JPS60159894A - Sound plate percussion instrument - Google Patents

Sound plate percussion instrument

Info

Publication number
JPS60159894A
JPS60159894A JP59015434A JP1543484A JPS60159894A JP S60159894 A JPS60159894 A JP S60159894A JP 59015434 A JP59015434 A JP 59015434A JP 1543484 A JP1543484 A JP 1543484A JP S60159894 A JPS60159894 A JP S60159894A
Authority
JP
Japan
Prior art keywords
vibration
tone
tone plate
sound
plate
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Pending
Application number
JP59015434A
Other languages
Japanese (ja)
Inventor
重雄 鈴木
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Nippon Gakki Co Ltd
Original Assignee
Nippon Gakki Co Ltd
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Nippon Gakki Co Ltd filed Critical Nippon Gakki Co Ltd
Priority to JP59015434A priority Critical patent/JPS60159894A/en
Publication of JPS60159894A publication Critical patent/JPS60159894A/en
Pending legal-status Critical Current

Links

Abstract

(57)【要約】本公報は電子出願前の出願データであるた
め要約のデータは記録されません。
(57) [Summary] This bulletin contains application data before electronic filing, so abstract data is not recorded.

Description

【発明の詳細な説明】 〔゛発明の技術分野〕 この発明は、にごシ音の発生を防止し、容易に調律し得
るようにした音板打楽器に関するものである。
DETAILED DESCRIPTION OF THE INVENTION [Technical Field of the Invention] The present invention relates to a tone plate percussion instrument that prevents the generation of a rasping sound and can be easily tuned.

〔従来技術〕[Prior art]

マリンバ、シロフオン、ビプラホン等の音板打楽器は、
いずれも固有振動数を有する木製(又は金属製)音板を
音階順に低音から高音まで配列し。
Tone plate percussion instruments such as marimba, chirofuon, viplaphone, etc.
Both have wooden (or metal) tone plates that have a natural frequency and are arranged in the order of scale from low to high.

これをマレットで叩い【演奏するものである。そのため
、音板は楽器自体の音質特性を決定づける最重要な部分
をなし、一般的には硬質木材によ2て断面が矩形の棒状
体に形成されて、下面中央部に円弧型もしくは2重橋型
のえぐシが形成され。
This is played by hitting it with a mallet. Therefore, the tone plate is the most important part that determines the sound quality characteristics of the instrument itself, and is generally made of hard wood and formed into a rod-shaped body with a rectangular cross section, with an arc-shaped or double bridge in the center of the lower surface. A mold shape is formed.

両端側に位置する2つの節点において紐または弾性に富
んだ枕等にょシ支持されることにょシ、両端が自由なバ
ーを構成している。
The bar is supported by strings, elastic pillows, etc. at two nodes located at both ends, and both ends are free.

ここで、音板の振動を音響学から説明すれば。Here, let us explain the vibration of the tone plate from the perspective of acoustics.

棒の振動として説明することができる。棒の振動形態と
して杜 (り 棒の縦振動 (1) 棒の横振動 (1)棒の捩れ振動 の3りに分けられ、従来の音板打楽器ではこれら3つの
形Bつ中、特に(ハ)の横振動を主体に設計。
It can be explained as the vibration of a rod. The vibration forms of the rod are divided into three types: vertical vibration of the rod (1), lateral vibration of the rod (1), and torsional vibration of the rod.In conventional tone plate percussion instruments, among these three types B, especially (H) ) Designed mainly for lateral vibration.

調律されている。It is tuned.

そこで、横振動について詳述すると、これは棒の長手方
向と直角方向に起こる振動のことで、板厚方向の振動(
撓み振動)と、幅方向の振動(水平撓み振動)とからな
る。水平撓み振動は棒の幅方向の剛性が大であるため、
振動振幅が板厚方向の撓み振動忙比べて著しく小さく、
一般的には撓み振動を基本としている。したがって、こ
こでは必要のない限シ撓み振動を単に振動と略称して説
明する。
Therefore, to explain in detail about transverse vibration, this is vibration that occurs in the direction perpendicular to the longitudinal direction of the rod, and vibration in the thickness direction (
flexural vibration) and widthwise vibration (horizontal flexural vibration). Horizontal bending vibration has a large stiffness in the width direction of the rod, so
The vibration amplitude is significantly smaller than the deflection vibration in the plate thickness direction.
Generally, it is based on flexural vibration. Therefore, here, unnecessary flexural vibrations will be simply referred to as vibrations.

音板打楽器はその殆んどが前述した通シ両噛自由パーに
相当する。そこで、今両端が自由で、下面中央にえぐシ
のない真直ぐな棒の中央を叩き。
Most of the tone plate percussion instruments correspond to the above-mentioned toshi-ryo-bite-free par. So, strike the center of a straight stick with both ends free and no holes in the center of the bottom surface.

振動させたと仮定すると、第1図(a)と(d)に示す
ような振動を起こす。すなわち、同図(a)は−次振動
(基本振動)、(b)は二次振動(第一上音)、(0)
は三次振動(第二上音)、(d)は四次振動(第三上音
)を示す。棒1の全長なlとすれば、(a)の−次振動
は両端から0.2241!の点が支点(節)Pとなシ、
棒1の中央部がバネ作用として腹となる。したがって、
この中央部と両端とが激しく振動していることが判る。
Assuming that it is vibrated, the vibrations shown in FIGS. 1(a) and (d) will occur. In other words, (a) in the same figure is the -order vibration (fundamental vibration), (b) is the secondary vibration (first upper tone), (0)
indicates the third-order vibration (second supertone), and (d) indicates the fourth-order vibration (third supertone). If l is the total length of rod 1, then the -order vibration in (a) is 0.2241 from both ends! The point is the fulcrum (node) P,
The center of the rod 1 becomes the belly due to the spring action. therefore,
It can be seen that the center and both ends vibrate violently.

そこで、この腹の部分をえぐシバネとしての力を弱める
ことで周波数を変化させ、音板としての固有振動数を得
るようにしている。この場合、えぐシによシ板厚が薄く
なるため振幅は増大する。
Therefore, by weakening the force of the shibane that excavates this antinode, the frequency is changed and the natural frequency of the tone plate is obtained. In this case, the amplitude increases because the plate thickness becomes thinner.

同様に、二次振動の場合、その支点(fIDPは両端よ
J()、132/と中央の3ケ所で、−次振動よシl箇
所増加する。更に、三次振動以上については次表忙示す
通シである。
Similarly, in the case of second-order vibration, its fulcrum (fIDP) increases at three places at both ends, J ( It is common knowledge.

表 棒の横振動の一般式(オイ2−ベルヌイ式で解いた場合
)よシ第1次振動数f (1)μ近似的に下式%式% 但し、πは円周率、lは棒の長さ、にはある定数(4,
730)、ρは密度、Eはヤング率である。
The general formula for the transverse vibration of the front bar (when solved using the Oy 2-Bernoulli formula) is the first frequency f (1) μ Approximately the following formula % formula % However, π is pi, l is the rod The length of is a constant (4,
730), ρ is the density, and E is Young's modulus.

したがって、−次振動数(基本周波数)f、は上式Ki
=1を代入すると、 となる。
Therefore, the -th frequency (fundamental frequency) f, is the above formula Ki
By substituting =1, it becomes.

また、二次振動以上の振動数fttfs 1f4 Kつ
いてめると。
Also, if you add the frequency fttfs 1f4 K which is higher than the secondary vibration.

ft”s2・Q fs””r”・Q f4=9ζ・Q 以上のことから、高次振動線a! 、 5R、7! 、
 g!・・・・・・といりた奇数の2乗で決まってきs
 f 1 =3”・Qを1とすると、各高次振動の一次
振動に対する振動数比は、1 : 2.756:5.4
04:8.933・・・・・・の様に非整数倍となる。
ft”s2・Q fs””r”・Q f4=9ζ・Q From the above, the higher-order vibration line a! , 5R, 7! ,
g! It is determined by the square of an odd number such as...
If f 1 = 3”・Q is 1, the frequency ratio of each higher-order vibration to the first-order vibration is 1:2.756:5.4
04:8.933... is a non-integer multiple.

そこで、実際の音板設計に際しては、この二次振動(2
,756)を4.00になるようKflを下げ、また同
時に三次振動(5,404)が10.00になるように
調律しているのである。その具体的手法としては、第2
図(&)に示すように音板1の下面中央部に通常円弧型
のえぐシ3を形成して固有振動数を得るようにし、二次
、三次・・・の高次振動を抑制させるようにしている。
Therefore, when designing an actual tone plate, this secondary vibration (2
, 756) to 4.00, and at the same time, the third-order vibration (5,404) is tuned to 10.00. As a specific method, the second
As shown in the figure (&), a generally arc-shaped groove 3 is formed at the center of the lower surface of the tone plate 1 to obtain a natural frequency, and to suppress higher-order vibrations such as secondary, tertiary, etc. I have to.

しかし、このようなえぐシ3を形成しても特定の音域に
おいては、にごル音の発生が著しく問題となっている。
However, even if such a groove 3 is formed, the occurrence of a muffled sound becomes a serious problem in a specific range of sound.

このにごシ音の研究は大変遅れており、その補正方法は
手探ぐfiK近く、振幅の小さい水平撓み振動の影響な
どは従来全く考慮外にあったが、最近の研究によって、
この水平撓み振動が影響していることが究明されるにい
たったのが実情である。
Research on this noise has been very slow, and the method of correcting it is close to fiK, and the effects of small-amplitude horizontal bending vibrations have not been considered at all, but recent research has shown that
The actual situation was that it was discovered that this horizontal flexural vibration had an effect.

すなわち、音板の横振動は前述した通シ板厚方向の振動
(撓み振動)に加えて、幅方向にも振動(水平撓み振動
)可能でメジ、実験によると特に撓み二次振動(f、)
と水平撓み一次振動(幅方向における基本振動)とが近
づいた場合に顕著なにごシ音を生ずる例の多いことが判
明した。このにごシ音の状態は、撓み二次振動と水平撓
み一次振動の周波数が概略値で+20セント〜−20セ
ントを除(+180セント〜−180セントの時を云い
(周波数が一致するはにと如音とならないので除外)、
この範囲内にこれら両振動が入った時、にご如音として
感ぜられるもので、その発汁を防止するため、経験的に
音板中央部の断面形状を第2図(b) 、(cl + 
(d)K示すように変えている。しかるにかかるにと如
音の防止には以下に列挙するような多くの問題があった
In other words, in addition to the vibration in the thickness direction (flexural vibration) of the tone plate mentioned above, it is also possible to vibrate in the width direction (horizontal flexural vibration). )
It has been found that there are many cases in which a noticeable rattling noise is produced when the horizontal deflection primary vibration (fundamental vibration in the width direction) and the horizontal deflection primary vibration are close to each other. This noise condition occurs when the frequencies of the secondary flexural vibration and the primary horizontal flexural vibration are approximately +20 cents to -20 cents (excluding +180 cents to -180 cents). (Excluded because it does not sound like a sound)
When both of these vibrations fall within this range, it is felt as a muddy sound, and in order to prevent this from occurring, we have empirically determined the cross-sectional shape of the central part of the tone plate as shown in Figure 2 (b). cl +
(d) Changed as shown in K. However, there were many problems in preventing this phenomenon, as listed below.

(1) Kご多音が発生しないはずの音板までも。(1) Even the tone plate where K polyphonic notes should not occur.

音板の中間選別をしないものとすると調律の狂いを補正
するために音板のバラツキ等を考慮して特定範囲の音板
について一斉に加工するので、逆ににと多音を発生させ
ることがおる。
If there is no intermediate sorting of the tone plates, a specific range of tone plates will be processed all at once, taking into account variations in the tone plates in order to compensate for out-of-tuning, and conversely, many notes will be generated. is.

(1) クリアな音になっても音が細く、周シの音板と
の音色違いが起シ、異和感を生ずる。
(1) Even if the sound is clear, the sound is thin and the tone differs from the surrounding tone plates, creating a strange feeling.

(1) 減衰が速く、音に伸びがない。また音量も減少
する。
(1) Attenuation is fast and there is no extension in the sound. The volume also decreases.

Qv) 音板の歩留りが悪くコスト高でらる。Qv) The yield of tone plates is poor and the cost is high.

(Vl 音板中央部両サイドが非常に薄くなシ、打撃時
に割れたシ、欠けたシすることがおる。
(Vl Both sides of the center part of the tone plate are very thin and may crack or chip when struck.

(vI)水平撓み振動(数)も下がるが、同時に捺み一
次、二次等の振動も下がるため、これら三つの振動を目
標周波数に合わせるのに大変技術を要する。したがって
、製造コストが高くつく。
(vI) The horizontal bending vibration (number) also decreases, but at the same time, the primary and secondary vibrations of knitting also decrease, so it takes a lot of skill to match these three vibrations to the target frequency. Therefore, manufacturing costs are high.

〔発明の概要〕[Summary of the invention]

この発明は上述したような点に鑑みてなされたもので、
音板の側面中央部付近に切多溝を設け。
This invention was made in view of the above points,
A multi-cut groove is provided near the center of the side of the tone plate.

水平撓み一次振動の周波数を下げることKよシ、にご如
音の発生を防止し、また音圧、音量を増大させ得、しか
も熟練を要さず容易に製作、調律でき、安価に提供し得
るようにした音板打楽器を提供するものでめる。
By lowering the frequency of the primary vibration of horizontal deflection, it is possible to prevent the generation of noise and increase the sound pressure and volume, and it is easy to manufacture and tune without requiring any skill, and can be provided at low cost. It is intended to provide tone plate percussion instruments that can be obtained.

以下、この発明を図面に示す実施例に基づいて詳細に説
明する。
Hereinafter, the present invention will be described in detail based on embodiments shown in the drawings.

〔実施例〕〔Example〕

第3図(&) t (b)はこの発明に係る音板の一実
施例を示す側面図およびat−■線拡大断面図でおる。
FIG. 3(b) is a side view and an enlarged sectional view taken along the line at-■, showing an embodiment of the tone plate according to the present invention.

同図において、10は所定の長さ、厚みおよび幅を有し
て棒状に形成された木製音板で、この音板10の下面中
央部には円弧型のえぐシ11が形成されている。
In the figure, reference numeral 10 denotes a wooden tone plate formed into a rod shape with a predetermined length, thickness, and width, and an arc-shaped cutout 11 is formed at the center of the lower surface of the tone plate 10.

12m、12bは前記音板180基本振動の節点位置に
それぞれ形成された小孔で、これら小孔12a。
Reference numerals 12m and 12b are small holes formed at the nodal points of fundamental vibration of the tone plate 180, and these small holes 12a.

12bK該音板10を支持する紐等が挿通される。12bK A string or the like that supports the tone plate 10 is inserted.

通常、前記音板10はえぐシ11を形成された後振動(
撓み一次振動)と高次振動(撓み二次。
Usually, the tone plate 10 is vibrated (
(first-order vibration of deflection) and higher-order vibration (secondary vibration of deflection).

三次・・・振動)の調律が行われ、所望の固有振動数を
与えられる。しかし、調律後撓み二次振動と水平撓み一
次振動が絡んだ’Mごシの発生する音板(特に中音域の
音板)Kついては、この発明を特徴づける切シ溝13.
14が前記えぐシ11に加えて音板10の両側面中央部
付近にそれぞれ形成される。この場合、本実施例におい
ては切シ溝13゜14を音板10の長手方向に形成した
場合を示したが、これに限らず板厚方向に形成したシ、
切シ溝の特定箇所の幅、深さを変化させたり片面のみあ
るいは適宜な角度(30’〜60つで斜めに形成しても
よい。また、前記切シ溝13.14の長さ。
Third-order (vibration) tuning is performed to give the desired natural frequency. However, regarding the tone plates (particularly the tone plates in the mid-range range) where the post-tuning deflection secondary vibration and the horizontal deflection primary vibration are generated, the cutting groove 13. which characterizes this invention.
14 are formed near the center of both sides of the tone plate 10 in addition to the grooves 11. In this case, although the present embodiment shows the case where the cut grooves 13° 14 are formed in the longitudinal direction of the tone plate 10, the present invention is not limited to this, and the cut grooves 13° 14 can be formed in the plate thickness direction.
The width and depth of a specific part of the cut groove may be changed, or it may be formed only on one side or at an appropriate angle (30' to 60 mm).Also, the length of the cut groove 13, 14 may be changed.

幅、深さと本数は、前記撓み二次振動と水平撓み一次振
動の位置によって設定されるため、各音板毎に異なる。
The width, depth, and number are set depending on the positions of the secondary flexural vibration and the primary horizontal flexural vibration, and therefore differ for each tone plate.

すなわち、前記両振動が±20セント以内か±1801
80セント所2に周波数がくるように、その長さ1幅お
よび深さ等を変えるもので、この結果前記撓み二次振動
の周波数は殆んど変化せず、水平撓み一次振動の周波数
が下がることを実験によシ確認した。
In other words, both vibrations are within ±20 cents or ±1801
The length, width, depth, etc. are changed so that the frequency is at the 80 cent point 2. As a result, the frequency of the secondary flexural vibration hardly changes, and the frequency of the primary horizontal flexural vibration decreases. This was confirmed through experiments.

第4図は撓み振動と水平撓み振動の周波数を示す図で、
補正加工をすると撓み振動(f、 、 f、 、 f。
Figure 4 is a diagram showing the frequencies of bending vibration and horizontal bending vibration.
When correction processing is performed, bending vibrations (f, , f, , f.

・・・・・・)はそのままの状態を維持し、水平撓み振
動Cf、、’、八へ、f、/・・・・・・)の周波数が
鎖線位置から左方に水平移動する。そしてsftとf、
I とは。
...) remains as it is, and the frequency of the horizontal bending vibration Cf,,',to,f,/...) moves horizontally to the left from the chain line position. and sft and f,
What is I?

−20〜+20以内になる。It will be within -20 to +20.

第5図は水平撓み一次振動の減衰特性を音圧レベルを揃
えて示すもので、 (a)h切シ溝13,14を有さな
い現行音板、(b)は切シ溝13.14を有するこの発
明による音板によるものである。同図から明らかなよう
にこの発明による音板においては水平撓み一次振動の減
衰が現行音板に比べて早く、影響が少ない。
Figure 5 shows the damping characteristics of the primary vibration of horizontal deflection with the same sound pressure level; (a) the current tone plate without the h-cut grooves 13 and 14; The tone plate according to the present invention has the following characteristics. As is clear from the figure, in the tone plate according to the present invention, the primary vibration of horizontal deflection is attenuated faster than in the current tone plate, and the effect is less.

第6図(al 、 (blは撓み一次振動f、と撓み二
次振動f、の減衰特定を示す。同図(a)は撓み一次振
動(f、)の減衰特性を音圧レベルを揃えて示すもので
、Aはにと9音のない現行音板、Bはにと9音の発生す
る現行音板、Cはこの発明によるにご9音の発生を防止
した音板によるものでおる。また同図(b)は撓み二次
振動J、)の減衰特性を音圧レベルを揃えて示すもので
、A、Bは互いに重なシ合っている。同図から明らかな
ように、この発明による音板CKよると八+ftの音圧
レベルが現行音板A。
Figure 6 (al, (bl) shows the attenuation characteristics of the primary flexural vibration f and the secondary flexural vibration f. Figure 6 (a) shows the attenuation characteristics of the primary flexural vibration (f,) with the sound pressure level aligned. In the figure, A is the current tone plate without the Ni-to-9 sound, B is the current tone plate with the Ni-to-9 sound, and C is a tone plate that prevents the Ni-to-9 sound according to the present invention. In addition, Figure (b) shows the damping characteristics of the secondary bending vibration J,) with the same sound pressure level, and A and B overlap each other.As is clear from the figure, the present invention According to the tone plate CK, the sound pressure level of 8+ft is the current tone plate A.

BK比べて高く、また減衰を長く維持する。It is higher than BK and maintains damping for a long time.

第7図(a) + (bl 、 (clは音板の減衰特
性を示す図で、(alは単にえぐりを設けた現行音板、
(b)は中央部断面形状を第2図(b)の舟形にした現
行音板、(C)はこの発明による音板によるものである
。同図(a)の現行音板においては減衰が早く、うなシ
を生じる。
Figure 7(a) + (bl, (cl is a diagram showing the attenuation characteristics of the tone plate, (al is the current tone plate with a simple gouge,
2(b) is a current tone plate with a cross-sectional shape of a boat as shown in FIG. 2(b), and FIG. 2(C) is a tone plate according to the present invention. In the current tone plate shown in FIG. 6(a), the attenuation is fast and a burr is produced.

また、にご9音も発生する。同図(C)のこの発明によ
る音板はにと9音の発生がなく、また同図(b)の現行
音板に比べてうなシが非常に少なく、減衰も非常に遅い
。また振動幅も大きい。
In addition, nigo 9 sounds are also generated. The tone plate according to the present invention shown in FIG. 4(C) does not generate ni and 9 tones, has very few undulations, and decays very slowly compared to the current tone plate shown in FIG. 4(b). Also, the vibration width is large.

これはとシもなおさず切p溝13.14による効果で、
水平撓み一次振動(f、’)が撓み二次振動(f2)よ
シ約l音に200セ・ト)以上能れると。
This is due to the effect of the cut p grooves 13 and 14,
The horizontal flexural primary vibration (f,') can be more than 200 ce/t) stronger than the flexural secondary oscillation (f2).

にご9音が消え、音をクリアにする。また、にご9音が
消えればすなjDKよる振動エネルギーロスが減少し、
撓み一次振動(f、)および撓み二次振動(f、)の減
衰を長く保つ。換言すれば音に伸びが出てくる。したが
りて音圧も高くな如音量も増大するため、低、高音部の
音とのりながシをスムーズにする。
The nine-tone sound disappears, making the sound clear. Also, if the Nigo 9 sound disappears, the vibration energy loss due to SunajDK will decrease,
The damping of the primary flexural vibration (f,) and the secondary flexural vibration (f,) is maintained for a long time. In other words, the sound becomes longer. Therefore, since the sound pressure is high and the volume is also increased, the sound and flow of the low and treble parts are smoothed.

前記切シ溝13.14の加工形成は第2図(b)。The processing and formation of the cut grooves 13 and 14 is shown in FIG. 2(b).

(0) 、 (d)に示した現行音板のにご9音を防止
した断面形状に比べて著しく簡単かつ容易で、熟練を要
さず、目標周波数に合わせ易い利点を有する。したがっ
て、加工性に加えて歩留シが向上し、製造コストの低減
を可能にする。
Compared to the cross-sectional shape of the current tone plates shown in (0) and (d), which prevents the nine-note sound, this has the advantage of being significantly simpler and easier, requiring no skill, and making it easier to match the target frequency. Therefore, in addition to workability, yield is improved, making it possible to reduce manufacturing costs.

また、音板10の中央部の厚みを変えていないので、打
撃時に割れたルすることもなく、耐久性に優れている。
Furthermore, since the thickness of the central portion of the tone plate 10 is not changed, it does not crack or crack when struck, and has excellent durability.

〔発明の効果〕〔Effect of the invention〕

以上述べたように、この発明に係る音板打楽器は、音板
の側面略中央部に切シ溝を形成して水平撓み一次振動の
周波数を下げるようにしたので。
As described above, the tone plate percussion instrument according to the present invention has cut grooves formed approximately at the center of the sides of the tone plate to lower the frequency of the primary vibration of horizontal deflection.

撓み二次振動と前記水平撓み一次振動とによるにと9音
の発生を確実に防止でき、良好な調律を行うことがで肯
る。また、にご9音を防止することによシ、振動エネル
ギーロスが減少し、音に伸びが出てくるため、音圧およ
び音量が増大し、クリアな音を得ることができる。特に
にご9音の発生は中音域の音板に著しく、低、高音域の
音とのりながシを悪くしているが、この発明による音板
を中音域に用いると、かかる問題を解決でき、楽器とし
ての性能を向上させ得る。さらに、切シ溝の形成は容易
で、熟練を要さず、′Wr定周波数に合せやすいため1
歩留pが向上し、安価な音板打楽器を提供することがで
きる。
Due to the secondary deflection vibration and the above-mentioned horizontal deflection primary vibration, generation of 9 tones can be reliably prevented and good tuning can be achieved. In addition, by preventing the 9-tone noise, vibration energy loss is reduced and the sound becomes more elongated, so the sound pressure and volume increase, and clear sound can be obtained. In particular, the occurrence of the nine-tone sound is noticeable in the mid-range tone plate, which worsens the relationship between the low and high-range sounds, but if the tone plate according to the present invention is used in the middle range, this problem can be solved. This can improve the performance of the instrument. Furthermore, the cutting grooves are easy to form, do not require skill, and are easy to match with the 'Wr constant frequency.
Yield p is improved and an inexpensive tone plate percussion instrument can be provided.

【図面の簡単な説明】[Brief explanation of the drawing]

第1図(a)〜(d)は棒の振動形態を示す図、第2図
(a)〜(d)は現行音板の側面図および中央部の断面
図。 第3図(a) 、 (b)はこの発明に係る音板の一実
施例を示す側面図および■−■線拡線断大断面図4図は
撓み振動と水平撓み振動の周波数を示す図、第5図は水
平撓み一次振動の減衰特性を示す図、第6図(a) 、
 (b)は撓み一次振動と撓み二次振動の減衰特性を比
較子る図、第7図(IL) + (b) + (c)は
音板の減衰特性を示す図である。 10・・・・音板、11・・・・えぐシ、12a、12
b・・・・小孔、13.14・・・・切シ溝。 f、・・・・撓み二次振動、八′・・・・水平撓み一次
振動。 特許出願人 日本楽器製造株式会社 代 理 人 山 川 政 樹(ほか2名)第6図 一埼Fll’l (t) 第7図
FIGS. 1(a) to (d) are diagrams showing the vibration form of the rod, and FIGS. 2(a) to (d) are side views and sectional views of the central part of the current tone plate. FIGS. 3(a) and 3(b) are side views showing one embodiment of the tone plate according to the present invention, and an enlarged cross-sectional view along the line ■-■. FIG. 4 is a diagram showing frequencies of bending vibration and horizontal bending vibration. , Figure 5 is a diagram showing the damping characteristics of horizontal deflection primary vibration, Figure 6 (a),
7(b) is a diagram comparing the damping characteristics of the primary bending vibration and the secondary bending vibration, and FIG. 7(IL) + (b) + (c) is a diagram showing the damping characteristic of the tone plate. 10...Tone plate, 11...Egusi, 12a, 12
b...small hole, 13.14...cut groove. f,... secondary vibration of deflection, 8'... primary vibration of horizontal deflection. Patent applicant: Nippon Musical Instruments Manufacturing Co., Ltd. Representative: Masaki Yamakawa (and 2 others) Figure 6 IchisakiFll'l (t) Figure 7

Claims (1)

【特許請求の範囲】[Claims] 音板の側面中央部に切シ溝を設け、Kどシ音の発生を防
止するようにしたことを特徴とする音板打楽器。
A tone plate percussion instrument characterized in that a cut groove is provided in the center of the side surface of the tone plate to prevent the generation of a K-thud sound.
JP59015434A 1984-01-31 1984-01-31 Sound plate percussion instrument Pending JPS60159894A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP59015434A JPS60159894A (en) 1984-01-31 1984-01-31 Sound plate percussion instrument

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP59015434A JPS60159894A (en) 1984-01-31 1984-01-31 Sound plate percussion instrument

Publications (1)

Publication Number Publication Date
JPS60159894A true JPS60159894A (en) 1985-08-21

Family

ID=11888688

Family Applications (1)

Application Number Title Priority Date Filing Date
JP59015434A Pending JPS60159894A (en) 1984-01-31 1984-01-31 Sound plate percussion instrument

Country Status (1)

Country Link
JP (1) JPS60159894A (en)

Cited By (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS6287393U (en) * 1985-11-19 1987-06-04
US5686679A (en) * 1995-01-20 1997-11-11 Yamaha Corporation Percussion instrument with tone bars for exactly generating tones on a scale
US6838604B2 (en) 2001-09-07 2005-01-04 Yamaha Corporation Wooden bars arranged for percussion instruments

Cited By (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS6287393U (en) * 1985-11-19 1987-06-04
US5686679A (en) * 1995-01-20 1997-11-11 Yamaha Corporation Percussion instrument with tone bars for exactly generating tones on a scale
US6838604B2 (en) 2001-09-07 2005-01-04 Yamaha Corporation Wooden bars arranged for percussion instruments

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