US2694954A - Electrical musical instrument - Google Patents

Electrical musical instrument Download PDF

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US2694954A
US2694954A US189388A US18938850A US2694954A US 2694954 A US2694954 A US 2694954A US 189388 A US189388 A US 189388A US 18938850 A US18938850 A US 18938850A US 2694954 A US2694954 A US 2694954A
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filter
band
keyboard
frequencies
musical instrument
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US189388A
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Winston E Kock
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/02Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos
    • G10H1/06Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour
    • G10H1/08Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour by combining tones
    • G10H1/10Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour by combining tones for obtaining chorus, celeste or ensemble effects
    • YGENERAL TAGGING OF NEW TECHNOLOGICAL DEVELOPMENTS; GENERAL TAGGING OF CROSS-SECTIONAL TECHNOLOGIES SPANNING OVER SEVERAL SECTIONS OF THE IPC; TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10TECHNICAL SUBJECTS COVERED BY FORMER USPC
    • Y10STECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10S84/00Music
    • Y10S84/04Chorus; ensemble; celeste
    • YGENERAL TAGGING OF NEW TECHNOLOGICAL DEVELOPMENTS; GENERAL TAGGING OF CROSS-SECTIONAL TECHNOLOGIES SPANNING OVER SEVERAL SECTIONS OF THE IPC; TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10TECHNICAL SUBJECTS COVERED BY FORMER USPC
    • Y10STECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10S84/00Music
    • Y10S84/09Filtering

Definitions

  • This invention relates to electrical musical instruments and more particularly to such an instrument wherein all tones are derived from a single source.
  • the tones are generated by a plurality of generators interlocked mechanically or electrically to insure that the instrument remains in tune.
  • a notable exception is the type of instrument employing wind blown reeds with an electrostatic pick-up associated with each reed but even in the latter case a plurality of tone sources or generators must be provided with a complicated pneumatic and mechamcal means for actuating them.
  • An outstanding defect of all known electrical organs is the lack of an adequate choral elfect in its tone. This effect simulates the tone characteristic of many voices with their random amplitude, frequency and phase variations.
  • this invention provides a combination comprising a keyboard, a broad-band electric generator of the random noise type, a plurality of band-pass filters one for each note of the keyboard, an audio frequency speaker system and a switch means for each filter for connecting the filter in series with the source and the speaker system upon operating a key on the keyboard.
  • Figure 1 discloses a preferred embodiment of this invention.
  • FIGs 2 and 3 disclose modifications of the filtering means which may be used with the system of Figure 1,
  • Figure 4 discloses a filter circuit combined with means for generating harmonics of the transmitted narrow tone band to provide an increased choral effect.
  • the reference numetal 1 refers generically to a broad-band electric generator of the random noise type often referred to as a hiss generator.
  • Such generators are well known in the art and examples thereof are shown in United States Patent 1,914,414, granted June 20, 1933, to F. E. Fairchild; in United States Patent 1,968,164, granted July 31, 1934, to H. Nyquist; and in an article by E. Peterson published in the Bell Laboratories Record for November 1939, page 81.
  • the output of the hiss generator 1 is connected by way of conductor 2 to a plurality of switches 4 in keyboard 3.
  • a switch 4 is provided for each of the keys 5 on the keyboard 3 and these switches are adapted to be closed through force provided by a mechanical linkage 6 from its corresponding key 5. It is to be understood, of course, that there are as many such keys 5 provided as are normally found on an organ keyboard, and in Figure 1 only three of the keys corresponding to notes C, C sharp and D are shown.
  • each of the keys 4 1 corresponds a band-pass filter 7 of conventional configuration.
  • the parameters of each of these filters are so adjusted as to pass only a narrow band of frequencies about the frequency corresponding to the pitch of the key to which it is connected.
  • the band-pass filter 7 connected thereto may pass most read1ly frequencies from hiss generator 1 corresponding to 261.6 cycles 2,694,954 Patented Nov. 23, 1954 nature of the frequencies of the generator and the narrow band thereof which is permitted to pass through filter 7. Chords built up from tones thus produced are also very pleasing to the ear.
  • each of the filters 7 is connected to the input circuit of an amplifier 8 and is converted to acoustic energy by a speaker 9. It will be evident that if the keyboard 3 is located between the filters 7 and the amplifier 8, instead of as shown in Figure 1, an equally operative system will result.
  • the simple filtering arrangement 7 shown in Figure 1 to be successful requires inductors of very high Q. Such inductors are quite expensive and, as an alternative, the filter of Figure 2 employing two tuned circuits instead of one may be substituted. Where two such tuned circuits are used as shown in Figure 2, the Q of the inductors need not be so high and the over-all cost is considerably less. Of course, it is evident that if still greater selectivity is required for any particular frequency channel, it may be obtained by adding an additional third section with another tuned circuit.
  • the filter arrangements shown in Figures 1 and 2 are primarily adapted for high impedance circuits. If it is desired in order to minimize hum and the nudesirable pick-up that the filters have low terminating impedances, the arrangement shown in Figure 3 may be substituted. The operation of such a circuit is quite conventional and requires no detailed explanation.
  • Figure 4 discloses a modification of Figure 3 capable of providing a still more pronounced choral effect.
  • This is provided by including in the resistance of the output circuit of the filter 7 an asymmetric, non-linear conductive element, 10.
  • This element is preferably of the type commonly referred to in the art as a varistor.
  • the tone transmitted by filter 7 is actually a narrow band of frequencies close to the frequency to which the filter sections are tuned and that within this narrow band these frequencies appear in a purely random manner.
  • the harmonics of this narrow band of random frequencies are generated by the varistor and transmitted to the speaker system, they cover more of the harmonlc spectrum of each tone and thus the effect more closely approximates that of a choir of voices.
  • An electric organ system for producing tones l'lCh 1n choral effect comprising in combination a keyboard having a key for each note of the musical scale, a broad band, continuously operating electric generator of the random noise type, a plurality of band-pass filters, one corresponding to each note of the keyboard, tuned to the frequency of that note, and a switch means respon- Jii References Cited in the file of this patent Number 5 2,142,038 2,220,098 2,342,338 2,403,664 2,432,152 10 2,565,497

Description

United State Patent. p
ELECTRICAL MUSICAL INSTRUMENT Winston E. Kock, Basking Ridge, N. J.
Application October 10, 1950, Serial No. 189,388
1 Claim. (Cl. 841.11)
This invention relates to electrical musical instruments and more particularly to such an instrument wherein all tones are derived from a single source.
In most electrical organs of the prior art the tones are generated by a plurality of generators interlocked mechanically or electrically to insure that the instrument remains in tune. A notable exception is the type of instrument employing wind blown reeds with an electrostatic pick-up associated with each reed but even in the latter case a plurality of tone sources or generators must be provided with a complicated pneumatic and mechamcal means for actuating them. An outstanding defect of all known electrical organs is the lack of an adequate choral elfect in its tone. This effect simulates the tone characteristic of many voices with their random amplitude, frequency and phase variations.
It is the object of this invention to provide a greatly simplified electric organ system wherein all tones are derived from a single, exceedingly simple source rich in an inherent choral effect.
The foregoing object is achieved by this invention which provides a combination comprising a keyboard, a broad-band electric generator of the random noise type, a plurality of band-pass filters one for each note of the keyboard, an audio frequency speaker system and a switch means for each filter for connecting the filter in series with the source and the speaker system upon operating a key on the keyboard.
The invention may be better understood by referring to the accompanying drawings in which:
Figure 1 discloses a preferred embodiment of this invention.
Figures 2 and 3 disclose modifications of the filtering means which may be used with the system of Figure 1,
Figure 4 discloses a filter circuit combined with means for generating harmonics of the transmitted narrow tone band to provide an increased choral effect.
Referring now to Figure l, where the invention is disclosed in a preferred embodiment, the reference numetal 1 refers generically to a broad-band electric generator of the random noise type often referred to as a hiss generator. Such generators are well known in the art and examples thereof are shown in United States Patent 1,914,414, granted June 20, 1933, to F. E. Fairchild; in United States Patent 1,968,164, granted July 31, 1934, to H. Nyquist; and in an article by E. Peterson published in the Bell Laboratories Record for November 1939, page 81.
The output of the hiss generator 1 is connected by way of conductor 2 to a plurality of switches 4 in keyboard 3. A switch 4 is provided for each of the keys 5 on the keyboard 3 and these switches are adapted to be closed through force provided by a mechanical linkage 6 from its corresponding key 5. It is to be understood, of course, that there are as many such keys 5 provided as are normally found on an organ keyboard, and in Figure 1 only three of the keys corresponding to notes C, C sharp and D are shown.
Corresponding with each of the keys 4 1s a band-pass filter 7 of conventional configuration. The parameters of each of these filters are so adjusted as to pass only a narrow band of frequencies about the frequency corresponding to the pitch of the key to which it is connected. For example, when the key 5 is pressed corresponding with note C in Figure 1, the band-pass filter 7 connected thereto may pass most read1ly frequencies from hiss generator 1 corresponding to 261.6 cycles 2,694,954 Patented Nov. 23, 1954 nature of the frequencies of the generator and the narrow band thereof which is permitted to pass through filter 7. Chords built up from tones thus produced are also very pleasing to the ear.
The output circuit of each of the filters 7 is connected to the input circuit of an amplifier 8 and is converted to acoustic energy by a speaker 9. It will be evident that if the keyboard 3 is located between the filters 7 and the amplifier 8, instead of as shown in Figure 1, an equally operative system will result.
From the foregoing description of Figure 1 it will be evident that the components of the organ system are of an extremely simple nature and that the simplicity is primarily due to the fact that a composite source containing all audible frequencies is utilized instead of the usual arrangement of separate generators for all frequencies, or at least a plurality of generators each providing a certain group of frequencies harmonically related in some way to the others. Other organ features such as the swell control and timbre controls have not been shown for the sake of simplicity. Such circuit arrangements are conventional in the electric organ art and it will be obvious that their principles may be applied to this invention to complete the organ details necessary for a complete practical organ. Because of their conventional nature, further descriptive matter relating to these features is believed unnecessary.
The simple filtering arrangement 7 shown in Figure 1 to be successful requires inductors of very high Q. Such inductors are quite expensive and, as an alternative, the filter of Figure 2 employing two tuned circuits instead of one may be substituted. Where two such tuned circuits are used as shown in Figure 2, the Q of the inductors need not be so high and the over-all cost is considerably less. Of course, it is evident that if still greater selectivity is required for any particular frequency channel, it may be obtained by adding an additional third section with another tuned circuit.
The filter arrangements shown in Figures 1 and 2 are primarily adapted for high impedance circuits. If it is desired in order to minimize hum and the nudesirable pick-up that the filters have low terminating impedances, the arrangement shown in Figure 3 may be substituted. The operation of such a circuit is quite conventional and requires no detailed explanation.
Figure 4 discloses a modification of Figure 3 capable of providing a still more pronounced choral effect. This is provided by including in the resistance of the output circuit of the filter 7 an asymmetric, non-linear conductive element, 10. This element is preferably of the type commonly referred to in the art as a varistor. For a general discussion of this type of circuit element, reference may be made to the Bell Laboratories Record for July 1940, page 322. The manner in which the increased choral effect is produced by this device may be better understood when it is remembered that the tone transmitted by filter 7 is actually a narrow band of frequencies close to the frequency to which the filter sections are tuned and that within this narrow band these frequencies appear in a purely random manner. When the harmonics of this narrow band of random frequencies are generated by the varistor and transmitted to the speaker system, they cover more of the harmonlc spectrum of each tone and thus the effect more closely approximates that of a choir of voices.
It will be understood that modifications may be made in my invention without departing from its spirit. Having thus described my invention, those features which I desire to protect by Letters Patent comprise: I
An electric organ system for producing tones l'lCh 1n choral effect comprising in combination a keyboard having a key for each note of the musical scale, a broad band, continuously operating electric generator of the random noise type, a plurality of band-pass filters, one corresponding to each note of the keyboard, tuned to the frequency of that note, and a switch means respon- Jii References Cited in the file of this patent Number 5 2,142,038 2,220,098 2,342,338 2,403,664 2,432,152 10 2,565,497
UNITED STATES PATENTS Name Date Bier Dec. 27, Guanella Nov. 5, Hanert Feb. 22, Langer July 9, Hanert et a1. Dec. 9, Harling Aug. 28,
US189388A 1950-10-10 1950-10-10 Electrical musical instrument Expired - Lifetime US2694954A (en)

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Cited By (12)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2988945A (en) * 1958-07-07 1961-06-20 Wurlitzer Co Electronic musical instrument
US3098407A (en) * 1960-06-20 1963-07-23 Wurlitzer Co Tone filters
US3116462A (en) * 1959-03-24 1963-12-31 Blonder Tongue Elect Audio-tone control circuit
US3132209A (en) * 1957-09-09 1964-05-05 North Electric Co Substation filter having saturable reactor for selectively furnishing frequency dependent coupling under hook switch control
US3141919A (en) * 1959-10-23 1964-07-21 Nihon Gakki Seizo Kabushiki Ka System for generating rhythm tones
US3235649A (en) * 1959-02-17 1966-02-15 Columbia Records Distributing Apparatus for minimizing beat effects
US3247308A (en) * 1961-01-25 1966-04-19 Richard H Peterson Electronic musical instrument
US3254336A (en) * 1963-03-13 1966-05-31 Baldwin Co D H Sound simulation system
US3867862A (en) * 1973-06-11 1975-02-25 Baldwin Co D H Electrical musical instrument
US3931752A (en) * 1974-06-07 1976-01-13 Mussulman Charles E Piano with floating bridge
US4018126A (en) * 1975-03-26 1977-04-19 Walmann Brian I Tone generation and modification apparatus
US4348931A (en) * 1980-04-21 1982-09-14 Baldwin Piano & Organ Company Simulating wind noise in electronic organs using digital noise generators

Citations (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2142038A (en) * 1935-08-30 1938-12-27 Radio Patents Corp Band pass filter
US2220098A (en) * 1937-07-11 1940-11-05 Radio Patents Corp Frequency variation response circuit
US2342338A (en) * 1942-06-20 1944-02-22 Hammond Instr Co Electrical musical instrument
US2403664A (en) * 1942-10-24 1946-07-09 Central Commercial Co Solo electrical musical instrument
US2432152A (en) * 1942-06-20 1947-12-09 Hammond Instr Co Electrical musical instrument
US2565497A (en) * 1948-07-23 1951-08-28 Int Standard Electric Corp Circuit, including negative resistance device

Patent Citations (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2142038A (en) * 1935-08-30 1938-12-27 Radio Patents Corp Band pass filter
US2220098A (en) * 1937-07-11 1940-11-05 Radio Patents Corp Frequency variation response circuit
US2342338A (en) * 1942-06-20 1944-02-22 Hammond Instr Co Electrical musical instrument
US2432152A (en) * 1942-06-20 1947-12-09 Hammond Instr Co Electrical musical instrument
US2403664A (en) * 1942-10-24 1946-07-09 Central Commercial Co Solo electrical musical instrument
US2565497A (en) * 1948-07-23 1951-08-28 Int Standard Electric Corp Circuit, including negative resistance device

Cited By (12)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US3132209A (en) * 1957-09-09 1964-05-05 North Electric Co Substation filter having saturable reactor for selectively furnishing frequency dependent coupling under hook switch control
US2988945A (en) * 1958-07-07 1961-06-20 Wurlitzer Co Electronic musical instrument
US3235649A (en) * 1959-02-17 1966-02-15 Columbia Records Distributing Apparatus for minimizing beat effects
US3116462A (en) * 1959-03-24 1963-12-31 Blonder Tongue Elect Audio-tone control circuit
US3141919A (en) * 1959-10-23 1964-07-21 Nihon Gakki Seizo Kabushiki Ka System for generating rhythm tones
US3098407A (en) * 1960-06-20 1963-07-23 Wurlitzer Co Tone filters
US3247308A (en) * 1961-01-25 1966-04-19 Richard H Peterson Electronic musical instrument
US3254336A (en) * 1963-03-13 1966-05-31 Baldwin Co D H Sound simulation system
US3867862A (en) * 1973-06-11 1975-02-25 Baldwin Co D H Electrical musical instrument
US3931752A (en) * 1974-06-07 1976-01-13 Mussulman Charles E Piano with floating bridge
US4018126A (en) * 1975-03-26 1977-04-19 Walmann Brian I Tone generation and modification apparatus
US4348931A (en) * 1980-04-21 1982-09-14 Baldwin Piano & Organ Company Simulating wind noise in electronic organs using digital noise generators

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