JPH0716991U - Acoustic vibration isolation end pin receiver for musical instruments - Google Patents
Acoustic vibration isolation end pin receiver for musical instrumentsInfo
- Publication number
- JPH0716991U JPH0716991U JP5367593U JP5367593U JPH0716991U JP H0716991 U JPH0716991 U JP H0716991U JP 5367593 U JP5367593 U JP 5367593U JP 5367593 U JP5367593 U JP 5367593U JP H0716991 U JPH0716991 U JP H0716991U
- Authority
- JP
- Japan
- Prior art keywords
- end pin
- pin receiver
- vibration isolation
- musical instruments
- acoustic vibration
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Granted
Links
Landscapes
- Stringed Musical Instruments (AREA)
Abstract
(57)【要約】
【目的】チェロ、コントラバス等の音質を改善する。
【構成】エンドピンとの接触を点接触にすることで、振
動の伝搬を遮断する。
(57) [Summary] [Purpose] To improve the sound quality of cello, double bass, etc. [Structure] Propagation of vibration is blocked by making point contact with the end pin.
Description
【0001】[0001]
この考案は、コントラバス、チェロ等、エンドピンの附属した楽器の音質 改善に関するものである。 The present invention relates to improving the sound quality of instruments such as a contrabass and cello with an end pin.
【0002】[0002]
従来、エンドピン附属の楽器を演奏する際は、3つの方法があった。 1.エンドピンをそのまま床に立てる。 2.エンドピンにゴムをかぶせ、滑り止めとして床に立てる。 3.床に市販のエンドピン用滑り止めを敷き、その上にエンドピンを立てる 。 しかし、2のゴム、3の滑り止め、ともに単なる滑り止めであり、音質を改善す るよう考慮された物は、何一つとしてなかった。 Conventionally, there are three methods for playing an instrument attached to an end pin. 1. Stand the end pins as they are on the floor. 2. Cover the end pins with rubber and stand on the floor to prevent slipping. 3. Place a commercially available slip stopper for end pins on the floor, and stand the end pins on it. However, there was nothing considered to improve the sound quality, as the rubber of 2 and the anti-slip of 3 were both anti-slip.
【0003】[0003]
エンドピン付きの楽器を演奏する際、その音質、音色はエンドピンを立て る床の状態に大きく左右される。床の材質が石、木、プラスチックタイルの場合 でそれぞれ異なり、床の下のさんの有無までもが影響する。 上記の When playing an instrument with an endpin, the sound quality and tone of the instrument greatly depend on the condition of the floor where the endpin is set. The material of the floor is different depending on whether it is stone, wood, or plastic tile. above
【従来の技術】であげた3種のどの方法においてもそれは改善されない。 つまり、演奏時の楽器の振動が床に伝わってしまい、空中に発せられるベき音響 エネルギーの一部が失われてしまう。 同時に、床の振動が楽器に伝わり、楽器の発する音を変調し、にごりとなって音 質を損なってしまう。 本考案は、これらの欠点を改善し、楽器本来の音質、音色を損なうことなく、よ りよい演奏を可能とするためになされたものである。It is not improved by any of the three methods mentioned in the prior art. In other words, the vibration of the musical instrument during performance is transmitted to the floor, and some of the acoustic energy emitted in the air is lost. At the same time, the vibration of the floor is transmitted to the musical instrument, which modulates the sound emitted by the musical instrument, resulting in muddyness and impaired sound quality. The present invention has been made in order to improve these drawbacks and enable a better performance without deteriorating the original sound quality and timbre of the musical instrument.
【0004】[0004]
エンドピンを受ける部分はすり鉢状、またはおわん状とする。 そしてその材質を鉄、黄銅等硬く丈夫なものとする。 それは、エンドピンを置いた際、接触面積を少なくしその事で振動の伝搬を遮断 するためである。 The part that receives the end pin is mortar-shaped or bowl-shaped. The material is made of iron, brass, etc., which is hard and durable. The reason is that when the end pin is placed, the contact area is reduced and the propagation of vibration is blocked.
【請求項1】1.
【請求項2】 また、エンドピンを受ける金具は不要振動を吸収するため鉛ブロックに埋め込む 。 鉛という比重が大きく柔らかい材質を使用することで極めて大きな透過損失が得 られ、床からの振動の遮断にも大きな効果がある。 鉛ブロックの下には、防振ゴム、鉛板、滑り止めゴムを重ね、音響インピーダン スの差による振動遮断をはかる。 本考案は、以上のような構成よりなる楽器用エンドピン受けである。2. The metal fitting for receiving the end pin is embedded in the lead block to absorb unnecessary vibration. The use of lead, which has a large specific gravity and is soft, gives an extremely large transmission loss, which is also very effective in isolating vibrations from the floor. Under the lead block, anti-vibration rubber, lead plate, and anti-slip rubber are layered to prevent vibration due to the difference in acoustic impedance. The present invention is an end pin receiver for a musical instrument having the above structure.
【0005】[0005]
本考案によって、楽器と床とは、音響や振動の面で切り離された状態となる。 楽器の音響エネルギーを損失無しで空中に発することが出来る。 According to the present invention, the musical instrument and the floor are separated from each other in terms of sound and vibration. The acoustic energy of a musical instrument can be emitted into the air without loss.
【0006】[0006]
床に本考案のエンドピン受けを置く。 楽器を、そのエンドピンが本考案のエンドピン受けにはまるように立て、演奏を する。 Place the end pin receiver of the present invention on the floor. Set the instrument so that its end pin fits into the end pin receiver of the present invention and play.
【0007】[0007]
本案は、以上のような構造で、本案によらない従来の楽器演奏に比べ、著しく良 好な音質音色を、床の状態に左右されることなく、安定して得られることが出来 る。 With the structure as described above, the present plan can obtain a tone quality that is remarkably favorable as compared with the conventional musical instrument performance not based on the present plan, stably without being influenced by the condition of the floor.
【図 1】本考案の使用中の斜視図である。FIG. 1 is a perspective view of the present invention in use.
【図 2】本考案の使用中の断面図である。FIG. 2 is a sectional view of the present invention in use.
1 エンドピンを受ける部分 2 鉛 3
防振ゴム 4 鉛板 5 滑り止めゴム 6 エンド
ピン1 End pin receiving part 2 Lead 3
Anti-vibration rubber 4 Lead plate 5 Anti-slip rubber 6 End pin
Claims (2)
ン受け。1. An end pin receiver having a structure for blocking the propagation of vibration and sound.
点接触を利用したエンドピン受け。2. A method for isolating vibration according to claim 1,
End pin receiver that uses point contact.
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP1993053675U JP2593205Y2 (en) | 1993-08-26 | 1993-08-26 | Acoustic vibration isolation type end pin receiver for musical instruments |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP1993053675U JP2593205Y2 (en) | 1993-08-26 | 1993-08-26 | Acoustic vibration isolation type end pin receiver for musical instruments |
Publications (2)
Publication Number | Publication Date |
---|---|
JPH0716991U true JPH0716991U (en) | 1995-03-20 |
JP2593205Y2 JP2593205Y2 (en) | 1999-04-05 |
Family
ID=12949405
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
JP1993053675U Expired - Lifetime JP2593205Y2 (en) | 1993-08-26 | 1993-08-26 | Acoustic vibration isolation type end pin receiver for musical instruments |
Country Status (1)
Country | Link |
---|---|
JP (1) | JP2593205Y2 (en) |
Cited By (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JP2007139876A (en) * | 2005-11-15 | 2007-06-07 | Cosmo Japan:Kk | Supporter for stringed instrument |
WO2015019486A1 (en) * | 2013-08-09 | 2015-02-12 | OHYAMA Heiichiro | Musical instrument support and sound source body support |
JP2016161749A (en) * | 2015-03-02 | 2016-09-05 | 政己 相見 | End pin holder |
-
1993
- 1993-08-26 JP JP1993053675U patent/JP2593205Y2/en not_active Expired - Lifetime
Cited By (5)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JP2007139876A (en) * | 2005-11-15 | 2007-06-07 | Cosmo Japan:Kk | Supporter for stringed instrument |
WO2015019486A1 (en) * | 2013-08-09 | 2015-02-12 | OHYAMA Heiichiro | Musical instrument support and sound source body support |
JP5737700B1 (en) * | 2013-08-09 | 2015-06-17 | 平一郎 大山 | Musical instrument support and sound source support |
US9601093B2 (en) | 2013-08-09 | 2017-03-21 | Heiichiro OHYAMA | Restraint item for endpin of musical instrument and stand for speaker |
JP2016161749A (en) * | 2015-03-02 | 2016-09-05 | 政己 相見 | End pin holder |
Also Published As
Publication number | Publication date |
---|---|
JP2593205Y2 (en) | 1999-04-05 |
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