JPH09235000A - Manufacture of picture with stereoscopic sense - Google Patents
Manufacture of picture with stereoscopic senseInfo
- Publication number
- JPH09235000A JPH09235000A JP6726696A JP6726696A JPH09235000A JP H09235000 A JPH09235000 A JP H09235000A JP 6726696 A JP6726696 A JP 6726696A JP 6726696 A JP6726696 A JP 6726696A JP H09235000 A JPH09235000 A JP H09235000A
- Authority
- JP
- Japan
- Prior art keywords
- coloring
- picture
- sketch
- copy
- painting
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Pending
Links
Landscapes
- Printing Methods (AREA)
- Toys (AREA)
Abstract
Description
【0001】[0001]
【発明の属する技術分野】本発明は、立体感を有する絵
画の製造方法に関するものである。BACKGROUND OF THE INVENTION 1. Field of the Invention The present invention relates to a method for producing a painting having a three-dimensional effect.
【0002】[0002]
【従来の技術】従来、立体感を有する絵画と言う場合、
絵画のモチーフや図柄が浮かび上がって見える絵画と油
絵のように絵の具の筆跡が盛りあがっている絵画の2種
類が考えられた。しかし、油絵にしても浮かび上がって
見える絵画にしても難しい技法と高価な材料を必要とす
るものである。2. Description of the Related Art Conventionally, when referring to a painting having a three-dimensional effect,
Two types of paintings were considered: paintings in which the motifs and patterns of a painting appear to be visible, and paintings in which the handwriting of paint is raised like oil paintings. However, it requires difficult techniques and expensive materials, whether it is an oil painting or a painting that appears as it emerges.
【0003】[0003]
【発明が解決しようとする課題】本発明は、第1に簡単
な技法で、下絵ができたらモノクロコピーし台紙を作成
し、これにより同一下絵で簡単に数多くの台紙を作るこ
とを可能とし、第2に、自然、人工、夜間の光の変化に
よって絵画が変化し、多種な楽しみ方ができ、さらに夜
光塗料を一部または全体に塗ることで、夜間(暗所)で
も楽しめ(隠し絵画法)、第3に、安価な材料によりこ
れ等を可能とする立体感を有する絵画の製造方法を提供
しようとするものである。SUMMARY OF THE INVENTION The present invention is, firstly, by a simple technique, when a rough sketch is completed, a monochrome copy is made to create a mount, which makes it possible to easily make many mounts with the same rough sketch. Secondly, the painting changes due to natural, artificial, and changes in the light at night, which allows for a variety of ways to enjoy. In addition, by applying the luminous paint on part or the whole, it can be enjoyed even at night (in the dark) (hidden painting method). ), And thirdly, to provide a method of manufacturing a painting having a three-dimensional effect that enables these by using an inexpensive material.
【0004】[0004]
【課題を解決するための手段】本発明は、上記課題を解
決するため、下絵をモノクロ複写機にてコピーして台紙
を作成し、コピートナーの黒色部分を生かして、色鉛
筆、クレヨン等の着色材料にて下地塗りを行い、ポスタ
ーカラー、油性ペイント、修正液等の水性、油性の性質
の異なる種々の材料で図柄の着色に変化をつけ、最後に
蛍光ペンで絵柄の全体または一部分に着色材料を伸ばす
ことを特徴とする立体感を有する絵画の製造方法を提供
する。SUMMARY OF THE INVENTION In order to solve the above problems, the present invention is to copy a rough sketch by a monochrome copying machine to create a mount, and make use of the black portion of the copy toner to color a colored pencil, crayon or the like. Apply a base coat with the material, change the coloring of the pattern with various materials with different water-based and oil-based properties such as poster color, oil paint, correction fluid, etc. Finally, use a highlighter pen to color the whole or part of the pattern The present invention provides a method for producing a painting having a three-dimensional effect, which is characterized by stretching.
【0005】[0005]
【発明の実施の形態】以下本発明の実施の態様について
説明する。本発明は台紙作成段階と台紙への着色段階に
区別できる。BEST MODE FOR CARRYING OUT THE INVENTION Embodiments of the present invention will be described below. The present invention can be divided into a mount making stage and a mount coloring stage.
【0006】台紙作成は、次のような手順でおこなわれ
る。第1に、下絵を作成する。下絵は、通常、写生や想
像により自ら作成したものを用いる。下絵には、図柄を
浮き上がらせる程度に応じてバックを着色しておく場合
もある。この着色は、モノクロコピートナー(黒色)、
またはポスターカラーマーカーにて行う。図柄は、書
物、テレカ、その他の図柄の原寸、又は拡大コピーまた
はそれらのスケッチしたもの等(但し著作権フリーの図
柄に限られる。)を用いる。既に使用した再下絵も下絵
の一種となりうる。The mount is created in the following procedure. First, create a sketch. The sketch is usually created by drawing or imagining. In the rough sketch, the back may be colored depending on the degree to which the design is raised. This coloring is monochrome copy toner (black),
Or use poster color markers. As the design, the original size of a book, telephone card, or other design, or an enlarged copy or a sketch of them (however, limited to copyright-free design) is used. The re-rough sketch that has already been used can be one of the rough sketches.
【0007】第2に、この下絵をモノクロ複写機にてコ
ピーする。モノクロコピーされた物を台紙とする。従っ
て、台紙は、複写機用のもの、通常コピー用紙となり、
台紙には複写機用トナーのみで全体または部分的にバッ
クが描かれている。台紙は何十枚も同一物が作れる利点
がある。白黒コピー用紙の台紙の裏面にもトナーにて、
黒に塗っておく、これにより台紙の強度アップにもな
る。他にポスターカラーマーカー、油性ペイントを塗っ
ても同様となる。この裏面の処理は、立体感の向上にも
関係する。Secondly, this sketch is copied by a monochrome copying machine. The monochrome copy is used as the mount. Therefore, the mount is for copying machines, usually copy paper,
On the mount, the back is drawn in whole or in part with toner for the copying machine only. The mount has the advantage of making dozens of identical pieces. Toner on the back of the black and white copy paper mount,
Applying it black makes the mount stronger. The same applies when a poster color marker or oil paint is applied. The processing on the back surface also relates to improvement of the stereoscopic effect.
【0008】次の段階として、台紙への着色段階へと進
む。着色段階の最初は、下地作りである。下地作りは、
色鉛筆、クレヨン、その他にて絵画の下地を着色する。
着色に際して台紙のコピー用トナーで描かれた黒色部分
を有効に生かす必要がある。すなわち、モノクロコピー
トナーとの化学変化により油絵と同様な立体感を出すこ
とができる。As the next step, the step of coloring the mount is proceeded to. The beginning of the coloring stage is the preparation of the groundwork. The groundwork is
Color the background of the painting with colored pencils, crayons, etc.
When coloring, it is necessary to effectively utilize the black portion drawn with the copy toner on the mount. That is, it is possible to give a stereoscopic effect similar to an oil painting by the chemical change with the monochrome copy toner.
【0009】下地が着色された台紙に水性のポスターカ
ラーや油性ペイント、修正液、蛍光ペイントで変化を付
ける。この部分は個人の絵画的趣味により各種の変化が
可能である。油性材料の絵の具の上に水性材料の絵の具
を塗ったり、逆に水性材料の絵の具の上に油性材料の絵
の具を塗ったり、種々の方法が可能である。A base paper with a colored base is changed with an aqueous poster color, an oil paint, a correction liquid, or a fluorescent paint. This part can be changed in various ways depending on the personal taste of the painting. Various methods are possible, such as painting the paint of the water-based material on the paint of the oil-based material, and conversely painting the paint of the oil-based material on the paint of the water-based material.
【0010】着色材料としては油性系、及び水性系のも
のが考えられる。水性系のものとして、ポスターカラー
マーカー、顔料マーカー、色鉛筆、水性ペンキ、水性サ
インペン、蛍光ペン、水性絵の具等があり、油性系のも
のとして、ペイントマーカー、油性ペンキ、マジック、
ホワイトボードマーカー、油性マーカー、修正液、クレ
ヨン、油絵用絵の具等がある。As the coloring material, oil-based materials and water-based materials can be considered. Water-based inks include poster color markers, pigment markers, colored pencils, water-based paints, water-based marking pens, highlighters, water-based paints, and oil-based inks such as paint markers, oil-based paints, magic,
There are whiteboard markers, oil markers, correction fluids, crayons, oil paints, etc.
【0011】尚、着色材料は、水性、油性との2種類の
異なる性質のもの使用する。乾く前の水性の着色材料の
上に油性の着色材料を塗ると、水性の着色材料を塗った
部分ははじける。油性の着色材料の上に水性の着色材料
を塗っても同様のことが生じる。本発明では、これらの
異なる性質を最大限に利用している。The coloring material used has two different properties: aqueous and oily. When the oil-based coloring material is applied on the water-based coloring material before it is dried, the portion where the water-based coloring material is applied pops off. The same thing occurs when the water-based coloring material is applied on top of the oil-based coloring material. The present invention takes full advantage of these different properties.
【0012】仕上として最後に市販されている蛍光ペン
で図柄の全体又は部分に沿って色を伸ばす。尚、蛍光ペ
ンの欠点として、色褪せがあり、特に外光、非常に明る
い光に長時間置くことにより発生する。しかし、水性の
ポスターカラーマーカー、顔料インク等を混ぜ合わせる
ことにより色褪せの防止になる。すなわち、蛍光ペンの
欠点である色褪せも、混色することにより防止できる。As a finish, the color is finally extended with the commercially available highlighter pen along the whole or a part of the pattern. As a drawback of the fluorescent pen, there is fading, which occurs especially when it is exposed to outside light or very bright light for a long time. However, the fading can be prevented by mixing a water-based poster color marker and a pigment ink. That is, fading, which is a drawback of the fluorescent pen, can be prevented by mixing the colors.
【0013】[0013]
【発明の効果】コピー用トナーが台紙に染み込み、これ
により黒色に着色されたバックと図柄の筆跡に合わせて
塗られた蛍光ペンの色合いにより、図柄が浮き上がって
見えるだけでなく、コントラストを調整することによ
り、油絵のような立体感をだすことが可能となる(白黒
コピートナーと何等かの化学変化が生じるものと思われ
る)。EFFECT OF THE INVENTION The copy toner soaks into the backing paper, and due to the shade of the black colored backing and the color of the highlighter pen that is painted according to the handwriting of the design, not only does the design appear to pop up, but also the contrast is adjusted. By doing so, it becomes possible to give a three-dimensional effect like an oil painting (it is considered that some chemical change occurs with the black and white copy toner).
【0014】尚、立体感の程度は、着色材料や手順、色
の関係で異なってくる。最大の利点は同じ下絵が数多く
利用でき、台紙に種々の着色材料の塗り合わせ方法によ
り、異なる印象の絵画を数多く製造することができる。
しかし、少なくとも素材が油絵の様な立体感を有するも
のとなる。非常に立体感のある製造方法であるが、完成
画を手で触れてみてもほとんど凹凸は感じられない。The degree of three-dimensional effect depends on the coloring material, the procedure, and the color. The greatest advantage is that many same sketches can be used, and many paintings with different impressions can be produced by applying various coloring materials to the mount.
However, at least the material has a three-dimensional effect like an oil painting. It is a very three-dimensional manufacturing method, but even if you touch the finished image with your hands, you will hardly notice any unevenness.
【0015】台紙が複写機により作成されるものである
ため、同じ台紙を何十枚も簡単にでき、それらを利用し
て異なる色彩や印象の絵画を製造することが出来る。Since the mount is made by a copying machine, it is possible to easily make dozens of the same mount, and it is possible to manufacture paintings of different colors and impressions by using them.
【0016】夜光塗料により部分的に上塗りをすること
により暗いところで光る絵画を作成することも可能であ
る(隠し絵画法)。又、実施例の効果ではあるが、コピ
ー用紙を用いても、表面黒色部分及び裏面にコピートナ
ーや着色材料が染み込んでいるため薄いコピー用紙のよ
うな台紙を丈夫なものとすることができる。It is also possible to create a painting that shines in the dark by partially overcoating it with a luminescent paint (hidden painting method). Further, as an effect of the embodiment, even if a copy sheet is used, since the copy toner and the coloring material are soaked in the black surface portion and the back surface, the backing sheet such as a thin copy sheet can be made durable.
Claims (1)
を作成し、コピートナーの黒色部分を生かして、色鉛
筆、クレヨン等の着色材料にて下地塗りを行い、ポスタ
ーカラー、油性ペイント、修正液等の水性、油性の性質
の異なる種々の材料で図柄の着色に変化をつけ、最後に
蛍光ペンで絵柄の全体または一部分に着色材料を伸ばす
ことを特徴とする立体感を有する絵画の製造方法。1. A monochrome copy machine is used to make a copy of a rough sketch, and a black paper portion of the copy toner is used to make an undercoat with a coloring material such as colored pencils and crayons. Poster color, oil paint, and correction are then made. A method for producing a painting having a three-dimensional effect, which is characterized in that the coloring of a pattern is changed with various materials having different aqueous and oily properties such as liquid, and finally the coloring material is extended to the whole or a part of the pattern with a highlighter pen. .
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP6726696A JPH09235000A (en) | 1996-02-28 | 1996-02-28 | Manufacture of picture with stereoscopic sense |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP6726696A JPH09235000A (en) | 1996-02-28 | 1996-02-28 | Manufacture of picture with stereoscopic sense |
Publications (1)
Publication Number | Publication Date |
---|---|
JPH09235000A true JPH09235000A (en) | 1997-09-09 |
Family
ID=13339996
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
JP6726696A Pending JPH09235000A (en) | 1996-02-28 | 1996-02-28 | Manufacture of picture with stereoscopic sense |
Country Status (1)
Country | Link |
---|---|
JP (1) | JPH09235000A (en) |
-
1996
- 1996-02-28 JP JP6726696A patent/JPH09235000A/en active Pending
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Taylor | Learning to look: A handbook for the visual arts | |
US6045639A (en) | Apparatus and method for creating wall murals and the like | |
Petrie | ceramic transfer printing | |
Goldman | Looking at prints, drawings and watercolours: a guide to technical terms | |
CN101308611A (en) | Copying method of calligraphy characters and pictures | |
JPH09235000A (en) | Manufacture of picture with stereoscopic sense | |
US20040067468A1 (en) | Coloring/painting kit and method | |
JP3849053B2 (en) | Electrostatic printing sheet | |
Gury | Foundations of drawing: A practical guide to art history, tools, techniques, and styles | |
RU139562U1 (en) | CHILDREN'S COLORING FROM POLYMERIC MATERIAL | |
Abdullah et al. | An Overview of The Revolution in Printmaking and Monoprint Application Techniques in Malaysia | |
KR200468632Y1 (en) | Scratch Board | |
Rakhimov | THE PLACE OF GRAPHICS IN THE FINE ARTS | |
RU2327577C1 (en) | Method for producing multilayer raised multicoloured image | |
KR20000047031A (en) | Novel transfer composition for print, printing process and device using the same | |
CN100415544C (en) | Scrap picture paper and its technology | |
KR200328219Y1 (en) | A printed matter for learning and play | |
CN213150062U (en) | Novel antiskid waterproof copy piece copybook | |
US20190295434A1 (en) | Method and apparatus for generating illustrations by both right and left handed artists | |
KR200273536Y1 (en) | Picture product for taking the same theme by handwork | |
KR200209339Y1 (en) | scratch document | |
Garbutt | Silk screen printing: Commercial medium to contemporary fine art medium | |
JP2024019215A (en) | Coloring paper | |
Chase | Illustration techniques for palaeontological exhibits | |
Hart | Introduction: Art |