JPH0437846A - Production of movie by 24 frames/sec video system - Google Patents

Production of movie by 24 frames/sec video system

Info

Publication number
JPH0437846A
JPH0437846A JP14437390A JP14437390A JPH0437846A JP H0437846 A JPH0437846 A JP H0437846A JP 14437390 A JP14437390 A JP 14437390A JP 14437390 A JP14437390 A JP 14437390A JP H0437846 A JPH0437846 A JP H0437846A
Authority
JP
Japan
Prior art keywords
film
video
movie
frames
production
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Pending
Application number
JP14437390A
Other languages
Japanese (ja)
Inventor
Shigeo Hiyama
茂雄 檜山
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Individual
Original Assignee
Individual
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Individual filed Critical Individual
Priority to JP14437390A priority Critical patent/JPH0437846A/en
Publication of JPH0437846A publication Critical patent/JPH0437846A/en
Pending legal-status Critical Current

Links

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  • Silver Salt Photography Or Processing Solution Therefor (AREA)
  • Projection-Type Copiers In General (AREA)

Abstract

PURPOSE:To easily, surely and rapidly execute the working process of movie production by matching photographing, picture recording and editing based upon the video system with the reference reproducing speed of a movie film. CONSTITUTION:When a video camera, a video recorder and a video display are modified and the synchronism and phase coupling of these modified units with a film projector is set up, film images are converted into video images at the speed of 24 frames/sec after telecine processing the film and the film can be held at the same state as film reproduction. Thus, problems such as a real time difference between a movie film and video images and the movement, flow and flickers of pictures can be resolved.

Description

【発明の詳細な説明】 本発明は、映像を記録し、再生する方法にかかわり、2
4フレーム/秒のビデオシステムによる撮影・録画・編
集をちととして、映画フィルムの標準再生スピードであ
る24駒/秒と合致させることによって、映画制作にか
かわる創作的作業工程(主に編集・ダビング)を容易・
確実・迅速にすることや、作品の著作権保護などを目的
としている。
DETAILED DESCRIPTION OF THE INVENTION The present invention relates to a method for recording and reproducing video, and includes two
In addition to shooting, recording, and editing using a 4-frame/second video system, by matching the standard playback speed of movie film, 24 frames/second, the creative work process (mainly editing and dubbing) involved in film production is improved. Easy/
The purpose is to ensure reliability and speed, and to protect the copyright of works.

従来のビデオによる記録・再生はカラーにおいては、2
9.97フレーム/秒(一般的には30フレーム/秒と
している。)であり、テレシネは主に2−3プルダウン
方式にみる樺に、映写111!lを視覚的におかしくな
い程度に改造しているが、原理的には以下の問題を残し
ている。
Conventional video recording and playback requires 2 in color.
It is 9.97 frames/second (generally 30 frames/second), and telecine is mainly seen in the 2-3 pulldown method, and the projection rate is 111! 1 has been modified to the extent that it does not look visually strange, but the following problems remain in principle.

■ 24駒/秒で再生される映画フィルムと、30フレ
ーム/秒のビデオ画像のそれぞれ一枚の画が対応する実
時間の違いに対する問題。
■ Problems with the difference in real time corresponding to each frame of a movie film played at 24 frames/second and a video image played at 30 frames/second.

■ 実際の画の動き、流れ、フリンカーの問題があり 以上のことにより映画制作工程中にビデオを利用するこ
とは、原理的に問題を残した。
■ The use of video during the film production process remains problematic in principle due to the problems of actual picture movement, flow, and flicker.

本発明は上記 ■、■の欠点のない映画制作を行なうこ
とを目的とし、以下に述べる方法によって、それを解決
している。
The purpose of the present invention is to produce a movie without the above-mentioned drawbacks (1) and (2), and solves these problems by the method described below.

すなわち、フィルムをテレシネするときに24フレーム
/秒のビデオによる方法を用いて映写の標準スピード2
4駒/秒にすることで解決している。
That is, when telecinening film, the standard projection speed of 2
The problem was solved by setting the rate to 4 frames/second.

24フレーム/秒のビデオによる方法 0ビデオカメラの基準発振の新穀、改造。24 frames/second video method 0 New and modified standard oscillation for video cameras.

○ビデオレコーダーの記録・再生回路の改造。○ Modification of the recording/playback circuit of the video recorder.

○ビデオデイスプレィ(ブラウン管、ビデオプロジェク
タ−)の改造。
○Remodeling of video displays (cathode ray tubes, video projectors).

Oフィルム映写機との同期、位相結合の設定。Setting of synchronization and phase coupling with O-film projector.

これらのことにより、フィルム画像は、テレシネ後、2
4フレーム/秒でビデオ化され、フィルム再生と同じ状
態を保つことができる。
Due to these factors, the film image is
It is converted into a video at 4 frames per second and can maintain the same conditions as film playback.

よって、前述したの、■の問題がなくなり、以下の様な
映画制作における効果をもたらす。
Therefore, the above-mentioned problem (2) is eliminated, and the following effects in movie production are brought about.

まず、 0撮影現場では、この方法でフィルムカメラよりビデオ
画像を取り出すことにより、本番の画像を24フレーム
/秒でフリッカ−なしで記録・同時再生ができる。  
また°フィルムカメラとビデオカメラとの結像位相を適
度に設定することで、通常とらえられない、 ′仕掛け
ちの”などの記録・再生・確認に役立つ。
First, at the shooting site, by extracting video images from a film camera using this method, the actual images can be recorded and simultaneously played back at 24 frames/second without flickering.
In addition, by appropriately setting the imaging phase between the film camera and video camera, it is useful for recording, playing back, and confirming ``gimmicks'' that cannot normally be captured.

もちろん、監督やスフリプタ−の確認と整理にもフリッ
カ−なしで役に立つ。
Of course, it is also useful for checking and organizing directors and screenwriters without flickering.

O編集においては、従来の映画劇作のポジ編集ではこの
システムのビデオ編集をもって容易、迅速に、かつフィ
ルムの駒とビデオのフレームのエラーがまったくないの
で数百カントに及ぶ映画編集と、その処理に耐える正確
さを示すこととなる。いわゆる予備編集的なものから、
荒騙・オールラッシュ編集までの工程がこのシステムで
は、ビデオにより対応することとなる。また本格的なビ
デオ処理を含む表現行為ができ、フィルム工程に考えを
示すこととなる。とりわけスタンプに対しては種々のバ
ージョンによるプレゼンテーションが可能となる。これ
らのことはワンカメラスタイルにはじまる日本映画の各
作業制作形態の中にあっては制作スタッフのイメージの
参入をもたらし、スタッフ、関係者、アドバイザーなど
の相互のコミュニケーションを高める結果となる。この
工程でビデオ編集・処理・特殊効果などを行なうことは
、以下のことによって、このシステムをさらに効果的な
ものとする。今日の30フレーム/秒のビデオ世界では
一般的になりつつあるタイムコードアドレスを、まだ積
極的に使用されていない、フィルム・タイムコードとこ
の24フレーム/秒のビデオシステムを結合して使用さ
れるならば、なんべんでも、手軽に、正確に、反復作業
が行なえ、自己確認が容易となる。*た関連機器と合わ
せれば、編集のシート作成や、ポジ・ネガの切り出しが
簡単に行なえることとなる。
In O-editing, the video editing of this system is easier and faster than the conventional positive editing of film dramas, and there are no errors in film frames or video frames, so it is possible to edit hundreds of films and process them. This will demonstrate enduring accuracy. From so-called preliminary editing,
With this system, the process up to rough deception and all-rush editing will be handled by video. They will also be able to perform acts of expression that include full-fledged video processing, and will be able to express their thoughts in the film process. In particular, stamps can be presented in various versions. These things bring about the involvement of the image of the production staff in the various production formats of Japanese films, starting with the one-camera style, and result in enhanced mutual communication among staff, related parties, advisors, etc. Performing video editing, processing, special effects, etc. in this process makes the system even more effective by: This 24 frame/second video system combines timecode addressing, which is becoming common in today's 30 frames/second video world, with film timecode, which is not yet actively used. If so, you can easily, accurately, and repeatedly perform any task, and self-confirmation becomes easy. *If you combine it with related equipment, you can easily create editing sheets and cut out positives and negatives.

O音楽作りでは、ビデオのもつ月1型・簡便性や音楽機
器の発達に対応しやすいなどの特徴から、特殊処理も含
めたプレゼンテーションにより画の時間と音電的イメー
ジ創作を広げることとなる。
In the field of music creation, due to the features of video, such as its monthly format, simplicity, and ease of adapting to the development of music equipment, presentations that include special processing will expand the time for images and the creation of sonic and electronic images.

○ダビング時では、 ビデオプロジェクタ−などにより
、大画面で見ることができ、ビデオレコーダーにおいて
は、従来のフィルム映写機より簡単にスタート、ストッ
プ、 リピートができ、高い作業性をもつ。また併用す
ることにより細部の表現まで高めることができる。
○When dubbing, it can be viewed on a large screen using a video projector, etc., and a video recorder can start, stop, and repeat more easily than a conventional film projector, and has high workability. Also, by using them together, you can enhance the expression of even the smallest details.

○教育研究においては、とくに映画の名作などの研究、
解析においては、この方法により、−駒、−駒、正確に
分析することができる。
○In educational research, especially research on movie masterpieces, etc.
In analysis, using this method, it is possible to accurately analyze -pieces, -pieces.

また、フィルムをいためることは無論少なくなる。Also, it goes without saying that the film is less likely to be damaged.

Oソフトサービスと著作権保護 この方法を広く、今日の映像世界の中で見渡せば、ビデ
オの簡便性をもち合わせたクローズドなシステムであり
ます。  この点を留意すれば、企業の非公開の研究資
料などのビデオ化保存には役に立つこととなる。また、
各国のフィルムライブラリーにはじまり、博物館、公共
機関などの、保存を前提にしながらも、特定の人々・機
関にそのソフトの公開性をもつ、いわゆる会員制のサー
ビスにおいても、オリジナルの保存・著作権の保護とい
う意味からも期待できる方法と考える。 (暗証コード
入りのカード使用で二重の著作権保護とサービスアップ
をはかることができる。)○このシステムによって、2
4駒映酉アニメーシヨン・セル画の動画チエツクなども
正確、迅速に、初心者でも行なうことができる。
O Software services and copyright protection If you look at this method broadly in today's video world, it is a closed system that has the simplicity of video. If this point is kept in mind, it will be useful for preserving private company research materials in video form. Also,
Starting with film libraries in various countries, museums, public institutions, and other so-called membership-based services that are based on the premise of preservation but also make the software available to specific people and institutions, preservation and copyright protection of originals is a necessity. We believe this is a promising method from the perspective of protecting the environment. (By using a card with a PIN code, you can achieve double copyright protection and service improvement.) ○With this system, 2
Even beginners can accurately and quickly check videos of 4-frame rooster animation and cell drawings.

以上、今日の映画制作にもどれば、資本不足のため悪い
意味で閉鎖的、職人的に終止せざるえなかった部分さえ
も、安価でこのシステム方法を用いることにより、スタ
ッフワークとコミュニケーションが広がり、合理的で科
学的、かつ創造的で教育的効果のある新しい映画制作法
となる。
As mentioned above, if we return to today's film production, by using this inexpensive system method, staff work and communication will be expanded, even in areas that had to be closed in a negative sense and craftsmanship due to lack of capital. This is a new method of film production that is rational, scientific, creative, and educational.

Claims (1)

【特許請求の範囲】[Claims] 1、映画制作において撮影されたフィルム画像を24フ
レーム/秒でテレシネし、ビデオ編集したのち、それに
基づいて従来のポジ編やネガ編集を進める映画制作法。
1. A film production method in which film images shot during film production are telecineged at 24 frames per second, video edited, and then conventional positive or negative editing is performed based on the video editing.
JP14437390A 1990-06-04 1990-06-04 Production of movie by 24 frames/sec video system Pending JPH0437846A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP14437390A JPH0437846A (en) 1990-06-04 1990-06-04 Production of movie by 24 frames/sec video system

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP14437390A JPH0437846A (en) 1990-06-04 1990-06-04 Production of movie by 24 frames/sec video system

Publications (1)

Publication Number Publication Date
JPH0437846A true JPH0437846A (en) 1992-02-07

Family

ID=15360616

Family Applications (1)

Application Number Title Priority Date Filing Date
JP14437390A Pending JPH0437846A (en) 1990-06-04 1990-06-04 Production of movie by 24 frames/sec video system

Country Status (1)

Country Link
JP (1) JPH0437846A (en)

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPH07503110A (en) * 1992-01-16 1995-03-30 フェイバー,ロバート エー. Method and apparatus for simulation of video camera image film
USRE38079E1 (en) * 1993-04-21 2003-04-15 Muti-Format, Inc. Multi-format audio/video production system

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPH07503110A (en) * 1992-01-16 1995-03-30 フェイバー,ロバート エー. Method and apparatus for simulation of video camera image film
USRE38079E1 (en) * 1993-04-21 2003-04-15 Muti-Format, Inc. Multi-format audio/video production system

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