JPS61261794A - Construction for introducing string vibration of guitar intovibrator from rod - Google Patents
Construction for introducing string vibration of guitar intovibrator from rodInfo
- Publication number
- JPS61261794A JPS61261794A JP60103596A JP10359685A JPS61261794A JP S61261794 A JPS61261794 A JP S61261794A JP 60103596 A JP60103596 A JP 60103596A JP 10359685 A JP10359685 A JP 10359685A JP S61261794 A JPS61261794 A JP S61261794A
- Authority
- JP
- Japan
- Prior art keywords
- guitar
- neck
- string
- string vibration
- rod
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Granted
Links
Abstract
(57)【要約】本公報は電子出願前の出願データであるた
め要約のデータは記録されません。(57) [Summary] This bulletin contains application data before electronic filing, so abstract data is not recorded.
Description
【発明の詳細な説明】
この発明はギターの絃振動を振動体へ導入する構造Oこ
関する。DETAILED DESCRIPTION OF THE INVENTION The present invention relates to a structure for introducing guitar string vibrations into a vibrating body.
従来のギター構造と問題点
1従来のギターにおいて絃の振動は駒から振動体へ導入
するのが主で、棹からの導入は高い音域以外はほとんど
無理。1ケ所導入方式であるため導入力が不充分である
。ギターで一番美しい音がするのは高い音域である。理
由は高い音域のため高音共鳴胴の近くをおさえるからで
ある。つまり絃振動は駒と棹からの2ケ所から導入され
るためである。Conventional Guitar Structure and Problems 1 In conventional guitars, the vibration of the string is mainly introduced from the bridge to the vibrating body, and it is almost impossible to introduce it from the neck except in the high range. Since it is a one-place introduction method, the introduction power is insufficient. The most beautiful sound on a guitar is in the high range. The reason is that it suppresses the vicinity of the treble resonance body due to its high range. In other words, the string vibration is introduced from two places: the bridge and the neck.
この条件を全音域Gこ満たす方法は可能か・?2、構造
的には従来のギターは棹を高音共鳴胴の表板と横板に1
ケ所で固定するためその内部に補強材を入れたり、表板
に指根をつけたりするので高音共鳴胴の表板の振動は不
自由である。Is there a way to satisfy this condition in all G ranges? 2. Structurally, conventional guitars have a neck on the top and side plates of the treble resonance body.
In order to fix it in place, reinforcing materials are inserted inside the structure, and fingertips are attached to the top plate, so the vibration of the top plate of the treble resonator body is inconvenient.
それらを取りはずして自出番こ表板を振動させることは
口J能か?
これらの問題点を醒決するため(こ、この発明のギター
は従来のギターのように絃振動を駒から導入するだけで
なく、棹(3)からも導入することをこよりその導入力
を増すことが1」的である。Is it a skill to remove them and make the front plate vibrate? In order to solve these problems, the guitar of this invention not only introduces string vibration from the bridge like conventional guitars, but also from the neck (3), thereby increasing its introduction power. is 1".
この発明のギター振動体は従来の2共鳴胴ギターに中音
部共鳴厭(7)を加え3共鳴胴の振動体とし、各共鳴胴
番こ一つづつ音響孔を設けて(第1図)絃振動を従来の
駒の外、棹(3)からも導入する。従来の1ケ所導入方
式を2ケ所導入方式にするためである。The guitar vibrating body of this invention adds a mid-tone resonator (7) to the conventional two-resonator guitar, making it a three-resonator vibrating body, and one acoustic hole is provided for each resonator body number (Figure 1). String vibration is also introduced from the neck (3), in addition to the traditional bridge. This is to change the conventional one-place introduction method to a two-place introduction method.
又、奏方、姿勢を従来のクラ7ノクギターそのままで演
奏可能(こするために表板は、主音響孔(11)の低音
部共鳴胴(9)寄りを頂点に右へ少々(3゜前後)、左
へ少しく12°的後)それぞれ下げる。In addition, the playing style and posture can be changed to the conventional Kura 7 Noku guitar. ) and slightly to the left (after 12 degrees) respectively.
裏板も中音部(7)と高背部(8)の各共鳴胴の接続部
より曲げて、中音部共鳴胴を斜にする構造の振動体(第
2図)と、上記振動体の中音部共11@胴(7)の表板
に駒(4)と台(1)、高音部共鳴胴(8)の表板に駒
(5)と台(2)をそれぞれ付けてその」−に棹(3)
を付ける方法で、絃(In振動を棹(3)からも振動体
へ導入する構造である。The back plate is also bent from the connecting part of each resonance body of the middle tone part (7) and the high back part (8), making the middle tone part resonance body oblique (Fig. 2), and the above-mentioned vibrating body. For the middle part, put a bridge (4) and a stand (1) on the top plate of the body (7), and a piece (5) and a stand (2) on the top plate of the treble part resonator body (8). -ni (3)
The structure is such that the string (In) vibration is also introduced from the rod (3) to the vibrating body.
尚、材質については従来のギターと変らない。In addition, the materials are the same as conventional guitars.
問題点を解決する手段
前記問題点1番こついては絃振動2ケ所導入方式により
、その導入力を増す。つまり従来のギターの高い音域は
高音共鳴胴の近くをおさえるため、駒と棹の2ケ所より
絃振動を振動体番こ導入するため良い音Oこなることか
らこの構造にすると全音誠心ここの条件を満たすことに
なる。Means for Solving the Problems Regarding the above-mentioned problem No. 1, the introduction power of the string vibration can be increased by introducing the string vibration in two places. In other words, since the high range of a conventional guitar is suppressed near the treble resonance body, the string vibration is introduced from two places, the bridge and the neck, so it produces a good sound, so if you use this structure, you can achieve all-tone sincerity. will be fulfilled.
問題点2については、第2図に示す通り棹の支え台(1
)(2)と棹(3)と振動体の表板とで三角形をなすた
め、従来ギター構造の引っばる力に対しての高音部共鳴
胴内番こ入れた補強材は不用となり、はぼ力木で代用可
能のため各共鳴胴ともその音域に合わせた専用の力木を
入れることができる。以上の理由で待(こ高音部共11
13胴(8)の表板は、はぼ自由Gこ振動することOこ
なり美しい昔色が可能となる。Regarding problem 2, as shown in Figure 2, the rod support stand (1
) (2), the neck (3), and the top plate of the vibrating body form a triangle, so the reinforcing material inside the treble resonator body against the pulling force of the conventional guitar structure is unnecessary, and Since it can be replaced with a strength tree, each resonator can be fitted with a dedicated strength tree suited to its range of sound. For the above reasons, I will wait (both treble parts are 11)
The top plate of the 13th body (8) can vibrate freely, making it possible to create a beautiful old-fashioned color.
発明の試作品とヤマ・・GCIOとの比較(ヤマハ)の
ギターは昭和45年購入した物、この発明の試作品は表
板、裏板ともにベニヤ(合板)、横板はラワン(単板)
、棹(3)とその台と駒は松、指板は本物という最低条
件での製作。Comparison between the prototype of the invention and the Yamaha GCIO (Yamaha) This guitar was purchased in 1972.The prototype of the invention has a veneer (plywood) top and back plate, and a lauan (single board) side plate.
, The neck (3), its base and bridge are made of pine, and the fingerboard is made of real wood.
これとヤマハGC10と比較の結果音量、音質とも劣っ
ているとは思えない性能である。As a result of comparing this with the Yamaha GC10, it is hard to believe that it is inferior in volume and sound quality.
発明の効果
従来のギターのように高音共鳴胴の内部に補強材その表
板に指板等を付けないため表板の振動は自由である。そ
の表板の上に刊けた構造の棹(3)は絃振動Gこ合わせ
て、表板と一緒(こ振動することになる。そのため従来
のギターより絃高を」ユげずGこ同じで絃のビリつき防
止効果が多少あり、より強く絃をこ振!IIIを与える
ことができる。Effects of the Invention Unlike conventional guitars, there is no reinforcing material inside the treble resonator body, and no fingerboard or the like is attached to the top plate, so the top plate can vibrate freely. The structure of the neck (3) placed on top of the top plate causes the string to vibrate together with the top plate.Therefore, the strings are higher than conventional guitars. It has the effect of preventing the string from rattling to some extent, and can give the string a stronger vibration!III.
結果的に音量は多少豊力弓こなる。」−記の絃のビリつ
き防止効果のためこの発明のギターは同じ絃高であるヤ
マノXGC10より強く弾くことができる。その意味か
らいえばこのギターの音量は(ヤマハ)より少しだが大
きな苗と言うよりは強い音が出せる。同じに強く弾くと
(ヤマ・1)の絃はビリつく。理由は棹が高音共鳴胴に
固定された構造であるためである。As a result, the volume becomes a little louder. Because of the effect of preventing the strings from rattling, the guitar of this invention can be played more strongly than the Yamano XGC10, which has the same string height. In that sense, this guitar has a little more volume than the (Yamaha), but it can produce a stronger sound than a large seedling. If you play the same force, the strings of (Yama 1) will become jittery. The reason is that the neck is fixed to the treble resonance body.
共鳴胴が従来より大さく長いので胴内で響く範囲が広く
なるため、少なくとも弾き手には2本のギターを全く同
時(こ弾いたような音に迫力・重量感がありステレオ効
果を感する。Since the resonator body is larger and longer than before, the range of resonance within the body is wider, so at least the player can feel the sound of two guitars playing at the same time (the sound is powerful and heavy, giving a stereo effect).
一つの音を鳴らし、すぐ止めると他の絃がその高さの音
で鳴る共鳴、これがベニヤ製でありなからヤマハGCI
Oより少しだが勝る。絃振動2ケ所導入方式の効果であ
る。」1記の事実が証明するよう番こ棹(3)が振動し
ても音程は正確であるWhen you play one note and immediately stop it, the other strings will resonate at that pitch.This is made of plywood and is made of Yamaha GCI.
It's a little better than O. This is an effect of the method of introducing string vibration in two places. ” As fact 1 proves, the pitch is accurate even if the bankosho (3) vibrates.
第1図は振動体の平面図
第2図は振動体の立面図と棹との接続関係第3図は棹を
支える台(1)の側面図
第4図は棹を支える台(2)の側面図
■と2−・−・・・棹を支える台 3・・・・棹4と
5と6・・・駒
7−・・−・中音部共鳴胴
8 ・高音部共鳴胴
9 ・ 低音部共鳴胴
10−・・ 絃(絃長65側)
11・・・・主音響孔
0 ・・横板の接続部分Figure 1 is a plan view of the vibrating body Figure 2 is an elevation view of the vibrating body and its connection to the neck Figure 3 is a side view of the stand (1) that supports the neck Figure 4 is the stand (2) that supports the head Side view of ■ and 2--...Base that supports the neck 3...Legs 4, 5, and 6...Piece 7--Middle tone resonator 8 ・Treble resonator 9 ・Bass resonator body 10-- String (string length 65 side) 11... Main acoustic hole 0... Connection part of horizontal plate
Claims (1)
(7)を加え、各共鳴胴に一つづつ音響孔を設ける型(
第1図)とし、表板・裏板とも(第2図と説明の文中)
に示す程度の角度をつけた振動体で、絃(10)振動を
棹(3)からも振動体へ導入する構造。 2、特許請求の範囲第1項記載のギター振動体と棹(3
)を駒(4)(5)と棹の支え台(1)(2)で接続す
る棹(3)のつけ方(第2図)で絃(10)振動を棹(
3)からも振動体へ導入する構造。[Claims] 1. The guitar of the present invention is of a type in which a mid-range resonance body (7) is added to the conventional guitar, and one acoustic hole is provided in each resonance body (
Figure 1), and both the front and back plates (Figure 2 and in the explanation)
The structure is such that the vibration of the string (10) is introduced from the neck (3) into the vibrating body with the vibrating body at an angle as shown in the figure. 2. Guitar vibrating body and neck according to claim 1 (3)
) to the bridges (4) and (5) with the support bases (1 and 2) of the neck (Fig. 2).
3) A structure in which it is also introduced into the vibrating body.
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP60103596A JPS61261794A (en) | 1985-05-15 | 1985-05-15 | Construction for introducing string vibration of guitar intovibrator from rod |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP60103596A JPS61261794A (en) | 1985-05-15 | 1985-05-15 | Construction for introducing string vibration of guitar intovibrator from rod |
Publications (2)
Publication Number | Publication Date |
---|---|
JPS61261794A true JPS61261794A (en) | 1986-11-19 |
JPH0236956B2 JPH0236956B2 (en) | 1990-08-21 |
Family
ID=14358146
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
JP60103596A Granted JPS61261794A (en) | 1985-05-15 | 1985-05-15 | Construction for introducing string vibration of guitar intovibrator from rod |
Country Status (1)
Country | Link |
---|---|
JP (1) | JPS61261794A (en) |
Cited By (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPH0442693U (en) * | 1990-08-08 | 1992-04-10 | ||
JP2020154231A (en) * | 2019-03-22 | 2020-09-24 | ヤマハ株式会社 | Musical instrument and plate material for musical instruments |
Citations (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPS58121093U (en) * | 1982-02-08 | 1983-08-17 | 田中 正毅 | Rendou shamisen |
JPS58168793U (en) * | 1982-05-06 | 1983-11-10 | ロ−ランド株式会社 | guitar |
-
1985
- 1985-05-15 JP JP60103596A patent/JPS61261794A/en active Granted
Patent Citations (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPS58121093U (en) * | 1982-02-08 | 1983-08-17 | 田中 正毅 | Rendou shamisen |
JPS58168793U (en) * | 1982-05-06 | 1983-11-10 | ロ−ランド株式会社 | guitar |
Cited By (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPH0442693U (en) * | 1990-08-08 | 1992-04-10 | ||
JP2020154231A (en) * | 2019-03-22 | 2020-09-24 | ヤマハ株式会社 | Musical instrument and plate material for musical instruments |
WO2020195027A1 (en) * | 2019-03-22 | 2020-10-01 | ヤマハ株式会社 | Musical instrument and plate material for musical instrument |
Also Published As
Publication number | Publication date |
---|---|
JPH0236956B2 (en) | 1990-08-21 |
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