JPH0726199U - Three-dimensional image of oil-painted touch of high pressure on canvas - Google Patents

Abstract

(57) [Abstract] [Purpose] This invention is a three-dimensional painting of oil painting touch, in order to take a step of general photographic print and enhance the value of artistic artistry. Conventionally, the main use of photographs has been treated as a recording means in publication, advertisement, news coverage, or daily life. The idea is that it is not possible to finish it with a little more painting and artistry, or enhance the picture of my hobby a little and make it a luxurious frame for painting as well as painting,
I thought about this as a way to solve the technical weaknesses of the current photographs, such as whether the photographs finished with this plan would be framed and displayed as ornaments or could not be used for business purposes. [Structure] A special canvas 4 is used for the lowermost layer, a photographic print paper 1 is glued on the surface thereof, and a laminate film 2 is adhered to the surface thereof under high heat and high pressure. Further, it is characterized in that the surface thereof is provided with an unevenness of oil painting touch according to the composition of the photograph or the design, and a special resin 8 for expressing a three-dimensional effect is applied.

Description

[Detailed Description of the Device] This device is a three-dimensional painting with oil-painted touch, in order to enhance the value of artistic artistry by taking general photographic print one step further.

 Traditionally, the main use of photography has been treated as a recording tool in publications, advertisements, news reports, or daily life, rather than decorative ornamentation and artistic appreciation for enjoying an aesthetic sense.

 In recent years, with the widespread use of cameras, the number of opportunities to take pictures by themselves has increased, and photography is no longer a necessity even in ordinary households, and people have come to enjoy it easily everyday. However, compared to Japanese paintings, Western paintings, and prints, it is still far from the aesthetic appreciation value of photographs. The idea was to devise photography there as one technique to obtain a finish that is as good as aesthetic appreciation like painting.

 Anyone can easily take photos. You can shoot by inserting the film into the camera, looking through the viewfinder, setting the angle, and pressing the shutter. The pictures of landscapes taken are fine art and art born of the person's aesthetic sense. If the person had the ability to draw a picture, the subject photographed might have been a painting. Moreover, paintings have a decorative value if framed. No matter how good your composition is, whether it's aesthetically pleasing, it's great, it's just a picture, whether it's on a panel or in the photo frame. For some reason, I can't escape from the light feeling. The weak point is that it does not have a sense of value and presence as a beauty product. If the picture panel or frame was hung on the same place where the framed picture was hung, it would not be possible to show the presence simply because the space complemented the picture. Within the scope of today's photographic processing technology, it is impossible to make a work on the same level as a framed painting.

 There are some cases where photographs are put on canvas, but that is not the pursuit of painterly, and the flexibility of the cloth is the main focus, and it has been used for posting in stores and outdoors.

If you dare to frame it for viewing, it will be a bit more pictorial than general photo frame, but it is still a category of photography. This plan has been devised by compensating for its drawbacks and further pursuing high utility value. The weakness was solved by applying a special resin that creates a three-dimensional effect while taking into account the composition and atmosphere of the subject in the image, while making the screen uneven and thick.

 This will be explained with reference to the drawings. In the process of processing (A) in FIG. 3, a laminating film 2 with a paste 3 is placed on the surface of a photographic printing paper 1, and high heat and high pressure (about 90 ° C., about 2 t or less are the same). Is adhered for about 15 minutes. Processing B in FIG. 4 is performed in a separate process. A paper paste 5 is placed on the surface of the specially-made canvas 4, and high heat and high pressure are applied for about 5 seconds so that the paper-paste is melted and adsorbed on the surface of the specially-made canvas. Next, the process C shown in FIG. 5 is proceeded to, but before that, the back surface of the laminated film contact photographic print paper made in the process A shown in FIG. 3 is peeled and thinned. The reason for this is to enhance the effect of giving a stronger sense of the joints of the fabric to the screen when applying high heat and high pressure in the processing step C of the next process drawing 5 to bring them into close contact. On the peeled surface, the cover paper 6 of the glue surface 5 of the special canvas made by the process (B) of FIG. 4 is peeled off, and the peeled surface 1 of the photographic print paper having the back surface peeled off is placed thereon. Then, the processing (C) shown in FIG. 5 is performed. Temporarily fix by applying high heat and high pressure from above for about 5 seconds. Next, the process of processing D in FIG. 6 is performed, but in order to more effectively attach the joint of the canvas to the surface of the screen, the special canvas 7 is laid down and temporarily fixed on it. Place it so that the laminating film surface 2 made in process C) will fit, and again apply high heat and high pressure for about 5 minutes to fully adhere. As the final processing step, the surface of the laminated film is subjected to three-dimensional processing 9 with a special resin according to the composition and atmosphere of the picture.

 The present invention is composed of multiple layers as shown in Fig. 2, and has the effect of producing a three-dimensional, thick, artistic, artistic painting, rather than the conventional photographic print. is there.

 Starting from the idea that everyone has an aesthetic, artistic and emotional nature by nature, everyone is impressed by the paintings and sculptures of renowned painters and artists. I respect you. Having such a sensitivity is nothing but the fact that all people already have an artistic sense and sensitivity in the part of deep psychology.

 Originally, everyone should be able to draw by drawing, but due to technical immaturity, it is not possible to draw. However, photography is different, and it is thought that people exhibit their artistic sensitivity every time they take a picture without being aware of it. A photograph is certainly a way to record the present, but since the human eye looks into the viewfinder of the camera and cuts the subject in the square from the whole with its own senses, If you think it is the same as drawing a picture, you can think of it.

 If you want to take a trip and want to take pictures of landscapes, people, flora and fauna, point the camera, look into the finder, press the shutter, print it and finish it, it is the same as you already drew a picture. . If a photograph has the depth and depth of a three-dimensional effect like a painting, it can be displayed as a decorative element, and the artistry and artistry can be felt at the same level as the painting.

 This idea was devised so that anyone who enjoys photography can create a work that is both pictorial and highly artistic if they take a little thought and take a picture. It's a lot of fun because you can take pictures of yourself with oil paintings to create deep, three-dimensional, realistic paintings that you can decorate at the front door of your home, the sitting room, or the living room. When taking pictures from now on, unlike before, I will take a closer look at the subject and purposefully consider the composition of the subject. Such heightened sense of purpose will double the fun of photography.

 Another good point of this plan is for those who enjoy painting. When you want another picture you have drawn, you can reproduce the texture of the picture simply by copying the picture and finishing it with the processing of the present invention.

 As mentioned above, even if you want to draw a picture but do not have technology, even if you can not draw it, grasp the composition of the object you want to draw firmly with the camera viewfinder and press the shutter, and if you finish with the processing of this invention , It is possible to create solid, realistic paintings with a touch of oil painting that is of high artistic and artistic quality. This is a great fun for photographers and those who enjoy painting.

[Brief description of drawings]

FIG. 1 is a perspective view of the present invention.

FIG. 2 is a sectional view taken along line a of FIG.

FIG. 3 is a sectional view of a processing step of the present invention.

FIG. 4 is a sectional view of a processing step of the present invention.

FIG. 5 is a sectional view of a processing step of the present invention.

FIG. 6 is a sectional view of a processing step of the present invention.

FIG. 7 is a cross-sectional view and a perspective view of a final processing diagram of the present invention.

[Explanation of symbols]

1 Photographic print paper 2 Laminated film 3
Glue 4 Special canvas 5 Paper glue 6 Glue cover paper 7 Canvas for emphasizing canvas joint 8 Special resin 9 Special resin touch processing

Claims (1)

[Scope of utility model registration request] 1. A three-dimensional image of a photographic oil-printed touch on a screen in which a photographic print paper is brought into close contact with a canvas fabric (special canvas woven fabric) by applying high heat and high pressure.