US2297829A - Electric piano with pedal control - Google Patents

Electric piano with pedal control Download PDF

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US2297829A
US2297829A US365215A US36521540A US2297829A US 2297829 A US2297829 A US 2297829A US 365215 A US365215 A US 365215A US 36521540 A US36521540 A US 36521540A US 2297829 A US2297829 A US 2297829A
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pedal
piano
loud
sound
rod
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Jr John Hays Hammond
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H3/00Instruments in which the tones are generated by electromechanical means
    • G10H3/12Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
    • G10H3/14Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
    • G10H3/18Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar

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  • This invention relates to musical instruments and more particularly to a pedal operated volume control for an electronic piano.
  • This application is a continuation in part of my co- 'pending application, Serial Number 199,792, filed April 4, 1938, for Electronic piano with pedal control.
  • the invention provides means for picking up energy from vibrating portions of the instrument, amplifying this energy, increasing the amount of amplification by the operation of a pedal or decreasing the amount of amplification by the operation of a second pedal and reproducing this energy as audible sound.
  • the vibratory energy may be picked up either electrostatically, or electromagnetically from the strings of the piano or other vibrating portion thereof.
  • the loud-speaker for reproducing the sound may be mounted entirely independent of the piano or it may be mounted in the piano, either separately or attached to the sound board to produce regeneration as may be desired.
  • Figure 1 is a side elevation of a standard grand piano illustrating one embodiment of the invention, with parts broken away to show the construction;
  • Figure 2 shows an end elevation of the piano illustrated in Figure 1;
  • Figure 3 is a view similar to Figure 2 illustrating a modified form of pedal operated volume control
  • Figure 4 illustrates a modiiied form of the attenuation circuits.
  • a piano II is shown as provided with the usual sound board I2 and electrically grounded metallic strings I3.
  • a capacity pickup mounted adjacent to the strings I3 is a capacity pickup, which in the form shown comprises a plate I5 which is connected through a resistor I5 and a battery I1 to the grounded strings and thru a condenser I8 to one point of a two position the strings or a separate plate or other metallic device may be used ior each note, or for any selected group of notes and may be made adjustable if desired.
  • the energizing circuit may be varied in accordance with standard practice. A representative circuit has been shown by way of illustration only.
  • each string I3 or each group of strings Mounted adjacent to each string I3 or each group of strings is an electromagnetic pick-up 28. All of these pick-ups 28 may be connected either in series or in parallel to the primary of a transformer 2 I, the secondary of which is connected between the second point of the switch I8 and ground.
  • the switch I3 permits the capacity pick-ups I5 or the electro-magnetic string pick-ups 28 to be utilized according to the effect desired.
  • the blade of the switch I9 is connected thru a potentiometer 21 to the input circuit of a preamplifier 28 of standard construction. While only one stage of amplication is shown in the pre-amplifier 28 it is to be understood that several stages may be used if found desirable, especially in connection with the capacity pick-up I5.
  • the pre-amplifier 28 is connected thru a transformer 28 to two conductors 30 and 3i which are connected to an attenuator 32, see Figure 2.
  • this attenuator is 80 formed in two sections of the bridged T type the controls of the variable resistances 31 and 38 are connected to a rod 45.
  • the output side of the attenuator 32 is connected by two conductors 41 and 48 to the primary of a transformer 49 ( Figure 1) the secondary of which is connected to the input circuit of a power amplifier 58 of standard construction.
  • the output circuit of this amplifier 50 is connected thru a transformer 5I to a loudspeaker 52.
  • the rod 42 which is slidably mounted in the frame work of the piano II, is provided with an adjustable lug ( Figure 2) which at vsuitable times is engaged by a second lug 55 attached to a rod 51, which is operated by the usual soft 50 pedal 43.
  • the soft pedal action may be of standard type.
  • the upper end of the rod 51 engages a lever 58 which is pivoted for rotation at 1I ( Figure 1).
  • 'I'he lever 58 is conswitch I3.
  • 'I'he plate I5 may extend across all 65 nected to one end of a link 60, the other end o! which is connected to one of a series of cam shaped members 6I which fit between the keys 18 and which are rigidly mounted on a rod 82.
  • 'I'he rod 82 is rotatably mounted in the frame work of the plano II.
  • the rod 45 which is slidably mounted in the framework of the piano is provided with an adjustable lug 66 ( Figure 2) which cooperates with a second lug 61 attached to a rod 68 which is operated by the usual 'loud pedal 89.
  • the loud pedal action may also be of any standard type.
  • the standard sott pedal action of the piano and the electrical sound reproducthe amount the soft pedal 48 ing system act successively so as to decrease the total volume of sound produced by the instrument below the sound intensity level which is normally obtained by the soft pedal action.
  • the upper end of the rod 88 engages a lever 10 which is pivoted for rotation at 1I ( Figure 1).
  • the lever 10 engages a rod 12 to the upper end of which is attached a bar 13 extending across the full width of the piano.
  • the bar 13 engages a plurality of collars 15 which are attached to rods 16 to the upper ends of which are attached dampers 11, which normally rest upon the strings I3.
  • the piano action including the keys 18 and hammers 19, is of any standard construction and is not set forth in detail herein.
  • the pedal 89 may constitute the usual loud pedal or sustenuto pedal and is not restricted to the specific embodiment shown.
  • either of the two pick-ups I3 and I5 may be used by moving the switch I9 into the first, or second position, thus connecting the pre-amplifier 28 to the electrostatic pick-ups I5, or the electromagnetic pick-ups 20. It will be understood that certain pick-ups may be used for a. selected range of piano notes and others for other notes and that they may be combined,
  • the potentiometer 21 may be adjusted to provide an average normal amplication corresponding to the normal playing volume of the piano without the use of any of the pedals. If it is desired to decrease the volume of sound be low the normal level, the soft pedal 43 is depressed which, by means of the rod 51, raises the lever 58. This raises the link 68 which causes the cam shaped members 6I to be rotated in a counterclockwise direction, thus lifting all the hammers 19 an amount dependent upon this rotation. In this way the travel of the hammers 19 is decreased thus producing the well known pianissimo eifect.
  • the cam shaped members 6I are so formed that during the iirst part of their motion the hammers will be lifted, after which any further rotation will not affect the position of the hammers.
  • the lug 56 will engage the lugv 55 thus lifting the rod 42 which operates the variable resistances 35 and 36 in a directionrto increase the former and decrease the latter. This will decrease the amount of energy passing from the transformer 29 to the transformer 49 thereby causing a decrease in the volume of sound produced by the loud speaker 52.
  • the nature of the attenuator is such, how- If it is desired to increase the volume of sound above the normal level, the loud pedal 89 is depressed thereby elevating the rod 88 which in turn rotates the lever 18 in a clockwise direction about the point 1I. This action, by means of the rod 12, elevates the bar 13 which engages all of the collars 15 thereby lifting all of the dampers 11 from the strings I3 to produce the well known fortissimo effect.
  • the volume of sound produced by the loudspeaker may be increased in proportion to the amount the loud pedal is depressed, the electrical control acting subsequently to the loudpedal action of the piano to increase the total volume of. sound produced by the instrument above the sound intensity level which could be attained by the usual loud pedal action.
  • are connected to an attenuator 8
  • the output side of the attenuator 8I is connected to the two conductors 41 and 48.
  • variable resistances 85 and 86 are connected to the rod 45, which is operated bythe loud pedal 69 as described in connection with Figure 2. In this form of the invention the standard soft pedal action is eliminated.
  • the loud pedal 69 is depressed to actuate the loud pedal action and variable resistances 85 and 86 in amanner similar to that described in connection with Figures 1 and 2.
  • 'I'he attenuators may be of any standard type for decreasing and increasing the amount of enspeaker 82 may be diminished .rgy transferred from the transformer 23 to the transformer 43.
  • the ratio of thehigh to the low frequencies may be varied with volume to accentuate the basenotes at high volurne and to accentuate the treble notes at low volume or vice versa as may be desired.
  • the rod l2 operates the variable resistances 33 and 36 the movable contact arms 3
  • Bridged across the variable resistance 33 and the fixed resistance 33 is a resistance 33 and a condenser 86 in series and bridged across the variable resistance 36 is a resistance 31 and a condenser 33 in series.
  • 'Ihe rod 45 operates the variable resistances 31 and 33 the movable contact arms 99 and of which are pivotally mounted on a vertical member illi.
  • Bridged across the variable resistance 31 and the fixed resistance 40 is a resistance
  • a vibrating element i.
  • an electrical pick-up device connected to receive energy therefrom, a sound reproducing device, a transmission channel interconnecting said pick-up device and said sound reproducing device, and atcontrol the attenuation of said channel and including means to maintain a substantially constant total impedance in said transmission channel, and manual control means to actuate said attenuation control means.
  • a vibrating element an electrical pick-up device connected to receive energy therefrom, a sound reproducing device, a transmission channel interconnecting said pick-up device and said sound reproducing device, and attenuation control means comprising a variable impedance network interposed in said transmission channel, said network being variable to control the attenuation of said channel and having means to vary the frequency on characteristics of said channel in accordance with the attenuation.
  • a vibrating element comprising a variable impedance network interposed in said transmission channel, said network being variable to control the attenuation of said channel and having means to vary the frequency tron characteristics of said channel in accordance with the attenuation in a manner to discriminate against the low frequencies when the attenuation is high and to discriminate against high frequencies when the attenuation is low.
  • a piano having a vibrating element, an electrical pick-up device connected to receive energy therefrom, a sound reproducing device.
  • a transmission channel interconnecting said pickup device and said sound reproducing device, and variable volume control means adapted to vary the transmission characteristics of said channel, separate loud and soft pedals connected respectively to actuate said volume control means from an intermediate position corresponding to normal piano volume to increase and decrease respectively the volume of the reproduced sound.
  • a piano having a plano action including vibrating strings, a soft pedal action, a soft pedal actuating the same, a loud pedal ation, a loud pedal actuating the same, an electrical pick-up device connected to receive vibratory energy from said piano, a sound reproducing device, a transmission channel interconnecting said pick-up device and said sound reproducing device, said transmission channel normally having transmission characteristics suited to the normal playing of the piano without actuation of either the loud or the soft pedal, independent volume control means associated with said transmission channel to increase and decrease respectively the transmission characteristics thereof and means associated with the loud and soft pedal actions respectively to actuate said volume control means whereby depression of the loud and soft pedals increases or decreases respectively both the mechanical and the electrical sound propagating characteristics of the piano.

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  • Acoustics & Sound (AREA)
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Description

A la
ELECTRIC PIANO WITH PEDAL CONTROL Filed May l2, 1940 3 Sheets-Sheet l I/IIl-w I I6 l 7 \\\\\\\\\S| 72 V/ l |l so CIT- l 6) INVENTOR 0 JOHN HAYs HAMMoND,JR.
Ot.6,1942.` J H HAMMOND,JR 2,297,829
ELECTRIC PIANO WITH PEDAL CONTROL Filed Maly l2, 1940 5 Sheets-Sheet 2 INVENTORl i E JOHN HAvs HAMMoNn,JR.
0d 6, A194?" J. H. HAMMOND, JR 2,297,829 v ELECTRIC PIANO WITH PEDAL CONTROL Filed May l2, 1940 5 Sheets-Sheet 3 INVENTOR JOH N HAYS HAMMOND, JR.
RNEY
Patented Oct. 6, 1942 vUNITED sTATEs PATENT OFFICE 2,297,829 ELECTRIC PIANO wrm rEnar. coN'raoL John Hays Hammond, Jr., Gloucester, Mall.
Application November 12, 1940, Serial No. 385,215 s claims. (ci. :i4-'1.21)
This invention relates to musical instruments and more particularly to a pedal operated volume control for an electronic piano. This application is a continuation in part of my co- 'pending application, Serial Number 199,792, filed April 4, 1938, for Electronic piano with pedal control.
The invention provides means for picking up energy from vibrating portions of the instrument, amplifying this energy, increasing the amount of amplification by the operation of a pedal or decreasing the amount of amplification by the operation of a second pedal and reproducing this energy as audible sound.
The vibratory energy may be picked up either electrostatically, or electromagnetically from the strings of the piano or other vibrating portion thereof. The loud-speaker for reproducing the sound may be mounted entirely independent of the piano or it may be mounted in the piano, either separately or attached to the sound board to produce regeneration as may be desired.
'I'he invention also consists in certain new and original features of construction and combinations of parts hereinafter set forth and claimed.
Although the novel features which are believed to be characteristic of this invention will be particularly pointed out in the claims appended hereto, the invention itself, as to its objects and advantages, the mode of its operation and the manner of its organization may be better understood by referring to the following description, taken in connection with the accompanying drawings forming a part thereof, in which:
Figure 1 is a side elevation of a standard grand piano illustrating one embodiment of the invention, with parts broken away to show the construction;
Figure 2 shows an end elevation of the piano illustrated in Figure 1;
Figure 3 is a view similar to Figure 2 illustrating a modified form of pedal operated volume control; and
Figure 4 illustrates a modiiied form of the attenuation circuits.
Referring to the embodiment of the invention shown in Figures 1 and 2, a piano II is shown as provided with the usual sound board I2 and electrically grounded metallic strings I3. Mounted adjacent to the strings I3 is a capacity pickup, which in the form shown comprises a plate I5 which is connected through a resistor I5 and a battery I1 to the grounded strings and thru a condenser I8 to one point of a two position the strings or a separate plate or other metallic device may be used ior each note, or for any selected group of notes and may be made adjustable if desired. The energizing circuit may be varied in accordance with standard practice. A representative circuit has been shown by way of illustration only.
Mounted adjacent to each string I3 or each group of strings is an electromagnetic pick-up 28. All of these pick-ups 28 may be connected either in series or in parallel to the primary of a transformer 2 I, the secondary of which is connected between the second point of the switch I8 and ground. The switch I3 permits the capacity pick-ups I5 or the electro-magnetic string pick-ups 28 to be utilized according to the effect desired.
The blade of the switch I9 is connected thru a potentiometer 21 to the input circuit of a preamplifier 28 of standard construction. While only one stage of amplication is shown in the pre-amplifier 28 it is to be understood that several stages may be used if found desirable, especially in connection with the capacity pick-up I5.
The pre-amplifier 28 is connected thru a transformer 28 to two conductors 30 and 3i which are connected to an attenuator 32, see Figure 2. In the embodiment shown this attenuator is 80 formed in two sections of the bridged T type the controls of the variable resistances 31 and 38 are connected to a rod 45.
The output side of the attenuator 32 is connected by two conductors 41 and 48 to the primary of a transformer 49 (Figure 1) the secondary of which is connected to the input circuit of a power amplifier 58 of standard construction. The output circuit of this amplifier 50 is connected thru a transformer 5I to a loudspeaker 52.
The rod 42, which is slidably mounted in the frame work of the piano II, is provided with an adjustable lug (Figure 2) which at vsuitable times is engaged by a second lug 55 attached to a rod 51, which is operated by the usual soft 50 pedal 43.
The soft pedal action may be of standard type. In the embodiment shown, the upper end of the rod 51 engages a lever 58 which is pivoted for rotation at 1I (Figure 1). 'I'he lever 58 is conswitch I3. 'I'he plate I5 may extend across all 65 nected to one end of a link 60, the other end o! which is connected to one of a series of cam shaped members 6I which fit between the keys 18 and which are rigidly mounted on a rod 82.
'I'he rod 82 is rotatably mounted in the frame work of the plano II.
It is to be understood that the invention is also applicable to pianos having other types of soft pedal action such as means to shift the hammers laterally with respect to the strings or groups of strings.
The rod 45 which is slidably mounted in the framework of the piano is provided with an adjustable lug 66 (Figure 2) which cooperates with a second lug 61 attached to a rod 68 which is operated by the usual 'loud pedal 89. The loud pedal action may also be of any standard type.
ever, as to maintain a constant impedance between these transformers as the attenuation is varied. In this way the volume of sound produced by the loud in proportion to is depressed.
In the embodiment of the invention shown'in Figures 1 and 2, the standard sott pedal action of the piano and the electrical sound reproducthe amount the soft pedal 48 ing system act successively so as to decrease the total volume of sound produced by the instrument below the sound intensity level which is normally obtained by the soft pedal action.
As shown, the upper end of the rod 88 engages a lever 10 which is pivoted for rotation at 1I (Figure 1). The lever 10 engages a rod 12 to the upper end of which is attached a bar 13 extending across the full width of the piano. The bar 13 engages a plurality of collars 15 which are attached to rods 16 to the upper ends of which are attached dampers 11, which normally rest upon the strings I3. The piano action, including the keys 18 and hammers 19, is of any standard construction and is not set forth in detail herein. The pedal 89 may constitute the usual loud pedal or sustenuto pedal and is not restricted to the specific embodiment shown. In the operation of this system either of the two pick-ups I3 and I5 may be used by moving the switch I9 into the first, or second position, thus connecting the pre-amplifier 28 to the electrostatic pick-ups I5, or the electromagnetic pick-ups 20. It will be understood that certain pick-ups may be used for a. selected range of piano notes and others for other notes and that they may be combined,
amplied and mixed in anyl Well known manner.
When the piano is played, energy from the selected pick-up is fed thru the potentiometer 21 to the pre-amplier 28 where it is amplified and fed thru the attenuator 32 to the power amplier 50. From the power amplifier 50 the energy is fed to the loud-speaker 52 where it is reproduced as audible sound in the usual manner.
With the pedals 43 and 69 in their normal positions, the potentiometer 21 may be adjusted to provide an average normal amplication corresponding to the normal playing volume of the piano without the use of any of the pedals. If it is desired to decrease the volume of sound be low the normal level, the soft pedal 43 is depressed which, by means of the rod 51, raises the lever 58. This raises the link 68 which causes the cam shaped members 6I to be rotated in a counterclockwise direction, thus lifting all the hammers 19 an amount dependent upon this rotation. In this way the travel of the hammers 19 is decreased thus producing the well known pianissimo eifect. The cam shaped members 6I are so formed that during the iirst part of their motion the hammers will be lifted, after which any further rotation will not affect the position of the hammers.
If the pedal 43 is further depressed beyond the position of maximum hammer control the lug 56 will engage the lugv 55 thus lifting the rod 42 which operates the variable resistances 35 and 36 in a directionrto increase the former and decrease the latter. This will decrease the amount of energy passing from the transformer 29 to the transformer 49 thereby causing a decrease in the volume of sound produced by the loud speaker 52. The nature of the attenuator is such, how- If it is desired to increase the volume of sound above the normal level, the loud pedal 89 is depressed thereby elevating the rod 88 which in turn rotates the lever 18 in a clockwise direction about the point 1I. This action, by means of the rod 12, elevates the bar 13 which engages all of the collars 15 thereby lifting all of the dampers 11 from the strings I3 to produce the well known fortissimo effect.
This effect is obtained prior to contact between the lugs 66 and 61. If the pedal 89 is further depressed the lug 61 will engage the lug 66, thereby elevating the rod 45 which operates the variable resistances 31 and 38 to decrease the former and increase the latter. 'I'his allows more ene'fgy to pass from the transformer 29 to thetransformer 49, but maintains a constant impedance between these transformers.
In this way the volume of sound produced by the loudspeaker may be increased in proportion to the amount the loud pedal is depressed, the electrical control acting subsequently to the loudpedal action of the piano to increase the total volume of. sound produced by the instrument above the sound intensity level which could be attained by the usual loud pedal action.
Referring to the modified form of the invention shown in Figure 3 the conductors 30 and 3| are connected to an attenuator 8| which comprises three xed resistances 82, 83 and 84 and two variable resistances 85 and 86. The output side of the attenuator 8I is connected to the two conductors 41 and 48.
'Ihe fixed resistance 83 81 which is connected which cooperates with a ried by the rod 51,
is provided with a tap to a xed contact 88, movable contact 89 carwhich in turn is operated by the soft pedal 43. The controls of the variable resistances 85 and 86 are connected to the rod 45, which is operated bythe loud pedal 69 as described in connection with Figure 2. In this form of the invention the standard soft pedal action is eliminated.
In the operation of the modied form of the invention shown in Figure 3, when it is desired to decrease the volume of sound below the normal level the soft pedal 43 is depressed, thereby causing the movable contact 89 to engage the xed contact 88 thus short circuiting part of the resistance 83. This decreases the amount of energy passing from the transformer 29 to the transformer 49. In this way the volume of sound produced by the loud-speaker 52 may be diminished a predetermined amount when the soft pedal 43 is depressed.
If it is desired to increase the volume of sound above the normal level, the loud pedal 69 is depressed to actuate the loud pedal action and variable resistances 85 and 86 in amanner similar to that described in connection with Figures 1 and 2.
'I'he attenuators may be of any standard type for decreasing and increasing the amount of enspeaker 82 may be diminished .rgy transferred from the transformer 23 to the transformer 43.
While in the form of the invention shown the mechanical operation is produced first followed by the electrical operation, it is to be understood that this order of procedure may be varied as desired by changing the positions of the adjustable lugs 33 and 3l the length of the rod 'I2 and the shape of the cam members 3|. In this way, the mechanical and electrical operations may occur simultaneously or the electrical operation may precede the mechanical operation if desired.
In certain instances it may be desirable to change the frequency transmission characteristics of the line so as to produce different effects on the different frequencies in a manner well known in the art. For example, the ratio of thehigh to the low frequencies may be varied with volume to accentuate the basenotes at high volurne and to accentuate the treble notes at low volume or vice versa as may be desired.
These results may be accomplished by the use of the modified attenuator circuits shown in Figure 4. In these circuits the rod l2 operates the variable resistances 33 and 36 the movable contact arms 3| and 32 of which are pivotally mounted on a vertical member 33. Bridged across the variable resistance 33 and the fixed resistance 33 is a resistance 33 and a condenser 86 in series and bridged across the variable resistance 36 is a resistance 31 and a condenser 33 in series. 'Ihe rod 45 operates the variable resistances 31 and 33 the movable contact arms 99 and of which are pivotally mounted on a vertical member illi. Bridged across the variable resistance 31 and the fixed resistance 40 is a resistance |02 and a condenser |03 in series and bridged across the variable resistance 38 is a resistance |03 and a condenser |36 in series.
In the operation of the attenuator shown in Figure 4 when the rod 42 is elevated by the depression of the soft pedal 43 the contact arms 9i and 92 are rotated in a counter-clockwise direction thus increasing the resistance of the variable resistance and decreasing the resistance of the variable resistance 36 which increases the attenuation of the attenuator 32. As the attenuation is increased a greater proportion of the high frequencies is allowed to pass thru the filter net work thus changing the frequency characteristics with the attenuation.
When the rod 45 is elevated by the operation of the loud pedal 69 the contact arms 33 and |30 are rotated in a clockwise direction thus decreasing the resistance of the variable resistance 31 and increasing the resistance of the variable resistance 33 which decreases the attenuation of the attenuator 32. As the attenuation is decreased a greater proportion of the low frequencies is allowed to pass thru the filter net work producing the opposite effect to that produced when the soft pedal I3 is depressed.
Although only a few of the various forms in which this invention may be embodied have been shown herein, it is to be understood that the invention isnot limited to any specific construction but may be embodied in various forms without departing from the spirit of the invention or the scope of the appended claims.
What is claimed is:
i. In a piano, a vibrating element, an electrical pick-up device connected to receive energy therefrom, a sound reproducing device, a transmission channel interconnecting said pick-up device and said sound reproducing device, and atcontrol the attenuation of said channel and including means to maintain a substantially constant total impedance in said transmission channel, and manual control means to actuate said attenuation control means.
2. In a piano, a vibrating element, an electrical pick-up device connected to receive energy therefrom, a sound reproducing device, a transmission channel interconnecting said pick-up device and said sound reproducing device, and attenuation control means comprising a variable impedance network interposed in said transmission channel, said network being variable to control the attenuation of said channel and having means to vary the frequency on characteristics of said channel in accordance with the attenuation.
3. In a piano, a vibrating element, an electrical pick-up device connected to receive energy therefrom, a sound reproducing device, a transmission channel interconnecting said pick-up devicev and said sound reproducing device, and attenuation control means comprising a variable impedance network interposed in said transmission channel, said network being variable to control the attenuation of said channel and having means to vary the frequency tron characteristics of said channel in accordance with the attenuation in a manner to discriminate against the low frequencies when the attenuation is high and to discriminate against high frequencies when the attenuation is low.
4. In a piano having a vibrating element, an electrical pick-up device connected to receive energy therefrom, a sound reproducing device. a transmission channel interconnecting said pickup device and said sound reproducing device, and variable volume control means adapted to vary the transmission characteristics of said channel, separate loud and soft pedals connected respectively to actuate said volume control means from an intermediate position corresponding to normal piano volume to increase and decrease respectively the volume of the reproduced sound.
5. The invention set forth in claim 6 in which the piano action includes hammers adapted to actuate said strings and the soft pedal action includes means for decreasing the throw of said hammers when said soft pedal is depressed.
6. In a piano having a plano action including vibrating strings, a soft pedal action, a soft pedal actuating the same, a loud pedal ation, a loud pedal actuating the same, an electrical pick-up device connected to receive vibratory energy from said piano, a sound reproducing device, a transmission channel interconnecting said pick-up device and said sound reproducing device, said transmission channel normally having transmission characteristics suited to the normal playing of the piano without actuation of either the loud or the soft pedal, independent volume control means associated with said transmission channel to increase and decrease respectively the transmission characteristics thereof and means associated with the loud and soft pedal actions respectively to actuate said volume control means whereby depression of the loud and soft pedals increases or decreases respectively both the mechanical and the electrical sound propagating characteristics of the piano.
7. In the invention set forth in claim 6, means associated with said loud and soft pedal actions to-cause mechanical actuation of said actions prior to the electrical control of said transmission channel, whereby the transmission characteristics of said channel are altered only after the standard soft and loud pedal mechanical action of the piano has taken effect.
8. In the invention set forth in claim 6, means associated with said loud and soft pedal actions respectively to actuate said electrical control means prior to the actuation of the mechanical loud and soft pedal actions, whereby the trans- JOHN HAYS HAM.'MOND, JR.
10 manner.
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Cited By (10)

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US2569521A (en) * 1947-12-02 1951-10-02 Pulford J Greaves Electronic organ
US2575230A (en) * 1948-07-03 1951-11-13 Baldwin Co Electrically noiseless progressive contact means
US2645968A (en) * 1950-06-23 1953-07-21 Hammond Instr Co Electrical musical instrument
US2811069A (en) * 1951-03-03 1957-10-29 Alfred H Faulkner Electrical musical instrument
US2900861A (en) * 1947-06-06 1959-08-25 Davis Merlin Electronic musical instruments
US2948178A (en) * 1959-03-31 1960-08-09 Jacobson Jesse Electronic musical reed instruments
US3002412A (en) * 1956-11-27 1961-10-03 Wurlitzer Co Pedal structure for electronic piano
US3073203A (en) * 1960-05-12 1963-01-15 Atuk Corp Conversion of mechanical vibrations into electrical oscillations
US3075423A (en) * 1958-08-06 1963-01-29 Gibbs Mfg & Res Corp Swell control
US5274710A (en) * 1991-11-26 1993-12-28 Dunlop Manufacturing, Inc. Pedal volume control for electric instruments

Cited By (10)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2900861A (en) * 1947-06-06 1959-08-25 Davis Merlin Electronic musical instruments
US2569521A (en) * 1947-12-02 1951-10-02 Pulford J Greaves Electronic organ
US2575230A (en) * 1948-07-03 1951-11-13 Baldwin Co Electrically noiseless progressive contact means
US2645968A (en) * 1950-06-23 1953-07-21 Hammond Instr Co Electrical musical instrument
US2811069A (en) * 1951-03-03 1957-10-29 Alfred H Faulkner Electrical musical instrument
US3002412A (en) * 1956-11-27 1961-10-03 Wurlitzer Co Pedal structure for electronic piano
US3075423A (en) * 1958-08-06 1963-01-29 Gibbs Mfg & Res Corp Swell control
US2948178A (en) * 1959-03-31 1960-08-09 Jacobson Jesse Electronic musical reed instruments
US3073203A (en) * 1960-05-12 1963-01-15 Atuk Corp Conversion of mechanical vibrations into electrical oscillations
US5274710A (en) * 1991-11-26 1993-12-28 Dunlop Manufacturing, Inc. Pedal volume control for electric instruments

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