US1205A - Improvement in the action of piano-fortes - Google Patents

Improvement in the action of piano-fortes Download PDF

Info

Publication number
US1205A
US1205A US1205DA US1205A US 1205 A US1205 A US 1205A US 1205D A US1205D A US 1205DA US 1205 A US1205 A US 1205A
Authority
US
United States
Prior art keywords
piano
action
key
hammer
german
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Expired - Lifetime
Application number
Publication date
Application granted granted Critical
Publication of US1205A publication Critical patent/US1205A/en
Anticipated expiration legal-status Critical
Expired - Lifetime legal-status Critical Current

Links

Images

Classifications

    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10CPIANOS, HARPSICHORDS, SPINETS OR SIMILAR STRINGED MUSICAL INSTRUMENTS WITH ONE OR MORE KEYBOARDS
    • G10C3/00Details or accessories
    • G10C3/12Keyboards; Keys
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10CPIANOS, HARPSICHORDS, SPINETS OR SIMILAR STRINGED MUSICAL INSTRUMENTS WITH ONE OR MORE KEYBOARDS
    • G10C3/00Details or accessories
    • G10C3/16Actions
    • G10C3/22Actions specially adapted for grand pianos
    • YGENERAL TAGGING OF NEW TECHNOLOGICAL DEVELOPMENTS; GENERAL TAGGING OF CROSS-SECTIONAL TECHNOLOGIES SPANNING OVER SEVERAL SECTIONS OF THE IPC; TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
    • Y10TECHNICAL SUBJECTS COVERED BY FORMER USPC
    • Y10TTECHNICAL SUBJECTS COVERED BY FORMER US CLASSIFICATION
    • Y10T29/00Metal working
    • Y10T29/47Burnishing

Definitions

  • the key is a long lever having its fulcrum between its extremities.
  • One end presents itself in the key-board and is that which is touched by the fingers of the performer.
  • the other end which is inside the instrument, carries what is called a capsel or upright, forked at the top.
  • On the inner sides of the fork and opposite are indented small female centers to receive the corresponding centers of a small shaft or axis, upon which the hammerhandle is supported.
  • the hammer is thus attached to the key, and when the key is struck by the performer the capsel is raised, and the shortest end of the hammer-handle being caught or retained by a peculiar contrivance called the catch and prevented from rising The other end of the handle rises with it, and the hammer at the extremity of such end is thrown briskly against the string and the required sound is produced.
  • My improvement consists in combining and arranging the mechanical parts constituting the action in the following manner:
  • my key is a single stick with nothing attached to it. (See A in the drawings.)
  • my capsel or upright to carry the hammer which is made in other respects like that of the German piano, instead, as is the case in that piano, of being attached to-the end of the key is attached to the end of a lever B, Whose fulcrum Q is at the back of the piano, which end of the lever B projects over the inner arm of the key at E and is raised by it when the key is pressed down, and the same effect is produced as in the German piano, the catch H operating in the same way, except that in my piano the position of the hammer-handle is reversed, the catch being nearer the key-board than the hammer is, while in the German piano the hammer is nearer the key-board than the catch is. Now it will be seen at once that my key is Wholly separated from the rest of the
  • Thisregulating-screw hasbeenmade heretofore accessible by other piano-makers, but not in connection with the German action or in the same combination or arrangement of parts that my improvement exhibitsa the above, the placing ⁇ of the catch II, which operates in the same manner as in the German action, nearer the key-boardthan the hammer is, the position of the hammer-handle being, ⁇ reversed, which is the opposite of the German action, and also combining ⁇ with this arrangement the regulating-screw I, as described in the speciieation, the Whole being, ⁇ combined and operating as herein set forth.

Description

with the capsel.
UNITED STATES PATENT OFFICE.
JOHN J, VISE, OF BALTIMORE, MARYLAND.
IMPROVEMENT IN THE ACTION OF PIANO-FORTES.
To @ZZ whom t may concern:
Be it known that I, JOHN J. WISE, of the city of Baltimore, in the State of Maryland, have invented a new and useful Improve ment in the Action of the Piano-Forte, applicable to the upright as well as to the horizontal square piano-forte and grand pianoforte, called WisesDetached Composite Action,7 of which the following is a full and eX- act description.
The action of a piano-forte is understood by all acquainted with the instrument to mean the combination of mechanical parts by which a touch on the key is made to produce the stroke of the hammer on the wire which gives out the sound. There are various kinds of action or different combinations ot parts or modes for producing the same result. Among the best, perhaps, is the German action, which differs from all the others and is in many respects peculiar to itself. The German action is so well understood by piano- Inakers and performers on the instrument that I shall describe it for the purpose of more satisfactorily identifying to the minds of others acquainted with the subject my own invention by showing wherein the latter differs from t-he German action. In all actions there are parts in common. In the German action the key is a long lever having its fulcrum between its extremities. One end presents itself in the key-board and is that which is touched by the fingers of the performer. The other end, which is inside the instrument, carries what is called a capsel or upright, forked at the top. On the inner sides of the fork and opposite are indented small female centers to receive the corresponding centers of a small shaft or axis, upon which the hammerhandle is supported. The hammer is thus attached to the key, and when the key is struck by the performer the capsel is raised, and the shortest end of the hammer-handle being caught or retained by a peculiar contrivance called the catch and prevented from rising The other end of the handle rises with it, and the hammer at the extremity of such end is thrown briskly against the string and the required sound is produced.
To the above arrangement of parts in a German piano there are serious objections which my improvement removes by a Inode 'the weather and dampness.
Specification forming part of Letters Patent No. l ,205, dated .I une 27, i839.
peculiar to itself. For instance, the hammer, being attached to the key and at the longest end of the lever, any wear and tear in the fulcrum of the key or shrinkage of the Wood byloosening the key makes the hammer and its parts or iixtures unsteady, the hammer striking uncertainly upon the string and at times striking the string adjoinin the proper one, and the older a German piano gets and the more it is used the more is this perceptible; nor can the key which has gotten loose be taken out and replaced without removing the whole machinery attached to it. The difficulty here suggested is experienced, indeed, in some of the best German pianos when quite new, it being necessary that the keys or levers be tted loose, that a free motion may not be obstructed by a change of Another objection to the construction of the German piano is that the eontrivance by Which the stroke of the hammer is regulated is out of the way and cannot be got at Without taking the piano to pieces. The objectionable parts of the German action here presented I propose to avoid by my improvement.
My improvement consists in combining and arranging the mechanical parts constituting the action in the following manner: In the rst place, my key is a single stick with nothing attached to it. (See A in the drawings.) In the second place, my capsel or upright to carry the hammer, which is made in other respects like that of the German piano, instead, as is the case in that piano, of being attached to-the end of the key is attached to the end of a lever B, Whose fulcrum Q is at the back of the piano, which end of the lever B projects over the inner arm of the key at E and is raised by it when the key is pressed down, and the same effect is produced as in the German piano, the catch H operating in the same way, except that in my piano the position of the hammer-handle is reversed, the catch being nearer the key-board than the hammer is, while in the German piano the hammer is nearer the key-board than the catch is. Now it will be seen at once that my key is Wholly separated from the rest of the action. It has nothing attached to it. It may be taken out at pleasure anda new key put in should it get too loose, and
2 Lee-.5
let it get ever so loose it cannot disturb the accuracy ot' the stroke of the hammer on the string. Vhether the end of the key acts on the center of the lever B or on the right or left of the center line, the only force that it exerts on B is to raise it perpendicularly Without deranging its position sidewise or the position or the stroke ot' the hammer that is attached to it. My key, too, being a simple stick, is less liable to Wear and tear than it' it had the hammer and its accompanying` parts attached to it.
As already remarked, the hammer in the German piano is nearer the keyboard than the catch is. In my piano its position is reversed. This enables me to place the screw by which the catch is regulated Where it can be easily got at. In the German piano it is at the bottom of the instrument. In my improvement the owner of the instrument may regulate the catch. In a German piano the instrument must be taken to pieces for the purpose. Thisregulating-screwhasbeenmade heretofore accessible by other piano-makers, but not in connection with the German action or in the same combination or arrangement of parts that my improvement exhibitsa the above, the placing` of the catch II, which operates in the same manner as in the German action, nearer the key-boardthan the hammer is, the position of the hammer-handle being,` reversed, which is the opposite of the German action, and also combining` with this arrangement the regulating-screw I, as described in the speciieation, the Whole being,` combined and operating as herein set forth.
JOHN J. VISE.
Witnesses: i
T. HANsoN BELT, JAS. S. WHITE.
US1205D Improvement in the action of piano-fortes Expired - Lifetime US1205A (en)

Publications (1)

Publication Number Publication Date
US1205A true US1205A (en) 1839-06-27

Family

ID=2061491

Family Applications (1)

Application Number Title Priority Date Filing Date
US1205D Expired - Lifetime US1205A (en) Improvement in the action of piano-fortes

Country Status (1)

Country Link
US (1) US1205A (en)

Cited By (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US20060109701A1 (en) * 2004-11-24 2006-05-25 Morcov Nicolae A Method and system for producing controlled frequency power from a variable frequency power source

Cited By (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US20060109701A1 (en) * 2004-11-24 2006-05-25 Morcov Nicolae A Method and system for producing controlled frequency power from a variable frequency power source

Similar Documents

Publication Publication Date Title
US1205A (en) Improvement in the action of piano-fortes
US5985A (en) Pianoforte-action
US246805A (en) Gustav neuhaus
US608177A (en) Piano action
US2167A (en) Pianoforte
US115096A (en) Improvement in key-boards
US562283A (en) Keyed cithern
US210043A (en) Improvement in piano-fortes
US137544A (en) Improvement in piano and organ keys
US132709A (en) Improvement in piano actions
US727665A (en) Musical instrument.
US732078A (en) Zither.
US1055546A (en) Piano-action.
US2523A (en) Mode op constructing shifting- movements for square or horizontal
US578048A (en) stuart
US759532A (en) Note-striking mechanism for musical instruments.
US757889A (en) Key-striker for piano-players.
US1049278A (en) Horizontal piano.
US239271A (en) Ludwig plass
US663552A (en) Auxiliary operating attachment for piano-actions.
US1008009A (en) Piano-player.
US4109A (en) Samuel k
US956003A (en) Pianoforte.
US317661A (en) metzdorff
US323632A (en) Piano-action