JPS623830Y2 - - Google Patents
Info
- Publication number
- JPS623830Y2 JPS623830Y2 JP1979134802U JP13480279U JPS623830Y2 JP S623830 Y2 JPS623830 Y2 JP S623830Y2 JP 1979134802 U JP1979134802 U JP 1979134802U JP 13480279 U JP13480279 U JP 13480279U JP S623830 Y2 JPS623830 Y2 JP S623830Y2
- Authority
- JP
- Japan
- Prior art keywords
- waveform
- envelope
- circuit
- different
- circuits
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Expired
Links
- 239000003990 capacitor Substances 0.000 description 8
- 238000010586 diagram Methods 0.000 description 7
- 239000011295 pitch Substances 0.000 description 6
- 229920006395 saturated elastomer Polymers 0.000 description 2
Description
【考案の詳細な説明】
本考案は音高により異なるエンベロープ波形の
得られる電子楽器のエンベロープ発生装置に関す
る。DETAILED DESCRIPTION OF THE INVENTION The present invention relates to an envelope generator for an electronic musical instrument that can obtain envelope waveforms that vary depending on pitch.
簡易型の電子楽器として各鍵に共通のエンベロ
ープ波形を発生する装置は第1図に示すものが公
知である。第1図において−Vは負電圧源であつ
て鍵に対応する鍵開閉器K1……Koは押鍵と同時
に閉じられ、そのとき発生する負パルスはコンデ
ンサCと抵抗Rとで形成される微分回路において
微分される。そして各鍵開閉器に共通した1個の
単安定マルチバイブレータMSMを駆動する。該
単安定マルチバイブレータMSMの出力パルスは
エンベロープ波形発生回路EVPに入力され、所
定のエンベロープ波形を得て振幅変調回路MOD
において楽音からの信号を振幅変調する。INは
楽音の入力端子、OUTは楽音出力端子、各ブロ
ツクに接して示した波形は代表的な信号波形を示
している。第1図においては単安定マルチバイブ
レータMSMより振幅変調回路MODまでの回路が
音高に関係なく全部共通であるから、各音高に同
じエンベロープ波形を有する楽音が得られるに過
ぎず極めて単調であつた。 A device shown in FIG. 1 is known as a simple electronic musical instrument that generates a common envelope waveform for each key. In Fig. 1, -V is a negative voltage source, and the key opener K1 ... Ko corresponding to the key is closed at the same time as the key is pressed, and the negative pulse generated at that time is formed by the capacitor C and the resistor R. is differentiated in a differentiating circuit. Then, one monostable multivibrator MSM common to each lock switch is driven. The output pulse of the monostable multivibrator MSM is input to the envelope waveform generation circuit EVP to obtain a predetermined envelope waveform, which is then input to the amplitude modulation circuit MOD.
, amplitude modulates the signal from the musical tone. IN is a musical tone input terminal, OUT is a musical tone output terminal, and the waveforms shown next to each block are typical signal waveforms. In Figure 1, the circuits from the monostable multivibrator MSM to the amplitude modulation circuit MOD are all common regardless of the pitch, so a musical tone with the same envelope waveform for each pitch is obtained, which is extremely monotonous. Ta.
一方自然楽器のピアノでは鍵に応じ即ち音高に
対し異なるエンベロープ波形の楽音を発してい
る。 On the other hand, the piano, which is a natural musical instrument, emits musical tones with different envelope waveforms depending on the key, that is, the pitch.
本考案の目的は電子楽器における前述の欠点を
改善し、比較的簡易な構成により音高に対し異な
るエンベロープ波形を発生させることのできる電
子楽器のエンベロープ発生装置を提供することに
ある。 An object of the present invention is to improve the above-mentioned drawbacks of electronic musical instruments and to provide an envelope generator for electronic musical instruments that can generate different envelope waveforms for different pitches with a relatively simple configuration.
以下図面に示す本考案の実施例について説明す
る。第2図は本考案の実施例を第1図と対応して
示す構成図で、鍵開閉器K1,…Koに関連する微
分回路のコンデンサはC1…Coと示され互いに異
なる値例えば低音に対応するものを容量を大き
く、高音になる程容量を小さくのように選定す
る。第3図は第2図の各部波形図で丸印符号を対
応させて示し、また上段は高音に対する波形、下
段は低音に対する波形を示している。第2図にお
いてコンデンサC1…Coの容量を前述のように選
定すると点の微分された波形は高音・低音の各
場合第3図に示すように鋭い波形と比較的鈍つ
た波形とが得られる。次にエンベロープ波形のア
タツク時間・デイケイ時間が互いに異なる回路
AD1,AD2を並例接続されているので、その回
路に印加される。一方の回路AD1は波形反転器
INVと微分回路DIFとで形成され、他方の回路
AD2は増幅器IVAと波形変換器MDとで形成され
ている。増幅器IVAは波形を反転させ且つ微分波
出力の略中間の値で飽和出力を得る特性とし、波
形変換器MDは、増幅器IVAの飽和出力が印加さ
れコンデンサに充電しそれを放電させた出力を取
出し第3図に示すような波形を得るものであ
る。したがつて高音の場合は鋭い微分波形信号
(第3図)を鈍らせた形の第3図に示す波形
が、低音の場合は鈍つた波形(第3図)から幅
広の信号(第3図)が得られて更に鈍らせた第
3図となる。第3図においてTdはデイケイ
時間と言われている。第3図においては鋭い波
形が得られるのでアタツク時間Taは殆んど零で
ある。したがつて、AD1,AD2を経て第3図
に示す波形は各々のアタツク時間・デイケイ時間
が異なつていることが判る。次に第3図を合
成して第3図として電圧制御型増幅器VCAに
印加する。楽音信号入力端子INからの楽音は
の波形に応じて振幅変調され、第3図のような
楽音波形が得られる。したがつて第3図に示す
ように高音と比べ余韻を残すようなエンベロープ
波形の低音楽音が得られ、自然楽器のピアノに近
い楽音となる。 Embodiments of the present invention shown in the drawings will be described below. Fig. 2 is a configuration diagram showing an embodiment of the present invention corresponding to Fig. 1, in which the capacitors of the differential circuits related to the key openers K 1 ,...K o are shown as C 1 ...C o and have different values. For example, the capacity may be selected to be large for bass sounds, and the capacity to be small for high sounds. FIG. 3 is a waveform diagram of each part of FIG. 2, with circle symbols corresponding to each other, and the upper row shows waveforms for high-pitched sounds, and the lower row shows waveforms for low-pitched sounds. In Figure 2, if the capacitances of the capacitors C1 ... Co are selected as described above, the waveforms differentiated at the points will have sharp waveforms and relatively blunt waveforms for both high and low sounds, as shown in Figure 3. It will be done. Next, we will introduce a circuit with different attack and decay times for envelope waveforms.
Since AD1 and AD2 are connected in parallel, it is applied to that circuit. One circuit AD1 is a waveform inverter
Formed by INV and differential circuit DIF, the other circuit
AD2 is formed by an amplifier IVA and a waveform converter MD. The amplifier IVA has the characteristic of inverting the waveform and obtaining a saturated output at a value approximately in the middle of the differential wave output, and the waveform converter MD receives the saturated output of the amplifier IVA, charges a capacitor, and takes out the output that discharges it. A waveform as shown in FIG. 3 is obtained. Therefore, in the case of high-pitched sounds, the waveform shown in Fig. 3 is a blunted form of the sharp differential waveform signal (Fig. 3), and in the case of low-pitched sounds, the waveform shown in Fig. 3 is a blunted waveform (Fig. 3), but the waveform shown in Fig. 3 is a broad signal (Fig. ) is obtained, resulting in a further dulled figure 3. In Figure 3, Td is said to be the decay time. In FIG. 3, since a sharp waveform is obtained, the attack time Ta is almost zero. Therefore, it can be seen that the waveforms shown in FIG. 3 after passing through AD1 and AD2 have different attack times and decay times. Next, the signals shown in FIG. 3 are combined and applied to the voltage-controlled amplifier VCA as shown in FIG. The musical tone from the musical tone signal input terminal IN is amplitude-modulated according to the waveform of , and a musical sound waveform as shown in FIG. 3 is obtained. Therefore, as shown in FIG. 3, a low-pitched musical tone with an envelope waveform that leaves a lingering reverberation compared to high-pitched tones is obtained, resulting in a musical tone similar to that of a piano, a natural musical instrument.
次に第4図は第2図中のAD1,AD2について
具体的に示す回路図である。回路AD2はトラン
ジスタ2個を縦続接続し、また抵抗Rcとコンデ
ンサCcは第2図の波形信号が印加されたとき
充電・放電を行ないその時定数を比較的大きく選
定している。これに対し回路AD1では微分回路
DIFが動作するためアタツク時間が生じない。な
お第4図の出力端子は第2図の端子を示してい
る。 Next, FIG. 4 is a circuit diagram specifically showing AD1 and AD2 in FIG. 2. The circuit AD2 has two transistors connected in series, and a resistor Rc and a capacitor Cc are charged and discharged when the waveform signal shown in FIG. 2 is applied, and the time constant thereof is selected to be relatively large. On the other hand, in circuit AD1, the differential circuit
Because DIF operates, there is no attack time. Note that the output terminals in FIG. 4 indicate the terminals in FIG. 2.
以上は鍵開閉器のコンデンサC1…Coをそれぞ
れ別個に設ける場合について説明したが、複数鍵
毎のグループに分けそのグループには同一コンデ
ンサを使用する構成としても良い。 The case where the capacitors C 1 .
例えばオクターブ毎にまとめて同一コンデンサ
を用いる。 For example, the same capacitor is used for each octave.
また音高に応じたエンベロープ波形を得る回路
は2系列の回路に分ける以外に1系列回路のみで
構成することもできる。更に鍵が続けて2つ以上
押鍵されたときは優先回路を使用し、最低音の鍵
のみを有効とすることが好ましい。 Further, the circuit for obtaining the envelope waveform according to the pitch may be divided into two series of circuits, or may be composed of only one series of circuits. Furthermore, when two or more keys are pressed in succession, it is preferable to use a priority circuit and make only the lowest note valid.
このようにして本考案によると比較的簡易な構
成であつても押鍵した鍵位置により異なるエンベ
ロープ波形が得られるため楽音は自然楽器のよう
に低音において余韻があり、高音では早く減衰す
るため、従来の単調さを取除いた電子楽器が得ら
れている。 In this way, according to the present invention, even with a relatively simple configuration, different envelope waveforms can be obtained depending on the position of the pressed key, so musical tones have a lingering sound in the low tones like a natural instrument, and decay quickly in the high tones, so An electronic musical instrument that eliminates the monotony of conventional instruments has been obtained.
第1図は従来の電子楽器のエンベロープ発生装
置を示す図、第2図は本考案の実施例の構成を示
す図、第3図は第2図の動作波形図、第4図は第
2図中の回路の具体的回路図である。
K1…Ko……鍵開閉器、C,C1…Co,Cc……
コンデンサ、R,Rc……抵抗、MSM……単安定
マルチバイブレータ、EVP……エンベロープ波
形発生回路、MOD……振幅変調回路、INV……
波形反転器、DIF……微分回路、IVA……増幅
器、MD……波形変換器、VCA……電圧制御型増
幅器。
FIG. 1 is a diagram showing a conventional envelope generator for an electronic musical instrument, FIG. 2 is a diagram showing the configuration of an embodiment of the present invention, FIG. 3 is an operation waveform diagram of FIG. 2, and FIG. It is a specific circuit diagram of the circuit inside. K 1 ...K o ...Key opener, C, C 1 ...C o , Cc...
Capacitor, R, Rc... Resistor, MSM... Monostable multivibrator, EVP... Envelope waveform generation circuit, MOD... Amplitude modulation circuit, INV...
Waveform inverter, DIF...differentiator circuit, IVA...amplifier, MD...waveform converter, VCA...voltage controlled amplifier.
Claims (1)
るように鍵開閉器に対し異なる値の容量素子を
接続し、該鍵開閉器からの出力パルスをアタツ
ク時間・デイケイ時間が互いに異なる回路に並
列供給し、該両回路出力を混合してエンベロー
プ波形を得ることを特徴とする電子楽器のエン
ベロープ発生装置。 2 音高に応じたエンベロープ波形を得る回路
は、アタツク時間・デイケイ時間が互いに異な
る回路を並列接続して構成されていることを特
徴とする実用新案登録請求の範囲第1項記載の
電子楽器のエンベロープ発生装置。[Claims for Utility Model Registration] 1. Capacitive elements of different values are connected to the lock mechanism so as to obtain different pulse widths for each key, and the output pulse from the lock mechanism is controlled by the attack time and decay time. 1. An envelope generator for an electronic musical instrument, characterized in that time is supplied in parallel to different circuits, and the outputs of both circuits are mixed to obtain an envelope waveform. 2. The electronic musical instrument according to claim 1, wherein the circuit for obtaining the envelope waveform according to the pitch is configured by connecting circuits with different attack times and decay times in parallel. Envelope generator.
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP1979134802U JPS623830Y2 (en) | 1979-09-29 | 1979-09-29 |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP1979134802U JPS623830Y2 (en) | 1979-09-29 | 1979-09-29 |
Publications (2)
Publication Number | Publication Date |
---|---|
JPS5652796U JPS5652796U (en) | 1981-05-09 |
JPS623830Y2 true JPS623830Y2 (en) | 1987-01-28 |
Family
ID=29366357
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
JP1979134802U Expired JPS623830Y2 (en) | 1979-09-29 | 1979-09-29 |
Country Status (1)
Country | Link |
---|---|
JP (1) | JPS623830Y2 (en) |
Citations (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPS4889715A (en) * | 1972-02-26 | 1973-11-22 |
Family Cites Families (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPS4931318U (en) * | 1972-06-20 | 1974-03-18 |
-
1979
- 1979-09-29 JP JP1979134802U patent/JPS623830Y2/ja not_active Expired
Patent Citations (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPS4889715A (en) * | 1972-02-26 | 1973-11-22 |
Also Published As
Publication number | Publication date |
---|---|
JPS5652796U (en) | 1981-05-09 |
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