KR20210109829A - Recording Medium - Google Patents

Abstract

Presented is a recording medium in which a program for providing an additional service based on choreography content is recorded, wherein optimal choreography content among choreography created by choreographers is matched for each part (section) in sound source content that is the target of choreography creation, and various additional services can be provided on the basis of the choreography content generated depending on the matched content. The presented recording medium in which the program is recorded comprises: a function of transmitting a sound source (that is, a sound source segmented into multiple parts) that is the target of choreography creation to terminals of all registered choreographers; a function of inserting a watermark into an uploaded choreography video for each part when choreographers create choreography for a desired part in a sound source that is the target of choreography creation and has been received in the choreographers' terminals and upload the corresponding choreography video; a function of storing, in a database, a sound source that is the target of choreography creation, and at least one choreography video (that is, a video with a watermark inserted) for each part of the sound source; a function of transmitting at least one choreography video (that is, a video with a watermark inserted) for each part of a sound source that is the target of choreography creation to a terminal of a corresponding content producer; a function of transmitting, to a server, information corresponding to desired choreography video selection when a producer selects a desired choreography video for each part in a sound source; a function of storing, in a database, information (that is, selection information) of selecting at least one desired choreography video for each part of a sound source that is the target of choreography creation in a database; a function of generating choreography matching data corresponding to a sound source that is the target of corresponding choreography creation on the basis of selection information; and a function of storing choreography matching data in a database and providing a choreography content service on the basis of the choreography matching data.

Description

Recording Medium

The present invention relates to a recording medium recording a program for providing additional services based on choreography, and more particularly, to a recording medium recording a program for providing various additional services based on choreography contents corresponding to sound source contents.

In order for a culture to be born, a creative flow should be the foundation, and it is desirable that appropriate rewards and rewards for creation should follow in order for creative content to be continuously created and developed.

To this end, the right to protect cultural content and to recognize it as a creative work should be granted to creators. Here, the personal and property rights of the author to exclusively use his or her work or to permit it to others are called copyright. Copyright is a right that guarantees the exclusive and exclusive use of works of art such as literature and films, and it is also the right to prevent the publication of the copyright holder's work or the arbitrary use of the work through reproduction.

Currently, copyrights in the broadcasting and music fields are well-established with related organizations and legal systems, so creators in those fields are adequately compensated for their creations, and when a new creation is created, related costs are paid.

On the other hand, choreographers or groups create appropriate choreography according to the music and receive related expenses. After that, the concept of copyright becomes ambiguous. Composers, lyricists, and singers related to music copyright receive royalties that are accrued in the future based on the number of broadcast appearances and music video views. is a problem of

In other words, in the recent case, choreographers have played a big role in promoting music sources through choreography in line with the visual era.

Prior Art 1: Republic of Korea Patent Publication No. 10-2018-0065955 (A device and method for implementing motion synchronization and mutual interference in a choreography copyright system) Prior Art 2: Republic of Korea Patent Registration No. 10-2013577 (Apparatus and Method for Supporting Choreography Concept) Prior Art 3: Republic of Korea Patent Publication No. 10-2015-0008345 (Online Dance Lecture System) Prior art 4: Republic of Korea Patent Registration No. 10-0762585 (Rhythm-based music synchronization device and method) Prior Art 5: Republic of Korea Patent Publication No. 10-2006-0018920 (Method and Apparatus for Dance Teaching Using Mobile Device) Prior Art 6: Republic of Korea Patent Registration No. 10-1729195 (query motion-based choreography search system and method)

The present invention has been proposed to solve the above-mentioned problems of the prior art, and the optimal choreography content is matched among the choreography created by choreographers for each part (by section) in the sound source content that is the target of choreography, and the choreography content generated based on this is matched. The purpose of the present invention is to provide a recording medium on which a program for providing additional services based on choreography content can be provided based on various additional services.

In order to achieve the above object, a recording medium recording a program for providing additional services based on choreography content according to a preferred embodiment of the present invention is registered as a member of a sound source that is a choreography production target (that is, a sound source segmented into multiple parts). the ability to transmit to terminals of all choreographers; a function of inserting a watermark into the uploaded choreography video for each part when the choreographers create a choreography for a desired part in a sound source that is a choreography production target received in their terminal and upload a corresponding choreography video; a function of storing, in a database, a sound source to be choreographed and at least one choreography video for each part of the sound source (ie, a video with a watermark inserted); a function of transmitting one or more choreography videos for each part of a sound source to be produced (that is, a video with a watermark inserted) to a terminal of a corresponding content producer; When the producer selects a desired choreography video for each part in the sound source, information corresponding to the desired choreography video selection is transmitted to the server; a function of storing information (ie, selection information) of selecting one or more desired choreography videos for each part of a sound source that is a choreography production target in a database; a function of generating choreography matching data corresponding to a sound source that is a target of a corresponding choreography based on the selection information; and a function of providing a choreography content service based on the choreography matching data after storing the choreography matching data in a database.

According to the present invention having such a configuration, choreography content is generated based on choreography matching data based on one choreography selected from among choreography created and uploaded by choreographers for each part (by section) in the sound source that is the target of choreography, and choreography Based on the content, it is possible to distribute the revenue to the choreographer according to the choreography video inquiry service and the number of views of the choreography video.

In addition, choreography content is created based on choreography matching data based on one choreography selected from among the choreography created and uploaded by choreographers for each part (by section) in the sound source that is the target of choreography, and choreography based on the choreography content If there is a production request, we can recommend an appropriate choreographer.

In addition, choreography content is created based on choreography matching data based on one choreography selected from among the choreography created and uploaded by choreographers for each part (by section) in the sound source that is the target of choreography, and based on the choreography content, online You can give dance lessons on the floor.

1 is a block diagram of a system to which an apparatus for providing additional services based on choreography content according to an embodiment of the present invention is applied.
FIG. 2 is an internal configuration diagram of the server shown in FIG. 1 .
3 is a flowchart for explaining a process of generating choreography matching data and servicing choreography content generated based on choreography matching data in an embodiment of the present invention.
4 and 5 are examples of screens employed in the description of FIG. 3 .
6 to 9 are examples of screens employed to explain the operation of an apparatus for providing additional services based on choreography content according to an embodiment of the present invention.

Since the present invention can have various changes and can have various embodiments, specific embodiments are illustrated in the drawings and described in detail.

However, this is not intended to limit the present invention to specific embodiments, and it should be understood to include all modifications, equivalents and substitutes included in the spirit and scope of the present invention.

The terms used in the present application are only used to describe specific embodiments, and are not intended to limit the present invention. The singular expression includes the plural expression unless the context clearly dictates otherwise. In the present application, terms such as “comprise” or “have” are intended to designate that a feature, number, step, operation, component, part, or combination thereof described in the specification exists, but one or more other features It should be understood that this does not preclude the existence or addition of numbers, steps, operations, components, parts, or combinations thereof.

Unless defined otherwise, all terms used herein, including technical and scientific terms, have the same meaning as commonly understood by one of ordinary skill in the art to which this invention belongs. Terms such as those defined in a commonly used dictionary should be interpreted as having a meaning consistent with the meaning in the context of the related art, and should not be interpreted in an ideal or excessively formal meaning unless explicitly defined in the present application. does not

Hereinafter, preferred embodiments of the present invention will be described in more detail with reference to the accompanying drawings. In describing the present invention, in order to facilitate the overall understanding, the same reference numerals are used for the same components in the drawings, and duplicate descriptions of the same components are omitted.

1 is a block diagram of a system to which an apparatus for providing additional services based on choreography content according to an embodiment of the present invention is applied.

The system of FIG. 1 includes a producer terminal 10 , a choreographer terminal 20 , a network 30 , a database 40 , a server 50 , and a viewer terminal 70 .

The producer terminal 10 is a terminal of a content producer, and may upload a sound source for choreography production to the server 50 through the network 30 . Here, the sound source that is the target of choreography means the pure sound source itself without the choreography.

And, when the producer terminal 10 uploads a sound source that is a target for choreography, it requests that a choreography be produced suitable for the sound source.

Also, the sound source, the target of choreography, would have been segmented into several parts (sections). For example, a sound source to be choreographed may be segmented into unit sound source parts such as an introductory part, a chorus part, and a main part. As another example, the sound source to be choreographed may be segmented into unit sound source parts of approximately 4 to 20 seconds. Here, the sound source segment into several unit sound source parts may be performed by the content creator.

When the producer terminal 10 uploads a sound source, which is a choreography production target, to the server 50, a brief description (eg, atmosphere, birth background, etc.) of the sound source may be sent together. This is to help choreographers create choreography in the future.

On the other hand, the producer terminal 10 may make a choreographer recommendation request to the server 50 through the network 30 . When a choreographer recommendation request is made, the producer terminal 10 may send a sound source requiring a choreographer recommendation and simple information (eg, atmosphere, birth background, etc.) about it to the server 50 together. Here, the sound source at the time of the choreographer recommendation request may be segmented into predetermined unit sound source parts as described above.

In FIG. 1, only one manufacturer's terminal 10 is shown, but it should be understood that there are actually several manufacturer's terminals.

Also, the producer terminal 10 may transmit information on selecting a desired choreography video to the server 50 . That is, when a sound source that is a choreography production target is uploaded to the server 50 , the server 50 transmits the sound source to the terminals 20 of all choreographers registered as members. Thereafter, after checking the received sound source, the choreographers create a choreography for a desired part in the sound source and upload the corresponding choreography video to the server 50 . Then, the server 50 transmits one or more choreography videos for each sound source part received to the corresponding producer terminal 10 . Accordingly, the producer of the corresponding producer terminal 10 selects one or more choreography videos that are considered most optimal for each part. In this way, it is possible to determine the choreography for all parts of the sound source. When the producer's selection of choreography for each part in the sound source is completed, selection information for each part corresponding thereto is transmitted to the server 50 through the network 30 .

The choreographer terminal 20 may access the server 50 through the network 30 and register as a member. For example, when registering as a member, the profile information of the choreographer, ID or tag, password, and the choreography genre that can be created are registered. Here, the profile information may include a name, resident registration number, major career details, and the like.

The choreographer terminal 20 may receive a sound source that is a target for choreography, create a choreography video for a desired part in the sound source, and upload it to the server 50 . That is, since a web camera (not shown) is installed in the choreographer terminal 20 , a video of the choreographer's choreography can be uploaded to the server 50 . In this case, the choreographer terminal 20 may upload the information of the choreographer who created the choreography video together with the choreography video in the form of a tag such as a hashtag.

In order to create the choreography, the choreographer plays and listens to the desired part among all the parts of the sound source and dances the appropriate dance. In this case, a predetermined waiting time is displayed on the choreographer terminal 20 before dancing, and when the waiting time is over, the choreographer may dance.

Although only one choreographer terminal 20 is shown in FIG. 1, it can be understood that there are actually several choreographer terminals.

The network 30 may be implemented as a wired network such as, for example, a local area network (LAN), a wide area network (WAN), or a value added network (VAN). In addition, the network 30 is a mobile communication network (mobile radio communication network), satellite communication network, Bluetooth (Bluetooth), Wibro (Wireless Broadband Internet), HSDPA (High Speed Downlink Packet Access), Wi-Fi (Wi-Fi), LTE (Long) Term Evolution) may be implemented in all types of wireless networks. If necessary, the network 30 may be a network in which wired and wireless are mixed.

The database 40 stores member registration information.

The database 40 may store a sound source to be choreographed and one or more choreography videos uploaded for each part of the sound source.

In addition, the database 40 may store selection information from the producer terminal 10 (that is, information indicating which choreography video is selected for each part of a sound source that is a choreography production target).

Also, the database 40 stores choreography matching data. Here, the choreography matching data includes analysis information of the sound source that is the subject of the choreography (eg, genre and characteristic analysis information), choreographer identification information for each part in the sound source, and part information in the sound source (eg, choreography video identification information of the corresponding part, etc.) ), and time section information (eg, time section information occupied by each part in the sound source), and the like.

Meanwhile, the database 40 stores a plurality of streaming images for dance lectures. Here, a plurality of streaming videos for dance lectures can be said to be choreography content, and each streaming video for dance lectures includes a dance instructor name (ie, a choreographer name), part information of a sound source associated with the video, and time section information, etc. will contain

Since the server 50 can generate choreography content (ie, choreography content in which one or more choreography videos for each part of the sound source exist for one sound source) based on the choreography matching data, the generated choreography content is stored in the database ( 40) may be stored.

The viewer terminal 70 may request a choreography inquiry to the server 50 through the network 30 . When applying for a choreography inquiry, the viewer terminal 70 may input the name of the song and the singer of the sound source in which the choreography to be inquired is choreographed. If necessary, the viewer terminal 70 may additionally input information (eg, a choreographer's name or tag) of a choreography video to be inquired when applying for a choreography inquiry.

Also, the viewer terminal 70 may request a dance lecture to the server 50 through the network 30 . When requesting a dance lecture, the viewer terminal 70 may input a desired dance instructor name and/or a song name together.

Meanwhile, when the viewer terminal 70 requests a dance lecture, it receives a streaming image for a dance lecture from the server 50 . In this case, the viewer terminal 70 may not only repeat a section on the received streaming video for a dance lecture, but also perform a special slow motion in units of 0.1 seconds, which is captured at a high concentration in a frame of approximately 60 seconds. In addition, the viewer terminal 70 may be provided with a web camera and the like to perform a function of one-click feedback of a dance image of a corresponding viewer (ie, a dance participant). Meanwhile, the viewer terminal 70 may send a feedback screen view (eg, video/audio/text feedback is possible for each video scene) from the viewpoint of the dance instructor in response to the view of uploading the feedback image of the dance learner.

A viewer who operates the viewer terminal 70 may be a public person, a singer, a dance influencer, or the like.

The server 50 stores the member-registered choreographer information in the database 40 and transmits the sound source to be choreographed from the producer terminal 10 to the terminals 20 of all choreographers registered as members. Here, when transmitting the sound source, which is the target of choreography, to the terminals 20 of all choreographers registered as members, the server 50 sends a request to create a choreography for a desired part among the parts in the sound source and upload a video together. .

As the choreographers create choreography for a desired part in the sound source that is the target of choreography and upload the corresponding choreography video to the server 50, the server 50 inserts a watermark into the uploaded choreography video for each part. . For example, if it is assumed that the sound source for choreography production consists of three parts and two choreography videos are uploaded for each part, the server 50 can visually recognize the choreography video to protect the choreography copyright. Insert an absent watermark. In this case, the watermark may include information indicating which choreographer's choreography video for each choreography video. Here, it is believed that a person in the same industry can fully understand the method of inserting a watermark with a well-known technique. If a visually recognizable watermark is inserted, the embedded watermark can be removed using an image processing program, so it is preferable to insert a visually unrecognizable watermark.

Then, the server 50 stores the sound source to be choreographed and the choreography video (including watermark) for each part of the sound source in the database 40 .

In addition, the server 50 transmits a choreography video (including a watermark) for each part of the sound source to be choreographed to the producer terminal 10 .

In addition, the server 50 stores information (ie, selection information) according to the content producer selecting one or more desired choreography videos for each part in the database 40 . Then, the server 50 generates choreography matching data corresponding to the sound source that is the corresponding choreography production target based on the selection information and stores it in the database 40 .

In addition, the server 50 provides a choreography content service based on the choreography matching data stored in the database 40 . Here, the provision of choreography content service means that when one choreography video is selected for each part in the sound source that is the target of choreography, choreography content based on the choreography matching data for the sound source generated based on this is sent to the content creator. can In addition, the provision of choreography content service may mean uploading choreography content based on choreography matching data to TikTok, Instagram, YouTube, etc., or selectively providing choreography content for sound sources requested by viewers. have. Of course, if a viewer uploads a video of his dance that he followed after watching the choreography content to the server 50, uploading it to TikTok, Instagram, YouTube, etc. can also be said to be a choreography content service provision.

As described above, the choreography content service is other than a service that provides choreography content based on choreography matching data for sound sources, combined content creation service based on choreography matching data and sound sources, and dance influencers using choreography matching data and music of choreography content creation service, choreography matching data and learning service based on sound source data, database management and copyright revenue distribution service including learning service based on choreography matching data and sound source data, and lecture content production service based on choreography matching data and sound source data and the like. Here, the combined content may mean combining one optimal choreography video (that is, choreography content) for each part in the sound source (that is, sound source content) that is the target of choreography.

In particular, the server 50 based on the above-described choreography content (which may be more specifically choreography matching data), according to various requests from the viewer terminal 70, corresponding additional services (eg, choreography inquiry service, dance lessons, etc.)

Meanwhile, the server 50 may recommend an optimal choreographer according to a choreographer recommendation request from the producer terminal 10 based on the above-described choreography content (more specifically, it may be choreography matching data).

The above-described server 50 may be referred to as a platform server or the like.

Although the database 40 and the server 50 are configured separately in FIG. 1 described above, the database 40 may be included in the server 50 if necessary.

Meanwhile, if necessary, the producer terminal 10 may be referred to as a first terminal, the choreographer terminal 20 may be referred to as a second terminal, and the viewer terminal 70 may be referred to as a third terminal.

FIG. 2 is an internal configuration diagram of the server 50 shown in FIG. 1 .

The server 50 includes a receiving unit 51, a database management unit 52, a transmitting unit 53, a watermark insertion unit 54, a choreographer recommendation unit 55, a number of hits determination unit 56, a revenue distribution unit 57, and a control unit 58 .

The receiver 51 receives member registration information from the choreographer terminal 20 , and receives a sound source to be choreographed from the producer terminal 10 .

The receiver 51 receives the choreography video from the choreographer terminal 20, and the content creator selects one desired choreography video for each part of the sound source that is the choreography production target from the producer terminal 10 (ie, selection information). ) is received. Here, the choreography video from the choreographer terminal 20 means a choreography video of the choreographer for a desired part among the parts of the sound source that is the target of choreography.

Also, the receiver 51 may receive a choreography inquiry request, a choreographer recommendation request, and a dance lecture request.

The database management unit 52 manages information storage in the database 40 and updating of the stored information.

The transmitter 53 transmits the sound source to be choreographed to the terminals 20 of all choreographers registered as members.

The transmitter 53 transmits one or more choreography videos for each part of the sound source to be choreographed to the producer terminal 10 . Since several choreographers can create their own choreography and upload choreography videos for each part of the sound source that is the subject of choreography, the content creator who has requested the choreography needs to choose the choreography that they like the most for each part in the sound source. Accordingly, in order to make a selection, the transmitter 53 transmits one or more choreography videos for each part of the sound source to be choreographed to the producer terminal 10 .

Also, the transmitter 53 may transmit choreography content based on choreography matching data for a sound source that is a target of choreography to the producer terminal 10 .

On the other hand, when the receiving unit 51 receives a request for a dance lecture (eg, including a desired dance instructor name and/or song name), the control unit 58 controls a plurality of streaming images for dance lectures in the database 40 (ie, choreography content). possible), a streaming image for a dance lecture corresponding to the requested content of the dance lecture may be transmitted to the corresponding viewer terminal 70 through the transmitting unit 53 . Here, the streaming-transmitted dance lecture video may be reproduced in sections repeatedly. In this case, a video for feedback may be uploaded from the standpoint of the dance learner, and a screen for feedback may be uploaded from the standpoint of the dance instructor correspondingly. The screen for feedback uploaded by the dance instructor will be transmitted to the terminal of the corresponding dance participant (ie, the viewer) through the server 50 . The transmission/reception of the video for feedback of the dance participant and the screen for feedback of the dance instructor is performed under the control of the control unit 58 .

On the other hand, when the receiving unit 51 receives a choreography inquiry application (eg, including the song name and singer name of the sound source in which the choreography to be inquired is choreographed), the control unit 58 controls the corresponding choreography content (that is, the database 40 ) may be transmitted to the viewer terminal 70 through the transmitter 53 ).

Alternatively, when a choreography inquiry request is made, the control unit 58 controls the best choreography for each part of the sound source in the choreography content generated based on the choreography matching data according to the song name and singer name of the sound source input together with the choreography inquiry request ( For example, a full image of a collection of choreography with the most number of views or choreography with the greatest number of likes compared to the number of views) may be converted into content and sent to the transmitter 53 . Accordingly, the transmitter 53 may transmit the received corresponding content to the corresponding viewer terminal 70 . In this way, providing a full video that collects the best choreography for each part of the sound source can induce more inquiries from viewers, thereby distributing more revenue to the choreographer. In addition, when sending a full video that collects the best choreography for each part of the sound source as content, the control unit 58 additionally controls 1 to 3 best choreography for each part of the sound source (eg, based on the number of views) The best choreography and best choreography based on the number of likes compared to the number of views) may be transmitted to the corresponding viewer terminal 70 through the transmitter 53 . In this way, by providing about 1 to 3 best choreography for each part of the sound source, it is possible to induce a better response and inquiry from viewers, thereby distributing more revenue to the choreographer.

The watermark insertion unit 54 inserts a watermark into one or more choreography videos for each sound source part received by the receiving unit 51 . For example, if it is assumed that the sound source to be choreographed is composed of three parts and two choreography videos are uploaded for each part, the watermark insertion unit 54 visually protects the choreography copyright for the choreography video. Insert an unrecognizable watermark. In this case, the watermark may include information indicating which choreographer's choreography video for each choreography video. Here, it is believed that those who work in the same industry can fully understand a method of inserting a watermark with well-known techniques. If a visually recognizable watermark is inserted, the embedded watermark can be removed using an image processing program. desirable.

As a result, one or more choreography videos for each sound source part into which the watermark is inserted by the watermark insertion unit 54 are transmitted to the corresponding producer terminal 10 by the transmission unit 53 .

As the choreographer recommendation request is received from the receiving unit 51, the choreographer recommendation unit 55 identifies the characteristics (eg, genre, atmosphere, beat, etc.) of the sound source that requires a choreographer recommendation received along with the choreographer recommendation request. We can recommend a suitable choreographer. For example, it is assumed that the sound source that needs to be recommended by a choreographer is segmented into three parts. The choreographer recommendation unit 55 identifies the sound source characteristics of each part of the sound source that needs to be recommended by the choreographer, and a plurality of choreographers pre-stored in the database 40 for unit sound source parts matching the sound source characteristics of each identified part. It is extracted from content (more specifically, it may be choreography matching data). Here, it is best if the matching is 100% identical, but when there is no 100% identical thing, it can be said that a similar thing is matched by more than a threshold value. The above-described threshold value is set depending on the setting. Then, the choreographer recommendation unit 55 may recommend a choreographer who has uploaded a choreography video of the extracted unit sound source part as a choreographer for the corresponding part. The choreographer recommendation unit 55 may recommend one or more choreographers for each part of a sound source for which a choreographer recommendation is requested.

The number of views determination unit 56 determines (calculates) the number of views of the choreography video for each part of the sound source including the choreography for which the choreography inquiry has been requested. Accordingly, the control unit 58 may identify the best part (killing part; also referred to as a point part) in the entire choreography area of the sound source based on the number of hits determined by the hit number determination unit 56 .

The revenue distribution unit 57 may distribute revenue to the choreographer who created the choreography video of the corresponding part based on the number of views by the number of views determination unit 56 . In this case, the revenue distribution unit 57 may distribute revenue whenever revenue is generated, or may distribute revenue when the timing of revenue distribution is reached. The revenue distribution method in the revenue distribution unit 57 may be various.

In addition, when there is a request for a dance lecture, a streaming image for a dance lecture corresponding thereto among a plurality of streaming images for a dance lecture stored in the database 40 is transmitted to the terminal 70 of the corresponding viewer, so that the control unit 58 Accordingly, the revenue distribution unit 57 may distribute the revenue for the dance instructor based on the number of times the streaming video for the dance lecture is sent to the requestor (eg, the viewer).

The control unit 58 controls the overall operation of the server 50 .

In particular, the controller 58 may generate choreography matching data corresponding to a sound source that is a choreography production target based on the selection information and store it in the database 40 through the database manager 52 . Here, as described above, the choreography matching data includes analysis information of the sound source that is the subject of the choreography (eg, genre and characteristic analysis information), choreographer identification information for each part in the sound source, and part information in the sound source (eg, the choreography of the corresponding part). video identification information, etc.), and time section information (eg, time section information occupied by each part in the sound source), and the like.

In addition, the controller 58 may transmit the choreography content based on the choreography matching data to the producer terminal 10 through the transmitter 53 .

On the other hand, the control unit 58 based on the choreography content (more specifically, may be choreography matching data), according to various requests from the viewer terminal 70, corresponding additional services (eg, choreography inquiry service, dance lecture) service, etc.) can be controlled.

Meanwhile, the controller 58 may control an optimal choreographer recommendation according to a choreographer recommendation request from the producer terminal 10 based on the choreography content (more specifically, it may be choreography matching data).

3 is a flowchart for explaining a choreography matching data generation and a service process of choreography content generated based on the choreography matching data in an embodiment of the present invention, and FIGS. 4 and 5 are screens employed in the description of FIG. Yes.

First, the choreographer operates his/her terminal 20 to access the server 50 and then registers as a member (S10). For example, when registering as a member, the name of the choreographer, date of birth, ID, password, and the choreography genre that can be created are registered.

As described above, in a state in which a plurality of choreographers are registered as members in the server 50 , the content producer manipulates his or her terminal 10 (producer's terminal) to upload the sound source to be choreographed to the server 50 through the network 30 . do (S12). Here, the sound source that is the target of choreography means the pure sound source itself that is not choreographed, and the producer terminal 10 requests to produce a choreography suitable for the sound source when uploading the sound source that is the target for choreography.

The server 50 transmits the received choreography target sound source (ie, a sound source segmented into multiple parts) to the terminals 20 of all choreographers registered as members (S14). Here, when transmitting the sound source, which is the target of choreography, to the terminals 20 of all choreographers registered as members, the server 50 sends a request to create a choreography for a desired part among the parts in the sound source and upload a video together. .

Accordingly, the choreographers check the sound source that is the target of choreography received in their terminal 20, create a choreography for the desired part, and upload the corresponding choreography video to the server 50 (S16). At this time, unique information that enables identification of whose choreography video is uploaded is also uploaded.

Next, the server 50 inserts a watermark into the uploaded choreography video for each part (S18). For example, if it is assumed that the sound source for choreography production consists of three parts and two choreography videos are uploaded for each part, the server 50 can visually recognize the choreography video to protect the choreography copyright. Insert an absent watermark. In this case, the watermark may include information indicating which choreographer's choreography video for each choreography video.

Then, the server 50 stores (S20) in the database 40 at least one choreography video (ie, a video with a watermark) for each part of the sound source that is the target of choreography production, and the part of the sound source that is the target of production One or more choreography videos (that is, a video with a watermark inserted) are transmitted to the terminal 10 of the corresponding content producer (S22).

Thereafter, the content creator selects a desired choreography video for each part in the sound source (S24). For example, it is assumed that a sound source (eg, Trippin) to be choreographed is segmented into 5 parts (part A, part B, part C, part D, and part E) as shown in FIG. 4 . In such a state, when the content creator clicks the part A area 60 in FIG. 4 to select a desired choreography video for the part A, an interface screen as shown in FIG. 5 is displayed on the terminal 10 of the content producer. is displayed. The interface screen of FIG. 5 shows that 4 choreography videos for Part A (that is, 4 choreography videos are uploaded for Part A) are optional, and after the content creator checks each of the 4 choreography videos Choose one choreography video you like the most. Accordingly, information corresponding to the selection of a desired choreography video is transmitted from the terminal 10 of the corresponding content producer to the server 50 .

The server 50 stores information (ie, selection information) of selecting one or more desired choreography videos for each part of a sound source that is a choreography production target in the database 40 (S26). That is, it can be understood that as one or more desired choreography videos are selected for each part of the sound source that is the target of choreography, the choreography of all parts for one sound source is determined.

Thereafter, the server 50 generates choreography matching data corresponding to the sound source that is the target of the choreography based on the selection information (S28). Here, the choreography matching data includes analysis information of the sound source that is the subject of the choreography (eg, genre and characteristic analysis information), choreographer identification information for each part in the sound source, and part information in the sound source (eg, choreography video identification information of the corresponding part, etc.) ), and time section information (eg, time section information occupied by each part in the sound source), and the like.

Then, after storing the choreography matching data in the database 40, the server 50 provides a choreography content service based on the choreography matching data (S30). That is, the server 50 transmits the choreography content (ie, choreography content based on choreography matching data) for the sound source requested by the content producer to the terminal 10 of the content producer. Of course, if necessary, the server 50 may store the choreography content in the database 40 .

Accordingly, the content creator can upload the choreography content to TikTok, Instagram, YouTube, or the like. Of course, when there is a request from a content producer, the server 50 may upload the choreography content to TikTok, Instagram, YouTube, etc. on behalf of the content producer.

Then viewers (including dance influencers) will see the choreography content and learn by following the choreography. In addition, viewers can film their own choreography (dance) and upload it directly to TikTok, Instagram, YouTube, etc. Of course, when a viewer uploads a video of his/her dance followed by watching the choreography content to the server 50, the server 50 may upload it to TikTok, Instagram, YouTube, etc. on behalf of the viewer.

Hereinafter, a choreography inquiry service, a dance lecture service, and a choreographer recommendation service performed based on choreography content will be described.

First, the choreographer recommendation service will be described.

In order to receive the choreographer recommendation service, the producer terminal 10 makes a choreographer recommendation request (ie, including the sound source segmented into a predetermined unit sound source part) to the server 50 through the network 30 . If necessary, the choreographer recommendation request may be made in the choreographer terminal 20 or the viewer terminal 70 in addition to the producer terminal 10 . In this case, the choreographer terminal 20 or the viewer terminal 70 must send the sound source segmented into a predetermined unit sound source part together when a choreographer recommendation request is requested.

Accordingly, the receiving unit 51 of the server 50 receives the choreographer recommendation request, and the sound source requiring the choreographer recommendation received along with the choreographer recommendation request is transmitted to the choreographer recommendation unit 55 .

The choreographer recommendation unit 55 recommends an appropriate choreographer by identifying the received characteristics (eg, genre, atmosphere, beat, etc.) of a sound source that needs to be recommended by a choreographer.

For example, it is assumed that the sound source that needs to be recommended by a choreographer is segmented into three parts. The choreographer recommendation unit 55 identifies the sound source characteristics of each part of the sound source that needs to be recommended by the choreographer, and a plurality of choreographers pre-stored in the database 40 for unit sound source parts matching the sound source characteristics of each identified part. Extract from content. Then, the choreographer recommendation unit 55 recommends the choreographer who uploaded the choreography video of the extracted unit sound source part as the choreographer of the corresponding part.

This time, the choreography inquiry service will be described.

The viewer terminal 70 requests a choreography inquiry to the server 50 through the network 30 . At this time, the viewer terminal 70 inputs identification information (eg, choreographer name and/or tag) of the choreography video to be inquired, the song name and singer name of the sound source including the choreography video.

Accordingly, the receiving unit 51 of the server 50 receives the choreography inquiry request (eg, including the song name and singer name of the sound source in which the choreography to be inquired is choreographed), and sends the received choreography inquiry request to the control unit 58 send to

The controller 58 extracts the choreography content matching the identification information of the choreography video to be inquired or the song name and singer name of the sound source including the choreography video to be inquired from the database 40, and then through the transmitter 53 to the viewer terminal 70 ) is sent to Of course, in this case, the number of views determination unit 56 increases the number of views of the corresponding choreography content by +1. The revenue distribution unit 57 distributes revenue to the choreographer who created the choreography video for each part of the sound source of the choreography content according to the number of hits and the choreography matching data for the choreography content of the hit number determination unit 56 at the time of revenue distribution. can

Alternatively, when there is a choreography inquiry application, the control unit 58 controls the database 40 according to the identification information of the choreography video to be inquired or the song name and singer name of the sound source including the choreography video to be inquired, which is input together with the choreography inquiry application. ) from the choreography contents stored in ), the best choreography for each part of the sound source (eg, the choreography with the most views or the choreography with the most likes compared to the number of views) is a full video (i.e., a set of images for each unit sound source part) can be converted into content and sent to the transmitter 53 . Accordingly, the transmitter 53 may transmit the received corresponding content to the corresponding viewer terminal 70 . In addition, the control unit 58 additionally transmits about 1 to 3 best choreography for each part of the sound source (eg, the best choreography based on the number of views, the best choreography based on the number of likes compared to the number of views) through the transmitter 53 to the corresponding viewer. may be sent to the terminal 70 . Then, the screen as illustrated in FIG. 6 may be displayed on the corresponding viewer terminal 70 . In the screen of FIG. 6 , when the viewer selects an image to see or learn choreography in the full image area 80 , a corresponding signal (that is, referred to as a selection signal or inquiry signal) is transmitted through the network 30 . It is transmitted to the server 50, and the server 50 plays the image selected by the viewer. At this time, the number of views determination unit 56 of the server 50 will increase the number of views for the reproduced image by +1. Even in this case, the revenue distribution unit 57 may distribute the revenue to the choreographer who created the video according to the number of views and the choreography matching data at the time of revenue distribution.

Additionally, as illustrated in FIG. 6 , in the viewer terminal 70 , about 1 to 3 best choreography for each part of the corresponding sound source for which the viewer applied for a choreography inquiry (eg, the best choreography based on the number of views, good compared to the number of views) standard) is displayed, so you can select and play the best choreography for the desired part. Even in this case, the number of views determination unit 56 of the server 50 will increase the number of views for the reproduced image by +1. Even at this time, the number of views determination unit 56 of the server 50 will increase the number of views for the reproduced image by +1. Even in this case, the revenue distribution unit 57 may distribute the revenue to the choreographer who created the video according to the number of views and the choreography matching data at the time of revenue distribution.

Finally, the dance lecture service will be described.

The viewer terminal 70 requests a dance lecture to the server 50 through the network 30 . When requesting a dance lecture, the viewer terminal 70 inputs a desired dance instructor name and/or a song name together.

Accordingly, the receiving unit 51 of the server 50 receives the dance lecture request, and sends it to the control unit 58 .

As a result of the determination by the control unit 58, if the name of the dance instructor and the name of the song are input, the control unit 58 for a dance lecture that matches the name of the dance instructor and the song received from among a plurality of streaming images for dance lectures stored in the database 40 in advance. The streaming image (refer to FIG. 7 ) is transmitted to the terminal 70 of the corresponding viewer through the transmitter 53 . Accordingly, the viewer learns along the dance of the dance instructor 90 appearing on the screen of his/her terminal 70 . Here, when a dance participant wants to receive feedback from a dance instructor about the choreography (dance) that he is following, he/she sends a video (that is, a video for feedback) of the choreography (dance) he is dancing to the server 50 upload to The server 50 sends the dance instructor's feedback video to the dance instructor's terminal (not shown), and the dance instructor feeds back on corrections for each video scene. can For example, when the corresponding dance participant (viewer) selects an area 95 indicating that there is a dance instructor's feedback for any one motion on his/her terminal 70 as illustrated in FIG. 8 , the dance participant's terminal ( 70), as shown in FIG. 9 , the content that the dance instructor fed back corrections for the corresponding image scene (ie, motion scene) is displayed. In this case, the dance learner can check the content that the dance instructor gave feedback to the corresponding video scene in one or more of text, audio, and video. Of course, even in this case, the revenue distribution unit 57 may perform revenue distribution for the corresponding dance instructor based on the number of times the streaming video for a dance lecture is sent to the viewer and revenue distribution for the choreographer based on the choreography matching data.

On the other hand, as a result of determination by the control unit 58, if only the name of the dance instructor is input, the control unit 58 for a dance lecture that matches the name of the dance lecturer received from among a plurality of streaming images for a dance lecture pre-stored in the database 40 The image (that is, there may be more than one) is transmitted to the terminal 70 of the corresponding viewer through the transmitter 53 . When the viewer's terminal 70 receives a plurality of streaming video for a dance lecture, the viewer selects a desired streaming video for a dance lecture. Accordingly, the user learns along the dance of the dance instructor 90 appearing on the screen of his/her terminal 70 . Here, when a dance participant wants to receive feedback from a dance instructor about the choreography (dance) that he is following, he/she sends a video (that is, a video for feedback) of the choreography (dance) he is dancing to the server 50 upload to The server 50 sends the dance instructor's feedback video to the dance instructor's terminal (not shown), and the dance instructor feeds back on corrections for each video scene. can For example, when the corresponding dance participant (viewer) selects an area 95 indicating that there is a dance instructor's feedback for any one motion on his/her terminal 70 as illustrated in FIG. 8 , the dance participant's terminal ( 70), as shown in FIG. 9 , the content that the dance instructor fed back corrections for the corresponding image scene (ie, motion scene) is displayed. In this case, the dance learner can check the content that the dance instructor gave feedback to the corresponding video scene in one or more of text, audio, and video. Of course, even in this case, the revenue distribution unit 57 may perform revenue distribution to the corresponding dance instructor based on the number of times streaming video for dance lectures are sent to viewers, and revenue distribution to the choreographer based on choreography matching data.

On the other hand, if it is determined by the controller 58 that only the song name is input, the controller 58 controls the streaming video for a dance lecture that matches the name of the received song from among a plurality of streaming images for a dance lecture pre-stored in the database 40 . (ie, there may be more than one) is transmitted to the terminal 70 of the corresponding viewer through the transmitter 53 . When the viewer's terminal 70 receives a plurality of streaming video for a dance lecture, the viewer selects a desired streaming video for a dance lecture. Accordingly, the viewer learns to follow the dance of the dance instructor 90 appearing on the screen of his/her terminal 70 . Here, when a dance participant wants to receive feedback from a dance instructor about the choreography (dance) that he is following, he/she sends a video (that is, a video for feedback) of the choreography (dance) he is dancing to the server 50 upload to The server 50 sends the dance instructor's feedback video to the dance instructor's terminal (not shown), and the dance instructor feeds back on corrections for each video scene. can For example, when the corresponding dance participant (viewer) selects an area 95 indicating that there is a dance instructor's feedback for any one motion on his/her terminal 70 as illustrated in FIG. 8 , the dance participant's terminal ( 70), as shown in FIG. 9 , the content that the dance instructor fed back corrections for the corresponding image scene (ie, motion scene) is displayed. In this case, the dance learner can check the content that the dance instructor gave feedback to the corresponding video scene in one or more of text, audio, and video. Of course, even in this case, the revenue distribution unit 57 may perform revenue distribution for the corresponding dance instructor based on the number of times the streaming video for a dance lecture is sent to the viewer and revenue distribution for the choreographer based on the choreography matching data.

As described above, the best embodiment has been disclosed in the drawings and the specification. Although specific terms are used herein, they are only used for the purpose of describing the present invention, and are not used to limit the meaning or the scope of the present invention described in the claims. Therefore, it will be understood by those skilled in the art that various modifications and equivalent other embodiments are possible therefrom. Accordingly, the true technical protection scope of the present invention should be defined by the technical spirit of the appended claims.

10: producer terminal 20: choreographer terminal
30: network 40: database
50: server 51: receiver
52: database management unit 53: transmission unit
54: watermark insertion unit 55: choreographer recommendation unit
56: number of views determination unit 57: revenue distribution unit
58: control unit

Claims (8)

As a recording medium recording a program for providing additional services based on choreography contents that can provide various additional services based on choreography contents,
a function of transmitting a sound source (ie, a sound source segmented into a plurality of parts) to be choreographed to the terminals of all registered choreographers;
a function of inserting a watermark into the uploaded choreography video for each part when choreographers create a choreography for a desired part on a sound source received in their terminal and upload a corresponding choreography video;
a function of storing, in a database, a sound source to be choreographed and one or more choreography videos for each part of the sound source (that is, a video with a watermark inserted);
a function of transmitting one or more choreography videos for each part of a sound source to be produced (that is, a video with a watermark inserted) to a terminal of a corresponding content producer;
When the producer selects a desired choreography video for each part in the sound source, information corresponding to the desired choreography video selection is transmitted to the server;
a function of storing information (ie, selection information) of selecting one or more desired choreography videos for each part of a sound source that is a choreography production target in a database;
a function of generating choreography matching data corresponding to a sound source that is a target of a corresponding choreography based on the selection information; and
A computer-readable recording medium recording a program for providing additional services based on choreography content, including a function of providing a choreography content service based on the choreography matching data after storing the choreography matching data in a database. The method of claim 1,
The choreography matching data includes analysis information of the sound source, choreographer identification information for each part in the sound source, part information in the sound source, and time section information. The method of claim 1,
The server is
a function of receiving the sound source and at least one choreography video for each part of the sound source, receiving information on selecting one choreography video for each part of the sound source, and receiving a choreography recommendation request;
a function of transmitting the sound source to terminals of all choreographers registered as members, and transmitting one or more choreography videos for each part of the uploaded sound source to a producer terminal;
a function of generating and storing the choreography matching data in the database, and providing the choreography content based on the choreography matching data;
and a function of recommending a choreographer or choreography content based on the choreography content in response to the choreography recommendation request. 4. The method of claim 3,
The function to make the above recommendation is
and recommending a choreographer or choreography content corresponding thereto by identifying characteristics of a sound source that requires a choreographer recommendation received together with the choreography recommendation request. 4. The method of claim 3,
The function of receiving the choreography recommendation request is,
The recording medium further comprising a watermark insertion function for inserting a watermark into one or more choreography moving pictures for each part received. 6. The method of claim 5,
The watermark includes information indicating which choreographer's choreography video is the corresponding choreography video. 6. The method of claim 5,
The function of transmitting one or more choreography videos for each part of the sound source to the producer terminal is,
and a function of transmitting one or more choreography videos for each part into which the watermark is inserted to the producer terminal. 4. The method of claim 3,
The function of transmitting one or more choreography videos for each part of the sound source to the producer terminal is,
and transmitting the choreography content to the producer terminal.

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