TWM499632U - Shoulder brace structure of fiddle - Google Patents
Shoulder brace structure of fiddle Download PDFInfo
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- TWM499632U TWM499632U TW103223384U TW103223384U TWM499632U TW M499632 U TWM499632 U TW M499632U TW 103223384 U TW103223384 U TW 103223384U TW 103223384 U TW103223384 U TW 103223384U TW M499632 U TWM499632 U TW M499632U
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Description
本創作是有關於一種可符合人體工學進而增加練琴舒適度之提琴之肩墊結構。This creation is about a shoulder pad structure that can be ergonomically enhanced to enhance the comfort of the piano.
按,目前一般所常見可供中、小提琴所使用之肩墊構造有兩個作用,其一為可以改善夾琴姿勢,由於人的脖子有長有短,儘管脖子較短者,腮部到鎖骨部位的距離也要比琴的厚度加腮托的高度要多,若欲夾住提琴最舒適的位置處時,就需要稍微的聳肩,或者向左方轉頭或歪頭,不論何種方式,都會造成肩頸部位的緊張,若於長時間保持該姿勢,易得職業病,故可透過肩墊結構改善此情況。According to the current, the shoulder pad structure commonly used in the middle and violin has two functions, one of which can improve the posture of the piano, because the neck of the person is long and short, although the neck is shorter, the ankle to the collarbone The distance between the parts is also higher than the thickness of the piano plus the height of the chin rest. If you want to clamp the most comfortable position of the violin, you need to shrug a little, or turn your head or hoe to the left, no matter what the way. It will cause tension in the shoulder and neck. If you maintain this position for a long time, it is easy to get an occupational disease, so you can improve this situation through the shoulder pad structure.
再者,提琴最昂貴的一塊板子即為提琴的背板,而背板的條紋、產地等都是決定一把提琴價值的關鍵,也是決定提琴音色的關鍵,若不使用肩墊拉琴,此時肩膀會直接接觸在背板上面,肩膀與腮部同時用力把提琴夾住,這時除了夾住提琴之外,還夾住了背板的震動;而若使用肩墊的話,肩墊的兩隻腳會穩穩地夾在背板的邊緣部位,使提琴的整個背板架空,如此可讓背板充分的震動而具有共鳴的作用。Moreover, the most expensive board of the violin is the backboard of the violin, and the stripes and origin of the backboard are the key to determining the value of a violin. It is also the key to determining the violin sound. If you do not use the shoulder pad to play the piano, this When the shoulder is directly in contact with the back of the backboard, the shoulder and the crotch force the violin at the same time. At this time, in addition to the violin, the vibration of the backboard is clamped; and if the shoulder pad is used, the shoulder pad is used. The foot will be firmly clamped on the edge of the backboard, so that the entire back of the violin is overhead, so that the backboard can fully vibrate and resonate.
請參閱中華民國新型公告第M250274號「提琴之肩墊結構」專利案,如第1圖所示,其主要係設有具弧曲面之肩墊11,以供可置放於演奏者之肩膀上,該肩墊11端分別設有調整片12,雖然可以利用調整片12進行角度上之調整,但由於該肩墊11之材質所製成,重量較重,因此柔軟性不佳,又因置放肩膀上其角度受限,演奏時之音質反應不佳,琴身係二端固定於調整片12上,其用力拴住琴身時壓力較大而導致共鳴音悶弱,而感受不到共鳴,並且在調整角度上容易偏斜,而且肩墊11與中、小提琴接觸時,容易因磨擦造成琴漆脫落而影響音質。Please refer to the Republic of China New Bulletin No. M250274 "Piano Shoulder Pad Structure" patent, as shown in Figure 1, which is mainly provided with a curved surface shoulder pad 11 for placement on the shoulder of the player. The shoulder pad 11 is respectively provided with the adjusting piece 12, and although the adjusting piece 12 can be used for the angle adjustment, the weight of the shoulder pad 11 is heavy, so the softness is poor and the setting is The angle on the shoulder is limited, the sound quality of the performance is not good, and the two ends of the body are fixed on the adjusting piece 12. The pressure is strong when the body is pressed, and the resonance sound is weak, and the resonance is not felt. And it is easy to be skewed in the adjustment angle, and when the shoulder pad 11 is in contact with the middle and the violin, it is easy to cause the piano paint to fall off due to friction and affect the sound quality.
再者,現有技術中的小提琴肩墊結構,於練琴時,練琴者的頸部抵住小提琴尾部,手托住小提琴前部,另一手持弓拉琴,此種設計容易造成練琴人的頸部疲勞,使之頭部偏向一邊,久而久之,還有可能造成肩部的偏斜,影響練琴的有效時間和質量。Furthermore, in the prior art, the violin shoulder pad structure, when practicing the piano, the piano player's neck is against the tail of the violin, the hand holds the front of the violin, and the other holds the bow, which is easy to cause the piano player. The fatigue of the neck makes the head tilt to one side. Over time, it may cause the shoulder to be skewed, which affects the effective time and quality of practicing the piano.
以上所述,習知具有下列之缺點:1.練琴者頸部易疲勞;2.降低練琴的有效時間和質量;3.無法隨意調整肩墊之長度;4.影響音質。As mentioned above, the conventional disadvantages have the following disadvantages: 1. The neck of the piano is prone to fatigue; 2. The effective time and quality of the piano is lowered; 3. The length of the shoulder pad cannot be adjusted arbitrarily; 4. The sound quality is affected.
是以,要如何解決上述習用之問題與缺失,即為本案之創作人與從事此行業之相關廠商所亟欲研究改善之方向所在者。Therefore, how to solve the above problems and problems in the past, that is, the creators of the case and the relevant manufacturers engaged in this industry are eager to study the direction of improvement.
爰此,為有效解決上述之問題,本創作之主要目的在於提供一 種符合人體工學,進以大幅增加練琴時的舒適度之提琴之肩墊結構。Therefore, in order to effectively solve the above problems, the main purpose of this creation is to provide one An ergonomically designed shoulder pad structure that greatly increases the comfort of practicing the piano.
本創作之次要目的,在於提供一種可大幅提升練琴時的有效時間及質量之提琴之肩墊結構。The second purpose of this creation is to provide a shoulder pad structure that can greatly enhance the effective time and quality of practicing the piano.
本創作之次要目的,在於提供一種可依照人體肩膀的弧度調整肩墊長度之提琴之肩墊結構。The secondary purpose of this creation is to provide a shoulder pad structure that can adjust the length of the shoulder pad according to the curvature of the human shoulder.
本創作之次要目的,在於提供一種可提升音質之提琴之肩墊結構。The second purpose of this creation is to provide a shoulder pad structure that enhances the sound quality of the violin.
為達上述目的,本創作係提供一種提琴之肩墊結構,係包括一第一本體及一第二本體,該第一本體具有一定位片,該定位片兩端分別具有一第一連接部及一第一對接部,該第一連接部連接有至少一第一調整片,該第一對接部連接有至少一第二調整片,該第二本體具有一第一側及一第二側,該第一側與所述第一本體相對應貼合。In order to achieve the above object, the present invention provides a shoulder pad structure of a violin, comprising a first body and a second body, the first body has a positioning piece, and the two ends of the positioning piece respectively have a first connecting portion and The first connecting portion is connected with at least one first adjusting piece, the first connecting portion is connected with at least one second adjusting piece, and the second body has a first side and a second side. The first side is corresponding to the first body.
透過本創作此結構的設計,練琴者利用該肩墊結構的設計,由於該肩墊結構具有可撓性,如此可依照不同練琴者肩膀的線條弧度有所差異而進行肩墊的調整,如此一來,可使練琴者不會因為長時間的歪頭或聳肩而感到不舒適,符合人體工學且不易疲勞,進而延長了練琴的有效時間,並提高練琴質量,且可提升音質之效果。Through the design of the structure of the creation, the piano player uses the design of the shoulder pad structure, and because the shoulder pad structure has flexibility, the shoulder pad can be adjusted according to the difference in the curvature of the shoulders of different practitioners. In this way, the piano player can not feel uncomfortable due to long time gimmicks or shrugs, ergonomic and not easy to fatigue, thereby prolonging the effective time of practicing the piano, and improving the quality of practicing the piano, and can improve The effect of sound quality.
11‧‧‧肩墊11‧‧‧ Shoulder pads
12‧‧‧調整片12‧‧‧Adjustment
2‧‧‧肩墊結構2‧‧‧Shoulder pad structure
21‧‧‧第一本體21‧‧‧First Ontology
211‧‧‧定位片211‧‧‧ Positioning film
2111‧‧‧第一連接部2111‧‧‧First connection
2112‧‧‧第一對接部2112‧‧‧First docking
212‧‧‧第一調整片212‧‧‧First adjustment piece
2121‧‧‧第二連接部2121‧‧‧Second connection
2122‧‧‧第二對接部2122‧‧‧Second docking
213‧‧‧第二調整片213‧‧‧second adjustment piece
2131‧‧‧第三連接部2131‧‧‧3rd connection
2132‧‧‧第三對接部2132‧‧‧ Third docking department
214‧‧‧第三調整片214‧‧‧ Third adjustment piece
2141‧‧‧第四對接部2141‧‧‧Fourth Docking Department
215‧‧‧第四調整片215‧‧‧4th adjustment film
2151‧‧‧第四連接部2151‧‧‧fourth connection
22‧‧‧第二本體22‧‧‧Second ontology
221‧‧‧第一側221‧‧‧ first side
222‧‧‧第二側222‧‧‧ second side
23‧‧‧鎖固件23‧‧‧Lock Firmware
3‧‧‧夾持裝置3‧‧‧Clamping device
第1圖係為習知提琴之肩墊結構之剖視圖; 第2圖係為本創作提琴之肩墊結構之第一實施例之立體分解圖;第3圖係為本創作提琴之肩墊結構之第一實施例之立體組合圖;第4圖係為本創作提琴之肩墊結構之第一實施例之立體組合圖;第5圖係為本創作提琴之肩墊結構之第一實施例之實施示意圖;第6圖係為本創作提琴之肩墊結構之第一實施例之實施示意圖;第7圖係為本創作提琴之肩墊結構之第二實施例之立體分解圖;第8圖係為本創作提琴之肩墊結構之第二實施例之立體組合圖;第9圖係為本創作提琴之肩墊結構之第二實施例之立體組合圖。Figure 1 is a cross-sectional view showing the structure of a shoulder pad of a conventional violin; 2 is an exploded perspective view of the first embodiment of the shoulder pad structure of the violin; FIG. 3 is a perspective view of the first embodiment of the shoulder pad structure of the violin; FIG. A three-dimensional combination diagram of a first embodiment of a shoulder pad structure for creating a violin; a fifth diagram is a schematic diagram of a first embodiment of a shoulder pad structure for creating a violin; and a sixth figure is a shoulder pad structure of the creation violin. 1 is a perspective exploded view of a second embodiment of a shoulder pad structure for creating a violin; and FIG. 8 is a perspective combination of a second embodiment of a shoulder pad structure for creating a violin. Figure 9 is a perspective assembled view of a second embodiment of the shoulder pad structure of the violin.
本創作之上述目的及其結構與功能上的特性,將依據所附圖式之較佳實施例予以說明。The above object of the present invention, as well as its structural and functional features, will be described in accordance with the preferred embodiments of the drawings.
請參閱第2及3圖,係為本創作提琴之肩墊結構之第一實施例之立體分解及立體組合圖,如圖所示,一種提琴之肩墊結構2,係包括一第一本體21及一第二本體22,該第一本體21具有一定位片211,該定位片211兩端分別具有一第一連接部2111及一第一對接部2112,該第一連接部2111連接有至少一第一調整片212,該第一對接部2112連接有至少一第二調整片213,所述第二本體22具有一第一側221及一第二側222,該第一側221與所述第一本體21相對應貼合;前述之第一本體21與第二本體22之材質係可為金屬或非金屬材料其中任一;前述之第一調整片212兩側分別具有一第二連接部2121及一 第二對接部2122,所述第一連接部2111與該第二對接部2122相對應卡合,所述第二調整片213兩側分別具有一第三連接部2131及一第三對接部2132,所述第一對接部2112與該第三連接部2131相對應卡合;其中更具有一第三調整片214及一第四調整片215,該第三調整片214與所述第一調整片212相對應連接,又所述第三調整片214一側具有一第四對接部2141與所述最末端的第一調整片212之第二連接部2121相對應卡合;所述第四調整片215與所述第二調整片213相對應連接,又所述第四調整片215一側具有一第四連接部2151與所述最末端的第二調整片213之第三對接部2132相對應卡合。Please refer to the second and third figures, which are the three-dimensional exploded and three-dimensional combination diagram of the first embodiment of the shoulder pad structure of the present violin. As shown in the figure, a shoulder pad structure 2 of the violin includes a first body 21 . And a second body 22, the first body 21 has a positioning piece 211. The two ends of the positioning piece 211 have a first connecting portion 2111 and a first abutting portion 2112, and the first connecting portion 2111 is connected with at least one The first adjustment piece 212 is connected to the first abutting portion 2112. The second body 22 has a first side 221 and a second side 222. The first side 221 and the first side The first body 21 and the second body 22 are made of a metal or a non-metal material. The first side of the first adjusting piece 212 has a second connecting portion 2121. And one The second abutting portion 2122 has a third connecting portion 2131 and a third abutting portion 2132 respectively on the two sides of the second adjusting piece 213. The first mating portion 2112 is correspondingly engaged with the third connecting portion 2131; and further includes a third adjusting piece 214 and a fourth adjusting piece 215, the third adjusting piece 214 and the first adjusting piece 212 Correspondingly connected, the third adjusting piece 214 has a fourth abutting portion 2141 corresponding to the second connecting portion 2121 of the endmost first adjusting piece 212; the fourth adjusting piece 215 Corresponding to the second adjusting piece 213, the fourth adjusting piece 215 has a fourth connecting portion 2151 corresponding to the third butting portion 2132 of the secondmost adjusting piece 213. .
請一併參閱第4及5及6圖,係為本創作第一實施例之立體組合圖及實施示意圖,透過本創作此結構的設計,當練琴者於練琴時,先將該肩墊結構2與一夾持裝置3的一端相互結合,該夾持裝置3的另一端夾持於提琴上,進以完成提琴、夾持裝置3與肩墊結構2的組合,透過練琴者的腮部與肩部夾住提琴,另一手持弓拉琴,由於該肩墊結構2具有可撓性,透過所述第一連接部2111連接所述第一調整片212,及第一對接部2112連接所述第二調整片213,以及所述第三調整片214連接該第一調整片212,以及所述第四調整片215連接該第二調整片213,以令所述第一本體21形成一節一節之態樣達到具有可撓性功能,再透過前述之第一本體21與第二本體22相對應貼合,如此可依照不同練琴者肩膀 線條弧度有所差異而進行肩墊的調整,其調整方式係依照每一位練琴者的肩膀線條弧度的變化而使所述第一本體21及第二本體22同時順著肩膀線條弧度而貼附在該練琴者的肩膀上,令所述第二本體22之第二側222與肩膀相接觸,以符合練琴者夾琴時具有最舒適的狀態,又,其貼附方向係可依練琴者的喜好或使用上的需求,可相對於肩膀呈縱向或橫向貼附於肩膀上,於本實施例中,該肩墊結構2係以相對肩膀呈縱向貼附於肩膀上來做說明(如第6圖所示),或是,如此一來,可使練琴者不會因為長時間的歪頭或聳肩而感到不舒適,非常符合人體工學,且不易疲勞的同時,可讓肩部放鬆,夾琴姿勢正確,進而延長了練琴的有效時間,提高練琴質量,還可提升音質之效果。Please refer to Figures 4 and 5 and 6 for a three-dimensional combination diagram and implementation diagram of the first embodiment of the present invention. Through the design of the structure of the creation, when the piano player is practicing the piano, the shoulder pad is first used. The structure 2 is coupled to one end of a clamping device 3, and the other end of the clamping device 3 is clamped to the violin, and the combination of the violin, the clamping device 3 and the shoulder pad structure 2 is completed, through the squatting of the piano player. The first part is connected to the shoulder and the first side of the first piece 2112 is connected to the first butt joint 2112. The second adjusting piece 213 and the third adjusting piece 214 are connected to the first adjusting piece 212, and the fourth adjusting piece 215 is connected to the second adjusting piece 213 to form the first body 21 into a section. In one aspect, the flexible function is achieved, and the first body 21 and the second body 22 are correspondingly affixed through the aforementioned body, so that the shoulders of the different practitioners can be used. The shoulder pads are adjusted according to the difference in the curvature of the lines, and the adjustment manner is such that the first body 21 and the second body 22 are simultaneously attached to the curvature of the shoulder line according to the change of the curvature of the shoulder line of each of the practitioners. Attached to the shoulder of the practitioner, the second side 222 of the second body 22 is in contact with the shoulder to conform to the state in which the piano player has the most comfortable state, and the attachment direction is The preference or use requirement of the player can be attached to the shoulder in a longitudinal or transverse direction with respect to the shoulder. In the embodiment, the shoulder pad structure 2 is attached to the shoulder in a longitudinal direction with respect to the shoulder for explanation. As shown in Figure 6, or, as a result, the piano player will not feel uncomfortable due to prolonged gimmicks or shrugs, very ergonomic, and not easy to fatigue while allowing shoulders The department relaxes and the piano poses correctly, which prolongs the effective time of practicing the piano, improves the quality of the piano, and enhances the sound quality.
另外,由於該第一本體21之結構係呈一節一節之態樣,具有可相組合或是拆卸之功能,如此可依照練琴者的肩膀線條弧度或大小而調整其長度。In addition, since the structure of the first body 21 is in the form of one section, it has the function of being able to be combined or disassembled, so that the length of the shoulder line of the practitioner can be adjusted according to the curvature or size of the shoulder line.
續請參閱第7及8及9圖,係為本創作提琴之肩墊結構之第二實施例之立體分解圖及立體組合圖,所述之提琴之肩墊結構部份元件及元件間之相對應之關係與前述之提琴之肩墊結構相同,故在此不再贅述,惟本提琴之肩墊結構與前述最主要之差異為,更具有一鎖固件23貫穿所述第一連接部2111及第二對接部2122連接位置處以及所述第一對接部2112及第三連接部2131連接位置處,並且貫穿所述最末端的第一調整片212之第二連接部2121及所述第三調整片214之第四對接部2141連接位置處以及所述最 末端的第二調整片213之第三對接部2132及所述第四調整片215之第四連接部2151連接位置處;同樣地,透過本實施例之肩墊結構2的設計,當練琴者於練琴時,透過練琴者的腮部與肩部夾住提琴,另一手持弓拉琴,由於該肩墊結構2具有可撓性,可依照不同練琴者肩膀的線條弧度有所差異而進行肩墊的調整,其調整方式係依照每一位練琴者的肩膀線條弧度的變化而使所述第一本體21及第二本體22同時順著肩膀線條弧度而貼附在該練琴者的肩膀上,令所述第二本體22之第二側222與肩膀相接觸,以符合練琴者夾琴時具有最舒適的狀態或是,如此一來,可使練琴者不會因為長時間的歪頭或聳肩而感到不舒適,非常符合人體工學,且不易疲勞的同時,可讓肩部放鬆,夾琴姿勢正確,進而延長了練琴的有效時間,提高練琴質量,還可提升音質之效果。Continuing to refer to Figures 7 and 8 and 9, which are perspective exploded view and perspective assembled view of the second embodiment of the shoulder pad structure of the violin, the components of the shoulder pad structure of the violin and the phase between the components. The corresponding relationship is the same as the structure of the shoulder pad of the aforementioned violin, so it will not be described here. However, the most important difference between the shoulder pad structure of the violin and the foregoing is that a lock fastener 23 extends through the first connecting portion 2111 and The second docking portion 2122 is connected to the first docking portion 2112 and the third connecting portion 2131, and the second connecting portion 2121 of the first end tab 212 and the third adjusting portion The fourth butt joint 2141 of the piece 214 is connected to the position and the most The third abutting portion 2132 of the second second adjusting piece 213 and the fourth connecting portion 2151 of the fourth adjusting piece 215 are connected to each other; similarly, the design of the shoulder pad structure 2 of the present embodiment is used as a piano player When practicing the piano, the violin is held by the ankle and shoulder of the piano player, and the other is holding the bow. Because the shoulder pad structure 2 has flexibility, it can be different according to the curvature of the shoulders of different practitioners. The adjustment of the shoulder pad is performed by attaching the first body 21 and the second body 22 to the piano in accordance with the curvature of the shoulder line according to the change of the curvature of the shoulder line of each of the practitioners. On the shoulder of the person, the second side 222 of the second body 22 is brought into contact with the shoulder to conform to the most comfortable state when the piano player is playing the piano or, so that the piano player does not Long time gimmicks or shrugs feel uncomfortable, very ergonomic, and not easy to fatigue, while allowing the shoulders to relax, the piano poses correctly, thus prolonging the effective time of practicing the piano, improving the quality of practicing the piano, Improves the sound quality.
以上所述,本創作相較於習知具有下列優點:1.符合人體工學,進以大幅增加練琴時的舒適度;2.大幅提升練琴的有效時間和質量;3.具有可撓性,且可依照人體肩膀的弧度調整肩墊之長度;4.提升音質。As mentioned above, this creation has the following advantages compared with the conventional ones: 1. Ergonomics, which greatly increases the comfort when practicing the piano; 2. Greatly improves the effective time and quality of practicing the piano; 3. Has the flexibility Sex, and the length of the shoulder pad can be adjusted according to the curvature of the human shoulder; 4. Improve the sound quality.
以上已將本創作做一詳細說明,惟以上所述者,僅為本創作之一較佳實施例而已,當不能限定本創作實施之範圍。即凡依本創作申請範圍所作之均等變化與修飾等,皆應仍屬本創作之專利涵蓋範圍。The present invention has been described in detail above, but the above description is only a preferred embodiment of the present invention, and the scope of the present invention cannot be limited. That is, all changes and modifications made in accordance with the scope of this creation application shall remain covered by the patents of this creation.
2‧‧‧肩墊結構2‧‧‧Shoulder pad structure
211‧‧‧定位片211‧‧‧ Positioning film
2111‧‧‧第一連接部2111‧‧‧First connection
2112‧‧‧第一對接部2112‧‧‧First docking
212‧‧‧第一調整片212‧‧‧First adjustment piece
2121‧‧‧第二連接部2121‧‧‧Second connection
2122‧‧‧第二對接部2122‧‧‧Second docking
213‧‧‧第二調整片213‧‧‧second adjustment piece
2131‧‧‧第三連接部2131‧‧‧3rd connection
2132‧‧‧第三對接部2132‧‧‧ Third docking department
214‧‧‧第三調整片214‧‧‧ Third adjustment piece
2141‧‧‧第四對接部2141‧‧‧Fourth Docking Department
215‧‧‧第四調整片215‧‧‧4th adjustment film
2151‧‧‧第四連接部2151‧‧‧fourth connection
22‧‧‧第二本體22‧‧‧Second ontology
221‧‧‧第一側221‧‧‧ first side
222‧‧‧第二側222‧‧‧ second side
Claims (7)
Priority Applications (1)
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TW103223384U TWM499632U (en) | 2014-09-24 | 2014-12-31 | Shoulder brace structure of fiddle |
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TW103216904 | 2014-09-24 | ||
TW103223384U TWM499632U (en) | 2014-09-24 | 2014-12-31 | Shoulder brace structure of fiddle |
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Publication Number | Publication Date |
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TWM499632U true TWM499632U (en) | 2015-04-21 |
Family
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Family Applications (1)
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TW103223384U TWM499632U (en) | 2014-09-24 | 2014-12-31 | Shoulder brace structure of fiddle |
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TW (1) | TWM499632U (en) |
Cited By (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN110956941A (en) * | 2019-12-25 | 2020-04-03 | 梁婧 | Adjustable and foldable shoulder fixing structure for violin |
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2014
- 2014-12-31 TW TW103223384U patent/TWM499632U/en not_active IP Right Cessation
Cited By (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN110956941A (en) * | 2019-12-25 | 2020-04-03 | 梁婧 | Adjustable and foldable shoulder fixing structure for violin |
CN110956941B (en) * | 2019-12-25 | 2023-10-31 | 徐州煌烁科技发展有限公司 | Adjustable and foldable shoulder fixing structure for violin |
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