JPS6244784Y2 - - Google Patents

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Publication number
JPS6244784Y2
JPS6244784Y2 JP15759680U JP15759680U JPS6244784Y2 JP S6244784 Y2 JPS6244784 Y2 JP S6244784Y2 JP 15759680 U JP15759680 U JP 15759680U JP 15759680 U JP15759680 U JP 15759680U JP S6244784 Y2 JPS6244784 Y2 JP S6244784Y2
Authority
JP
Japan
Prior art keywords
wood
layer
lacquer
paint
appearance
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Expired
Application number
JP15759680U
Other languages
Japanese (ja)
Other versions
JPS5778935U (en
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed filed Critical
Priority to JP15759680U priority Critical patent/JPS6244784Y2/ja
Publication of JPS5778935U publication Critical patent/JPS5778935U/ja
Application granted granted Critical
Publication of JPS6244784Y2 publication Critical patent/JPS6244784Y2/ja
Expired legal-status Critical Current

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  • Application Of Or Painting With Fluid Materials (AREA)
  • Laminated Bodies (AREA)

Description

【考案の詳細な説明】 この考案は、座卓、花台、ゴミ箱、お盆等のよ
うな家具調度品用として利用する木質化粧仕上げ
材に関するものであり、焼杉的な外観と春慶塗り
的な外観を兼備するようにした木質化粧仕上げ材
である。
[Detailed explanation of the invention] This invention relates to a wood decorative finishing material used for furniture such as low tables, flower stands, trash cans, trays, etc., and has a baked cedar-like appearance and a Shunkei-lacquered appearance. It is a wood decorative finishing material designed to have both functions.

表面に希硫酸溶液を塗り、トーチランプ等で一
様に黒くなるまでこがした後、タワシがけをして
年輪や節を浮き出させ、好みの着色料を薄く塗布
して乾燥後研磨紙研ぎにより色の濃淡を加減して
美しくしかも素朴な外観を呈するようにした表面
凹凸状仕上げの焼杉材や、木地に黄や赤の着色を
施した上、透明な漆を薄く何回も塗り上げて素地
木材の木理を美しく現出させた表面平滑な春慶塗
りのように、我が国の伝統的な家具調度品用木質
化粧仕上げ材は、現在でも多くの愛好家に人気を
博している。
Apply a dilute sulfuric acid solution to the surface, burn it with a torch until it becomes uniformly black, then scrub it with a scrubbing brush to bring out the annual rings and knots, then apply a thin layer of your favorite coloring agent, and after drying, sand it with abrasive paper. The wood is made of burnt cedar wood with an uneven surface finish that gives it a beautiful yet rustic appearance by adjusting the shade of color, and the wood is colored yellow or red, and then coated with multiple thin coats of transparent lacquer. Japan's traditional wood finishing materials for furniture, such as Shunkei lacquerware, which has a smooth surface that beautifully reveals the grain of the base wood, are still popular with many enthusiasts today.

しかしながら、その一方では、それら伝統的な
化粧仕上げ材の一様外観に飽き足りず、それらの
良さを引き継ぎながらより斬新で現代風な外観を
有する化粧仕上げ材が求められてきていることも
事実である。
However, on the other hand, it is also true that people are not satisfied with the uniform appearance of these traditional decorative finishing materials, and there is a growing demand for decorative finishing materials that inherit the good qualities of these materials but have a more innovative and modern appearance. be.

この考案では、それら今日的な要求に応えるた
めに開発考案したものであつて、その構成の詳細
は、その代表的な実施例により詳述すると下記の
とおりのものである。
This invention has been developed and devised in response to these contemporary demands, and the details of its construction are as follows, with reference to its representative embodiments.

即ち、第1図に示す木口断面を含む全体斜視
図、および、木口断面の一部を拡大して示す第2
図要部拡大断面図からも理解されるように、素地
木質基材1の表面をサンドブラスト加工により木
目(秋材部、以下単に木目という)11,11間
の各春材部12,12…を不規則な深さで梨地様
表面の凹部となるような凹凸加工表面とした後、
この表面上に順次次のような第1層から第4層に
至る塗料層を積層形成する。
That is, the overall perspective view including the cross section of the butt end shown in FIG.
As can be understood from the enlarged sectional view of the main part, the surface of the base wood base material 1 is sandblasted to create grains (autumn wood parts, hereinafter simply referred to as wood grains) 11, 11, and each spring wood part 12, 12... After creating a textured surface with irregular depth concavities on the satin-like surface,
Paint layers from the first layer to the fourth layer are sequentially laminated on this surface.

第1層、メタニールイエロー若しくはオーラミ
ン、クリソフエニン染料1〜5グラムを温水1リ
ツトルに溶解して成る黄色の水性着色塗料層2を
木質基材1の凹凸加工表面全体に塗布する。この
水性着色塗料は比較的乾燥は遅いものの木地への
浸透性が弱く良好な色調が期待できることから、
後述する第4層形成後において木目部分11,1
1…と、第3層の漆状黒色油性塗料層5の淡色下
方春材部12,12…の黄色膚地を彩やかに浮き
出させる効果がある。また、凹部春材部12,1
2…表面が梨地様なので黄色が極めて深みのある
ものとなり、木目部11,11…の光沢ある黄色
とよくコントラストをなし、上記の効果を一段と
効果的なものにする。
The first layer is a yellow water-based colored paint layer 2, which is prepared by dissolving 1 to 5 grams of metanyl yellow or auramine or chrysophenine dye in 1 liter of warm water, and is applied to the entire textured surface of the wood substrate 1. Although this water-based colored paint dries relatively slowly, it has low penetration into the wood and can be expected to produce a good color tone.
After forming the fourth layer, which will be described later, the wood grain portions 11,1
1... and the yellow skin of the light-colored lower spring material parts 12, 12... of the lacquer-like black oil-based paint layer 5 of the third layer stand out vividly. In addition, the recessed spring material portions 12,1
2...Since the surface is satin-like, the yellow color becomes extremely deep and contrasts well with the glossy yellow of the wood grain portions 11, 11..., making the above effect even more effective.

第2層、第1層の黄色水性着色塗料層2の表面
全体にクリヤーラツカー(透明)等のラツカー系
ウツドシラー下塗り塗料層3を薄く均一に塗布す
る。この第2層は、第1層の着色塗料層2の染料
がこの後に上塗りする塗料層にしみ出すことを防
止すると共に、上塗り塗料の素地への吸収を防
ぎ、上塗り塗膜の付着力をよくする機能を果す。
A lacquer-based wood siler undercoat layer 3 such as a clear lacquer (transparent) is applied thinly and uniformly over the entire surface of the second and first yellow water-based colored paint layers 2. This second layer prevents the dye in the colored paint layer 2 of the first layer from seeping into the subsequent top coat, prevents the top coat from being absorbed into the substrate, and improves the adhesion of the top coat. perform the function of

この第1,2層形成段階では、木質基材1の凹
凸表面がそのまま残存し、木質基材1の木目1
1,11間に相当する部分にはやはり凹部が形成
されている。
In this first and second layer forming stage, the uneven surface of the wood base material 1 remains as it is, and the grain 1 of the wood base material 1 remains as it is.
A recess is also formed in the portion corresponding to between 1 and 11.

第3層、第2層形成後においても残存する凹部
に、カシユー系樹脂黒色塗料にパテ剤を適量混入
溶泥化したドロドロ状の漆状黒色油性塗料層4を
充填し、凸部(木質基材1の木目部11に相当す
る部分)と略同一平面となるようにする。この充
填塗布作業は、第2層表面全体に一様に漆状黒色
油性塗料を塗布した後ヘラ引きし、やや乾燥した
ところで拭きあげるようにすれば、凸部を一部露
出させた状態で該凸部間にきれいに充填された状
態となる。この状態で、充填された漆状黒色油性
塗料層4は、凹部が不規則な深さに形成されてい
ることから濃淡部を混在するような状況を呈し、
濃部の漆黒色に連なり淡部下部の淡黄色が見えが
くれ状に現出する極めて優美な外観を実現し、そ
の淡黄色と漆黒色とによつて一段と木目部の明黄
色が浮き出し状となるものである。
The concave portions remaining even after the formation of the third layer and the second layer are filled with a muddy lacquer-like black oil paint layer 4 made by mixing an appropriate amount of putty agent with a cashew-based resin black paint. (a portion corresponding to the wood grain portion 11 of the material 1). This filling application work can be done by uniformly applying the lacquer-like black oil paint to the entire surface of the second layer, then wiping it off when it is slightly dry, leaving the convex parts partially exposed. The space between the protrusions is neatly filled. In this state, the filled lacquer-like black oil-based paint layer 4 presents a situation in which dark and light parts are mixed because the recesses are formed at irregular depths,
The pale yellow part of the lower part of the light part appears as a hidden part of the jet black part of the dark part, creating an extremely elegant appearance. It is what it is.

第4層、上記第3層が定着乾燥したところで同
第3層間に残存する木質基材1の木目部11,1
1…上の第2層ウツドシラー層3と、前記第3層
漆状黒色油性塗料層4の各表面上に略均一な状態
となるようにカシユー系透明塗料層5を塗布形成
する。この第4層は必要に応じて2回塗り、3回
塗り等のように多層塗りに仕上げることもでき、
また、仕上り外観をつや消し仕上げとしたい場合
には、第4層を形成する前に塗布面を耐水研磨紙
またはスチールウール等で研ぎ出してから実施す
る。
Wood grain portions 11, 1 of the wood base material 1 remaining between the fourth layer and the third layer after fixing and drying
1...A cashew-based transparent paint layer 5 is coated and formed on each surface of the second woody paint layer 3 and the third lacquer-like black oil paint layer 4 in a substantially uniform state. This fourth layer can be applied in multiple layers, such as two or three coats, if necessary.
Furthermore, if a matte finish is desired, the coated surface is polished with waterproof abrasive paper or steel wool before forming the fourth layer.

なお、この実施例では、第1層の水性着色塗料
層2を黄色としたが、趣好に応じて赤色系その他
のものとすること等は適宜可能である。
In this example, the first water-based colored paint layer 2 is yellow, but it can be made red or other colors as appropriate depending on taste.

叙上のとおり、この考案の木質化粧仕上げ材
は、木質基材1の仕上げ表面を凹凸加工した上に
第1層から第4層までの塗料積層構造としたこと
から、その外観は焼杉状にその木目部が浮き上つ
たような外観を呈しながら実際表面は平滑仕上げ
となり、しかも、その木目部から漆黒色に至る部
分は伝統的な春慶塗り仕上げ様に木質基材木理部
が極めて美しく現出され、それは漆黒色を地色と
して一際強調されることになる。
As mentioned above, the wood decorative finishing material of this invention has a textured finish on the finished surface of the wood base material 1 and a laminated structure of paint from the first layer to the fourth layer, so its appearance resembles that of roasted cedar. While the wood grain appears to be raised, the surface is actually smooth, and the area from the wood grain to the jet black color has a traditional Shunkei lacquer finish, where the grain of the wood base material appears extremely beautiful. When served, the jet black background color makes it stand out.

特に、木質基材1の凹凸加工をサンドブラスト
仕上げとしたことから、木目部11,11…を除
く春材部12,12…のみが梨地膚のつや消し状
外観となり、したがつて同じ水性着色塗料を採用
しても木目部11,11…と春材部12,12…
とが自然に色あいの違う着色状況となり、この効
果が春慶塗り仕上げ様の外観をより強調すること
となる外、凹部の深さが極めて不規則なものとな
つていて、漆状黒色油性塗料層4自体にも自然に
層厚の違いが生じ、漆黒色にも濃淡部が形成さ
れ、その結果、春慶塗り仕上げ様部分との間に異
和感を生じさせないで全体として重みのある外観
を実現するものである。
In particular, since the textured surface of the wood base material 1 is sandblasted, only the spring wood parts 12, 12..., excluding the wood grain parts 11, 11..., have a matte appearance with satin skin, and therefore, the same water-based coloring paint is applied. Even if adopted, the wood grain parts 11, 11... and the spring wood parts 12, 12...
The colors naturally differ in tone, and this effect not only emphasizes the appearance of the Shunkei-nuri finish, but also the depth of the recesses is extremely irregular, creating a layer of lacquer-like black oil-based paint. There is a natural difference in layer thickness in 4 itself, and dark and light areas are formed in the jet black, resulting in an overall weighty appearance without creating a sense of incongruity between the parts and the Shunkei-lacquered finish. It is something to do.

更に、その製造も極めて簡便な作業で実現し得
ると共に、座卓のような大面積の家具から花台、
ゴミ箱のような小面積の調度品用の木質化粧仕上
げ材に採用し得る利点があることから、安価にし
て有利な木質化粧仕上げ材とすることができる。
Furthermore, it can be manufactured with extremely simple operations, and can be used for everything from large-area furniture such as low tables to flower stands,
Since it has the advantage that it can be used as a decorative wood finishing material for small-area furniture such as trash cans, it can be made into an inexpensive and advantageous decorative wood finishing material.

【図面の簡単な説明】[Brief explanation of the drawing]

図面は、この考案の代表的な1実施例を示した
もので、第1図は、木口断面を含む全体斜視図、
第2図は、同木口断面部分の要部拡大断面図であ
る。 1……木質基材、2……水性着色塗料層、3…
…下塗り塗料層、4……漆状黒色油性塗料層、5
……透明塗料層。
The drawings show a typical embodiment of this invention; FIG. 1 is an overall perspective view including a cross section of the butt end;
FIG. 2 is an enlarged cross-sectional view of the main part of the cross-section of the butt end. 1... Wood base material, 2... Water-based colored paint layer, 3...
...Undercoat paint layer, 4...lacquer-like black oil paint layer, 5
...transparent paint layer.

Claims (1)

【実用新案登録請求の範囲】[Scope of utility model registration request] サンドブラスト仕上げにより木目(秋材部)間
の春材部が不規制な深さで梨地様表面の凹部とな
るような凹凸加工の施されてなる木質基材の該加
工仕上げ表面上に、同表面全体に形成される水性
着色塗料層から成る第1層、同第1層上全体に形
成されるクリヤーラツカー系ウツドシラーの下塗
り塗料層から成る第2層、同第2層上の不規則な
深さの凹部に充填され、漆塗り状の外観を現出す
るためのカシユー系樹脂黒色塗料にパテ剤を混入
溶泥化した漆状黒色油性塗料層から成る第3層、
同第3層間に残存する第2層部分と該第3層の各
表面全体に略均一に形成されるカシユー系樹脂透
明塗料層から成る第4層の各層を順次積層形成し
て成る木目(秋材部)間に濃淡混在状の漆状黒色
平滑面を形成し、木目部分を浮き上らせるような
漆塗り外観を呈する如くした家具調度品用木質化
粧仕上げ材。
On the finished surface of a wood base material that has been sandblasted so that the spring wood areas between the wood grains (autumn wood areas) form concave areas with an unregulated depth on the satin-like surface, A first layer consisting of a water-based colored paint layer formed entirely on the first layer, a second layer consisting of a clear lacquer-based wood shear undercoat layer formed entirely on the first layer, and irregular depths on the second layer. A third layer consisting of a lacquer-like black oil-based paint layer, which is filled into the recesses of the case and is made by mixing a putty agent with a cashew-based resin black paint to create a lacquer-like appearance.
The wood grain (Autumn A wood decorative finishing material for furniture furnishings, which forms a lacquer-like smooth black surface with a mixture of shading and lightness between the wood parts, giving a lacquered appearance that highlights the wood grain.
JP15759680U 1980-11-04 1980-11-04 Expired JPS6244784Y2 (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP15759680U JPS6244784Y2 (en) 1980-11-04 1980-11-04

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP15759680U JPS6244784Y2 (en) 1980-11-04 1980-11-04

Publications (2)

Publication Number Publication Date
JPS5778935U JPS5778935U (en) 1982-05-15
JPS6244784Y2 true JPS6244784Y2 (en) 1987-11-27

Family

ID=29516703

Family Applications (1)

Application Number Title Priority Date Filing Date
JP15759680U Expired JPS6244784Y2 (en) 1980-11-04 1980-11-04

Country Status (1)

Country Link
JP (1) JPS6244784Y2 (en)

Families Citing this family (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JP2529128B2 (en) * 1990-01-08 1996-08-28 富士見化成株式会社 Decorative board and manufacturing method thereof
JP5166748B2 (en) * 2007-03-12 2013-03-21 大建工業株式会社 Decorative plate manufacturing method
KR101057305B1 (en) 2009-03-09 2011-08-16 이재열 How to manufacture crafts using logs

Also Published As

Publication number Publication date
JPS5778935U (en) 1982-05-15

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