KR20130087444A - Vocal training system using vocal practic - Google Patents

Abstract

PURPOSE: A vocal training system using a vocal program is provided to train a user based on treatments and to improve training efficiency. CONSTITUTION: A vocal training system (1) using a vocal program comprises a recording module (10) which is formed in a storage unit(40) to record the voice of the user, a waveform detection module (20) which changes the voice of a user into a waveform and detects the waveform, and a waveform analysis module (30) which compares the waveform of the user with a reference waveform. [Reference numerals] (10) Recording module; (20) Waveform detection module; (30) Waveform analysis module; (40) Storage unit; (50) Display unit

Description

Vocal training system by vocal practice {VOCAL TRAINING SYSTEM USING VOCAL PRACTIC}

The present invention relates to a vocal training system, wherein the training area is divided into vocal-expression-rhythm areas, and vocalization is further subdivided into vocal cord-resonance-air pressure control steps to relax and relax muscles involved in vocalization including vocal cords at each step. The control is repeatedly performed and imaged again through a sequencing program to be imprinted on the brain, which can be applied to the subjects without discrimination based on the treatment rather than vocal training based on prior experience, but can be applied to the vocal practice that can produce an effect in a short time. By a vocal training system.

The so-called 'vocal training', 'vocal lesson', 'vocal coach' and so on are the acts of teaching a commonly spoken song.

The above teaching methods, which rely on abstract feelings, could eventually have some effect on the natural person over time, but this too could be obtained through self-polishing and constant practice.

However, a person who is not good at sound or singing or has a problem with a voice cannot get a visible effect even through long time education or training.

 The reason is that people who are currently called vocal trainers are singer or practical music and major students, and the vocal trainer who trains singers is also taught to put a spoon on the cooked rice (i.e., to do a little better for people who can do well). There is no research on how to express other people's voices scientifically beyond the framework of art contained in music except their own voices.

As a result, the phrases such as pitch escape and correction are often familiar words, but it is hard to find the case that the pitch has changed to sing as much as a singer.

In other words, the conventional technology has a problem that it is only an abstract education that teaches one's feelings and know-how, rather than being able to give a result as soon as a cold is better if a doctor takes an injection and takes medicine.

In other words, it is a simple order to relax your neck or sing in a boat. If you depend on the experience based on the principle correction method, it will not only be difficult to see the direct effect, There was a problem, wasting time for a long time.

Accordingly, an object of the present invention is to divide the training region into vocal-expression-rhythm regions, and vocalization is further subdivided into vocal cord-resonance-air pressure control stages to relax and regulate muscles involved in vocalization including vocal cords at each stage. It is repeatedly performed and imaged through a sequencing program and imprinted on the brain, which can be applied to the subjects without discrimination based on treatment rather than vocal training according to conventional experiences, but can exhibit effects in a short time. To provide a training system.

In addition, by physically exercising the muscles required for the song, it is possible to prove a clear result to sing well to the general public or to the sound tone of non-natural people, and many people go beyond the idea of simply singing a song. It is to provide a vocal training system based on vocal practice that can produce the result of change through physical therapy or exercise therapy.

According to an embodiment of the present invention, the recording module for recording and storing the interval vocalization by the song or reading of the corrector for the set sampling period; A waveform detection module configured to waveform the interval vocalization recorded by the recording module and detect the waveform as an initial section waveform; A waveform analysis module for extracting exemplary waveforms of the skilled person's interval utterance for the sampling intervals from the storage unit and displaying the waveforms in comparison with the initial interval waveforms. By recording additional intervals of the corrector for the sampling interval at a plurality of time points and detecting them as additional interval waveforms, by comparing them with the initial interval waveform and the exemplary waveform and displaying them on the display, the corrector adjusts the calibration degree. And a vocal training system by vocal practitioner to visually recognize whether or not correction is made.

The calibration region may be classified to include one or more of the vocal cord calibration region, the resonance calibration region, and the air pressure control calibration region.

The waveform analysis module may display a matching ratio for each calibration region when the initial interval waveform is compared with the exemplary waveform or when the additional interval waveform and the exemplary waveform are contrasted.

The waveform analysis module may generate scheduling based on the calibration order for each calibration area according to the matching rate, and display the scheduling on the display.

The correction method of the vocal cord correction region includes vibration maintenance method (A), vibration maintenance and laryngeal position correction method (B), larynx relaxation method (B-1), vibration maintenance and muscle relaxation method (C), and vibration maintenance using recoil of the vocal cords. And facial expression relaxation (D), vibration maintenance and posture relaxation (E), vibration maintenance and brain cognition (F), diaphragm pressure method through unconscious breathing and abdominal relaxation (G), middle ground of 'AND FOR' vocal cord Utilization (H), black voice application of the vocal cords (I), 'Umm ~' humming vocal cords of the front application (J), 'prick' gate close sensation (K), nasopharyngeal cavity resonance (L) , Nasal Resonance Sensing (M), 'DREAM' Nasal Retracting (N), Estimation (O), Roller Coaster (P), Diaphragm Pneumatic Reinforcement (Q), Resonator (R), Brain At least one of the image pitch (S), the 'GROOVE' syllable law English-speaking rhythm (T), the running lit (T-1), the four transfer force methods (U) using the situation play, and the esoteric ratio method ((V) Can contain The.

The calibration method using the resonance calibration region, nasopharyngeal cavity resonance (L), nasal resonance sensory (M), 'DREAM' nasal resonance pulling method (N), the peak vocalization method (O), roller coaster method (P) It may include one or more of the diaphragm air pressure strengthening method (Q), the brain image pitch method (S).

The calibration method using the pneumatic pressure correction region, resonator (R), 'GROOVE' soft-sounding English rhythm method (T), running rhythm method (T-1), stool escape ratio ((V) It may include.

Vocal training system according to the present invention is divided into vocal-expression-rhythm area, and the voice area is subdivided into vocal cord-resonance-air pressure control step to participate in vocalization including vocal cords in each step. Relax and regulate the muscles repeatedly.

Each training area can be performed by testing the first corrector for each area, if there is a deficiency, or by changing the order of each training area according to the test result.

In addition, each training zone may have more subdivided zones, for example, the vocalization zone is further subdivided into vocal cords, resonance, and pneumatic control steps.

In each subdivision step, calibration methods of A to V to be described later may be used. For example, the vocal cords can be calibrated in the A ~ F stage, the resonance calibration can be applied in the L ~ Q, S calibration, and the air pressure control can be applied in the R, T, U, V, W calibration. have.

Specifically, looking at the stages of vocal cord correction, by using the principles of elasticity and vibration of the vocal cords repeatedly to exercise the muscles necessary for singing, the part of the brain that controls the vocal cords is constantly remembered and corrected. Make sure you have a voice.

Speech is largely out of the mouth in the order of respiratory (pulmonary)-vibration (vocal cord)-resonator (nasal, oral cavity, pharyngeal cavity, etc.)-sounder (muscles that control the sound).

However, in this process, the unnecessary tensions of the muscles are involved in the sound production process, and how much the vocal cords can be freed from the interference is the key to pronunciation / voice correction that can sing well.

It is also important to maintain and remember the correct habits of vocalization through the brain's cognitive abilities with the right sense. Most people have different vocal systems and habits, and the brain's cognitive ability to recognize them varies widely.

Thus, in the vocal training system according to the present invention, to relax the muscles around the vocal cords, for example, muscles related to vocalization such as muscles under the jaw, muscle, tongue, clown, brow, larynx, shoulder, abs, etc. Provide specific treatments to relax.

On the other hand, at the same time to apply the above-described correction method, before and after the application to the image by the sequencing program to be imprinted on the brain.

According to the vocal training system according to the present invention, the training region is divided into vocal-expression-rhythm regions, and vocalization is subdivided into vocal cord-resonance-air pressure control stages to relax and relax muscles involved in vocalization including vocal cords at each stage. The control is repeatedly performed and imaged again through a sequencing program to be imprinted on the brain, which can be applied to the subject without discrimination based on the treatment rather than vocal training according to the conventional experience, and can exhibit an effect in a short time.

1 is a block diagram of a vocal training system using a vocal practitioner according to an embodiment of the present invention,
2 is a display screen of a waveform analysis module according to an embodiment of the present invention;
3 is a comparative analysis example of the initial section waveform and the exemplary waveform and the additional section waveform according to the waveform analysis module according to an embodiment of the present invention;
4 is a comparative analysis example of the initial section waveform and the additional section waveform according to the waveform analysis module according to an embodiment of the present invention.

Hereinafter, the present invention will be described in detail with reference to the accompanying drawings.

Referring to FIG. 1, a vocal training system 1 using vocal practitioner according to an embodiment of the present invention includes a storage unit for recording and storing interval vocalization caused by a song or reading of an examinee for a set sampling period ( Recording module 10 and 40); A waveform detection module 20 for waveform detection of the interval vocalization recorded by the recording module 10 as an initial section waveform; Waveform analysis module 30 for extracting the exemplary waveform by the skilled person's interval utterance for the sampling interval in the storage unit 40 to display on the display unit 50 in contrast to the first interval waveform; At the plurality of time points during which the calibration region is in progress or the completion of the execution, the additional section waveform of the corrected person is recorded in the sampling section and detected as an additional section waveform, and then compared with the initial section waveform and the exemplary waveform. And by displaying this on the display unit 50, the person to be corrected can visually recognize the degree of calibration and whether or not to correct.

The sampling interval is for grasping the speech state of the person to be corrected and for estimating the degree of further correction. For example, the sampling section may be provided in various kinds such as one measure or a specific sentence of a specific song, and may include vibration, sound range, and ringing. For example, various calibration items may be prepared to identify specific calibration items.

The recording module 10 may include a conventional microphone for recording, a recording program for recording, and the like.

The waveform detection module 20 waveforms the recorded interval utterance and displays it. The waveform detection module 20 detects the additional section waveform from the newly recorded section utterance during the calibration or when the calibration is completed.

The waveform analysis module 30 may display a matching ratio for each calibration region when the initial period waveform is compared with the exemplary waveform or when the additional period waveform is compared with the exemplary waveform. That is, the waveform analysis module 30 digitizes the length, frequency, amplitude, etc. of the exemplary waveform to quantify the difference of the additional interval waveform with respect to the exemplary waveform, so that the degree of correction by the corrector is visually and numerically corrected. There is an advantage that you can check.

In this case, the waveform analysis module 30 may generate the scheduling according to the calibration sequence for each calibration region according to the matching ratio and display the scheduling in the display unit 50.

That is, the waveform analysis module 30 may configure the matching rate analysis yield for each calibration area, and then generate and present the calibration scheduling in the order of the calibration areas where the match rate is lowest, for example, the degree of each matching rate.

Here, the calibration region may be classified to include one or more of the vocal cord calibration region, the resonance calibration region, and the air pressure adjustment calibration region.

The correction method of the vocal cord correction region includes vibration maintenance method (A), vibration maintenance and laryngeal position correction method (B), larynx relaxation method (B-1), vibration maintenance and muscle relaxation method (C), and vibration maintenance using recoil of the vocal cords. And facial expression relaxation (D), vibration maintenance and posture relaxation (E), vibration maintenance and brain cognition (F), diaphragm pressure method through unconscious breathing and abdominal relaxation (G), middle ground of 'AND FOR' vocal cord Utilization (H), black voice application of the vocal cords (I), 'Umm ~' humming vocal cords of the front application (J), 'prick' gate close sensation (K), nasopharyngeal cavity resonance (L) , Nasal Resonance Sensing (M), 'DREAM' Nasal Retracting (N), Estimation (O), Roller Coaster (P), Diaphragm Pneumatic Reinforcement (Q), Resonator (R), Brain At least one of the image pitch (S), the 'GROOVE' syllable law English-speaking rhythm (T), the running lit (T-1), the four transfer force methods (U) using the situation play, and the esoteric ratio method ((V) Can contain The.

The calibration method using the resonance calibration region, nasopharyngeal cavity resonance (L), nasal resonance sensory (M), 'DREAM' nasal resonance pulling method (N), the peak vocalization method (O), roller coaster method (P) It may include one or more of the diaphragm air pressure strengthening method (Q), the brain image pitch method (S).

The calibration method using the pneumatic pressure correction region, resonator (R), 'GROOVE' soft-sounding English rhythm method (T), running rhythm method (T-1), stool escape ratio ((V) It may include.

Hereinafter, the detailed correction methods applied to the vocal training system using the vocal practice according to the present invention will be described in detail.

A. Vibration maintenance using recoil of vocal cords

This remedy (treatment) is a correction that induces the brain to control the movement of the vocal cords, which is the most important part of the corrected speech.

After throwing a small ball of elastic material (so-called 'Yamche ball') to the floor, it is trained to recognize the elasticity of the ball and the shape of the reaction (sine wave shape that gradually decreases in time). The practitioner will practice sounding at the timing of the ball bouncing.

At this time, we practice to make the connection of vibration commonly known by reaction, and the correction methods of B, C, D, E, and F can be implemented at the same time.

At this time, through the sequencing program that records the song, it checks the vibration state of the voice together and informs the brain of the current sound state and repeats it.

If the sound is not broken, it accelerates when the ball is dropped, and the voice starts the sound with the same timing.

The vocal cords are usually in the larynx, and when we make sounds through the vocal cords, the interference of about 50 muscles, including the shoulders, jaw, chest, abs, and various muscles outside the larynx, begins simultaneously. As a result, the brain's perception of the most important movements of the vocal cords becomes very difficult, and the probability of mistaken the movement of the vocal cords and the larynx is also very high.

The vocal cords are sound waves, or starting points of sound. Vibration, which we commonly say, refers to the vibration of the vocal cords. That is, the song is broken because the vibration is not because of lack of breathing. However, the conventional vocalization method induces conscious double breathing, which results in further disturbing the vibration of the vocal cords due to an unnatural breathing process.

The vocal cords determine how much sound waves are produced by compressed air depending on how the air pressure coming from the diaphragm is controlled.They are not balanced by air and vocal cords. Very similar to

Recoil vibration is the basic bass that helps the vocal cords to continue the sound independently without depending on other muscles, and helps to keep the sound stable and long when singing.

B. Vibration Maintenance and Laryngeal Position Correction

Perform A and press the lower jaw muscle with forefinger to move the thyroid cartilage (Adam's doctor) flexibly. It stimulates the lower jaw muscle at the same time.

While making a sound, move the submandibular muscles to the sides, check for obstructions of other muscles, and make sure the position of the larynx does not go up or down too much.

 P-correction (calculated vocalization) is performed, the position of the larynx is confirmed, fingers are placed under the thyroid cartilage (Adam's apple) in a straight line, a virtual parallel line is drawn, and at the same time the path of sound starts from the thyroid cartilage. Monitor by looking in the mirror. And the voice is repeated so that it can be recognized by the brain.

This means that the perception of ordinary people, who naturally perceives the larynx as they go up at higher pitches, is sounding very differently from the real world. It is a task that induces the senses to the body and induces the brain to make a sound.

The larynx is the condition where the movement of the vocal cords is most naturally possible with the movement of 10 as the center. When the thyroid cartilage rises, the vocal cords are stretched forward. At this time, the proper tension can be applied to the vibration and treble to maintain the good sound by applying the principle of elasticity.

And even when we actually sound the same sound, when the larynx is raised, the sound makes the vocal cords thinner, so we think that the tone is a little thinner, and we think that it is higher.

B-1. Larynx relaxation

Helps to relax the larynx Provoke stimulation to the sides as if you massage the outside of the larynx with your fingers. To help the jaw relax, stimulate the jaw muscles with your fingers as you massage them from side to side. Do not be too strong at this time, and slowly squeeze the stimulus to relax when you shake your head.

The principle is that at the same time, the outside of the larynx and the head are relaxed and relaxed at the same time as the sound is made, and the sense of the vocal cords is relaxed at the same time as the outside of the larynx. It is effective enough to change habits, and it changes little by little at each procedure, and 30% of 100% will return to its original state.

In other words, each procedure will grow by 70%, and this little bit of the procedure over and over again, making a high pitched voice, the voice itself becomes more comfortable, even the voice can be changed at once.

This is often the case that the neck muscles are a problem, the outside muscles of the larynx, and the interference of the muscles of the outside of the larynx is disturbed by the smooth vibration of the vocal cords, so that they can sing while the neck is weak. Do it.

C. vibration and Muscle relaxation

This method maintains vibration and holds the muscles under the chin with your fingers to relax and use your hands to relax your forehead, forehead, double cheeks, and shoulders.

Injung makes sounds with fingers and at the same time relaxes muscle stiffness, allowing the brain to memorize by repeating the sounds when relaxed by comparing them with mirrors.

The tongue induces the R to make it stick to the teeth, and sticks out the tongue as if it were 'meaning' and recognizes the change in sound in a relaxed state. As a result, the tongue is pushed out of the inside of the mouth, relaxed, and sticks to the teeth.

D. Maintain vibration and relax facial expression

This corrective method creates a situational drama like when you are on the phone, so that you can remember the face of the phone through the mirror, and when you vibrate, the face is the same as when you are on the phone. The unprepared start of sounding the sound causes the smooth vibration of the vocal cords without being disturbed by the facial muscles.

E. Vibration Maintenance and Posture Relaxation

This corrective method allows the user to walk comfortably in normal unconsciousness, such as walking, sitting and waking up with vibrations, and bowing down to remove the elements that obstruct the vibration of the vocal cords due to the rigid posture. do.

F. Vibration Maintenance and Brain Perception

This calibration monitors how your sound is produced using a real-time sequencing program (a program that allows you to record songs on your computer and view waveforms) and mirrors, and recognizes and corrects the difference between a broken and sustained vibration. do.

G. Diaphragm Pressure Through Unconscious Breathing and Abdominal Relaxation

In this correction method, the existing vocalization is performed through the image of 'breathing-coming out of the stomach-out of the mouth'. This is to eliminate many side effects such as delays.

In conventional vocalization, forcing pressure on the diaphragm causes excessive pressure to release the vocal cords easily, not to overcome the resistance of the air, and to force other muscles, creating a vicious cycle of vocalization such as deviating. .

Considering the front and back of the human body, the diaphragm pressure is naturally conscious of the front of the human body. Therefore, by using a CD case (supplemental member) to the sphincter muscles on the back of the human body to make a sound in a state where the CD is prevented from falling, the tension is relaxed in front of the body (diaphragm), and the diaphragm itself takes care of air pressure as needed. To make it.

In addition, the simple consciousness of 'recognizing the sense of vocal cords and going out of the mouth' makes it possible to speak naturally.

H. < AND FOR > Middle ground of vocal cords

This calibration method pre-records and stores an audio file that pronounces 'AND FOR', and is a calibration method in which the corrector follows the same sound as the audio file.

This allows the corrected person to sensibly remember this by repeatedly practicing what area the echo of the vocal cords uses.

The sound of splitting is a part of the gates of the vocal cords that are not well grounded, so it is possible to repeat the correction method of C, D and E.

I. Black Voice application  Utilization of the vocal cord's back ground

This correction uses audio files that record real black voices. Black people use the back of the vocal cords to make sounds, so the instructor listens to this sample and repeats the exercises and uses the back of the vocal cords.

It is important to note that if there are any cracks in the sound of the vocal cords when the sound of the vocal cords is released without any muscle obstruction, this is an area that is not the ground of the gate, so that the cracks are naturally maintained until the cracks disappear. Sounds relaxed. At this time, muscle relaxation by C, D, E correction method must be checked.

J. Leveraging the front ground of the um-umb humming vocal cords

This correction uses the front of the vocal cords, similar to the I correction. In this case, the relaxation state of muscles by C, D, E correction method must be checked.

K. Squeak  (castle gate Close up )

This corrective technique can be used to learn the sensation of closing the gates of the vocal cords, and then to the sense of closing the gates with the sound of squeak after the sound of 'time ~ ki'.

L. Nasopharynx  Resonance

This corrective technique allows the middle finger to stand out with the fists folded. Put your folded middle finger between your teeth and open your mouth in a relaxed state. Simultaneously monitor with a mirror and ground the side to your pinky on a 45-degree diagonal line inwardly from the ball.

At the same time, sound is reflected in the mirror and the path of sound is recognized by the brain. It is above the pharynx and resonates there. This allows the brain to recognize exactly where the resonance should be at high frequencies.

M. Nasal resonance

This corrective method sounds a 'ying' and sounds the maxillary sinus. At this time, htkddkr put two fingers in the position and see the position of the finger to guide the sound to the maxillary sinus. At this time, let the muscles slightly lift up. Even in this case, the muscles feel relaxed.

Use your fingers to gently lift your muscles to help you relax.

N. < DREAM > Nasal Resonance Puller

This method uses the fingers to move the muscles of the human muscles and the cheekbones while simultaneously ringing the maxillary sinus with a 'DREAM' sound.

At the same time, the vocal cords are pulled slightly, taut, and the state of the vocal cords, which is advantageous for producing high pitches, can be recognized.

O. Estimation (Intrinsic base Long Tone )

This method involves placing a finger on the lower part of the cartilage, starting the sound, and diagonally 45 degrees below the point where the finger is pressed to inform the brain that the sound begins at the lower part of the cartilage. Recognize down.

And as he climbs up a high mountain and shouts at the top of the mountain, he gathers his left and right hands around his mouth and shouts 'ya ~ ho'.

When we lower the sound, we look down in the mirror and identify the larynx at the same time, keeping the image looking down to prevent the head from going up or the larynx going up.

Estimation leads us to the low bass sounds we can produce without the interference of other muscles.

P. Roller Coaster (Intrinsic Base Long Tone )

This correction raises the right arm horizontally to the ground, sets the pitch of 'ah' down slightly from top to bottom, and then sets the shape of the hand to be 45 degrees down from the top.

At this time, the distance of about 30M to move quickly to the pace when the roller coaster descends at the same time to make a sound and keep it until the sound comes out.

When the nerves in the brain respond to movements earlier than the sound, there is no action to prepare for a long sound, and the sound, which begins with no preparation, helps to avoid the interference of unnecessary muscles around the vocal cords.

If you make a round trip around 30M in the same way, the length of the note becomes longer. The roller coaster is a way to keep the sound of the basic bass long.

When you try to lower the sound, you already think you need a lot of air to keep the long sound during the warm up, so you are more likely to inhale. This is accompanied by the tension of the useless muscles, the sound is rather uneasy and mostly short. This problem can be solved through this calibration method.

Q. Diaphragm Air Pressure Enhancement

This calibration is carried out in three steps as follows.

Step 1: In a standing position, place a toe on the wall, then place your boat in front of the toe and push your back slightly toward the wall. At this time, if the back is pressed slowly, the force pushed from the wall side and the force pushed from the back side press the stomach simultaneously. At this time, with the sound of 'tsu' slowly breathe out. Slowly push on your back until you stop breathing.

* Step 2: Lay down your toe on your stomach while lying on the yoga mat. At this time, both elbows and feet to support, as above, with the sound of 'tsu ~' to slowly remove the breath.

Step 3: Sit your legs down on the yoga mat and keep your legs off the ground with the `` rest up '' position. At this time, the center is held by the hips and the pressure is slightly applied to the abdomen to maintain the center properly. In this state, the sound of the 'ah' is shortly cut out and a staccato is made in parallel. At this time, hold the back and legs so that the body and legs are farther away at the angle of the V-shape, and after that, only the legs, and afterwards guides them to center themselves without assistance.

This method allows you to produce loud sounds using large air pressures, and is also an important treatment for producing loud and plentiful ringing in singing. However, if the resistance of the vocal cords to support the air pressure is insufficient, it is very important that the vocal cords are not able to withstand the large air pressure, so it is important to recognize the resistance of each individual and to balance the diaphragm pressure and the vocal resistance.

R. Shouting with a resonator

This correction allows you to pronounce all the words in the shape of the mouth of the tooth. The difference between English and Hangul is pronounced 'i' in English and 'I' in Korean, which sounds superficially the same but is clearly different.

'I' in Hangeul pronounced stronger intervention of jaw muscle, larynx muscle and mouth muscle than vibration of vocal cord. Thus, the last pronunciation often used before finally going out of the mouth uses muscles. However, 'i' in English pronunciation is different from 'i' in Korean. That is, the English pronunciation 'i' can be pronounced in all mouth shapes, such as Korean pronunciation 'er', 'e', 'o', and 'woo'. This is because the sound was completed by a resonator at the same time without being disturbed by the vibration process of the vocal cords.

Many muscles other than the vocal cords are involved in the resonance process, and the stronger the intervention of the muscles that interfere with the vibration process, the harder it becomes to resonate only with the resonator. Considering this, we can see that English and singing are similar utterances.

Therefore, in this correction method, all the pronunciations of Hangeul are substituted into 'LM' to induce sound with the 'LM' resonator.

S. Brain image pitch

Usually you'll practice scale for pitch practice. If you repeatedly look at the various pitches, the pitch will gradually become familiar with your body. But even for those who don't have pitch, it's very difficult to scale it. Repeating this behavior has no choice but to practice until it is done.

However, it is possible to derive the correct pitch through brain image pitch. Looking at the keyboard of the piano, the keys are arranged in a do-do # -le-le # -me-wave-par # and the like. There are countless notes between Do-do # and countless notes between Le-Le #.

When I sing, I think the pitch is the pitch. When we tune to the guitar, we tune in little by little. This is caused by overlooking that untuned sounds are also sounds.

If the sound of 'do' turns to 'do' close to 'do #' and 'le' close to 'le #', then the pitch is closer to 'hour' or closer to 'do #'. The phenomenon is eliminated, and substituting it into a song can improve the flatness of the pitch by inducing a sound close to # in every pitch.

Also, when you go to the treble, the position of the larynx is lowered most of the pitch. This is a phenomenon in which most people's ears are sensitive to high frequencies and the treble is thinned, so that when the larynx is pulled up, the sound of the thinned vocal cords is mistaken as treble. In order to treat such pitches, it is necessary to recognize that the pitch in the larynx and the larynx in the laryngeal state are the same notes, and then through the sequencing program (a program capable of viewing song recordings and waveforms). Recognize and improve sound.

T. Groove English Law Rhythm

'GROOVE' means your own natural rhythmic sense, and it is a rhythmic sense that lets you know that the beat of the man who made the metronome is more accurate than the beat of Metnorom. The rhythms of Koreans have been rhythmically different from those of English-speaking people such as Westerners and blacks, and the rhythms that follow the drum beat cut off the flow of the song. It could not be followed.

This also affects the language, because the English language has a consonant law and a groove, while the Korean language does not.

This groove is also present in all of our everyday lives, whether it's instrumental performances (pianists turning their heads in a circle and playing the piano), or English, or walking.

In particular, when applied to the rhythm of the song, the time difference is recognized by the brain and the body is remembered to be a soft tone, and the flow of the song does not occur, and any rhythm song can be perfectly digested according to its own rhythm. Pushing and pulling the sound is actually solved by this groove rhythm, and the power of lyrics can be expressed as a song by speaking the length and shortness of the syllable. Exercise will help your body remember it.

Treatment method,

Step 1: Spread your left leg forward to the width of your shoulders, and have your right arm hold a 2kg woman hold a 1kg dumbbell. In the amusement park, the principle of rides, commonly referred to as 'Viking', is to lift the dumbbell slightly and then repeat the ascension and descending to continue the song. Note that you should use your gravity and centrifugal force without depressing your arm.

Step 2: Assign the feeling of step 1 to the steps so that the steps continue in a large circle, and practice the steps to keep the song from breaking.

The timing of this step is repeated so that the brain can fully recognize it, and even when you are not walking, you can continue the rhythm naturally by using the sense and timing of walking.

Any rhythm song only shows the difference in velocity and does not deviate from this law.

T-1. Running rhythm

Running rhythm replaces the metronome's BPM with the speed of the running rhythm so that the rhythm of the desired place can be understood as a sense of walking so that the sense of speed can be applied to the song after the treadmill is finished.

U. 4 delivery powers using situation play

This corrective method, for example, provides the most ideal and natural delivery power through the contextual drama of the feeling of reading a Korean book, the drama of the feeling of narration, the drama of the feeling of musical, and the context of the feeling of singing existing songs. I can speak it.

It analyzes and understands the lyrics, practices the feelings of each situational drama, and directs the song's natural delivery power to match the focus of the situational drama between the musical and the existing song.

V. Molestation

Most people who do not recognize their voice accurately have the singer's voice imprinted on the brain. As a result, when I sing, I do not speak of vibrations and resonances focused on me, but instead of speaking with singers.

Since the voice and the singer's music enter the brain at the same time, you never know how you feel about singing in your own voice.

However, she sings the song with the feeling of the resonators of L, M, and O, and is fully aware of the difference between the voice when recording and monitoring and speaking with a sequencing program and the voice inserted into the resonator. If you sing as you live, you will be able to reinterpret your voice in any way you can.

1: Vocal Training System
10: recording module 20: waveform detection module
30: waveform analysis module 40: storage unit
50:

Claims (7)

A recording module for recording and storing the section utterance by the song or reading of the corrector for the set sampling section;
A waveform detection module configured to waveform the interval vocalization recorded by the recording module and detect the waveform as an initial section waveform;
And a waveform analysis module extracting exemplary waveforms of the skilled person's interval utterance for the sampling interval from the storage unit and displaying the waveforms in comparison with the initial interval waveforms.
At the plurality of time points during which the calibration region is in progress or the completion of the execution, the additional section waveform of the corrected person is recorded in the sampling section and detected as an additional section waveform, and then compared with the initial section waveform and the exemplary waveform. And displaying it on the display unit, thereby allowing the corrected person to visually recognize the degree of correction and whether or not it is corrected. The method of claim 1,
The calibration region is classified into one or more of the vocal cord calibration region, the resonance calibration region and the air pressure control calibration region, characterized in that the vocal practice vocal training system. The method of claim 2,
The waveform analysis module, when the contrast between the initial interval waveform and the exemplary waveform or the contrast between each additional interval waveform and the exemplary waveform, the vocal training system according to vocal practice, characterized in that for displaying the matching ratio for each calibration region. The method of claim 3,
The waveform analysis module is a vocal practice vocal training system, characterized in that for generating the scheduling according to the calibration sequence for each calibration area according to the matching rate and display on the display. The method of claim 2,
The correction method of the vocal cord correction region includes vibration maintenance method (A), vibration maintenance and laryngeal position correction method (B), larynx relaxation method (B-1), vibration maintenance and muscle relaxation method (C), and vibration maintenance using recoil of the vocal cords. And facial expression relaxation (D), vibration maintenance and posture relaxation (E), vibration maintenance and brain cognition (F), diaphragm pressure method through unconscious breathing and abdominal relaxation (G), middle ground of 'AND FOR' vocal cord Utilization (H), black voice application of the vocal cords (I), 'Umm ~' humming vocal cords of the front application (J), 'prick' gate close sensation (K), nasopharyngeal cavity resonance (L) , Nasal Resonance Sensing (M), 'DREAM' Nasal Retracting (N), Estimation (O), Roller Coaster (P), Diaphragm Pneumatic Reinforcement (Q), Resonator (R), Brain At least one of the image pitch (S), the 'GROOVE' syllable law English-speaking rhythm (T), the running lit (T-1), the four transfer force methods (U) using the situation play, and the esoteric ratio method ((V) Containing Vocal training system by vocal practice, characterized in that. The method of claim 2,
The calibration method using the resonance calibration region, nasopharyngeal cavity resonance (L), nasal resonance sensory (M), 'DREAM' nasal resonance pulling method (N), the peak vocalization method (O), roller coaster method (P) And a diaphragm pneumatic strengthening method (Q) or a brain image pitching method (S). The method of claim 2,
The calibration method using the pneumatic pressure correction region, resonator (R), 'GROOVE' soft-sounding English rhythm method (T), running rhythm method (T-1), stool escape ratio ((V) Vocal practice vocal training system comprising a.

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