JPH0319936A - Ohshima tsumugi (a kind of woven silk) - Google Patents

Abstract

PURPOSE:To obtain OHSHIMA TSUMUGI (a kind of silk-woven fabric having a specific dyeing pattern) having natural ombre patterns by dyeing the parts which are woven in the area between black-dyed cloth part and white part so that the color gradually shifts from black to white and effecting ombre dyeing on the white part which is to be woven near the white area among both splash-patterned weft and warp. CONSTITUTION:In OHSHIMA TSUMUGI silk-woven fabrics made from splash- patterned weft yarns, splash-patterned warp yarns, undyed weft yarns and undyed warp yarns, the undyed yarns to be woven in the area between the black dyed part and the white part are dyed in a plurality of tints so that the color shifts gradually from black to white and both splash patterned yarns are dyed so that black color and white color alternate with each other. Further, in both splash patterned yarns, their white parts are regarded as an ombre dyed part in the part where the yarn is woven near the black-dyed part, while the black part is as an ombre dyed part in the part near the white part and the white part is ombre dyed and they are woven so that the splash patterns are realized.

Description

[Detailed Description of the Invention] (Industrial Application Field) The present invention relates to Oshima Tsumugi, which is a traditional Japanese textile, and a method for manufacturing the same. This article relates to Oshima Tsumugi and its manufacturing method.

(Prior art) Oshima Tsumugi is a vertical thread. Yokogasuri thread. Machine made by combining four types of twisted raw silk, consisting of ground warp thread and ground weft thread! It is produced by 6 (hataori). Here, the warp yarn and the weft yarn are colored threads that are mottled with black and white, for example, and by weaving them vertically and horizontally, a Kasuri pattern (a small, faint pattern) appears on the fabric. It is something that plays a role. On the other hand, the ground warp thread and the ground weft thread are used as they are, for example, and are woven alternately between the kasuri patterns to create a kasuri pattern by contrasting colors.
In this case, it is black. ).

There are two types of Oshima Tsumugi: black and white. A black background is one in which the background color is black and the design is defined by a white kasuri pattern. On the other hand, a white background is one in which the color of the background is white and the design is made up of a black kasuri pattern. Conventionally, a method of mixing a black background and a white background has been adopted as a means of creating a change in color. By the way, in the past, the black background and white background were mixed,
As shown in Figure 7, only those with a clearly distinguished boundary between the black background 30 and the white background 31 are manufactured, and there are no products that have a blurring effect that naturally transitions between the black background and the white background. I didn't.

(Problems to be Solved by the Invention) Hitherto, there has been no Oshima Tsumugi with the above-mentioned blurring, because the following points have been an obstacle. That is,
Oshima Tsumugi is woven using the Kasuri pattern on the vertical and horizontal threads as a guide, and if this guideline is lost, weaving will no longer be possible. For example, consider adding a blur to a black background 30 and a white background 31 formed by 4 noxes (see FIG. 6) in the conventional manner. In this case, the background portion 31a of the white background 3I will be colored in such a way that it gradually transitions from black to white, but if this is done, the color of the background in the area close to the black background 30 and the color of the scratch pattern 3lb will be different. Because they become similar, it becomes difficult to see the Kasuri pattern 31b, and as a result, there is nothing to use as a guide, making it impossible to weave. Therefore, in this case, there is no choice but to lighten the color of the blur to such an extent that the 3 lb. scratch pattern is visible, and as a result, there is a problem that the blur becomes unnatural. The present invention
In view of the above-mentioned problems of the prior art, it is an object of the present invention to provide Oshima pongee with a blur that allows the boundary between a black background and a white background to transition naturally, and a method for manufacturing the same.

(Means for solving the problem) Therefore, in the present invention,
When adding a blur that gradually transitions from black to white to the warp threads, weft threads, ground warp threads, and ground weft threads woven between the black background and the white background, the The ground warp yarns that are woven are dyed in multiple colors that gradually transition from black to white, and the parts of the ground weft threads that are woven between the black and white backgrounds are dyed.
The warp thread and the weft thread are dyed with a plurality of colors that gradually transition from black to white, and the warp thread and the weft thread are dyed so that black and white colors are arranged alternately. In the areas that are woven into the fabric, the white part is treated as a kasuri pattern and no dyeing is applied to blur it, and in the area that is woven closer to the white background, the black part is considered to be a kasuri pattern and dyeing is applied to the white part for blurring. The weaving process is carried out using the area considered as the scraping pattern as a guide.

(Example) Hereinafter, an example of the present invention will be described based on the drawings.

Figure 1 is a front view showing the arrangement of the weft and warp threads before blurring, Figure 2 is a front view showing the warp threads and warp threads before blurring, and Figure 3 is a front view showing the ground warp threads. 4 is a front view showing the ground weft yarn, and FIG. 5 is a front view showing a stub for producing warp weft yarn and weft yarn. Oshima Tsumugi is made of vertical thread 1. Weft thread 2 ground warp thread 3
It is produced by weaving a combination of four types of twisted raw silk, each consisting of 4 types of twisted raw silk and 4 types of ground weft yarns. The warp thread 1 and the weft thread 2 are threads having a thread pattern, and the manufacturing method thereof is as follows. That is, as shown in FIG. 5, first, the white twisted raw silk 5 is shaped by a molding machine (not shown) by 12 to 24 stripes, and then the twisted raw silk 5 is glued to prevent it from coming apart. Then, it is stretched for a long time in the sun and dried in the form of a wire.Then, this wire-like twisted raw silk 5 is tied to a cotton gas thread 6.
is applied to a vertically arranged shimebata (not shown),
Temporary weaving is performed as a weft (this is called ``Rataku 7'').
). Wash this rather 7 with water. After removing the glue, black dye is rubbed in to give it color. After steaming the colored rather 7, washing it with water, and drying it, the gas thread 6 is removed.
As shown in FIG. 2, warp threads 1 and weft threads 2 colored in black and white in a mottled manner are obtained.

The roles of black and white in the thus obtained warp weave thread 1 and weft thread 2 are as follows.

In other words, black plays the role of the background color in the black background part, and the role of the scrap pattern in the white background part. On the other hand, the white color plays a role as a scraping pattern in the black background part, and as a background color in the white background part. As will be described later, on the warp threads 1 and the weft threads 2, the white portions 1b and 2b are colored for blurring, if necessary.

Most of the ground warp threads 3 are composed of two types of threads, black threads 3a and white threads 3b, and only the threads 3c used for the pokan part are made of multiple colors that gradually transition from black to white. It is dyed separately (see Figure 3).

The ground weft 4 is colored solid black up to a certain point 4a,
From that point on, coloring is applied that gradually shifts to white (see Figure 4).

By weaving a combination of the four types of twisted raw silk as described above, the part where the color transitions from black to white will be blurred. Weft thread 2, ground weft thread 4
) and warp threads (warp thread 1, ground warp thread 3) will be explained with reference to FIG.

First, consider adding a blur that gradually transitions from black to white in the white area A in FIG. 1 [a]. In this area A, the black portion 2a applied on the weft thread 2 is the original scarf pattern. Therefore, in the weft thread 2, it is natural to color the white portion 2b, which is the original background, for blurring. However, if you do this, it will be difficult to see the Kasuri pattern in the areas close to the black area B, and you will not be able to weave the loom since there will be nothing to use as a guide.

Regarding this point, the present invention solves this problem by using the following means.

As mentioned above, of the black and white mottled pattern applied on the weft thread 2, the black part can be regarded as a shaving pattern, and the white part can be regarded as a shaving pattern. Therefore, in the area close to the black region B, the white part is considered to be a scraping pattern, and the part that is considered to be a scraping pattern (hereinafter referred to as pseudo scraping pattern 2c).
Do not apply coloring for blurring. As a result, even if a blur that gradually transitions from black to white is added to area A, the pseudo-fading pattern 2c is clearly visible in areas close to the black area B, so use this pseudo-fading pattern 2c as a guide. You can use it to weave the loom. Note that the color of the blur becomes lighter as it moves away from the black area B toward the A%M area, so in this lighter area C, the black part 2a can be restored as a scratch pattern. Castle C
The white portion 2b is colored for blurring.

Next, consider adding a blur that gradually transitions from black to white in the white area D in Figure 1. In this case as well, in the part of the vertical thread l that is close to the black area E, the white part is regarded as a scraping pattern, and the part that is considered to be a scraping pattern (hereinafter referred to as pseudo scraping pattern 1c) is blurred. Do not apply coloring for the purpose of As a result, even if a blur that gradually transitions from black to white is added to area D, the pseudo-sliding pattern 1c is clearly visible in the area close to the black area, so use this pseudo-sliding pattern 1c as a guide. You can weave a (hata) in the same way. Furthermore, the black area E
The color of the blur becomes lighter as it moves away from the area, so in this lighter area F, the black part 1a can be restored as a scratch pattern, so the white part 1b in this area F has a blur pattern. Apply coloring.

By using the above method, the black areas B and E can be
There is no need to make the blur color lighter even in areas close to the image, so you can create a natural-looking blur. (Effects of the Invention) Since the present invention is structured as described above, it is possible to add a natural-looking blur to the colors of Oshima Tsumugi, and as a result, it is possible to produce products with a richer variety of colors. It has the excellent effect of being able to

[Brief explanation of drawings]

Figure 1 is a front view showing the arrangement of the weft and warp threads before blurring, Figure 2 is a front view showing the warp threads and warp threads before blurring, and Figure 3 is a front view showing the ground warp threads. Figure 4 is a front view showing the ground weft yarn, Figure 5 is a front view showing the method for producing warp yarn and weft yarn, and Figures 6 and 7 are the conventional mixing of black background and white background. FIG. 1... Vertical thread 2... Horizontal thread IC
, 2C...Pseudo scrap pattern 3...Ground warp thread 4...Ground weft thread 5...
・Twisted raw silk

Claims (2)

[Claims] (1) Oshima Tsumugi is produced by weaving a combination of four types of twisted raw silk: vertical thread, horizontal thread, ground warp thread, and ground weft thread, and is woven between a black background and a white background. Oshima Tsumugi, characterized in that the warp thread, the weft thread, the ground warp thread, and the ground weft thread have a blur that gradually changes from black to white. (2) By weaving a combination of four types of twisted raw silk consisting of warp thread, weft thread, ground warp thread, and ground weft thread, when creating a blur between a black background and a white background, Among the warp yarns, the group of ground warp yarns woven between the black background and the white background is dyed in multiple colors that gradually transition from black to white, and the part of the ground weft yarns woven between the black background and the white background is dyed in multiple colors that gradually transition from black to white. , the warp thread and the weft thread are dyed with a plurality of colors that gradually transition from black to white, and the warp thread and the weft thread are dyed so that black and white colors are arranged alternately; In areas that are woven closer to each other, the white part is treated as a kasuri pattern, and no dyeing is performed to blur it; in areas that are woven closer to the white background, the black part is considered to be a kasuri pattern, and the white part is dyed for gradation. A method for manufacturing Oshima Tsumugi, characterized by carrying out weaving using the portion deemed as the shaving pattern as a guide.