JP5707691B2 - Electronic keyboard instrument - Google Patents

Description

  The present invention relates to an electronic keyboard instrument.

  Conventionally, in one electronic keyboard instrument, a technique has been known in which a keyboard is split (divided) to the left and right at approximately the center, and the left and right key ranges are set to approximately the same range so that two persons can play side by side. (For example, refer to Patent Document 1).

  Also, when recording the performance of the left and right key ranges by a player with a single electronic keyboard instrument split into left and right at a predetermined position and the left and right key ranges being different. A technique for recording the performance of each key range on an independent track is known (see, for example, Patent Document 2).

  Combining the above-mentioned conventional technologies, in an electronic keyboard instrument that can set the left and right key ranges to approximately the same range, when recording the performance performed by two players, the performances in the left and right key ranges are independent. It is possible to record on a track. By recording on an independent track, it is possible to later reproduce only the performance performed in either the left or right key range, or to reproduce the performance of both key ranges together.

JP 2008-52118 A Japanese Patent No. 2836258

  There are cases where you want to play back the content you played in one of the key ranges, such as when you want to learn an instrument using an electronic keyboard instrument. For example, this is a case where the student wants to reproduce the performance of the teacher later when the performance instructor (teacher) and the student perform together.

  In such a case, in order to play back the teacher's performance later, the volume of the track on which the student's performance is recorded is reduced or muted, or only the track on which the teacher's performance is recorded is played. A predetermined operation such as selection is required.

  Also, if it is unclear which track the teacher's performance was recorded on, it is necessary to play and listen to multiple tracks in sequence until the desired track is found when selecting the track to be played. It takes time and effort.

  An object of the present invention is to provide an electronic keyboard instrument that can easily reproduce only the performance of a desired key range.

According to one aspect of the present invention, an electronic keyboard instrument has a plurality of keys, inputs a performance data corresponding to a performance operation, division means for dividing the keyboard into a plurality of key ranges , and the division such that at least a portion of the corresponding pitch of the key range which is overlap, a conversion means for converting the pitch of the musical tone to be outputted by the depression of a key in the key range of each key range, which is the divided A selection means for selecting one of the key ranges , and a recording means having a plurality of recording tracks, out of the performance data input from each key range of the keyboard, input from the key range selected by the selection means only the performance data, even if you select one of the key range, a recording means for recording on the same track, the.

  ADVANTAGE OF THE INVENTION According to this invention, the electronic keyboard instrument which can reproduce | regenerate only the performance of a desired keyboard range can be provided.

It is a block diagram showing an example of the hardware constitutions of the electronic keyboard musical instrument 100 by the Example of this invention. It is a schematic plan view of the keyboard 22 for demonstrating the key range division | segmentation and sound range setting in the continuous shooting mode by the Example of this invention. It is a conceptual diagram for demonstrating the performance recording in each performance mode by the Example of this invention. It is a flowchart showing the main process performed with the electronic keyboard instrument 100 by the Example of this invention. It is a flowchart showing the key pressing / pedal process performed by step SA3 of FIG. It is a flowchart showing the setting process performed by step SA4 of FIG. It is a flowchart showing the recording process performed by step SA5 of FIG. It is a flowchart showing the reproduction | regeneration processing performed by step SA6 of FIG.

  FIG. 1 is a block diagram showing an example of a hardware configuration of an electronic keyboard instrument 100 according to an embodiment of the present invention.

  A RAM 7, ROM 8, CPU 9, detection circuit 11, display circuit 13, storage device 15, sound source / effect circuit 18, and communication interface (I / F) 21 are connected to the bus 6 of the electronic keyboard instrument 100.

  The RAM 7 has a buffer area such as a reproduction buffer, a working area of the CPU 9 that stores flags, registers, various parameters, and the like.

  The ROM 8 can store various data files, various parameters and a control program, or a program for realizing the present embodiment. In this case, it is not necessary to store programs or the like in the storage device 15 in an overlapping manner.

  The CPU 9 performs calculation or device control according to a control program stored in the ROM 8 or the storage device 15 or a program for realizing the present embodiment. A timer is connected to the CPU 9, and a basic clock signal, interrupt processing timing, and the like are supplied to the CPU 9.

  The user can perform various inputs, settings, and selections using the panel operator 12 connected to the detection circuit 11. The panel operator 12 may be any device that can output a signal corresponding to a user input, such as a switch, pad, fader, slider, rotary encoder, joystick, jog shuttle, character input keyboard, mouse, and the like. . Further, the panel operator 12 may be a soft switch or the like displayed on the display device 14 operated using another operator such as a cursor switch.

  The display circuit 13 is connected to the display 14 and can display various information on the display 14. The display 14 can display various information for setting the electronic keyboard instrument 100.

  The storage device 15 is a combination of a storage medium such as a hard disk, an FD (flexible disk or floppy disk (registered trademark)), a CD (compact disk), a DVD (digital multipurpose disk), or a semiconductor memory such as a flash memory, and a driving device thereof. It is composed of at least one. The storage medium may be detachable or built in. The storage device 15 and / or the ROM 8 can store various data such as automatic performance data and music data, a program for realizing each embodiment of the present invention, and other control programs. In addition, when storing the program for implement | achieving each Example of this invention, and another control program in the memory | storage device 15, it is not necessary to memorize | store these according to ROM8. Alternatively, only some programs may be stored in the storage device 15 and other programs may be stored in the ROM 8.

  The tone generator / effect circuit 18 generates musical sounds according to automatic performance data recorded in the storage device 15, ROM 8 or RAM 7, etc., performance signals supplied from the keyboard 22 or external equipment connected to the communication interface 21, etc., MIDI signals, etc. A signal is generated, various musical effects are applied, and the sound system 19 is supplied. The sound system 19 includes a D / A converter and a speaker, converts a digital musical tone signal supplied to an analog format and generates a sound.

  The communication interface 21 is a general-purpose short-distance wired I / F such as USB or IEEE 1394, a general-purpose network I / F such as Ethernet (registered trademark), a general-purpose I / F such as MIDI I / F, a wireless LAN, or Bluetooth. It is composed of at least one of a communication interface such as a general-purpose short-range wireless I / F such as (registered trademark) and a music dedicated wireless communication interface, and can communicate with an external device, a server, and the like.

  The keyboard (performance operator) 22 is connected to the detection circuit 11 and supplies performance information (performance data) according to the performance operation of the user. In this embodiment, a keyboard instrument type performance operator is used. The keyboard 22 is an operator for inputting a user's performance, and inputs operation start timing and end timing for the user's operator as key-on and key-off signals, respectively, at a pitch corresponding to the operator operated by the user. To do. In the present embodiment, the keyboard 22 has 88 keys. However, the number of keys is not limited to this, and any number may be used as long as at least two players can perform side by side. .

  In addition to the keyboard 22, the performance operator 22 preferably has pedals (damper, sostenuto, soft three pedals or damper, sostenuto two pedals).

  FIG. 2 is a schematic plan view of the keyboard 22 for explaining key range division and range setting in the continuous mode according to the embodiment of the present invention.

  The electronic keyboard instrument 100 according to the embodiment of the present invention is provided with a normal mode, a split mode, and a continuous mode (DUET mode) as performance modes.

  The normal mode is a performance mode in which the entire key range is handled as one key range without dividing the key range of the keyboard 22. The split mode is a mode in which the key range of the keyboard 22 is divided into left and right parts and an arbitrary tone color is assigned to each key range, and pitch conversion (octave shift) of each key range is not performed. The split mode is generally a performance mode in which a single player performs with different timbres in a low sound range (left key range 22L) and a high sound range (right key range 22R).

  The repetitive mode is from the key corresponding to the lowest pitch (the key arranged on the leftmost side of the keyboard 22) to a predetermined dividing point (in this embodiment, the key corresponding to the pitch “C3” in the normal mode). The left key range 22L is the right key range 22R from the key right next to the predetermined division point to the key corresponding to the highest pitch (the key located on the rightmost side of the keyboard 22). To divide. Further, the pitches corresponding to the keys in each key range are shifted by an octave so that at least some of the pitch ranges overlap in the left and right key ranges.

  In this embodiment, as shown in FIG. 2, by shifting the left key range 22L by +2 octaves and by shifting the right key range 22R by -2 octaves, at least the pitches “C2” to “C5” in each key range. It is possible to instruct pronunciation. Note that the octave shift amount varies depending on the number of keys of the keyboard 22 and the pitch of the division points, but includes the pitches “C3” to “C4” that are often used in general music. It is preferable to do so. Further, it is more preferable to include a pitch “C2” to a pitch “C4” that are often used as a bass portion. Note that the octave notation of the pitch name may differ depending on the musical instrument manufacturer. In the above example, “C3” is indicated as “C3” in the above example, but when “C4” is indicated, the octave of each pitch name is indicated. Must be read as appropriate.

  As for the pedal, when the electronic keyboard instrument 100 has three pedals, the rightmost damper pedal is a damper pedal for the right key range 22R, and the leftmost soft pedal is a damper pedal for the left key range 22L. To do. In this case, the central pedal may not function or may function as a sostenuto pedal for the right key range 22R. In the case of two pedals, the right damper pedal is a damper pedal for the right key range 22R, and the left soft pedal is a damper pedal for the left key range 22L.

  In the continuous mode according to the present embodiment, as described above, the keyboard 22 is divided into the left and right key ranges, and the octave shift is performed so that the pitches assigned to the respective key ranges are substantially equal. However, it is possible to play the same music piece with one keyboard 22.

  FIG. 3 is a conceptual diagram for explaining performance recording in each performance mode according to the embodiment of the present invention.

  The performance record is recorded on one or more tracks as automatic performance data such as MIDI data. For example, it is composed of timing data and event data reproduced at the timing.

  The timing data is, for example, data represented by Tick (also referred to as Clock) obtained by dividing a predetermined note length by a predetermined number (resolution). As an example, it is assumed that a quarter note is divided by 1920. In this case, “resolution = 1920” is used, and 1920 Tick corresponds to the length of one quarter note. Since Tick is a quarter note divided by resolution, the time length of Tick varies depending on the tempo. The timing data may be expressed as an absolute timing (number of ticks) from a predetermined position such as the beginning of the music data, or may be expressed as a relative timing (number of ticks) from the timing of the previous event data.

  The event data includes at least note information. The note information is a note-on event (key-on) and a note-off event (key-off), each including pitch information. Further, note information may include, for example, gate time, velocity, and the like. The event data may include tempo information, tone color information, volume information, etc. in addition to the note information.

  FIG. 3A is a conceptual diagram showing the recording correspondence of performance using the keyboard 22 in the normal mode to the performance data.

  In the normal mode, as shown in FIG. 3A, the performance over the entire key range of the keyboard 22 is recorded as one piece of performance data on a track (track 1 and / or track 2) designated by the user. The recorded key range is automatically set to the entire key range.

  FIG. 3B is a conceptual diagram showing the recording correspondence of the performance using the keyboard 22 in the split mode to the performance data.

  In the split mode, the performances of both the left key range 22L and the right key range 22R of the keyboard 22 are recorded on the track 2 and the track 1, respectively. As the key range to be recorded, both the left key range 22L and the right key range 22R are automatically set, and only one of the key ranges cannot be set as the recording key range. When the number of tracks is 3 or more, the tracks to be recorded in the split mode are not limited to track 1 and track 2, and any two tracks can be used as long as both key ranges can be recorded independently.

  FIG. 3C is a conceptual diagram showing the recording correspondence of the performance using the keyboard 22 in the continuous mode to the performance data.

  In the continuous mode, any one of the left key range 22L, the right key range 22R, and the left and right key range 22LR can be set as a key range for recording the performance. When the left key range 22L is set as a key range for recording the performance, for example, only the performance using the left key range 22L is recorded on the track 1. When the right key range 22R is set as a key range for recording the performance, for example, only the performance using the right key range 22R is recorded on the track 1. When the left / right key range 22LR is set as a key range for recording a performance, for example, a performance using the left key range 22L on track 2 and a right key range 22R on track 1 is recorded.

  When only one of the left key range 22L and the right key range 22R is selected as the key range for recording the performance, the performance of the key range that has not been selected is not recorded. When playing at the same time, only the performance of the teacher or student can be recorded. For example, when only the teacher's performance is recorded and reproduced later, when the teacher performs using the right key range 22R, the right key range 22R may be selected. In the case of this embodiment, when only one key range is set to be recorded, the track to be recorded is track 1 regardless of which key range is selected. There is no fear of confusion. If it is desired to record the performance of the teacher and the student at the same time, the left / right key range 22LR is selected.

  In the present embodiment, as described above, when only one key range is set to be recorded, the track to be recorded is track 1 regardless of which key range is selected, and the left and right key range 22LR is selected. In this case, the data is recorded on track 1 and track 2, respectively, but the track to be recorded may be other than track 1 and track 2. For example, when the left / right key range 22LR is selected, information for identifying a part, such as part 1 or part 2, main part or sub part, is included in the performance data of each key range, and playback is performed based on this information. Both tracks may be recorded on one track so as to distinguish the parts to be. The track number may be selectable by the user. When only one key range is set to be recorded, it is preferable to record on the same track regardless of which key range is selected in order to avoid confusion during reproduction.

  FIG. 4 is a flowchart showing a main process executed by the electronic keyboard instrument 100 according to the embodiment of the present invention. This main process is started by a user's start instruction (for example, power-on of the electronic keyboard instrument 100), and is ended by an end instruction (for example, power-off).

  In step SA1, main processing is started. In step SA2, various flags, registers, and the like are initialized.

  In step SA3, a key pressing / pedal process which will be described later with reference to FIG. 5 is executed. The key depression / pedal process is a process of detecting a key depression and pedal operation by a user's performance operation, performing pitch conversion (octave shift) according to the performance mode, and supplying performance information to the sound source 18. When the performance mode is the continuous mode, for example, as shown in FIG. 2, the performance signal (note information) input using the left key range 22L is shifted by +2 octaves and input using the right key range 22R. The played performance signal (note information) is shifted by -2 octaves. That is, in the continuous mode, the pitch conversion of the input performance signal (note information) is performed so that the range of the left key range 22L and the range of the right key range 22R overlap at least partially. The right damper pedal is a damper pedal for the right key range 22R, and the left soft pedal is a damper pedal for the left key range 22L. In the case of three pedals, the center pedal may not function or may function as a sostenuto pedal for the right key range 22R.

  In step SA4, a setting process described later with reference to FIG. 6 is executed. The setting process is a process for setting / releasing the performance mode, setting the recording mode, setting the playback mode, and the like. The performance mode is selected from, for example, a normal mode, a split mode, and a continuous mode. In this step, the recording key area and the recording track can be set in the continuous mode and the recording mode.

  In step SA5, a recording process described later with reference to FIG. 7 is executed. In the recording process, it is determined whether or not the recording mode is set in the setting process executed in step SA4. If the recording mode is set, the performance signal from the performance operator 22 of the user is sent to a predetermined track of the sequencer according to the performance mode. It is a process to record in. In the continuous mode and the recording mode, only the key range set to be recorded in step SA4 is recorded on a predetermined track.

  In step SA6, the reproduction process described later with reference to FIG. 8 is executed. In the reproduction process, it is determined whether or not the reproduction mode is set in the setting process executed in step SA4. If the reproduction mode is set, the reproduction target track is reproduced.

  In step SA7, other processing is executed. Here, the other processes are processes for executing the functions of the electronic keyboard instrument 100 that are not included in steps SA3 to SA6. For example, management of recorded performance data, communication settings with other electronic musical instruments or servers, and the like. Note that the performance data recorded on the predetermined track in the recording process of step SA5 is written to the recording medium (storage device 15) or transferred to an external device via the communication I / F 21 in the process of step SA7. Is possible.

  In step SA8, it is determined whether or not to end the main process. The main process is terminated, for example, when the user turns off the power of the electronic keyboard instrument 100. When ending the main process, the process proceeds to step SA9 indicated by an arrow “YES” to end the main process. If not, the process returns to step SA3 indicated by the NO arrow and the subsequent processing is repeated.

  FIG. 5 is a flowchart showing the key depression / pedal process executed in step SA3 of FIG.

  In step SB1, key depression / pedal processing is started. In step SB2, it is determined whether event data corresponding to key-on / key-off (note information) or pedal operation is detected. If event data corresponding to key-on / key-off (note information) or pedal operation is detected, the process proceeds to step SB3 indicated by a YES arrow. If not detected, the process proceeds to step SB8 indicated by a NO arrow, the key pressing / pedal process is terminated, and the process returns to step SA4 in FIG. Key-on is a signal (event data) generated when the user presses the keyboard 22, and key-off is a signal (event data) generated when the key is released.

  In step SB3, it is determined whether or not the current performance mode set in step SA4 in FIG. If it is in the continuous mode, the process proceeds to step SB4 indicated by a YES arrow in order to perform pitch conversion (octave shift) or the like. If it is not the continuous shot mode (if it is the normal mode or the split mode), the process proceeds to Step SB7 indicated by a NO arrow.

  In step SB4, it is determined whether or not the key-on / key-off (note information) detected in step SB2 is due to a key operation in the right key range 22R (FIG. 2) (note information of pitch “C # 3” or higher). Alternatively, it is determined whether or not the pedal operation detected in step SB2 is a right pedal operation. If the operation is based on the operation of the key in the right key range 22R or the operation of the right pedal, the process proceeds to step SB5 indicated by an arrow of YES, and the operation is performed by operating the key in the left key range 22L (FIG. 2) In this case, the process proceeds to step SB6 indicated by a NO arrow.

  In step SB5, a pitch conversion process of key-on / key-off (note information) detected in step SB2 is performed. Specifically, the note number (pitch) of the key-on / key-off (note information) detected in step SB2 is lowered by two octaves. Alternatively, the event data corresponding to the pedal operation detected in step SB2 is converted into event data corresponding to the damper pedal operation in the right key range 22R. Thereafter, the process proceeds to step SB7.

  In step SB6, a pitch conversion process of key-on / key-off (note information) detected in step SB2 is performed. Specifically, the note number (pitch) of the key-on / key-off (note information) detected in step SB2 is raised by two octaves. Alternatively, the event data corresponding to the pedal operation detected in step SB2 is converted into event data corresponding to the damper pedal operation in the left key range 22L. Thereafter, the process proceeds to step SB7.

  In step SB7, event data corresponding to the key-on / key-off (note information) or pedal operation detected in step SB2 (when the performance mode is determined to be the normal mode or split mode in step SB3), in step SB5 or SB6 Event data corresponding to the converted key-on / key-off (note information) or pedal operation (when the performance mode is determined to be a continuous mode in step SB3) is supplied to the sound source (for example, the sound source / effect circuit 18 in FIG. 1). To do. When the performance mode is the split mode or the continuous mode, the sound source / effect circuit 18 functions as a multi-part sound source and generates performance data as independent parts in the left key range 22L and the right key range 22R. Thereafter, the process proceeds to step SB8, the key pressing / pedal process is terminated, and the process returns to step SA4 in FIG.

  In the above description, the central pedal of the three pedals does not function in the continuous mode. However, in the case of functioning as a sostenuto pedal in the right / left key range, the central pedal is moved to the right key in steps SB4 to SB5. The sostenuto pedal operation can be performed.

  FIG. 6 is a flowchart showing the setting process executed in step SA4 of FIG. The setting process is, for example, a process for the user to make various settings using the setting operator 12 in FIG.

  In step SC1, setting processing is started, and in step SC2, various settings are made based on, for example, a user setting operation using the setting operator 12 of FIG. After completion of various settings and when there is no user setting operation, the process proceeds to step SC3, the setting process is terminated, and the process returns to step SA5 in FIG.

  The settings made here include, for example, performance mode (normal mode, split mode, continuous mode), recording mode setting and cancellation, recording key range setting in the continuous mode and recording mode (right key range 22R, left key) Area 22L, left and right key area 22LR), normal mode, split mode, recording track (channel) setting in recording mode, reproduction mode setting and release, reproduction target track setting in reproduction mode, and the like.

  FIG. 7 is a flowchart showing the recording process executed in step SA5 of FIG. In this process, a performance signal by a performance using the performance operator 22 of the user is stored in a predetermined track. Specifically, it is stored in a predetermined area in the storage device 15 of FIG.

  In step SD1, the recording process is started. In step SD2, it is determined whether or not the recording mode is set in step SA4 in FIG. If it is the recording mode, the process proceeds to step SD3 indicated by a YES arrow. If it is not the recording mode, the process proceeds to step SD7 indicated by a NO arrow and returns to step SA6 in FIG.

  In step SD3, it is determined whether event data corresponding to key-on / key-off (note information) or pedal operation is detected in step SB2 of FIG. If event data corresponding to key-on / key-off (note information) or pedal operation is detected, the process proceeds to step SD4 indicated by an arrow of YES. If not detected, the process proceeds to step SD7 indicated by a NO arrow to end the recording process and return to step SA6 in FIG.

  In step SD4, it is determined whether or not the current performance mode set in step SA4 in FIG. If it is the continuous shot mode, the process proceeds to step SD5 indicated by an arrow of YES. When it is not the continuous mode (when it is the normal mode or the split mode), the process returns to step SD6 indicated by a NO arrow.

  In step SD5, event data corresponding to key-on / key-off (note information) or pedal operation corresponding to the key range (one of the key ranges 22R, 22L, and 22LR in FIG. 2) for which recording is designated, Time data (timing data) is added to the event data corresponding to the key-on / key-off (note information) or pedal operation converted in step SB5 or SB6, and recorded on a predetermined track (channel) of the sequencer. Thereafter, the process proceeds to step SD7, the recording process is terminated, and the process returns to step SA6 in FIG.

  In the present embodiment, as described above, when the left key range 22L is set as a key range for recording the performance, for example, only the performance using the left key range 22L is recorded on the track 1. When the right key range 22R is set as a key range for recording the performance, for example, only the performance using the right key range 22R is recorded on the track 1. When the left / right key range 22LR is set as a key range for recording a performance, for example, a performance using the left key range 22L on track 2 and a right key range 22R on track 1 is recorded.

  In step SD6, time data (timing data) is added to event data corresponding to key-on / key-off (note information) or pedal operation corresponding to the entire key range, and the results are shown in FIGS. 3 (A) and 3 (B). Recording is performed on a predetermined track (channel) of the sequencer. Thereafter, the process proceeds to step SD7, the recording process is terminated, and the process returns to step SA6 in FIG.

  Note that a mute switch may be provided as the setting operator 12 (FIG. 1) so that recording is not performed during a period in which the user gives a mute instruction. Further, when both the left and right key ranges are recorded simultaneously, only one of the key ranges may be muted.

  FIG. 8 is a flowchart showing the reproduction process executed in step SA6 of FIG. The reproduction process is a process of determining whether or not the reproduction mode is set in the setting process executed in step SA4, and reproducing the track to be reproduced in the reproduction mode.

  In step SE1, the reproduction process is started. In step SE2, it is determined whether or not the reproduction mode is set in step SA4 in FIG. If it is in the reproduction mode, the process proceeds to step SE3 indicated by a YES arrow. If it is not in the reproduction mode, the process proceeds to step SE4 indicated by a NO arrow and returns to step SA7 in FIG.

  In step SE3, event data corresponding to key-on / key-off (note information) or pedal operation of the track to be reproduced in step SA4 in FIG. 4 is converted into a sequencer (storage device 15 or RAM 7 in FIG. 1) according to time data (timing data). Read out from the playback buffer etc.) and supplied to the sound source (sound source / effect circuit 18 in FIG. 1). Thereafter, the process proceeds to step SE4 and returns to step SA7 in FIG.

  If no playback target track is designated in step SA4 in FIG. 4, all tracks (channels) on which performance data is recorded are to be played back. When performance data is recorded on only one track (channel), it is not necessary to designate a playback target track, and the performance data recorded on the track (channel) is reproduced. Therefore, when the performance mode is the continuous mode and only the right key range 22R or the left key range 22L is set as the recording key range, there is no need to select a track (channel), and the desired key range can be easily selected. You can play your performance.

  As described above, according to the embodiment of the present invention, in the continuous mode, one keyboard 22 is divided into the left and right key ranges 22L and 22L, and the range of the left key range 22L and the range of the right key range 22R are at least a part thereof. Since the pitch conversion of the input performance signal (note information) is performed so as to overlap, two performers can perform the performance of the same range at the same time.

  In the continuous mode, any one of the left key range 22L, the right key range 22R, and the left and right key range 22LR can be set as a key range for recording the performance. When only one of the left key range 22L and the right key range 22R is selected as the key range for recording the performance, the performance of the key range that has not been selected is not recorded. When playing at the same time, only the performance of the teacher or student can be recorded.

  In addition, when only the left key range 22L or the right key range 22R is recorded in the continuous mode, the performance data of the key range is recorded on the same track (channel) regardless of which key range is recorded. When reproducing, it becomes unnecessary to select a track, and a desired performance can be easily reproduced.

  Although the present invention has been described with reference to the embodiments, the present invention is not limited thereto. It will be apparent to those skilled in the art that various modifications, improvements, combinations, and the like can be made. Below, a modification is shown in the Example of this invention.

6 ... Bus, 7 ... RAM, 8 ... ROM, 9 ... CPU, 10 ... Timer, 11 ... Detection circuit, 12 ... Panel operator, 13 ... Display circuit, 14 ... Display, 15 ... External storage device, 18 ... Sound source Effect circuit, 19 ... Sound system, 21 ... Communication I / F, 22 ... Performance operator (keyboard), 100 ... Electronic keyboard instrument

Claims (2)

A keyboard having a plurality of keys for inputting performance data corresponding to the performance operation;
Dividing means for dividing the keyboard into a plurality of key ranges;
As the divided at least a portion of the corresponding pitch of the key range has overlap, converting means for converting a pitch of a musical tone to be outputted by the depression of a key in the key range,
Selecting means for selecting any one of the divided key ranges ;
A recording means having a plurality of recording tracks, and among the performance data input from each key range of the keyboard, only the performance data input from the key range selected by the selection means is selected. Recording means for recording on the same track ,
Electronic keyboard instrument with   2. The electronic keyboard instrument according to claim 1, further comprising output means for outputting performance data recorded in said recording means to the outside.

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