JPH0418316B2 - - Google Patents

Info

Publication number
JPH0418316B2
JPH0418316B2 JP63022365A JP2236588A JPH0418316B2 JP H0418316 B2 JPH0418316 B2 JP H0418316B2 JP 63022365 A JP63022365 A JP 63022365A JP 2236588 A JP2236588 A JP 2236588A JP H0418316 B2 JPH0418316 B2 JP H0418316B2
Authority
JP
Japan
Prior art keywords
fingerboard
fret
guitar
fretless
frets
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Expired - Lifetime
Application number
JP63022365A
Other languages
Japanese (ja)
Other versions
JPH01197792A (en
Inventor
Ryoichi Ishibashi
Akira Yamabe
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Individual
Original Assignee
Individual
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Individual filed Critical Individual
Priority to JP63022365A priority Critical patent/JPH01197792A/en
Publication of JPH01197792A publication Critical patent/JPH01197792A/en
Publication of JPH0418316B2 publication Critical patent/JPH0418316B2/ja
Granted legal-status Critical Current

Links

Description

【発明の詳細な説明】 (産業上の利用分野) 本発明は指板部に、フレツト付き部分とフレツ
トレス部分を設けたギターに関する。
DETAILED DESCRIPTION OF THE INVENTION (Industrial Field of Application) The present invention relates to a guitar having a fretboard portion and a fretless portion.

(従来の技術) ギターは弦を指板の所定位置でおさえることに
より異なる高さの音を出すものであるが、指板に
は通常フレツトが埋め込まれ、正確な音程が出せ
るように構成されている。このフレツトは指板を
横断するように指板表面に溝を切り、この溝にニ
ツケル・シルバー(銅、ニツケル、亜鉛の合金)
等の金属を埋め込んだもので、指板の長手方向に
たいしては等分平均律音階にしたがつた位置に設
けられる。
(Prior art) Guitars produce sounds of different pitches by holding the strings at predetermined positions on the fingerboard, but the fingerboard usually has frets embedded in it and is constructed to allow accurate pitches to be produced. There is. This fret is made by cutting grooves on the fingerboard surface so as to cross the fingerboard, and filling these grooves with nickel silver (an alloy of copper, nickel, and zinc).
It is embedded with metal such as, and is placed at a position along the length of the fingerboard in accordance with the equal temperament scale.

なお、ギターとくにベースギターにはこのよう
にフレツトが付けられたギターにはこのようにフ
レツトが付けられたギターの他に、まつたくフレ
ツトが付けられていない(フレツトレス)ギター
製品もあり、指板部に関していえば、ベースギタ
ーは上述したフレツト付きとフレツトレスの2つ
の製品に大別される。
In addition to guitars, especially bass guitars, which are fretted like this, there are also guitars that are not fretted (fretless), and the fingerboard In terms of parts, bass guitars can be roughly divided into the two types mentioned above: the fretted type and the fretless type.

前述したフレツト付きのギターは、フレツトレ
スのギターに比べて音程の維持が確実であり、音
程がはつきりしていて、立ち上がりの良いブライ
トなトーンを有することが特徴であり、一方、フ
レツトレスのギターは等分平均律音階に束縛され
ない自由な音程と、暖かでナチユラルなトーンを
有することが特徴である。また、フレツトレスの
ギターの場合は同一の弦上で指をスライドさせる
ことにより、滑らかに音程を変化させることがで
きるという特徴を有する。フレツト付きとフレツ
トレスのギターはこれらそれぞれの特徴を生か
し、音楽のジヤンル、曲調に応じて使い分けられ
ている。
The fretted guitar mentioned above is characterized by its ability to maintain pitch more reliably than the fretless guitar, the pitch is clearer, and it has a bright tone with a good attack.On the other hand, the fretted guitar It is characterized by its free pitch, which is not constrained by the equal temperament scale, and its warm, natural tone. Furthermore, a fretless guitar has the characteristic that the pitch can be changed smoothly by sliding one's fingers on the same string. Fretted and fretless guitars take advantage of their respective characteristics and are used depending on the genre and melody of the music.

(発明が解決しようとする課題) このように、ギターとくにベースギターではフ
レツトレスのギターも広く用いられているが、こ
のフレツトレスのギターはフレツトがないために
弦をおさえる位置を少し誤つただけで音程がずれ
てしまうこと、また、ベースギターの低音部では
フレツトがないために音がこもつてしまい音程が
きわめてとりにくいという問題点がある。
(Problem to be Solved by the Invention) As described above, fretless guitars are also widely used in guitars, especially bass guitars, but because these fretless guitars do not have frets, it is difficult to tune the pitch even if you press the strings in the wrong position. Also, since there are no frets in the bass guitar's bass range, the sound is muffled and it is extremely difficult to get the pitch right.

したがつて、演奏者はフレツトレスのギターの
魅力は認めながらも、初心者やアマチユアミユー
ジシヤンにとつて正確な音程の維持が困難である
等の理由から、フレツトレスのギターは敬遠され
がちであつた。
Therefore, although players acknowledge the appeal of fretless guitars, beginners and amateur players tend to shy away from fretless guitars due to the difficulty of maintaining accurate pitches. .

元来、ベースギター等のような音程の低い楽器
の低音部の音程はとりにくいものであるが、とく
にバンド演奏等の場合は、ボーカル、キーボー
ド、ドラム等の多種の音源のなかにあつて演奏す
るので、音程を正確に把握して維持することがき
わめて困難であり、また、低音部では音がこもる
上に他の楽器との微妙な音程のずれによつてうな
りが生じ正確な音程の維持がさらに困難となる。
Originally, it is difficult to get the pitch of the bass part of a low-pitched instrument such as a bass guitar, but especially when playing in a band, it is difficult to achieve the pitch of the bass part of a low-pitched instrument such as a bass guitar. As a result, it is extremely difficult to accurately grasp and maintain pitch, and in addition, the sound is muffled in the bass range, and subtle pitch deviations from other instruments can cause humming, making it difficult to maintain accurate pitch. becomes even more difficult.

最近はベースパートにもかなり重点を置く傾向
が強くなつており、従前のようにベースはリズム
を維持して単純に弾くばかりでなく、ソロプレイ
も要求されることが多いので、これら多様な音楽
的表現に容易にこたえることのできるギターが強
く要望されている。
Recently, there has been a strong tendency to place a lot of emphasis on the bass part, and the bass part is not only played simply while maintaining the rhythm as before, but also solo play is often required. There is a strong demand for a guitar that can easily respond to expressions.

本発明は上述した問題点に鑑みてなされたもの
であり、その目的とするところは、低音部での音
程を正確に保つことができるとともに、フレツト
レスに特徴的なスライドを使用する演奏等幅広い
演奏を初心者にも容易に可能とするギターを提供
しようとするものである。
The present invention has been made in view of the above-mentioned problems, and its purpose is to be able to accurately maintain the pitch in the bass region, and to enable a wide range of performances such as performances using the slide characteristic of fretless. The aim is to provide a guitar that makes it easy for even beginners to do this.

(課題を解決するための手段) 本発明は上記目的を達成するため次の構成をそ
なえる。
(Means for Solving the Problems) In order to achieve the above object, the present invention has the following configuration.

すなわち、フレツト付きの指板を有するギター
において、前記指板に設けたフレツトのうち、少
なくとも1本のフレツトを、指板の幅方向に対し
て、前記指板表面から所定厚み分突出させたフレ
ツト付き部分と、フレツトの上端面を前記指板表
面と面一の平坦面に形成したフレツトレス部分と
に形成したことを特徴とする。また、前記指板表
面のフレツトレス部分には、フレツト位置に相当
する部位に溝を設け、該溝内にフレツト位置の目
印用としてメイプル、ローズ、エボニー等の木材
を指板表面と面一の平坦面になるように埋め込み
固定したことを特徴とする。
That is, in a guitar having a fretboard, at least one fret among the frets provided on the fingerboard protrudes from the fingerboard surface by a predetermined thickness in the width direction of the fingerboard. and a fretless part in which the upper end surface of the fret is formed to be a flat surface flush with the fingerboard surface. In addition, a groove is provided in the fretless portion of the fingerboard surface at a portion corresponding to the fret position, and a piece of wood such as maple, rose, ebony, etc. is placed in the groove as a mark of the fret position on a flat surface flush with the fingerboard surface. It is characterized by being embedded and fixed so that it is a flat surface.

(作用) 本発明のギターは通常のギターとまつたく同様
に演奏できるもので、このギターを用いることに
より、フレツト付き部分を用いた演奏とフレツト
レス部分による特徴のある演奏が可能となる。ま
た、フレツトレス部分にメイプル、ローズ、エボ
ニー等の木材を埋め込むことによりフレツト位置
を表示するとともに、指板の変形等を防止する。
(Function) The guitar of the present invention can be played in exactly the same way as a normal guitar, and by using this guitar, it is possible to perform with the fretted part and with the fretless part. In addition, by embedding wood such as maple, rose, or ebony in the fretless portion, the fret position is indicated and the fingerboard is prevented from deforming.

(実施例) 以下本発明の好適な実施例を添付図面に基づい
て詳細に説明する。
(Embodiments) Preferred embodiments of the present invention will be described in detail below with reference to the accompanying drawings.

第1図は本発明に係るギターの棹部の一実施例
を示す平面図である。このギター用棹の表側に設
けられる指板10は、指板10上に固設されるフ
レツトの形態をのぞいては、従来の指板の形状と
まつたく同様である。
FIG. 1 is a plan view showing an embodiment of a guitar neck according to the present invention. The fingerboard 10 provided on the front side of this guitar stick has the same shape as a conventional fingerboard, except for the shape of the frets fixed on the fingerboard 10.

前記指板10上にはフレツト12が等分平均律
の音階にしたがつて所定位置に埋め込み固定され
る。本実施例で指板に設けられるフレツトは、ナ
ツト14側の第1フレツトから第7フレツト12
aまでは従来のギターに設けられているフレツト
と同様に指板の幅方向全体にわたつて固設され
る。また、第8フレツト12bから高音側のフレ
ツトについては指板の幅方向の片側(第3弦と第
4弦をおさえる位置に相当する部位)にのみフレ
ツトを埋め込み、第1弦と第2弦をおさえる部位
については、フレツトを設けずに指板10の表面
と面一の平坦面となるようにフレツト表示用の埋
木16が埋め込まれる。すなわち、この実施例の
指板では第3弦と第4弦については全部フレツト
が付いており、第1弦と第2弦については第1フ
レツトから第7フレツトまではフレツトが付いて
いるが、第8フレツト以降の高音側についてはフ
レツトのかわりに埋木16に置き換えられてい
る。第2図は前記フレツト12および埋木16の
配設状態を示す棹部の要部斜視図である。図に示
すようにフレツト12の上端縁は弦を押さえたと
きに弦が当接するように指板10表面から突出
し、フレツト12の下部は指板10表側から切り
込まれた細溝に食い込むように埋め込まれて抜け
止めされる。
Frets 12 are embedded and fixed at predetermined positions on the fingerboard 10 according to an equal temperament scale. In this embodiment, the frets provided on the fingerboard are from the first fret on the nut 14 side to the seventh fret 12.
The frets up to a are fixed across the entire width of the fingerboard, similar to the frets provided on conventional guitars. In addition, for frets from the 8th fret 12b to the treble side, the frets are embedded only on one side of the fingerboard in the width direction (corresponding to the position where the 3rd and 4th strings are held), and the 1st and 2nd strings are As for the part to be held down, a fret display insert 16 is embedded so that it has a flat surface flush with the surface of the fingerboard 10 without providing any frets. That is, in the fingerboard of this embodiment, the 3rd and 4th strings are all fretted, and the 1st and 2nd strings are fretted from the 1st to the 7th fret. On the treble side from the 8th fret onwards, the frets are replaced with buried wood 16. FIG. 2 is a perspective view of the main part of the neck showing the arrangement of the fret 12 and the buried timber 16. As shown in the figure, the upper edge of the fret 12 protrudes from the surface of the fingerboard 10 so that the string comes into contact with it when the string is pressed, and the lower part of the fret 12 bites into a narrow groove cut from the front side of the fingerboard 10. It is embedded and prevented from falling out.

また、前記第8フレツト12bよりも高音側の
フレツト指板10に刻設された細溝に、指板10
の幅方向の中央部分までの片側にフレツト材が埋
め込まれて固定される。このフレツト材は第7フ
レツトまでのフレツト材と材質等は同じで、通常
はニツケル・シルバー等の金属が用いられる。な
お、実際には第8フレツト12bよりも高音側の
フレツトは指板10の中央位置よりも2mm程度第
2弦側に延ばし、第3弦をおさえた際に弦がフレ
ツトからはずれないようにしている。また、フレ
ツトの指板中央に位置するフレツト端12cは角
が落とされて、演奏時に指が引掛からずに弾きや
すく形成される。
Further, the fingerboard 10 is provided with a narrow groove carved in the fret fingerboard 10 on the treble side of the eighth fret 12b.
A fret material is embedded and fixed on one side up to the center part in the width direction. This fret material is made of the same material as the fret materials up to the seventh fret, and is usually made of metal such as nickel or silver. In fact, the frets on the treble side of the eighth fret 12b are extended about 2 mm toward the second string from the center position of the fingerboard 10, so that the strings do not come off the frets when the third string is pressed. There is. Furthermore, the fret end 12c located at the center of the fret fingerboard has rounded corners so that it is easy to play without getting caught in the fingers during playing.

また、前記埋木16は指板10の中央位置にま
で埋め込まれたフレツト端に続いて、メイプル、
ローズ、エボニー等の薄板状の木材を細溝に打ち
込み、接着剤等を用いて接着・固定される。この
埋木16はフレツト位置を示すための目印となる
もので、黒色等の濃色の指板には白色のような薄
色の埋木16材を使用する。また、この埋木16
は同時に細溝に木材を埋め込むことにより指板自
体の弾力性によつて指板10が変形することを防
止するものである。
Further, the embedded wood 16 is made of maple, following the fret end embedded to the center position of the fingerboard 10.
Thin sheets of wood such as rosewood or ebony are driven into narrow grooves and glued and fixed using adhesive. This embedded wood 16 serves as a mark to indicate the fret position, and a light colored embedded wood 16 material such as white is used for a dark colored fingerboard such as black. Also, this buried tree 16
At the same time, by embedding wood in the narrow grooves, the fingerboard 10 is prevented from deforming due to the elasticity of the fingerboard itself.

なお、埋木16として用いる材料は木材に限定
されるものではなく、木材のかわりに合成樹脂あ
るいは金属等を用いてもよい。場合によつてはフ
レツトレス部分に相当するフレツトの上縁を指板
10の表面と面一の平坦面になるようにあらかじ
めフレツトを段差つきに形成しておき、細溝に埋
め込んで固定することもできる。
Note that the material used for the buried wood 16 is not limited to wood, and instead of wood, synthetic resin, metal, or the like may be used. In some cases, the fret may be formed with a step in advance so that the upper edge of the fret corresponding to the fretless portion becomes a flat surface flush with the surface of the fingerboard 10, and the fret may be embedded in a narrow groove and fixed. can.

上述した指板部の構成を有するギターの使用方
法は、通常のフレツト付きのギター全く同様であ
る。ただし、低音側のフレツトがついている弦で
は、フレツトに規制された音程で音が決まるが、
第1弦および第2弦の第8フレツトよりも高音側
ではフレツトが付いていないので、埋木16の真
上をおさえたときに正しい音程となる。したがつ
て、演奏する際には指の開きを若干注意しなけれ
ばならないが、普通10分〜30分程度練習すること
で簡単に弾き方を会得することができる。
The method of using a guitar having the above-described fingerboard structure is exactly the same as that of a regular guitar with frets. However, for strings with frets on the bass side, the pitch is determined by the frets, but
Since there are no frets on the higher pitch side than the 8th fret of the first and second strings, the correct pitch is achieved when the strings are held directly above the buried wood 16. Therefore, you have to be careful about the spread of your fingers when playing, but you can usually learn how to play it by practicing for about 10 to 30 minutes.

なお、このギターでは第7フレツトまではフレ
ツトが全部付いているので、低音部の音程につい
てはフレツト付きで正確に弾くことができる。し
たがつて、通常の低音パートのコードを弾く程度
の演奏スタイルの場合は、十分不自由なく使うこ
とができる。そして、さらに効果音やソロプレイ
を行う場合には、第8フレツト以降のフレツトレ
スの部分を使つて、一層効果的な演奏を行うこと
ができる。たとえば、ベースでコードをおさえつ
つ、フレツトレスの部分で音程に微妙な変化を付
けると揺れているようなうなりが生じて変わつた
雰囲気を表現することができる。また、フレツト
付き部分を使用するメロデイとフレツトレス部分
を用いるメロデイとでは多少メロデイの取り方が
違うので、これらを必要に応じて組み合わせるこ
とにより多種多様な演奏表現が可能となり、独創
的な演奏を可能にする等演奏の幅を大きく広げる
ことが可能である。
This guitar has all the frets up to the 7th fret, so you can play the bass pitches accurately with the frets. Therefore, it can be used without any inconvenience if the performance style is playing the chords of a normal bass part. Further, when performing sound effects or solo play, the fretless portions from the 8th fret onwards can be used to perform even more effectively. For example, if you hold down the chord with the bass and make subtle changes in pitch in the fretless section, you can create a wavering-like beat and express a strange atmosphere. In addition, the way the melody is created is slightly different between a melody that uses a fretted part and a melody that uses a fretless part, so by combining these as necessary, a wide variety of performance expressions are possible, and creative performances are possible. It is possible to greatly expand the range of performances such as

なお、上述した実施例では第7フレツトまでは
全部フレツト付きにしたが、第3図に示すように
第1フレツトからはじめてすべてのフレツト18
を半分の長さに形成し、高音側の弦である第1弦
と第2弦は全部フレツトレスにすることもでき
る。また、あるフレツトから高音側のフレツトす
べてフレツトレスにすることもできる。
In the above-mentioned embodiment, all frets up to the 7th fret were provided with frets, but as shown in FIG.
It is also possible to make the strings half as long as possible, and make the first and second strings, which are the strings on the treble side, all fretless. It is also possible to make all frets from a certain fret to the treble side fretless.

このように、フレツトレスにする部分はとくに
限定されるものではなく、演奏形態、使用目的等
に応じた適宜設定することができる。また、上述
した実施例は4本の弦を使用するギターの例であ
るが、弦数が5本、6本等のように増えても同様
である。また、製品によつては各々の弦のフレツ
ト位置が異なる場合があるが、この場合もフレツ
トレスにする部分は任意に設定することができ
る。
In this way, the part to be made fretless is not particularly limited, and can be set as appropriate depending on the playing style, purpose of use, etc. Further, although the above embodiment is an example of a guitar using four strings, the same applies even if the number of strings is increased to five, six, etc. Further, depending on the product, the fret position of each string may be different, but in this case as well, the part to be made fretless can be set arbitrarily.

また、上述した実施例ではフレツトレス部分に
埋木16を設けて、フレツトレス部分のフレツト
位置の目印としても用いたが、指板上でフレツト
を固設する部位にのみ溝を切り、この溝に所定の
フレツト材を固定するだけで、残りのフレツトレ
ス部分には埋木をまつたく設けずに指板そのまま
の形状にしておくことももちろん可能である。こ
の場合、第1図のような形状のギターではフレツ
トが全部付いているのでフレツト位置の特定には
さほど困難さはなく、またギターのデザイン的に
も美しい等の利点がある。
Furthermore, in the above-mentioned embodiment, the embedded wood 16 was provided in the fretless part and used as a mark for the fret position in the fretless part, but a groove was cut only in the part where the fret was fixed on the fingerboard, and a predetermined groove was cut in this groove. Of course, it is also possible to simply fix the fret material and leave the rest of the fretless part in the same shape as the fingerboard without installing any wood embedding. In this case, since a guitar shaped like the one shown in FIG. 1 has all frets, it is not very difficult to identify the fret positions, and the guitar has the advantage of being beautiful in design.

なお、上述したように部分的にフレツトを取り
除いて形状に構成することはとくにギターに限定
されるものではなく、通常はフレツト付きで使用
されている各種類似楽器にも同様に適用すること
が可能である。
Note that, as mentioned above, partially removing frets to create a shape is not limited to guitars, and can be similarly applied to various similar instruments that are normally used with frets. It is.

以上、本発明について好適な実施例を挙げて
種々説明したが、本発明はこの実施例に限定され
るものではなく、発明の精神を逸脱しないい範囲
内で多くの改変を施し得るのはもちろんのことで
ある。
The present invention has been variously explained above with reference to preferred embodiments, but the present invention is not limited to these embodiments, and it goes without saying that many modifications can be made without departing from the spirit of the invention. It is about.

(発明の効果) 本発明のギターによれば、上述したように構成
したことにより、低音部はフレツト付きで正確な
音程を維持することができ、また、フレツトレス
部分を合わせて用いることにより、フレツトレス
の徴を生かした演奏を可能とする。この結果、フ
レツト付きの良さとフレツトレスの音楽的な表現
の幅を併せ利用した幅広い演奏表現が容易に可能
となり、初心者あるいはアマチユア演奏家であつ
ても容易に用いることのできる魅力ある楽器を提
供することができる。また、フレツトレス部分の
溝内にメイプル、ローズ、エボニー等の木材を埋
め込むことにより、フレツトレス部分のフレツト
位置を明示する目印となるとともに指板、棹の変
形を防止することができる等の著効を奏する。
(Effects of the Invention) According to the guitar of the present invention, by having the configuration as described above, the bass part has frets and can maintain an accurate pitch, and by using the fretless part together, This enables performances that take advantage of the characteristics of As a result, a wide range of performance expressions can be achieved by combining the advantages of fretting and the range of musical expression of fretless, thereby providing an attractive instrument that can be easily used even by beginners or amateur musicians. be able to. In addition, by embedding wood such as maple, rose, or ebony in the grooves of the fretless portion, it becomes a mark that clearly indicates the fret position of the fretless portion, and it also has great effects such as preventing deformation of the fingerboard and neck. play.

【図面の簡単な説明】[Brief explanation of drawings]

第1図は本発明に係る指板の一実施例を示す平
面図、第2図は底面図、第3図は指板の他の実施
例を示す平面図である。 10……指板、12……フレツト、12a……
第7フレツト、12b……第8フレツト、14…
…ナツト、16……埋木、18……フレツト。
FIG. 1 is a plan view showing one embodiment of the fingerboard according to the present invention, FIG. 2 is a bottom view, and FIG. 3 is a plan view showing another embodiment of the fingerboard. 10...Fingerboard, 12...Frets, 12a...
7th fret, 12b...8th fret, 14...
...Natsuto, 16...Umiki, 18...Frets.

Claims (1)

【特許請求の範囲】 1 フレツト付きの指板を有するギターにおい
て、 前記指板に設けたフレツトのうち、少なくとも
1本のフレツトを、指板の幅方向に対して、前記
指板表面から所定厚み分突出させたフレツト付き
部分と、フレツトの上端面を前記指板表面と面一
の平坦面に形成したフレツトレス部分とに形成し
たことを特徴とするギター。 2 指板表面のフレツトレス部分には、フレツト
位置に相当する部位に溝を設け、該溝内にフレツ
ト位置の目印用としてメイプル、ローズ、エボニ
ー等の木材を指板表面と面一の平坦面になるよう
に埋め込み固定したことを特徴とする請求項1記
載のギター。
[Scope of Claims] 1. In a guitar having a fretboard, at least one fret among the frets provided on the fingerboard is arranged at a predetermined thickness from the fingerboard surface in the width direction of the fingerboard. 1. A guitar comprising: a fretted portion that protrudes by the same amount; and a fretless portion where the upper end surface of the fret is formed to be a flat surface flush with the fingerboard surface. 2. In the fretless part of the fingerboard surface, a groove is provided at the part corresponding to the fret position, and in the groove, a piece of wood such as maple, rose, ebony, etc. is placed on a flat surface flush with the fingerboard surface to mark the fret position. 2. The guitar according to claim 1, wherein the guitar is embedded and fixed in such a manner that the guitar is fixed.
JP63022365A 1988-02-02 1988-02-02 Guitar Granted JPH01197792A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP63022365A JPH01197792A (en) 1988-02-02 1988-02-02 Guitar

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP63022365A JPH01197792A (en) 1988-02-02 1988-02-02 Guitar

Publications (2)

Publication Number Publication Date
JPH01197792A JPH01197792A (en) 1989-08-09
JPH0418316B2 true JPH0418316B2 (en) 1992-03-27

Family

ID=12080601

Family Applications (1)

Application Number Title Priority Date Filing Date
JP63022365A Granted JPH01197792A (en) 1988-02-02 1988-02-02 Guitar

Country Status (1)

Country Link
JP (1) JPH01197792A (en)

Families Citing this family (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPH0749513Y2 (en) * 1990-01-30 1995-11-13 利行 田中 Taisho Koto
US5133239A (en) * 1991-02-11 1992-07-28 Rudolph Thomas Curved fret arrangement for guitar or similar instrument
CA2171175A1 (en) * 1993-09-09 1995-03-16 Nic Ward Guitar with deviations to straight fret architecture
JP4447646B1 (en) * 2008-09-24 2010-04-07 一郎 尾形 Violin strings fingerboard

Also Published As

Publication number Publication date
JPH01197792A (en) 1989-08-09

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