TW548628B - Method for arranging phonemes for cymbalo and structure thereof - Google Patents

Method for arranging phonemes for cymbalo and structure thereof Download PDF

Info

Publication number
TW548628B
TW548628B TW90108331A TW90108331A TW548628B TW 548628 B TW548628 B TW 548628B TW 90108331 A TW90108331 A TW 90108331A TW 90108331 A TW90108331 A TW 90108331A TW 548628 B TW548628 B TW 548628B
Authority
TW
Taiwan
Prior art keywords
bridges
bridge
phoneme
dulcimer
tone
Prior art date
Application number
TW90108331A
Other languages
Chinese (zh)
Inventor
Shr-Neng Jang
Original Assignee
Shr-Neng Jang
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Shr-Neng Jang filed Critical Shr-Neng Jang
Priority to TW90108331A priority Critical patent/TW548628B/en
Application granted granted Critical
Publication of TW548628B publication Critical patent/TW548628B/en

Links

Landscapes

  • Auxiliary Devices For Music (AREA)

Abstract

The present invention relates to a method for arranging phonemes for a cymbalo and a structure thereof, particular a method for arranging phonemes between bridges of a cymbalo and a structural design of the number of Chyn-Maa of the bridges thereof. Such that the phoneme interval between the left and right sides of the leftmost treble doublestop bridge is a semitone, and each column interval of the bridge is a whole tone (i.e. major second); and the phoneme interval between the two rightmost undertone monophonic bridges is a semitone, and each column interval is a whole tone. Thus, one or more bridges can be installed between the leftmost treble doublestop bridge and the two rightmost undertone monophonic bridges, such that the phoneme thereof is spaced with the left/right phoneme of the bridges is five intervals, while maintaining the Chyn-Maa of all bridges to be more than 13 columns (13 Maa). Through such a method for arrangement of phoneme and a structure design of Chyn-Maa of more than 13 Maa, a user can use two fixed skills to complete 12 strikings. As a result, a cymbalo is easier to be played, and a user can easily play difficult skills.

Description

548628548628

經濟部智慧財產局員工消費合作社印製 五、發明說明(I) 本發明係有關一種揚琴之音位排列方法及其結構設計 ,惟指-種中國民族樂器揚琴之音位排列方法及其琴橋碼 數之結構設計,藉此達到固定兩種手法完成十二調之打擊 學習,進而使初學者更容易彈奏困難手法之樂曲。 傳統的中國民族樂器一揚琴,常受相關音位排列不同 而致十二調之自然音階打擊手法不一,如此即造成學習揚 琴困難或難以演奏手法高超、轉調頻繁之樂曲,故而相關 業者所製造之揚琴多標榜能以兩種手法演奏十二調,其實 學習揚琴者皆知不能達成。丨中,以第一囷所示坊間最常 見之北京4〇1型及4〇2揚琴C調基本音位囷為例,其左側高 音係採自然音階排列,以致手法在高低音時不一致,且音 位排列乃採五二制排列法,亦即左右係為純五度、上下係 為大二度,而構成其基本音位,惟當D調轉c調即有一個 f音位於e音右上方五個碼距離,因此造成大跳手法增加 演奏困難;而在bE調更造成音階位置分散凌亂難以記憶 且^/貝奏最低音時’又須借助調整調整左側變音槽改變 音高,以求得#G或bB等音,此種不合理之音位排列及 需要變音槽輔助之設計,若此即令想學習揚琴者望之卻步 更遑論演奏。 又以北京5〇1型揚琴為例,雖然其採用較多同音異位 之排列方法,但其右邊四橋仍沿用^〇1型音位排列法,仍 不足以提供十二調完全以兩種手法演奏,即使運用五二制 定音法調音,頂多只能保持bB 、C、D、e、f、G、 A及bE八個調以兩種手法演奏,其餘四個調仍需在自然 本紙張尺度適用中國國家標準(CNS)A4規格(210 X 297公釐) (請先閱讀背面之注意事項再填寫本頁) 訂/ 548628 Α7Printed by the Consumer Cooperative of the Intellectual Property Bureau of the Ministry of Economic Affairs. 5. Description of the Invention (I) The invention relates to a phoneme arrangement method and structure design of a dulcimer, but refers to a phoneme arrangement method of a Chinese national musical instrument dulcimer and its bridge. The structure design of the yardage can achieve the fixed two methods to complete the twelve tune percussion learning, thereby making it easier for beginners to play the difficult music. The traditional Chinese national musical instrument, dulcimer, is often affected by different percussion arrangements, resulting in different natural scale percussion techniques. This makes it difficult to learn dulcimer or difficult to play high-tech, frequent-tuned music. The dulcimer is advertised to be able to play twelve tunes in two ways. In fact, everyone who learns the dulcimer knows that it cannot be achieved.丨 In the example shown in the first section, the basic phonology of Beijing Type 401 and 402 Yangqin C tunes shown in the first section is used as an example. The treble system on the left side is arranged in natural scales, so that the technique is inconsistent in high and low frequencies, and The phoneme arrangement is based on a five-two arrangement, that is, the left and right series are pure fifths, and the upper and lower series are greater than two degrees to form the basic phoneme. However, when D is turned to c, there is an f sound at the upper right of the e sound. Five yards distance, which makes the big jump technique increase the difficulty of playing; while in bE key, the scale position is scattered and difficult to remember and ^ / below the lowest note, you must change the pitch by adjusting the left side change groove. There are #G or bB and other sounds. This unreasonable arrangement of phonemes and the design of the need for variable grooves. If this is the case, those who want to learn the dulcimer will be afraid of playing. Another example is the Beijing 501 yangqin. Although it uses a more homophonic arrangement method, the four bridges on the right still use the ^ 〇1 type phoneme arrangement method, which is still not enough to provide twelve tones. Playing by hand, even if you use the May 2 standard tone tuning, you can only keep bB, C, D, e, f, G, A, and bE eight tunes in two ways, and the remaining four tunes still need to be in the natural language. Paper size applies Chinese National Standard (CNS) A4 (210 X 297 mm) (Please read the precautions on the back before filling this page) Order / 548628 Α7

五、發明說明(2) 音階時使用大跳或交叉手法,故非使用兩種手法即可演奏 十二調。 再者,雖敦煌8彳型揚琴號稱可使用兩種手法演奏十二 調,惟左側高音橋音階的銜接仍無可避免使用大跳手法, 與一般手法相差甚多,不啻要求演奏者學習另一種極大改 變的演奏手法,因此熟習4〇1、402型揚琴者通常不願使用 敦煌81型揚琴,而坊間亦極為少見此型揚琴。 經濟部智慧財產局員工消費合作社印製 緣上述多種型式揚琴無法完全提供使用者以兩種手法 演奏十二調,導致學習揚琴困難或難以演奏高技巧樂曲之 缺憾,本案發明人即以同時身為演奏者及揚琴製造者經驗 ,提出一種揚琴之音位排列方法及其結構發明;主要係改 善習見揚琴音位排列,而使最左側高音雙音琴橋之左右兩 側音位相隔為一半音,而該琴橋各碼間隔一全音(即大二 度),並使最右側之兩個低音單音琴橋間之音位相隔為一 半音,且各行音位為一全音;藉此,可再於最左側高音雙 音琴橋及最右側兩低音單音琴橋之中間處排設一橋或一橋 以上習見五二制音位排列,令其音位與上述琴橋各音位左 右相隔五度,上下維持大二度,並保持琴橋之琴碼至少十 三碼;藉此音位排列方法及十三碼以上琴碼結構設計,讓 使用者能使用兩種固定手法完成打擊十二個調,而更容 學習揚琴並容易彈奏高難度手法之曲目。 %二本發明主要目的,在於提供一種揚琴之音位排列方法 設計,惟藉-個最高音琴橋及兩個最低音琴橋之音位排列 ’達到-致的兩種手法演奏十二調自然音階及相關半音,V. Description of the invention (2) Use big jump or cross technique in the scale, so you can play twelve tunes without using two techniques. Moreover, although the Dunhuang 8 彳 dulcimer is claimed to be able to play twelve tunes in two ways, the connection of the left treble bridge scale is still inevitable to use the big jump technique, which is much different from the general technique, and the player is required to learn another The playing style has changed greatly. Therefore, those familiar with the 4011 402 dulcimer are usually reluctant to use the Dunhuang 81 dulcimer, and this type of dulcimer is very rare. The above-mentioned multiple types of dulcimer cannot be fully provided for the user to play the twelve tunes in two ways, resulting in the difficulty of learning dulcimer or the difficulty of playing high-tech music. The inventor of the present case also considered The experience of performers and dulcimer makers puts forward a dulcimer phoneme arrangement method and structural invention; it is mainly to improve the conventional dulcimer phoneme arrangement, so that the left and right sides of the treble double-tone bridge are separated by half, Each bridge of the bridge is separated by a full tone (that is, the second degree), and the phonemes between the two rightmost bass bass bridges are separated by a half tone, and the phonemes of each line are a full tone. A bridge or a bridge is arranged in the middle of the leftmost treble double bridge and the rightmost two bass monophone bridges, so that the phoneme is arranged at a distance of five degrees from the left and right of the bridges. Maintain the second degree and keep the bridge code at least thirteen yards; using this phoneme arrangement method and the structure design of thirteen yards or more, users can use two fixed methods to complete Hit the twelve tunes and be more adept at learning the dulcimer and playing difficult tricks. % 2 The main purpose of the present invention is to provide a phoneme arrangement method design for dulcimer. However, by using the phoneme arrangement of one highest bridge and two lowest bridges, the twelve tunes can be played naturally. Scales and related semitones,

經濟部智慧財產局員工消費合作社印製 548628Printed by the Consumer Cooperative of the Intellectual Property Bureau of the Ministry of Economic Affairs 548628

==::學習者更容易運用該音位而容易記憶及演奏 本=次—目的’在於提供—種揚琴之音位排列方法 ::灵=兩個最低音琴橋之音位排列亦可使用一個雙 低曰琴橋遣行音位排列,藉此達到相同以兩種手法演奏十 一調自然音階及相關半音效果。 又本發明另一主要目的,在於提供一種揚琴之結構設 計,係可藉最左侧高音雙音琴橋及最右側兩低音單音琴橋 :位排歹j方法’使揚琴具有六個琴橋,a每個琴橋維持 十三碼以上之結構,藉此即可取消習見例如4〇1型揚琴之 變音槽結構’讓使用者在不必借助變音槽之下,即能達到 相同演奏音域寬廣之方便效果。 茲依附囷實施例將本發明之排列方法、結構特徵及其 他之作用、目的詳細說明如下: 本發明所為『揚琴之音位排列方法及其結構』設計, 如第二圖所示即為揚琴音位排列之基本音位圖,該揚琴音 位排列方法乃係以五二制音位排列基礎(即左右係為純五 度、上下為大二度),而改由六個琴橋及十三行(即十三 碼)以上結構及本發明之音位排列法配合而成;惟圖示六 橋實施例僅使本發明音域更寬廣而已,主要目的仍在達到 使用兩種手法即可演奏十二調自然音階及相關半音之效果 ’是以第一圖所示六橋十三行音位排列僅係較佳實施例, 並不以之為限,合先指明; (請參考第二圖所示)本發明其特徵係使揚琴最左側 本紙張尺度適用中國國家標準(CNS)A4規格(210 X 297公釐)== :: Learners use this phoneme more easily and it is easier to memorize and play this book = time-purpose 'is to provide-a phoneme arrangement method of dulcimer :: spirit = phoneme arrangement of two lowest bridges can also be used A double low-pitched bridge bridge arranges the phonemes to achieve the same eleven diatonic scale and related semitone effects in two ways. Yet another main objective of the present invention is to provide a structural design of a dulcimer, which can be used to make the dulcimer have six bridges by using the leftmost treble double bridge and the rightmost two bass monophone bridges: a method of row arrangement. , A Each bridge maintains a structure of more than thirteen yards, thereby eliminating the habit of changing the groove structure of the 4011 dulcimer, so that users can reach the same playing range without having to use the groove. Broad and convenient effect. The following describes the arrangement method, structural features, and other functions and purposes of the present invention in detail according to the following embodiments: The design of the "phoneme arrangement method and structure of a dulcimer" designed by the present invention is shown in the second figure as a dulcimer sound. The basic phoneme map of the arrangement of the dulcimer is based on the arrangement of the five-two phoneme (that is, the left and right are pure fifths and the upper and lower are second degrees), and the six bridges and thirteen are changed. The above structure (thirteen yards) is combined with the phoneme arrangement method of the present invention; however, the six bridge embodiment shown in the figure only makes the sound range of the present invention wider. The main purpose is still to achieve ten performances using two methods. The effect of two-tone diatonic scales and related semitones is based on the preferred arrangement of the six bridges and thirteen rows of phonemes shown in the first figure, and is not limited to this, which is indicated first; (please refer to the second figure) (Shown) The present invention is characterized in that the leftmost paper sheet of the dulcimer is adapted to the Chinese National Standard (CNS) A4 specification (210 X 297 mm)

548628548628

、發明說明(g) 經濟部智慧財產局員工消費合作社印製 且真正只需使用兩種手法即能演奏十二調之自然音階及相 關半Θ ’供學習者更容易將音位記憶,且易於演奏高難度 之樂曲。 藉本發明揚琴音位排列方法所得功效,係可得完全以 兩種手法演奏十二調之效果,請參考第三a圖至第三g圖^ =示之#G/bA、bB、C、D、E、#F、#G/bA 舖 音位圖(首調音位),其演奏自然音階只需記住遇半音時 向右移位(或向左移位)即可,使此六調以同一種手法即 可演奏,而另一種手法請再參考第四a圖至第四G圖所示 ’即 #C/bD、bE、F、G、A、B、#C/bD 調音位 圖(首調音位),其演奏自然音階亦只需記住遇半音時向 右移位(或向左移位)即可,令六調以同一種手法演奏·, 若此即達到十二調完全以兩種手法演奏之效果。 另本發明與現行各種揚琴演奏手法銜接,因各調之音 階位置係在最近距離,因此於同一調中之演奏區域係相當 集中,而可減少許多大跳或交又手法;且最左側第一個高 音雙音琴橋與最右側兩個單音琴橋(本發明音位特徵): 其藉左右音位半音、上下音位全音之排列法,係使演奏手 法近似習見北京4〇1、4〇2型揚琴,若此普遍慣用此型揚琴 者亦可藉本發明之排列法,在不必學習新手法下容易演^ 轉調頻繁或難度較高之現代樂曲。且熟習敦煌8彳型揚琴者 亦可將原來上方之高音區移至左側’,並只記憶遇到半;向 左或右移,即可容易適應而不致難以習慣,甚至於在中間 四橋部分幾乎可以完全沿用81型的演奏手法,故本發明^ ----·—,-------------„—訂 y— —^-----· (請先閱讀背面之注咅?事項再填寫本頁;> 7 548628 A7 B7 五、發明說明(ρ) 9位排列方法設計,足使初學者或熟悉其他型揚琴者容易 適應’而不須改變手法即能演奏熟知的樂曲,甚至可以完 全相同手法轉調演奏。 准上述六橋之音位排列僅係達到音域較廣之最佳實施 例而已,如維持本發明最左側第一個高音雙音琴橋及最右 側兩低音單音琴橋之音位排列法,而在其中間所設習見五 :制音位排列係可實施一橋或二橋之形態,若此亦可達到 π全以兩種手法演奏十二調效果故凡以上述技藝、精神 簡易變更、置換者,應包括於本發明之範圍中,併 再者,(如第五囷所示)藉本發明六橋揚琴最右側雙 音琴橋及最左側兩個單音琴橋之排列法設計,同時配合保 少具有十三碼(十三行)以上之結構設計= 可知省習見北承401、4Q2型揚琴之變音槽結構,供使 不必應用變音槽即可快速轉調’若此演奏轉調難度高或現 代曲風之樂曲’亦能夠得心應手。 經濟部智慧財產局員工消費合作社印製 綜上所述’本發明所為『揚琴之音位排列方法及其结 構』設計,確具高度技術思想之創作性,其亦出 於新穎無疑,應與法定專利要件相當,已稱合 = 。為此,謹依法提出發明專利申請,惟懇請 4 審,並賜准專利為禱,至感德便。 η思予詳 本紙張尺度適用中國國家標準(CNS)A4規格(21〇 X 297公f 548628 A7 ___B7_ __ 五、發明說明(7") 圖式簡單說明: 第一圖所示為習見五二制揚琴之基本音位圖。 第二圖所示為本發明六橋揚琴之基本音位圖。 第三A圖至第三G圖所示為本發、bB、 C、D、E、#F ' #G /bA首調音位圖。 第四A圖至第四G圖所示為木發明#C/bD、bE、 F、G、A、B、#C/bD首調音位圖。 第五圖所示為本發明六橋揚琴結構之立體圖。 (請先閱讀背面之注意事項再填寫本頁) 經濟部智慧財產局員工消費合作社印製 本紙張尺度適用中國國家標準(CNS)A4規格(210 X 297公釐)(G) Description of the invention (g) Printed by the Consumer Cooperative of the Intellectual Property Bureau of the Ministry of Economic Affairs and using only two methods to play the twelve-tone diatonic scale and the related half Θ 'for learners to memorize phonemes more easily and easily Play difficult music. The effect obtained by the arrangement method of the dulcimer phoneme of the present invention can obtain the effect of playing twelve tones in two ways. Please refer to the third chart a to the third chart ^ = # G / bA, bB, C, D, E, #F, # G / bA Pitch map (first pitch), the natural scale only needs to remember to shift to the right (or shift to the left) when the semitone is played, so that the six tunes You can play in the same way, and for another way, please refer to Figures 4a to 4G, which is the # C / bD, bE, F, G, A, B, # C / bD tuning bitmap. (Frontal tone), when playing the diatonic scale, just remember to shift to the right (or shift to the left) when the semitone is encountered, so that the six tunes can be played in the same way. The effect of playing in two ways. In addition, the present invention is connected with the current various dulcimer playing techniques. Because the scale positions of each key are at the shortest distance, the playing area in the same key is quite concentrated, which can reduce many big jumps or crossover techniques. Two treble double bridges and two monophone bridges on the far right (characteristics of the invention): it uses the arrangement method of left and right phoneme semitones and up and down phoneme tones, which makes the playing methods approximate to Beijing 4 01, 4 〇2 dulcimer, if this is commonly used by those dulcimers can also borrow the arrangement method of the present invention, without having to learn a new technique, it is easy to perform modern music with frequent tuning or high difficulty. And those who are familiar with the Dunhuang 8 彳 dulcimer can also move the original treble area to the left, and remember only half of the encounter; move to the left or right, it can be easily adapted without being difficult to get used to, even in the middle four bridges It can almost completely follow the performance method of Type 81, so the present invention ^ ---- · —, ------------- „— 订 y— — ^ ----- · (please first Read the note on the back? Matters and then fill out this page; > 7 548628 A7 B7 V. Description of the invention (ρ) The 9-position arrangement method is designed to make it easy for beginners or those familiar with other types of dulcimers to adapt to it without changing their methods. Able to play well-known music, and even transpose the exact same technique. The quasi-arrangement of the six bridges mentioned above is only to achieve the best embodiment with a wide range, such as maintaining the first treble double-tone bridge and The phoneme arrangement method of the two rightmost double-bass bridges, and the five in the middle set up: the phoneme arrangement can be implemented in the form of a bridge or a bridge. If this is also achieved, π can be played in two ways. The effect of the second key, so anyone who simply changes or replaces with the above skills and spirit should be included in this book. In the scope of the Ming Dynasty, and further, (as shown in the fifth figure), the arrangement method of the right-most double-tone bridge and the left-most two mono-tone bridges of the six-bridge dulcimer of the present invention is designed, and the thirteen yards are matched with the minimum (Thirteen rows) The structural design above = we can see that the province's accompaniment structure of 401 and 4Q2 dulcimers can be used to quickly tune without the use of a voicing groove. 'It can also be handy. Printed by the Consumer Cooperatives of the Intellectual Property Bureau of the Ministry of Economic Affairs.' The design of the "phoneme arrangement method and structure of the dulcimer" of the present invention is indeed highly creative in technology and it is also novel. Undoubtedly, it should be equivalent to the statutory patent requirements, and has been said to be equal. For this reason, I would like to file an application for an invention patent in accordance with the law, but I kindly ask for 4 trials, and grant the patent as a prayer. National Standard (CNS) A4 specification (21〇X 297 male f 548628 A7 ___B7_ __ V. Description of the invention (7 &); Brief description of the diagram: The first picture shows the basic phoneme diagram of the Yangtze piano used in the Second Five. Map This is the basic phoneme map of the six-bridge dulcimer of the present invention. Figures 3A to 3G show the phoneme maps of the first, bB, C, D, E, #F '#G / bA. The fourth A Figures 4 to 4G show the woodwork # C / bD, bE, F, G, A, B, # C / bD first phoneme maps. The fifth figure shows a perspective view of the six-bridge dulcimer structure of the present invention. (Please read the notes on the back before filling out this page) The paper size printed by the Consumer Cooperatives of the Intellectual Property Bureau of the Ministry of Economic Affairs applies to the Chinese National Standard (CNS) A4 (210 X 297 mm)

Claims (1)

548628548628 申請專利範圍 令揚琴最左側第一個琴橋形成為數個琴碼之高音 雙曰,其左右相隔為半音、上下為全音;並使最右側 第琴橋形成數個琴碼之單音,而右側第二琴橋乃形 成至;十二碼之單音,且兩橋其左右相隔為半音、上 下為全音;而最左側第一個高音雙音琴橋及最右側兩 個低音單音琴橋之甲間處,係設有三個採五二制音位 排列之琴橋,使左側第二個琴橋形成至少十三碼之雙 音’其於兩琴橋各形成十三碼之單音,藉此組成六橋 揚琴’以節省左側變音槽結構,容易快速以相同演奏 手法進行轉調。The scope of the patent application makes the first bridge on the far left of the dulcimer a treble double with several strings, and the left and right are separated by a semitone and the whole is full; the right bridge on the far right forms a single tone with several strings, and the right The second bridge is formed; a single tone of twelve yards, and the two bridges are separated by a semitone and a full tone from top to bottom; and the left of the first treble double-tone bridge and the right-most two bass monophone bridges There are three bridges arranged in five and two systems, so that the second bridge on the left forms a double tone of at least thirteen yards, which forms a single tone of thirteen yards on each of the two bridges. This constitutes a six-bridge dulcimer 'to save the structure of the left-side voicing trough, and it is easy to quickly transpose with the same playing technique. 本紙張义度適用中國國家標率(CNS ) A4規格(210X 公埯 -:1葸事項44寫本頁) ^--------II.------~The meaning of this paper applies to China's National Standards (CNS) A4 specification (210X public 葸-: 1 葸 matters 44 write this page) ^ -------- II .------ ~
TW90108331A 2001-04-06 2001-04-06 Method for arranging phonemes for cymbalo and structure thereof TW548628B (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
TW90108331A TW548628B (en) 2001-04-06 2001-04-06 Method for arranging phonemes for cymbalo and structure thereof

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
TW90108331A TW548628B (en) 2001-04-06 2001-04-06 Method for arranging phonemes for cymbalo and structure thereof

Publications (1)

Publication Number Publication Date
TW548628B true TW548628B (en) 2003-08-21

Family

ID=29997843

Family Applications (1)

Application Number Title Priority Date Filing Date
TW90108331A TW548628B (en) 2001-04-06 2001-04-06 Method for arranging phonemes for cymbalo and structure thereof

Country Status (1)

Country Link
TW (1) TW548628B (en)

Similar Documents

Publication Publication Date Title
Jackson Performance practice: a dictionary-guide for musicians
US20070006710A1 (en) Guitar
TW548628B (en) Method for arranging phonemes for cymbalo and structure thereof
US1839244A (en) Neckless guitar-mandolin
JP2024511512A (en) Educational stringed instruments
US7411120B2 (en) Stringed instrument with offset structure
Yoo Isang Yun: his compositional technique as manifested in the two clarinet quintets
Rimsky-Korsakov Principles of orchestration, with musical examples drawn from his own works
CN102903351A (en) Method for preparing chord violin
Siemers The history and development of the double bass
JP3246771U (en) violin
Blair Notable Percussion Excerpts of the 21 st Century Wind Band: A Continuation of Studies by Charles Sivils and Daniel Mccloud
Holmes et al. World on a String
Dovel The influence of jazz on the solo trumpet compositions of Eugène Bozz
Gawboy The Wheatstone Concertina and Symmetrical Arrangements of Tonal Space
Manners An annotated guide to published horn warm-up routines, 1940-2015
Lee Adoption of Fundamental Cello Techniques to the Double Bass
Oeth Vincenzo Galilei’s “26 Ricercari” from Fronimo, Transcribed for Guitar: Challenges and Solutions for Transcribing and Playing Italian Renaissance Lute Tablature on the Modern Guitar
Cook Scordatura literature for unaccompanied violoncello in the 20th century: Historical background, analysis of works, and practical considerations for composers and performers
Dong A Performer’s Analysis of Bright Sheng’s Use of Brass Instruments in His Compositions, Comparing Early and Later Styles of His Brass Writing
Allison A conductor’s analysis of Missa Votiva (ZWV 18) by Jan Lukáš Ignatius Dismas Zelenka
Pelo An analysis of the third movement of György Kurtág's “Stele”
MacLean On some causes of the changes of tone-colour proceeding in the most modern orchestra
Fitzgibbon Of Flutes and Soft Recorders
Caballero Casas A conductor’s study and resource guide of four band and chamber wind compositions

Legal Events

Date Code Title Description
GD4A Issue of patent certificate for granted invention patent
MM4A Annulment or lapse of patent due to non-payment of fees