhythmic Strumming |
Citations (10)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US509240A (en) * | 1893-11-21 | William p | ||
US660953A (en) * | 1897-09-03 | 1900-10-30 | Frederick Burt Hammann | Banjo-bridge. |
US1516947A (en) * | 1922-09-08 | 1924-11-25 | Lucien J Beindorf | Tuning device |
US1948104A (en) * | 1929-10-24 | 1934-02-20 | Floyd A Firestone | Vibration responsive apparatus |
US2033440A (en) * | 1933-03-25 | 1936-03-10 | Miessner Inventions Inc | Apparatus for the production of music |
US2048515A (en) * | 1933-04-28 | 1936-07-21 | Creszentia A Pfeil | Musical instrument |
US2486647A (en) * | 1946-02-08 | 1949-11-01 | Harker William Ernest | Combination electrical pickup and bridge for guitars and other instruments |
US2612072A (en) * | 1950-05-10 | 1952-09-30 | Rowe Ind | Individual magnet adjustable pickup |
US2709388A (en) * | 1952-07-05 | 1955-05-31 | Gibson Inc | Bridge for stringed musical instruments |
US2918837A (en) * | 1957-11-08 | 1959-12-29 | James D Webster | Bridge for stringed musical instruments having means for adjusting the spacing of the strings |
-
1959
- 1959-12-03 US US857116A patent/US3018680A/en not_active Expired - Lifetime
Patent Citations (10)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US509240A (en) * | 1893-11-21 | William p | ||
US660953A (en) * | 1897-09-03 | 1900-10-30 | Frederick Burt Hammann | Banjo-bridge. |
US1516947A (en) * | 1922-09-08 | 1924-11-25 | Lucien J Beindorf | Tuning device |
US1948104A (en) * | 1929-10-24 | 1934-02-20 | Floyd A Firestone | Vibration responsive apparatus |
US2033440A (en) * | 1933-03-25 | 1936-03-10 | Miessner Inventions Inc | Apparatus for the production of music |
US2048515A (en) * | 1933-04-28 | 1936-07-21 | Creszentia A Pfeil | Musical instrument |
US2486647A (en) * | 1946-02-08 | 1949-11-01 | Harker William Ernest | Combination electrical pickup and bridge for guitars and other instruments |
US2612072A (en) * | 1950-05-10 | 1952-09-30 | Rowe Ind | Individual magnet adjustable pickup |
US2709388A (en) * | 1952-07-05 | 1955-05-31 | Gibson Inc | Bridge for stringed musical instruments |
US2918837A (en) * | 1957-11-08 | 1959-12-29 | James D Webster | Bridge for stringed musical instruments having means for adjusting the spacing of the strings |
Cited By (14)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US3192304A (en) * | 1962-03-08 | 1965-06-29 | Rizzutti Vincent | Sound producing banjo |
US3288906A (en) * | 1963-04-25 | 1966-11-29 | Ormston Burns Ltd | Stringed musical instruments with pickup and damping means between bridge and fingerboard |
US3174380A (en) * | 1963-09-13 | 1965-03-23 | Jack C Cookerly | Stringed instrument bridge and anchoring means |
US3237502A (en) * | 1964-05-11 | 1966-03-01 | Semie A Moseley | Stringed musical instrument |
US3509264A (en) * | 1967-12-29 | 1970-04-28 | Allen J Green | Electric drum or other percussion instrument |
US3525797A (en) * | 1968-01-16 | 1970-08-25 | Leonard W Pavia | Stringed musical instrument with electromagnetic pickup also functioning as a bridge |
US3675529A (en) * | 1969-11-27 | 1972-07-11 | Philips Corp | Electromechanical transducer for tuning individual strings of a musical instrument |
US3896695A (en) * | 1973-11-16 | 1975-07-29 | Lyle Heath Kingsbury | Bridge for musical instrument |
US4051761A (en) * | 1974-06-11 | 1977-10-04 | Artur Nylen | Method for adjusting the tone characteristic of tone generating elements and a device therefor |
US4378721A (en) * | 1978-07-20 | 1983-04-05 | Kabushiki Kaisha Kawai Seisakusho | Pickup apparatus for an electric string type instrument |
US4951543A (en) * | 1987-04-20 | 1990-08-28 | Cipriani Thomas J | Increased torque bridge for guitars |
US5696337A (en) * | 1996-02-13 | 1997-12-09 | Hall; Charles R. | Concave finger board for stringed instruments |
US20090235805A1 (en) * | 2008-03-24 | 2009-09-24 | Hamilton Robert N | Stringed Instrument for Producing Precise Rhythmic Strumming |
US7923616B2 (en) | 2008-03-24 | 2011-04-12 | Hamilton Robert N | Stringed instrument for producing precise rhythmic strumming |
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