JPH04263810A - Hanging scroll lining base cloth - Google Patents

Hanging scroll lining base cloth

Info

Publication number
JPH04263810A
JPH04263810A JP11122891A JP11122891A JPH04263810A JP H04263810 A JPH04263810 A JP H04263810A JP 11122891 A JP11122891 A JP 11122891A JP 11122891 A JP11122891 A JP 11122891A JP H04263810 A JPH04263810 A JP H04263810A
Authority
JP
Japan
Prior art keywords
hanging scroll
fabric
paper
cloth
hanging
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Pending
Application number
JP11122891A
Other languages
Japanese (ja)
Inventor
Genichi Adachi
足達 元一
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Individual
Original Assignee
Individual
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Individual filed Critical Individual
Priority to JP11122891A priority Critical patent/JPH04263810A/en
Publication of JPH04263810A publication Critical patent/JPH04263810A/en
Pending legal-status Critical Current

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  • Mirrors, Picture Frames, Photograph Stands, And Related Fastening Devices (AREA)

Abstract

PURPOSE:To shorten the picture mounting period and to simplify the work process by using the hanging lining base cloth, to execute the hanging scroll picture mounting which can be executed even by a beginner, while enjoying pictures and writings by a material which can be obtained easily, for instance, washing paste, a woodworking bond, a veneer, etc., and also, to facilitate screen printing and retouch, and to continue the hanging scroll picture mounting by coloring an inner edge, a pillar and the top and the bottom parts. CONSTITUTION:A cloth ground of this invention, and a shaft bar (8), a shaft head (10), a decorative part (9), a fixture (12), a string (110t thin cloth (2) or cloth for the top and the bottom (4) are set. According to this hanging scroll manufacture, pictures and writings by screen printing and the hanging scroll picture mounting are continued. The hanging scroll lining base cloth is a cloth which scarcely gets out of shape against a variation of drying and temperature by sticking thin cloth to both faces of laminate lining paper by using a thin yarn count thread exceeding No.45 count yarn and its color is similar to Japanese paper, and it is used for a basic material of the hanging scroll picture mounting. Also, as for pictures and writings of screen printing, the hanging scroll picture mounting can be executed without executing the lining process.

Description

【発明の詳細な説明】[Detailed description of the invention]

【0001】0001

【産業上の利用分野】この発明は和紙に書かれた書画の
掛軸表具、又スクリーン捺染と加筆による書画の掛軸表
具に関する。
BACKGROUND OF THE INVENTION 1. Field of the Invention The present invention relates to hanging scrolls for paintings and calligraphy written on Japanese paper, and also to hanging scrolls for paintings and calligraphy written on Japanese paper.

【0002】0002

【従来の技術】(図5)は従来の技術で掛軸表具に要す
る材料を表具仕上げしたように配列した平面図である。 従来の掛け軸表具技術は和紙と薄布地、和紙と和紙とを
薄糊で貼り合わせる技術で軸棒(8)に巻いて保存し、
床の間にかけて観賞するする日本和紙と共に優れた伝統
的技術であった。以下従来の技術について要旨を述べる
。木目の細かい平板上に書体紙(1)を伏せ水で霧吹き
しその上から薄糊を付着した肌裏張を棒片で支え持ち乍
ら皺を伸ばしつつ刷毛で軽くたたいて付着せしめる。 本紙書(1)が大きいと肌裏張り用紙(5)を手先でち
ぎるようにして和紙の繊維でつなぎ合わす。この作業が
本紙書(1)の裏打ちと称し、最も困難な作業で、普通
二人で息を合わして行う。一、二週間程そのままにして
から本紙書(1)を切りとる。
DESCRIPTION OF THE PRIOR ART (FIG. 5) is a plan view in which the materials required for a hanging scroll mounting are arranged as if they had been finished using a conventional technique. The traditional hanging scroll mounting technique involves pasting together washi paper and thin cloth, or washi paper and washi paper with thin glue.
It was an excellent traditional technique along with the Japanese washi paper that was hung in the tokonoma. The conventional technology will be summarized below. Lay the typeface paper (1) on a fine-grained flat plate, spray it with water, and apply a thin paste on top of it by supporting and holding the skin lining with a stick, smoothing out the wrinkles, and tapping it lightly with a brush to make it adhere. If the main paper book (1) is large, tear the skin-lined paper (5) with your hands and connect it with Japanese paper fibers. This work is called lining the book (1), and is the most difficult work, and is usually done by two people working together. Leave it as it is for about a week or two, then cut out the main paper book (1).

【0003】次に平板上に裏打ちした書本紙(1)を裏
伏せにして一文字(2)中縁・柱(3)天地(4)の位
置を定め福島紙(7)を細切りにして糊で接続する。霧
吹きした後、薄糊付した総裏打用紙(6)で全面を裏打
する。2週間程そのままにしておく、和紙一文字(2)
中縁・柱(3)天地(4)と本紙書(1)とは一体化さ
れる。その上から更に総裏打用紙(6)で裏打ちする。 乾いてからも二週間はそのままにしておく、その間に乾
燥と湿度による繊維の伸縮が安定される。この期間が短
いと軸のそりかえりが大きい。裏打ち行程を水糊を用い
ないで電熱による融着させる器具もあるが一般家庭での
書画を楽しむ人の表具には向かないので省略する。
Next, the book paper (1) lined on a flat plate was placed face down, and the positions of each character (2), the center edge and pillars (3), and the top and bottom (4) were determined, and the Fukushima paper (7) was cut into thin strips and glued. Connecting. After spraying, line the entire surface with lightly glued fully lined paper (6). A Japanese paper character (2) that can be left as is for about two weeks.
The middle edge/column (3), the top and the bottom (4), and the main text (1) are integrated. Further line it with fully lined paper (6). Leave it as it is for two weeks after it dries, during which time the expansion and contraction of the fibers due to dryness and humidity will stabilize. If this period is short, the warpage of the axis will be large. There is a device that uses electric heat to fuse the backing process without using glue, but it is not suitable for use as a mounting for people who enjoy painting and calligraphy at home, so we will omit it here.

【0004】軸棒(8)に軸頭(10)を取つけ  八
双(9)に金具(12)をつけ天地(4)と糊付けされ
る。金具(12)に紐(11)をとりつけて完了する。 したがって裏打作業は表具の基本技術で普通二人で行う
。乾湿を繰り返して掛軸全体の和紙の繊維を安定させる
ため長い期日を要し二ケ月程かかるのが普通である。 又梅雨期、盛夏をさけなければならなかった。そのよう
にして仕上げた掛軸表具も糊の質等により大きく変わり
又掛軸用特殊糊を用いなければならず最近特にエアコン
を設置された部屋では乾燥、湿度が急に変化すると掛け
られた掛軸がそりかえったりする。これを繰り返すと本
紙書(1)が離脱することもある。掛軸表具は表具の中
でも特に長い経験を必要とし秘技とまで言われて来た。
The shaft head (10) is attached to the shaft rod (8), the metal fittings (12) are attached to the eight pairs (9), and the top and bottom (4) are glued. Attach the string (11) to the metal fitting (12) to complete. Therefore, the backing work is usually done by two people using basic mounting techniques. It takes a long time to stabilize the washi fibers in the whole hanging scroll by repeatedly drying and moistening it, and it usually takes about two months. We also had to avoid the rainy season and midsummer. The hanging scrolls finished in this way also vary greatly depending on the quality of the glue, etc., and special glue must be used for hanging scrolls.Recently, especially in rooms with air conditioners installed, if the hanging scrolls dry out or the humidity suddenly changes, the hanging scrolls may warp. I'll go home. If you repeat this, Honshisho (1) may become detached. Hanging scroll mounting requires a particularly long experience among other mountings, and has even been said to be a secret technique.

【0005】[0005]

【発明が解決しようとする課題】従来の技術で述べたよ
うに掛軸表具は長い経験と特別の技術を要し長期日がい
った。又エアコン等の暖冷房器により急な乾燥、湿度の
変化により掛軸がそり返ったり曲がったりする現象が出
て来た。表具の作業が繁雑で書画を愛好する人が掛軸表
具をしようとしても困難なことであった。発明者は掛軸
裏打台布帛を提供することにより掛軸表具期間の短縮化
、作業の簡略化、初心者でも出来る掛軸表具で、急な乾
燥湿度の変化にも耐えるようにしようと発明した。 又、複製書画を掛軸に表具する時は書画のスクリーン捺
染加筆の行程と別に掛軸表具行程があったが掛軸裏打台
布帛に直接スクリーン捺染加筆による書画をなし裏打作
業を省いた掛軸表具を試みた。
[Problems to be Solved by the Invention] As mentioned in the prior art section, hanging scroll mounting requires long experience and special techniques, and has been around for a long time. Additionally, the phenomenon of hanging scrolls warping or bending due to sudden dryness or changes in humidity caused by heating/cooling devices such as air conditioners has occurred. The mounting work was complicated, and it was difficult for calligraphy enthusiasts to attempt to make hanging scroll mountings. The inventor made the invention with the aim of shortening the period of hanging scroll mounting, simplifying the work, making the hanging scroll mounting possible even for beginners, and able to withstand sudden changes in dryness and humidity by providing a hanging scroll lining fabric. In addition, when mounting reproduced calligraphy and paintings on hanging scrolls, there was a hanging scroll mounting process that was separate from the process of screen printing and adding the calligraphy and paintings, but we attempted a hanging scroll mounting that did the calligraphy and painting directly on the hanging scroll lining fabric and omitted the lining work. .

【0006】[0006]

【課題を解決するための手段】ラミネート裏打紙(15
)の両面に45番手以上の細番手糸使用の平織物薄布地
(14)を貼り合わせてなる掛軸裏打台布帛(13)(
図1.図2)は急な乾燥にあってもよじれたり曲がった
りしない。例えば掛軸裏打台布帛(13)の一部を水で
濡らすとその個所が幾分か曲がり脹んだりするが乾くと
元の姿に復元する性質がある。本発明は、その性質を利
用して掛軸裏打台布帛として使用する。45番手以上の
細番手使用の薄布地をラミネート裏打紙両面に貼られる
もので柔軟性もあり軸棒(8)に巻くにも適している。 薄布地(14)が45番手以下の太い番手使用すると布
帛が固くなり適さない。  実施例を通して本発明の掛
軸裏打台布帛(13)の使用法を述べる。
[Means for solving the problem] Laminated backing paper (15
) A hanging scroll backing fabric (13) (
Figure 1. Figure 2) does not twist or bend even when suddenly dried. For example, when a part of the hanging scroll lining fabric (13) gets wet with water, it bends and swells a little, but when it dries it returns to its original shape. The present invention takes advantage of its properties and uses it as a hanging scroll lining fabric. A thin cloth made of a fine count of 45 or more is pasted on both sides of the laminated backing paper, and is flexible and suitable for wrapping around the shaft (8). If the thin fabric (14) is thicker than 45, the fabric will become stiff and unsuitable. The usage of the hanging scroll lining fabric (13) of the present invention will be described through Examples.

【0007】掛軸裏打台布帛に直接スクリーン捺染と加
筆により書画をなし、中縁、柱、天地部分を着色するこ
とにより書画と表具の連続化による省力化、合理化も出
来るようにした。それは掛軸裏打台布帛の色相が淡黄色
で和紙とよく似て細い糸で織られる布帛が安定している
から、スクリーン捺染と加筆が最もしやすいからである
。(図4)参照。
[0007] Calligraphy and paintings are created directly on the hanging scroll backing fabric by screen printing and additions, and by coloring the middle edges, pillars, and top and bottom parts, it is possible to save labor and streamline the work by making the calligraphy and the mounting continuous. This is because the hue of the hanging scroll backing fabric is pale yellow, similar to washi paper, and the fabric is woven with thin threads and is stable, making screen printing and additions easier. See (Figure 4).

【0008】(図3)を参照。ベニヤ板巾92cm×1
83cmを用意する。掛軸裏打台布帛(13)の耳部分
を切り捨て90cm位の巾にし長さ180cm位に裁断
し、両面に水を充分に含ませて裏面に極めて薄い糊をつ
けベニヤ全面に貼りつける。周辺を簡単にははがれない
ように粘着テープ(17)で止める。掛軸裏打台布帛(
13)が未だ湿っている間に本紙書(1)を(図3)の
ように中縁・柱(3)一文字(2)になる余分を残して
貼りつけるこの作業が最も注意をしなければならない、
本紙書(1)の表を内側にして軸棒(8)に出来るだけ
固く巻く、貼りつける位置にホンド糊と合成洗濯糊を混
合し、牛乳位の濃度にした薄糊を充分に浸しその上を軸
棒に巻いた書本紙(1)を少しづつころがすようにして
糊の上に浸してゆく、本紙書(1)は乾いているから従
来の技術で述べた裏打ちとは作業もし易く失敗も少ない
。書本紙の上から刷毛で押さえて皺を伸ばすのは従来の
技術と同じであるが、書本紙の上からであるからタオル
等を当てて行う従来の技術では本紙書(1)を裏伏せに
して薄糊を全面に塗りつけた肌裏張り用紙(5)又は総
裏打用紙(6)を棒片で支え役と皺を刷毛の先で軽くた
たいて伸ばす役と二人で行うのが普通である。本発明の
方法は軸棒に巻いた本紙書(1)を片手で持ってころが
すようにして書本紙(1)を伸ばし、片手で刷毛を使い
乍ら皺をのばすから一人で出来て失敗も少なく、裏打紙
のつなぎ合わせもなくてすむ。
See (FIG. 3). Plywood board width 92cm x 1
Prepare 83cm. Cut off the ears of the hanging scroll lining fabric (13), cut it to a width of about 90 cm, cut it to a length of about 180 cm, soak both sides with water, apply extremely thin glue to the back side, and stick it to the entire surface of the veneer. Attach the periphery with adhesive tape (17) so that it does not peel off easily. Hanging scroll lining fabric (
While the 13) is still wet, paste the main paper calligraphy (1) on the middle edge/column (3), leaving an excess for one letter (2) as shown in (Figure 3).This work requires the most care. It won't happen,
Wrap the main paper (1) with the front side inside as tightly as possible around the shaft (8). At the position where it will be pasted, soak it thoroughly with thin glue made by mixing Hondo glue and synthetic laundry starch to a consistency similar to that of milk. The book paper (1) wrapped around a shaft is rolled little by little and dipped onto the glue.Since the book paper (1) is dry, it is easier to work with and less likely to fail than the lining described in the conventional technique. few. It is the same as the conventional technique of pressing the book paper with a brush to smooth out the wrinkles, but since it is done from the top of the book paper, the conventional technique of applying a towel etc. requires the book paper (1) to be placed face down. Normally, two people work to support the skin-backed paper (5) or fully-backed paper (6), which has been coated with a thin layer of glue using a stick, and to smooth out the wrinkles by tapping them lightly with the tip of a brush. be. The method of the present invention involves holding and rolling the book paper (1) wrapped around a spindle with one hand, and then using the other hand to smooth out the wrinkles while using a brush, so it can be done by one person and there are fewer mistakes. , there is no need to connect the backing paper.

【0009】書本紙(1)の周辺の中縁・柱(3)部分
の着色を行う。顔料又はアルコール染料を薄糊で混和し
刷毛で着色する本紙書の境に誤って入いらないように粘
着テープを貼ってから着色する。3日間程蔭干しで完全
に乾いてから一文字(2)を貼り付けて粘着テープ(1
7)をはずす。ベニヤ板に貼りつけた掛軸裏打台布帛(
13)をはがす各本紙書(1)と中縁・柱(3)を一体
化した掛軸裏打台布帛を切りとる。天地(4)用布地は
厚織物でミシンでつなぎ合わすことが出来る。厚織物は
そりかえりが少ない。裏の縫目は粘着テープを貼ってか
くす。軸棒(8)と八双(9)を両面粘着テープ等を利
用して取りつけることも出来る八双に金具(12)をと
りつけ紐(11)を取り付けて三段表装の掛軸にするこ
とが出来る。二段表装掛軸の場合は天地(4)用布地を
省いて、中縁・柱(3)と同色の天地(4)の掛軸裏打
台布帛(13)に着色して切り取る。掛軸裏打台布帛(
13)の裁断面は糸のほつれがなく美しくカッター、鋏
が使いやすい。
[0009] The middle edge and pillar (3) portions around the book paper (1) are colored. Mix pigments or alcohol dyes with a thin paste and color with a brush. Apply adhesive tape to the borders of the book before coloring to prevent them from accidentally entering the borders of the book. Let it dry completely in the shade for about 3 days, then paste the letter (2) on it and tape it with adhesive tape (1).
7) Remove. A hanging scroll lining fabric attached to a plywood board (
13) Peel off each paper calligraphy (1) and cut out the hanging scroll backing fabric that integrates the middle edge and pillar (3). The fabric for the top and bottom (4) is a thick woven fabric that can be pieced together using a sewing machine. Thick fabrics have less warpage. Cover the seams on the back with adhesive tape. You can attach the shaft (8) and Hasso (9) using double-sided adhesive tape, etc. You can attach the metal fittings (12) to Hasso and attach the string (11) to make it into a three-tiered hanging scroll. . In the case of a two-tiered hanging scroll, omit the fabric for the top and bottom (4), and color and cut out the hanging scroll lining fabric (13) for the top and bottom (4) in the same color as the middle edge and pillars (3). Hanging scroll lining fabric (
13) The cut surface is beautiful with no frayed threads and is easy to use with cutters and scissors.

【0010】0010

【作用】課題を解決する手段で述べたように、ラミネー
ト裏打紙(15)の両面に薄布地(14)を貼ると掛軸
の軸棒(8)に巻く柔軟性と掛けて平面を保つことが出
来る。それは45番手以上の細番手糸で織られている同
じ薄布地(14)は紙の両面に貼られていて薄織物の糸
の繊維が湿度による伸縮が同じであるから布帛の平面の
安定を保つことが出来るからである。表面が薄布地で布
帛が安定しているからスクリーン捺染が最もしやすい。 和紙は水を含ませると伸び乾燥すると収縮する。掛軸裏
打台布帛(13)とはよくなじむ。
[Function] As described in the means for solving the problem, if the thin fabric (14) is pasted on both sides of the laminate backing paper (15), it will have the flexibility to wrap around the shaft (8) of the hanging scroll and maintain its flatness. I can do it. This is because the same thin fabric (14) woven from fine yarns with a count of 45 or higher is attached to both sides of the paper, and the fibers of the thin fabric's threads expand and contract in the same way due to humidity, so the plane of the fabric remains stable. This is because it is possible. Screen printing is easiest because the surface is thin and the fabric is stable. Washi paper stretches when soaked with water and contracts when it dries. It goes well with the hanging scroll lining fabric (13).

【0011】考案者は公開実用新案公報(U)平2−4
7390においてこの作用をロールカーテン「請求項2
」第6図に示す紙の両面に同じ薄織物布帛で貼り合わせ
したロールカーテン布帛の構造、の出願と同じ作用を掛
軸裏打台布帛として使用するものである。
[0011] The inventor published the Utility Model Publication (U) Hei 2-4
7390 describes this effect in the roll curtain "Claim 2.
The structure of the roll curtain fabric shown in FIG. 6, in which the same thin fabric is bonded to both sides of the paper, is used as a hanging scroll backing base fabric with the same effect as the application.

【0012】薄布地(14)と和紙即ち本紙書(1)と
は薄糊でよく馴じみ付着しやすいが、絹本に書れた書画
は織物と織物の貼り合わせで湿度による繊維の伸縮の違
いから付着しにくい故に本発明による表具には適さない
。故に本紙書(1)は和紙に書かれたものでなければな
らない。
Thin fabric (14) and Japanese paper (honshi calligraphy) are made of thin glue that blends well and adheres easily, but calligraphy and drawings written on silk books are made by pasting fabrics together, and the difference in the expansion and contraction of the fibers due to humidity Since it is difficult to adhere to the surface, it is not suitable for the mounting according to the present invention. Therefore, this book (1) must be written on Japanese paper.

【0013】[0013]

【実施例】薄布地(13)は生機地糸番手テトロン50
%、綿50%の混紡糸によるインチ間経緯共110本を
ラミネート裏打紙(15)両面に貼り合わせした掛軸裏
打台布帛で色は淡黄白色である。又糸番手65番手テト
ロン50%、綿50%のインチ間経緯共130本の薄布
地(13)の生布地でも使用した本紙書(1)は上質画
箋紙和紙で各種使用した。一文字(2)布地は裏打紙付
の薄織物、天地(4)の布地はクロス地裏打紙付軸棒(
8)は9分直経2.7cm杉材の円棒、八双(9)直径
1.8cmの半円棒、軸頭(10)はプラスチック白、
又は黒で九分の軸棒に合うもの、紐(11)は扁平の軸
用紐、金具(12)は足づりと称するものである。
[Example] Thin fabric (13) has a gray thread count of Tetron 50
The hanging scroll lining fabric is made of 110 inch-to-warp yarns made of 50% cotton and 50% cotton yarns, laminated on both sides of laminated lining paper (15), and is pale yellow-white in color. In addition, this paper book (1), which was also used on raw fabric (13) of 130 thin fabrics (13) made of thread count 65, 50% Tetoron, and 50% cotton, was used in various ways with high-quality Japanese paper. The fabric for one character (2) is a thin fabric with paper lining, and the fabric for top and bottom (4) is cloth and a shaft with paper lining (
8) is a circular rod made of cedar wood with a diameter of 2.7 cm, Hasso (9) is a semicircular rod with a diameter of 1.8 cm, and the shaft head (10) is white plastic.
Or the black one that fits the 9/9 shaft rod, the string (11) is a flat string for the shaft, and the metal fittings (12) are called foot grips.

【0014】中縁・柱(3)となる部分の着色は水溶性
の顔料、染料であって薄糊とよく混ぜて刷毛筆で着色す
ることが出来、にじみも防止出来る。多少のにじみ凹凸
が出来ても薄紙、布地のテープを貼り、かくすことも出
来る。軸棒(8)八双(9)は木製品であるから両面テ
ープを利用すると簡単に布地と接続することが出来、粘
度の強い糊と併用するとよい。
[0014] The part that will become the middle edge/column (3) can be colored with a water-soluble pigment or dye, which can be mixed well with a thin paste and colored with a brush, and bleeding can also be prevented. Even if some bleeding or unevenness occurs, you can hide it by applying tissue paper or cloth tape. Since the shaft rods (8) and Hasso (9) are made of wood, they can be easily connected to fabric using double-sided tape, and are best used in conjunction with highly viscous glue.

【0015】(図3)の書本紙(1)の周辺中縁・柱の
部分の着色は極細パール金粉を網目で散布し薄糊で伸ば
して付着して荒目金粉を手でつまんでふり、上から薄糊
で刷毛でなでるようにした。又木工用アルコール染料を
薄糊で薄めたものが最も着色しやすく濃い色を使用する
時に適する。上から荒目の金粉をまいて薄糊を刷毛でな
でるようにして押さえる(図3)のように3点の本紙書
(1)を配列すると天地(4)布地と縫い合わせなけれ
ばならないが、天地、中縁を同色にする場合はペニヤ板
巾62cm長さ218cmを使用すればよい。(図3)
掛軸裏打台布帛はスクリーン捺染も大変しやすく、書、
絵をスクリーン捺染し中縁・柱(3)天地(4)を染料
・顔料で着色して掛軸にした。(図4)掛軸裏打台布帛
の両面濡らす水は軟水がよく暖めた水がよく日向水、風
呂の水を用いた。硬水ははじていなじみにくい。薄糊を
混和するとよく馴じむ。
[0015] To color the periphery middle edge and pillars of book paper (1) in (Fig. 3), ultra-fine pearl gold powder was sprinkled with a mesh, stretched and adhered with thin glue, and coarse-grained gold powder was pinched and sprinkled with hands. I brushed a thin layer of glue over the top. Also, wood alcohol dye diluted with a thin paste is easiest to color and is suitable when using dark colors. Sprinkle coarse gold powder on top and apply thin glue with a brush to hold it in place.If you arrange three pieces of book paper (1) as shown in Figure 3, you will need to sew them together with the top and bottom (4) fabric. If you want the middle edge to be the same color, use a plywood board with a width of 62 cm and a length of 218 cm. (Figure 3)
The hanging scroll-backed fabric is very easy to screen print, and can be used for calligraphy, calligraphy, etc.
The picture was screen-printed and the middle edge, pillars (3) and top and bottom (4) were colored with dyes and pigments to create a hanging scroll. (Figure 4) The water used to wet both sides of the hanging scroll lining fabric was soft water, well-warmed water, and sun water or bath water. Hard water is hard to get used to. It blends well when mixed with thin glue.

【0016】[0016]

【考案の効果】掛軸裏打台布帛を表具に使用することに
より本紙書の裏打台になり周辺を着色することにより中
縁・柱各部の糊づけによるつなぎ合わせ、総裏打の行程
が省ける一枚のベニヤ板分で二枚以上の表具が同時に出
来る。
[Effects of the invention] By using the hanging scroll lining fabric as the mounting material, it becomes the lining of the main paper calligraphy, and by coloring the periphery, the process of joining the middle edges and pillars by gluing and lining can be omitted. Two or more mounting plates can be made at the same time using the amount of plywood.

【0017】エアコン等の暖・冷房器による従来の掛軸
のそり返り、曲り等が少なくなり軸棒(8)軸頭(10
)八双(9)一文字(2)中縁・柱(3)天地(4)紐
(11)金具(12)をセットすることにより書画を楽
しむ人、又初心者でも容易に掛軸表具が出来るようにな
った。糊材も掛軸用特殊糊を使用しなくてもよく、木工
用ボンド、洗濯用糊等身近な材料と用具で掛軸表具が出
来るようになった。染料、顔料の着色が鮮明でスクリー
ン捺染も容易でスクリーン捺染の書画の複製と表具が裏
打をせず連続して出来るようになる。
Warping and bending of conventional hanging scrolls due to heating and cooling devices such as air conditioners is reduced, and the shaft rod (8) and shaft head (10
) By setting the eight pairs (9) one character (2) middle edge/pillar (3) top and bottom (4) string (11) metal fittings (12), even those who enjoy calligraphy and painting, and beginners can easily make hanging scroll mountings. became. There is no need to use special glue for hanging scrolls, and hanging scroll mounting tools can now be made using familiar materials and tools such as wood glue and laundry glue. The coloring of the dyes and pigments is clear, and screen printing is easy, making it possible to reproduce screen-printed calligraphy and paintings and mountings continuously without backing.

【図面の簡単な説明】[Brief explanation of the drawing]

【図1】  掛軸裏打台布帛の平面図[Figure 1] Plan view of hanging scroll lining fabric

【図2】  掛軸裏打台布帛の拡大断面図[Figure 2] Enlarged cross-sectional view of hanging scroll lining fabric

【図3】  
掛軸裏打台布帛を用いて表具行程中の斜視図
[Figure 3]
A perspective view of the mounting process using a hanging scroll lining fabric

【図4】 
 書画をスクリーン捺染した掛軸裏打台布帛の表具行程
中の斜視図
[Figure 4]
A perspective view of the mounting process of the hanging scroll lining fabric with screen-printed calligraphy and paintings.

【図5】  従来の技術による掛軸表具に必要な材料を
配列した平面図
[Figure 5] A plan view showing the arrangement of materials necessary for a hanging scroll mounting tool using conventional technology.

【符号の説明】[Explanation of symbols]

1    本紙書 2    一文字 3    中縁・柱 4    天地 5    肌裏張り用紙 6    総裏打用紙 7    福島紙 8    軸棒 9    八双 10    軸頭 11    紐 12    金具 13    掛軸裏打台布帛 14    薄布地 15    ラミネート裏打紙 16    粘着層 17    粘着テープ 18    ベニヤ板 1 Main paper book 2 One character 3 Middle edge/column 4 Heaven and earth 5 Skin-lined paper 6 Fully lined paper 7 Fukushima paper 8 Axis rod 9 Hassou 10 Shaft head 11 String 12 Metal fittings 13 Hanging scroll lining fabric 14 Thin fabric 15 Laminated paper lining 16 Adhesive layer 17 Adhesive tape 18 Plywood board

Claims (1)

【特許請求の範囲】 【請求項4】1  ラミネート裏打紙(15)両面に4
5番手以上の細番手糸使用の平織物の同じ薄布地(14
)を貼り合わせてなる掛軸裏打布台布帛 【請求項1】2  (図3)に示すようにベニヤ板全面
に水を含ませた掛軸裏打台布帛(13)を薄糊で付着し
、本紙書(1)一文字(2)を貼り、周辺の柱、中縁(
3)又天地(4)となる部分を着色し、乾燥後ベニヤ板
からはがすことの出来る掛軸裏打台布帛(13)【請求
項2】3  書画材料店、日曜大工用品店等において軸
棒(8)軸頭(10)八双(9)金具(12)紐(11
)と一文字(2)、中縁・柱(3)天地(4)用布地と
セットされる掛軸裏打台布帛(13)【請求項3】4 
 掛軸裏打台布帛に直接スクリーン捺染で書画をなし、
一文字(2)を貼り、中縁・柱(3)天地(4)部分を
着色してなる掛軸裏打台布帛(13)【請求項4】
[Scope of Claims] [Claim 4] 1 Laminated backing paper (15) 4 on both sides
The same thin plain weave fabric using fine yarn count 5 or higher (14
) [Claim 1] 2 As shown in (Fig. 3), the hanging scroll backing fabric (13) soaked in water is attached to the entire surface of the plywood board with thin glue, and the main paper book ( 1) Paste one character (2) on the surrounding pillars, middle edge (
3) A hanging scroll backing fabric (13) whose top and bottom (4) can be colored and removed from the plywood board after drying. [Claim 2] 3. A hanging scroll backing fabric (13) that can be removed from the plywood board after drying. [Claim 2] 3. A hanging scroll backing fabric (13) that can be colored at the top and bottom (4) and removed from the plywood board after drying. Shaft head (10) Eight pairs (9) Metal fittings (12) Strap (11
) and one character (2), hanging scroll lining fabric (13) set with fabric for middle edge/column (3) top and bottom (4) [Claim 3] 4
Calligraphy and paintings are created by screen printing directly onto the hanging scroll backing fabric.
Hanging scroll backing fabric (13) made by pasting one character (2) and coloring the middle edge, pillar (3), top and bottom (4) parts [Claim 4]
JP11122891A 1991-02-19 1991-02-19 Hanging scroll lining base cloth Pending JPH04263810A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP11122891A JPH04263810A (en) 1991-02-19 1991-02-19 Hanging scroll lining base cloth

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP11122891A JPH04263810A (en) 1991-02-19 1991-02-19 Hanging scroll lining base cloth

Publications (1)

Publication Number Publication Date
JPH04263810A true JPH04263810A (en) 1992-09-18

Family

ID=14555800

Family Applications (1)

Application Number Title Priority Date Filing Date
JP11122891A Pending JPH04263810A (en) 1991-02-19 1991-02-19 Hanging scroll lining base cloth

Country Status (1)

Country Link
JP (1) JPH04263810A (en)

Cited By (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JP2006075539A (en) * 2004-09-02 2006-03-23 Ikue Maeda Hanging scroll replaceably provided with work

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JP2006075539A (en) * 2004-09-02 2006-03-23 Ikue Maeda Hanging scroll replaceably provided with work
JP4596874B2 (en) * 2004-09-02 2010-12-15 郁枝 前田 hanging scroll

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