KR20120075699A - Resonance reinforced musical instrument and resonance reinforcement method of musical instrument - Google Patents

Abstract

PURPOSE: A resonance reinforcing method of the musical instrument and the musical instrument in which the resonance is reinforced are provided to obtain the excellent resonance and express a phonetic value having reverberations because a conductive medium silicon mixture is supplied to an internal surface and an external surface of the musical instrument. CONSTITUTION: A resonance reinforcing method of the musical instrument is as follows. The musical instrument is composed of a brass, a woodwind, non-electrical stringed instrument, and keyboard instrument. A conductive medium in which one or more among the platinum, gold, silver, copper, nickel, bronze, brass, packfong, phosphor bronze powder are included. The selected conductive medium and one selected among silicon, glue liquid, and an adhesive are mixed at a rate of 2:8, thereby being stirred. The stirred mixture is heated for 5 to 20 minutes at a temperature of 80°C. The heated mixture is solidified to a solid by naturally cooling. The solidified mixture is molded in a predetermined shape.

Description

Resonance reinforced musical instrument and resonance reinforcement method of musical instrument

The present invention relates to a method for reinforcing the resonance of the instrument that can enhance the resonance of the sound produced from brass, woodwind, non-electric string and keyboard instruments, and more specifically, the internal or external of the non-electric instrument Resonance reinforcement method and the resonance-reinforced instrument of the instrument that can be provided by mounting or attaching the conducting medium silicone mixture to enhance the resonance of the sound produced from the instrument.

As is commonly known, brass is a generic term for a group of wind instruments in which the coffin is made mainly of brass and produced by the vibration of the lip of the player. The instruments include trumpet, trombone, horn, tuba, euphonium, sousaphone, cornet, and french. Horns, Flugelhorns, baritones, etc., the source of vibration is the lips of the performers, and brass instruments are not completed until they are combined with the lips of the performers.

Woodwind instruments are the general term for wind instruments made of wood, and today they use metals, plastics, and the like in addition to wood. In Western music, flute, oboe, clarinet, bassoon, and saxophone are included, and Korean instruments include Daegeum, Junggeum, Salt, Flute, Tunso, and Danso. Saxophones are all metal but are classified as woodwind instruments by structure.

Woodwind instruments can be distinguished from having no lead (flute, price, etc.), having one lead (clarinet, saxophone, etc.), and two having a lead (oboe, bassoon, etc.).

Western instruments include flute, oboe, clarinet, pagoda, saxophone, and bassoon, and Korean instruments include Daegeum, Junggeum, Salt, Flute, Tunso, and Danso. But today's flutes are almost metal, and saxophone, clarinet and contrapagot are also metal. Saxophones are all metal, but are single-reed instruments such as clarinets, and are treated as woodwind instruments because their use and structure and performance are similar to clarinets. The source of the woodwind sound is the player's breath, which causes vibrations inside the woodwind instrument to generate sound and make it into a musical sound.

Non-electrical strings are general terms for instruments whose vibrations are made by playing or turning strings (strings). Western instruments include violins, violas, cellos, and Korean instruments such as lyre, gayageum, Agen, Haegeum, and Yanggeum. Stringed instruments are divided into three types: an expressive instrument that is struck by fingers, fingernails, and peaks, a string instrument that makes a sound by rubbing with a bow, and a percussion instrument that produces a sound by striking.

Non-electric keyboard instruments are general terms for instruments that are operated by playing keys, and organs, pianos, and the like are included.

Among the musical instruments provided as described above, the brass instrument blows breath from one of the tubules (管 身) to make a sound by the vibration of the two lips of the player. The whole instrument was made of copper alloy or silver, and the sounding side was in the shape of a morning glory. These are divided into horns, trumpets, and trombones by the shape, sound quality, and function of the mouthpiece.

All brass instruments today use pistons, keys, slide bars, etc. to produce semitones, originally relying only on harmonics by the length of the tube. Signal trumpets or the Alpenhorn are examples, and the thinner and longer the tube, the higher the harmonics.

The brass instruments were primitive, starting from the horns and horns, and there was a record that the brass was made in the Hebrew period, and the long crown was used in the Roman period. In the Middle Ages, slides were invented on trumpet trombones, and by the 17th century, the method of finger-finding or keying, and from the eighteenth century on pistons or rotating plates.

In addition, the brass instrument is the loudest, loudest and straightest in the orchestra is placed in the rear seat, is used to strongly express the overall sound of the orchestra, is one of the instruments used in the military band.

Physically, sound is a vibration in the air. The sound of the musical instrument provided as described above, that is, the sound of all the instruments delivered to the ear by a person uses the vibration of air. Sound is a scientific phenomenon that listens to vibrations of objects in the air through hearing organs.

Sound generated through the performance of the musical instrument provided as described above is to use the vibration phenomenon.

As described above, music through sound using air transmission is the art of sound, and musical sound and all sounds are derived from vibration of air.

The instrument is a regulator for controlling the vibration, a tool for changing the vibration into a musical sound using the effect of the vibration.

In other words, the performance music is also using the vibration phenomenon in the air, the performance is a physical phenomenon to hear the vibration phenomenon using the instrument through the auditory organ through the medium of air.

As described above, by converting vibration into sound and expressing it as a performance, the root of musical sound and the root of the performance are derived from the vibration, and the core principle of controlling the sound quality and the sound of the instrument, the technique of controlling the vibration, is a musical tool. It can be said.

More specifically, making sounds changes the air pressure, and these changes change the air density, which is called sound when the vibrations of the air particles move to the human auditory organs. The vibration of the air is a musical sound.

At this time, the sound of the instrument goes through three stages of occurrence-propagation-disappearance in time. From the perspective of the instrument player, the sound generation stage is important among the three stages of sound generation.

The source of the woodwind sound is the player's breathing, so the player's breathing is important in the performance, and the technique of amplifying the volume to generate vibrations and make the music sound inside the woodwind instrument The technique of increasing the sound quality with the technique of making the tone beautiful and elegant in woodwind instruments is the technique to increase the sound quality, and to broaden the dynamic range to express freely from the soft to the high sound by using the breath. .

The vibrations of air flows, such as the saxophone, flute, clarinet, oboe, bassoon, woodwind instruments, vocal cords, and strings of violins, are self-oscillating. Energy is constantly supplied from the outside to maintain the vibration of the vibrating body, but the period or amplitude is determined by the interaction of the vibrating body and its surrounding conditions. In addition, damping vibration is the disappearance of vibration in the natural state.

Except for special cases, there is a limit to generating sufficient vibration only by the breathing of general wind instrument players, and the sound quality is improved with a new technology that improves the sound by improving the periodicity of vibration by inserting an energized medium into the part acting as a sound board. It can be provided.

In addition, resonance or resonance means that the vibration energy of an object is absorbed by another object and the object vibrates. In particular, energy transmission is easy when the vibration bodies are connected to each other. Resonance means that vibrations are transferred through the transmission of vibrational energy. At this time, when the frequency of the original vibration energy and the natural frequency of the object receiving the vibration energy are close, a larger resonance effect can be obtained.

That is, the lack of vibration consisting of the player's breathing and the instrument itself transmits the energy of the energizing medium to the instrument body to fill the lack of vibration energy caused by the player's performance, and maximizes the vibration to increase the periodicity of the vibration, It is designed to provide a high quality sound with a balance of the balance such as the balance of the bass, middle and high pitches of each part, and to provide high quality sound.

Musical instrument performance such as the above is to control the vibration to change the artistic sound, to express the vibration as an artistic sound and to express emotions, the sound is enhanced by enhancing the vibration, it is a good performance to use this sound artistically will be.

In other words, if the vibration is made stronger and more periodic, a single and regular vibration can be generated, resulting in a single, clear and clean sound, that is, a good musical sound. It is better to do it, and when used in part on the key parts of sound and loudness amplification, it can generate stronger vibrations and become the basis for better musical performance. This increases the responsiveness of the instrument to mitigate the phenomenon of slipping, and makes it easy to produce three-octave 'sols' and bass 'les' that are difficult for ordinary players. In addition, the sound is good and the connection between notes is smooth and natural.

In order to amplify the volume, change the tone, and express the pitch of the pitch (reverberation time) in order to provide a good musical performance as described above, the periodicity of the vibration must be high, and the essential part of the amplification of the vibration is responsible for the amplification. It is possible to increase the volume, increase the sound, and express the pitch well by maximizing the resonance effect and increasing the periodicity of vibration by strengthening the direct connection effect by inserting the metal mixture of the conducting medium inside the pad cap of the woodwind instrument. There is a need for a technique for changing the tone according to the composition of the energizing medium.

A good musical instrument as described above is a musical instrument that has good sound quality, good tone, rich volume, good sound, and good resonance.

In addition, an instrument having good sound quality and sounding well refers to a musical instrument whose periodicity of vibration is regular, that is, an instrument that has a regular periodicity of vibration and a good periodicity of vibration. Instruments with regular periodic vibrations have a clear sound.

Accordingly, the method of increasing the periodicity of vibration by increasing the vibration intensity in the instrument is a key principle to make a masterpiece and an important topic of research.

In addition, how to create and adjust the tone is important.

So far, the sound has been trying to solve only the material of the instrument. Of course, the material of the instrument is a basic problem, but the tone of the instrument varies depending on the method of selecting and using an energizing medium in the part of the instrument as well as the sound board, and the tone can be changed more directly. Depending on the taste of the performer, the tone style can be produced in a variety of cool, serious, cool and serious, bright and dark.

In general, periodic sounds are musical sounds, and nonperiodic sounds except percussion instruments are noises. Instruments without percussion instruments play musical instruments using pitches (pitch and pitch) of sounds. Musical instruments with (pitch and pitch) have periodic vibrations such as brass, woodwinds, non-electric strings and keyboards, and use these periodic vibrations to make sounds and adjust the sounds to express musical sounds and performances. It is.

The above-mentioned technology is a technique that can amplify the volume through reinforcement of resonance, make a musical instrument with a good tone and a periodicity of vibration, make a so-called sound or sound that is worth more than the instrument, and the sound of woodwind instrument In order to improve the quality, simply express the vibration intensity and the periodicity of the vibration in accordance with the type and amount of the metal of the conducting medium is a technology that makes a good vibration, good sounding woodwind instrument.

In improving the sound of such music, all kinds of sounds, including music, come from "air vibration", which is why acoustic experts regard music as one of the vibrations occurring in the air.

More specifically, "sounding" causes a change in pressure in the sound source and the air around it, and this stimulus causes the particles of air to move by changing the density of the surrounding air.

This vibration gradually spreads through the surrounding air and when we finally detect this vibration by our human auditory organs, we call it "sound."

The vibration mentioned above is largely divided into a sound having "periodicity" and an "aperiodic" sound using an acoustic term.

As described above, the vibration is periodic means that the vibration is repeated regularly and equally. The sound from these vibrations is referred to as musical notes. The distinction between music and non-music is based on regular and smooth vibrations. The sound of the sound is called a sound when the period of vibration is high.

 Aperiodic sounds do not have a constant pitch. The acoustic distinction between music and noise can only be divided by the periodicity of vibration.

Percussion instruments are sounds of aperiodic vibrations and have no pitch (pitch and pitch). Brass, woodwind, non-electric strings and keyboard instruments are sounds of periodic vibration and pitch (pitch and pitch).

 In this case, that a vibration has a periodicity means that the same type of vibration is continuously and regularly repeated.

Since the person who plays the above cannot apply the exact same force over and over again, the notes used in the music played by humans cannot be exactly the same every cycle. Woodwind or non-stringed string players do a lot of practice for this. Long-toning exercises, which are performed by wind musicians, and bow movements by string players, are practiced to produce a constant sound through regular vibrations.

However, if you create an instrument with a high periodicity of vibration, the player can produce a constant and stable sound more easily, so that the performer can shorten the practice time and play a higher level faster. The instrument responds as easily as you want, and each part (bass, mid, high) sounds well and the sound quality is clear, as the player intended. It can be said that the instrument is a fundamental and essential material for producing a musical instrument with regular vibration and a musical instrument with regular sound, that is, a sound instrument with excellent sound quality.

 Increasing the periodicity of the instrument's vibration as described above increases the dynamic range so that the pitch (high and low) is well expressed from low to high, and the volume is rich, and the note (time of note) has enough free time, and the tone is It can be changed smoothly and clearly and clearly, and the periodicity of the vibration can be strengthened by resonating effect and enhancing the periodicity of vibration by directly assembling the energizing medium metal directly inside the sound plate.

The important content here is that the energizing medium metal should be used closely on the 'inner surface' or 'outer surface' which acts as the resonance part, the sound box, and the sound plate to enhance the resonance effect of the instrument and improve the sound quality. This is because the resonance effect is maximized when the two media are directly connected.

However, the brass and woodwind instruments classified as described above are difficult for the general public to play. Particularly, the existing woodwind manufacturing technology makes the overall appearance by making the overall appearance, but partially the pitch (high and low) and the volume (negative There was a lack of technology for finely controlling and adjusting the sound quality, such as strength and weakness, tone value (tone duration) and tone color (tone color).

As a result, the existing brass and woodwind instruments have less noise and reverberation, a narrower sound range, a narrow dynamic range capable of producing strong tones, and a low balance of pitches, low volume, unclear sound, and turbid disadvantages. It appeared.

In addition, there are disadvantages of the balance between the volume and sound quality of the bass treble that is good and the range of the sound that is not so good, and the sound is coarse and smooth, there is noise, the volume is low, and the specific part of the bass and mid treble It does not come out well and does not respond as quickly as the player intended, and the sound does not sound correctly.The sound and sound are insufficient, so the sound is hard for the audience to hear, especially when the performer breathes with insufficient vibration when playing the woodwind player. This is frustrating, difficult, and difficult to express. This problem occurs because of insufficient vibration of the instrument, weak vibration strength, and irregular vibration of each band. Since there was no technology to control the vibration, this problem could not be solved. It is possible to control the intensity and vibration time, so that the sound quality can be improved from low-definition sound quality to high-definition high sound quality, and a good sound quality instrument can be made.

The non-electric string instrument implemented as in the present invention is capable of performing a variety of instruments such as violin, viola, cello, double bass, acoustic guitar, non-electric keyboard instruments such as piano, organ, non-electric brass instruments also excellent resonance through the present invention It is possible to provide.

Among the musical instruments provided as described above, the violin is largely a peg, a bridge, a sound post, a finger board, a center of a body, and is combined with a front plate, a side plate, and a rear plate to form a single body. It consists of a sounding box (sounding box) and the like.

The pegs may easily slip or not move easily due to changes in humidity.

If the bobbin slips as above, pull out the bobbin and rub it lightly with steel wool or fine sandpaper, and if the bobbin does not move well, dry it on the part where the peg and the peghole touch. Applying soap or pegdope can help to soften the movement.

Depending on your needs, you can simply use chalk or 4B pencil. Too often, the pegbox becomes a fragile problem.

In addition, the bridge (bridge) is an important part of the non-electric string instrument that determines the height of the strings, and controls the sound by connecting the strings and the instrument.

The curve of the bridge should be in the shape of an oval so as not to touch other strings when playing. In the violin, the G line is higher than the E line, and in the cello, the C line is made higher than the A line.

In addition, the bottom of the bridge (bridge) should be in close contact with the surface of the instrument exactly, and because it is inclined toward the fingerboard when tuning to adjust the position of the bridge after tuning to prevent the bending of the bridge.

The position of the bridge (bridge) is configured as described above is usually 19.5cm from the front end of the violin, the cello 40 ~ 41.5cm is configured to be located in the center of the F-hole.

In addition, the sound post is contained in the sound box, which is invisible, but directly affects the sound and provides a role of changing the tone, and both ends of the sound post must coincide with the curve inside the instrument, It needs to be built correctly, and separate management is required depending on the season of severe weather changes such as summer and winter.

By changing the position of the sound post, the sound can be strongly and smoothly adjusted and the balance of the sound can be adjusted.

In addition, the fingerboard is slightly convex in order to make the sound strong and clear, and after long-term use, the fingerboard may be worn out on the line, causing buzz or roughness, so the pitch may be inaccurate. do.

In addition, the string (string) is generally changed every three to four months, it is recommended to replace immediately if the practice time is increased or the string surface is worn out with the naked eye.

In addition, the strings should be cleaned after use, and when changing strings, all four strings should be changed to provide excellent sound effects.

On the other hand, the internal structure of the violin consists of a bass bar (bass bar) and a sound post (sound post), the support bar plays a very large role in the violin production, the support bar (bass bar) is made of pine at least It should be at least 2/3 of the body length. It sticks slightly to the left side of the front plate so that the entire front panel can be evenly vibrated.

The sound post is made of pine and is a small round bar placed between the front and rear plates at the right few mm of the bridge. The brace posts transmit the vibrations of the front plate to the plate because the plate is made of solid maple and cannot vibrate on its own. The f-holes are two holes for resonance and are called f-holes in shape.

Bridge has the advantage that both material thickness and height are important, and low bridge is easy to press string, but when string is stretched due to climate change, it is hard to play fingerboard.

The neck is determined by the length of the torso of the instrument, and too long or short the neck may cause the violinist to lose his sense of proper fingering. Also, if the neck is too thin or too thick, it may be difficult to hold notes properly or the left hand may be tired easily.

The end pin is like a thin wooden stick attached to the bottom of the center of the side plate of the ring, and hangs with the tailpiece's clinch. In general, the tip is rubberized, and this thin rod-shaped tip serves to support the entire violin. The position of the violin and the player's posture vary depending on the length adjustment of the end button. Therefore, the player needs a position to play the violin in a natural and stable manner, and the pitch generated by the player's posture and position is high or low.

Thick plates are usually made of maple and are not made of one plate, but are often glued with two plates. Of course, there is also a plate.

The side plate serves as a connection between the front plate and the rear plate, and is made of very thin maple leaves, and can be changed variously in the sound of the violin by a little indistinguishable movement.

And the acoustic guitar of the musical instrument provided as described above has the following components. Acoustic guitar is composed of ring, neck, finger board and head.

The echo box or the neck and the fingerboard of the acoustic guitar are all closely related to the sound of the instrument, and the ringer provides a role of making the sound ring by making the ring larger, and the neck or fingerboard plays a role of delivering the sound of the sound to the ringer. will be.

The use of each part of the said vent guitar is as follows.

Head: place the bobbin and transmit the ringing to the neck.

File Reel: This is a device for winding strings, which is used for tuning.

Neck: Fingerboard is attached, and the fingerboard bends or sustains the tension of the string, and plays the role of transmitting sound to the ring.

Fingerboard: The fret is embedded and plays the role of transmitting sound to the ring.

Fret: Determines the pitch.

Nut: This is where the actual beginning of the string begins.

Ringing box: It plays a role of sounding out the sound through the ringing hole.

Ringing hole: It plays a role of sending out the ringing sound from the ringing box.

Bridge: It supports the strings. It delivers the sound of the prefecture to the ring and is the end of the guitar.

String fixing pin: It fixes the string to the ring.

Tail pin: acts as a support for tying a strap (shoulder strap) or setting up a guitar.

Truss Rod: Enters between the neck of the guitar and the fingerboard and corrects when the neck is bent.

An important factor in aeration guitars generally depends on what wood is used.

In addition, a brief description of the wood used for aeration guitar and its features are as follows.

Depending on the characteristics of the wood, the wood has its own sound characteristics, but the sound may be expressed differently according to various environmental conditions such as the dryness and quality of the material.

1.engleman spruce

Generally, it is softer and weaker than other trees.

When using this material, the finish should be different from that of other spruce materials.

The color is clean and bright, so it is widely used as a material for electric guitar boards.

2. sitka spruce

It is a kind of spruce, and because it is light and hard, it is considered as the best material used for the sound board (= top board).

The sitka spruce has a reputation for its moderately clear sound and its balance, and its resonance makes it a popular choice for electric guitars.

3. koa

It is a kind of Hawaiian acacia tree, and its pattern is beautiful, and its weight is moderate or a little heavy, but it is widely used for ventilation guitars.

A warm tone similar to mahogany, but with a brighter tone.

4. Maple

Maple trees are decorative in appearance and are often used in genres that require noise effects and short-lasting notes.

5. mahogany

It is a evergreen and tall tree with Danyang, with a loud sound and clear and high tone.

Although it is less dense and stronger than maple, it is a very popular wood as a guitar material, and its shape is strong, strong, and slightly heavy.

Mahogany also has a warm and heavy tone, and there is a gap between the grains of wood, so the mahogany needs finishing work to fill the gap.

Acoustic guitars are made of more than 90% wood, so depending on which wood you use a lot affect the sound quality of the guitar. Among the timbers that make a guitar, the wood of the front panel which accounts for most of the sound of the guitar is the most important. However, the overall quality and timbre of the guitar is determined by how to use wood suitable for the characteristics such as wood and fingerboard as well as the front plate. And drying is another way depending on whether it is natural or artificial.

The commercial grades of the various grades of the wood plates will be displayed. The higher the grade, the higher the price of the timber, and the greater the value of the guitar with the same grade, even with the same specifications.

As discussed above, the timber itself is important. In the past, only the quality of the wood itself was emphasized. Wood has lacked research on how to amplify resonances by transferring energy according to additional work methods. In addition, the technology of mounting or attaching the conducting medium silicone mixture to the inside of the sounding chamber of the guitar, which is responsible for resonance, regardless of the type and condition of wood, further amplifies the resonance to increase the vibration strength to make a single vibration state. You can make a clearer sound by the wavelength.

Also, non-electric pianos currently have grand pianos that play strings horizontally and upright pianos that play vertically.

The latter is an informal simplified form in which the tone, volume, and pronunciation mechanism are less than the previous one, and are mainly used for home and practice.

Conventionally, there was a square piano in the form of a rectangular table, which was almost hidden in the late 19th century. The string is made of special steel specially for one note (one case) and one string or two strings in the bass section, and three strings in the middle and treble section, and the strings are in strong tension between the hitch pin and the tune.

The vibration of the string caused by the hammering string is transmitted to the sound board made of thin wood through the chock to make a sound. When the player presses the gun with his finger, the hammer strikes the string by the escapement. The hammer is moved by a squeezing lever (jacque) which, when the hammer approaches the string, is released and the hammer is then formed by inertia. In addition to the lever (Jacque), the grand piano also has another lever called the repeating lever, which enables stable and rapid repetition. The upright fino does not have this second lever, so fast iterations are unstable (single escapement).

The damper is peeled off in accordance with the hammering string to enable pronunciation, and when the hammer bounces off the string, the damper falls on the string and stops sounding. Therefore, in the performance of the piano, when the finger is released from the keyboard, the sound does not sound immediately by the action of the damper, and as long as the key is pressed, the damper is peeled off and the sound continues for a long time.

This gives the piano a wide range of effects, from light staccato to legato that seem to sing. The pedal usually comes with two pedals. If you press the damper pedal on the right side, the damper of all the strings will fall off from the string all at once, so even if you take your finger off the gun, the sound will continue, and the strings of the strings other than the hit string will also cause resonance.

Playing the piano depends on how to use the right pedal, along with the method of keystroke. The left pedal is called a soft pedal, which decreases the volume as you press it. In the grand piano, pressing the left pedal moves the entire keyboard and other strings to the right slightly, corresponding to each key, and only one string of the three or two strings is not hit by the hammer, so the volume and tone change. In the case of the upright piano, the hammer rail moves, which shortens the movement distance of the hammer.

When you press the three pedals, a thin felt is inserted between the hammer and strings, dampening the sound. This is not a performance effect, but a device to avoid piano pollution during practice. Pianos, unlike non-electric stringed instruments such as violins, are fast-consuming due to the strong tension of the strings. In addition, the use of the tone rate is abnormal depending on the use, so tuning is required according to the frequency of use.

The piano is probably one of the world's most well-known instruments, and the standard piano boasts a wide range of pitches from thick, long bass A to thin, short strings C. From quiet pianissimo (very generously) to fierce fortissimo (very world), it is easy to express the change of calculations and play several notes at the same time.

Today's piano strings are made of solid, high-strength steel. There are three strings for each key, but two or one string of copper is used for the bass. The pitch of a string is determined by its length and the degree of tension.

The treble strings are shorter, and the bass strings are more than about 73.5 cm long.

The strings of the grand piano are laid horizontally, while the upright piano is vertically positioned due to the floor space.

[keyboard]

The standard piano has a total of 88 keys. Each key is connected to the hammer through the lever structure so that the hammer hits the strings with a finger press. At the same time, the damper holding the string is removed from the string so that the vibration of the string generated by the hammer impact can be continued.

Formerly white keyboards were made of ivory, but plastics are used today, while black keyboards were formerly ebony, but now they are made of dyed pears.

[hammer]

The hammer, located below the strings, is felt tightly wrapped around the end of the bar, and the volume of the sound depends on how fast the hammer hits the strings. To make the sound louder, increase the multi-string speed. Conversely, to play with the soft sound, slow the speed of the string.

On the other hand, the structure, performance and form of the non-electric keyboard, the piano, are as follows.

1. Structural Cotton

(1) Pronunciation mechanism: strings, sound board

(2) Other Strings: Keyboard, Action

(3) Pedal mechanism: damper pedal, soft pedal, muffler pedal, sostenuto pedal

(4) exterior

2. Performance aspect

(1) Structural surface: Back side of piano (back holder-UP, bottom holder-GP), steel frame, pin plate, etc.

(2) Parts directly related to sound: acoustic boards (strings), strings, hammers, etc.

(3) Mechanical parts: keyboards, actions, pedals, etc.

3. Morphological

(1) Grand (balance): concert type, semi concert type, baby type, etc.

(2) Upright type (Vertical type): Spinnet type, Console type, Studio type, Hole size type, etc.

Among the non-electric keyboard instruments, the acoustic board installed on the back of the string of the piano acts as a resonance board, receives the vibration of the string, which is a resonance generator, and selectively reacts by combining the wood characteristics and characteristics of the acoustic board. As a result, the sound varies.

In addition, in the piano, when a key is pressed, a part of the vibration (sound) starts and plays a role in amplifying the vibration, which is an acoustic board, and the acoustic board is a vibration amplifier in charge of resonance enhancement. The piano's sound board is a vibration amplifier that has a large surface and stimulates a large amount of air.

In general, resonance is effective when two objects are directly connected.

Resonance phenomenon refers to a phenomenon in which the vibration system receives an external force periodically having the same frequency as its natural frequency and increases in amplitude. This can be used to amplify a weaker wave into a larger one. In the case where the vibrating bodies are connected to each other, if both frequencies are the same, resonances tend to exchange energy with each other.

Except for special cases, no matter how good the sound box and sound plate wood, the internal sound of the wood alone, the limit of vibration, and the strength of vibration and periodicity of vibration is low. The irregular vibration of the instrument makes the sound not clear, rough sounding, and annoying notes. Also, the duration of the note is not enough and the volume is not enough.

In the case of low quality wood, the problems of the wood itself for the sound box of the non-electric string instrument and the acoustic panel of the non-electric keyboard instrument cannot be overcome. In addition, even a high quality sound box and sound plate wood, the strength of vibration is weak and the periodicity of vibration is low by the vibration of the wood itself.

The brass, woodwind, non-electric string and keyboard instruments as described above are similar in overall sound depending on the material, size and shape of the instrument, the taste and performance of the performer, but have different pitches and pitches. Time), volume (sound intensity), tone (color of sound), etc., cause a difference in sound quality.

Resonance, which is one of the parts that influence the sound quality of the instrument, is distributed in several places.In particular, in brass instruments, the inner surface, in the case of woodwind instruments, between the cap holder and the pad and in the inner surface, and in the case of non-electric string instruments , Bridges, sound posts, bass bars, end pins, and non-electric keyboards, acoustic plates can play an important role.

The temporal stage of the sound of the instrument is three stages-propagation-extinction. In the musical instrument, the generation of musical instrument sounds can be divided into two stages: the generation of musical instrument sounds and the amplification of musical instrument sounds. Instrument sounds are amplified in the instrument itself after vibrations occur in the instrument. The propagation and extinction phase of the instrument sounds is a stage in which the sound goes out of the instrument, so the improvement of the instrument performance is important in the generation-amplification stage of the instrument sound. The sound of the instrument is generated by the touch of the player's keyboard, the movement of the bow by the stringer, the breathing of the player by the wind instrument, and the amplification of the sound within the instrument itself. The main widths of the sounds for each instrument are as follows. The main amplification part is string rings for ringing instruments, wind instruments for internal and key mechanisms, and pianos for sound boards. Therefore, to improve the sound quality of the instrument, various other parts also work on the resonance reinforcement, but it is the main part and the effect is to work mainly on the energizing medium energy of the instrument sound amplification part. In order to improve the sound quality of the instrument, the main work of the energizing medium that plays the role of vibration energy in the amplification part of the instrument is to improve the sound quality of the instrument. The sound can be enhanced by enhancing the vibration intensity and the amount of vibration.

The main part is to work on energizing medium energy in the area corresponding to the musical sound amplification part. The amplification part of the sound of the instrument is the key mechanism and the inside of the woodwind instrument, the brass is the inside of the instrument, the sound board of the piano, the sound box of the string instrument. Sound quality can be improved by adjusting the subtle components of the sound, such as volume, length, and timbre. The propagation and extinction phase of sound is the process of processing sound through electric sound equipment, and extinction is a field corresponding to spatial acoustics such as a performance hall.

However, for the above instruments, existing musical instrument manufacturers or general users of the instrument only make or evaluate the whole instrument, and the subtle elements and sound quality of the sound such as volume size, length of sound, change of color, and expansion of the range are delicately expressed. There was a lack of technology that could be controlled and controlled, and there was a lack of systematic research and technology on the technology development of the method of reinforcing resonance.

In addition, the sound change technology of musical instruments has been developed through electric devices such as amplifiers and effects devices. Controlling and changing techniques are still underresearched.

Although a technique for reinforcing resonance for some instruments has been disclosed by a musical instrument expert, it is repeated by plating or applying an energizing medium on the inner and outer surfaces of the part responsible for the resonance of the instrument, thereby increasing the vibration strength. By providing the effect of increasing the periodicity of the vibration, users can practice and play more easily, and by adjusting the vibration intensity in part according to the amount and type of energizing medium, it is possible to adjust the parts of sound quality in various styles. It is known to have produced.

The present invention does not use a method of plating and applying an energizing medium to a portion responsible for the resonance of the above-described instrument, and includes platinum, gold, silver, copper, and nickel on the portion responsible for resonance including the inner and outer surfaces of the instrument. To enhance the resonance of the instrument by providing a solid conducting medium silicone mixture, which is formed by mixing and heating silicon and then solidifying the conducting medium containing any one or more of bronze, brass, white copper, and phosphor bronze powder. In this way, from irregular vibrations to regular vibrations, the poor sound due to the weak vibrations can enhance the vibration intensity and the vibration amount to produce a more rich sound. In other words, regular vibration makes it possible to produce high-definition sound quality without noise.

Therefore, an object of the present invention is a platinum, gold, silver, copper, nickel, bronze, brass, copper bronze, The present invention provides an excellent resonance medium of an instrument by providing a conductive medium silicone mixture formed by mixing and heating silicon and then solidifying the conductive medium composed of any one or more of phosphor bronze.

Another object of the present invention is to provide an excellent resonance of the instrument by providing the electrification medium silicone mixture in any one of the solid mass formed in powder, wire, plate, ingot form.

Still another object of the present invention is to mount or attach the conductive medium silicone mixture on the inner surface or the outer surface of the instrument so that the resonance of the instrument is excellently produced.

Still another object of the present invention is to form a groove on the inner surface of the instrument to mount or attach the conductive medium silicone mixture so that the resonance of the instrument is excellent.

Still another object of the present invention is to allow partial adjustment of sound quality by partially adjusting the vibration intensity according to the amount and type of energizing medium provided on the inner surface or the outer surface of the instrument. It is to provide an instrument that can further amplify the existing vibration of the sound and enhance the resonance.

Resonance reinforcement method of the instrument and the resonance-intensified instrument according to the present invention for solving the above problems,

In the resonance reinforcement method of the instrument to enhance the resonance, the instrument is composed of brass, woodwind, non-electric string and keyboard instruments, the inner surface of the instrument platinum, gold, silver, copper, nickel, bronze, Electrification medium selection step comprising any one or more of brass, white copper, phosphor bronze powder; A mixture agitating step of selecting any one of the selected electrification medium and silicone, a glue solution, and an adhesive solution to mix and stir at a ratio of 2: 8; A heating step of heating the stirred mixture to a temperature of 80 ° C. for 5 to 20 minutes; A solidification step of naturally cooling the heated mixture to solidify it into a solid; Forming the solidified mixture into a predetermined shape; and sequentially conducting the conducting medium silicone mixture formed by any one of insertion and thermal fusion, characterized in that the resonance reinforcement method of the instrument and the resonance reinforcement manufactured by the method It is characterized by a musical instrument.

In the resonance reinforcement method of the instrument to enhance the resonance, the instrument is composed of brass, woodwind, non-electric string and keyboard instruments, platinum, gold, on any one or more of the inner surface and the outer surface of the instrument Electrification medium selection step of any one or more of silver, copper, nickel, bronze, brass, white copper, phosphor bronze powder is selected; A mixture agitating step of selecting any one of the selected electrification medium and silicone, a glue solution, and an adhesive solution to mix and stir at a ratio of 2: 8; A heating step of heating the stirred mixture to a temperature of 80 ° C. for 5 to 20 minutes; A solidification step of naturally cooling the heated mixture to solidify it into a solid; A molding step of molding the solidified mixture into a predetermined form; the conducting medium silicone mixture sequentially formed is attached to any one of silicon, glue, bond, and an adhesive tape by means of resonating the instrument. It is characterized by a method of strengthening and a resonance-enhanced instrument produced by the method.

Resonance reinforcement method of the reinforcement of the musical instrument, the instrument is composed of brass, woodwind, non-electric string and keyboard instruments, by forming a groove on the inner surface of the instrument platinum, gold, silver, copper, Electrification medium selection step of any one or more of nickel, bronze, brass, white copper, phosphor bronze powder; A mixture agitating step of selecting any one of the selected electrification medium and silicone, a glue solution, and an adhesive solution to mix and stir at a ratio of 2: 8; A heating step of heating the stirred mixture to a temperature of 80 ° C. for 5 to 20 minutes; A solidification step of naturally cooling the heated mixture to solidify it into a solid; A molding step of molding the solidified mixture into a predetermined form; and sequentially conducting the conductive medium silicone mixture formed by any one of insertion and thermal fusion, and the method of resonating the resonance of the musical instrument manufactured by the method It features an enhanced instrument.

Resonance reinforcement method of the reinforcement of the musical instrument, the instrument is composed of brass, woodwind, non-electric string and keyboard instruments, by forming a groove on the inner surface of the instrument platinum, gold, silver, copper, An electrification medium selection step in which at least one of nickel, bronze, brass, white copper, and phosphor bronze powder is selected; A mixture agitating step of selecting any one of the selected electrification medium and silicone, a glue solution, and an adhesive solution to mix and stir at a ratio of 2: 8; A heating step of heating the stirred mixture to a temperature of 80 ° C. for 5 to 20 minutes; A solidification step of naturally cooling the heated mixture to solidify it into a solid; Forming the solidified mixture into a predetermined shape; and sequentially conducting the conductive medium silicone mixture is attached to the groove by any one of silicon, glue, bond and adhesive tape. It is characterized by a method for resonating a musical instrument and a reinforcing musical instrument manufactured by the method.

The mixture of the molding step is characterized in that molded into any one of a solid mass of powder, wire, plate, ingot form.

The adhesive tape is characterized in that the conductive medium silicon mixture is bonded to the adhesive surface.

The brass of the instrument is characterized in that it is composed of any one of a trumpet, a trombone, a horn, a tuba, a euphonium, a saxophone, a cornet, a French horn, a Flugelhorn, a baritone having a piston or a slide bar.

The woodwind instrument of the instrument is composed of any one of the saxophone, flute, piccolo, oboe, clarinet, and bassoon having a cap holder and pad, characterized in that the conductive medium silicone mixture is provided between the cap holder and the pad of the instrument.

The non-electric string instrument of the instrument is a front panel, side plate, the back plate is combined to form a single tubular ring, bridge (Bridge), sound post (Sound post), bass bar (Bass bar), wood having an end pin (End pin) Violin, viola, cello, double bass, formed of any one of the guitar, characterized in that the conductive medium silicone mixture is provided in any one or more of the ring, bridge, ring pillar, support rod, end of the instrument. .

The non-electric keyboard musical instrument of the instrument is composed of any one of a piano, an organ formed of wood having an acoustic plate, characterized in that the acoustic medium of the acoustic medium of the instrument is provided with a silicon mixture.

According to the method of reinforcing the resonance of the musical instrument and the instrument according to the present invention, the user can practice more easily by supplying a conducting medium silicone mixture to the inner surface or the outer surface of the instrument to provide excellent resonance, the present invention By using the instrument according to the unique and beautiful variety of voices, rich volume, the softer the softer the sound, the stronger the dynamic pitch, the dynamic tone can be expressed, and the sound can be expressed.

In particular, the sound is good when playing, so the connection between notes and notes is smooth and natural, and the balance between bass, mid, and treble is balanced and stable, and the sound is compressed according to the type of media. Bright and seriously various sounds can be produced, and the effect is that you can enjoy the rich sophistication of clear, clear and clear sound.

In addition, by mounting or attaching the conducting medium silicone mixture to the inner or outer surface of the instrument as described above, it is possible to make an instrument with good sound quality from the beginning, and the low-cost instrument is provided with effects that can be produced by the sound from an expensive instrument, It provides an effect that can produce a variety of styles of sound depending on the type of the energizing medium.

On the other hand, it is possible to adjust the volume, volume, pitch, and tone according to the amount and type of energized medium, and to adjust the part of the sound quality by partially adjusting the vibration intensity, which further amplifies the existing amplification of the instrument sound through the above technique. Provides an effect that can be enhanced to do so.

In addition, there is a balanced and stable balance of bass, mid, and treble sounds, such as the effect of adjusting the instrument sound through the effector equipment, and the sound is compressed according to the type of energizing medium to be warm and warm, cool, serious or bright and seriously varied. The sound can be produced, and the effect is to enjoy the rich sound of clear, clear and clear sound. Of course, if the player's basics are equipped with a better effect.

In other words, platinum and gold are heavy, serious sounds, and silver is cool, cheerful, and soft. In case of copper, bronze, brass, white copper, and phosphor bronze, the straightness is strong. In the case of a soft and rich sound, each can produce an original and individual sound effect that can be produced.

In addition, the relationship between vibration and sound (sound) and the change result after work are as follows.

Vibration width: volume (size-weak)-the volume varies abundantly,

Vibration Time: Musical Value (Length-Long) -Enriched with a long sound duration,

Shape of vibration (waveform): tone (color-characteristic, variety)-tone is clear, noiseless and clear,

Frequency of vibration (frequency): pitch (height)-The dynamic range is wider, the softer the softer, the stronger the stronger.

In addition, it is possible to make a musical instrument with good sound quality from the beginning, and it is possible to produce a sound with good resonance from an expensive instrument beyond the type and quality of wood used for a low-cost instrument produced in the past. Depending on the characteristics of the wood itself to enhance or create a better sound, depending on the type of energizing medium, various styles of sound can produce the effect.

According to each feature as described above to reproduce the sound of luxury instruments or to provide the sound of new luxury instruments beyond luxury instruments.

1 is a perspective view of the instrument of the present invention,
Figure 2 (a) is a cross-sectional view of a state of the conductive medium silicone mixture is mounted in accordance with an embodiment of the present invention, (b) is a cross-sectional view of the state of the conductive medium silicone mixture is mounted in accordance with another embodiment;
3 is a cross-sectional view of a state in which the conductive medium silicon mixture is attached according to the present invention;
Figure 4 is a main portion separated cross-sectional view showing a state in which the conductive medium silicon mixture is attached to the inside of the cap holder according to the present invention;
5 is a photograph of another musical instrument of the present invention,
6 is a block diagram of a state in which the energizing medium silicone mixture according to the present invention is provided to the musical instrument;
7 is an exemplary view analyzing the sound before and after the resonance reinforcement for the violin,
8 is an exemplary view of analyzing the sound before and after the resonance strengthening operation for the saxophone,
9 is a detailed illustration of the violin.

Hereinafter, with reference to the accompanying drawings will be described in detail the preferred embodiment of the resonance reinforcing method of the instrument and the resonance-enhanced instrument according to the present invention.

First, it should be noted that the musical instrument A configured in the present invention is a brass instrument, a woodwind instrument, a non-electric string instrument and a keyboard instrument, and detailed descriptions of well-known components that may obscure the gist of the present invention are omitted. .

Figure 1 shows a perspective view of the musical instrument (A) of the present invention, showing an example of the saxophone of the musical instrument (A) provided according to the present invention, the inner surface (2) of the musical instrument (A) shown as described above Or the conducting medium silicone mixture 1 is provided by mounting or attaching the outer surface 3, in part to the part responsible for resonance, in whole or in part with weak resonance. At this time, the inner surface (2) of the brass instrument of the musical instrument (A) provided in the present invention, in the case of woodwind instrument between the cap holder 6 and the pad (7) and the inner surface (2), in the case of a non-electric string instrument (9), side plate (10), rear plate (11) is combined to form a tubular ring 15, bridge (16), sound post (17), bass bar (Bass bar) (18), the end pin (19), in the case of the non-electric keyboard musical instrument, the acoustic plate (8) is responsible for the resonance, the conductive medium silicone mixture (1) according to the present invention (A) Most preferably, it is provided by mounting or attaching to the part responsible for the resonance of.

The supplying method of the conducting medium silicone mixture 1 supplied to the instrument A provided as described above is supplied through the same method as in FIGS. 2 to 4.

2 (a) is a cross-sectional view of a state in which the conductive medium silicone mixture 1 is mounted according to an embodiment of the present invention, and the conductive medium silicone mixture 1 is disposed on the inner surface 2 of the instrument A. FIG. After selecting any one of the molded wire, plate, and ingot form, it is cut as necessary and mounted by heat fusion. Figure 2 (b) is a cross-sectional view of the conductive medium silicon mixture (1) is mounted according to another embodiment of the present invention, the groove (5) is formed on the inner surface (2) of the instrument (A), the conductive medium The silicone mixture 1 is inserted into the groove 5 or mounted by heat fusion. At this time, the heat fusion is the surface of the silicon component of the conducting medium silicon mixture (1) is melted by the heat can be easily bonded to the inner surface (2), outer surface (3), groove 5 of the instrument (A) will be.

When the conductive medium silicone mixture 1 is inserted or thermally fused to the inner surface 2, the outer surface 3 and the groove 5 of the inner surface 2 of the instrument A as described above, Resonance of the sound generated from (A) can be excellently performed.

Although not shown, when the conductive medium silicone mixture 1 is provided in the required amount of powder, a difference may be generated in the sound band depending on a specific position, but the inner surface 2 of the instrument A may be substantially different. By spreading the energized medium evenly, the actual resonance is configured to be superior to that of the general musical instrument (A).

3 is a cross-sectional view of a state in which the conducting medium silicone mixture 1 according to the present invention is attached, and the conducting medium silicone mixture 1 is formed on the inner surface 2 or the outer surface 3 of the instrument A provided according to the present invention. ) Is a cross-sectional view of the attached state, Figure 4 shows a main portion separated cross-sectional view showing a state in which the conductive medium silicone mixture (1) is attached to the inside of the cap holder 6 of the musical instrument (A) according to the present invention.

As shown in FIG. 3, the conductive medium silicone mixture 1 is formed of silicone, glue, bond, adhesive tape on at least one of the inner surface 2 or the outer surface 3 of the instrument A. FIG. When attached by any one of the attachment means (4), the conductive medium silicone mixture (2) is evenly distributed on the inner surface (2) or the outer surface (3) of the instrument (A) is suitable for enhancing the resonance It is configured to.

As shown in FIG. 4, when the conductive medium silicone mixture 1 is attached through the attachment means 4 between the cap holder 6 and the pad 7 of the musical instrument A, it is previously supplied. It can be easily applied to the musical instrument (A) can be used for multipurpose. Of course, the case where the conductive medium silicone mixture 1 is inserted or thermally fused between the cap holder 6 and the pad 7 of the musical instrument A can be easily applied and implemented. It can be configured to enhance the resonance of).

FIG. 5 is a photograph of another musical instrument of the present invention, which shows another example of a non-electric piano among musical instruments A provided according to the present invention. Even when mounting or attaching), it is possible to implement so that the resonance of the musical instrument (A) is excellent.

FIG. 6 is a block diagram of a state in which the energizing medium silicon mixture 1 according to the present invention is provided to the musical instrument A, and is composed of brass, woodwind, non-electric string, and keyboard instruments provided as described above. Supplying the conductive medium silicon mixture (1) to the instrument (A), wherein the conductive medium silicon mixture (1) is any one or more of platinum, gold, silver, copper, nickel, bronze, brass, white copper, phosphor bronze powder Electrifying medium selection step; A mixture agitating step of selecting any one of the selected electrification medium and silicone, a glue solution, and an adhesive solution and mixing and stirring the mixture at a ratio of 2: 8; A heating step of heating the stirred mixture at 80 ° C. for 5-20 minutes; A solidifying step of naturally cooling the heated mixture to solidify it into a solid; Molding step of molding the solidified mixture into a predetermined form; proceeds sequentially.

As described above, each of the conducting media of the metal component produces heavy and serious sounds in the case of platinum and gold, and cool, light and soft sounds in the case of silver, bronze, bronze, brass, white copper and phosphor bronze. It has a strong straightness to produce a warm sound, and nickel can produce a unique and individual sound that can produce a soft and rich sound respectively, and improves the volume, pitch, pitch and tone according to the amount and type of energized medium. In addition, by adjusting the vibration intensity in part, it is possible to adjust the part of the sound quality, and through the above technology can be enhanced to further amplify the existing amplification of the sound of the instrument (A).

In addition, the balance of bass, mid, and treble is balanced and stable, as adjusted through the effector equipment, and the sound is compressed according to the type of energizing medium to produce a variety of sounds that are warm, warm, cool, serious and bright. You will be able to enjoy the rich sound of clear, clear and clear sound. At this time, if the player is equipped with the basic of course it will have a better effect.

The process by which the conducting medium silicone mixture 1 as described above is provided to the musical instrument A will be described in more detail.

The platinum, gold, silver, copper, nickel, bronze, brass, white copper, phosphor bronze powder described above in the metal barrel (not shown) according to the type and resonance portion of the musical instrument (A) provided according to the present invention One or more selected electrification medium and any one of silicon, glue, and adhesive are selected and added at a ratio of 2: 8, followed by mixing and stirring. At this time, it is most preferable to mix the conductive medium and the silicon at a ratio of 2: 8, but any one selected from the conductive medium selected from the part responsible for the resonance of the musical instrument (A), silicone, glue and adhesive liquid It is obvious that it can be configured by changing the mixing ratio of.

The stirred conductive medium and the silicone mixture are heated at a temperature of 80 ° C. for 5 to 20 minutes as described above. At this time, when the mixture is stirred in a circle while heating, the energizing medium and the silicon are evenly mixed. When the solidified mixture is solidified by natural cooling as described above, the energizing medium is evenly distributed in the silicon. A solid conducting medium silicone mixture 1 is formed.

Thereafter, when the solid conducting medium silicone mixture 1 is molded into a solid mass in the form of powder, wire, plate or ingot, the preparation of the conducting medium silicone mixture 1 is completed.

As described above, the conductive medium silicone mixture 1, which has been manufactured as described above, includes the inner surface 2, the outer surface 3, the groove 5 of the inner surface 2, and the cap holder 6, which are responsible for the resonance of the instrument A. ) And pad (7), sound plate (8), front plate (9), side plate (10), rear plate (11) are combined to form a tubular ring 15, bridge (16), ring pillar (Sound post) (17), bass bar (18), end pin (19) as necessary for resonance, cutting the wire, plate, ingot form by inserting or heat-sealing or silicon, It is attached and provided by any one of the adhesive means 4 of glue, bond, and adhesive tape, and the powder form is added by the required amount and mounted by heat fusion, or the adhesive means of any of silicone, glue, bond, adhesive tape. By attaching and providing in (4), it is comprised so that the resonance of the musical instrument A may be strengthened.

The part which is responsible for resonance by wrapping the energizing medium silicone mixture 1 when attaching the energizing medium silicone mixture 1 to the instrument A using the adhesive tape which is the attachment means 4 of the energizing medium silicone mixture 1 Inner surface (2), outer surface (3) of inner musical instrument (A), groove (5) of inner surface (2), between cap holder (6) and pad (7), sound plate (8), ring (15) It may be configured by attaching to the bridge (16), sound post (17), bass bar (18), end pin (19), the adhesive tape The conductive medium silicone mixture 1 may be bonded to the adhesive surface in advance.

As described above, the conducting medium metal component of the conducting medium silicon mixture (1) supplied to enhance the resonance of the musical instrument (A) can be carried out using various metal materials in addition to those described by the present invention. It is obvious that the conductive medium silicone mixture 1 can be bonded to the musical instrument A by the method of supplying the musical instrument A or by various methods.

7 and 8 are exemplary diagrams analyzing the sound before and after the resonance reinforcement operation of the violin and the saxophone, respectively. As shown above, the upper side shows the drawing before the operation, and the volume is insufficient. It is not constant and the balance of the bass and treble is broken.

In addition, the sound range is small, the sound width is narrow, and the dynamic range that can produce a strong sound from the soft sound is formed narrow.

In addition, certain ranges of low, mid and high are better, but the sound quality is unbalanced, and the sound is coarse, smooth, noiseless and low in volume. As a result, certain parts of the bass, middle, and high notes do not sound well and do not respond as the player intended, and the shortcomings and lack of sound that do not sound correctly indicate difficulty in breathing and expression of emotions.

On the other hand, the lower part shows the drawing after the work, and the dynamic range is widened from very soft to very strong and powerful sound, and it is regular and stable by escaping from irregularities of sound quality, and the low, mid, and high pitch angles are shown. You will have an overall balance of sound quality for the part.

On the other hand, Figure 9 shows a detailed drawing of the violin, it is described in a foreign language for convenience, the portion responsible for the resonance of the violin as described above the front plate 9, side plate 10, the rear plate 11 ) Are combined to form a single tubular tub (15), bridge (16), sound post (17), bass bar (18), end pin (19) In addition, the resonance medium can be strengthened by mounting or attaching the conducting medium silicone mixture 1 to the above-mentioned portion, as well as other musical instruments other than the musical instrument (A) described in the present invention, and can also be easily reinforced.

Brass instruments, like woodwind instruments, have a variety of problems, such as the inconsistent balance of the volume of each note, in which the pitch-specific vibrations are regular and do not produce a constant vibration. This problem can also be solved by mounting or attaching the conductive medium silicon mixture to the brass inner or outer surface.

Therefore, wires, plates, and ingots are cut and mounted by inserting or hot welding as necessary for the resonance of the musical instrument A, or attached by attaching means 4 of any one of silicon, glue, bond, and adhesive tape. , The powder form is configured to be mounted in a thermal fusion by the required amount or attached by any one of the attachment means (4) of silicon, glue, bond, adhesive tape, to enhance the resonance of the instrument (A) .

The instruments listed above are a study of non-electrical instruments.

The contents described in the drawings and the specification are exemplary descriptions of the present invention, which are used only for the purpose of illustrating the present invention and are not used to limit the scope of the present invention described in the meaning or the claims. Therefore, those skilled in the art will understand that various modifications and equivalent other embodiments are possible. Therefore, the true technical protection scope of the present invention will be defined by the technical spirit of the claims.

1: energized medium silicone mixture 2: inner surface
3: outer surface 4: attachment means
5: groove 6: cap holder
7: pad 8: sound plate
9: front plate 10: side plate
11: thick plate 15: ring
16: bridge 17: ring pillar
18: support bar 19: end button
A: musical instrument

Claims (15)

In the method of reinforcing the resonance of the musical instrument that the resonance is strengthened,
The instrument (A) is composed of brass, woodwind, non-electric string and keyboard instruments, platinum, gold, silver, copper, nickel, bronze, brass, white copper on the inner surface (2) of the instrument (A) Selecting a conductive medium containing any one or more of phosphor bronze powder; A mixture agitating step of selecting any one of the selected electrification medium and silicone, a glue solution, and an adhesive solution to mix and stir at a ratio of 2: 8; A heating step of heating the stirred mixture to a temperature of 80 ° C. for 5 to 20 minutes; A solidification step of naturally cooling the heated mixture to solidify it into a solid; Forming a solidified mixture into a predetermined shape; and sequentially conducting the conductive medium silicon mixture (1), which is formed by inserting and thermal fusion, the resonance reinforcing method of the musical instrument. In the method of reinforcing the resonance of the musical instrument that the resonance is strengthened,
The instrument (A) is composed of brass, woodwind, non-electric string and keyboard instruments, platinum, gold, on any one or more of the inner surface (2) and outer surface (3) of the instrument (A) Electrification medium selection step of any one or more of silver, copper, nickel, bronze, brass, white copper, phosphor bronze powder is selected; A mixture agitating step of selecting any one of the selected electrification medium and silicone, a glue solution, and an adhesive solution to mix and stir at a ratio of 2: 8; A heating step of heating the stirred mixture to a temperature of 80 ° C. for 5 to 20 minutes; A solidification step of naturally cooling the heated mixture to solidify it into a solid; Forming the solidified mixture into a predetermined shape; and sequentially conducting the conductive medium silicone mixture 1 formed by attaching any one of silicon, glue, bond, and adhesive tape to an attachment means 4. Resonance reinforcement method of the musical instrument characterized by the above-mentioned. In the method of reinforcing the resonance of the musical instrument that the resonance is strengthened,
The instrument (A) is composed of brass, woodwind, non-electric string and keyboard instruments, the groove (5) is formed on the inner surface (2) of the instrument (A) platinum, gold, silver, copper, Electrification medium selection step of any one or more of nickel, bronze, brass, white copper, phosphor bronze powder; A mixture agitating step of selecting any one of the selected electrification medium and silicone, a glue solution, and an adhesive solution to mix and stir at a ratio of 2: 8; A heating step of heating the stirred mixture to a temperature of 80 ° C. for 5 to 20 minutes; A solidification step of naturally cooling the heated mixture to solidify it into a solid; Resonance of the instrument, characterized in that for forming the solidified mixture into a predetermined shape; the conducting medium silicone mixture (1) formed by sequentially proceeding is mounted in any one of the insertion and heat fusion in the groove (5) How to strengthen. In the method of reinforcing the resonance of the musical instrument that the resonance is strengthened,
The instrument (A) is composed of brass, woodwind, non-electric string and keyboard instruments, the groove (5) is formed on the inner surface (2) of the instrument (A) platinum, gold, silver, copper, An electrification medium selection step in which at least one of nickel, bronze, brass, white copper, and phosphor bronze powder is selected; A mixture agitating step of selecting any one of the selected electrification medium and silicone, a glue solution, and an adhesive solution to mix and stir at a ratio of 2: 8; A heating step of heating the stirred mixture to a temperature of 80 ° C. for 5 to 20 minutes; A solidification step of naturally cooling the heated mixture to solidify it into a solid; A molding step of forming the solidified mixture into a predetermined shape; the conducting medium silicon mixture 1 sequentially formed by attaching any one of silicon, glue, bond, and adhesive tape to the groove 5; Resonance strengthening method of the instrument, characterized in that attached to 4). 5. The method according to any one of claims 1 to 4,
Resonance strengthening method of the instrument, characterized in that the mixture of the molding step is molded into any one of a solid mass of powder, wire, plate, ingot form. The method according to claim 2 or 4,
The adhesive tape is a resonance method for reinforcing the instrument, characterized in that the conductive medium is bonded to the silicon mixture (1) on the adhesive surface. In the conducting medium silicone mixture which enhances the resonance of the instrument,
A conducting medium selection step in which any one or more of platinum, gold, silver, copper, nickel, bronze, brass, white copper and phosphor bronze powders are selected; A mixture agitating step of selecting any one of the selected electrification medium and silicone, a glue solution, and an adhesive solution to mix and stir at a ratio of 2: 8; A heating step of heating the stirred mixture to a temperature of 80 ° C. for 5 to 20 minutes; A solidification step of naturally cooling the heated mixture to solidify it into a solid; Molding step of forming the solidified mixture into any one of a solid mass of powder, line, plate, ingot form; conducting medium silicone mixture, characterized in that configured to proceed sequentially. A resonance-enhanced instrument made by the method of claim 1. Resonance-enhanced musical instrument produced by the method of claim 2. Resonance-enhanced musical instrument produced by the method of claim 3. A resonance-enhanced instrument made by the method of claim 4. The method according to any one of claims 8 to 11,
Resonance of the brass (A) is composed of any one of a trumpet, trombone, horn, tuba, euphonium, sousaphone, cornet, French horn, Flugelhorn, baritone having a piston or a slide bar Reinforced instrument. The method according to any one of claims 8 to 11,
The woodwind instrument of the instrument (A) is composed of any one of the saxophone, flute, piccolo, oboe, clarinet, and bassoon having a cap holder (6) and a pad (7), and the cap holder (6) of the instrument (A) and Resonance-enhanced instrument, characterized in that the conductive medium silicon mixture (1) is provided between the pads (7). The method according to any one of claims 8 to 11,
The non-electric string instrument of the instrument (A) is the front plate (9), the side plate (10), the rear plate (11) is coupled to form a tubular ring 15, bridge (Bridge) 16, the sound post (Sound post) (17), bass bar (18), end pin (19), consisting of any one of the wood, violin, viola, cello, double bass, acoustic guitar, the instrument (A Resonance reinforcement, characterized in that the conductive medium silicon mixture (1) is provided in any one or more of the ring 15, the bridge 16, the ring column 17, the support bar 18, the end button 19 of the) Instrument. The method according to any one of claims 8 to 11,
The non-electric keyboard musical instrument of the instrument (A) is composed of any one of a piano, an organ formed of wood having an acoustic plate (8), and the conductive medium silicon mixture (1) is provided on the acoustic plate (8) of the instrument (A). Resonance-enhanced musical instrument, characterized in that.

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