JPH0463468B2 - - Google Patents

Description

[Detailed description of the invention]

[Technical field of the invention] This invention is applicable to, for example, a CD (optical compact disc) type DAD (digital audio disc).
The present invention relates to a disk record master recording device suitable for use in other applications, and particularly to improvements in its subcode signal generating device. [Technical background of the invention and its problems] Recently, in the field of audio equipment, digital recording and playback methods using PCM (pulse code modulation) technology have been developed in order to achieve high-fidelity recording and playback as much as possible. is being adopted. In other words, this is what is called digital audio, and the audio characteristics do not depend on the characteristics of the recording medium and are much superior to those using conventional analog recording and playback methods. This is because it is established in principle. In this case, a system that uses a disk as a recording medium is called a DAD system.
Optical, electrostatic, and mechanical recording and reproducing methods have been proposed, but no matter which method is adopted, the conventional disk record master recording device that embodies the method is There is a demand for products that can satisfy various advanced functions and performances that are not found in conventional products. In other words, if we take the CD system as an example, this type of
A DAD disk record master recording device, like a normal disk record master recording device, is used to produce master disks for mass production of disk records used at the end, and in this case, conventional cutting is used. This is done optically using a laser beam, but at that time, sub-code signals used for various displays and controls are encoded in advance on the PCM-processed music signal, which becomes the main code signal. There is a need. Here, the subcode signals are P, Q...W
There are eight types of signals, but currently two types, P signal and Q signal, are used. Among these, the P signal is "0" during a song and becomes "1" between songs, and it remains "1" for a certain period of time even if there is no interval between songs and the song changes. In the out area, "1" and "0" are alternately repeated. In addition, the Q signal includes the number of the song at the time it is being played (TNO: track number), the index (x) indicating subdivisions within the song, the elapsed time within the song, and the absolute time from the beginning of the first song. It is used for displaying. In addition, this Q signal is used to record a table of contents (TOC) that includes the absolute time, maximum and minimum number of songs, etc. for each recorded song in the lead-in area before the first song. This is used in conjunction with the P signal mentioned above to facilitate random searches of recorded songs. To record onto a master disk, generally speaking, a so-called PCM processor and a VTR (video tape recorder) are used to convert the music signal into PCM and record it onto a VTR tape, and then the playback signal from this VTR tape is replayed. A predetermined digital signal (main code signal) is derived by a PCM processor, which is converted into a signal format such as the CD system by an encoder, and is used to control the laser output of the master recording machine. At this time, it is necessary to simultaneously encode the sub-code signal with respect to the above-mentioned main code signal so that it is recorded on the master disc together with the music signal. For this reason, conventionally, music sources are included in
When playing a VTR tape, the start time of a song is measured using a clock and inputted into the subcode generator before recording on the master, and the subcode signal is generated by driving the subcode generator again during recording. was used to encode the main code signal from the VTR tape. However, such a subcode signal encoding system is based on the premise of measuring the start time of a song by listening to the music on a VTR tape, so in practice, it is difficult to measure the start time of a song by listening to the music recorded on a VTR tape. These methods have serious disadvantages in that their mental time tends to be inaccurate and their operation is very complicated. [Purpose of the Invention] The present invention has been made in view of the above points, and it is an object of the present invention to accurately and easily generate a subcode signal to be encoded into a main code signal that has been converted into PCM in advance. The purpose of the present invention is to provide an improved subcode signal generator. [Summary of the Invention] That is, the subcode signal generating device according to the present invention has a main code signal that has been converted into PCM in advance and has been recorded on the video track at a predetermined position on the audio track of a videotape at a desired position corresponding to the main code signal. a first means for performing a marking mode for recording a marking signal; and a read mode for reproducing a videotape on which a marking signal has been recorded by the first means and measuring the generation time of the reproduced marking signal. a third means for performing a program save mode for recording the time data measured by the second means at the beginning of the audio track of the videotape; Fourth means for executing a program load mode for reproducing a videotape on which time data is recorded and generating and storing data necessary for generating a subcode signal corresponding to the main code signal based on the playback measurement time data. and a fifth means for executing a program check mode for checking the data generated and stored by the fourth means.
and sixth means for performing a cutting mode for generating and transmitting a sub-code signal corresponding to the main code signal based on the data checked by the fifth means, It is characterized by being configured to be able to display that there is a read error state in the load mode. [Embodiment of the Invention] The following is an embodiment of the invention with reference to the drawings.
The case where it is applied to the CD method will be explained in detail. In other words, in Fig. 1, 110 is for business use.
It is assumed that the VTR 110 is loaded with a video tape in which a music signal, which is a main code signal to be recorded, is recorded in PCM format in a predetermined format. The video output terminal _T1 of the VTR 110 is
Encoder 11 via PCM processor 111
2's main coder signal input terminal _T2 . Further, 113 is a subcode signal generator,
For example, a control circuit 1 consisting of a microcomputer, etc.
14, a keyboard 115 for supplying various control signals to the control circuit 114, a display 116 for displaying various output signals from the control circuit 114, the control circuit 114 and the VTR 1
two input/output interfaces 1 interposed for coupling with ten audio track recording inputs T ₃ and audio track reproduction outputs T ₄ ;
17,118. Here, the control circuit 114 includes a marking signal generation section 114a that generates a marking signal, which will be described later, in response to commands from the keyboard 115, a subcode signal storage section 114b that stores various data generated as subcode signals, and a subcode signal storage section 114b that stores various data generated as subcode signals. a time measurement circuit section 11 that measures time based on the audio track reproduction output from the VTR 110;
4c and a time chart creation section 114d that creates a predetermined time chart, which will be described later, based on the output from this time measurement circuit section, and the TOC described above based on the time chart created by this time chart creation section 114d. It is configured to be able to generate subcode signals such as a signal and P and Q signals. The subcode signal output terminal T ₅ of the subcode generator 113 including such a control circuit 114 and the like is coupled to the subcode signal input terminal T ₆ of the encoder 112 . The encoder 112 is configured to encode the subcode signal into the main code signal and perform necessary encoding processing (for example, EFM: Eight-Fourteen Modulation) according to the CD format format. It is assumed that the master recording signal output terminal _T7 is coupled to a laser beam modulation section of a master recorder (not shown in FIG. 1). To explain the operation of the above configuration, first it is necessary to perform a marking operation. That is, although this marking is basically placed at the beginning and end of a song, it may also be placed at a break in the song when the index (x) signal is taken into account. Also, markings are required to indicate the start and end points of a disc record. These markings may be a single signal, for example, a sine wave signal of a constant frequency, but in consideration of ease of subsequent processing, it is preferable to use different signals. Therefore, as a marking signal to be actually used, an ASCII code defined as follows, for example, may be FM-modulated and used. Disc performance start point...A Disc performance end point...B Start of song...C End of song...D... These marking signals are attached to the subcode generator 113 for convenience of operation. The control circuit 11 responds to key operations on the keyboard 115.
This signal is generated by the marking signal generating section 114a in 4. The marking operation is performed with the VTR 110 in the playback state, but in this case, the audio track of the videotape is assumed to be in the recording state (dubbing). In other words, by playing back the VTR 110, the music signal recorded as PCM on the video track of the videotape is sent to the monitor 1 through the PCM processor 111.
The marking operation is performed by operating the keyboard 115 and recording the necessary marking signal on the audio track of the video tape while listening to the signal through the video tape 19. In this case, marking signal generator 11 in control circuit 114 responds to key operations on keyboard 115.
Each marking signal which is FM modulated using the ASCII code as described above and which is generated from 4a is sent to the VTR 110 via the input/output interface 117.
It will be recorded on the audio track of the videotape. When all the marking operations are completed as described above, the VTR 110 is placed in the playback state again and time measurement is performed. In this case, it goes without saying that the audio track of the videotape is in the playback state. That is, the audio track playback output (marking signal) from the VTR 110 is read into the time measurement circuit section 114c in the control circuit 114 via the input/output interface 118, and the time between each marking point from the disc play start point is measured. It is something. Next, when the above-described time measurement operation is completed, the time chart creation section 114d in the control circuit 114 starts to create a time chart according to each marking. That is, based on the time chart created here, a TOC signal which becomes a subcode signal is generated, and initial data for generating a P signal or a Q signal is also set, and the control circuit 11
This will be stored in the storage unit in 4. In this case, it is also possible to input data from outside as necessary. With the above steps, the preparation operations for generating the subcode signal are completed, and then the master recording operation is finally performed. That is, to put the VTR 110 into the reproduction state again, the subcode generator 113 first repeatedly generates the TOC signal. When the marking signal for starting a performance stored in advance in the audio track of the VTR 110 is input to the subcode generator 113, the subcode generator 113 generates the subcode signal stored in advance in the storage section 114b of the control circuit 114. (This also applies to the generation of the TOC signal). In other words, the video output from VTR110 is
A predetermined digital signal, that is, a main code signal, is sent to the encoder 1 via the PCM processor 111.
At the same time, a necessary subcode signal is automatically generated from the subcode generator 113 and inputted to the encoder 112, so that the subcode signal is encoded into the main code signal. That will happen. The encoder 112 then performs necessary encoding processing such as EFM and outputs a master recording signal. By the way, as described above, it is possible to record a master disc by accurately and easily generating a subcode signal and encoding it into a main code signal, which is somewhat effective, but it This is inconvenient because it is necessary to perform each operation as described above. That is, unless the above-mentioned operations except the first marking operation are repeatedly performed on one roll of videotape each time, subsequent master recordings cannot be made. Therefore, in order to eliminate such inconvenience, it is necessary to improve the time obtained in the time chart creation operation, which is the substantial final operation of generating the subcode signal in each operation for the first master recording mentioned above. Chart data is recorded in advance at the beginning of the audio track of the videotape, that is, the part before the first marking signal is recorded (this is necessarily recorded on the video track).
(This is the part before the recording part of the PCM music signal)
What is necessary is to perform a time chart data recording operation to record the time chart data. In this way, if the time chart data is recorded in advance at the beginning of the audio track for one roll of videotape, no matter how many times the master recording is performed, the time chart data can be recorded without having to perform the above-mentioned operations again. It is very convenient because it can read the subcode signal and immediately generate the subcode signal necessary for recording the master disc. In addition, in the above-described marking operation, it is difficult to accurately mark a desired position, so that marking may sometimes be applied to the wrong position. Further, even if it is possible to accurately mark a desired position, there may be cases where it is better to change the position (especially the beginning position and end position of the song) for some reason. Therefore, in such cases, it would be convenient if the marking position could be corrected without having to perform the marking operation again. Next, to explain the marking correction operation that can meet such a request, the time chart data recorded at the beginning of the audio track on the videotape is read out and displayed on the display 1.
The correction can be made by displaying the information in 16. In this case, the time chart data is displayed as the measurement time of each marking point, so you can enter the marking time and marking type using the keyboard.
It is only necessary to change it to a desired one by the operation 15, and a subcode signal is generated based on the result of this modification. Next, a specific example of the subcode generator 113 mentioned above will be explained, but before that, an actual example of subcodes (particularly P and Q) of the CD system will be explained. Frame Structure The frame structure of the subcode is as shown in FIG. One subcode block contains 98 subcode symbols. The repetition frequency of one block is 75Hz. The first two sub-coded symbols are S0 and S
1 sub-code synchronization pattern. Channel P Channel P is a flag bit indicating the start of a music piece according to the following code convention. Music note P=0 Start flag P=1 The minimum length of the encoded start flag in channel P is 2 seconds, and the end of the encoded start flag gives the start of the next musical note. If the actual nail length is greater than 2 seconds, the start flag length will give the actual nail length. -1 Lead intratrack Channel P in the lead intratrack is encoded as music. The first piece of music is led by a 2-3 second start flag. -2 Lead Out Track The lead out track is led by a 2-3 second start flag (during the last musical piece on the disc). The end of the start flag marks the beginning of the leadout track. Channel P remains at zero for 2-3 seconds after the start of the lead-out track, and the next P switches between 0 and 1 at a rhythm of 2Hz±2% (duty ratio 50±10%). Channel P has subcode synchronization pattern S
0, can only be changed after S1. The encoding of channel P is different from the encoding of channel Q.
Delayed by one subcode block. Channel Q The normal data format of channel Q is as shown in FIG. -1 Control: Channel number and 4 flag bits for pre-emphasis ON/OFF
Sent MSB first. 0000...Indicates 2 audio channels without pre-emphasis. 1000...Indicates 4 audio channels without pre-emphasis. X001...Pre-emphasis 50/15μs 2
Or 4 audio channels. The pre-emphasis flag (bit 4 of the control block) can only be changed during the actual nailing period of at least 2 seconds. -2 Address: 4 control bits for data Q, sent MSB first. -3 Address Q: Always 72-bit data
MSB is sent out first. -4 CRC: A set of 16-bit CRCs on control, address and data Q, sent MSB first. The validity bits are inverted on the disk. The remainder is checked to see if it is zero. Porous type P(x)=X ¹⁶ +X ¹² +X ⁵ +1 The following three modes are defined for data Q. -1 Mode 1: ADR=1=(0001) Mode 1 occupies at least 9 of the 10 consecutive subcode blocks. Two different data types are possible in mode 1. The data format during the lead intratrack is as shown in FIG. The data format between the music and leadout tracks on the disc is as shown in FIG. TNO: Expressed by music number and 2-digit BCD. 00: Lead intratrack The end of the lead intratrack is the starting diameter of the program area. 01-99: Music number Music pieces are led by a nail with the same music number. Music number play starts from the value 01 and is 1
Increase gradually. If one disk and a program are stored on several disks, numbering is done sequentially. AA: Lead-out Track A lead-out track begins at the end of the last piece of music on the disc without a leading nail sign. X: Express the table of contents of the music number in 2-digit BCD. Lead intratrack period table of contents X is not valid. 00: Coding of the nail The coding of the nail in channel Q gives the nail length that says "Music is currently being played."
The first piece of music is 2 to 3 seconds (channel P
(see) is preceded by a nail symbol. The lead-out track is encoded as a musical tone. 01-99: Sub-division number The period X of the lead-out track is 01, and the first value of X in the musical tone piece (TNO=01-99, X≠00) is 01. The value of X can only increase by one. ZEZO: These 8 bits are zero. MIN, SEC, FRAME: The running time of a musical piece is expressed in 6-digit BCD. That is, MIN,
SEC and FRAME are each 2 digits. When the music starts, the time is set to zero. Time increases for the duration of the music and ends with a value of zero at the end of the nail. The time between lead-in and lead-out tracks increases. Minutes are MIN and seconds are
Stored in SEC. One second is subdivided into 75 frames (running from 00 to 74) AMIN, ASEC, AFRAME: The running time of the disk is expressed in 6-digit BCD. AMIN,
ASEC and AFRAME are each 2 digits. At the start diameter position of the program area, the run time is set to zero and TNO contains the value of the first music on the disc. Minutes are AMIN, seconds are ASEC
is stored in One second is subdivided into 75 frames (running from 00 to 74) POINT, PMIN, PSEC, PFRAME: During the lead intratrack, the contents of Table 1 are stored in these locations. The contents of this table are
Repeated continuously during the lead-in area (TNO=00). Items are repeated three times in each table. At the end of the lead-in area, the contents of the table can be ended with any POINT value. PMIN, PSEC and PFRAME give the music number starting point indicated by POINT. These values give the starting position of the music in absolute time (AMIN, ASEC and AFRAME) with an accuracy of one second.
The starting position of the music is the first position of the new music number, where X≠00. If POINT=A0,
The value of PMIN gives the first TNO on the disk,
PSEC and PFRAME are zero. If POINT=A1, the value of PMIN gives the last TNO on the disk, PSEC and PFRAME
is zero. If POINT=A2, PMIN,
PSEC and PFRAME give the starting position of the leadout track. Table 1 gives an example of encoding when six songs are included on one disc.

【table】

[Table] -2 Mode: ADR=2=(0010) If mode 2 is presented, it occupies at least one of the 100 consecutive sub-code blocks. The data format in mode 2 is as shown in FIG. N1 to N13: Disk catalog number expressed in 13-digit BCD. UPC/EAN code (BAR encoding) is used. The catalog number (number) does not change on the disk. If there is no catalog number encoded based on the UPC/EAN code, N1-N13 can be all zeros or Mode 2 can be deleted from the disk. ZERO: These 12 bits are zero AFRAME: Continuation of AFRAME in mode 1 (2 digit BCD of running from 00 to 74). During the lead-in area (TNO=00), these 8 bits are zero. -3 Mode 3: ADR=3=(0011) If mode 3 is presented, it occupies at least one out of 100 consecutive blocks. Mode 3 is used to give unique numbers to musical pieces. This is done using ISRC (International Standard Record Code). ISRC
is determined by DIN-31-621. if
Mode 3 must be deleted if ISR codes are not used. Period mode 3 of the lead-in and lead-out tracks does not exist on the disc. The ISR code can only be changed immediately after the TNO is changed. The data format in mode 3 is as shown in FIG. The 12 characters of the ISRC code are provided by I1-I12. The country code is given by I1-I2, I3-I5 gives the owner code, I6-I7 gives the record year and I
8 to I12 are the serial numbers of the records. I
Characters 1 to I5 are encoded in 6-bit format according to the table below. Digits I6 to I12 are 4-bit BCD numbers.

【table】

[P.IN key 201]

This is the key operated at the beginning of the program area. [M.HEAD key 202] This is the key operated at the beginning of the song. [M.CHANG. key 203] This key is operated when changing songs without any pause between songs. [INDEX key 204] This key is operated when incrementing the index (x). [P.OUT key 205] This key is operated when entering the lead-out area at the end of the program area. [M.END key 206] This is the key operated at the end of the song. [VERIFY key 207] This key is operated in program save mode to compare the saved program information with the program information stored in the subcode generator and check whether it has been recorded accurately. be. [START key 208] This key is operated to start each of the read mode, program save mode, program load mode, and cutting mode. [STOP key 209] This key is operated to stop processing and wait for mode specification in read mode, program save mode, program load mode, and cutting mode. [0-9 numeric keys 201-207, 210-2
12] Check the TNO and Q signals of the first song in read mode.
These keys are operated when inputting data in mode-2 and when inputting numbers in program check (change) mode. [Step key 208] Used when inputting the TNO and Q signal mode-2 data of the first song in the read mode, and when checking or changing the program information written in advance in the program check (change) mode. This is the key to be operated. [ENTER key 209] Move the cursor (decimal point) to 1 when inputting mode-2 data of the TNO and Q signals of the first song in read mode and in program change mode.
This key is used to move the character to the right. Note that operations for setting each of the above-mentioned modes will be described later. [MODE display 301] Displays each operation mode using numbers and alphanumeric characters. The 13 alphanumeric characters used at this time are a, b, c, d, e, f, h, i,
j, l, p, u, o are displayed in the form shown in FIG. [TNO, X, MIN, SEC, A.MIN, A.SEC,
A.FRAME display 302 to 308] In read mode, cutting mode and program check (change) mode,
Track number (TNO), index (x),
Song time minutes, seconds (MIN), (SEC), absolute time from the beginning of the first song minutes, seconds (A.MIN), (A.SEC),
Similarly, the absolute frame (A.FRAME) is displayed numerically. [CATLOG NUMBER displays 302 to 308] Displayed when inputting the catalog number of mode-2 of the Q signal in the read mode. [MUSIC indicator LED ₃ ] Lights up when in the program area in cutting mode. [LEAD-IN indicator LED ₄ ] Lights up when in the lead-in area during cutting mode. [KEY-MODE indicators LED ₁ , LED ₂ ] Lights up depending on which of the above-mentioned operation keys is in the upper or lower operation state. Note that in the above, each operation mode is defined as follows. [Marking (MARK) mode] This mode is for marking the beginning of a song, etc. on the audio track of a videotape. [READ mode] This mode creates the data necessary to generate a subcode (EFM) signal from the marking signal recorded on the audio track of a videotape. [Program save (SAVE) mode] In this mode, the data necessary to generate the subcode (FEM) signal is recorded at the beginning of the audio track of the videotape. [Program load (LOAD) mode] This mode is for reading data recorded at the beginning of the audio track of a videotape in program save mode. [Cutting (CUT) mode] A mode that generates a subcode (FEM) signal, that is, as mentioned above, generates a subcode signal to be encoded into the main code signal, and then has the encoder perform the necessary encoding processing. , is a mode for deriving the master recording signal. [Program check (CHECK) (change) mode] This mode is for checking and changing the time at the beginning of a song, etc., which is necessary when generating a subcode (EFM) signal. I will explain based on this. First, as shown in Figure 11, by turning on the power, the device enters a mode-specified state (however, this state is also designed so that it always returns temporarily to this state even when each operation described later is completed). In other words, it becomes a standby state. The mode specification from the standby state is performed by selectively operating each mode specification operation key which also serves as the numeric keys 1 to 6 202 to 206. In this case, the correspondence between the numbers (keys) 1 to 6 displayed on the MODE display 301 and the mode designation is as follows. 1... Marking (MARK) mode 2... Read (READ) mode 3... Program save (SAVE) mode 4... Program load (LOAD) mode 5... Cutting (CUT) mode 6... Program check (change) (CHECK)
Mode The first thing specified is the marking (MARK) mode, followed by the P.IN, M.HEAD, and M. that should be operated in the marking mode.
The marking operation is performed by operating the CHANGE, INDEX, P.OUT, and M.END operation keys 201 to 206 according to a related check program as shown in FIG. 12, for example. Furthermore, the M.END key 20 is operated at the end of the song.
6 is P. within 10 seconds after the key 206 is pressed.
When the OUT key 205 is operated, the corresponding key 20
Interpret the operation in step 6 as the operation of the P.OUT key 205.
It is assumed that the operation of the P.OUT key 205 is ignored. However, this is because the M.HEAD key or M.
Excluded if the CHANGE key is operated. Also, the key operation for M.END before M.HEAD can be omitted, but in this case, M.END is
For example, it is processed as if it were 3 seconds before M.HEAD. Here, if the M.END key and M.HEAD key are pressed intermittently at relatively fast cycles, the
As shown in b, in the former case, the last one is accepted if the intermittent operation time is less than 7 seconds, for example, and in the latter case, the earliest one is accepted if the total time of the intermittent operation is less than 10 seconds, for example. Then, end the marking operation (including cancellation)
If you wish to do so, you can operate the STOP key 209 to enter the standby state described above. Furthermore, the key operation for M.HEAD after P.IN may be omitted, and in that case, it is assumed that M.HEAD is present after, for example, 3 seconds after P.IN. . Note that in the flowchart of FIG. 11, the MODE display 301 shown on the right side shows an example of the display form taken in each state (the same applies below). Next, read (READ) as shown in Figure 14.
This is specified by the marking mode, and reads the marking signal marked on the videotape in the marking mode to generate lead-in information (TOC data).
It is used to perform operations that create program information. Therefore, of course, it is necessary to rewind the videotape to the first marking section before this. Then, enter the TNO (usually 1) of the first song by operating the number keys, and you can enter this TNO as follows. For example, when entering “16” as TNO,
First, press the numeric key "1", then press the ENTER key, and finally press the numeric key "6". The display format of the TNO display 302 during this time is shown in Fig. 15 a, b, and c. It comes to show. If you make a mistake in entering a number, press the ENTER key 209 to return the cursor (decimal point) to the upper digit, then press the correct number key. When the TNO data input is completed, next operate the STEP key 208 to enter a state in which the catalog number can be input, and input the 13-digit catalog number in the same manner as described above for inputting the TNO. When you have finished inputting the catalog number in this way, operate the STEP key 208 again (if you want the catalog number to be "0", operate the STEP key 208 immediately). I do it in a mode that allows data to be read. This mode is shown in Figure 16. First, put the VTR 110 in the playing state and then
All you have to do is operate the START key 208. And when the loading is finished, STOP key 209
(The same applies if you want to cancel). If the reading error display 2E is displayed during this time, all you have to do is rewind the VTR 110 and try the operation again. Furthermore, if the syntax error 2d is displayed due to a mark mistake, the user can operate the STOP key 209 to temporarily enter a mode waiting state, and then correct it in a program change mode, which will be described later, or switch to marking mode again and start marking again. Next, as shown in FIG. 17, the program is set to save mode, in which case the videotape is rewound to a point about two minutes earlier than the marked section. Then, set the VTR110 to the dubbing state.
Operate the START key 208 to enter the writing state,
When the writing completion message is displayed, the videotape is rewound to the part before writing, and then the play state is set to VERIFY mode. As a result, when reading is performed and the reading completion display 3F appears, the VTR 110 is stopped and the STOP key 209 is operated. In this case, if the reading error display 3E is displayed, the operation can be repeated from the beginning. Next, a case will be described in which a program load (LOAD) mode for reading data as shown in FIG. 18 is used. In this case, the video tape is set in advance to the portion before the above writing, and then the VTR 110 is put into the play state and the START key 208 is operated. As a result, when the program is loaded and the loading completion display is displayed, the VTR 110 is stopped and the STOP key 209 is operated. Note that if the reading error display 4E is displayed during this time, the operation can be repeated again. Next, program check (CHECK) (change) for data check as shown in Figure 19.
The case where the mode is set will be explained. This is done by pressing STEP key 208 while checking the data.
If there are any parts that need to be changed during this time, they can be done using the program change mode described later. In other words, this program check (CHECK) (change) mode
Each time the STEP key 208 is pressed, one state (one command) is displayed, and the program data is changed as necessary. FIGS. 20a to 20h show display examples of each data displayed by operating the STEP key 208 described above. If you wish to make any changes, please refer to Figure 21 a, b, c.
As shown in the figure, use the ENTER key 209 to move the cursor (decimal point) to the part to be changed and press the number key to be changed (the figure shows M.
A.SEC14 as a case where the HEAD time is delayed by 3 seconds
(This example shows how to change the time to 1 second.) Next, the case of the cutting (CUT) mode as shown in FIG. 22 will be explained. In this case, the VTR 110 is held in a paused state after the videotape is in a predetermined state for cutting, and the CUT key 206 is pressed.
After operating the START key 208, turn on the VTR 110.
All you have to do is release the pause state, start cutting, and operate the STOP key 209 when the program completion display for cutting is displayed. In this case, first the data in the lead-in area is output by operating the START key 208, and then
P.IN data is input from VTR110 or
The data in the program area is output by operating the START key 208, and finally, when the data in the program area is finished, the data in the lead-out area is output.
MUSIC depending on the display format of the MODE display 301.
The display status of indicator LED ₃ and LEAD-IN indicator LED ₄ is as shown in FIG. In addition, in Fig. 20, f is 2 of M.CHANG.
This display appears when the interval between M.END and M.HEAD is less than 2 seconds. Similarly, in Fig. 20, the error display 6d of h is ignored during cutting, but this display 2d is ignored in other cases.
When this occurs, it means that what was marked at that time is a syntax error, so
Please correct it by considering the context. Next, matters that can contribute to simplifying the configuration of the specific example described above will be described. First, regarding the 200 operation keys, some of the operation keys are P.IN which is used in the marking (MARK) mode and has a display in the upper part of the illustration.
Key 201, M.HEAD key 202, M.CHANG
key 203, INDEX key 204, P.OUT key 2
05, the M.END key 206 and the VERIFY key 207 used in the program save (SAVE) mode are the numeric keys displayed at the bottom of the diagram used in the read mode and program check (CHECK) (change) mode. 0-6 of them
It is also used as a corresponding number key, and the key itself used when specifying the mode has an indication.
MARK key, READ key, SAVE key, LOAD
key, CUT key (however, P.IN key 20
1)), the number of keys required as a whole can be significantly reduced, contributing to cost reduction and improving the space factor of the panel. In other words, in order to ensure proper usage, light emitting diodes LED ₁ , LED _2, etc. are used to associate and display the key mode on which side the key is being operated on the upper and lower parts of the diagram. Become
It is equipped with a KEY MODE indicator. As for the key operations for mode specification, these keys themselves have indications, and since they are operated at the beginning of each mode, we purposely created an indication to indicate their operation status. The display unit 300 is not attached to the relevant part, and the display unit 300 is not attached to the part.
A MODE display 301 is provided in the , so that each mode can be displayed and a display according to the progress state in each mode can be displayed. One of the features is that it can be done using the same display device. In other words, the MODE display 301 is composed of two-digit displays each made of a seven-segment light emitting diode, and the numbers 1 to 6 are associated with the one-digit display according to the operation of the mode designation key.
mode display, and the other digits are 1 to 1 above.
a, b, c, d, e, f, h, i, j, l, which are associated according to the progress status of each mode of 6.
Each mode and the progress status of each mode can be displayed on the same display by changing the display format, such as p, u, o (however, the actual display format is as described above). However, if this configuration were not adopted, the number of display devices corresponding to the number of modes and the number of progress states for each mode would have to be provided. This is because the number of displays can be significantly reduced, contributing to cost reduction and improvement of the panel space factor. Also, regarding the operation key part 200, START
The key 208 and the STOP key 209 are configured so that the corresponding STEP key and ENTER key can be used equally in two modes: read mode and program check (change) mode. Here are some things that have been done. This allows the function to input (including correction) the mode-2 data of the TNO and Q signals of the first song in the read mode, and the function to read and check or check the program information written in advance in the program check (change) mode. The functions to be changed can be reasonably performed using the same key, and the number of keys required can be reduced compared to providing separate keys for read mode and program check (change) mode. This can contribute to reducing costs and improving the space factor of the panel. As for the display section 300, each has a two-digit TNO display 302, an index X display 303, an SEC display 304, and an A.
The MIN display 305, A.SEC display 306, and single-digit A.FRAME display 307 are also used as catalog number displays for N ₁ to N ₁₃ , which are displayed in the lower part of the diagram. As a result, the number of display devices required can be significantly reduced, contributing to cost reduction and improvement of the panel space factor. In this case, the MODE display 301 cannot be used to display that the catalog number is being input (displayed) in the read mode, but each display 301 that remains for displaying program information
307, it is important that the catalog number, which requires 13 digits, can be displayed in just the right amount. Next, a description will be given of matters that can contribute to improving the operability and ensuring reliable operation for each operation mode, which were similarly implemented in the specific example. First, in the marking mode, the M.END key 206, which is operated at the end of the song, is the key 2.
06 is pressed and within a predetermined period of time, for example 10 seconds, P.
If the OUT key 205 is operated, the corresponding key 206
The operation is interpreted as the operation of the P.OUT key 205 and the P.
The point is that the operation of the OUT key 205 is ignored. In other words, since operating the P.OUT key 205 is to specify that the program area ends and enters the lead-out area, the P.OUT key 205 is originally used for the last song. It should be operated on at the end. However, if there happened to be a next song, M.END
Since the user operated the P.OUT key 205 again after a predetermined time (within 10 seconds) after operating the key 206, this was the point at which the original program area ended and the lead-out area should have been entered. .P.OUT when the END key 206 is operated.
This means that the key 205 is assumed to have been operated. Thereby, there is no need to perform the operation again, and this can contribute to simplifying the operability and ensuring the operation. In addition, by processing M.END before M.HEAD as if it was a predetermined time, for example, 3 seconds ago, key operations for M.END before M.HEAD can be omitted, which simplifies the operation. One point is that we have tried to improve the When the M.END key and M.HEAD key are operated intermittently at a relatively fast cycle, the former will accept the last one if the intermittent interval is less than a predetermined time, for example 7 seconds, and the latter will accept the intermittent operation. If the total time is less than a predetermined time, for example, 10 seconds, the first one will be accepted, thereby ensuring reliable operation. Furthermore, by processing the M.HEAD of the first song as being a predetermined time after P.IN, for example, 3 seconds, key operations for M.HEAD after P.IN can be omitted. One of the points is that it is easier to operate. In addition, P. was adopted as a marking signal.
INM.HEAD, M.CHANG, INDEX, P.OUT,
As mentioned above, M.END is also important in that it uses FM-modulated ASCII codes that are individually coded as different signals, taking into account the ease of subsequent processing. Second, the system is equipped with a function to check saved data in VERIFY mode during program save mode, ensuring reliable operation. Also, program check (CHECK) (change)
In this mode, each time the STEP key 208 is operated, the programmed data can be displayed and checked one state at a time, ensuring reliable operation. . If there is any data to be changed during the check, the program data can be easily changed by moving the cursor to the part to be changed using the ENTER key 209 and operating the number keys to be changed. It is also important that Another advantage is that the reliability of operation is ensured by displaying syntax errors 2d due to mark mistakes in the READ mode. Similarly, reading error display 2 in read mode
E. Write error display 3 in verify mode
E and the read error display 4E in the program load (LOAD) mode are displayed separately, thereby ensuring reliability of operation in each mode. It is also important that when any of these errors, particularly the syntax error 2d, occurs, the error can be easily corrected by entering the program check mode described above. Furthermore, in the cutting (CUT) mode, first the data in the lead-in area is output by operating the START key 208, and then the data in the lead-in area is output.
Enter P.IN data from 110 or START
By operating the key 208, the data in the program area is output, and finally, when the data in the program area is finished, the data in the lead-out area is output, thereby simplifying the operation and ensuring reliability. There are several points that can be mentioned. In addition, by providing the above-mentioned series of modes, namely marking mode, read mode, program save mode, program load mode, and cutting mode, it not only simplifies and ensures operation, but also organically combines each series of modes. It is also important to realize a more desirable subcode signal generator with advanced functionality. It goes without saying that the present invention is not limited to the embodiments described above and illustrated, and that various modifications and applications can be made without departing from the gist of the invention. [Effects of the Invention] Therefore, as detailed above, according to the present invention, there is provided a subcode signal which is improved so that a subcode signal to be encoded into a main code signal that has been converted into PCM in advance can be generated accurately and easily. It becomes possible to provide a code signal generator.

[Brief explanation of the drawing]

FIG. 1 is a configuration explanatory diagram showing one embodiment of the present invention, FIGS. 2 to 8 are diagrams for explaining examples of subcodes used in FIG. 1, and FIGS. 9 to 22
The figure is a diagram for explaining a specific example of FIG. 1. 110...VTR, 111...PCM processor, 112...encoder, 113...subcode signal generator, 114...control circuit, 115...
Keyboard, 116... Display, 117, 118...
...Input/output interface, 114a...Marking signal generation section, 114b...Subcode signal storage section, 114c...Time measurement circuit section, 114d...
...Time chart creation section, 200...Operation key section, 300...Display section, 201...P.IN key,
202...M.HEAD key, 203...M.
CHANG key, 204...INDEX key, 205
...P.OUT key, 206 ...M.END key, 20
7...VERIFY key, 208...START key,
209...STOP key, 200-212...Number keys, 202...MARK key, 203...REA
key, 204...SAVE key, 205...LOAD
key, 206...CUT key, 207...
CHECK key, 208...STEP key, 209...
...ENTER key, 301...MODE display, 3
02...TNO display, 303...Index X display, 304...MIN display, 305...
SEC display, 306...A.MIN display, 307
...A.SEC display, 308...A.FRAME display, 302-308...Catalog number display, LED ₁ , LED ₂ ...KEYMODE display,
LED ₃ ...MUSIC indicator, LED ₄ ...Lead-in indicator.

Claims (1)

[Claims] 1. A first means for performing a marking mode for recording a desired marking signal corresponding to the main code signal at a predetermined position on the audio track of a videotape on which a PCM main code signal is recorded in advance on the video track. and,
a second means for performing a read mode for reproducing the videotape on which the marking signal has been recorded by the first means and measuring the generation time of the reproduced marking signal; third means for executing a program save mode for recording at the beginning of the audio track of the videotape, and reproducing the videotape on which the measured time data has been recorded by the third means to reproduce the reproduced measured time data; fourth means for executing a program load mode for generating and storing data necessary for generating a subcode signal corresponding to the main code signal based on the main code signal; and checking the data generated and stored by the fourth means. a fifth means for carrying out a program check mode for causing a program check; and a sixth means for carrying out a cutting mode for generating and transmitting a sub-code signal corresponding to the main code signal based on the data checked by the fifth means. 2. A subcode signal generating device, comprising means for generating a subcode signal, and configured to be capable of displaying a read error state in the program load mode.