US2649006A - Musical instrument - Google Patents

Musical instrument Download PDF

Info

Publication number
US2649006A
US2649006A US195222A US19522250A US2649006A US 2649006 A US2649006 A US 2649006A US 195222 A US195222 A US 195222A US 19522250 A US19522250 A US 19522250A US 2649006 A US2649006 A US 2649006A
Authority
US
United States
Prior art keywords
resistor
wave
voltage
meg
capacitor
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Expired - Lifetime
Application number
US195222A
Inventor
Heytow Solomon
Richard H Peterson
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Individual
Original Assignee
Individual
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Individual filed Critical Individual
Priority to US195222A priority Critical patent/US2649006A/en
Application granted granted Critical
Publication of US2649006A publication Critical patent/US2649006A/en
Anticipated expiration legal-status Critical
Expired - Lifetime legal-status Critical Current

Links

Images

Classifications

    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/02Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos
    • G10H1/06Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/02Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos
    • HELECTRICITY
    • H03ELECTRONIC CIRCUITRY
    • H03BGENERATION OF OSCILLATIONS, DIRECTLY OR BY FREQUENCY-CHANGING, BY CIRCUITS EMPLOYING ACTIVE ELEMENTS WHICH OPERATE IN A NON-SWITCHING MANNER; GENERATION OF NOISE BY SUCH CIRCUITS
    • H03B21/00Generation of oscillations by combining unmodulated signals of different frequencies
    • H03B21/01Generation of oscillations by combining unmodulated signals of different frequencies by beating unmodulated signals of different frequencies
    • H03B21/02Generation of oscillations by combining unmodulated signals of different frequencies by beating unmodulated signals of different frequencies by plural beating, i.e. for frequency synthesis ; Beating in combination with multiplication or division of frequency
    • H03B21/025Generation of oscillations by combining unmodulated signals of different frequencies by beating unmodulated signals of different frequencies by plural beating, i.e. for frequency synthesis ; Beating in combination with multiplication or division of frequency by repeated mixing in combination with division of frequency only

Landscapes

  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Electrophonic Musical Instruments (AREA)

Description

Aug. 18, 1953 s. HEYTOW EI'AL 2,649,005
MUSICAL INSTRUMENT Filed Nov. 13. 1950 5 Sheets-Sheet 1 w w w 2 IN VEN TORS,
S. HEYTOW ETAL MUSICAL INSTRUMENT Filed Nov. 13, 1950 5 Sheets-Sheet 2 Aug. 18, 1953 s. HEYTOW ETAL 2,649,006
MUSICAL INSTRUMENT Filed Nov. 13, 1950 5 SheetsSheet 5 Aug. 18, 1953 s. HEYTOW ETAL 2,649,006
MUSICAL INSTRUMENT Filed Nov. 13, 1950 5 Sheets-Sheet 4 E- J0Z077207z 55 my 33 @112 fig l P a son W 6 Aug. 18, 1953 s. HEYTOW ET AL 2,649,006
MUSICAL INSTRUMENT Filed NOV. 13, 1950 5 Sheets-Sheet 5 INVENTO 5. ZPL hazd 5P6 ergo/L Patented Aug. 18, 1953 UNITED MUSICAL INSTRUMENT Solomon Heytow and Richard H. Peterson, Chicago, 111.
Application November 13, 1950, Serial No. 195,222
11 Claims. 1
Our invention relates to electronic musical instruments and includes among its objects and advantages improved means for generating oscillations of the specialized wave shapes effective for generating a variety of tones of different timbre or musical quality.
Many attempts have been made to generate electrical oscillations having wave forms that are effective imitations of the tonal qualities of the human voice and known musical instruments, but even the most elaborate and expensive equipment still leaves much to be desired along that line, in the opinion of persons of advanced aesthetic standards. At the same time, many of the less expensive electronic musical instruments produce results that are much worse, sometimes even repulsive to the highly cultivated ear.
One of the systems that has achieved some measure of success generates a basic wave of saw-tooth form and attempts to develop the various desired wave forms out of it by means of combinations of filters. By this means a rough approximation to many tone qualities can be obtained, but with the limitation that filters can only remove harmonic components originally present, and therefore a frequency absent from the original impulse, or present in insufficient amount only, cannot be supplied by such means. U. S. Patent 2,233,948, issued March 4, 1941, on
an invention of Winston E. Kock, indicates the general type of tone-forming equipment referred to.
The oscillator employed according to the invention also lends itself readily to the addition of an electronic vibrato efiect in a very simple and dependable form.
In the accompanying drawings:
Figure 1 is an assembled block diagram of a portion of a musical instrument according to the invention;
Figure 2 is a diagram of the oscillator for one note, and six different wave-shaping units for modifying the oscillator wave shape, capable of delivering eight different wave shapes corresponding to eight different qualities of musical sound;
Figure 3 is a diagram illustrating the types of wave shape obtainable from equipment according to Figure 2;
Figure 4 is a wiring diagram of an oscillator provided with means for producing a vibrato;
Figure 5 is a wiring diagram of the same oscillator with a difierent vibrato means;
Figure 6 is a wiring diagram or the same oscillator with a third vibrato means;
Figure 7 is a perspective, partly in section, of a voltage-sensitive resistor; and
Figure 8 is a section of a selenium rectifier.
In the embodiment of the invention selected for illustration, and referring first to Figure 1, there are indicated three tone-generating units it, I? and 14. Each of these units may be a conventional Hartley oscillator, which is a type well known to those skilled in the art. Each oscillator delivers a wave of dependably constant frequency and substantially sine curve shape. A complete organ bank would call for 61 or 73 or 85 such oscillators, one for the pitch corresponding to each note to be produced.
The output from each of the oscillators ll), [2 and ii is connected to each of six wave-shaping units l6, I8, 20, 22, 24 and 26. As the arrangement requires all six shaping units in connection with each oscillator, it will be apparent that a complete organ bank involves a large number of wave-shaping units, and accordingly the cost of the individual wave-shaping unit becomes a rather critical consideration. More specifically, whether or not it is necessary to use a vacuum tube in each wave-shaping unit becomes a decisive factor, so far as cost is concerned.
It is well known in the art that an acoustical wave of sine curve shape produces a very dull tuning-fork effect on the ear and is of very little musical interest.
Figure 2 indicates the details of the waveshaping units l6, l8, Zil, 22, 24 and 26. The wave-shaping unit I6 receives the sine curve wave from the oscillator and passes it in succession through protective resistor 28, selenium rectifying plate 30 and resistor 32 to the collecting bus B1.
Since the selenium rectifying plate passes current freely in one direction and has a relatively high resistance to the passage of current in the opposite direction, the oscillation impressed on bus bar B1 will have substantially the wave form of Figure 3A. When the bank switch 33 (see Fig. 1) connects bus B1 through the amplifier 34 to the loud speaker 36, the notes delivered to the loud speaker will have this wave shape, which corresponds to the violin diapason note of a pipe organ. Thus, by closing the bank switch 33 and manipulating the individual note contacts 38, which are actuated by the individual keys of the keyboard, any selected plurality of notes of violin diapason timbre are delivered simultaneously to the loud speaker as the artist plays.
For convenience in discussing the functioning of the parts involved, rectifying means, considered in connection with the specific functions described in this invention, may conveniently be referred to as of two sorts, substantial and absolute. The well-known selenium rectifying plate has a very low resistance in one direction, but in the other direction it still conducts current, with a resistance that may be from 50 to 5,000 times as great as in the low-resistance rection. However, a diode or triode vacuum tube can be made to conduct current easily in one direction and not at all in the opposite direction. Such a rectifier is an absolute rectifier, and the characteristics with respect to which it differs from a substantial rectifier are advantageous in some combinations and disadvantageous others.
The circuit to bus B2 differs from that to bus 131 only in taking the oscillation coming through the rectifier plate it through a capacitor iii instead of through resistor 32. This has the effect of emphasizing the higher harmonics a little at the expense of the lower ones, and the eifect on the ear is that of an ordinary violin. A typical wave shape as recorded by an oscillograph for this shape is shown in Figure 3B. In both instances the circuit is connected to ground between plate in and the next element, through a load resistor 42.
An elfectivereed tone is produced by waveshaping unit it. In this unit the wave is passed through resistor is, rectifying plate and ca pacitor 48 in series, The portion of the circuit between plate at and capacitor at is not grounded as inunit it, but throughresistor 50 and a selfbiasing networl; consisting of the capacitor 52 and a resistor 54, connected in parallel between resistor 50 and ground. Such a combination holdsthe adjacent portions of rectifier and capacitor iiat ground potential when no energy is flowing, but an oscillating voltage builds D. C. potential for these parts, so that the recti fier plate does not'conduct except during the short period of time when the instantaneous voltage from the oscillator is greater than the D. C. bias. The result is a wave shape as illustrated in Figure 3C. This wave roduces a very good reed-like tone and is indicated as collected on the bus barns. It is particularly lifelike because, for a fraction of a second at the beginning of each note, the timbre is changing as the bias is built up. 7 d V d The wave-shaping unit 20 is for producing a toneof stopped diapason or stopped flute timbre. The incoming sine wave passes through resistor 55 and then through a voltage-sensitive resistor 58. For clarity in the drawings, each voltage-- sensitive resistoris further characterized by the letters VS close beside it. Such a resistor has the characteristic that its resistance decreases with a characteristic rate of decrease as the inipressed voltage increases. This is not a thermal phenomenon, with a time lag to change its temperature, but occurs instantaneously and contemporaneously as a function of the voltage. The voltage levels at which the decrease occurs and the amount and abruptness of decrease can be controlled by the design of the resistor. More particularly, the resistor is of granular silicon carbide with a ceramic binder, fired at high temperature. The ratio of carbide to binder and the grain size and dimensions of the plate control the high and low resistance values and the abruptness of the variation. After passing through the resistor, the circuit is the same as for LIX bus bar B1, through the final decoupling resistor it with the grounded load resistor 52 connected to the circuit between parts 58 and till. For best results we select a voltage-sensitive resistor that reduces its resistance during about the middle of the impressed sine curve voltage and delivers extra current momentarily, so that the issuing wave, as illustrated in Figure 3D, has a central bump ii in the middle of each excursion. In successful installations we employ voltage-sensitive resistors 58 that have a resistance of the order of magnitude of one or two niegohms at about 4.5 volts, but at about 9 volts its resistance may drop to about 200,000 ohms or so. Harmonic "a analysis of this wave form yields the odd-order harmonics in relatively large proportions, with the even harmonics substantially absent, and the effect on the ear is rather precisely that of the stopped diapason timbre of an ordinary pipe organ, which is indicated in Figure 2 as collected on bus bar B4.
The unit 22 employs a voltage-sensitive resistor, with a different silicon carbide plate. By substituting a plate of lower resistance and more abrupt resistance drop, we have discovered that a clarinet-type tone results. The difference is also shown by the oscillograph, which gives a curve according to 3E. In unit 22, the incoming sine wave passes through the resistor 54, voltagesensitive resistor 66 and capacitor 63 to 'er'nphasize the higher harmonics, with the grounded load resistor it connected to the circuit between 5% and (it. This tone is collected on bus B5.
In unit a; the incoming sine wave passes through the resistor and voltag'e sensitiv'e resistor The voltage sensitive resistor 14 is given constant D. 3. bias, available in advance of the instant the circuit begins to function, as by means of a biasing battery 75 inserted between ground and the load resistor it. If the resulting oscillation is delivered through a resistor 32, indicated as connected to bus E7, the wave form is according to Figure 3G, and the efiect on the ear is that of the me'lodia, or open flute tone'of a pipe organ. Alternatively, if the wave is de1ivered to bus Be through capacitor 80, the lower harmonics are relatively reduced, and the higher harmonics increased, to give the wave form oi Figure ZP'and the effect of the'open diapason stop on a pipe organ.
A woodwind tone of very pleasing character is produced in unit 25. The oscillograph wave form is indicated in Figure 31-1. The incoming siri'e wave asses through resistor 84, and-a double set 86 of selenium rectifiers connected inseries and in opposition, and thereafter through resistor 88 to the bus bar B8, with the circuit between St and as grounded through load resistor Elli.
It will be obvious that varicus'combinatio set the above'circuits can'be simultaneously deliver ed to the loud speaker by the person playing the instrument, by simply connecting several of the different busses to the amplifier all at the same time. Also, other combinations of the variable resistor and selenium plate maybe arranged to ive additional wave forms.
In this connection, it is emphasized that, while the cscillograph shapes of Figure 3 are those actually obtained, and while they have been included herein to make the disclosure as complete as possible, waves or identical aesthetic characteristics may appear on an 'oscillograph with shapes that are highly diiferent'to casual in'sp'ection. This is because the human car has no perception of. phase dilieren'c'es between the harmonic components of the wave. Thus two waves that produce a substantially identical impression on the cultivated ear may look entirely diflerent on the oscillograph, but if the oscillograph wave is resolved into a Fourier series, and the amplitudes of all its harmonic overtones are computed, independent of phase, it will be found that the two wave shapes contain approximately the same overtone ingredients, thus establishing that the difference in the recorded shape is due to phase of differences only. For instance, the bumps 84 of Figure 3D presumably are the other side up at the receiving end of the voltage-sensitive resistance 50, but by the time the oscillation has gone on through the rest of the circuit and through the circuits of the oscillograph itself, the phase has usually shifted enough togive the curve indicated.
The Hartley oscillators I0, I2 and I4 may be conventional. In Figure 2 we have indicated the basic frequency circuit, made up of an inductance 92 and a capacitor 90 connected in a closed loop and grounded at 90.
Referring now to the means for producing a vibrato, conventional means is indicated at I I2 in Figure l for varying the potential of bus bar B9 with respect to ground at a frequency of six or seven vibrations per second.
Referring now to Figure 4, it will be obvious that the frequency characteristics of the circuit containing the inductor 92 and capacitor 94 may be varied by changing the constants of the circuit with respect to either the capacitance or the inductance, and most conveniently by changing the capacitance. In Figure 4 we have indicated a capacitor II I connected to point H0 and through a neon tube II8, to ground. Between capacitor H4 and tube IIB the circuit is connected through resistor I with bus bar B9. Thus, with bus bar B9 unbiased, the frequency of the oscillation may be tuned to the pitch desired. But if the operator connects bus B9 to the variable potential source II2, as by means of panel switch 322, bus bar 139 assumes a voltage which fluctuates at the desired low frequency. This renders the capacitor I I4 efiective whenever the potential rises to the point where tube IIB becomes conductive and hence a low resistance. It is possible with equipment as in Figure 4 to develop an effective vibrato.
In Figure 5 we have illustrated a capacitor IZ I corresponding to capacitor I I I and connected to bus bar B9 through a resistor I26. But the ground connection is through a voltage-sensitive resistor I28. This arrangement gives a Very pleasing and smooth vibrato.
A difierent arrangement is indicated in Figure 6. The potential of the bus B9, of course, oscillates with respect to ground, and the point H0 is connected to bus B9 through a capacitor I shunted by resistor I32, and with this loop in series with a selenium rectifier I34 arranged in the direction to permit current to fiow when the bus has a positive potential. This arrangement produces a smooth, pleasant vibrato. Furthermore, the selenium rectifier can be replaced with one of copper oxide or with a voltage-sensitive resistance of fairly high value. A diode or triode connected to function as a rectifier will also work, but of course it is much more expensive from both the standpoint of initial cost and cost of operation.
One form of voltage-sensitive resistor with which good results have been secured, is illustrated in Figure 7. It comprises a disk I36 of granular silicon carbide mixed with ceramic binder and fired at high temperature, with metal conducting plates I38 affixed to both sides. We have illustrated the plates I38 plated on the silicon carbide disk and soldered to wire connectors I40 and I42. The voltage-sensitive resistor is non-polar, i. e., its resistance characteristics are identical regardless of the direction of theapplied voltage. The variable resistance is also single-valued and non-linear. It is single-valued in the sense that, at any applied voltage, there is only one corresponding resistance, regardless of whether the previous voltage was higher or lower. It is non-linear in the sense that the change in resistance divided by the corresponding change in voltage is not a constant.
Referring now to Figure 8, one form of rectifier with which satisfactory results have been obtained is a simple tube I44 of insulating fiber threaded at both ends to receive a metal top plug I46 and bottom plug I48. For convenience in assembly, both plugs may be slotted to receive a screwdriver. External leads I and I52 are convenient for connecting the device into a circuit. Inside the tube I44 we provide a thin metallic plate I54 having a small central boss or tit abutting the plug I48. The annular space around the boss is filled in with an insulating washer I58.
The boss consists of a layer I of selenium and a layer I58 of Woods metal. A light compression coil spring I00 bears at its upper end against the plug I46 and at its lower end against the plate I50. This keeps the boss I56 in effective contact with the plug I48 and establishes an electrical connection through the device. A convenient size for such a device is about a quarter of an inch in diameter and three-fourths of an inch long. In such small sizes it is convenient to form the plate I5 3 by stamping it out of a large plate, one side of which has previously been coated with selenium and then with Woods metal. Then the disk is placed in a small lathe and turned down to final shape This leaves a contact area ample for the extremely small currents involved, and at the same time reduces the condenser action at the contact surface to a very minor fraction of what it would be if the contact surface were the entire area of the plate I54.
Such a device has a low conductivity when the terminal I50 is negative and relatively high conductivity when that terminal is positive. In the wiring diagrams the arrow points in the direction of low resistance conductivity.
Values that have been satisfactory in practical operation are as follows:
Resistor 28 0.025 meg. Resistor 32 0.1 meg. Capacitor 40 0.0025 mf. Resistor 42 0.2 meg. Resistor 44 0.025 meg. Capacitor 48 0.0025 mf. Resistor 50 0.03 meg. Capacitor 52 0.01 mf. Resistor 54 0.03 meg. Resistor 56 0.025 meg. Voltage-sensitive resistor 58 2.0 meg. to about 0.2 meg. Resistor 60 0.25 meg. Resistor 62 0.033 meg. Resistor 64 0.025 meg. Voltage-sensitive resistor 66 0.1 meg. to about .01 meg. Capacitor 68 0.0005 mf.
about.0.2.meg. Resistor i8. -s s- 0.03.3.meg. Capacitor 0.0005'meg. Resistor 82. 0.25 meg. Resistor 84 0.025 meg- Resistor 881 i 0.025 meg. Resistor 90 l 0.1 meg. Capacitor 94 s 0.75 mf. for 4.40-
cycle tone Capacitor H4 0.02mi. Neon tube H18 GeneralElectric ype N Resistor I20 0.25meg.v Capacitor H24 0.02 mf. Resistor [2.6 c srs 0.25.meg;.. Voltage-sensitive resistor l.Z8. about 2.0 meg.. to
Y about 0.02. mes. Capacitor I39 .n 0.02mi. Resistor I32 0.15. meg.
Complete electronic organs according to the finvention arein successful operation. In addition to the low cost due-to the absence of tubes the wave-shaping units, equipment according to the invention is remarkabl durable in service and-requires "a minimum of adjustment, evenafter prolonged use.
Others may readily adapt the invention. for various conditions of service by employing one or more of the novel'f'eatures disclosed or equivalents thereof. .As at present advised with respect to the apparent scope of our invention, :we desire to claim the following 'sub iect matter.
We claim:
1''. In an electronic musical instrument of the type embodyingmeans for amplifying an electrica-l oscillation-and generating a sound wave of corresponding wave shape; electronic equipment for generating an oscillation of predetermined wave formcorresponding to predetermined :tonal characteristics in the resulting soundwave, com prising, in combination; generating means comprising an oscillator-for generating 'an: electrica1 oscillation ot-substantially "smooth shape and' of the same frequency as the fundamental frequency of the'desired'sound "wave; distorting means incl-udingno' discharge device-andcomprising asurface contact rectifier connected to reccive the output of :said 'gene'rating means, whereby the wave formof the oscillation is distorted 'toin:- crease its com plexityra loud speaker; and-connections for energizing said loudspeaker accord ing to the distorted oscillation.
2. Equipment :according to claim. in combination with biasing means .operativ'ely.icon-- 5. Equipmentaccording to claim l, in whicha t, or plurality, of different. distorting me ns are all connected in parallelto receive the output of said. oscillator; said different distorting means picuzlucingv diiierent distorted wave shapes, all of the same fundamental frequency; in combination with a plurality of similar oscillators and sets of distorting means, of various frequencies; a plurality of bus bars; each bus bar connected to receiye the output of similar distorting means associated with all of said oscillators; and player controlled connections for connecting any selected. combination of bus bars to said loud speaker.
6. Equipment according to claim 1, in which said oscillators are normally inoperative, in combination with player-controlled key means for delivering plate voltage to render them operative.
'7. In an electronic musical instrument of the type embodying means for amplifying an electrical oscillation and generating a sound Wave of corresponding Wave shape; electronic equipment for'generating an oscillation of predetermined Wave form corresponding to predetermined tonal characteristics in the resulting sound wave,.c0m prising, in combination: generating means comprising an oscillator for generating an electrical oscillation of substantially smooth shape and of the same frequency as the fundamental frequency of the desired sound wave; distorting means including no discharge device anticomprising a non-linear .voltage sensitive resistance connected to receive the output of said generating means, whereby the Wave form of the oscillation is distorted to increase its complexity; a loud speaker; and connections for energizing said loud speakeraccording to: the distorted oscillation.
,8. Equipment according to claim 7, in which said generating meanscomprises a Hartley oscillatonand delivers an'oscillation having the shape ofafsubstantially perfect sine curve.
v9. Equipment according to claim ,7, in which saidv non-linear resistance is bi-directional and has. ,a. resistance thatgdecreases with increased voltage to a fraction of its resistance at low voltage.
10...lquinment according to claim 37 in com-- bination with biasing means operatively connected to. said distorting means.
11. Equipment according to claim 7., in which said oscillators are normally inoperative, in combination with .player controlled key means for delivering p-late'voltage to render themoperative.
' ,SGLOMON HEYTOW.
RICHARD H. PETERSON.
References Cited in the 'file of this patent UNITED .STATES PATENTS Number Name Date "1233594 8 Keck :Mar..-.4, 1941'. 2276 389 Hammond Mar. 17. .1942 2,432,152 .Hanert-et a1 Dec. 9,..1942'7 ..2 .l"9.8;6.6.6 "L scofferyct al. .-Feb.2'8, D 2,503552 Peters c Apr. .11, 1950 12,-5l16g'423 Larsen r. I lay 9.,11950 2 53263454 Ross etal- -.July 25,1950 2,545,665 .Larsen .Mar..2D, 1951
US195222A 1950-11-13 1950-11-13 Musical instrument Expired - Lifetime US2649006A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
US195222A US2649006A (en) 1950-11-13 1950-11-13 Musical instrument

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
US195222A US2649006A (en) 1950-11-13 1950-11-13 Musical instrument

Publications (1)

Publication Number Publication Date
US2649006A true US2649006A (en) 1953-08-18

Family

ID=22720514

Family Applications (1)

Application Number Title Priority Date Filing Date
US195222A Expired - Lifetime US2649006A (en) 1950-11-13 1950-11-13 Musical instrument

Country Status (1)

Country Link
US (1) US2649006A (en)

Cited By (12)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2842021A (en) * 1955-05-17 1958-07-08 Gulton Ind Inc Electronic musical instrument
US2870332A (en) * 1956-11-15 1959-01-20 Bell Telephone Labor Inc Oscillation generator
US2906959A (en) * 1956-07-09 1959-09-29 Richard H Peterson Electronic organ
US2933699A (en) * 1956-11-15 1960-04-19 Pacific Mercury Television Mfg Frequency control means for monophonic tone generating oscillator
US2933697A (en) * 1955-05-13 1960-04-19 Gulton Ind Inc Electronic musical instrument having voltage sensitive frequency variation means
US2989887A (en) * 1959-12-03 1961-06-27 Allen Organ Co Electronic organ and the like having transient tonal characteristic producing means
US2989886A (en) * 1959-05-15 1961-06-27 Allen Organ Co Electronic organ and the like having chiff and other tonal characteristic producing means
US3048792A (en) * 1958-07-08 1962-08-07 Conn Ltd C G Tone generator with selective switching means
US3097253A (en) * 1959-03-10 1963-07-09 Richard H Peterson Electronic musical instrument
US3197544A (en) * 1961-08-28 1965-07-27 Richard H Peterson Electronic musical instruments with twin detuning circuits to maintain constant vibrato
US3213181A (en) * 1962-05-03 1965-10-19 Gibson Inc Tone modifier for electrically amplified electro-mechanically produced musical tones
US3229019A (en) * 1960-01-04 1966-01-11 Richard H Peterson Electronic musical instrument

Citations (8)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2233948A (en) * 1938-03-17 1941-03-04 Baldwin Co Electrical organ
US2276389A (en) * 1938-04-02 1942-03-17 Hammond Laurens Electrical musical instrument
US2432152A (en) * 1942-06-20 1947-12-09 Hammond Instr Co Electrical musical instrument
US2498666A (en) * 1946-10-10 1950-02-28 Standard Telephones Cables Ltd Rectifier unit
US2503352A (en) * 1947-06-13 1950-04-11 Abner G Peters Art of modulating an electronic circuit
US2506722A (en) * 1944-10-30 1950-05-09 Weatherhead Co Slidable type drain cock
US2516344A (en) * 1947-07-18 1950-07-25 Daniel W Ross Rectifier
US2545665A (en) * 1949-08-05 1951-03-20 Central Commercial Ind Inc Musical instrument

Patent Citations (8)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2233948A (en) * 1938-03-17 1941-03-04 Baldwin Co Electrical organ
US2276389A (en) * 1938-04-02 1942-03-17 Hammond Laurens Electrical musical instrument
US2432152A (en) * 1942-06-20 1947-12-09 Hammond Instr Co Electrical musical instrument
US2506722A (en) * 1944-10-30 1950-05-09 Weatherhead Co Slidable type drain cock
US2498666A (en) * 1946-10-10 1950-02-28 Standard Telephones Cables Ltd Rectifier unit
US2503352A (en) * 1947-06-13 1950-04-11 Abner G Peters Art of modulating an electronic circuit
US2516344A (en) * 1947-07-18 1950-07-25 Daniel W Ross Rectifier
US2545665A (en) * 1949-08-05 1951-03-20 Central Commercial Ind Inc Musical instrument

Cited By (12)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2933697A (en) * 1955-05-13 1960-04-19 Gulton Ind Inc Electronic musical instrument having voltage sensitive frequency variation means
US2842021A (en) * 1955-05-17 1958-07-08 Gulton Ind Inc Electronic musical instrument
US2906959A (en) * 1956-07-09 1959-09-29 Richard H Peterson Electronic organ
US2870332A (en) * 1956-11-15 1959-01-20 Bell Telephone Labor Inc Oscillation generator
US2933699A (en) * 1956-11-15 1960-04-19 Pacific Mercury Television Mfg Frequency control means for monophonic tone generating oscillator
US3048792A (en) * 1958-07-08 1962-08-07 Conn Ltd C G Tone generator with selective switching means
US3097253A (en) * 1959-03-10 1963-07-09 Richard H Peterson Electronic musical instrument
US2989886A (en) * 1959-05-15 1961-06-27 Allen Organ Co Electronic organ and the like having chiff and other tonal characteristic producing means
US2989887A (en) * 1959-12-03 1961-06-27 Allen Organ Co Electronic organ and the like having transient tonal characteristic producing means
US3229019A (en) * 1960-01-04 1966-01-11 Richard H Peterson Electronic musical instrument
US3197544A (en) * 1961-08-28 1965-07-27 Richard H Peterson Electronic musical instruments with twin detuning circuits to maintain constant vibrato
US3213181A (en) * 1962-05-03 1965-10-19 Gibson Inc Tone modifier for electrically amplified electro-mechanically produced musical tones

Similar Documents

Publication Publication Date Title
US2649006A (en) Musical instrument
US2301871A (en) Electrical musical instrument
US2254284A (en) Electrical musical instrument
US3316341A (en) Electrical musical instruments
US1877317A (en) Musical instrument
US2357191A (en) Electrical musical instrument
US2414886A (en) Apparatus for the production of music
US2924776A (en) Tuner
US2233258A (en) Electrical musical instrument
US2989887A (en) Electronic organ and the like having transient tonal characteristic producing means
US3180918A (en) Tone generator system
US3960043A (en) Filter circuit
US2906959A (en) Electronic organ
US2126682A (en) Electrical musical instrument
US3119890A (en) Electronic organ obtaining reverberation effects utilizing a light sensitive resistor
US2128367A (en) Electrical musical instrument of the type employing gaseous discharge tubes
US2432152A (en) Electrical musical instrument
US2953055A (en) Percussion tone electrical musical instrument
US4195544A (en) Electronic musical instrument with external sound control function
US2480132A (en) Electrical musical instrument
US2563477A (en) Martin
US2212292A (en) Polyphonic instrument employing vibratory means
US2301869A (en) Frequency generating system
US2294178A (en) Electrical musical instrument
US3444306A (en) Electronic musical instrument producing piano effects