TWI279772B - Guitar with fingerboard structure improvement - Google Patents

Guitar with fingerboard structure improvement Download PDF

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Publication number
TWI279772B
TWI279772B TW93135534A TW93135534A TWI279772B TW I279772 B TWI279772 B TW I279772B TW 93135534 A TW93135534 A TW 93135534A TW 93135534 A TW93135534 A TW 93135534A TW I279772 B TWI279772 B TW I279772B
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Taiwan
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string
guitar
fingerboard
strings
chord
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TW93135534A
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Chinese (zh)
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TW200512715A (en
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Jeng-Tzung Chen
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Jeng-Tzung Chen
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Abstract

A kind of guitar with fingerboard structure improvement is characterized in that on the high pitch string side of the guitar fingerboard a protrusion is formed on an arbitrary fret and extended towards a sound hole in the rear side to form a front end for mounting a tuner and the width of the protrusion is enough to mount one to two extra strings with string diameter narrower than that of the first string onto the fingerboard. The guitar with the above-mentioned structure can extend the guitar register to at least three pitch intervals towards the high pitch register. In comparison with a guitar having traditional structure, the invented guitar can overcome the problem of playing difficulties on high finger position and thus make the effective playing register to four eight-intervals and above. Because the extra string can be adequately tuned, player can directly use (or requires to make small changes if necessary) common fingering and skill on the invented guitar. Alternatively, the original six strings can be played only without playing the extra strings if the situation calls for it.

Description

1279772 九、發明說明: 【發明所屬之技術領域】 本發明係關於一種指板構造改良之吉他。 【先前技術】 古典吉他(以下亦稱為傳統吉他),其構造如第六圖所 不,指板(8)係自琴頭(7)側起延伸至響孔(9)附近,在彈奏 弦數上具有6弦,自圖中之右側起依序為第丨弦〇)、第2 弦(2)、第3弦(3)、第4弦(4)、第5弦(5)及第6弦(6), 各弦的音高,自第6弦起依序調為E、a、〇、G、B、E(各 弦音高及音域如第八A圖一般古典吉他之設計,自第12 =格以後係位於吉他共鳴箱(或稱琴身)之上,不論是對於 叔[和絃或單音均會造成阻礙,&而也影響到良好音質之 呈現。 善高音域之彈奏性能方 市面常見者者,可舉出 有關設法增加吉他音域及/或改 面一直受到關注而被嘗試著,現今 下述者: (1)缺角型(cut — away type)吉他: 係藉由作成為共.烏箱缺角之構造,可使不易按弦之第 易强1°日加約為約5琴格成為容易按弦之構造,使溶 良的南音域增高約四度音程。惟,其缺 牲共鳴箱之體積,作赤炎4 # t 、谓 々 乍成為/、鳴效果較差之非圓弧型構造。 又’谷易按弦的琴袼 ..,y 口然彺下增加了約5琴格(約四度音 矛壬),但對於彈奏去 ^ 9 、 5 ’ 口他彈奏,在較高指位(例如第 1279772 7指位以上之指位)之彈奏,由於㈣空弦讓 緩衝的機會較少,故尤其在進行指位變換二曰付到 運指之難度高,若勉強加入空弦的“指位的 現空弦的剛亮之音色’否則與高指 二: 調感。 s巴之間會有不協 (2)7弦、8弦或1〇弦吉他等之多弦吉他. 主要效用在於利用增加的低音弦之㈣作用 的音質更淳厚迷人,以及低音貝斯音域之往更低音= 展。然而,由於吉他之音域限制,其所 :” 樂譜的應有音高低八度,盔法奏出 、貫際音尚較 仍有美中不足之撼。一如…較高音域,故 於多弦吉他係增加高音弦的場合,例如,7弦吉他 各弦調音成自低音起依序為E、A、D、G、b、£ 八B圖),相較於傳統吉他之調弦E、A、D、g、b、^异 第八A圖多了高四度的高音弦A,關音域往上擴二 四度,但對於熟習傳統6弦吉他的調弦者而言,欲無障礙 地彈奏既有的吉他樂曲會有困難,而與傳統6弦士他於彈 奏上的相容性不佳。於8弦吉他的場合,若係往高音域辦 加2弦,則與傳統6弦吉他於彈奏上的相容性更差是顯而 易見的。 (3)南音吉他(Alto Cembalo Guitar): 其形體較-般之古典吉他小,調音較高五度,音色較 為亮麗,在吉他合奏團中發揮著高音部的角色。但若作^ 獨奏樂器,無法以原有調性呈現原味的傳統之吉他曲目: !279772 且音量較小,並缺乏傳統古典吉他之渾厚的音質。 【發明内容】 首先發明者首先要說明的是,本說明書中雖針對吉他 T「指板」構造進行改良,惟由於位於指板下方之琴頸係 ::指板做成為一體,故在實際上設計指板形狀時,琴頸部 分之形狀也必須配合指板做對應之調整。 本發明者,鑑於現今之古典吉他所彈奏的音高實質上 夕:較樂譜之應有音高低八度’而期望能在維持原有的音域 ’可在向上擴展音域’使其亦可彈奏出較亮麗 樂段’並且鑑於以現今之古典吉他構造於彈奏高指位(: 口,第7指位以上,尤其是第12指位以上)的樂曲時,有 相當的困難度,於是不斷研究之下,發現將吉他高音弦側 之指板構造做若干改變’另外配合此指板構造之改良,將 ,構件做成内藏式設計,並將用以旋轉蝎桿之轉把作 為可從堝桿分離之形態。藉此,不只可將吉他音域往上 ,展至少三度的音程’而容易按弦之琴格可往高音域延伸 /琴格之最高| ’使容易彈奏之有效音域達到完整的四組 八度或以上,而能以良好的音質彈奏出以傳統構造之士他 而言為按指困難且音質較差之高音樂句;尤其是藉由:新 增階梯指板上的弦之適當的調音設定,演奏者可直接沿用 或僅作極小之改變即可)傳統吉他上所慣用之指法與二巧 彈奏,亦可無視於新增指板指板及其上的弦之存在而當作 傳統吉他來進行演奏。本發明於焉得以完成。 1279772 本發明’ 種指板構造改良之吉他,其特徵在於, 他指板之高音弦側(或可稱為第1弦侧),自任音焚格 :置”起並往後方側響孔延伸成為一前端足以設二弦 為且犬起寬度足以設置Η «㈣第1 μ 的新增琴弦至指板上之形狀。 …心月之才曰板構造改良之吉他中’當新增琴弦為2條 (第增1弦、第增2弦)的情況下’位於指板最外侧之第增 2弦的弦徑較第增1弦的弦徑為窄。 本?月之指板構造改良之吉他中,較佳為捲弦器係設 置至在高音弦侧突起前端的背面所凹設的捲弦器收納室 中,且用以轉動蝎桿之轉把係作成為可從蜗桿分離之 態。 於本發明之改良指板構造中,由於採用自指板高音弦 側之外侧任意位置起增設高音弦之構成,對應於此,乃必 須在有別於原來於琴頭設置捲弦器之位置的其他位置增設 新的捲弦器。 曰 於本發明之改良指板構造中,吉他指板在高音弦側之 突起位置以從第3琴袼〜第1 〇琴格中任一琴格為佳。 一般捲弦器(10)之構成係如第七圖所示般,主要包含 固定板(11)、捲桿(12)、蝸桿(13)三部份,固定板(11)上 設有捲桿孔(16)與蜗桿座(π),蝸桿(1 3)置於蝸桿座(17) 中,捲桿(12)置於捲桿孔(16)中,蝸桿(13)上設有轉把 (15),以轉動蝸桿(13),並藉由與蜗桿(13)相咬合之齒輪(14) 來帶動捲桿(12)之轉動。本發明所新增之捲弦器,基本上 1279772 可&用刖述習知捲弦器之構成’不過’若該捲弦器直接設 置於本發明之指板突起部前端上方之場合,外露之捲弦·. 的構件(轉把、齒輪、蝎桿、固定片等)會妨礙彈奏時之指· 位移動與指位轉換,此為問題所在。 為解決上述問題,本發明乃將原本外露之捲弦器收納 於自指板後方之琴頸所凹設的捲弦器收納室之内部,並使 螞桿與轉把作成為可互相分離之形態,於調音時才將轉把 插入蜗桿與其咬合而旋轉,故上述之問題點可得以解決。 【貫施方式】 第圖為本發明之指板構造改良之吉他的立體示意 ^。由第一圖可看*,本發明之改良指板構造,係於吉他 才曰板之向音弦側(第J弦(丨)側),自特定琴格(本圖中為第 5,格)起突起並往後方側響孔(4〇)延伸成為一前端足以設置 捲弦器(41)、且突起寬度足以設置1條新增弦徑(第增」弦 (1 ))之形狀。為了達成往高音域之擴展效果,第增1弦(1,) 之弦徑係較第1弦(1)之弦徑為窄。 · 再者,本發明之指板構造改良之吉他,配合高音弦側 才曰板結構之改良,採用内藏式捲弦器,可使得針對安裝於 新增指板上的弦(1或2弦)之捲弦器的轉把、蝸桿等構件 不會露出在外而妨礙左手之指位移動。如此構造之吉他, 於以傳統吉他需在高指位(例如,第12指位)於不易按弦的 狀匕、下彈奏之樂段,可於較低指位(例如,第8指位)於容 易按弦的狀態下彈奏,而可更流暢、更清晰地彈奏。 9 1279772 下面就本發明之捲弦器内藏式設計之實施方式說明如 下。 · 首先’第二圖為本發明之指板構造改良吉他之部分放 · 大立體圖,第三圖為本發明之指板構造改良吉他之部分放 大後視圖。其中,符號21為固定板、22為捲桿、23為蜗 桿、24為齒輪、25為轉把、28為指板' 29為琴頸、3()為 捲弦器收納室、31為配合捲弦器内藏方式所開設之便於捲 桿做捲弦動作之孔。 如第二圖所示般,於本發明之改良式指板構造中,採 _ 行内藏式捲弦器設計時,係於指板(28)在高音弦側往外突 出之部位的前端位置,自琴頸(29)側挖設一用以收納捲弦 森之捲弦器收納室(3〇)(圖中以虛線表示之方塊部分),於 其中收納包括固定板(本圖中未顯示)、捲桿(22)、蜗桿 (23)、齒輪(24)等構件。另外於捲弦器收納室(3〇)之右側, 開設有一孔(31),便於將琴弦纏繞至捲桿(22)上。 另外,用以旋轉蜗桿(23)之轉把(25)係作成為可從螞 桿(23)分離之形態,彈奏時並不插入,僅於調音時才將其 馨 插入蝸桿與之咬合而旋轉,故可避免外露之轉把(25)對於 彈奏時移動的手指造成妨礙。 另外,從第三圖中則可看到於第二圖中未顯示之固定 板(21)與蝸桿座(27),當中,固定板(21)係設置於捲弦器 收納室(30)中之孔(31)側。 又本發明之指板構造改良之吉他,由於新增琴弦較 原本之第1弦更接近琴身邊緣,故於第丨2琴格以上之指位 10 !279772 較傳統者自是更容易按弦,而可發揮更佳的效能,是可預 期的。 本發明之指板構造改良之吉他,其優於傳統吉他之效 能,以下述之實施形態加以詳述如下: (實施形態1) 製作成於高音弦侧之突起係自第6琴衍(56)(定音係從 第8琴格起算)往響孔方向延伸、且突起寬度足以新增1弦 之形狀(參見第四圖)的古典吉他,且捲弦器係以前述内藏 設計設置於自吉他背面所挖設之捲弦器收納室内,弦數為 傳統之指板上之6弦加上新增指板上之1弦,合計為7弦, 琴格沿用傳統之19琴格。安裝上市售之古典吉他用之尼 龍弦,第6、第5及第4弦為以金屬線纏繞之尼龍弦,第3、 第2及第1弦為尼龍弦,此第3、第2及第1弦之尼龍弦, 分別為弦徑〇· 90mm、〇· 70mm與0· 62mm之高張力(high tension)尼龍弦,增設指板上之弦係弦徑〇.551]1111之高張力 尼月I弦’稱為「第增1弦」(於譜例中以(+丨)表示),調音 為較第1弦第8琴格之C音高三度之E,則全部7弦的空 弦音高及音域將成為如第八c圖所示般。 由第四圖可知:a區域與b區域為完全相對應之區域, b區域為a區域之高八度,故以既有傳統吉他之技術,可 輕易地移植到高八度之區域彈奏。又,由於增加之弦使琴 頸加見之程度於實用上對於原本之6弦之全部指位之彈奏 並無貝負上的妨礙,故此指板構造改良之吉他,亦可無視 於增加之階梯指板及其上安裝之弦,當作傳統吉他而彈 11 1279772 奏。當然’其音域之增加,及藉由本例所例示之調弦設定, 其南八度之b區域與a區域又有完全對應之關係,對彈奏 者而言’其揮灑的空間可說是豁然開朗。1279772 IX. Description of the Invention: [Technical Field to Which the Invention Is Ascribed] The present invention relates to a guitar having an improved fingerboard structure. [Prior Art] Classical guitar (hereinafter also referred to as a traditional guitar) is constructed as shown in the sixth figure. The fingerboard (8) extends from the side of the head (7) to the vicinity of the ringhole (9). The number of strings has 6 strings, from the right side of the figure, the second string (2), the third string (3), the fourth string (4), the fifth string (5), and The 6th string (6), the pitch of each string, from the 6th string, is sequentially adjusted to E, a, 〇, G, B, E (the pitch of each string and the range of the classical guitar design as shown in Figure 8A, Since the 12th grid, it is located on the guitar resonance box (or the body), which can cause obstacles to the uncle [chords or monophonic sounds, and also affect the appearance of good sound quality. Those who play the performance market are often tried to find ways to increase the guitar range and/or change the face has been paid attention to. Nowadays: (1) Cut- away type guitar: By making the structure of the common Ukrainian box corner, it is easy to make the 1st day of the string easy to be strong, and the height of about 5 is a structure that is easy to press the string, so that the south of the good sound is increased by about four degrees. .but, The volume of the lack of the resonance box, for the red inflammation 4 # t, that is, the 々乍 becomes /, the non-circular structure of the sound is poor. And the 'Gu Yi 按 的 的 袼.., y 口 彺 增加 增加 增加 增加5 zige (about four degrees of spear 壬), but for playing to play ^ 9 , 5 ' mouth he played, in the higher finger position (such as the 1127729 2 7 above the finger position), because (4) The empty chord makes the chance of buffering less, so it is especially difficult to carry out the finger position conversion to the finger. If you barely add the empty string, the "finished tone of the existing empty string" is not the same as the high finger. : Sense. There will be a multi-string guitar between the two (2) 7-string, 8-string or 1-string guitar. The main effect is to use the increased bass strings (four) to make the sound more glamorous and woo The bass sound range goes to the lower bass = exhibition. However, due to the limitation of the guitar's range, the music score should have a pitch of octaves, and the helmet sounds and the cross sounds are still more than deficiencies. High-pitched field, so when the multi-string guitar system adds high-pitched strings, for example, the strings of the 7-string guitar are tuned from the bass. For E, A, D, G, b, £8 B), compared with the traditional guitar tuning E, A, D, g, b, ^ different eighth A picture with a high four-degree high-pitched string A The Guanyin field is extended by two or four degrees, but for the tuning of a traditional 6-string guitar, it is difficult to play the existing guitar music without any difficulty, and the traditional 6-string guitar is played on it. Poor compatibility. In the case of an 8-string guitar, if you add 2 strings to the high-pitched field, it is obvious that the compatibility with the traditional 6-string guitar is worse. (3) Alto Cembalo Guitar: Its shape is smaller than that of a classical guitar. The tuning is five degrees higher and the tone is brighter. It plays a high-pitched role in the guitar ensemble. However, if you are a solo instrument, you can't present the original traditional guitar track with the original tonality: !279772 and the volume is small, and it lacks the rich sound quality of traditional classical guitar. SUMMARY OF THE INVENTION First of all, the inventor first explained that although the structure of the guitar T "finger plate" is improved in this specification, since the neck system: the fingerboard located below the fingerboard is integrated, it is actually When designing the shape of the fingerboard, the shape of the neck portion must also be adjusted to match the fingerboard. The present inventors, in view of the fact that the pitch of the classical guitar played today is substantially the same as the pitch of the score should be octave lower than the pitch of the score, and it is expected that the original range can be maintained in the range of the sound range. It’s quite difficult to play a brighter music section, and it’s quite difficult to play the music of the high-finger position (: mouth, above the 7th finger, especially the 12th finger). Under continuous research, it was found that the fingerboard structure of the guitar treble side was changed a little. In addition, with the improvement of the fingerboard structure, the member was made into a built-in design, and the turning lever for rotating the mast was used. The form of separation from the mast. In this way, not only can the guitar range be up, the interval of at least three degrees can be displayed, and it is easy to press the string to extend to the high range/the highest of the piano | 'Easy to play the effective range to the complete four groups of eight Degree or above, and can play a good musical sound with a traditional structure. He is a difficult musical piece with poor sound quality; especially by adding the appropriate tuning of the string on the stepped fingerboard. The setting can be directly or only minimally changed by the player. The fingering and the singularity used in traditional guitars can be used as a tradition, regardless of the presence of the new fingerboard and the strings on it. Guitar to play. The present invention has been completed. 1279772 The invention relates to a guitar with improved fingerboard structure, characterized in that the fingerboard side of the fingerboard of the fingerboard (or may be referred to as the first string side), from the sound of the burning: set up and extend toward the rear side of the sound hole A front end is enough to set the two strings and the width of the dog is enough to set the shape of the new string of Η «(4) 1 μ to the shape of the fingerboard. ... The heart of the guitar is improved in the structure of the guitar. In the case of two (1st and 1st strings), the chord diameter of the 2nd chord at the outermost side of the fingerboard is narrower than the chord of the 1st chord. In the guitar, preferably, the winding device is disposed in the winding device housing recessed in the back surface of the front end of the treble side, and the rotating handle for rotating the mast is made separable from the worm. In the improved fingerboard structure of the present invention, since the treble string is added from any position on the outer side of the treble chord side of the fingerboard, correspondingly, it is necessary to distinguish the position of the chord from the original head. A new reel is added to other positions. In the improved fingerboard construction of the present invention, the guitar fingerboard The position of the protrusion on the treble chord side is preferably from any of the third to the first cymbals. The general chord (10) is constructed as shown in the seventh figure, and mainly includes a fixing plate (11), The winding rod (12) and the worm (13) are three parts, and the fixing plate (11) is provided with a winding rod hole (16) and a worm seat (π), and the worm (13) is placed in the worm seat (17). The winding rod (12) is placed in the winding rod hole (16), and the worm (13) is provided with a turning handle (15) for rotating the worm (13) and engaging the gear (14) by the worm (13). ) to drive the rotation of the winding bar (12). The newly added winding device of the present invention basically has 1279772 and can be used to describe the composition of the conventional winding device. However, if the winding device is directly disposed in the present invention In the case where the front end of the fingerboard projection is above, the components of the exposed coil string (turner, gear, mast, fixing piece, etc.) may hinder finger movement and finger position conversion during playing, which is the problem. In order to solve the above problems, the present invention accommodates the originally exposed winder in the interior of the winding device recessed by the neck behind the fingerboard, and makes the stem and the handle In the form of being separable from each other, the turret is inserted into the worm and rotated while being tuned, so that the above problems can be solved. [Comprehensive mode] The figure shows a stereoscopic diagram of the improved acoustic guitar structure of the present invention. ^. As can be seen from the first figure, the improved fingerboard structure of the present invention is attached to the side of the guitar chord (the J-string (丨) side), from the specific zither (the fifth in the figure) , the protrusion and the rear side ring hole (4〇) extend into a front end sufficient to set the winding device (41), and the protrusion width is sufficient to set a new chord diameter (the first increasing chord (1)) shape . In order to achieve the expansion effect to the high range, the first increase in the 1 string (1,) is smaller than the first string (1). In addition, the guitar with improved structure of the fingerboard of the present invention is improved with the structure of the treble string side, and the built-in type winding device can be used for the string (1 or 2 string) mounted on the new fingerboard. The components such as the handle and the worm of the coiler are not exposed and hinder the movement of the left hand. A guitar constructed in such a way that a traditional guitar needs to be played at a high finger position (for example, the 12th finger position) in a position that is not easy to press the string, and can be played at a lower position (for example, the 8th finger position) It is easy to play in a string, and it can be played more smoothly and clearly. 9 1279772 The following is a description of the embodiment of the built-in design of the winder of the present invention. First of all, the second figure is a partial perspective view of the improved fingerboard structure of the present invention, and the third figure is a rear view of the enlarged portion of the improved fingerboard structure of the present invention. Wherein, the reference numeral 21 is a fixed plate, 22 is a winding rod, 23 is a worm, 24 is a gear, 25 is a turning handle, 28 is a fingerboard '29 is a neck, 3 () is a winding device storage chamber, 31 is matched The hole in the built-in way of the winding string is convenient for the winding rod to perform the winding action. As shown in the second figure, in the improved fingerboard structure of the present invention, when the built-in type coiler is designed, the front end position of the fingerboard (28) protruding outward on the treble string side is The neck (29) side is provided with a winding storage compartment (3〇) (the square part indicated by a broken line in the figure) for accommodating the string, and the storage board includes a fixing plate (not shown in the figure), Components such as a reel (22), a worm (23), and a gear (24). In addition, a hole (31) is formed on the right side of the winding device storage chamber (3〇) to facilitate winding the string onto the winding bar (22). In addition, the rotary handle (25) for rotating the worm (23) is configured to be detachable from the amp (23), and is not inserted during playing, and is inserted into the worm only when the tuning is performed. Rotation, so that the exposed handle (25) can be prevented from obstructing the moving fingers. In addition, from the third figure, the fixing plate (21) and the worm seat (27) not shown in the second figure can be seen, wherein the fixing plate (21) is disposed in the winding device storage chamber (30). Hole (31) side. In addition, the guitar with improved structure of the fingerboard of the present invention has a newer string closer to the edge of the body than the original first string, so the finger above the second cymbal 10!279772 is easier to press than the traditional one. Strings, which can perform better, are predictable. The guitar with improved fingerboard structure of the present invention is superior to the performance of the conventional guitar, and is described in detail below in the following embodiments: (Embodiment 1) The protrusion formed on the side of the treble string is from the sixth piano (56) (The fixed sound system starts from the 8th zither) and extends to the direction of the ringhole, and the protrusion width is sufficient to add a 1 string shape (see the fourth figure) of the classical guitar, and the stringer is set in the aforementioned built-in design. The chord storage compartment is cut out on the back of the guitar. The number of strings is 6 strings on the traditional fingerboard and 1 string on the new fingerboard. The total is 7 strings. The piano uses the traditional 19-key. Install nylon strings for classical guitars on the market. The 6th, 5th and 4th strings are nylon strings wound with metal wires. The 3rd, 2nd and 1st strings are nylon strings. This 3rd, 2nd and 2nd 1 string nylon string, respectively, chord diameter 90 · 90mm, 〇 · 70mm and 0 · 62mm high tension nylon string, add string on the fingerboard chord diameter 551 551] 1111 high tension Ni Yue The I string 'is called the "first increase 1 string" (in the case of the spectrum (+丨)), and the tuning is the third of the C-sound height of the first string and the eighth, and the 7-string empty string pitch. And the range will be as shown in Figure 8c. As can be seen from the fourth figure, the area a and the area b are completely corresponding to each other, and the area b is the octave of the area a, so that it can be easily transplanted to a high octave area with the technology of the conventional guitar. Moreover, since the increased chord makes the neck of the degree of practical use, there is no obstruction to the playing of all the original 6-string fingers. Therefore, the guitar with improved fingerboard structure can also be ignored. The step fingerboard and the strings installed on it are used as a traditional guitar to play 11 1279772. Of course, the increase of its range, and the setting of the chords illustrated in this example, the b-area of the south octave has a completely corresponding relationship with the a-area. For the player, the space for the player can be said to be a sudden Cheerful.

以赛戈維亞(Segovia)之音階練習(G大調)為例,就傳 統吉他之運指與本實施形態之運指比較結果可發現,以傳 統吉他彈奏前述音階練習時,左手按弦指法將如第九A圖 所示般,譜中第16音到第27音的部分須在第丨弦頻繁移 動指位,欲較快速而清晰地彈奏有困難;相對於此,第九 圖則疋以本貫施形態之指板構造改良之吉他彈奏相同之 賽戈維亞音階練習、且在原來譜例之高音部分延伸了數音 (~亦即在原有之第21音與第22音間加入新增8音)的情形, f際彈奏的結果,可較為順暢地彈奏包括原來第16音到 第27音以及前述新增8音。Taking Segovia's scale practice (G major) as an example, the comparison between the traditional guitar and the operation of this embodiment shows that when the traditional guitar is used to play the aforementioned scales, the left hand presses the string. The fingering method will be as shown in Figure IX. The 16th to 27th parts of the spectrum must be moved frequently in the first chord. It is difficult to play faster and clearly. In contrast, the ninth figure Then, the guitar with the modified structure of the fingerboard structure is used to play the same Segovia scale practice, and the digital sound is extended in the high-pitched part of the original spectrum (~, that is, in the original 21st and 22nd) In the case where a new 8-tone is added between the sounds, the result of the f-playing can be played smoothly, including the original 16th to 27th and the aforementioned 8th.

士由第九A圖及第九B圖之比較可知:以本實施形態 。他彈奏赛戈維亞音階練習,不但在高音域不會有高指 :繁變換所造成之技巧上之困難度,而且藉由新增之弦 =弦E音所發揮之跳板的功能,不食可㈣克服以傳統 2無奏之上述難題,更可順暢地往更高音域彈奏至d音 吉他音域涵蓋幾乎達四個八度的音域。 又’本實施形態中,以弦徑〇.55mm之高張力尼龍弦 C1弦」’調為較第1弦高八度的E音,其表現 7域的音質較第i弦所能表現者更為清晰亮麗,於音 高=明顯的減損’而可將吉他之可彈奏性大幅提升至 12 1279772 (實施形態2) 除了將指板製作成:於高音弦側之突起 ⑽(定音係從第7琴格㈣)往響孔方向延伸 起 度足以新增1弦之形狀(參見第五圖),除此以外二實 施形態1相同。增加之弦調音為E(較第i弦 …各 之B高四度)’則全部7弦的空弦音高及音域將如第八⑶ 所不般。From the comparison of the ninth A map and the ninth panel, it can be seen that this embodiment is used. He played the Segovia scale exercise, not only in the high range, there is no high finger: the difficulty of the skill caused by the complex transformation, and the function of the springboard played by the added string = string E sound, not Food can (4) overcome the above problems of the traditional 2 innocence, and can smoothly play to the higher range to the d-sound guitar range covering almost four octaves. In the present embodiment, the high-tension nylon string C1 string of the chord diameter 5555 mm is adjusted to an E-sound eight degrees higher than the first string, and the sound quality of the seven-domain is more than that of the i-string. In order to be clear and bright, the pitchability of the guitar can be greatly improved to 12 1279772 (Embodiment 2) except that the fingerboard is made into a protrusion (10) on the side of the treble string. The seventh frame (four)) is extended in the direction of the sound hole to be sufficient to add a shape of one string (see the fifth figure), and the second embodiment is the same. The added string tuning is E (four degrees higher than the ith string ... each B). Then the 7-string empty string pitch and range will be different as in the eighth (3).

由第五圖可知:第增1弦(1,)與第1弦⑴之四度關係. 和第1弦⑴與第2弦⑵之四度關係相同,且第增1弦。, 與第1弦⑴之空弦的^音同為E,故彈奏者而言 可直接沿用習用的指法彈奏高八度之樂段。又,由於^ 1弦使琴頸加寬之程度於實務上對於原本4 6弦之全^ 位之彈奏並無實質上的妨礙’故此指板構造改良之士他 亦可無視於新增之弦,當作傳統吉他而彈奏。當然,其i 域之增加,及上述之第增i弦與第丨弦之四度::、:;It can be seen from the fifth graph that the relationship between the first chord (1) and the first chord (1) is the same as that of the first chord (1) and the second chord (2), and the first chord is increased by one. , and the sound of the empty string of the first string (1) is E, so the player can directly play the high octave by using the conventional fingering. Moreover, since the degree of widening of the neck by the ^1 string does not substantially impede the actual performance of the original chord of the original chord, it is also possible to ignore the new addition. String, played as a traditional guitar. Of course, the increase of the i-domain, and the fourth increase of the i-string and the first chord of the above::,:;

1弦與地2弦之四度關係為相同且空弦同為E,對彈奏者f 言’其揮灑的空間可說是豁然開朗。 同樣以Segovia之音階練習(G大調)為例,就傳統士 他之運指與本實施形態之運指比較結果可發現,以傳统二 他彈奏前述音階練習時,左手按弦指法將如第λ A圖所; 般,谱中第16音到第27音的部分須在第i弦頻繁移動指 位,欲較快速而清晰地彈奏有困難;相對於此,第九c圖9 則是以本實施形態之指板構造改良之吉他彈奏相同之赛戈 維亞音階練習、且在原來譜例之高音部分延伸了數音(亦 13 1279772 即^原有之第21音與第22音間加人新增8音)的情形,杂 際弹奏的結果’可較為順暢地彈奏包括原來第〜 音以及前述新增8音。 j ^ β 由上述者可知:本發明之指板構造改良之吉他 在=上可往高音域增加至少三度音程,而且在高-弦谷易’使有效彈奏音域於高音域擴展八度或以上 :佳的音㈣奏出以傳統構造之吉他而言為按指困難二 質較差之高音樂句。並使容易按弦之音域達到琴格之最: 曰域可使原來屬尚難度之高音域之彈奏變成中低難度, 對吉他的表現力之提升至矩;因%,藉由本發明之指二構 造改良之吉他,可賦予吉他音樂創作或改編甚大的可# 性,可期望開創吉他音樂的新紀元。 " 又上述之Λ施形態僅為例示,係用以說明本發明之 指板構造改良之古他$ # Ab 土 , ^ 效爿b者’本發明並非限定於此等實 施形態。例如,新增高音弦之弦數,除了前述實施形態所 牛出之1條以外’增设至2條亦屬可能丨此外,延伸出之 指板的位置及空弦定音亦可為例如:自第5琴格延伸!弦 伤其i曰加之弦分別可定音為例士〇 D ; $夕卜,突起之指板 形狀亦可形成為階梯狀’而分別對應增設第增i弦與第增 2弦’只要是熟悉吉他彈奏及樂理者,欲作適當的不同設 計與定音以達成上述諸效能是易如反掌的。 以上之况明係以古典吉他為例所作之說明,由於儘管 不同種類之吉他之製作所用之木材材質或有不同、聲響發 生機構或有不同’指板之作用於各種吉他之間則為相同, 1279772 故上述改良型指板,不只在古典吉他(傳統之6弦吉他或 改良型之7弦、8弦或1〇弦吉他等)上可發揮其效用,於 · 木吉他、電吉他及靜音吉他等之各種吉他亦可發揮相同之 效用,是至為清楚的。 如上述者等’及基於本發明之精神之各種可能之變化 與改良皆屬本發明之範疇,乃不言而喻者。 (發明之效果) 工欲善其事,必先利其器」,本發明之指板構造改 良之口他’不但音域往高音域增加至少三度,並使容易按 參 弦之曰域達到琴格之最高音域,可使原來屬高難度之高音 域之彈奏變成中低難度,對吉他的表現力之提升至矩;因 藉由本务明之指板構造改良之吉他,可賦予吉他音樂 創作或改編甚大的潛能,可期望開創吉他音樂的新紀元。 【圖式簡單說明】 第一圖為本發明之指板構造改良之吉他的立體示意The four-degree relationship between the 1 string and the ground 2 string is the same and the empty string is the same as E, and the space for the player's words can be said to be suddenly clear. In the same way, Segovia's scale practice (G major) is used as an example. Comparing the traditional scholastic fingers with the movements of this embodiment, it can be found that when the traditional two exercises of the above-mentioned scales, the left-handed chord fingering will be as In the case of the λ A picture; in general, the part from the 16th to the 27thth in the spectrum has to be moved frequently in the ith string, and it is difficult to play faster and clearly; in contrast, the ninth c is 9 The same Segway scale exercise was performed on the improved guitar structure of the fingerboard structure of the present embodiment, and the digital sound was extended in the high-pitched part of the original spectrum example (also 13 1279772 is the original 21st sound and 22nd). In the case of adding 8 sounds to the sound, the result of the miscellaneous play can be played smoothly, including the original first sound and the aforementioned new eight sounds. j ^ β It can be known from the above that the guitar with improved fingerboard structure of the present invention can add at least three intervals to the high range on the =, and the high-string valley can make the effective playing range extend the octave in the high range or Above: The good sound (4) plays a high-quality musical sentence with poor quality and difficulty in the traditionally constructed guitar. And make it easy to reach the chord of the string: the 曰 field can make the playing of the high range that is still difficult to become medium and low difficulty, the performance of the guitar is raised to the moment; because %, by the fingers of the present invention The second improved guitar can give guitar music creation or adaptation, and it is expected to create a new era of guitar music. " The above-described embodiment is merely illustrative, and is used to explain the improved structure of the fingerboard of the present invention. The invention is not limited to the embodiments. For example, it is also possible to add a number of strings of high-pitched strings in addition to one of the above-mentioned embodiments. It is also possible to add two to the other. The position of the extended fingerboard and the chord can also be, for example, The fifth piano extension! The string injury can be determined by the 曰 曰 为 为 ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ Guitar playing and music players, it is easy to make appropriate and different designs and sounds to achieve the above-mentioned performance. The above is a description of classical guitars, for example, although the wood materials used in the production of different types of guitars are different, the sound generating mechanism or the different 'fingerboard' acts between the various guitars. 1279772 Therefore, the above improved fingerboard can be used not only on classical guitars (traditional 6-string guitars or modified 7-string, 8-string or 1-string guitars, etc.), but also on acoustic guitars, electric guitars and silent guitars. It is clear that all kinds of guitars can play the same effect. It is to be understood that various changes and modifications of the present invention are possible within the scope of the present invention. (Effect of the invention) If the worker wants to do something good, he must first sharpen his instrument." The improved structure of the fingerboard of the present invention does not only increase the range to at least three degrees in the high range, but also makes it easy to reach the piano by the chord. The highest range of the grid can make the playing of the high-pitched high-range range become the middle and low difficulty, and the performance of the guitar can be improved to the moment; because the improved guitar can be given to the guitar music by the basic fingerboard structure. Adapting a lot of potential, you can expect to create a new era of guitar music. [Simple description of the drawing] The first figure is a three-dimensional schematic diagram of the guitar with improved structure of the fingerboard of the present invention.

圖。弟一圖為本發明之指板構造改良吉他之部分放大立體 圖。第三圖為本發明之指板構造改良吉他之部分放大後視 中,:二係用以顯示實施形態1之指板構造改良之吉他 出之較前』:t部分彈奏區域以及藉由新增指板所能衍生 丈。卩分彈奏區域高8度音之彈奏區域之示意圖。 15 1279772 第五圖係用以顯示實施形態2之指板構造改良之吉他 中,第1弦、第2弦之起始音與第增丨弦起始音、第j弦 第7格音相對應之示意圖。 第六圖為習知古典吉他之構造前视圖。 第七圖係顯示習知捲弦器構造之立體示意圖。 第八A圖係傳統吉他之空弦定音及音域。 第八B圖係7弦吉他之空弦定音方式之一及音域。 第八C圖係本發明之實施形態1之指板構造改良之吉 他之全部7弦的空弦音高及音域。 第八D圖係本發明之實施形態2之指板構造改良之吉 他之全部7弦的空弦音高及音域。 第九A圖係赛戈維亞(Andres Seg〇via)音階練習(g 大調)以傳統吉他彈奏之譜例及左手按弦指法。 , 第九B圖係赛戈維亞音階練習大調)以實施形態1 之私板構造改良之吉他彈奏時之譜例及左手按弦指法。 第九C圖係賽戈維亞音階練習(G大調)以實施形態2 之私板構造改良之吉他彈奏時之譜例及左手按弦指法。 【主要元件符號說明】 第5弦 第6弦 琴頭 指板 響孔 捲弦器 固定板 捲桿 蝸桿 齒輪 轉把 捲桿孔 蝸桿座 固定板 捲桿 蝸桿 齒輪 轉把 指板 琴頸 捲弦器收納室 孔 響孔 捲弦器 17 1279772 55 第 5琴衍 56 第 6琴衍Figure. A picture of the brother of the present invention is a partially enlarged perspective view of the improved acoustic guitar structure of the present invention. The third figure is a partial enlarged rear view of the improved fingerboard structure of the present invention: the second system is used to display the improved structure of the fingerboard structure of the first embodiment: the t part playing area and by the new The increase of the fingerboard can be derived. A schematic diagram of the playing area with a high 8 degree sound in the playing area. 15 1279772 The fifth figure is used to show the improvement of the fingerboard structure of the second embodiment. The start sound of the first and second strings corresponds to the start of the first chord and the seventh chord. Schematic diagram. The sixth picture shows the front view of the structure of a conventional classical guitar. The seventh figure shows a perspective view of a conventional winding structure. The eighth picture A is the acoustic tuning and range of the traditional guitar. The eighth B picture is one of the acoustic chords of the 7-string guitar and the sound range. The eighth C diagram is an empty string pitch and a range of all 7-string guitars of the modified fingerboard structure according to the first embodiment of the present invention. The eighth D diagram is an empty string pitch and a range of all 7-string guitars of the modified fingerboard structure according to the second embodiment of the present invention. The ninth A is the Andres Seg〇via scale practice (g major) with a traditional guitar playing style and a left handed string fingering. , ninth B-picture is the Segovia scale practice major). The spectrum example of the modified guitar playing in the implementation of the form 1 and the left-handed string fingering. The ninth C-picture is the example of the Segway scale exercise (G major), which is based on the improved private guitar structure of the form 2 and the left-handed string fingering. [Main component symbol description] 5th string 6th string head fingerboard hole hole coil fixed plate roll rod worm gear turn rod rod hole worm rod fixed plate roll rod worm gear turn fingerboard neck neck string storage Chamber hole ring hole coil 17 17279772 55 5th Qin Yan 56 6th Qin Yan

1818

Claims (1)

1279772 十、申請專利範圍·· ib ^ 種扣板構造改良之吉他,其特徵在 指板之离立护%吉他 延伸成為二端足二意捲琴::置,並往後方側響孔 條弦讀第!弦之弦徑為㈣新增琴弦至指板上之形狀。2 苴·如、申印專利範圍第1項之指板構造改良之吉他, 的弦琴弦為2條,當中位於指板最外側之第增2弦 、仏較第增1弦的弦徑為窄。1279772 X. Scope of application for patents·· ib ^ A guitar with improved structure of the gusset plate. Its characteristic is that the guitar of the fingerboard is extended to become a two-ended two-volume piano:: set, and the hole string on the rear side Read the first! The string diameter of the string is (4) the shape of the new string to the fingerboard. 2 苴·如, sprinting the first part of the patent scope of the fingerboard structure improved guitar, the string string is 2, in the outermost part of the fingerboard is increased by 2 strings, the chord is increased by 1 string. narrow. 3,如申請專利範圍第1項之指板構造改良之吉他, 其中,該捲弦器係設置至在高音弦側突起前端的背面所凹 "X的捲弦Α收納至巾’且用以轉動蜗桿之轉把係作成為可 從螞桿分離之形態。 4.如申請專利範圍帛1項之指板構造改良之吉他, 其中,吉他扣板在雨音弦側之突起位置係從第3琴格~第j 〇 琴格中任一琴格。3. The guitar of the improved fingerboard structure according to the first aspect of the patent application, wherein the winding string is disposed to the back of the front end of the treble chord side and the concave string of the X is accommodated to the towel and used for The turning of the worm is made into a form that can be separated from the lance. 4. The guitar of the improved fingerboard structure of the patent application 帛1, wherein the protruding position of the guitar gusset on the side of the rain chord is from any of the third to the jth strings. 十一、圖式I 如次頁 19XI. Schema I as the next page 19
TW93135534A 2004-11-19 2004-11-19 Guitar with fingerboard structure improvement TWI279772B (en)

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TWI279772B true TWI279772B (en) 2007-04-21

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