TW201447728A - Digital jukebox device with improved karaoke-related user interfaces, and associated methods - Google Patents

Abstract

Certain exemplary embodiments relate to entertainment systems and, more particularly, certain exemplary embodiments relate to jukebox systems that incorporate digital downloading jukebox features along with karaoke jukebox and/or photobooth features. A combined karaoke / photobooth / jukebox may enable more integrated performance-like experiences in an in-home or out-of-home location or venue. By leveraging vast audio media libraries, trusted rights-respecting network infrastructure, and on-site image/video capturing from integrated recorders and/or remote portable devices, a more sociable experience may be created for karaoke jukebox patrons, e.g., where custom content can be generated and shared in a safe and legally appropriate manner.

Description

Digital jukebox device with improved user interface related to phonograph, and associated method Cross-reference to related applications

This application is part of the continuation application (CIP) of U.S. Application No. 13/621,922 filed on September 18, 2012, and U.S. Application No. 13/621,922, the provisional application No. 61/584,750 (2012) Application on the 9th of the month and the right of application No. 61/536,015 (applied on September 18, 2011); this application is also part of the continuation application of US Application No. 13/138,660, filed on March 5, 2012 ( CIP), US Application No. 13/138,660 is the national phase application of International Application No. PCT/US2010/000799 filed on March 18, 2010, and International Application No. PCT/US2010/000799 claims 2009 3 The right to apply for a provisional application No. 61/202,617 on the 18th of the month; and this application is also part of the continuation application (CIP) of US Application No. 12/929,466, filed on January 26, 2011, US application No. 12/929,466 claims the right of provisional application No. 61/431,036 (filed on January 9, 2011) and No. 61/298,509 (filed on January 26, 2010), each of the aforementioned applications The entire text is hereby incorporated by reference. in.

Field of invention

Particular illustrative embodiments relate to entertainment systems, and more particularly, specific exemplary embodiments relate to a jukebox system that has a digital download jukebox feature along with a chorus jukebox and/or photo booth features.

Background of the invention

The jukebox has been in existence for decades and provides the user with the ability to select the desired music for reproduction in a convenient and advantageous manner. Conventionally, jukeboxes have been placed in commercial establishments such as restaurants and bars to pay for their customers' desired music on demand. In the past few years, new generation jukebox devices have become available that provide significant improvements in the operation of the device for all participants involved. More specifically, conventional stand-alone discs and CD jukeboxes are being replaced by digital download jukeboxes controlled by a central server and communicating with a central server. An example of such a new generation of jukebox system is shown in U.S. Patent No. 6,308,204, the entire disclosure of which is incorporated herein by reference. The leader of this new generation of jukebox systems is TouchTunes Music Corporation.

1 shows an overview of an exemplary embodiment of a digital download jukebox system 10. As shown in Figure 1, the jukebox system 10 includes a central server 12 that contains audio content (usually music) that can be downloaded therefrom and, alternatively, audiovisual content (typically music and associated video or graphics). The main library. The jukebox system also includes a series of remote jukebox devices 16, 16a through 16f. Each of these jukebox devices is usually located in a bar. In a restaurant, club, or other desired location, and operable to receive payment from the user (such as coins, banknotes, credit/debit cards, etc.) and play the music after the user selects one or more songs for playback (eg, from a suitable storage location, such as from a local server, a central and possibly remote server, from a zone storage, etc.). In an alternate embodiment, the music service is paid for by location based on the subscription, and the selected music is free to the end user. The jukebox device 16 typically includes a screen 18 that presents information to the user and allows the user to select songs from the jukebox device, as well as an audio system 20 that plays the selected songs. The screen 18 can also be used to display video or graphics related to the song. The screen 18 can also be used to display advertisements for the jukebox itself to attract customers, display other types of advertisements, and/or display any other desired information.

Jukebox device 16 (sometimes simply referred to as "jukebox" in this article) It is operable to communicate with the central server 12 via a communication network 14, such as the Internet. The jukebox 16 periodically communicates with the server 12 to provide information about the particular songs that have been played on the jukebox to the server 12. The central server then uses this information to determine the premiums and/or rewards that should be paid for the songs played on each of the jukeboxes. Thus, one advantage of this new generation of jukeboxes is that sound reproduction and/or other applicable music rights can be attached to the jukebox in a more accurate and reliable manner, thereby ensuring that the appropriate premium is paid to the artist or music owner. The central server 12 can also provide new songs to the jukebox 16 to ensure that the appropriate or most popular songs are maintained on the jukebox based on the particular customer at the location. Thus, it is possible to communicate with the central server to provide the songs and/or classes normally requested by the customer at each of the jukebox locations. The music of the type comes from the songs that are available at every click. The central server can also be advantageously used to further the operating software on the jukebox to, for example, change the operation of the jukebox, such as to provide new or improved features, as described in U.S. Patent No. 6,308,204. Therefore, another advantage of this new generation of jukeboxes is that the operation of the song (or other audio and/or visual content) and the jukebox itself can be changed remotely without the need for someone (such as a routeman). Personally maintain the jukebox. Instead, the central server 12 can be used to make such updates.

As indicated above, the jukebox devices 16 each include such as A mass storage device for a hard disk drive that stores songs and associated video/graphics (if any) and any other desired graphical information for reproduction on a jukebox. The mass storage device of the jukebox typically has a limited storage capacity relative to the storage device of the central server 12. As a result, only a small portion of the songs stored on the central server are typically stored on the mass storage device at any one time. There may be other reasons, such as due to the security of the data or the limited space in the jukebox itself, due to the limited storage capacity on the jukebox and/or the number of songs stored on the jukebox. For example, the physical space may be limited in a wall mounted jukebox or the like that is designed to be smaller in size than a stand-alone model. As explained above, the songs on the jukebox can be changed by communicating with the central server, but at any one time, any jukebox typically only stores a relatively small subset of the full library of songs maintained by the central server.

In order to increase the income generated by the jukebox, most of the Popular songs available on the jukebox over time can be seen as an advantage. If the customer You can't find your favorite songs on the jukebox, and the usage rate of the jukebox (and the revenue generated by the jukebox) can be reduced. On the other hand, it is not always possible to accurately predict in advance what a customer at any particular location would like to play on the jukebox. In fact, there may be many examples of songs that a customer may have chosen to exist on a central server but are not currently present on the jukebox. As a result, the jukebox may not be enjoyable and cannot be used to the utmost extent. In order to solve this problem and increase revenue, the jukebox system has provided in the past the ability to enable users to search for songs on the central server from the jukebox and request immediate download of the desired songs from the central server to the jukebox (additional cost). feature. This feature enables the user to play any song in the main library of songs maintained by the central server using a jukebox, regardless of whether a particular song is currently stored in the mass storage of the jukebox itself. Thus, the user can first search for the desired song on the regional memory of the jukebox and then further search for the desired song on the central server if necessary (eg, in conjunction with search functionality, potentially by selecting on-screen The central server searches for function buttons to access). Unlike standard playback of the area memory of the jukebox directly, the jukebox device typically charges an additional fee (such as five credits instead of one credit) for immediate download and playback of songs from the central server.

In addition to all the features of the conventional jukebox, an integrated companion is required. Sing experience. In this regard, the current jukebox is usually turned off or otherwise disabled during the vocal night, during the singer night, the vocal provider brings its own separate device and sets up the stand-alone device at the venue, or the venue itself is only set up. A separate phonograph system with the device has been independently installed. The deactivation of the jukebox device (even if only temporarily) indicates the possible receipt of such a phonograph Loss of entry. The establishment and dismantling of individual phonograph systems is also inconvenient and sometimes cumbersome, for example, for venues where there is a shortage of personnel, for venues where there is not a lot of space. In addition, the conventional jukebox has been largely excluded from the "single player" mechanism. Since the jukebox and phonograph devices belong to different categories in the real world, the entire market remains unusable and therefore not utilized.

As is known, the phonograph environment involves self-contained legal licenses. The music's proprietary vocal catalogue selects an organized program of music. Unfortunately, it has been very challenging to develop a feature-rich solution to allow a real accompaniment experience to occur in a bar or public venue. Today's local phonograph systems for commercial use typically present "KJ" or "Karaoke Jockey" (compared to "DJ") music that has been accumulated. It has been observed that very few KJs make any effort to obtain a legally licensed version of the song used. Even true efforts to authorize songs from appropriate vocal music providers are risky because suppliers themselves often do not have consistent and effective authorization capabilities. And even the real effort to authorize songs still does not provide a large catalog of music available on the jukebox device to KJ.

Therefore, it will be understood that new directory management and A premium payment strategy that goes beyond the strategy proposed for local licensed music for mechanical reproduction and performance (eg, to accommodate a vocal environment). For example, certain exemplary embodiments provide methods for adhering to a contract to respect creator rights in a more complex vocal environment involving different sets of rights (eg, regarding sound cancellation and replacement, generation of new content, etc.).

In this case, as is known, the accompaniment experience forms a new work, That is, the combination of the original music and the performer singing. It is often necessary for performers to remember the audio or audio and video copies of their performances. However, meeting this need may imply the possible retransmission of the original music track and the tracking and management of such work, for example, to comply with current copyright laws. Therefore, another challenge faced by the development of the phonograph application involves providing the ability to produce such new performances while also managing the works in a manner that respects the original rights holder's authorization needs. However, media management is currently hampered as digital media and ubiquitous player technology have become widely distributed.

Summary of invention

One aspect of a particular illustrative embodiment relates to providing a TV for use in a conventional jukebox or jukebox additional broadcast in a venue or location corresponding to a physical jukebox and accompaniment environment (eg, using a jukebox audio system for playback) The ability to smoothly convert between the sound of the football game on the TV and the new phonograph and the appropriate audio and video combination. In doing so, it may be necessary to adjust many of the settings of the combined phonograph system.

For example, the volume settings of all bands can be changed to realistically present the stage environment and provide the performer with appropriate audio monitoring capabilities. In addition, the video screen can be modified to provide information about the lyrics of the upcoming performer and the current song. As mentioned above, it may be desirable to have this transition occur in a fluid manner, thereby requiring little skill to the venue staff or phonograph controller or actual "KJ".

Therefore, it will be understood that this technology needs to be used for The phonograph features, while also allowing smooth transitions between the jukebox and the phonograph operating modes to improve the jukebox technology, which are provided to address authorization, reporting and/or other requirements (ie at the venue and location, Also, away from the venue and location, the "takeaway" phonograph will be executed at the same time.

The inventors of the present application have recognized that karaoke can be interesting And sometimes even a competitive positive social experience. For both the performer and the audience, the performance is part of the vocal experience. The more people involved in the experience, the more interesting the experience is. Smart technology can provide new KJ features. Smart technology can also take advantage of the opportunity to create a connected vocal experience for connecting the world.

Thus, one aspect of a particular illustrative embodiment is about encouraging Performing multiple people and/or integrating more people into the performance (before, during, and/or after the performance).

One aspect of a particular illustrative embodiment relates to providing a cooperative touch point having a defined unique moment (eg, including a user device such as a mobile phone, tablet, etc.; a jukebox itself; a game in a location or other fixed or carried Type terminal; etc.) chorus jukebox connection system.

Another aspect of certain exemplary embodiments relates to the moment when the performance is viewed as a vocal experience that is caused and derived from other moments.

Another aspect of certain exemplary embodiments relates to unique or signed interactions by providing assistance to make the experience addictive and unique to the customer (whether the customers are performing or viewing at or near the location). Define the moment in the experience. For example, a digital album of phonograph events can replace paper printouts that are cumbersome and in many cases obsolete. In some cases, the phonograph is compared to the home experience. Often it can be less artificial and more unique and tailored.

Specific exemplary embodiments relate to a jukebox mode and (a) A jukebox device for use with a phonograph mode and/or (b) photo booth mode, as shown and described herein.

Specific exemplary embodiments relate to a jukebox for operation Mode and (a) phonograph mode and/or (b) a method of using a jukebox device in a kiosk mode, as shown and described herein.

Specific exemplary embodiments relate to including a jukebox mode And (a) a phonograph mode and/or (b) a system of jukebox devices used in the kiosk mode, as shown and described herein.

Particular exemplary embodiments are directed to making during accompaniment User interface or part thereof.

In a particular exemplary embodiment, a jukebox device is provided, And the jukebox device includes: processing resources including at least one processor and a memory; a touch screen display device; a payment acceptor; and a storage device including media usable for playing via the jukebox device Example. The processing resources, the touch screen display device and the payment acceptor cooperate with each other to cause the jukebox device to be activated in at least a first and second different modes. The first mode is a normal jukebox mode of operation that is configured to enable a first subset of one of the media instances to be played at a pay-per-play basis. The second mode is a chorus jukebox mode of operation that is configured to enable a second subset of the one of the media instances to be played on a pay-per-play basis, wherein the first subset of subsets and the second subset of subsets are different from each other . As part of the second mode, the touch screen display device presents each similar A manner of having a book of a plurality of pages lists a first set of pictures of at least a portion of the media instances of the second subset of the media instances. Each of the pages includes at most a predefined maximum number of input items corresponding to the portion of the second subset of media instances, and each of the input items indicates and the corresponding media selectable for playback via the jukebox device The instance is associated with one of the song names and an artist. The first set of pictures each comprise a common set of control elements for reorganizing and viewing the book.

Non-transitory computer readable storage in accordance with certain exemplary embodiments The media stores in a tangible manner the programs that implement such and/or other methods at the time of execution.

The illustrative embodiments, aspects, and advantages disclosed herein may be Any suitable combination or sub-combination is provided to achieve still other exemplary embodiments.

1‧‧‧Reflection section

2‧‧‧Contour light section

3‧‧‧LED display

4‧‧‧Payment agencies attract lights

5‧‧‧ Near Field Communication Attraction Light

6‧‧‧ Payment Receiver

7‧‧‧Main start switch light

9‧‧‧LED components

10‧‧‧Digital downloading jukebox system

10'‧‧‧Modified jukebox system

12, 906‧‧‧ central server

14‧‧‧Communication network

16, 16a, 16b, 16c, 16d, 16e, 16f‧‧‧Remote jukebox device

18‧‧‧Screen/Monitor

20‧‧‧Audio System/Audio Configuration

22, 22a, 22b, 22c, 22d, 22e, 22f‧‧‧ local server

302‧‧‧ Flight Content Resolution Service

304‧‧‧Local content

306‧‧‧Server content

308‧‧‧Web-based content

310‧‧‧ screen

312‧‧‧Video clips

312a, 3500‧‧‧ screen

312b‧‧‧Background

312c‧‧ prospects

402‧‧‧ Flight console

404a, 404b, 404n‧‧‧frag

502a, 502b‧‧‧ anchor

800‧‧‧ nodes

802‧‧ ‧ overview area

804‧‧‧"Node History" section

806‧‧‧Class Link/"Setting List"

808‧‧‧ front-end project

810‧‧‧Main Advertising Rankings

812‧‧‧Instructions for the current song

814‧‧‧Instructions for current login users

818‧‧‧Text-based search area

902, 2800, 5100‧‧‧ jukebox

904‧‧‧Local database

908‧‧‧Centralized database

910‧‧ social network

S1602, S1604, S1606, S1608, S1610, S1702, S1704, S1706, S1708, S1710, S1802, S1804, S1806, S1808, S1810, S1902, S1904, S1906, S1908, S1910‧‧

2402‧‧‧Single fan configuration

2404‧‧‧Content Type

2406, 4802, 4904‧‧‧ buttons

2408, 3006‧‧‧ Sorting indicator

2600‧‧‧ jukebox device

2602‧‧‧Main display

2604‧‧‧Sub Display

2606‧‧‧Glass or other touch sensitive substrates

2608‧‧‧Entity interactive button

2612‧‧‧Frame

2614‧‧‧ Credit card acceptor

2616, 2618‧‧ ‧ banknote acceptor

2802‧‧‧LED array

2804‧‧‧Main display

2806‧‧‧Optional skin label

2808, 2810, 3504‧‧‧ areas

2812‧‧‧ Credit measurement area

2814‧‧‧like fan-shaped array

2816‧‧‧Mode Array

2818‧‧‧Advertising banner

Fan-shaped array of 2900‧‧‧ phonograph related options

2902‧‧‧Home

2904‧‧‧Social Network Links

3002a‧‧‧Left arrow

3002b‧‧‧Right arrow

3008a‧‧‧ Performer button

3008b‧‧‧ song button

3008c‧‧‧ song set button

3010‧‧‧ Game Buttons

3012‧‧‧Search button

The front of the 3102a‧‧‧ page

The reverse of the 3102b‧‧‧ page

3104‧‧‧The page being displayed

3106‧‧‧Old page

3300‧‧‧Song selection screen

3302‧‧‧Special area

3304‧‧‧Select song button

3502‧‧‧ title column

3506‧‧‧Virtual keyboard

3508‧‧‧ Login button

3510‧‧‧ User avatar

3512‧‧‧Performance button

4000, 4500, ‧ indicator

4804‧‧‧"Rewind" button

4902‧‧‧Indication/Indicator

4906a, 4906b‧‧‧Next song indicator

5102‧‧‧Wireless microphone receiver

5104‧‧‧Wireless Router

5106‧‧‧Video Interface Module

5108‧‧‧Display

These and other features, aspects and advantages of the present invention will be further understood from the following detailed description of the exemplary embodiments of the invention. Figure 2 is a block diagram of an exemplary embodiment of an improved jukebox system 10'; Figure 3 is a schematic diagram showing flight content resolution according to an exemplary embodiment; Display group resolution of an exemplary embodiment FIG. 5 is a flight segment appearing in an anchor point and moving and zooming to appear closer to the user, according to an exemplary embodiment; FIG. 6 illustrates browsing the music of a given artist according to an exemplary embodiment. Figure 7 illustrates a collection of music by artist and album according to an exemplary embodiment; Figure 8a illustrates a set of eight (8) instance tags associated with "Artist 6" in accordance with an exemplary embodiment; Figure 8b A wireframe for constructing an example music map on a jukebox display in accordance with an exemplary embodiment; FIG. 9 is a block diagram illustrating a configuration that enables a custom browsing state and other features to be implemented in accordance with an illustrative embodiment. Figure 10 illustrates a 3D visualization of a set of recommended songs in accordance with an exemplary embodiment; Figure 11 is an illustrative screen showing how an article may be viewed, in accordance with an exemplary embodiment; Figure 12 is an illustration of how an item may be viewed in accordance with an exemplary embodiment; An exemplary screen showing how the object can be expanded after selection; FIG. 13 is another illustrative screen showing how the object can be viewed in accordance with an exemplary embodiment; FIG. 14 is an illustration according to an example Showing how a user can type the embodiment of song lyrics to reduce the number of recommendations of exemplary screen displays; FIG. 15 is an exemplary embodiment of the display may be an example of how to select The song is shown schematically to the user; FIG. 16 is a diagram illustrating an example program for determining which content should be available for playback on a jukebox based on location-specific inclusion criteria and actual jukebox usage, in accordance with an exemplary embodiment. FIG. 17 is a flowchart illustrating an example program for initially setting up a jukebox, according to an exemplary embodiment; FIG. 18 is a diagram illustrating an example for customizing a display for an identified user, according to an exemplary embodiment. Flowchart of the program; FIG. 19 is a flowchart illustrating an example program for custom display for a special event, according to an exemplary embodiment; FIG. 20a is a first example "artist entry" according to a specific exemplary embodiment; Figure 20b is a second example "artist entry" in accordance with a particular illustrative embodiment; Figure 21 is an illustration of a portion or incremental presentation of a play queue of a jukebox in accordance with certain exemplary embodiments; Figure 22a is in accordance with a particular exemplary implementation For example, a color "spot" is used to highlight the center selection, while other non-customer selectable elements can be blurred; Figure 22b is shown in accordance with a particular illustrative embodiment. The enlargement of the album envelope highlights the selection of the album in reverse; Figure 22c shows the enlargement of the album envelope to highlight the selection of the album in accordance with certain exemplary embodiments, and further blurs the background UI elements to help focus the selected album ; 23a-23d illustrate an example screen capture screen of a dynamic motion display, in accordance with an exemplary embodiment; FIG. 24 is an example screen capture screen of an improved music exploration user interface, in accordance with certain exemplary embodiments; FIG. 25a-FIG. 25b shows components of a jukebox device in accordance with certain exemplary embodiments; FIG. 26 is an image of an example jukebox device in accordance with a particular example embodiment; and FIG. 27 is a jukebox device in color matching and synchronization, in accordance with certain exemplary embodiments. FIG. 28 is an exemplary screen capture screen for enabling a user to access a plurality of different features of a combined phonograph/photo booth jukebox in accordance with certain exemplary embodiments; FIG. 29 is based on An example screen capture screen that enables a user to access a karaoke player feature in a particular exemplary embodiment; FIG. 30 is an example artist selection screen of a chorus jukebox in accordance with certain exemplary embodiments; FIGS. 31-32 are specific to The illustrative embodiment shows an example phonograph song page flip operation; FIG. 33 is a detailed phonograph song selection screen in accordance with certain exemplary embodiments Example screen capture screen; FIG. 34 is an example screen capture screen including display of karaoke song lyrics in accordance with certain exemplary embodiments; FIG. 35 is an example karaoke machine in accordance with certain exemplary embodiments. User identification screen; FIG. 36 is an example karaoke song confirmation screen in accordance with certain exemplary embodiments; FIGS. 37-38 are example displayable phonograph attraction mode screens in accordance with certain exemplary embodiments; FIG. An exemplary screen capture of a display of lyrics for a performance is shown in an exemplary embodiment; FIGS. 40-41 illustrate how a performer may signal to recognize an instrument break, in accordance with certain exemplary embodiments; FIG. 42 is based on a particular illustrative FIG. 43 is an example screen capture screen showing a phonograph search mechanism in accordance with a particular illustrative embodiment; FIG. 44 is an exemplary illustrative embodiment in accordance with a particular illustrative embodiment. FIG. Example of a pre-defined vocal set of songs; FIG. 45 is an example song selection screen for a selected album from a chorus jukebox in accordance with certain exemplary embodiments; FIG. 46 is a show phonograph duet according to a particular illustrative embodiment Example screen capture of the separation between the first and second voices; FIG. 47 is suitable for a particular illustrative embodiment Examples of the selection screen shots screen karaoke machine with a game; FIG. 48 shows how to play according to a particular embodiment shows one example embodiment of the karaoke machine game related screenshots examples; 49 is an example screen capture screen illustrating an incremental phonograph song string presentation feature of a particular illustrative embodiment; FIG. 50 is an illustration of an example screen showing how an authorized person can edit a chorus jukebox queue in accordance with certain exemplary embodiments. Figure 51 is a block diagram illustrating an example component of a chorus jukebox system in accordance with certain exemplary embodiments.

Detailed description of the preferred embodiment

Referring to the drawings, Figure 2 is a block diagram of an exemplary embodiment of an improved jukebox system 10'. The jukebox system 10' includes similar components as shown in Figure 1 and described above, including a central server 12, a communication network 14, and remote jukebox devices 16, 16a through 16f. However, the jukebox system 10' further includes local servers 22, 22a through 22f that are respectively coupled to each of the jukebox devices 16, 16a through 16f. The central server 12 includes a main library of songs (and/or other content). Each of the jukebox devices includes a subset of the main library on the regional storage of the jukebox. The central server can be used to individually manage the content of the jukebox device by monitoring the use of a subset of the songs on each of the jukebox devices and updating a subset of the songs for the purpose of maximizing the usage of the songs. The central server 12 periodically receives data from each of the jukeboxes for the rights accounting and payment of the played songs. The jukebox devices can be connected to the network in any suitable manner, such as a dial data modem or a broadband data modem (e.g., DSL, cable, wireless broadband or satellite). The communication network 14 can be capable of distributing data (e.g., audiovisual material) from the central server 12 to the jukebox 16 and enabling data from the jukebox 16 Upload to any suitable network of the central server 12.

For security and bandwidth purposes, songs can be made using known techniques The songs (and/or other materials) are digitized, compressed, and encrypted by the central server 12 before being sent to the jukebox. The songs are then decompressed and decrypted by the jukebox for storage and reproduction on the jukebox. Thus, each of the jukeboxes maintains the library of digitized songs in a database for playback on a jukebox, wherein the library can be changed or updated via communication by a central server. The jukebox can also receive and store data (e.g., static and/or mobile video and/or graphic images) that form an image that can be displayed on display 18 of jukebox device 16. In an exemplary embodiment of the invention, the jukebox device has a similar construction and operation as described in U.S. Patent No. 6,308,204, incorporated herein by reference. Thus, the jukebox devices 16 each may include one or more microprocessors (such as a main CPU and an audio DSP), memory for storing songs and/or other content (such as a hard disk drive), display vision. The display of the item, the audio configuration 20 for providing audio, the communication system for enabling the jukebox to communicate with the central server 12 via the communication network 14, and the operating software (including the multitasking operating system) for controlling the operation of the jukebox. The operating software can also be updated by communicating with the central server 12, as described in, for example, U.S. Patent No. 6,308,204, incorporated herein by reference. The jukebox 16 further includes one or more payment devices, such as coins, banknotes, and/or credit card input devices, for enabling the customer to pay for the use of the jukebox device in a convenient manner. The screen 18 can be used to enable the user to input a selected touch screen by touching the screen.

In one embodiment, each jukebox device has a point sing The local server server 22 accessed by the device. The local servers are connected to the jukebox devices using Ethernet or other types of area connections. In another embodiment, the local server may only be a logical extension (eg, partition, directory, or zone) of the hard disk drive of the jukebox, rather than a separate hardware device. The native servers 22 may each include a mirrored copy of the main library of music records maintained by the central server 12. The local server 22 can load the main library by owning and/or controlling the entity of the jukebox network before transporting the local server and jukebox device to the jukebox dealer or operator. Of course, over time, due to the fact that the central server can continuously update additional or new songs, the local server will no longer correspond equally to the central server. Thus, the local servers 22 can also be periodically updated to maintain correspondence with the libraries on the central server 12. For example, the update can be performed by the central server 12 via communication with a jukebox device connected to the local server 22, for example, using either a dial-up modem or a broadband modem. Alternatively, the update can be made in person using an update tool that can be directly connected to the jukebox or local server by the marketing specialist or other personnel for updating the content of the native server. The portable tool can include a removable storage medium, such as a hard drive, that can be returned to the owner of the jukebox system and reused for future updates. The tool itself may be managed by an operator or other person responsible for maintaining a particular jukebox after receiving an updated removable storage medium from the owner of the jukebox system.

For security reasons, the local server 22 may not include all of the digital data that constitutes any song stored on the local server 22. In addition, the portion of the song on the regional server is encrypted. Gambling machine Set 16 contains the missing portion of each of the songs on the local server, thereby enabling the jukebox to compose a complete song based on the contents of the memory on the local server and the jukebox device. A missing piece of information on the jukebox is required to decrypt the song. For example, a single block (or other small portion) of the material for each song may be missing on the local server but present on the jukebox device, and the encryption may be based on missing blocks and may be block by block. . Therefore, in the event that the previous block cannot be obtained and/or decrypted, either of the blocks cannot be decrypted. This feature provides significant security and prevents or prevents theft or other types of unauthorized use or copying of songs on the local server. Thus, in this embodiment, each local server must be explicitly assigned to a particular jukebox device such that the decryption described above can be performed correctly.

According to an exemplary embodiment, the local servers may also be individually registered with and identified by the central server 12 such that the central server can individually manage and monitor each local server. The same is true for the jukebox device itself, that is, the jukebox device can also be registered with the central server so that the jukebox device can also be individually monitored and managed by the central server. As will be understood from the foregoing description, the local server is important and advantageous for the jukebox system by allowing its content to be accessed by the jukebox device to provide additional services not available on the jukebox device itself, such as providing additional songs. Part of it. As will be explained below, the central server and/or the song library of the storage capacity itself can advantageously be used to provide services to other jukeboxes, such as fee-based residential and commercial jukeboxes and/or other fee-based devices. One use of the native server can be to provide immediate song download features.

As indicated above, certain exemplary implementations include for (for example) Use the touch screen to explore and navigate the new 3D user interface for media content. Given any collection of content (eg, music, video, advertisements, and/or other content), the new user interface can create a multi-dimensional (eg, two-dimensional or three-dimensional) visual virtual space that allows the user to Freely in the collection. This type of tour is implemented in a particular illustrative embodiment by using a social tagging model and/or a cooperative popularity model.

Certain exemplary embodiments are described as implementing touch area sensing technology. That is, in a sense, certain exemplary embodiments obtain the position, direction, and speed at which the touch is sensed. Using this information, certain exemplary embodiments may cause the salient object plane to move forward or backward in the object representation by moving the touch forward (upward) or backward (downward) or by left or right. Toggle to choose. Additionally, or in the alternative, the selection of the threshold may be presented by maintaining the touch for a period of time greater than a certain threshold (eg, greater than 2 seconds).

Space for the total rendering area where all image elements will be rendered area. A collection generally refers to a logical collection of media, and may undergo a preference screening, for example, to present and utilize only media that meet the criteria of different levels of actor. These collections can sometimes be represented by graphical images. An object generally refers to a sequence of songs, performers, playlists, games, or media sources from a central catalog. The presented item can sometimes be viewed as a match between the user or location preference and the attributes of the item being viewed. As described in certain applications by the assignee in the application (these applications are hereby incorporated by reference), an authentication mechanism may be provided to specifically identify the user and provide Security certificate authorization. In the case of a particular illustrative embodiment, the authentication action may overlay the user-based preference overlay on the location-based preference filter. When the screening based on the user's preference is valid, it can further reduce any filtering that has been imposed by the location attribute. Once authenticated, new collections (such as playlists, favorite games, interrupted games, chat sessions, media consumption records, top scores, etc.) can become available because the new possible collection will be presented as an object in the object view. In the device.

As mentioned above, in certain exemplary embodiments, the space is Three state operations. In flight, a stylized series of media clips is presented based on the jukebox behavior and centralized media preparation activities. In the browse state, the user navigates through multiple collections via a number of different modes with the goal of selecting media items for action. Media projects typically include songs, games, and/or other content. In the search state, the customer types in the data via a virtual keyboard and options panel or other appropriate input mechanism to directly locate media items that meet the search criteria and the effective preferences filtered at that location. It will be appreciated that such states are exemplary, and that such and/or other states may be provided in any suitable combination or sub-combination in various embodiments of the invention. In any event, exemplary details of exemplary flight, browsing, and search states will be provided below.

Details regarding the flight status of the example will now be provided. As will be appreciated, for jukeboxes and in general music systems, only part of the day is spent interacting directly or wirelessly with users searching or playing songs. Most of the time, lighting and display devices participate in the sequence of presenting video images. The purpose of these video images is to attract users to the system and use them. It is known that the device is actually a user-controlled music service or jukebox, presenting advertisements and public service announcements and/or prompting the system itself to display new features, available new media, and to promote the performers and their works.

The problem with today’s jukeboxes is that these jukeboxes are available across specific networks. For a substantially homogeneous presentation. This means that the presented visuals are completely unsuitable for many of the locations where the jukebox is installed. Perhaps more importantly, many restaurants or specialized bars or lounges have invested considerable resources in creating a particular atmosphere and appearance to attract and satisfy their planned customers. As commercial music systems continue to provide ever-increasing screen display areas, there is an opportunity to tune the appearance of the jukebox via a jukebox to a particular type of location. In addition, the larger screen area offers the opportunity to support increasingly complex digital signage applications that are intertwined with the visual themes of the location. The unfavorable risk of implying an implicit or explicit request for a custom design that blends the jukebox with the overall environment is an idea of immediately rejecting the jukebox placed in the venue.

One solution to this challenge is to provide a custom flight kit, which A custom flight kit can be considered a collection of video and synthetic images of sensitivity for "trusted" or otherwise "suitable" locations. For example, the Premium Metropolitan Martigny Lounge has a chic collection of cities that are suitable for the location of the video. The country and western bars have a cowboy theme that is more coordinated with the surroundings. This has at least two beneficial effects on the industry. First, this is a new group of venue types for music service development. Second, in combination with the advanced venue music style, this creates a music system that is both stylish and versatile for the venue operator to try to attract and please.

In certain exemplary embodiments, the flight may be by individual video segments composition. The video clip can occupy all or a portion of the available screen area and can overlap with other video clips having different durations. In certain exemplary embodiments, the video clips may reside in a music system (eg, pre-spread from a central server), or in certain other exemplary embodiments, the video clips may be dynamically from a music server or other content The provider takes it. In still other exemplary embodiments, a channel tunable to may be provided. Each flight can have a duration, and the flight can be repeated after that duration. Thus, it may be desirable to include dynamic content in order to keep the presentation fresh and interesting.

Video clips can often be classified as editorial or advertising. edit Sexual segments are generally viewed as informational or entertainment facts intended to attract viewers and encourage the use of music systems (either directly or via remote access devices). Advertising segments are typically viewed as being dynamically rendered based on advertising material located on the music system or on a remote server.

Flight can be considered as each of the segments representing a displayable group Timetable. Groups can be displayed as stand-alone data systems designed to address the requirements of editorial or advertising content. In the case where only one editorial segment satisfies the criteria for displayable groups, the displayable group can be parsed in a single step, or the displayable group may require a large number of rules and references to ultimately resolve the correct video segment to be presented.

3 is a diagram showing flight content parsing according to an exemplary embodiment. FIG. 4 is a schematic diagram showing display group resolution according to an exemplary embodiment. As can be seen from FIG. 3, the flight content resolution service 302 can parse from a variety of sources (such as native content 304, server content 306, and / or based on the content of the web page 308 source) of the flight content to be displayed. The parsed flight content can be displayed on the screen 310. In the exemplary embodiment of FIG. 3, a "current" segment is provided at the center of screen 312a and is returned to background 312b to make room for the "new" segment typed in foreground 312c. For example, each video segment 312 can have an anchor location, a timetable, and an end anchor location. This helps provide the ability to add motion and 3D effects to presentation. This information can be fabricated based on a predefined relay data format.

Figure 4 can be viewed as, for example, a graphical representation of the instruction code. That is, the flight console 402 includes a plurality of segments 404a, 404b, ..., 404n. Such segments may include a plurality of displayable elements, which may include other displayable elements. In other words, the displayable elements can be nested within each other, for example, depending on the instruction code. A "sub-display element" embedded within a display element can be programmed to move within the display element, move across multiple display elements, move between multiple segments, and the like. In an exemplary embodiment, the transitions may thus be defined between segments, and between display elements, and across segments between display elements.

As a simple example, FIG. 5 is a flight segment that appears in an anchor point 502a and that moves and zooms to a second anchor point 502b that is closer to the user's appearance, in accordance with an exemplary embodiment. These flight segments may also enter and/or exit with the transition. It will be appreciated that the anchor point and zoom can be top to bottom, bottom to top, left to right, right to left, from inside or out, etc., and does not necessarily need to be bottom-up when giving extra attention to new content blocks. (For example, as in the example of Figure 5). In certain exemplary embodiments, the movement may also be more complex, including, for example, spiral movement, arbitrary movement, random or seemingly random type movement, and the like.

As mentioned above (for example, with respect to Figure 4), groups can be displayed Contains one or more displayable groups. In other words, in certain exemplary embodiments, the displayable group resolution program can be recursive or nested. By maintaining one-to-many relationship for each flight segment, it is possible to create dynamic mosaic segments and reduce the effort to generate content to satisfy all permutations and combinations of large display networks. Once parsed, video segments with transition attributes that appear and disappear can be referenced to help control the appearance of multiple segments.

Until now, this type of custom content was available across large networks. It is still very difficult or impossible because of the enormous physical labor associated with systems based on strict playlists. The introduction of display groups and recursive properties provides the display system with the ability to systematically replace content based on a combination of site attributes, customer interactions, content availability, flight segment blending, and the like.

Periodically, during the flight, the clips can be parsed to encourage customers to make Use the system to display groups. Once the system is touched, the flight mode can be changed. Once the user enters the browsing or search state, the resolution and presentation of the flight segments may be limited to content having a space and duration suitable for coexistence with browsing or search screen display. For example, based on the settings, the editorial content segments can be postponed until the end of the interactive session, but the ad-product segments can be rendered. In different instances, the flight may be interrupted and resumed only after the interactive work phase is completed, or the flight may be stopped and a new flight designed specifically for presentation during the interactive work phase may begin. In any case, the flight may conform to the style consistent with the attributes of the venue created at the time of the last match.

As identified above, for content reduction, personalization and/or features The need to become more and more important, because the size and diversity of music collections long. The Browse and Search feature is part of the new natural 3D user interface described in this article. This user interface is designed to help customers find new music, rediscover forgotten music, create related playlists and/or the like. The new 3D interface is designed to be intuitive, chimeric and entertaining. The following description provides additional details regarding the interactive 3D visualization techniques of certain exemplary embodiments that allow a user to explore the entire music space, receive recommendations for music, log into a social networking website, and generate relevant playlists. These descriptions are provided in the context of the exemplary browsing and search status mentioned above.

In the browse state, the user can press the artist, press the album, press Browse song titles or browse music collections by content type. Regarding the exploration of music space, album works or envelopes have always been part of the local content browsing. However, browsing content residing on a central server relies primarily on the artist's name. The interface of the specific exemplary embodiment can help unify native content and central server content as well as content that can only be obtained from social networking websites, via a "play only" license (eg, content can only be streamed from one source) It cannot be saved or saved on the remote server (except for limited music buffer) on the local end. Thus, in certain exemplary embodiments, music exploration may be driven by a combination of artist name and artist work. A combination based on the exploration of the artist and/or the artist's work is advantageous because there is a change from the customer identification album to the music and a strong trademark or image (for example, often for the artist's image, which helps explain the performer's The trend of appearing more and more on the cover of their own albums. For example, FIG. 6 illustrates browsing a music collection for a given artist, according to an exemplary embodiment, and FIG. 7 is based on FIG. An exemplary embodiment illustrates browsing music collections by artist and album.

In Figure 6, for example, the user can drag the album left or right Or the screen position is "flip through" different albums. Figure 6 is more "traditional" in terms of classifying the music of a particular artist by album. In certain exemplary embodiments, any album may be directly selectable, while in certain other exemplary embodiments, only the center album (which has focus) may be selectable. In any case, dragging or swiping left or right makes the album look as if the albums are entering the foreground as they approach the center and are hidden in the background as the albums leave the center. In this way, it is possible to simulate a more three-dimensional look and feel and provide a more submerged feel when interacting with the user interface. In certain exemplary embodiments, similar albums may be grouped closer together, while different albums may be positioned further away from each other. In certain exemplary embodiments, newer albums may be grouped closer together and/or may be initially provided at the center. In general, a particular jukebox location and/or user preferences that are specifically typed and/or derived from actual or predicted usage may be used to control the configuration of the albums that are continuously presented in the illustrative embodiment of FIG. New music first, most popular music first, user, location or "stimulus" album first, rarely play album first and / or similar, can be specifically typed or inferred from actual or predictive use and can be combined All display/configuration examples implemented by certain exemplary embodiments. It will be appreciated that multiple albums of multiple performers may be presented in a single configuration similar to that of Figure 6, which is similar to the artist and/or album being grouped together (eg, based on relay material associated with the artist, song, album, etc.) Or the user is marked and/or displayed according to the jukebox location and/or user specific parameters identified above. In addition, you will understand that some forms of the collection More than one object of the collection can be placed on each virtual plane of the virtual plane series. In certain exemplary embodiments, the category type may be specified or predefined, and relay data associated with albums, songs, performers, jukebox playback, etc. may be referenced to enable the jukebox processor to automatically The order and configuration of the items to be displayed are generated.

In Figure 7, each artist and performer name and performance The 3D object of the work is associated. Each artist object can have any number of albums. The albums associated with the same performer form a group that satisfies the relationship constraints. When the artist object moves in the 3D scene, all the children in the scene graph move with the artist object. The constraint relationship is stored in a diagram called a scene graph, which will be described in more detail below. Similarly, each album can have any number of songs associated with it. In the exemplary embodiment of FIG. 7, the artist can be moved up and down to control inward and outward movement, respectively, and the album can be moved left and right to control the card shuffle like arrangement shown in FIG. The displayed album may be updated due to the selection of the artist, and/or vice versa. Such a collective viewing mode may change one or more of the images, video clips, and text presented as a representative of each song, album, artist, game, or content source. In one version of the viewer's viewing mode, the artist name may be presented with text along with an image of the artist different from the album cover. In an exemplary implementation, the image may be a promotional image that has recently been published by label and updated periodically. In certain exemplary embodiments, the collective viewer may not provide an artist that does not match a sufficient number of user-recommended features, whether or not the artist is available via a device or web service.

The exemplary display in Figures 6 and 7 can be achieved by mapping each axis Shoot to the characteristics of music to achieve. For example, 1D, 2D, and 3D displays allow the user to move in different directions, where each axis is mapped to a specific value in the data set of the feature, and the displayed item (eg, album envelope or other identification) () is updated when the user interacts with the display. For example, the X-axis, Y-axis, and Z-axis can be used for a three-dimensional browsing experience. Additionally, or in alternatives (eg, for 2D browsing), size, color, blur, and/or other effects may be applied with similar effects. Each element to be displayed can be assigned a depth value for each axis. As an example, the album envelope may be displayed in alphabetical order on the first axis by artist, song, album name, etc. (where the alphabet order is the first depth value), and the song release date may be provided on the second axis, etc. (where the year is the second depth value). In this particular example, the user can move left and right to scroll (between the first alphabetic order depth value) between the first letter configuration of the artist or album, and the user can move in or remove to The second year depth value is moved forward or backward in time, for example to provide a sense of time dependent song or album release date. This helps create the feeling of a scheduled time browsing experience.

Of course, you will know that other features can also be used, such as every minute. Beats, content types, etc. It will also be appreciated that the depth value may actually be a number (eg, as in the case of a release date), may be expressed in conjunction with a numerical value (eg, for a name), or may be discrete (eg, for a content type). For discrete values, discrete selections can be made. However, even content types like discrete values can be represented in continuum, as rap and hip hop can be considered closer to each other than, for example, a country or zydeco.

The feature used to assign depth values can be used as relay data (for example) Obtained from external providers and collected from social networking sites (for example, by checking the preferences of identified jukebox users, "My Favorites", "Pages", etc., and expanding the search to friends of users) Preference, up to a predetermined number), development based on the use of one or more jukeboxes, and the like. The raw relay data can be stored in a database or other suitable non-transitory computer readable storage medium. The relay material can be directly incorporated into the music catalog, and the link to the original relay data source or the external data structure with the depth value can be incorporated into the music catalog or accessed by the jukebox after the corresponding display request. Additional information about possible relay sources is provided below.

In a particular exemplary embodiment, the one-shot player includes: a display; a non-transitory computer readable storage medium storing a plurality of media instances operable on or via the jukebox device; and at least one processor configured to cause a user The interface is displayed on the display and further configured to respond to input to the user interface. The user interface includes a display area that includes a virtual axis defining a landmark space in which individual songs, performers, and/or album items will be displayed. Each individual song, artist, and/or album item has a plurality of characteristics associated therewith, each of which is associated with one of the attributes such that each individual song, artist, and/or album item There is a defined position in the coordinate space. The display area can be updated in response to user input corresponding to movement within the coordinate space. In various embodiments, the coordinate space can be two dimensional, three dimensional, substantially linear, and the like.

In a particular implementation, the project is alphabetized along the first axis. Arranged and arranged in chronological order along the second axis. In a particular implementation, the release date associated with the project determines the location of the item along the second axis. A discrete region of the axis can be specified for a predefined configuration of discrete content types, and a predefined configuration of discrete content types can be decomposed into a predetermined sub-configuration of discrete sub-content types. Discrete content types can be grouped such that based on the degree of similarity between discrete content types, similar content types are provided relatively closer to one another than discrete content types. In certain exemplary embodiments, the elements may be grouped along an axis based on the degree of wind.

The song item can be selectable to trigger the playback of the song item, display a quick display that allows the user to confirm that the selected song will be played, and the like. After detecting an album or artist selection, movement within the coordinate space can be generated so that the selected item resides in the center of the coordinate space.

A method of making and/or using such a jukebox device can also be provided as a non-transitory computer readable storage medium tangibly storing instructions for use of such jukebox devices/providing such user interfaces. In various exemplary embodiments, a jukebox system including, for example, a plurality of jukebox devices may also be provided.

Similarly, a collection of users with each artist, album, and song title or automatically generated descriptive words or "tags" can cause a particular illustrative embodiment to visually represent music in a fun way. set. For example, Figure 8a illustrates a collection of eight (8) instance tags associated with "Artist 6" in accordance with an illustrative embodiment. Whenever a user presses a music object such as an artist's work (eg, in FIG. 6 or in FIG. 7), the album artwork or song title tag may be displayed for a duration greater than a predefined threshold. The time period of the value, for example, as shown in Figure 8a.

Each marker can be represented by one of the floating objects. In certain exemplary embodiments, the size of the floating object may correspond to the weight of the indicia. The weight can indicate how important or relevant the word is to the musical object. The weighting can be determined by a source such as an authorized user, based on a summary of user-defined tokens, balancing pre-defined formulas such as content type, date of issue, user-specified information, and the like. The tag can be based on how many people have tagged an item in a particular way, how the trusted relay material source is marked, and so on.

In a particular illustrative embodiment, clicking on a floating object displays more musical objects that share the same indicia. The resulting collection can represent a similar artist, album, or song by the selected tag. For example, clicking on the indicia 3 in Figure 8a presents a collection of performers selected by the user interface as depicted in Figure 6 by indicia 3.

Figure 8b is a wireframe for constructing an example music map on a jukebox display, in accordance with an illustrative embodiment. Here, the screen of Fig. 8b shows the "developer" display according to the display technique described above. In the example of Figure 8b, the primary area provides a three-dimensional area that the user can interact with. The project is configured and displayed in accordance with the techniques described above. The overview area 802 provides the user with information about how the display is organized based on a larger display (eg, elements within the content type (Jazz, Rock, and Pop)), how the elements have relative sizes and locations, and how the content types are relative Intuitive feelings related to each other or organization. Such nodes 800 can be user selectable to span content, performers, albums, etc., and the nodes can be sized based on the indicia, for example, as described above. The "Node History" section 804 provides movement to the user (and The implied search method is therefore related to the search history and is quickly reconciled to the location within the overall music map. The hierarchical link 806 can display a more concentrated path than a more detailed tour of all visited nodes, for example, as in the node history section 804.

The exemplary wireframe shown in Figure 8b includes other elements, such as The name of the established leader 808, the primary advertisement leaderboard 810, the currently displayed song indication 812, the currently logged-in user indication 814, and the user's "setting list" 806. Additional details regarding the list of settings are provided below. A text-based search area 818 is also provided, which is a multi-region semi-circular display for enabling a user to select different sets and/or classify different selected sets.

The question of what media will be displayed and how this media will be displayed has been raised in part above. However, a more complete description will be provided below. Regarding the previous question, in certain exemplary embodiments, the location specific inclusion criteria may be specified and matched to the song relay data to define a "coarse" master list of locations. In certain exemplary embodiments, a particular particular master list may be "improved" based on relay data associated with the identified user and/or based on the use of the jukebox over time. Finally, the location-specific master list (with or without the identified user information improvements) can be completely or partially overridden by custom defined events (eg, disco or other theme nights, private parties, etc.).

With regard to the latter question of how the media will be displayed, it will be appreciated that the focus of certain exemplary embodiments evolves to leave the album work and toward the group associated with the individual song or song and is typically associated with the portrait of the performer or performer. "clear" identification or imprint. In any case, "rough" row The order can be based on location-specific criteria, such as the latest music first, the most popular music on Billboard, the hottest last place, and so on. As above, in certain exemplary embodiments, this information may be "improved" based on relay data associated with the identified user and/or based on jukebox usage over time. For example, the criteria can be the first for new music, the last pop music, friends (and friends of friends, etc.) to play, listen to or rate the highest music, and the most played music on MySpace. As above, parameters beyond the event can also be provided (for example, to focus on new music, independent performers, 80s ear bands, etc.).

FIG. 9 is a diagram illustrating a customizable browsing according to an exemplary embodiment. A block diagram of a configuration that states and other features can be implemented. In Figure 9, the jukebox 902 is coupled to a native repository 904 that stores content. In a particular exemplary embodiment, this native repository 904 can be integrated into the jukebox 902. The jukebox 902 itself provides the user's work phase and at least initially receives information about the location profile. The location profile information can ultimately be uploaded to the central server 906 to which the jukebox 902 is connected. The central server 906 is in turn operatively coupled to the centralized repository 908 of the media, and the centralized repository can store tags, relays, user profiles, and/or other information. As shown in FIG. 9, the jukebox 902 is directly connected to a social network 910 such as MySpace, Facebook, Last.fm, and/or the like. Each of these social networks can maintain its own markup, relay data, user profiles, events, and/or other information. An intermediate software component (not shown) can help the jukebox interface with social networking websites and their associated information (eg, to search, retrieve, update, and/or otherwise manipulate data). In a specific illustrative embodiment The jukebox 902 may not be directly connected to the social network 910, and in certain exemplary embodiments, the central server 906 may act as a gateway to the social network 910. This configuration may be advantageous in certain exemplary implementations because the central server 906 can act as a buffer or indeed a firewall between the social networking website 910 and the jukebox 902. This configuration may also be advantageous in certain exemplary implementations, as the material retrieved from the social networking website 910 may have potential values to multiple jukeboxes (eg, in a wider jukebox system) and may be required The central server 906 stores and processes this information to reduce the burden on individual jukeboxes, especially in the case of common information.

In a particular illustrative embodiment, providing a recommendation to a user The method. The method can include: enabling a user to log in to a player device; determining a user's music preferences based on the user's social network website profile, the social network site profile identifying at least one artist, song, and/or Or a content type; providing the determined music preference of the user to a recommendation engine to generate at least one recommendation; and providing the recommendation to the user on the jukebox device.

In a particular illustrative embodiment, based on the friend of the user The social network website profile determines the music preferences of the friends of the user, and the determined music preferences of the friends of the user can be provided to the recommendation engine to generate at least one recommendation. The music preference is determined to be extendable to a friend of friends and friends of the user within a predetermined number of degrees of separation (eg, 1, 2, etc.) and the extension decision can be provided to the recommendation engine to generate at least one recommendation.

Corresponding to the location of the location where the jukebox device is located The news can also be used in generating at least one recommendation. This profile information can be maintained, for example, on a central server, and similarly, at least one processor of the central server can help determine music preference profiles via one of the social networking interfaces provided to it. In a particular example embodiment, a plurality of social networking websites may be referenced to determine a user's music preferences, wherein each of the social networking websites has a user's associated social networking website profile.

It can also provide the means to manufacture and / or use these jukebox devices. Method, which is a non-transitory computer readable storage medium that tangibly stores instructions for use of such jukebox devices/providing such user interfaces. In various exemplary embodiments, a jukebox system including, for example, a plurality of jukebox devices may also be provided.

Collaborative screen based on listening behavior of other media consumers The selection engine and the marking system as described above may allow a particular illustrative embodiment to represent a recommended collection of media in three dimensions. One problem with collaborative screening engines is that they require a fair amount of information to provide good recommendations. For new media or media with few consumers, the familiar engine usually does not produce good recommendations. Certain exemplary embodiments address these shortcomings by recommending media based on the similarity of the tags that have been applied to the media.

FIG. 10 shows a set of recommended songs according to an exemplary embodiment. 3D visualization. The song objects 2, 3, 4, 5, 6, 7, 10 close to the song object 1 represent the following example: the client listening to the song (A) also listens (or possibly listens) to the song (B). In certain exemplary embodiments, a size dimension may be introduced, with larger objects representing songs that are played more frequently or otherwise popular. When the user is in the "Generate Playlist" or class When the button is clicked, the user can select two "end" song objects in the recommendation set. This can prompt the system to generate a path through the set that connects the closest song objects together. This can be done using, for example, a suitable algorithm (such as first searching for amplitude, first searching depth, Bellman-Ford, Dykstra, etc.). In various embodiments of the invention, the resulting playlist may be presented to the user for approval, modification, rejection, and the like. In certain exemplary embodiments, a song may correspond to a node in the graph, and the size of the song may represent a weight or distance between adjacent nodes or to a central node. Of course, the same or similar techniques can be used for the artist, album, content type, and/or the like.

Once the user is identified, the system provides personal music preferences And ongoing in-use applications and/or tracking. For example, certain exemplary embodiments may provide artist and song recommendations generated by a clear selection of aggregated individuals, based on relay data associations, social network suggestion indicators, and/or the like. As the taste of music changes, the system maintains a list of the "core" attractions of individuals. These core attractions may be for the artist, a performer similar to a particular artist, a song, a song similar to a particular song, and one or more individual music choices (eg, one or more social network music) The website gets), the recommended artist or recommended song from the user-recognized music website. In a particular illustrative example, any match from a user's music taste website and a music catalog that may be obtained from one or more of the provided music catalogs may generate a subset of the music to present a matching user. Target, user relay data, user social network friend recommendations, and materials recommended by the user's music website. As described further below As described, the music can be compared to a library of music libraries available on a given website, and the overlap of the two groups can be presented for the user to select.

Additional details of the exemplary search status will now be provided. Usually available A search is initiated to enable a user to find a list or single song of songs that the user may play or add to the collection. Often, the user does not know the correct spelling of the artist, album or song. Or the user may know the name of a particular artist, but may not know the exact group or band of the particular song recorded by the performer. In addition, the user often remembers the specific lyrics of the song, but does not necessarily remember the song title itself. As yet another additional example, a song may be memorable due to its association with a movie or television show. This information is difficult to obtain before the entertainment website that provides additional details about the use of music, the popularity of music, the songs of music, the creation of music, the important performances of works, and many other music-related materials. . Searching using the techniques described herein can help overcome these and/or other challenges.

To complete this type of search, you can collect artists from a variety of sources. And relay related data. The searchable criteria may include the type of song content, the popularity of a particular source within a particular time frame (high ranking or high frequency style), and the like. The user can select a song criterion (eg, "Country"), a time frame (eg, "Day"), and a source (eg, heard on "MySpace"). The qualifier can appear as an optional selection button that provides a choice of each selection criterion.

As the public source of music information becomes available, relay data collection The system can help provide relevant sources for data ingestion. For example, a user may be able to identify their musical style, for example, by utilizing sources and social materials related to the musical styles. Example music style search tools are available A variety of sources, as well as extremely granular content types and sub-content type selections and/or other music attributes. For example, other material about the song may be provided by an external service (eg, title, artist, album, tag, content type, theme, etc.), or may be from the media instance itself (eg, rhythm or beats per minute, musical instrument, etc.) determination.

11 through 14 illustrate how can be searched according to an exemplary embodiment Looking for media. In particular, Figure 11 is an illustrative screen showing how an item can be viewed, in accordance with an illustrative embodiment. The objects in Figure 11 are represented by triangles, and the objects may correspond to individual or collection of artist, album, subject, content type, song, and the like. The order in which the items are presented can be determined as specified above. The user can navigate through the collections in a 3D manner by swiping up or down to "zoom in or out". Press and hold a specific object to hold or drag a specific object to a blank area to indicate the selection.

In this regard, FIG. 12 is shown in an exemplary embodiment in accordance with an exemplary embodiment. An example of how to extend an object after selection. For example, once an object is selected, the object can be "decomposed" to reveal the song associated with the selected object. This may include, for example, songs recommended for users, events, and/or venues. The recommendation may be based on a combination of location and user specific relay data, as well as any relevant event information, as compared to the relay material and/or tag associated with the media instance itself.

FIG. 13 is a diagram showing how a tour can be performed, according to an exemplary embodiment. Another illustrative picture of an object. In Figure 13, the user can rotate the scroll wheel to specify, for example, whether the objects represent the artist, content type or song; whether the media instance will be associated with the friend of the identified user and with which friend Associated (if associated), etc. In general, this mode selection action change will be rendered as a collection of objects. For example, in certain illustrative examples, the artist's mode selection may replace a series of album object virtual pains with a series of artist object virtual pains (eg, full experience preference screening). In the case of Figure 13, the objects represent content types that are limited by the type of content of the friend of the identified user, and that particular friend is Sally. Thus, the content type of Sally is taken. However, only those content types that satisfy the venue selection and event parameters are presented on a music device or music device server or the like, and can be used for extension (eg, as explained above). The example of Figure 13 also enables the user to type in word segments (e.g., song name, content type name, lyrics, etc.) to reduce the songs suggested for play. 14 is similar to FIG. 13 except that FIG. 14 is an illustrative screen showing how a user can type lyrics to reduce the number of songs that are suggested to be played, in accordance with an exemplary embodiment.

If the user only searches for songs, the songs presented to the music device or available from the music device can be reduced from all fields of music as follows: availability on the server, availability on the music device, presence in In the venue music style group, then optionally, all the music available to the user or the music from my music style recorded on my profile. 15 is a schematic representation showing how songs may be selected for presentation to a user, in accordance with an illustrative embodiment. In the example configuration of Figure 15, starting from the largest sphere and moving inward, the collection includes all music, music on the server, music on the music player, music in the venue's music style, and venue-specific event styles. Music in the music and user systems. This or a similar solution can also be used for browsing and/or other specials of the jukebox. Sign. For example, it will be appreciated that in various embodiments of the invention, music may be restricted in a different order, some of the restrictive spheres may not be applied, different restrictive spheres, etc. may be applied.

FIG. 16 is a diagram for illustrating a feature based on an exemplary embodiment. A specific flow chart that includes criteria and actual jukebox use to determine which content should be available for use on a jukebox. In step S1602, all music is initially provided to the jukebox. For example, media instances from a central server and/or a local server are at least initially available. In step S1604, the inclusion criteria are then specified by an authorized person such as a bar manager or the like. Insofar as the inclusion criteria are not relevant to other locations, the criteria may be location specific. For example, an authorized person may specify inclusion criteria including one or more content types, plus the top 100 of the Billboard, plus media associated with the five friends. Once the inclusion criteria have been specified, in step S1606, heuristics are applied to determine the appropriate music for presentation on the jukebox. The heuristics establish a "map" of acceptable media for playback. In certain exemplary embodiments, the heuristics are operable such that each song is assigned a likelihood that it may wish to play at a location, and each likelihood may have a level of trust associated with it. The first rule of a particular exemplary implementation is to include a song if there is a question as to whether it should be included or removed. In certain exemplary embodiments, this may mean that a song should be included if the likelihood of inclusion meets or exceeds a predetermined threshold or the level of trust is equal to or below a certain threshold. The second rule for a particular example implementation is that if the song falls below a particular likelihood of inclusion and a particular level of confidence, the songs should be removed. Due to the increasing availability of information, the scale can be adjusted over time. In other words, as more and more information is obtained, the requirement for reliability can be reduced. The goal of certain exemplary embodiments is to avoid providing songs that the customer is not linked to, although this is not always possible because the customer's decision making is fully predictable. In step S1608, in any case, appropriate music is displayed at an appropriate time, for example, as a result of searching, browsing, and the like. The system may monitor the change in the heuristic map based on the use of the jukebox over time (in step S1610) and update the map accordingly, for example by returning to step S1606. It will be appreciated that the system can become "smarter" or "learning" over time, for example, as more and more data is entered.

In certain exemplary embodiments, a logarithmic and/or probability value calculation may be performed for each song to determine the likelihood of leaving a song or removing a song as an option for playback. Location information can be used to define the total "domain" or the total "vibe" of the place.

In one or more of the steps not shown in Figure 16, event information, if any, may be used to at least temporarily further limit the overall environment. In such cases, event information can provide an optional override to the overall "feeling" criteria. Similarly, in one or more of the steps not shown in FIG. 16, the system can be provided with stylized logic for individually screening/classifying media based on user-specific relay data. In a particular example implementation, this user-based information may not necessarily be as important as the overall sensory criteria, but certain exemplary embodiments are intended to provide an opportunity to drill down and provide more detailed recommendations.

17 is a flow chart illustrating an example program for initially setting up a jukebox, in accordance with an illustrative embodiment. In step S1702, the authorized user (eg, the location worker member) inputs during the initial setting of the jukebox to include Guidelines. Includes guidelines to indicate the type of location (eg, Irish Pub, Hip Hop Dance Club, Country Route Dance, Cyclist Bar, Super Lounge, etc.), typical customer characteristics or demographics (eg, age range, ethnicity/ethnicity, etc.) , content sorting preferences (for example, the most popular first / last, the latest first, etc.). In step S1704, the jukebox then converts the inclusion criteria into relayed material to be associated with the location. In step S1706, this information is then communicated to the central server to determine the appropriate master playlist and overall appearance and style of the jukebox based on the inclusion criteria. The program may include matching the relay material associated with the location with the relay material and/or tag associated with the song, the relay data/tag may be stored in a jukebox database of the central server, the social networking website On and / or similar. In addition, additional information can be retrieved from an external source as appropriate, and then matching can be performed on this additional information. For example, certain exemplary implementations may retrieve information from social networking websites, Billboard, and the like. In this way, it is possible to gather information about purely hot topics or scams, popularity, and the like. The need to determine whether to assist an external source may be based in part on the information of the identified user and/or the information of the identified user itself may be the source of the data. It will be appreciated that in certain exemplary embodiments, the central server may have a plurality of predefined categories and/or channels, and the jukebox may select one or more of the appropriate categories/channels in such embodiments based on the matching. In any case, in step S1708, information on the main playlist and appearance and style of the jukebox is transmitted from the central server to the jukebox, and in step S1710, the jukebox is arranged accordingly. The deployment may include setting the flight status content and/or the flight status content source, setting the main music library of the jukebox, setting the "skin" of the jukebox, and the like. It will be appreciated that step S1706 can be performed periodically or dynamically. Go to S1710 to help ensure that the jukebox is up to date and provides the right music.

18 is a flow diagram illustrating an example program for customizing a user for an identified user, in accordance with an illustrative embodiment. For example, according to the example program of FIG. 17, in step S1802, a main music library is provided. In step S1804, the user logs in. In step S1806, information associated with the identified user is retrieved. This information can be stored regionally on jukeboxes, on central servers, on social networking sites, and the like. This information may include user-defined information about song playback, pre-selected favorites (eg, performers, songs, albums, content types, etc.), demographics, and the like. This information may also include the use of collected information from the jukebox over time (eg, the user prefers the latest music, prefers a particular order, prefers specific music only at a particular time/day/place). In step S1808, the information associated with the identified user is used as the other inclusion criteria for custom selection. This information can be used to further restrict playlists, "appropriate" recommendations, sort or reorder media presented to users, and the like.

In the steps not shown, but as a procedure associated with step S1808, the jukebox can communicate with the central server to determine an appropriate user-defined playlist/user-customized presentation based on the identified user inclusion criteria. . Similar to the above, this subroutine may involve matching the relay material associated with the identified user with the relay material and/or tag associated with the song. Other information can be retrieved from an external source as appropriate, and can then be matched against this other information. For example, information may be collected from social networking websites, one or more defined social networking websites (users are members of the website or such websites). User's information, user's friend's information, Information about friends of friends of users can be interesting. As above, this information about the user-defined playlist/user-customized presentation can be transmitted from the central server to the jukebox, and the jukebox can be built accordingly. Similar to the above, this information can be communicated periodically or dynamically (eg, after the identified user has logged in). Finally, in step S1810, the user browses and/or searches according to the user-defined playlist/user-customized presentation.

FIG. 19 is a diagram for illustrating a specific embodiment according to an exemplary embodiment A flow chart of an example program for a custom event display. For example, according to the example program of FIG. 17, in step S1902, a main music library is provided. In step S1904, information about a special event is received. This information may include, for example, information about the type of event (eg, private party with DJ, night of disco, carnival night, etc.), duration of the event, recurrence of the event, and the like. In step S1906, when the jukebox communicates with the central server to determine the appropriate playlist and appearance and style of the jukebox, the information associated with the special event is used as the other/alternative inclusion criteria. For example, other include criteria may further restrict playlists or sometimes generate new master music libraries, make recommendations appropriate for events, properly sort or reorder media, and the like. In step S1908, information on the event playlist and appearance and style of the jukebox is transmitted from the central server to the jukebox, and in step S1910, the jukebox is arranged accordingly.

In one or more steps not shown, the user can be implemented. In. However, some or all of the identified user functionality may be overtaken by events that occur. That is, the jukebox system may or may not perform further restrictions and/or make recommendations based on the identified user information. Similarly, point The phono system may or may not use a general jukebox to provide recommendations/reordering using other user preferences collected.

In certain situations, users can search for specific performers (for example) Search for all the albums or songs that the artist has already provided. In this case, the jukebox can update its display and become more suitable for a particular artist, album, content type, and the like. For example, Figure 20a is a first example "artist portal" in accordance with certain exemplary embodiments. In the example of Figure 20a, the user has searched for all albums of Alicia Keys. This can result in changes in the display, for example, in underlying or background images, color schemes in the user interface, wireframe layout of elements on the display, external lighting performance, and the like. In the example of Figure 20a, in detail, the image of Alicia Keys is displayed as a high resolution cushion under the user interface. The albums from the artist's work are the only albums shown, as these albums are the only albums that match the search. The color scheme has become a more black and white solution, for example, according to the Internet style of Alicia Keys. In certain exemplary embodiments, links to the artist's home page, Facebook or other social networking or other websites may also be provided. Consistent with the simplified look and feel of Alicia Keys' Internet style, many optional control elements can be omitted (eg, as shown and described with respect to the configuration of Figure 8b).

It will be appreciated that different performers may have different artist entrances, and Updates (eg, wireframes, displayed elements, etc.) may be the same or different than the updates described above. In this regard, Figure 20b is a second example "Artist Portal" in accordance with a particular illustrative embodiment (e.g., for Santana). As can be seen, the entrance to the performer of Santana has different background art and different color schemes compared to the entrance of the Alicia Keys performer. In addition, the album is not limited to Figure 20b. In the example of the Santana album, the user arrives at the Santana entrance via different means, navigates away from the entrance (eg, by performing a subsequent search), and the like.

Various "skins" can be attached to albums, songs or the like. This is similar to the way above can be used to assign depth values. In certain exemplary embodiments, the concept of skin includes one or more of a context specific to an image, a theme, a wireframe display, a web page, and the like. Thus, it will be appreciated that the selection of albums, songs, performers, etc. can result in a search for an appropriate skin and result in a corresponding change in the overall appearance and style of the jukebox user interface. The skin may include item selection and/or configuration information indicating, for example, which control elements are to be selected, where the control elements are located, how the elements are set in size/shape/color, and the like. Corresponding information can be specified for non-functional elements such as background art.

While specific exemplary embodiments have been described in relation to artist portals, such techniques are applicable to other concepts. For example, the skin can be created by the identified user (eg, via the MyTouchTunes user interface at the jukebox or at the far end, and the skin can be applied after the user logs in. The user can customize the user's jukebox skin according to the above definition (eg, which control elements will be displayed and how the control elements will be displayed, background art, etc.). Similarly, record labels, performer groups, and the like can also have predefined skins applied at the above and/or other points. As is known, some record labels have different styles, image images, and the like. It will be appreciated that the skin of Def Jam can be significantly different from the skin of Muzik Mafia and the skin of El Cartel Record.

As is known, jukeboxes typically only display the currently playing song. Of course Instead, the queue is maintained and the queue can be displayed in whole or in part on the display. For example, Figure 21 is an illustration of a portion or incremental presentation of a play queue of a jukebox in accordance with certain exemplary embodiments. The user may be charged an additional fee for partially and/or incrementally displaying the jukebox play queue. For example, a pricing scheme can be implemented such that the user pays the first amount for viewing the next selection that is queued for play and the amount of payment is increased for viewing the increasingly larger selections in the queue. .

Figure 21 shows a playlist presentation example showing upcoming songs Title and artist name. However, the display techniques described herein can result in display of select bits and segments in the upcoming queue, for example, so as not to leak too much information. The selective presentation of information may rely on the user's tendency or tendency to use the "skip queue" or "play now" feature for a particular selection. The pricing structure can be implemented such that skipping 1 or 2 songs consumes X credits, skipping 3 or 4 songs and spending X plus a certain amount of new points. In other words, the price for skipping songs can vary based on the number of songs to be skipped. The selection may also depend on the user's use of the "lock" feature (eg, paying an additional price to ensure that the song will be played, the song may not be skipped if the user has not paid at least the user's payment or pre-defined booking price) Ordination or tendency. The presentation of information may optionally include one or more attributes of one or more upcoming songs including, for example, title, artist, "atmosphere" or content type, beats per minute, and the like. The selective presentation may provide, for example, complete title and artist information about the next two songs (the songs may be popular songs) and indicate more than 10 songs (the songs may also be popular songs) in the queue . So handled, the jukebox customer, Owners and visitors to the location can get a feel for how the atmosphere in the organization will be in the future. Selective presentation may also rely on a time frame, for example, to enable a person to feel what it feels like during a predetermined time period (eg, the next 20 to 30 minutes, the next hour, the entire night, etc.).

In a particular exemplary embodiment, the one-shot player includes: a display; a non-transitory computer readable storage medium storing a plurality of media instances usable on or via the jukebox device; at least one processor configured to media to be played The array of examples is maintained on a jukebox, and the at least one processor is further configured to cause a user interface to be displayed on the display and further configured to respond to input to the user interface. The user interface can include: an indication of a current playing media instance including at least a song name and an artist associated with the media instance; and an incremental queue display module configured to cause the user interface to display Information about one or more upcoming media instances that at least initially does not include the song name and one or both of the performers.

The incremental array display module can be assembled to enable the user to The face displays information about a predetermined number of media instances, the predetermined number being greater than one. In an alternative, or in addition, the incremental queue presentation module can be configured to cause the user interface to display information about a plurality of media instances, the number of media instances being dependent on the number of media that can be played in a predetermined amount of time The number of media instances in the column. The predetermined amount of time may be, for example, 30 minutes, 1 hour, 2 hours, the amount of time until closing, and the like.

In a specific exemplary embodiment, the incremental array display module Aligning the user interface to at least initially display unique information about the type of content associated with one or more of the one or more upcoming media instances, associated with the number of beats per minute (associated with one Unique information such as one or more of the upcoming media instances. In certain exemplary embodiments, the initial display may include information regarding only one of the one or more upcoming media instances.

In a particular exemplary embodiment, the at least one processor is assembled The incremental display module is activated after the payment of the fee. The amount of information presented can be varied depending on the fees received so that more fees correspond to more information being presented. Moreover, the at least one processor can be configured to manage a first pricing scheme that associates the amount to be charged with an amount of information presented relative to each instance or media and to a plurality of media instances for presentation.

In a specific exemplary embodiment, a queue jump module can be grouped Equipped with a user-defined location that enables the user to move the selected media instance to the queue. The at least one processor can activate the queue jump module after the payment of the fee. Additionally, the at least one processor is configured to manage a second pricing scheme that associates the amount to be charged with the number of items in the queue that will be hopped. The fee can be changed in proportion to the number of items in the queue that will be jumped.

The user interface can be programmed to enable the user to lock the media instance after the payment of the fee, thereby ensuring that the instance cannot be skipped. The incremental queue presentation module can be further configured to indicate whether the media instances are locked such that the instances cannot be skipped.

It can also provide the means to manufacture and / or use these jukebox devices. Method, which is a non-transitory computer readable storage medium that tangibly stores instructions for use of such jukebox devices/providing such user interfaces. In various exemplary embodiments, a jukebox system including, for example, a plurality of jukebox devices may also be provided.

Because the user interface of certain exemplary embodiments can be used The user feels complicated, so various techniques can be implemented to help focus the focus on the customer selectable elements, such as a song selection tour. Blurring, fading, magnification, and/or other techniques can be used to manage the user's focus in different embodiments, and thus can help simplify the experience even if there are more features available and their features are more powerful. For example, Figure 22a uses color "spots" to highlight the center selection in accordance with certain exemplary embodiments, while other non-customer selectable elements may be obscured. Figure 22b shows an enlargement of the album envelope to highlight the selection of the album in accordance with a particular illustrative embodiment. In the example of Figure 22b, the background UI element has not been modified to focus the extra focus on the selected item. In contrast, Figure 22c shows an enlargement of the album envelope to highlight the selection of the album in reverse, and further blurs the background UI elements to help focus the focus on the selected album, in accordance with certain exemplary embodiments. It will be appreciated that background UI elements (eg, in Figures 22b and 22c) may be simplified to black and white images or otherwise adjusted to focus on one or more items of interest. Although Figures 22a through 22c have been described in connection with the selection of an album, the anti-white display techniques described herein can be applied to other aspects of the UI experience.

Certain exemplary embodiments may also, for example, construct a mosaic from an album cover or other work. Perform an algorithm on the source work to form a vocal The mosaic used by the user interface of the machine. This algorithm can be performed on the jukebox in real time, for example, to accommodate various mosaic designs based on available source works (eg, the number of available album envelopes) and dynamically use such mosaic design in the user interface. . In certain exemplary embodiments, the mosaic rendering algorithm may use face and color density recognition to configure the source artwork in a desired pattern (or to prevent configuration of the source artwork).

These mosaic techniques involve several concepts, including source image selection. And manipulating (eg, for images used to build mosaics), target image generation (eg, for generated target mosaics), and target image context (eg, for how to use target mosaics). The source image, the target image, and the context in which the target image will be used may contain layers of relay data. This relay data facilitates (eg, via ID matching) a large amount of relay material that can be reused to feed the mosaic generation algorithm. For example, album envelopes are associated with content type, style, artist, year, and other information. It may also include information about the playing behavior and social networking information of the musical elements to feed the algorithm about the relative popularity of the musical elements, the placement of musical elements relative to the social networking environment, and the like. For example, more popular music may be larger, and music played by customers and customers' friends (in a particular instance, to a predetermined degree of separation) may be expanded. In one context, the user's avatar can be built from an album cover that matches the user's music preferences, and from the actual USA map that was actually played when the album appeared on the web. Additional details regarding such techniques are provided below.

Regarding source image selection and manipulation, mosaics can be self-assembled to simulate the source image (tile) of a larger target image. The tile can be from the entire image or Made from sub-selection of the entire image, modified source image (for example, the color or hue of the original image has been changed). Similarly, tiles can be used in any corner, inversion, and mirror to form a target. The image type can be arbitrary and can include, for example, album covers, artist works, jukebox avatars, musical instruments, and the like. Specific tiles can be tagged with specific flags for special processing by the algorithm. For example, popular albums, songs, or performers can be zoomed in, and the like.

Regarding the target image generation, you will understand that the mosaic target is used. The image produced by the source tile. The target can be a still image (eg, artist work, cowboy hat, TouchTunes logo, etc.) or a mobile concept (eg, animation or video) or some combination thereof. Other possible target concepts are also possible.

Multiple potentials for constructing mosaics about the target image context The use of the system is possible. For example, an artist's album envelope can be used, for example, to build an artist image (eg, for use by an artist portal, as discussed above). As an example, an album from George Straight's many albums can be used to build its image. An image describing the type of content can be constructed, for example, using a source tile associated with the content type. As an example, you can use only a country music album envelope to build a cowboy hat or a popular performer like Taylor Swift. Geospatial information can be used to build targets (for example, using a popular album cover in a particular region to build a map of the USA). The background mosaic can also be built, for example, using the current jukebox profile information (the most popular content type of the location, the currently playing song, etc.). A mosaic can represent a playlist, an album from an artist, and the like. Of course, there are other possibilities in which the context of the mosaic can be used.

In a particular illustrative embodiment, the user can interact with the mosaic move. For example, the mosaic can be zoomed in by the user, and the user can select a song, artist, album, playlist, etc. from the mosaic.

Techniques for displaying partial lyrics for synchronization are also available. also That is, in certain exemplary embodiments, the lyrics may be displayed at an appropriate or predetermined time during the song. For example, if the jukebox is playing the song "I Gotta Feeling" by Black Eyed Peas, the word "I Gotta Feeling!!!" can be displayed while the words are sung by the performer.

The lyrics can also reflect the context of the lyrics on the screen (also A type configuration called dynamic text. 23a-23d illustrate an example screen capture screen for dynamic motion display, in accordance with an illustrative embodiment. The lyrics have been synced with Blink 182 song "Josie". Figure 23a floats at the beginning of the song. Figure 23b includes words added as words when sung, where the word "of" is elongated and the words are replaced within other words when the words are moved out of focus. Figure 23c shows how the blur can be selectively used to match the atmosphere of the song, such as to make the atmosphere "frustrated." Figure 23d illustrates how colors can be used to emphasize a word as it is emphasized by the artist singing the song.

In a particular illustrative embodiment, by generating a match with a song or Synchronize the script to implement dynamic text. Thus, a track of relayed material (including timing, atmosphere, motion, color, image, etc.) can be created for the song, and the track can be stored, for example, as described above. In a particular illustrative embodiment, an XML or XML-like markup structure can be created to sequence, lyrics, and effects (including, for example, resizing/resizing, entry/exit points, self/to position zoom, pan direction) / quantity, etc.) linked together.

Similar to the above, in certain exemplary embodiments, Synchronized illumination projection. User interface coloring can be modified to synchronize with the context of the currently playing song. For example, if the jukebox is playing DJ Funk's "The Roof is on Fire", the user interface (for example) can display bright red and orange coloring when singing the word "THE ROOF IS ON FIRE!". The theme can be developed and associated with one or more songs. For example, you can create a "fire" theme in which the jukebox user interface is modified to red and orange coloring. This theme can be associated with songs such as "The Roof is on Fire" by DJ Funk, "Fire Water Burn" by Bloodhound Gang, "Ring of Fire" by Johnny Cash, "Fire" by Ohio Players, and the like. Themes can be linked to the songs, and in a particular example implementation, the topics can be applied to all of the songs. Alternatively, or in addition, XML or other scripts may be created such that there is a link between the time at which the topic should be launched and the particular song.

A specific exemplary embodiment can incorporate a camera into a jukebox in. The camera can be used to create an artist or customer portrait, and the captured image can be processed and included into the user interface. For example, an on-board camera of a jukebox can be used to convert a customer's portrait into a on-screen fax or comic image of the present player. Portraits can be comically created using known automated or manual techniques, and modified or unmodified images can be used in a variety of ways. For example, images can be used as background art, associated with playlists, associated with user avatars, incorporated into scripts used during music playback (eg, to show who selected songs), for mosaics (for example, for "regular" playlists at venues, etc.) and/or the like.

It may also be advantageous to have a network connection with the camera. Example In fact, there may be a "live look-in" at the place. People who consider whether to go to a bar or club can pre-determine whether the bar or club looks interesting, exciting, "disappointing", etc., in advance. The user can also see what is happening at a location when leaving home. Live viewing can be provided via an internet connection and can therefore be accessed via a web page, a smart phone or the like. Images can also be analyzed on-the-fly or post-mortem to collect demographic information about locations and/or jukebox customers.

In a similar manner, the jukebox camera can be used as a "mirror" to "reflect" what is happening in the room, in the dance floor, as seen by the jukebox. The feed can be provided to the jukebox display itself, a remote terminal that is operatively coupled to the jukebox, but still in the same venue, a suitably assembled TV or other display, and the like. The reality can be "expanded", for example, by adding virtual elements to images that do not exist in reality. For example, the image on the screen can be the same as the image except that the album cover can be floated on the screen in front of the user's "reflection".

In certain exemplary embodiments, a camera can be used as a suction device. More specifically, in certain exemplary embodiments, the jukebox camera can serve as the basis for a motion detection system that draws customers to the jukebox. The jukebox can attract customers by: increasing or decreasing the intensity of the user interface lighting of the jukebox that the customer is close to; welcoming the customer when the customer is within a predetermined number of feet from the jukebox; playing enables the customer to know with the customer Approaching a sound that will become "cooler", "warm" (such as a heartbeat); use edge detection to estimate the size of the group and properly address the viewer via voice or text display; and/or the like. Can also be judged based on the type of music played Set the message. Therefore, if a group is detected and country music is being played, a message such as "Hey, y'all! How about a song?" may be displayed instead of the more general message "You look you could use a song." The primary display or any secondary display (e.g., LED array) can be used to display such messages, for example, for customer welcome or other features, the display may be before the customer has physically touched the jukebox. It will be appreciated that in certain exemplary embodiments, the camera may be enabled to act as a proximity sensor, and certain exemplary embodiments may additionally or alternatively include separate proximity sensors for similar purposes.

Say, on average, when making a choice, 2.2 people are at the point In front of the record player. The camera can help determine multiple people in front of the jukebox and make recommendations for the group, compared to the individual. Such processing can also help to resolve the appearance uncertainty in the selection, as different group members can have very different song requests that cannot be easily grouped or categorized to give good recommendations. Therefore, recognizing that a group of people appears to relax certain constraints, the jukebox ignores the appearance of "outsiders" or simply does not provide recommendations to the group.

It will be understood that the camera can detect the lighting level and adjust the phono elements. For taking good quality photos. In a specific example, this may involve adjusting the display, LED and/or contour illumination intensity in conjunction with a camera flash in a dark or partially illuminated environment, reducing illumination levels to reduce erasure in bright environments, and the like. In certain exemplary embodiments, the user may select effects such as clearing, saturation, overexposure, etc., and may cause the camera and/or lighting elements to respond in accordance with known photographic techniques for achieving the desired effect. The flash can be timed to coincide with the movement on the screen, for example, to attract the user's gaze upwards, downwards or in a particular direction, so that attention is focused On a camera that takes a photo (for example, when the jukebox is operating in photo booth mode). In certain exemplary embodiments, the frame or background may be applied to a photo, and in some cases, the frame or background may be sponsored (eg, a Bacardi sponsored frame may include a tropical feel, etc.) to generate more for the website. income.

In certain exemplary embodiments, large glass or other panels may Placed on most of the jukebox. The panel in a particular illustrative embodiment can be used as a touchscreen target in a particular example, thereby giving interactive functionality to a jukebox component that may otherwise be not user steerable or at least emulating the interactive functionality. Thus, the target can act as a proxy for communication with components that the user typically cannot interact with. The jukebox software can communicate the location of the touch area and take corresponding actions. For example, it is possible to emulate a touch screen LED by placing it under a transparent true tactile screen, where the underlying LED array may not otherwise be user steerable. Examples of functionalities that can be imparted to other static components include, for example, tracking the user's finger when the user spells out the user's name or other text (eg, on an LED array), playing the classic "Whack" (whack) -a-mole)" type game, detecting when the user is leaning on the jukebox or touching the jukebox (this allows the jukebox to display the message that the user must rely on the jukebox, invite the user to make a selection, etc.) ) and similar.

In a particular exemplary embodiment, the camera on the jukebox and/or Or proximity sensors can be used as part of the site's security system. That is, in certain exemplary embodiments, a jukebox camera can be used to detect and/or report non-existence. The camera can be used to generate its image or video when it is detected that it is not present. For example, after turning off, the jukebox can Set to safe mode, in safe mode, the jukebox appears to be powered down, but the jukebox's camera continues to be activated. If an intrusion is detected, for example, via a motion detector, a proximity sensor, and/or a jukebox camera, the camera can produce an image or video that is not desired. The jukebox's audio capabilities are used to communicate with non-existing presence, for example, by issuing an alarm, playing music as loudly as possible, and the like. The jukebox's LEDs and/or main screens can indicate that presence or absence has been detected, and/or the main screen can display captured or live images or video of the intruder. In addition, the jukebox may use its internet connection to, for example, send an alert to the jukebox owner and/or the appropriate authorizing unit by e-mail, text message or other means to alert the owner and/or authorized unit to the desired Presence, voice or VoIP calls originating from the jukebox owner and/or appropriate authorized unit. Similar to the techniques described above, in a more "passive" mode, the camera can provide a live viewing mode for the owner and/or authorized unit to monitor the situation from a regional or remote location. In certain exemplary embodiments, a camera on a jukebox can act as, and sometimes even replace, a closed circuit monitoring system.

In a specific example embodiment, it may be at a predefined time (eg, After the shutdown, the security mode is entered after input from an authorized person (for example, turning off the jukebox at night). In certain exemplary embodiments, the security mode may power down the display or otherwise disable the display so that the jukebox as a whole does not appear to be in operation. However, a camera placed on a jukebox or otherwise connected to a jukebox can capture images and/or video streams. This stream can be associated with a security subsystem operating in a jukebox network or in a separate network. Authorized users can log in to the security subsystem remotely (for example, using a username/password combination, by entering a unique address or other identifying information) Get live viewing. The jukebox and/or security subsystem can monitor anomalies, such as accidental movements at the venue. After the interference is detected, the security subsystem can generate or forward a message to an authorized person. For example, a VoIP call can be initiated to the owner of the venue, to law enforcement, to a private security company, and the like. The jukebox can also be alerted, flashing light, etc. as a security measure against intrusion in the location.

It will be understood that it can be combined with other leisure factual views described in this article. Look at the technology to use the same of the same streaming technology. For example, a jukebox network or other suitable server system can obtain streaming information from a jukebox and enable a user (eg, a registered user) to view the venue, for example, from a remote end of an internet browser. In a particular example embodiment, the jukebox itself may act as a server.

In a specific example embodiment, the one-click player includes: a non-transitory computer readable storage medium storing a plurality of media instances operable on or via the jukebox device; and at least one processor configured to Obtaining images and/or video from the camera; substantially immediately displaying the acquired images and/or video from the camera on the display of the jukebox device such that the display substantially reflects the detected by the camera And enabling a remote user to view the acquired images and/or video from the camera. The at least one processor can be further configured to cause the acquired image and/or video display and jukebox device to be disposed on one or more external display devices in a common location. Similarly, the web server can be configured to enable the remote user to view the acquired images and/or video from the camera.

The at least one processor can be further configured to be in a user gauge Enter safe mode at a fixed time or after a signal from an authorized user. The at least one processor causes the camera to act as a motion detector when entering a secure mode. The at least one processor is configured to issue an alarm when motion is unexpectedly detected. The alert may include: starting a VoIP call to one or more specified participants; sending an SMS, email or other message; illuminating and/or flashing the display and/or illumination on the jukebox; and an audible alert; / or similar.

It can also provide the means to manufacture and / or use these jukebox devices. Method, which is a non-transitory computer readable storage medium that tangibly stores instructions for use of such jukebox devices/providing such user interfaces. In various exemplary embodiments, a jukebox system including, for example, a plurality of jukebox devices may also be provided.

Specific illustrative embodiments also provide adaptive jukebox personalization Features, including, for example, personality generation and personality performance. Personality generation is a program that collects various pieces of information and uses them to characterize the personality of the jukebox. This can be an ongoing process. For example, whenever a user interacts with a jukebox, new information is generated and can be collected.

Different types of information can be considered to define the personality of the jukebox. this Other factors may include some or all of the following and/or other factors: the geographic location of the jukebox, the most popular songs played on the jukebox, and the type of music played on the jukebox (ie, content type, style, mode, etc.) ), play on the entire jukebox network, whether the extra weight should be given to the current customer (for example, whether the customer is a member of MyTouchTunes or a bar worker) Information).

The jogger can then be assigned, for example, based on the collected information. Sex type. The personality type may be discrete in the sense that any given jukebox is assigned only one type at any given time. The personality types and criteria for matching them can be defined by the jukebox provider. For example, as a basic implementation, the most popular song content type in a place can be used to define a personality type. In this case, the jukebox can be called "rock type", "R&B type", and the like.

Personality generation can also involve the jukebox personality type over time (example For example, when collecting new information, adjustments and improvements. For example, jukeboxes were originally classified as "rock-type" jukeboxes, but can be improved over time to indicate preferences for "vibrant" rock songs, rather than "slow" rock songs or "rock lyrics."

Therefore, it will be understood that information can be collected and can be made on multiple The assignment of one of the categories is predefined, and adjustments or improvements to the initial assignment can be made over time (eg, when more information is collected). It will be appreciated that adjustments or improvements may be sub-category within a particular category, reclassification to a new category or sub-category, and the like.

The personality of the jukebox can be understood as the user experience due to The degree to which the personality of the jukebox is affected. For example, the overall appearance of the jukebox can be modified to match the jukebox personality. These factors may include some or all of the following and/or other characteristics: display information about the location of the jukebox, custom UI themes that represent the personality of the jukebox, light show patterns and color to reflect the personality of the jukebox, According to the personality of the place as the UI basemap The background image of the performer (see the artist's entrance above).

The example techniques described above can also be applied to jukebox adaptation Sexual music browsing and / or searching. For example, when browsing music on a jukebox, emphasis can be placed on preferred music content types, styles, atmospheres, etc. based on the jukebox personality. The same or similar method can be applied to music search. That is, in a particular example, more emphasis may be placed on, for example, the preferred music type in the search results such that the song matching the personality is first listed or near the top of the result, or at least above Wait for the song to be in the same location.

In a similar process, in a particular illustrative embodiment, a jukebox The search algorithm can provide incremental and auto-complete suggestions to the customer regarding songs, performers, and albums that play and/or match the personality of the jukebox on the jukebox. The algorithm can be derived from a variety of sources that identify the user's preferences, such as DAM, City, MyTouchTunes user profiles, and possibly Facebook user profiles. Similar techniques can be applied to the jukebox personality (eg, for unregistered or unidentified customers).

For example, when the customer types the letter "Rol" in the search bar. Automatically completes the identifiable user and determines that the Latin performer Rolando should be listed higher in the autocomplete suggestion than the Rolling Stones. Rolling Stones is more popular in the jukebox network, but for the jukebox user. Words or in the use of the jukebox may not be more popular.

In a particular example implementation, the concept of a jukebox personality can also be used to send a music content packet to a jukebox based on the personality of the jukebox.

The jukebox and/or user personality can also be used for targeted advertising. For example, the personality of the jukebox can be used to help determine the jukebox based Which ads will be received or displayed by some or all of the following and/or other factors: location-specific events (eg, happy nights, ladies nights, New Year's parties, etc.), local concerts (eg, Arcade Fire, your favorite) The independent production band will perform in New York this weekend), local events (for example, local fundraising, blood donation from local community centers, etc.) and/or the like.

In addition, contextual advertising can be based on jukeboxes and/or jukeboxes. User's personality. Personality may be known for authenticated users who have logged in. However, for anonymous users, the advertisement may be displayed based on more current browsing behavior and song selection (eg, during the current selection period). For example, when a user browses an alternate rock content type on a jukebox, the jukebox can display an advertisement for the upcoming Lollapalooza event.

Further personalization can take photos by user interaction Contextual advertising is associated with (or taking a photo from an archive, if the user is an identified user) and then incorporating the user's portrait into the advertisement. For example, if the user is browsing Jimmy Buffett music, the user's photo can be taken and incorporated into the user's photo on the beach and on the cheap trip to the island.

Certain exemplary embodiments enable a user to create a broadcast Put a list of settings. For example, the user can browse the category of the song, etc., and select a song for possible play on the jukebox. The user can record songs, delete songs, add songs, etc. to the work settings list during the work phase, much like someone can put the item in the shopping cart and remove some other items. Once the list is defined by the user, the list of settings can be submitted in whole or in part as one or more packets for playback. Similarly, the user can Some or all of the songs in the settings list are played immediately due to additional charges. In this regard, the user can simply drag and drop the settings list or portions thereof into a predefined area of the user interface that is designated for immediate playback of the song. Thus, the jukebox user interface can be configured to allow the user to create a group of songs that are then queued by the user for a single action for playback, and the advanced settings list can allow the user to place the list before it is executed. Modify the contents of the settings list (for example, to make it possible to add, remove, record songs, give songs a higher priority by playing the next or skip the queue function, etc.). This list of settings can be performed using the user interface component or physical launcher on the jukebox.

In certain exemplary embodiments, setting a list may be advantageous, Because the settings list does not require the user to log in to the jukebox. In other words, it will be appreciated that the set list technique described herein may be particularly advantageous for anonymous users to create a list of songs for playback. It will be appreciated that the user may be able to save the settings list as a playlist for subsequent use, for example by registering with a jukebox and/or logging into an existing account.

24 is an example screen capture of an improved music exploration user interface, in accordance with certain exemplary embodiments. As shown in Figure 24, the elements in the media collection can be displayed in a fan-like configuration 2402 at the approximate center of the screen. A collection can be, for example, a selection from a content type, a playlist, and the like. The collection can include a predetermined number of elements. The elements in the selection can be determined by the user (eg, under the playlist list), by the jukebox provider (eg, in the case of content types), by the owner of the location (eg, typically for the theme night) Or for the location) and so on. In the example of Figure 24, the content type 2404 is in an arc. The shape is listed at the bottom of the screen and the "Popular" content type is selected.

Once the set is determined, the set type can be further specified. In the picture There are three buttons 2406 on the 24 instance screen for specifying the collection type. These options include artist, album and song. Therefore, elements in a collection can be grouped or organized according to the type of collection. In the example of Figure 24, the collection type is "song". Therefore, pop music selection is provided in a fan-like configuration at the approximate center of the screen. All pop music choices in the collection are listed separately as songs because the songs are of the specified collection type. If the album collection type is specified, an album containing the songs in the collection can be displayed. Similarly, if the artist collection type is specified, the artist of the song in the performance collection can be displayed. In the latter case, the artist can browse, make a selection by album or artist, and further select a song from the selected album or artist. Regardless of how the elements are grouped by collection type, the same song should be represented in different ways.

Once the collection type is specified, the sort indicator can be used, for example. 2408 to sort the items in the collection. For example, three exemplary sorting buttons are provided under the fan-like configuration 2402 of the song. The "A to Z" buttons organize elements in alphabetical order, the star buttons organize elements according to popularity, and the calendar buttons provide time-based configuration of elements (eg, based on release date).

The selection of a particular order will in turn cause the "Clone Bar" 2440 to appear. In the example of Figure 24, the order of selection is in alphabetical order, and therefore, the cleaner column displays the letters of the alphabet. The user can use the cleaner column (and, in particular, in the case of Figure 24, by selecting letters) to quickly navigate the collection. Selecting a letter can make it glow or become larger for emphasis. Will understand, clear The elements displayed in the device may vary based on the order of selection. For popularity, a series of numbers from 1 to the number of elements in the selection can be provided, and if a calendar order is selected, a series of dates, years, or the like can be provided. It will be appreciated that in certain example instances, selecting an artist may not allow the calendar order to be selected because the artist is typically not associated with the year in the same manner that the album or song has the release date. However, in certain circumstances, the date of the artist's first single or first album may be used as the relevant date.

Thus, in a particular exemplary embodiment, a single player package Including: a display; a non-transitory computer readable storage medium storing a plurality of media instances operable on or via the jukebox device; and at least one processor configured to A user interface is displayed on the display and further configured to respond to input to the user interface. The user interface includes at least one first user interface component that is configured to enable a user to select a set of media instances available for playback from a plurality of possible sets of media instances, each of the set representations being available a different subset of one of the media played on or through the jukebox device; at least one second user interface component that is configured to enable the user to select for grouping in the collection One of a plurality of possible grouping patterns of the media that are executed for kicking, the grouping patterns including artist, album, and song grouping, wherein the selected grouping pattern is for an item that may be selected to be presented to the user for possible selection; At least a third user interface component that is configured to enable the user to select one of a plurality of possible ranking patterns for sorting the items that may be selected for presentation to the user; and Display area for displaying the needle For at least some of the items that may be presented to the user, the items are sorted within the display area according to the selected sorting mode. The at least one first user interface component, the at least one second user interface component, and the at least one third user interface component can all be simultaneously displayed on the display. In various implementations, the collection can include predefined content types and/or music themes, playlists, and/or the like.

The sorting modes may include, for example, an alphabetic order pattern, a base Order mode and age or date order mode. Each item that may be selected for presentation to the user may be assigned a popularity value, wherein the popularity based ordering pattern ranks the items that will be presented to the user for possible selection based on the assigned popularity value. The popularity value can be assigned based on one or more of the following: project popularity on the jukebox network, project popularity at the venue where the jukebox device is located, project popularity on the industry map, and/or one Or project popularity on multiple social networking sites. In some cases, the year or date order mode may be deactivated when the artist grouping mode is selected.

In a specific exemplary embodiment, the user interface can be further displayed At least one fourth user interface component is shown, wherein the at least one fourth user interface component can be adapted based on the selected ranking mode. The at least one fourth user interface element can include a letter (when the alphabetic order mode is selected), a number or line corresponding to the popularity value (when a windth order based mode is selected), a date or a calendar display (when selected In the year or date order mode) and so on. In a particular implementation, the display area can include a partial subset of the items that are likely to be presented to the user, wherein the partial subset is based on the Determined by at least one of the choices made by the fourth user interface component.

A subset of the project can span the general center of the display A fan-like configuration of the fields is displayed in the display area, wherein the displayed accurate items may be varied based on user manipulation of the at least one fourth user interface element and/or user input to the display area. In certain exemplary embodiments, the user selection of the displayed album item may result in the display of the songs within the selected collection and associated with the selected album item being displayed in the display area, and/or the displayed artist item The user selects a display of the songs that are within the selected collection and associated with the selected artist item to be displayed in the display area. In certain exemplary embodiments, user selection of the displayed song item results in a quick display, wherein the quick display allows the user to confirm that the selected song will be played. The display of the fast display can be realized by blurring, fading, and/or reducing the gradation of the user interface component after the fast display.

It can also provide the means to manufacture and / or use these jukebox devices. Method, which is a non-transitory computer readable storage medium that tangibly stores instructions for use of such jukebox devices/providing such user interfaces. In various exemplary embodiments, a jukebox system including, for example, a plurality of jukebox devices may also be provided.

Many jukeboxes, kiosks, gaming devices and the like have made Use external lights to attract and/or highlight events. These devices typically issue direct commands to the color processing device. Unfortunately, however, this control technique often makes it difficult to tailor a total experience (eg, acoustics, user interface, electromechanical, environmental, and peripheral) to a change or event related situation (eg, to adopt a different look in a coordinated manner). More specifically, what is missing is to allow the device and Its user interface is the ability to change these behaviors from context as a way to integrate system cooperation. The solution to this problem is to create a control system that combines the behavior of the visual perimeter and display to the subject. In certain exemplary embodiments, the subject matter can thus help describe the standard behavior of the user interface and ambient light.

The exemplary embodiments described herein may be combined with, for example, beauty A jukebox of the type shown and described in U.S. Application Serial No. 29/ 371, 255, the entire disclosure of which is incorporated herein by reference. 25a-25b show components of a jukebox device, in accordance with certain exemplary embodiments, and FIG. 26 is an image of an example jukebox device, in accordance with a particular example embodiment. As can be seen from Figure 25a, a return lamp section (1) and a profiled light section (2) are provided. The LED display (3) is located above the payment mechanism attraction light (4), with the latter helping to serve as the main part of the main display and user interface. Near field communication attracting lights (5) are available. The user can provide payment via a payment acceptor (6) that is close to the payment institution. A main start switch light (7) can also be provided around the main start switch. Figure 25b is a close-up of the LED display (3) shown in Figure 25a, in accordance with certain exemplary embodiments. As can be seen from Figure 25b, the LED display (3) can comprise a portion of an array of individual LED elements (9). In a particular exemplary embodiment, at least the LED display (3) and the primary display can be covered by a conventional touch sensitive panel.

As shown in FIG. 26, the jukebox device 2600 includes a combination (for example) For example, the main display screen 2602 of the main user interface is displayed under the control of at least one processor built into the jukebox device 2600. Secondary display 2604 (in a particular example embodiment, the secondary display includes an array of LEDs) is also provided on the primary display Above the curtain 2602. In a particular example embodiment, secondary display 2604 can be configured to display FFT-like data, welcome messages, dynamic or static text, and the like. In a particular example embodiment, main display 2602 and/or secondary display 2604 may be fully or partially covered by glass or other touch sensitive substrate 2606. This touch sensitive substrate 2606 can provide interoperability to other static components such as the secondary display 2604. In a particular example embodiment, the primary display 2602 can be the first touchscreen display itself, and can only provide touch sensitivity on the secondary display 2604. Of course, other configurations are possible in different embodiments.

A physical interaction button 2608 can be provided to obtain a user interface The specified action. In certain exemplary embodiments, a lighting element can be placed around button 2608. A decorative "play" or other symbol can be placed on button 2608 to improve its aesthetic appearance.

One or more may be provided around the periphery of the jukebox device 2600 Lighting element 2610. In various embodiments, the one or more lighting elements 2610 can operate as a single element, as a segment, or the like. In certain exemplary embodiments, the one or more lighting elements 2610 can be provided, constructed, and/or controlled to simulate neon lights that are more classic or retro. Although not shown, one or more of the light elements can be placed at the rear of the jukebox device or at the rear of the jukebox device, for example, to provide a "wall wash" or backlight. A frame 2612 can also be provided around the outer periphery of the jukebox device 2600, for example, to give the jukebox device a complete or "seamless" look and feel.

One or more payment acceptors are available. As shown in the example in Figure 26 A credit card acceptor 2614 is provided, as well as first and second bill acceptors 2616 and 2618. In a specific example embodiment, a coin acceptor can be provided, It can be an RF-ID reader.

Common palettes and theme behavior types can be applied to such visuals Some or all of the assets make the visual assets cooperative and attractive, rather than rough and random. For example, the rear-facing lamp (1), the front-facing lamp profile (2), the text or graphics on the LED display (3), and the weighting color (12) appearing in the user interface can all be set. To the same color attribute. This property can then be varied periodically according to the set and by using a range of colors or a sequence of specific colors (defined by RGB, pantone, or other color description methods). The effect of this property can be a highly coordinated visual appearance.

A common instruction code or material can be provided for (for example) in color Color, change periodicity, synchronization rules, etc. synchronize the display elements. It will be appreciated that by replacing the new data set, the overall overall appearance of the device and the user interface presented can be varied without changing either the software or the hardware. This in turn allows the same system to be used in a wide variety of commercial and/or residential establishments, and further provides the ability to adapt the use of logo colors that have established designs and often identify trademarks.

These technologies may also allow for investment in specific lighting and designs. The independent location is tailored to the color, intensity and pace of all lighting, making the lighting suitable for the decoration it creates, thus always benefiting from the manual or automatic coordination of the on-screen user interface that appears to be customizable for this location.

In certain exemplary embodiments, the system can be set to use pre- First plan the palette, but apply this palette to different tempos, for example, the actual beat and/or frequency of the song being played at the moment, or for the location Set the pace. This combination of colors and patterns helps to illuminate the lighting theme of the location.

Customizable collection of images such as "Country" or "City" A collection of images in the collection is enhanced, and such images may have associated relay material that describes the lighting theme.

When the images are presented on the embedded screen of the system or have When coming from the remote screen of the system's content, the illumination follows the image's entry and exit animation. The lighting rhythm can be "about slide show", and the color, illuminance and rhythm of the light that follows the image can be presented based on the relay data associated with each image, for example, in a matrix of printed matter, the illumination can be Enhance or supplement specific colors within the image. This can advantageously help provide the ability to make the visual impact of the image beyond its actual size, for example, by simultaneously projecting complementary colors.

Image rendering and lighting properties in certain exemplary embodiments Coordination can involve the presentation of still or full motion advertisements on a local or remote screen. The trademark color or signature contrast can be temporarily presented, for example, based on the display of the advertisement. The pattern can be overridden based on the defined event. For example, if a music play event occurs, the light pattern on the device can be tempo and color selected to provide accompanying song visualization. In other words, in certain exemplary embodiments, priority may be defined and the advertising coloring effect may be made secondary to music related events, and the like.

In a particular illustrative embodiment, it may be described in terms of a "keyframe" Each coloring pattern. For example, for each channel, there may be multiple keyframes, each of which is opened from the current color by the given relaxation mode to be used The end value definition of the color of the channel calculated from the specific time point. The point in time can be defined using the color value of the process represented by the interval [0, 1]. The relaxation mode translates the time into a mathematical function of the size process factor used when moving from the keyframe to the keyframe.

The following is a definition of a light show in accordance with certain exemplary embodiments. An exemplary instruction code for the pattern. More specifically, the example script below defines a light show pattern having a duration of 10 seconds and operating on the colors of the six channels that make up the lighting wall. For the first channel, the first keyframe changes the color from black to blue in the first 10% of the duration of the pattern. The second keyframe will change the color from blue to green in 10% to 20% of the duration. The third keyframe will change the color from green to red for the next 20% of the duration to 30% of the duration, and the last keyframe will change the color from red to 30% to 40% of the duration. black.

For the second channel, the first keyframe will be at the duration of the pattern From 10% to 20%, the color changes from black to blue. The second keyframe will change the color from blue to green in 20% to 30% of the duration. The third keyframe will change the color from green to red for the next 30% of the duration to 40% of the duration, and the last keyframe will change the color from red to 40% to 50% of the duration. Black, and so on.

27 is an illustrative diagram of visual components on a jukebox device in color matching and synchronization, in accordance with certain exemplary embodiments. In the example of Figure 27, Verizon's advertisement is being shown. In this regard, the LED display shows Verizon and the Verizon logo appears in the main display area. In addition, as part of the main display, the LED display text is red. The wall lighting is also red and the contour sections are white for comparison. The red Verizon theme can be applied during song playback, as shown in Figure 27, in which the song "Boom Boom Pow" of Black Eyed Peas is being played. In certain exemplary embodiments, a custom message may be assigned to the song (for example) to display "Boom Boom Boom!!!" in the LED display when the artist sings the same song. In this case, song specific text can be prioritized. However, the red Verizon theme can be maintained so that the text is displayed in that color pattern.

In a particular example implementation, coloring may be inaccurate between different display elements, even when the same color is specified. For example, an LED in an array can have a particular CRI or other value that affects the color produced, while a primary display can have a second CRI or other value that affects the color produced. The LEDs in the LED array may still differ from the contoured light segments and the like. Wall lighting can be affected by paint on the wall, ambient light, and the like.

In order to provide consistent coloring, the system can specify different colors of the output Color so that the colors look the same to the viewer. In some aspects (eg, for LED arrays, main display areas, and contour lights), the difference can be predetermined. However, it may not be possible to always predict and pre-compensate for location-specific factors that may affect final coloration. In such cases, the camera can be used to help determine the characteristics of the environment. Information from the camera can be analyzed and/or used to adjust the coloring of one or more components such that consistent coloring is possible. In certain exemplary embodiments, a software-based color filter mode may be provided for aiding in collecting data, calculating displacement values (eg, according to a mathematical formula), and providing instructions or color displacement codes for the operating system to indicate Each of the display elements will be considered when the colors will be output.

In a particular exemplary embodiment, a single phonograph device is provided. The The jukebox device can include, for example: at least one display device; a substantially elongated array of one of the LED elements disposed above the at least one display device; a return lamp disposed at a rear portion of the jukebox device and Arranging to produce light behind the jukebox device; a contour lamp disposed about the periphery of the jukebox device; a substantially circular activation switch or button; a non-transitory computer readable storage medium Storing a plurality of media instances usable on or via the jukebox device; and at least one processor configured to provide a user interface and further configured to be based at least in part on an association The lighting event is coordinated by events of the user interface. At least one payment collector may also be provided, with an associated payment mechanism attracting light relatively close to it.

The at least one processor can be independent of the instruction code (eg, based on The XML scripts coordinate the lighting events, and the scripts may include an indication of which lights will be activated, when the lights are activated, and which colors will be displayed.

At least some media instances may have a theme associated with them, The topics may be recognized by the at least one processor such that when played, the at least one processor creates a lighting event in conjunction with the corresponding theme. Similarly, the jukebox device can be assembled to display an advertisement, wherein at least some of the advertisements have a theme associated therewith, and wherein the topics are identifiable by the at least one processor such that when displayed, the at least A processor combines the corresponding topics to create a lighting event.

The array of the at least one display device and the LED element Place a single touch sensitive substrate above the person. The at least one processor can be configured to monitor an input to the touch sensitive substrate and selectively activate LED elements in the array of LED elements in response to detecting touches to the overlying region.

The at least one processor can be assembled to make the color to be produced The value shifts to coordinate illumination events having uniform colors produced by different light sources to account for differences in light produced by the light source and/or in response to the surrounding environment. In a particular exemplary embodiment, the jukebox device can further include a camera. The at least one processor can be assembled to determine environmental conditions using data from the camera.

It can also provide the means to manufacture and / or use these jukebox devices. Method, which is a non-transitory computer readable storage medium that tangibly stores instructions for use of such jukebox devices/providing such user interfaces. In various exemplary embodiments, a jukebox system including, for example, a plurality of jukebox devices may also be provided.

In a particular illustrative embodiment, a phonograph feature can be provided. Lift For example, the phonograph feature can be enabled by linking the song to the lyric command code. These scripts may have lyrics associated with the time in the song, and may optionally include for displaying text in reverse when the song is to be sung, removing the text after the song has been sung, and the song will be sung Introduce animation information such as new text (for example, dynamic text).

In a particular illustrative embodiment, the jukebox can receive live strings flow. For example, in certain exemplary embodiments, the DJ can simultaneously stream music to multiple jukeboxes at multiple locations. Similarly, a DJ in a location can contact the venue's jukebox system and turn some or all of the jukeboxes into a speaker system.

28 is a diagram enabling a user to enable a user in accordance with certain exemplary embodiments An example of a screen capture of a plurality of different features of a combined phonograph/photo booth jukebox. As above, the jukebox 2800 of the example of Figure 28 includes an LED array 2802 (in the description, the array shows the output from an FFT or the like) and a main display 2804 (which may be a touch screen display). The main display 2804 includes a substantial portion of the user interface components that the user interacts with the user interface elements and have a "skin" applied to the artist "Pink", for example, as indicated by the optional skin label 2806. In this example, the skin includes a background image and a predefined coloration of a particular control element of the jukebox. The indication of the name of the venue is shown in area 2808, and in this example is "Karaoke Club 850." The now played songs are displayed in area 2810 along with optional graphical elements for the song, and the number of available credits is displayed in credit metering area 2812. In this example, special The series is displayed in the area along with the text, and 0 credits are available.

If the user wishes to play a song, the user can choose to display Any of the control elements in the fan-like array 2814 that is the general center of the display 2804. Providing control elements for use in conjunction with predefined content types, local favorites (which may be based on actual jukebox usage development at one or more locations, by authorized personnel such as marketing specialists or location owners), new songs, and popular songs ( For example, as determined based on the main category of new media or songs scattered to the venue; based on one or more locations (such as all locations, all locations owned by a particular person); all locations served by a particular operator Browse the songs according to the list of industry maps; etc., according to the definitions on the website and/or by publicly available playlists of registered jukebox customers. The user can also search for songs and/or autonomous categories to search for songs at the local end, for example, using appropriate control elements. The user can switch between the chorus jukebox mode, the normal jukebox mode, and the kiosk mode, for example, by selecting the corresponding control element from the mode array 2816. In certain exemplary embodiments, an advertisement banner 2818 may also be displayed. An example kiosk user interface feature is described in U.S. Patent Application Serial No. 13/621,922, the entire disclosure of which is incorporated herein by reference. In certain exemplary embodiments, the operations in the kiosk mode may be limited to a predefined duration (eg, 2 minutes, 5 minutes, etc.) and/or the number of photo or photo cycles (eg, 3 photos or 3 photo cycles) Etc.), for example, to help avoid situations where the jukebox is controlled and cannot be used directly with normal jukeboxes and/or accompaniment machines.

29 is a diagram enabling a user to enable a user in accordance with certain exemplary embodiments An example of an access screen singer feature is captured. The example screen capture screen of FIG. 29 has some visual appearance similar to the screen capture screen of the example of FIG. 28 and has some of the same indicators. For example, credit meter 2812 and venue label 2808 are provided in FIG. A home page 2902 that returns to the main selection screen (eg, as shown in FIG. 28) is provided as a social network connection 2904. See, for example, U.S. Publication No. 2012/0158531, the entire contents of which is hereby incorporated by reference. A fan-like array 2900 similar to the phonograph related options of the fan-like array 2814 is provided. By selecting the appropriate icon, the user can collect by artist, by song, via a primary search (eg, by viewing a combination of information about the artist name, album name, song name, lyrics, and/or the like) or From the collection of songs to search for phonograph songs. Users can also play karaoke related games. The various sub-modes will be described in more detail below.

30 is a vocal jukebox in accordance with a particular illustrative embodiment The example artist selects the screen. The example screen capture screen of Figure 30 includes a browseable list of songs configured by the artist. The user can select the lyrics button (for example) next to the artist/song list to verify that the song is the expected song. In some instances, this may be desirable because there are many songs with the same or similar names that are actually very difficult to distinguish from each other, and possibly a phonograph performer cannot always pre-select whether the correct song is selected. However, by browsing the lyrics, it is possible that the phonograph performer can verify that the correct song was selected. It is virtually impossible to print a songbook using a convention that does not include lyrics.

The user can move through the list by selecting a number of different control elements. For example, the left arrow 3002a and the right arrow 3002b can be used to make The list advances one page at a time. For example, when the master phonograph song list (which can be selected from the list) includes a number of songs greater than the number of songs that can be displayed on the display, the subset can be organized into pages. Similar to the custom printed album, press the left arrow 3002a and the right arrow 3002b to scroll through a "page" at a time to display more and more songs.

An example page flip action will be shown in conjunction with FIG. Will understand this The animation can look and feel mechanical or automatic to pass to the user: the page is being flipped by the jukebox device itself. When the page is flipped, the list on the front and back sides 3102a and 3102b on the page being flipped may be displayable, and the page 3104 being presented may be displayed and the old page 3106 is overwritten. In a particular example, the page may be transparent, translucent, or opaque as it is being flipped.

The user can also press the page down to achieve a similar action, for example For example, as shown in connection with FIG. Such finger drag movements may be more simplistic and more responsive to the actual movement of the user than the more automatic feel provided by the example of Figure 31, as the person who is flipping a page in a book may have many different ways. Grab a corner and move the corner through the book. Other aspects of the display in FIG. 32 associated with finger drag movement may be similar to those discussed above in connection with FIG. 31, for example, with respect to the text displayed on the front and back of the page being flipped.

Referring again to Figure 30, similar to the above, the cleaner column is available. To advance quickly through the list, for example, by updating the display to directly reflect the beginning of a list of particular input items, by cross-page scanning when the user drags their finger, and the like. Page flip animation can be applied to make (for example) direct selection The letter selection shows that many pages are being flipped, and the cross-page scan reflects the rapid flipping of the corners of the page and/or the rapid flipping of the page. In a particular example embodiment, if the user selects a letter, the display may proceed such that the input item beginning with the letter is at the forefront. For example, this allows the input items that normally do not appear at the beginning of the page to be adjusted accordingly, which is not possible for static books. In other examples, when a letter is selected, the page can be advanced to include a page with the first input item of the letter without formatting the page being adjusted, similar to a regular book.

The sort indicator 3006 is similar to the above combined sort indicator The sort indicator described by 2408. Thus, similar to the above, once a selection is made using, for example, the master phonograph screen shown in Figure 29, the items in the collection can be sorted. As above, three exemplary sorting buttons are provided under the list of songs, where the "A to Z" buttons organize the elements in alphabetical order, the star buttons organize the elements according to the popularity, and the calendar buttons provide time based configuration of the elements (eg , according to the date of issue).

By selecting artist button 3008a, song button 3008b or song Set button 3008c, the user can change the collection and update the display. The user can also switch to the karaoke machine related game by pressing the game button 3010, and can also use the search button 3012 to start the search. Thus, it will be appreciated that the options shown in fan-like array 2900 in Figure 29 can be accessible and selected from at least some of the particular sub-mode displays.

For example, when the user selects a song from the list shown in FIG. The detailed song selection screen can be displayed. 33 is an example screen capture screen of a detailed phonograph song selection screen, in accordance with certain exemplary embodiments. As shown in FIG. 33, the song selection screen 3300 may specify the name of the song and the style to which the song being sung belongs (eg, the name of the performer who performed the original version of the song). The tone of the song and the duration of the song can also be displayed. The user can press a button to initiate a query for the artist to search for other songs, and the resulting list can be displayed in a new window, in an updated version of the master list shown in FIG. 30, or in some other manner. For example, for a number of reasons similar to those provided above, the user may also obtain song lyrics for the song. If the user requests to view the lyrics, the lyrics may be displayed in a dedicated area 3302 having scroll bars or other tools for the user to observe carefully, for example, as shown in FIG. If the user wishes to sing a song, the select song button 3304 can be pressed. If there are not enough credits on the jukebox, the user may be prompted to insert additional payments and the payment may be accepted via any suitable payment institution (eg, coins, credit cards, automatic debits from registered accounts, etc.).

35 is an example karaoke machine in accordance with certain exemplary embodiments. The user recognizes the picture. This screen 3500 can be displayed after pressing the select song button 3304 from FIG. The title column 3502 of the screen 3500 confirms the name of the selected song and the artist who recorded the song style. The title column 3502 also enables the user to see the original pitch used to record the song, and uses the arrows to adjust the pitch used to perform the song (eg, in semitone increments). Therefore, a phonograph performer familiar with "natural tones" can make the jukebox device substantially modulate the background music, support the sound, and/or the like to make the song easier to perform. In a particular exemplary embodiment, the background instrument is not tuned, but the voice is tuned, or vice versa. The use of the natural tones for songs is set out in U.S. Application Serial No. 13/621,922, filed on Sep. 18, 2012. The entire disclosure of this application is hereby incorporated by reference. U.S. Publication No. 2012/0158531, which is hereby incorporated by reference in its entirety in its entirety in its entirety in its entirety in the the the the the the the the

Under the title column 3502 of the screen 3500, the phonograph performer can Identify itself. The example of Figure 35 enables this identification to be done in one of several ways. For non-registered jukebox users, the performer can type "art name" in area 3504, for example, using virtual keyboard 3506 or the like. As another option, the registered jukebox user can log into the jukebox or jukebox system by pressing the login button 3508. Non-registered jukebox users wishing to become registered jukebox users may register, for example, by completing a complete or abbreviated form directly on a jukebox or suitable mobile device. If the registered jukebox user has logged into the jukebox, the user's avatar 3510 can be displayed.

In a particular exemplary embodiment, the jukebox user may The myTouchTunes social network to register. In certain exemplary embodiments, the user may log into the jukebox by having the jukebox communicate with other social networking websites maintained by other companies than the jukebox provider, such as Facebook, Twitter, Google+, and the like. For example, after selecting which social network should be used as the authentication service, the jukebox device can communicate with the external social network via the network and via a suitable interface. In certain exemplary embodiments, a user may be identified by providing credentials to a non-social network service (eg, to an email or website provider (such as Yahoo, MSN, or the like). In certain exemplary embodiments, if the avatar image is not set, if the guest wishes to create may or may not be about a future performance (eg, under For a performance, a night show, a performance such as a weekend during a predefined period of time, etc.), the user can use the camera provided on the jukebox to take a photo that will be used as an avatar image. An example social networking related interface technique is described in, for example, U.S. Application Serial No. 13/621,922, filed on Sep.

The user can place the jukebox by pressing the show button 3512. Add to the chorus. It will be appreciated that the show button 3512 can be similar in some respects to a physical hardware button of a jukebox, thereby providing similarities that link the user's hardware and software interactions, for example, to create a more holistic and unique use. Experience. It will be appreciated that, in general, large physical buttons can be used to perform predefined actions (such as triggering a play, selecting a song for a performance, starting a search based on typing criteria, etc.). In any case, at this point, you can confidently use the point counter to deduct the appropriate number of credits. Once the song is added to the chorus, the example song confirmation screen in Figure 36 can be displayed. In a particular exemplary embodiment, this example screen indicates, for example, the position of the user in the queue, for example, an absolute number (such as first, second, etc.), expected or approximate time (having such as "ready to be on After three minutes, sing "the text, etc." and / or the like. In other cases, the location of the user may not be displayed at all, for example, if the location of the user is far away in the future, such that the user may be obstructed (eg, if the user meets or exceeds a predetermined number in the location in the queue) If the user's performance is expected to occur more in the future than the predetermined number of minutes), tend to cancel the performance, at least temporarily lose interest in the phonograph time.

Users can also add more songs or instructions at this time. Choose the option you have made. In the former case, the example screen of Figure 36 can be closed and the underlying album can be displayed. In the latter case, the user can log out and return the jukebox to the phonograph flight or attraction mode.

37 is an example of displayable in accordance with certain exemplary embodiments. The phonograph attracts the mode screen, and FIG. 38 is another example phonograph attraction mode screen that can be displayed in accordance with certain exemplary embodiments. Such example attraction mode screens may be displayed on the jukebox device and/or on an external device connected to one of the jukebox systems in one location or part of a jukebox system in a location. For example, as will be appreciated from the examples of Figures 37 through 38, the display can be an external monitor that can be remote from the jukebox itself or the like. In certain exemplary embodiments, this may be advantageous, for example, because the jukebox can be placed in a corner or away from most of the "actions" in a bar or other location, while a centrally located display or multiple is easy The display that is seen can present the message to a potentially wider audience.

In certain exemplary embodiments, one or more external displays may be selectively controllable by a chorus jukebox. For example, a conventional television or other program can be provided by the display, for example, until the jukebox enters the phonograph mode. At this point, the jukebox can control some or all of the display to display the accompaniment associated material. Example phonograph related materials may include, for example, the results of the above and/or other attraction loops, lyrics, feedback, phonograph related games (eg, in conjunction with the example phonograph related games and/or other games discussed herein). In addition or in the alternative, the external display may display who is the "next" to the performer or performer's stage name, until the next song or the next The actual or approximate waiting time of several songs will be performed, what will be sung next and/or about the next few songs, the pitch that will be used to sing the song, how long the song is scheduled to last, and so on. It will be appreciated that, in general, everything that can be displayed on the phono jukebox display can also be displayed on one or more external displays controlled by the chorus jukebox.

Although the example of Figure 37 is somewhat general, the example of Figure 38 includes At least some information about the chorus songs. For example, it will be appreciated that the example of FIG. 38 shows the performer of the song and the final performance along with an optional rating of the performance. With regard to optional ratings, particular exemplary embodiments may encourage viewers, friends, KJs, and/or others to provide encouragement, dissuasion, or the like. For example, in certain exemplary embodiments, registered and/or non-registered users may use a suitable set of mobile devices to investigate a location and give praise and/or bad reviews, etc., "like" and/or "no" Like "instructions, selection of pre-set lists and / or specific messages or "props" customized by the sender. The "results" may be displayed during and/or after the performance and, for example, in conjunction with a possible game in which different performers compete for each other for the highest or best rating. The example of Figure 38 also indicates the next song, who will perform, how long before the next performance begins, the pitch of the next song, and the length of the song. For example, some or all of the elements of the chorus song list can be displayed (if any elements are present). Regardless of whether the queue is empty, in certain exemplary embodiments, a message encouraging the user to register for the show may be displayed. In certain exemplary embodiments, the message may be tailored to the situation in which the next song is the last song remaining in the queue of performances.

39 is a display for a performance, in accordance with certain exemplary embodiments. An example of the display of the lyrics is captured on the screen. A subset of the lyrics can be displayed, and the lyrics can be highlighted in reverse when they are sung by the performer. In the example of Figure 39, four lines are shown, and the lines that have been sung are first emphasized (e.g., by ashing) while other lines are highlighted in another color while the other lines are to be sung. In certain exemplary embodiments, the line of songs may be replaced by one line at a time, for example, to make room for future lines of lyrics. In certain exemplary embodiments, the lyrics may be color coded or otherwise selectively emphasized and/or de-emphasized in conjunction with, for example, three different colors. For example, the lyrics in the sung line can be displayed in the first color, and the lyrics being sung can be displayed in reverse in the second color (for example, line by line, so that the entire line is considered to have been sung in it. It has been highlighted before), and the lyrics that will be sung can be provided in the third color. Additionally or alternatively, in certain exemplary embodiments, bold, magnified, and/or the like may be used to emphasize that a concert is being performed and/or will be performed, while blurring, narrowing, and/or the like are available. To emphasize the singer’s trip.

As suggested by the image in Figure 39, a remote control can be provided to control at least some A chorus jukebox functionality. KJ or other authorized personnel can use the remote control to skip songs (for example, if someone does not appear, if the specific choice is not popular, etc.), restart the song (if someone or participant who sings the song is not immediately positioned, caught Bad start, etc.), providing free play or credit, ending songs (for example, if the performer performs particularly badly). The remote control can also be used to adjust the microphone volume for one or more different microphones. For example, the volume level of "microphone B" is shown in FIG. In some cases, a KJ or other authorized person may use a remote control to increase the volume of a particularly good or poor singer for the desired audience effect or the like. In the case of providing multiple microphones, such wheat The volume of the wind can be adjusted as a whole, by group and/or individually. In certain exemplary embodiments, the remote control can also be used to also control the "room volume".

Sometimes there is a pause in the song when the performer does not sing Or the instrument is interrupted. 40 and 41 illustrate how a performer can signal to recognize such interruptions, in accordance with certain exemplary embodiments. In FIG. 40, for example, the indicator 4000 exhibits a short pause. A short pause can be defined as the period during which the performer does not sing for a first predetermined amount of time (eg, converted to seconds, beats, or number of bars, etc.). For example, the quarter note shown in the example of Figure 40 can be moved from left to right (or in some other direction) to show the state of the pause. For example, when the quarter note reaches the bar symbol, the performer knows that it is time to sing again. Long pauses, instrument breaks, and/or the like may be shown, for example, as shown in FIG. A text label that is selectively highlighted by one or more moving graphic elements can be used to signal the length of the delay. For example, the instrument interrupt text itself may be highlighted in accordance with the duration of the pause so that, for example, when the text is all highlighted, the performer will know that it is time to sing again. Additionally or in the alternative, a progress bar or the like can be provided. While the lyrics and/or other information can be displayed on the jukebox itself, the jukebox can still receive input (eg, enabling the user to add money to the queue, add songs to the playlist, etc.). This reception can be facilitated by providing one or more auxiliary displays with lyrics; displaying lyrics in the LED array when the main screen is used for other purposes; dividing or splitting the picture in a certain way to preserve a division for the lyrics / Partition and reserve another partition/partition for the jukebox operation.

42 is a displayable vocal in accordance with certain exemplary embodiments. Screen capture of machine-related music rights information. The example techniques disclosed herein are advantageous because such techniques allow for tracking of rights for all participants involved in a phonograph performance. This tracking is sometimes quite difficult because the rights associated with the phonograph performance may sometimes require the artist or record label, the author, and the original song to cover the phonograph track (and re-record the song in the original artist's style, For example, performers paying for the same or similar tones, having the same or similar tempo, etc.). Many phonograph operators do not comply with reporting and/or royalty requirements, and many of the songs played are unlicensed. On the other hand, certain exemplary embodiments enable playback to be tracked and proper account processing can be performed in conjunction with systems that have been trusted and verified by the industry until fear of "normal" jukebox operations. Therefore, it is also possible to combine the phonograph performances to take advantage of reports, audits, account processing and/or other features that can be used in conjunction with the "normal" jukebox operation.

It will be appreciated that the main phono display and/or external display will Visual cues are provided to KJ or other personnel who mitigate the phonograph event. These clues may explicitly or implicitly suggest that the microphone should be handed to the next performer, the next performer or performer group should be prepared and/or "staged", and the like. In some cases, visual cues can even replace the need for KJ or other moderators.

Referring again to Figure 29, if the search button is selected, the map can be displayed. The example screen shown in 43. In a particular exemplary embodiment, the example phonograph search screen of FIG. 43 enables a user to perform an "all-in-one" search for words, phrases, and/or the like, taking into account performers, songs, lyrics, and /or It is similar. The user may narrow down the search criteria by specifying search criteria such as some or all of these and/or other groups, the specified data range, the topmost content of the recent map, or the like. It will be appreciated that a user interface can be used to perform a search that can be initiated according to Figure 43, which is essentially the same as the search that can be initiated for the normal jukebox operation using the search option shown in Figure 28. This provides consistency in the experience of the different modes by which the jukebox can operate and also makes it easier for the user to learn to use only one system. It will be appreciated that the result of the return can be more limited in the initial phonograph search, since at least the currently known phonograph library is smaller than the "normal" song that can be played in the "normal" jukebox mode (eg, because of the license rights) Separate collections and related account processing that must be performed in some cases).

Referring again to Figure 29, if the song set button is selected, the map can be displayed. The example screen shown in 44. The example screen capture screen of FIG. 44 may include a predefined song collection (such as a floating switch type display for collecting songs of a phonograph song by "crooners" (such as Frank Sinatra, Dean Martin, etc.), a disco song, a pop chorus of a pop vocal machine, and an easy Sing songs, music associated with popular shows or themes, alternative music, "boy band" recording songs, bubble gum pop songs, country classics, etc. Each album may include pre-selected or scheduled selections of songs that match a particular topic. In certain exemplary embodiments, the venue may also create its own collection of songs, and such collections may be shared across locations, for example, in the collection of songs that are designated as public song collections (eg, via myTouchTunes, in a manner similar to a playlist. In the case of sharing). In certain exemplary embodiments, the number of songs in each song episode may be displayed for use prior to making selections from various song collections. Reference. Similar to the above description, FIG. 44 shows that the user is enabled to select and/or initiate a search between different phonon modes. Note that the floating switch type display in Figure 44 is somewhat similar to the display shown in Figure 20b, and in addition provides a level of consistency for the jukebox user experience.

Once you have selected a specific album, you can display the example screen in Figure 45. Take the picture. It will be appreciated that this list is similar to the list shown in Figure 30, and of course provides similar functionality. However, one difference is that the list is limited based on the selected album. Thus, the user knows which collection of songs has been selected, and can provide an indicator 4500 (for example) to include text-based and/or graphical indications of the collection. Again, similar to the above description, Figure 45 shows that the user is enabled to select and/or initiate a search between different phonon modes.

Duet or other multi-voice phonograph songs can make their lyrics Format to translate the differences between the parts. For example, FIG. 46 is an example screen capture showing a separation between a first part and a second part of a chorus duet according to a particular illustrative embodiment. As can be seen from the example of Fig. 46, the picture is divided into male and female voices, which are suitable for the song "Summer Nights". In certain exemplary embodiments, different voices may be interlaced, but highlighted in different colors to visually prompt the correct singer. The lyrics may be highlighted and/or otherwise highlighted and updated in accordance with the techniques described above. This can still be established even when the voices will sing together. In certain exemplary embodiments, fewer lines may be provided for each voice because more lyric lines may need to be displayed on the screen. For example, although four lines of lyrics are shown in the example of Figure 40, in the example of Figure 46, only three lines are shown for each performer. In the example of Figure 46, different voice systems are stacked in another sound. Above, although it will be appreciated that other configurations may be provided in different illustrative embodiments.

It will be understood that the song sub-pattern can be quite similar to the artist's model. The way it works. However, instead of organizing the songs in the song list by artist, the song list will be organized by song title instead. In addition, pagination, clearer columns, and/or other navigational aspects can be initiated in much the same way.

Figure 47 is a companion suitable for use with respect to certain exemplary embodiments. An example of the player game selection screen is the screen capture screen. These games offer new ways to experience the phonograph and/or create opportunities to participate in events that are always different and quite unique. As above, Figure 47 shows that the user is enabled to select and/or initiate a search between different phonon modes. Three games are shown in the example of Figure 47, although such and/or other games may be provided in connection with various illustrative embodiments. The first game called "Dareoke" allows users to pick songs for performances for friends. That is, the user can select a song and pay for the song, and then challenge a friend or other person to actually perform the song. This may involve selecting a song from a list, selecting a registration or other user to "challenge", paying for the song, and then sending a message to the challenged user. The song may be selected in accordance with any of the example techniques disclosed herein. In certain exemplary embodiments, pre-selection of difficult to sing, easy to sing, embarrassing, humorous, and/or other songs may be organized into a list to make song selection easier. The user can select a person to "challenge" by searching for a registered jukebox user, selecting a friend to whom the person is connected via a social media website (such as Facebook or the like), enabling the user to type. Enter the phone number or email address of a person (and send SMS, email messages, or the like to the person) and so on. "Challenge" can be displayed on the jukebox and / or display, sent to the user's mobile device (for example, via SMS, MMS, email, social network messages, tweets, blog posts, message updates, etc.) ), to enable KJ or other authorized personnel to be notified and / or the like. The challenged user can "double challenge" the sender, for example, assuming that the person who initiated the first challenge is known to the jukebox (for example, by a suitable login operation or by providing other identifying information) and is "doubled challenge" to send It is therefore necessary to edge the song originally selected. The message can be delivered to the "Double Challenge" sender in the same and/or different manner as stated above. The performance may occur in conjunction with the techniques set forth above (e.g., in conjunction with Figure 40).

Another example game is called "Duet Roulette" and involves random selection of partners and/or songs to be sung. In certain exemplary embodiments, a list of duets may be maintained and randomly selected from the list. In certain exemplary embodiments, known jukebox users, members of social networking websites that have logged into a location, and/or others may be randomly selected. In certain exemplary embodiments, the user may have to identify themselves as willing to participate in the duet and thereby qualify for the game. The message may be sent to the participant of the performance duet as described above and/or otherwise. The performance may occur in conjunction with the techniques set forth above (e.g., in conjunction with Figure 46).

Another example game is called "Kamikaze Karaoke" and involves random song selection. 48 is an example screen capture showing how to play this game, in accordance with certain exemplary embodiments. In certain exemplary embodiments, it may be randomly derived from a complete list of songs or from the manner discussed above (example) For example, a list of songs arranged in conjunction with a song collection and/or an example Dareoke game selects the first song. If the user wishes to play the song, button 4082 can be pressed. Alternatively, if the user wishes to randomly select another song, the "re-rotate" button 4804 can be pressed. The user can rotate again for a predetermined number of times (eg, three times), and thus randomly select other songs before selection must be made. If the predetermined number is full, the user can be "forced" to perform the last randomly selected song. In a particular illustrative embodiment, "Remaining Rotation Count" may be displayed. In certain exemplary embodiments, the act of re-spinning may remove the selection (from which the selection is re-rotated) from a list of possible songs that may be randomly selected in the next rotation operation, and in certain exemplary embodiments, this shift Except may or may not be visually represented. In other cases, the selection will not be removed from the list (re-rotation from that selection). Once the song is selected or once the remaining spin count drops to zero, the performance can occur in conjunction with the techniques set forth above (eg, in conjunction with FIG. 40).

Figure 49 is a diagram showing an example screen capture of a progressive chorus song string presentation feature of a particular illustrative embodiment. The example screen capture screen of FIG. 49 includes an indication 4902 of the current performance song, which includes the name of the performer and the song being performed. The current performance song indicator 4902 may also have a progress bar associated with it to indicate how long a particular performance is. In the example of Figure 49, the progress bar is included as an increasing shadow or selection re-coloring in the indicator 4902 of the overall rectangle itself.

A return button 4904 enables the user to view a list of songs and/or performers who have recently performed. If the score or rating is associated with a performance, the information may also be visible (eg, the autonomous display itself, or once The indicator should be selected for the performance (requires additional information about the performance).

One or more next song indicators 4906a may also be displayed to 4906b. Each subsequent song indicator 4906 can indicate an approximate wait time for the singer, song, and/or song. In certain exemplary embodiments, precise time may be provided, while other exemplary embodiments may provide estimates (eg, rounded up or down to the nearest minute, always rounded to the nearest minute, etc.). The estimate may be provided in minutes or in some other incremental level (such as at 15 seconds, 30 seconds, or other intervals). In certain exemplary embodiments, the estimate may be 30 seconds (for songs expected to be performed after 5 minutes), in minutes (for songs expected to be performed after 5 to 15 minutes), in 3 minutes. (for songs that will be performed after 15 to 30 minutes) and/or the like. These estimates may be considered to introduce and/or extract audio and/or video segments. In certain exemplary embodiments, a small amount of intro and outro audiovisual information may be provided, for example, in conjunction with a custom music programming (CMP) channel. The CMP channel can characterize the high energy playlist to play a song or clip before and/or after the performance. This can help to animate the vibrancy or other desired atmosphere in the location of the jukebox, providing a more natural transition between performers (even in the absence of KJ or other moderators). In certain exemplary embodiments, multiple CMP channels may be provided, for example, for different topics. The topics may be specified by location, and for example, a country bar may have a first channel, a cyclist bar may have a second channel, and the like. In certain exemplary embodiments, the CMP channel can be general. In certain exemplary embodiments, CMP clips may be selected based on songs that have just been performed and/or are about to be performed, for example, such that a clip with the appropriate "feel" is ready for the viewer to switch. Specific exemplification In an embodiment, the preamble and/or the lingo clip may last for about 45 seconds or some other longer or shorter duration, and in different exemplary embodiments, the duration may be consistent or variable across different clips.

The number of next song indicator 4906 to be displayed on the screen Can be fixed or set by the operator, KJ or other authorized personnel. In certain exemplary embodiments, the ability to view the queue in whole or in part may be an added feature reserved for a particular user (eg, a registered jukebox user, a jukebox user logged in via a social network type account, etc.) . Additionally or in the alternative, in certain exemplary embodiments, the ability to view the queues in whole or in part may be provided after payment of additional money. In some cases, viewing more of the queue can cost more.

Figure 50 is a diagram showing an authorized person in accordance with a particular illustrative embodiment How to edit the example screen capture screen of the chorus jukebox. In certain exemplary embodiments, the queues can be displayed along with the summary information. This summary information may include, for example, the number of performers after the current performer, the time taken, when the queue is expected to run out of input items, and the like. In certain exemplary embodiments, the queue list may include the name of the performer, the song to be performed, the digital input item corresponding to the placement in the queue, the avatar associated with the performer (if present), and/or It is similar. In certain exemplary embodiments, an authorized user may drag and drop items and/or use another mechanism to record input items in a queue, indicate whether the song should be completely removed from the queue, and the like. The example screen capture screen of Figure 50 can be accessed via the jukebox itself, remotely accessed by a suitable set of devices that have been logged into the jukebox system with appropriate credentials, and the like. In certain exemplary embodiments, the queue can be locked, for example, such that the queue cannot be edited And / or increase. In some cases, this can help ensure that all songs are played all of a certain time period, and therefore, if the performers have paid for the song, but can't play the song (eg, if the performer is closed because of the location, because of the If the phonograph time is over and you have to leave the location, then the performer may not fail.

Figure 51 is a diagram illustrating vocal singing according to a particular illustrative embodiment A block diagram of an example component of a machine system. Figure 51 shows a suitably assembled jukebox 5100 (in a particular exemplary embodiment, the jukebox can be a computer or computer-like system having a plurality of input and output ports, for example, having at least one processor, a memory and Non-transitory computer readable storage media). For example, the main I/O board of the jukebox 5100 can include video, light performance, audio input and output, floor lighting, and/or external sources. In the example of FIG. 51, the jukebox 5100 is connected to the wireless microphone receiver 5102 and the wireless router 5104. The wireless router 5104 can provide a connection to the Internet and to a Video Interface Module (VIM) 5106. The VIM 5106 in turn includes video (e.g., HDMI, components, etc.) and/or CAT5 connections to one or more of the displays 5108 in a location and thus provides a connection between the jukebox 5100 and the one or more displays 5108. In a particular exemplary embodiment, the VIM 5106 can be a separate hardware component from the jukebox 5100, while in other exemplary embodiments, the VIM 5106 can be integrated into the jukebox housing and/or the main I of the jukebox 5100. Part of the /O board. In certain exemplary embodiments, the VIM 5106 can act as a sort of relay, but as indicated above, the VIM 5106 can be on the one or more displays 5108 in response to appropriate control signals from the jukebox 5100. Cut into "normal programs." Please note that in In certain exemplary embodiments, the output from VIM 5106 may be split (eg, using a splitter, etc.) to provide the same display and/or control signals to a plurality of different displays. As indicated above, a camera (eg, a 720p camera or the like), a touch screen (eg, based on a 26 or other sized display), an LED array, an LED illuminator, etc., can be provided. It will be appreciated that, for example, the display and/or lighting elements can be activated independently of each other. For example, the illuminator elements can be set to display randomly, etc., programmatically to match content that appears on the display, and the like.

With fewer components, the phonograph setup can be quite easy.

It will be appreciated that the jukebox can be at least partially operated in the phono mode. The ground is controlled by the mobile device. In this case, the mobile application of the type described in 2012/0158531 can be extended, for example, to enable the user to search for and select a karaoke song to be performed, pay for a phonograph performance, and the like. The search and/or browsing features provided may be a simplified version of the search and/or browsing features disclosed herein. For example, the user may organize the vocal set by artist, song, pre-defined collection, etc., and/or may initiate a search across all performers, songs, albums, lyrics, and/or the like. If a user registers to a particular location or selects a particular location, the user can use the mobile application to search for music available via the relevant jukebox, for example, by accessing the self-song jukebox device itself. Search for the list of phonograph songs. In a similar situation, the user can also view how many credits they have, view the lyrics, determine the pitch used for the song, etc., and generally obtain the same information as the information stated above. The mobile device can also be synchronized with a particular performance such that the lyrics appear on the mobile device itself, thereby generating The jukebox at least partially controls the feel of the mobile device. This may be advantageous because the mobile device may essentially serve as an additional auxiliary display device for lyric presentation, attraction mode, and the like.

In addition to searching for songs, users can also search for vocal skills. The ability to make a jukebox. For example, this may include searching for a scheduled phonograph night, a location where the "on-demand" phonograph feature is enabled, and the like. To facilitate the search, the operator, location owner, and/or other personnel may access a website or use the functionality provided to the jukebox to specify the chorus schedule for the jukebox and/or indicate whether the phonograph is available on demand. The website may know which places are involved by virtue of the credentials of the person borrowing the login, the unique identifier associated with the jukebox used to access the website, the location information specifically provided by the authorized person, and the like. In certain exemplary embodiments, the phonograph schedule information may be maintained locally (e.g., on a jukebox, local computer, or the like) and distributed to the central server after "approval" or other operations. Once the schedule information is provided to a central server or other accessible data store, the application can search for a central server or other accessible data store, for example, in conjunction with user-defined and/or (via GPS, Radio triangulation and/or other techniques) geographic restrictions, time/date restrictions, subject restrictions, and/or the like collected from the user's device.

Mobile app users can register to a location, this action can The user's device is synchronized to the jukebox. This may be made possible by the use of a mobile application to record some or all of the performance of the phonograph, for example, as disclosed in U.S. Application Serial No. 13/621,922, filed on Sep.

It will be understood that the flow chart and usage presented above are Provided by way of example and not limitation. Other flowcharts and usage scenarios are possible in conjunction with various exemplary embodiments of the present invention.

Relay information and/or tags associated with songs may be business services Services, provided by a jukebox system, users, and/or some combination of such and/or other providers. Some of this information can be automatically determined (eg, via Fourier analysis and/or other transformations). For example, the relay material and/or the tag may represent information including, for example, the artist name, album name, song name, content type/style (in some examples, it may be hierarchical), Billboard Location (when applicable), release year, popularity based on webcast information, lyrics, rhythm, beats per minute (BPM), atmosphere, instrumental characteristics (eg, harsh electric guitar, buzzer drum, plucked guitar, etc.) ), sound characteristics (eg, aggressive highlights, screams, etc.), intensity characteristics (eg, high energy, medium, laid back, etc.), sound quality (eg, bright, dark, rich, etc.), and/or It is similar. Possible suppliers of this and/or other information include, for example, AMG, BMAT, DoubleV3, EchoNest MixZing, Gracenote, Mufin MusicIP, Music Box, Music Genome Project, and Syntonetic.

Specific exemplary embodiments relate to being able to communicate with a network An entertainment center of one of the computers, wherein the computer is further coupled to at least one display via a standard analog, digital or network addressable display, the computer being operative to be coupled to one of the networks in communication with the computer One of the remote devices interacts, the remote device is operable to accept a code and transmit the code to the computer, and wherein the computer can verify the code relative to a database or relative to an algorithm Validity and positive verification Thereafter, the computer is configured to assign a currency value or a credit value to the remote device. The remote device is operable to view content contained on the computer, and the remote device is further operable to select the content and to use the currency or the credit value to pay for the content, the computer operable to be at the remote end The device reduces the currency or the credit value after making a selection. Alternatively or additionally, the code can be sent to the remote device and typed on the computer.

Specific exemplary embodiments relate to at least one internet based network The road communication system and/or a social network website is coupled to and coupled to at least one remote device, an outdoor entertainment center connected to the network through a wired or wireless local area network or via the Internet. The off-campus entertainment center, wherein the use of some of the entertainment center services provided by the remote device causes the entertainment center to send a message to the at least one internet-based messaging system. Connecting the system via the internet may require the user to enter a code into the remote device that uniquely identifies the entertainment center.

Some of the handheld devices referenced herein may be, for example, A hand-held device as described in the application Serial No. 11/902,790, the entire contents of which is incorporated herein by reference.

The use of the invention should not be construed as limiting the invention to a particular Specific terms for embodiments, hardware components and assemblies, software combinations, and the like. For example, many features and examples have been described in terms of their presence in bars, pubs, or other environments. However, it will be appreciated that features present in an exemplary embodiment of the invention are adaptable for use in any location where a single player (or multiple jukeboxes) can be located. Similarly, although specific features and functions refer to "users", "owners", "operators", "customers", etc. The description is used, but it will be understood that these terms are generic and, in most cases, are used interchangeably depending on the selected embodiment and the features employed. For example, while it may be advantageous to limit the initial song selection to the owner and/or operator, in certain exemplary embodiments, the customer may play a role in the initial song selection. It will be appreciated that the term "display" includes, for example, a monitor that is directly or remotely connected to a computer, or an embedded IC such as IP TV technology. The display can be network addressable. Also, the standard digit sign (LED based) can also be considered a display and/or can be provided as a network addressable display.

Although specific exemplary embodiments have been described in connection with off-site locations As noted, it will be appreciated that the techniques described herein can be adapted for use in a home or personal jukebox.

Further, the disclosure merely indicates that one of the embodiments can be used to construct Specific hardware combinations and combinations of methods. In some exemplary embodiments, the central server may act together or separately to coherently provide one or more servers that enable the full range of services required by the work order phono. For example, a cluster of servers may include a virtual central server, with one server providing media, another server tracking members, yet another server processing authorizations, and the like.

Similarly, the native server described in this article can be incorporated into the point In the record player. For example, the local servers may appear to be activated independently, even if the native servers exist as part of an integrated mass storage device (eg, a partition) within the jukebox. In fact, as hard disks become larger and less expensive, such hard disks may preferably provide the functionality of a native server.

Also, although the term "song" is sometimes used in the above description, This term is not intended to be limited to the scope of the present invention, and any media instance or multiple media instances (eg, songs, video, song/video combinations, materials, information, etc.) may be used in any embodiment herein and still be Within the scope of the intended invention.

Finally, it will be appreciated that the screen captures and software configurations presented herein are merely illustrative methods for organizing and displaying the features disclosed herein. Other combinations are possible and are therefore considered herein.

Although the preferred embodiment of the invention has been described and illustrated herein, it will be apparent to those skilled in the art Therefore, the specific description herein is intended to be illustrative only, and is not intended to limit the invention.

10'‧‧‧Modified jukebox system

12‧‧‧Central Server

14‧‧‧Communication network

16, 16a, 16b, 16c, 16d, 16e, 16f‧‧‧ remote jukebox device

18‧‧‧Screen/Monitor

20‧‧‧Audio System/Audio Configuration

22, 22a, 22b, 22c, 22d, 22e, 22f‧‧‧ local server

Claims (20)

A jukebox device comprising: processing resources including at least one processor and a memory; a touch screen display device; a payment acceptor; and a storage device including for playing via the jukebox device a media instance; wherein the processing resources, the touch screen display device, and the payment acceptor cooperate with each other to cause the jukebox device to be activated in at least a first and second different modes, wherein the first mode is assembled Enabling a first partial subset of one of the media instances to play a normal jukebox mode of operation by pay-per-view, and wherein the second mode is configured to enable a second subset of the one of the media instances to be pressed Playing a pay-to-play one of the chorus jukebox operation modes, the first partial subset and the second partial subset are different from each other, and wherein, as part of the second mode, the touch screen display device presents each similarly One of the pages of one of the pages lists one of the screens of at least a portion of the media instances in the second subset of the media instances A set, each of which comprises up to page corresponding to the pre-set portion of the molecule of the second portion of the media instance defining a maximum number of input items, and each The input item indicates a song name and an artist associated with the corresponding media instance selectable to be played via the jukebox device, and wherein the first set of frames each includes for reorganizing and viewing the book One of the control elements is collectively assembled. The jukebox device of claim 1, wherein: the common set of control elements comprises selectively enabling a previous page button and a next page button while allowing a user to navigate the book, and actuating the buttons An animation is displayed relative to the book to simulate a coherent and mechanical page flip operation and correspondingly display an input item for a new page. The jukebox device of claim 2, wherein: the touchscreen display device is configured to receive user input at or near a corner of the book; and the processing information is assembled to be based on the received user input And creating a custom animation that simulates a page flip in a manner that substantially tracks the received user input across the book relative to the book, and correspondingly displays an input item for a new page. The jukebox device of claim 3, wherein the animation simulating the coherent and mechanical page flip operation and the custom animation simulating the page flipping in a manner substantially tracking the received user input temporarily display each of the flip pages Part of the input item on the side. A jukebox device as claimed in claim 1, wherein: the first set of pictures comprises a book organized for a performer A first picture and a second picture of a book organized for a song, and the common set of control elements includes elements for switching between the first picture and the second picture. The jukebox device of claim 5, wherein the books associated with the first picture and the second picture each comprise an input item of all media instances in the second subset of media instances. The jukebox device of claim 6, wherein the first set of pictures comprises a third picture for displaying a set of songs, the set of songs comprising only some of the media instances of the second subset of media instances The input item for the instance. The jukebox device of claim 6, further comprising a album selection screen comprising a representation of a plurality of albums, each of the albums comprising only one of the media instances in the subset of the second portion of the media instance Input items for some instances. The jukebox device of claim 8, wherein each of the albums comprises one of the media instances in the second subset of media instances pre-selecting the input items of the list, each pre-selected list and one of the respective selected song sets The topic is associated. A jukebox device as claimed in claim 8, wherein the album selection screen comprises at least some of the control elements from the set of common control elements. A jukebox device as claimed in claim 10, wherein the control elements included in the album selection screen from the set of common control elements comprise The elements for switching between the first picture and the second picture, and the common set of control elements includes means for switching to one of the album selection screens. The jukebox device of claim 11, wherein the first set of pictures comprises a third picture for displaying one of the song sets selected from the set of music selection screens. The jukebox device of claim 1, wherein: the common set of control elements comprises a substantially linear configuration of one of the selectable alphanumeric characters, and one of the alphanumeric characters is selected via the touchscreen display device The page of the song set is advanced such that one of the first input items beginning with the selected alphanumeric character appears relative to the book. The jukebox device of claim 1, wherein, as part of the second mode, the touch screen display device is assembled to display a performer identifier screen, the performer identifier screen accepting that a media instance has been selected One of the users of a phonograph type performance recognizes the name. The jukebox device of claim 14, wherein the identification name of the user who has selected the media instance for the phonograph type performance is specified in conjunction with a virtual keyboard on the touchscreen display device. The jukebox device of claim 14, wherein if a user logs into the jukebox device, the identification name of the user who has selected the media instance for the phonograph type performance is automatically determined. The jukebox device of claim 14, wherein if a user provides a valid credential for identifying the social networking website, the media instance has been selected for The identification name of the user of the phonograph type performance is automatically determined. The jukebox device of claim 14, wherein if a user logs into the jukebox device and/or provides a valid credential for the identified social networking website, the media instance has been selected for the user of the phonograph type performance The identification name is automatically determined. A jukebox device of claim 1, wherein the avatar is displayed on the jukebox device and/or connected to the phonograph performance performed by a user who has provided the corresponding image and has successfully identified itself to the jukebox device One of the player devices is on the external display. The jukebox device of claim 19, wherein the avatar image is captured from a social networking website and/or captured using a camera connected to the jukebox device.