JP3275854B2 - Sound train forming device - Google Patents

Description

DETAILED DESCRIPTION OF THE INVENTION

[0001]

The present invention relates to a music device,
In particular, the present invention relates to a sound string forming apparatus for forming a sound string of a music part (for example, a melody) for automatic performance or the like.

[0002]

2. Description of the Related Art Conventionally, in a sound string forming apparatus for automatic accompaniment, a reference chord (for example, C major) is assumed as a music background, and data of a sound string of an accompaniment part for the reference chord is stored in advance. I have. Here, the pitch data (vertical component) of each tone in the stored tone sequence data represents a pitch (pitch difference) with respect to the root of a chord. In operation,
When given chord information (root and chord types) is given, the stored pitch data (pitch data) is converted into a pitch suitable for the desired chord information, whereby an accompaniment part for the desired chord is converted. Is formed.

[0003]

SUMMARY OF THE INVENTION An object of the present invention is to provide a sound string forming apparatus for forming a sound string by a method completely different from the conventional one.

[0004]

In order to achieve the above object, according to one embodiment of the present invention , a vertical component of each musical tone forming a musical tone sequence is represented by an abstract tone type (tone type). the
A note type sequence providing means for providing the note type column, and music background applying means for applying the information of the desired music background, and <br/> Ru standard pitch providing means provide information of the reference pitch, high applied the reference sound Given by means
The reference pitch is used as the pitch of the immediately preceding musical tone .
The sound type sequence given from the music background giving means
By converting based on the music background given al and said reference pitch in the vertical component of each musical tone pitch sequence expressed in specific pitch, a pitch sequence that follows the standard pitch Form
Sound column shape and having a pitch sequence converting section that, the
An apparatus is provided. According to another configuration example,
The vertical component of each musical tone that forms the sequence is
Sound type sequence giving means for sequentially giving a sound type sequence represented by
A music background providing means for providing desired music background information;
Reference pitch assigning means for giving information of quasi-pitch, and the pitch sequence
The sound type string given by the giving means is added to the music background giving hand.
From the music background given by the step and the reference pitch giving means
Based on the given reference pitch, the vertical component of each tone
Pitch sequence conversion to sequentially convert to pitch sequences expressed by physical pitch
Means, and wherein the reference pitch applying means comprises the pitch sequence changing means.
The predetermined pitch in the pitch sequence already converted by the conversion means
A sound sequence forming device is provided which is provided as a reference pitch . According to the configuration example of these, the tone sequence of the final pitch string information note type as original data for obtaining the (musical string information is automatically played) (note type), i.e. using a note type column I do. Here, the vertical component (vertical information) of each musical tone in the musical tone sequence of the tone type is a specific pitch such as “pitch name (pitch name)” or “pitch to the root of a chord (pitch interval)”. Instead of showing ,
It expresses the type, that is, the “sound type”. Here, the “tone type” is information obtained when the pitch (for example, C4, B4, etc.) of the music surface is analyzed based on the musical background of the music surface. Further, according to the present invention, in order to obtain information of a pitch sequence to be finally output, a reference pitch (for example, already obtained
Specific pitch data and the desired music background (eg
Eba tone and the information of the sum sound) is given. In response to this, the pitch sequence conversion means operates, and converts the above-mentioned tone type sequence (original data) into a pitch tone sequence (vertical component of each tone) based on the given desired music background and reference pitch. By converting the pitch sequence into a pitch sequence expressed by specific pitches.
Get . Therefore, according to this configuration, a pitch sequence suitable for a desired music background can be formed without using information of a specific pitch sequence as original data.

[0005]

Embodiments of the present invention will be described below with reference to the drawings. In the following description, the present invention (sound train forming device) is applied to an automatic music composition machine which is an automatic melody generating device according to a related invention. That is, this is an example in which the present invention is applied to a sound string forming function, which is one function in the automatic melody generation device according to the related invention. In the drawings, in particular, FIGS. 2, 4, 14 to 17 are diagrams directly related to the present invention. In FIG. 2, the note sequence forming apparatus according to the embodiment of the present invention includes a relative note type sequence degree NCD (303), a reference pitch register NOM motion control logic 212, a read back sound type sequence 216, an AV 304, and an adder 222. It is comprised including. In FIG. 4, the sound sequence forming apparatus according to the embodiment of the present invention extracts a sound type sequence from a sound type sequence table (4-7). The sound sequence forming device converts this sound type sequence into
It is converted into a specific pitch sequence (pitch sequence information for automatic performance (4-9)) according to desired music background information (tonality harmony information) and reference pitch data for motion control (4- 8).
Hereinafter, a sound sequence forming device according to an embodiment of the present invention will be described through an explanation of an automatic melody generating device according to a related invention.

Principle (FIG. 1) FIG. 1 shows a functional block diagram of an automatic melody generator according to the principle of the related invention. The first principle of the automatic melody generation device is that a melody is generated not by a complicated melody generation algorithm but by an approach based on music data or a music database. By using music data as a basis for melody generation, generation of an unnatural melody specific to an algorithm can be avoided. The generation method based on music data for generating a melody (music data driven melody generation method) enables not only a natural melody generation capability but also a high-speed melody generation capability. The problem is data storage capacity. For example, if a song database is prepared and a melody is generated by selecting a song from the song database, a huge song database is required to expand the melody generation space (composition space). Obviously. For example, the average amount of data required to express a melody for one song is 2
If K bits are used, 2M bits are required for 100,000 songs. It seems that there are many 100,000 songs, but the number is extremely small in view of the second principle of the related invention. A second principle of the related invention is that a melody over a plurality of music sections is generated using a phrase (a melody segment of a predetermined music section) as a generation unit. According to this generation principle, for example, if the number of melody segments (the number of candidates) that can be a phrase for each music section is assumed to be 10, and the number of music sections is set to, for example, 8 (eg, 8 bars), then The number of melody phrase combinations that can be generated is 10 8 or 10 million. In other words, 10 million songs can be generated. In other words, the melody generation method using a phrase as a generation unit provides an enormous composition space. The combination of the first principle and the second principle is the phrase database 30 in FIG.
0. The problem in the melody generation method using a phrase as a generation unit lies in the balance between diversity and unity between phrases. In other words, in order to be a musical melody, the melody must be not a mere sequence of sounds, but a sequence of sounds that are organically related or musically combined with meaning. This is also true between melody segments. In other words, the segments that make up the melody must have a musical relationship (according to the progress of music, the style of music, etc.). In other words, the first phrase should not be preceded by a second phrase that does not match it. In short, it is desirable to have knowledge that develops and transforms phrases while unifying phrases on the one hand.

In FIG. 1, such knowledge is mainly stored in the generated index database 100. That is, the generation index database 100 is a set of melody generation index records that can compose various songs. In FIG. 1, the generation index record of song A is R # 1, and the generation index record of song B is R #.
2,... Each song generation index record can be configured by a phrase generation index for each music section in a plurality of music sections. Individual phrases column set from the phrase generator index item I ₁ written in (phrase term) I _n of each record need not be deterministic, having a plurality of indexes candidates in consideration of the various possibilities of music It is preferably a phrase generation index set. For example, if the number of phrase generation index set candidates in one phrase field is 3 on average, and the number of phrase fields in a record is 8 on average, each record is a combination of 3 8 generation indexes on average, that is, songs that can be generated. Create a combination of In other words, each record (even though there is some commonality)
It becomes a generation index record for a number of music groups. this is,
It provides compression information of the generation information regarding the number of songs. The phrase generating index item I ₁ ~I _n includes information for searching a phrase database 300.
Further, the phrase generation index item may include a command for making a phrase in one music section similar to a phrase in another music section. The generation index database 100 can take the form of an aggregate of a structure (phrase term network) in which phrase terms are appropriately linked to each other for generating various melodies. In this case, the phrase term network is the generated index record. The phrase database 300 may be a mere collection of data representing the phrase itself. However, this kind of phrase database limits the melody space that can be generated while facilitating system construction. This is because such an aggregate would require a huge amount of data, even if it is much smaller than the database that expresses the melody of the song itself, in order to expand the melody generation space or phrase generation space. Because you do.

In order to provide a wide melody generation space, a preferred embodiment of the related invention divides a phrase into several phrase components or components (eg, rhythm, rhythm type, tone sequence, high row). Then, a table of each component is stored in the phrase database 300. FIG. 1 illustrates a table 31 of the phrase component A, a table 32 of the phrase component B, and a table 33 of the phrase component C in the phrase database 300. Each of the tables 31, 32, and 33 is an aggregate of constituent elements. For example, the table 31 has many phrase components A. Each table can be basically realized by a look-up table memory. When the phrase database 300 having such a configuration is used, it is desirable to provide means (associating means between tables) for determining which element or element group of one table corresponds to which element or element group of another table. . This can be achieved by having the elements of the table of the phrase database or the element group have information specifying elements or elements of another table. Further, it is also possible to provide information specifying a mode of association between phrase components in the phrase generation index item. In other words, such designation information is a mapping or index information from one table to another table. For example, assuming that the table 31 is a rhythm table of a phrase and the table 33 is a table of a sound type sequence of a phrase, a predetermined element in the rhythm table 31, that is, a rhythm or an element group (rhythm group) is a predetermined element group in the sound type sequence table 33. That is, mapping information that points to the sound type string group can be provided in the rhythm table 31 or the phrase generation index item. Such means provides a vast phrase generation space while eliminating combinations of meaningless phrase components without association. In FIG. 1, the decryption generation means 200 searches the phrase database 300 using the phrase generation index information I1 to In for each music section included in the music generation index record (here, R # S) extracted from the generation index database 100, As a result, a phrase as a result of decoding the phrase generation index is generated. For example, if the record R # S is a phrase generation index record of four music sections, the decryption generation means 200 calculates the first phrase P1 from the phrase generation index of the first music section.
Is generated, a second phrase P2 is generated from the phrase generation index of the second music section, a third phrase P3 is similarly generated from the phrase generation index of the third section, and a third phrase P3 is generated from the phrase generation index of the fourth section. A phrase for the fourth section is generated. As a result, a melody M composed of four phrases is obtained. Although the internal configuration of the decryption generation means 200 can take various forms, it can be basically configured by a group of modules for mapping data by passing each lookup table of the phrase database 300. Such a configuration produces an advantage of increasing the operation speed of the decryption generation unit 200 and, consequently, the response of the automatic melody generation device.

For example, the decryption generation means 200 accesses (looks up) the phrase component table in the phrase database 300 using the first phrase generation index item I 1 from the generation index database 100.
Thus, a data mapping (decoding result) of the first phrase generation index item I1 can be obtained. Alternatively, the mapping module (one of which is indicated by reference numeral 21) in the decryption generation means 200 combines the mapping information extracted from the phrase database or the identification information thereof with an appropriate phrase generation index item to form the phrase database 300. By accessing another phrase component table therein, it is possible to obtain mapping data for the phrase components involved in the table. Among such mapped data, a rhythm and a pitch sequence are referred to as reference information 26 at the music surface level, respectively.
And 25 in the decryption generating means 200.
Also, the past phrase 22 and the rhythm 2 of the past phrase are used as the mapping data generated in the past by the decryption generation means 200.
3. Decoding and generating the tone type sequence 24 of the past phrase 200
Shown in For example, using the tone type sequence 24 of the past phrase as the first table argument , the phrase generation index 72
By accessing the tone type sequence table in the phrase database 300 using the pitch index item in the second as a second table argument , it is possible to obtain mapped data representing a phrase type sequence in the current music section. Alternatively, by using the rhythm 23 of the past phrase as the first argument and the rhythm change index of the phrase generation index as the second argument, the rhythm in the current section is looked up by looking up the rhythm table provided in the phrase database 300. Represented mapped data can be taken. The advantage achieved by such a mapping module is that the desired musical similarity to the previous phrase in the form indicated by the index record R # S and the data in the phrase database 300, which produces the phrase in the current interval. Or to achieve change. As the simplest example, if a repetition command of the past phrase 22 is provided in the phrase generation index item, the decryption generation means forms the phrase P3 in the current section as the same as the past phrase 22, thereby constructing the phrase structure. Repetition can be easily realized. Such a structural repetition is particularly useful when the phrase is a theme phrase. Although not shown in FIG. 1, means for setting a theme phrase (theme) is provided.
Generated index database 1 according to the set theme
The melody generation index record R # S in 00 may be selected. The phrase pitch sequence 25 and the phrase rhythm 26, which are the music surface information obtained through the mapping module group in the decryption generating means 200, represent a melody segment of a music section, that is, a phrase. In FIG. 1, arrows indicate that the phrase P3 is represented by the pitch sequence 25 and the rhythm 26.

Melody Generation Function (FIG. 2) FIG. 2 shows a functional block diagram of a melody generation device according to an embodiment of the present invention. The configuration of FIG. 2 shows an embodiment of the principle of the related invention described in FIG. 2 are specific examples of the decryption generating means 200 as a whole, and the entire elements having the 300s are specific examples of the phrase database 300 of FIG. Elements in the 400s represent surface information of the generated melody. Element 101 represents a phrase generation index set for a certain music section of the selection generation index record R # S of FIG. Therefore, in FIG.
1. RPD rhythm table 302, NCD relative tone type sequence table 303
And an AV table 304. On the other hand, the phrase generation index set 101 has a tonality index TI, a pitch change index PI, a rhythm change index RI, and a musical style index FI as index items. The tonality index TI is generated index set 101
Representing the tonality information of the music section that but replace either. The pitch change index PI is a pitch control factor of a music section to which the generated index set 101 is related. The rhythm change index RI is a rhythm control factor of the phrase related to the generation index set 101. However, in the application of the embodiment, the rhythm change index RI also has the property of a pitch control factor. The musical style index FI is information representing the musical style of the phrase related to the generation index set 101, and this information is used here as a rhythm group designating factor. 401 in the generated melody surface information is pitch string before section (before music section), numeral 402 denotes a pitch <br/> column of the current section, 403 is the rhythm before the section (tone length column) ,
Reference numeral 404 denotes the rhythm of the current section. Therefore, the phrase (melody segment) of the current section is the pitch sequence 402 of the current section.
And the rhythm 404 of the current section. Similarly, the phrase in the preceding section is composed of the treble string 401 in the preceding section and the rhythm 403 in the preceding section. In FIG. 2, the decryption generating means uses the generated index set 101 of the current section and the phrase database (301, 302, 303, 304) in the manner described below to use the phrase ( pitch row 402, rhythm) of the current section. 404). In other words, the decryption generating means performs the musical index FI
Look up the RCL table 301 with
The mapping data of I is obtained. This mapping data is used as a factor for specifying a rhythm group that can be taken by the phrase in the current section. That is, the decryption generation means uses the data looked up from the RCL table 301 as the first argument (Argument) to the RPD rhythm table 302 as shown by the line 202. Further, the decryption generation means 200 uses the rhythm change index RI of the phrase generation index set 101 as the second argument of the RPD rhythm table 302 as shown by the line 203. Further, the decryption generating means is a line 207
TRD2 before a rhythm identifier of the previous section, as shown in 0
6 is used as the third argument of the RPD rhythm table. Combination of these arguments (Rhythm change index RI , RC
L table output, RP D rhythm Table 30 2 for the previous combination of rhythm information 206 of the section) outputs the identifier of the rhythm 404 of the current period and outputs a rhythm pattern data RP of the present interval.

Next, the decryption generation means 200 records the identifier of the rhythm of the current section extracted from the rhythm table 302 in the current TRD 205 as shown by a line 204. Current TRD20
The information recorded in No. 5 is transferred to the previous TRD 206 when a phrase for the next music section is generated. Decryption generation means 200
It is the rhythm of the current period, as a factor that specifies the group of factors that is sound species columns that can be taken by the phrase of the current segment group indicates the note type column of the current section, to use. For this purpose, the decryption generating means 200 uses the current section rhythm identifier information in the current TRD 205 as the first argument of the NCD relative tone type string table 303. Further, the decryption generation means uses the pitch change index PI of the phrase generation index set 101 as the second argument of the NCD relative tone type sequence table 303 as shown by the line 209. For such a combination of arguments, the relative tone type sequence table 303 outputs relative tone type sequence data suitable for the combination of the arguments. Here, the relative pitch sequence refers to a pitch sequence determined relatively to the reference pitch when a reference pitch is given. The tonal sequence can be converted into a sequence of specific pitches (pitch as a music surface) by specifying tonal information or tonal harmonics (Tonals and Chords). Information that can be done. In short, the pitch sequence is an abstract pitch sequence. In other words, the tone type sequence is information obtained when a sequence of pitches (for example, C4, B4, etc.) on the music surface is analyzed by the tonality which is the musical background of the pitch sequence.
The generation of the pitch sequence on the melody surface, ie, the pitch sequence 402 in the current section, is one of the important functions of the decryption generation means.
One. According to the embodiment of the present invention, the decryption generation means processes the relative tone sequence extracted from the relative tone sequence table 303 as follows to obtain the pitch sequence 4 on the phrase surface.
02 is formed. That is, the decryption generation means uses the line 210
The relative sound type sequence data extracted from the relative sound type sequence table 303 as shown in FIG.
Take in. The purpose of the motion control logic 212 is to replace the relative pitch sequence with the reference pitch NOM. To this end, the motion control logic 212 receives the reference pitch NOM information as shown by line 211.
In the example of FIG. 2, the reference pitch NOM is defined as the pitch of the last note in the previous section. Further, motion control logic 212
Receives the fundamental pitch class (chord root or key note) included in the tonality index PI of the generated index set 101 of the current section as indicated by a line 214.
The motion control logic 212 determines the reference pitch NOM as a pitch type having a specific pitch relationship with the reference pitch NOM (for example, a pitch when the pitch immediately above the reference pitch NOM is evaluated based on the tonality of the current section). to determine the species), it is used. For this purpose, for example, the motion control logic 212 searches the PC (pitch class) conversion table (AV) 304 as shown by a line 213 and adds the fundamental pitch class (root or key note) from the line 214 to the search result of each tone type. Is modulo-added to determine the pitch class of each tone type, and compares it with the NOM pitch class to identify a tone type having a specific pitch relationship with the NOM. Here, the pitch class is a pitch name such as C or D. According to the pitch class, C of the first octave, ie, C1, and C of the fifth octave, ie, C5, belong to the same pitch class C.

Next, the motion control logic 212 uses the information of the identified tone type (the tone type having a specific pitch relationship with the reference pitch NOM) to convert the relative tone type sequence obtained from the relative tone type sequence table 303. As shown in a box 216, a rewritten tone sequence is formed from the line 2 15 . Further, the motion control logic 212 extracts the octave information of the reference pitch NOM, and sets the octave via the line 215. After forming the octave and the substitute tone sequence, the decoding generation means forms the pitch sequence of the frame (here, the pitch sequence 402 of the current section) via the PC conversion table 304. For this purpose, the decryption generating means converts each element (sound type) of the replacement sound type sequence into a PC conversion table 30 as shown by a line 217.
4 as the first argument and the tonality index PI
The tonality harmony (for example, information such as V7th) is input to the PC conversion table 304 as shown in a line 218.
Used as an argument. In the item of PC conversion table 304 that is specified by the combination of this argument, when evaluating the note type from the line 217 in tonal harmony from line 218, data representing the pitch of the fundamental tone pitch classes written ing. Therefore, the decryption generating means is a line 219, a line 2
As indicated by 20 and the addition element 222, the pitch data extracted from the PC conversion table 304 and the fundamental pitch class from the tonality index PI are octave (12) modulo-added. As a result, the sound type is converted to the pitch class. By adding appropriate octave information via the line 221 to the converted pitch class, a specific pitch PIT with octave information is obtained. This pitch data PIT determines the pitch 402C of interest in the pitch sequence 402 of the current section. By converting each element of the replacement sound type sequence 216 as described above, the pitch sequence 402 of the current section is obtained. In FIG. 2, the motion control logic 212 according to the embodiment of the present invention is means provided mainly for data compression. In other words, if there is no need to increase the storage capacity, the motion control logic 212 can be omitted and an appropriate pitch sequence table can be used. Such a pitch sequence table is, for example, the current TRD 205 as the first argument, the pitch change index PI as the second argument, and the NOM as the third argument.
Information (eg, the pitch that the NOM pitch class has for the fundamental pitch class of the tonality index of the current section) and the fourth
Using the tonal harmony information of the tonality index TI of the current section as an argument of, and pitch sequence information appropriate for a combination of these four arguments (information such that each element indicates a pitch for the fundamental pitch class) Will be output.
However, if such a pitch sequence table is used, an increase in the number of combinations of arguments by orders of magnitude occurs as compared with the combinations of the arguments in the relative pitch sequence table 303. For example, assuming that there are 20 types of tonal harmony and 12 types of reference pitch classes, the number of argument combinations is 240 times. This means that a large address space is required for the pitch sequence table (lookup table memory). Further, if pitch sequence data is prepared in a one-to-one correspondence with each of the combinations of arguments, the storage capacity of the pitch sequence table becomes 240 times as large. The configuration of FIG. 2 shows the realization of the functions of the automatic melody generating apparatus based on the principle of the related invention described in FIG. 1 while considering the storage capacity (especially the internal storage capacity) available in a typical microcomputer today. It is a thing. Therefore, although the configuration of FIG. 2 represents the best embodiment, it is needless to say that the configuration is not limited to this. For example, the RCL table 30 in FIG.
1 is omitted and the musical style index FI is directly entered into the rhythm table 302.
Can be used as an argument to Also, the current TR D
Reference numeral 205 does not necessarily need to be the identifier (unique identification number) of the current section rhythm, and may be, for example, information indicating the characteristics of the rhythm of the current section. This is the rhythm table 30
2 means that information indicating the characteristics of the rhythm may be provided for each rhythm data RP. Current T RD is that the use of the rhythm feature information in place of the rhythm identifier
This means that the number of possible values 205 can be reduced. Therefore, when the feature information is used as an argument of the relative tone type sequence table 303, it means that the storage capacity of the relative tone type sequence table memory is reduced. In the configuration of FIG. 2, the rhythm identifier information of the preceding section is used as one of the arguments to the rhythm table 302, but the preceding section is not necessarily required to be the preceding section. The previous section or the section before three may be used. In other words, in the case of the configuration shown in FIG.
To the rhythm 40 of the current section.
4 is (strongly) related to the rhythm 408 of the previous section.
However, combining small phrases into large phrases is a common experience in music.
For example, when a phrase is divided into two parts, the features of the first half of the phrase do not appear in the second half, but appear in the first half of the next phrase, and the features of the second half of the phrase do not appear in the first half of the next phrase. It often happens in a real melody, such as appearing later in the phrase. In order to produce such an effect,
6 stores the identifier of the rhythm immediately before the current section or the characteristic information instead of storing the identifier of the rhythm two times before the current section or the characteristic information, thereby accessing the rhythm table 302. The rhythm of the section may be generated (information indicating which rhythm of the preceding section is to be reflected in the rhythm of the current section can be included in the generation index). Also, in FIG. 2, the current TRD 20 between the rhythm table 302 and the relative tone
5, but instead, the relative tone type column item of the relative tone type sequence table 303 is provided with information characterizing the relative tone type sequence, and the feature information is used as an argument to the rhythm table 302. Is also possible. It is also possible to use information characterizing the relative note type sequence of the preceding section or a predetermined preceding section as the third argument in the relative note type string table 303. Such a configuration provides a strong correlation between the note sequence in the previous section and the note sequence in the current section (hence, a strong correlation between the note series in the previous section and the note series in the current section). ). In addition, in accordance with the principle of the related invention described in FIG. 1, the configuration in FIG. 2 can be variously modified.

Hardware Configuration (FIG. 3) FIG . 3 shows a typical hardware configuration (computer-based hardware configuration) for realizing the automatic melody generation device as described in FIG. The CPU 2 executes programs stored in the ROM 4 to control each part of the system. The ROM 4 stores fixed data in addition to programs. ROM4 especially for realizing automatic melody generation device
Has a phrase database as described in FIG. 1 and FIG. 2,
A generated index database and a theme database are located. RAM6 is used as a working memory of the CPU 2 in which stores variables and temporary data (e.g. generated melody data). The keyboard 8 can be composed of a keyboard of a normal electronic keyboard instrument, and is used as a performance input device of the electronic musical instrument. The input device 10 may include various input switches and volumes used in a conventional electronic keyboard instrument.
The theme selection function can be performed from the input device 10 to perform the theme designation function for the automatic melody generation device.
Such a theme selection instruction can be performed , for example, via a rhythm style or accompaniment style selection operator often found in an electronic musical instrument having an accompaniment function. In that case, the theme database or theme table stored in the ROM 4 is configured to include an appropriate number of themes for each rhythm style (accompaniment style). Sound source 12 is CP
Electronically generating a tone signal under the control of U 2. The sound system 14 receives a tone signal from the sound source 12 and reproduces the sound. Display device 16 includes an LCD display or LED or the like, the display of the display data in the state of the system, and displays a message to inform the user.
The clock oscillator 18 generates a clock pulse for interrupting the CPU 2 every time a predetermined time elapses in order to execute a fixed time process of the system (for example, an automatic performance process of an automatically generated melody). For example, the number of clock pulses from the clock oscillator 18 is counted by the time interruption program (via the CPU 2), and each time the count value reaches a value corresponding to the music resolution time, the main program has a sound generation or mute task. The automatic performance processing can be performed by inspecting.

Details (FIGS . 4 to 19) Referring to FIGS. 4 to 19, an embodiment (first embodiment) of the related invention will be described.
Example) will be described in detail. FIG. 4 shows the overall flow of the melody generation process. In the first step 4-1, a theme is selected. Next, the theme is performed (4-2). Subsequently, the automatic melody generation device selects a CED record (phrase generation index record). Here, a plurality of index candidates are written in the CED record. Therefore, a candidate for melody generation is selected from a plurality of candidates in the next generation index determination process (4-4). In the next process 4-5 (comparison rhythm lookup RLM (i)), the comparison rhythm type is extracted by passing the musical expression index items included in the decision index through a lookup table (an RCL table described later). A rhythm is generated in process 4-6. In process 4-7, a tone type sequence is generated. Further, a pitch sequence is generated in process 4-8. A generated melody is composed of the rhythm generated in 4-6 and the pitch sequence generated in 4-8. That is, the melody generation work is completed. Then, in the next process 4-9, the generated melody is automatically played. The above is the outline of the operation of the embodiment. Hereinafter, details of each process and a look-up table related to each process will be described in detail. Theme selection process 4-1
Is executed in response to a theme selection instruction from the user. This theme selection instruction can be performed by operating a music style designation operator (for example, a rhythm style operator) included in the input device 10. The ROM 4 stores a theme database. The theme database has multiple themes for each song style. Theme selection process 4-1
Then, one theme is selected from the plurality of themes. FIG. 10 shows the details of the process 4-1. First, 10-
At 1, the CPU 2 generates a random number from 0 to 1, and then 10-2
Using the random number and the number of themes included in the theme bank TMB assigned to the selected song style , TM = random number ×
The theme number TM is determined by (TMB theme number NO-1). Subsequently, the selected theme = TMB (T
As shown in M), the theme indicated by the theme number is selected from the theme bank as the selected theme. TMB (T
M) describes the theme information. Therefore, the CPU 2 automatically performs the theme described in TMB (TM) as the next process 4-2. That is, the CPU 2 sends a sounding command to the sound source 12 each time the sounding timing of the theme melody sound arrives, and sends a mute command to the sound source 12 each time the sounding timing of the theme melody sound arrives, so that the sounding / muting of each sound of the theme is performed. By controlling, the theme is played automatically. Subsequently, the operation of the CPU 2 proceeds to a CED record selection process 4-3. Here, the CED record will be described. A CED database is stored in the ROM 4 of FIG. The CED database (generation index table) contains a plurality (preferably a large number) of CEDs.
Have a record.

FIG. 5 shows the generated index table CED. Each record of the generation index table CED has phrase generation index information for a plurality of music sections (here, measures). As tonality index phrase generating index item, rhythm (change) index, peak
There is a switch index (change) index and a music style index.
The tonality index and the music style index are information relating to the progress of music or the structure of music. The rhythm index is mainly information relating to the rhythm of the phrase. The pitch index is information related to the pitch of the phrase.
The tonality index in each music section has a function of indicating a pitch class set (PCS) that can be used in the music section. Each generation index record has melody generation instruction information following the theme (motif). Thus, the theme occupies the first bar and the melody of the following bar is generated based on the selected CED record. FIG. 5 shows C
Although the column of the first bar (motif) is also shown in the ED record, the information of this motif column, that is, the theme column is actually unnecessary. This is because the information in this column is written in the theme information record in the theme bank. In each bar column of the CED record in FIG. 5, one or more elements are written in the items of the rhythm index and the pitch index. One or more elements represent these index item candidates. For example, the rhythm index in the second bar includes 1a, 1b, and rep as candidates. In the pitch index of the second bar, 1a, 1
There is b. Some of the rhythm index elements have meaning as structural repetitive commands of music. That is, the index element rep is a command for repeating the rhythm of the previous bar in the current bar. The index element repE is a command for repeating the rhythm and tone sequence of the previous bar in the current bar. Index element 1 bar
Is a command to repeat the rhythm of the theme (motif) bar in the current bar. The index element 1 bar E is a command for repeating the rhythm and tone sequence of the theme bar in the current bar. The reason why these command indexes are provided as elements (special data values) of the rhythm index item is to avoid an increase in the number of index items, that is, C
This is to save the data amount of the ED record. Thus, such a repetition command is not a rhythm index item element, but a separate index item element, for example,
It may be realized as a musical form Indeku scan item elements. In short, what is important is to configure the index information so that various phrase generation instructions can be issued while saving the data amount of the record. The generation index table CED may have a plurality of records for each song style or theme. Therefore, the CED record selection process 4-3
(Figure 4) shows the CE assigned to the theme or song style
One record is randomly selected from the D record group. The CED record selected in the process 4-3 is used as melody generation basic information generated in the following process. However, since the items of the rhythm index and the pitch index have one or more candidates, it is necessary to determine one of them for each music section. This processing is performed in the generation index determination 4-4. FIG. 11 shows the details of the process 4-4. First step 11
The second measure of the CED record selected in -1 (actually, C
Locate the first bar of the ED record). Load the tonality index of the column of the first in Step 11 2 current measures from the loop 11-2 11-7 (attention to that measure), determines a chord root from the key. Here, the key is set to C when the system is initialized, and is designated by a key designating operator such as a transpose key placed on the input device 10 during operation of the system. The determination from the key to the root can be made by using the frequency information (for example, V in MajorV) included in the tonality index (by adding the frequency to the key). At 11-3, the musical index in the current bar is loaded. Next, at 11-4, one of the candidates written in the rhythm index item of the current bar is determined by a random number, and is loaded into RC (i). Next, at step 11-5, one of the candidates written in the pitch index item of the current bar is determined by a random number, and the result is loaded into NC (i). At 11-6, it is checked whether or not the end of the CED record is reached. If not, the next measure is located at 11-7, and the process returns to 11-2 to continue the generation index determination process.
If the end of the CED record is detected, the phrase generation index has been determined for all measures of the melody to be generated.

Next, the CPU 2 executes a comparative rhythm lookup 4
-5 (FIG. 4). The comparison rhythm lookup table referred to in the process 4-5 is stored in the ROM 4. FIG. 6 shows a comparative rhythm lookup table RCL. The table RCL shows the comparison rhythm for the input of the musical style.
Is a return to the table. Therefore, in process 4-5, 4
The corresponding comparison rhythm data is obtained by looking up the table RCL using the musical formula index written in each bar of the music generation index determined in step -4.
The comparative rhythm data is stored in the array RLM (i). Rhythm table R referred to in rhythm generation process 4-6
The PD is shown in FIG. Rhythm table RPD rhythm table RPD first argument compared rhythm type RLM to be placed in ROM 4, the rhythm type RL B prior section as the second argument, the lookup rhythm index RC as the third argument current music section ( Returns the rhythm information (rhythm pattern and its identifier) of the current bar. Therefore, the rhythm table RP
D stores rhythm data corresponding to a combination of three arguments consisting of a comparative rhythm type RLM, a rhythm type RLB of the previous section, and a rhythm index RC. However, this does not mean that there is a one-to-one correspondence between the combination of arguments and the rhythm. Preferably, the combination of the rhythm and the argument is one-to-ma
ny), the storage capacity of the rhythm table RPD can be saved.
It rhythm type argument RL B before section may be an identifier of a rhythm that was used in the previous music section (unique identification number to the rhythm), or characterize the rhythm of the previous section information (which is, for example, (Which can be represented by the upper bits of the rhythm identifier). In the latter case, an effective means for further saving the storage capacity of the rhythm table RPD is provided. In the process 4-6 of FIG. 4, the rhythm of each bar is generated with reference to the rhythm table RPD shown in FIG. FIG. 12 shows details of the rhythm generation process 4-6. First, the second bar is located in step 12-1 (i = 2). If the rhythm index RC (i) determined for the current bar in the first step 12-2 of the loops 12-2 to 12-8 is 1 bar or 1 bar E, the process proceeds to step 12-3, where the rhythm T of the current bar is set. RD (i) is determined to be equal to the rhythm of the motif (theme). In step 12-4, the rhythm index RC (i) of the current bar or re
If p or repE, the process proceeds to step 12-5, where the rhythm T RD (i) of the current bar is set equal to the rhythm of the previous bar. When the rhythm index takes another value, the process proceeds to step 12-6. In step 12-6, the comparative rhythm type R
L M (i), by a previous measure rhythm identifier to feature numbers and the current measure rhythm index RC (i) to look up the rhythm table R P D retrieve the rhythm data, whereby the current measure rhythm TRD (i) Is determined. If all measures are not completed in 12-7, 12-8
To locate the next measure and return to 12-2. If completed, the rhythm generation process ends. FIG. 8 shows a sound type sequence table NCD referred to in the sound type sequence generation process 4-7 in FIG. The tone type sequence table NCD is stored in the ROM 4 of FIG. The tone type sequence table NCD is a table in which the rhythm identifier of the current section or its characteristic identifier TRD is used as a first argument, the pitch index NC is used as a second argument, and the sound type sequence data is returned according to a combination of these arguments. The automatic melody generation system gives the meaning of the relative tone sequence to the tone sequence output from the tone sequence table NCD. Here, the relative tone sequence is a tone sequence for a reference pitch. In the table NCD, K1, K2, K3, and K4 in the tone type string data are the first chord constituent sounds viewed from the position of the reference pitch NOM, respectively.
This represents the second chord constituent sound, the third chord constituent sound, and the fourth chord constituent sound. In addition, st2, st4, and st6 represent the second scale sound, the fourth scale sound, and the sixth scale sound viewed from the position of the reference pitch NOM. This is a terminology used because the chord constituent sounds are also scale sounds, but from the standpoint of treating the chord constituent sounds and the non-chord scale sounds separately (in the conversion or development of tone sequence), st2 Is a first scale sound, st4 is a second scale sound, and st6 is a third scale sound. Further, + and-symbols are shown in the tone type sequence of the table NCD. This sign means the “direction” of the sound type. That is, + represents that the tone type is higher than the reference pitch NOM, and-represents that the tone type is lower than the reference pitch NOM. Therefore + K1
Represents the first chord constituent tone above the reference pitch NOM, and -K4 represents the chord constituent tone immediately below the NOM. This is because K1K2K3K4 is K1K2K3K4K1K2 with respect to the vertical direction (pitch rising direction).
This is because K3K4 is lined up. Similarly, st2st4s
t6 is st2st4st6st2 with respect to the rising direction of the pitch.
It is arranged repeatedly like st4st6. Therefore +
st2 means a scale sound just above the reference pitch NOM, and -st6 means a scale sound just below the NOM. In the sound type sequence generation process 4-7, the sound type sequence is generated by looking up the sound type sequence table NCD as described in FIG. FIG. 1 shows the details of the tone sequence generation process 4-7.
3 is shown. First, in the first step 13-1, the second bar is located (i = 2). In the first step 13-2 of the loops 13-2 to 13-7, the rhythm index R of the current bar is set.
If C (i) is equal to 1 bar E, the process proceeds to 13-3, where the tone type sequence TND (i) of the current bar is set equal to the tone type sequence of the motif (theme). In step 13-4, RC (i)
Is equal to repE, the routine proceeds to step 13-5, where the tone type sequence TND (i) of the current measure is set equal to the tone type sequence of the previous measure. The rhythm index RC (i) of the current bar is 1 bar
When a value other than E and repE is taken, Step 13-6
Then, the tone type sequence table NCD is looked up based on the rhythm identifier of the current bar and the pitch index NC (i) of the current bar, and the extracted voice type sequence data is stored in TND (i). If the processing has not been completed for all measures in step 13-7, the process returns to 13-2. If the completion of the process is detected in 13-7, the process returns. FIG. 14 shows a flow of the pitch sequence generation process 4-8. First, the second bar is located at 14-1. At the first step 14-2 of the loops 14-2 to 14-5, a tone type string conversion process (FIG. 15) is executed. Next, at step 14-3, a pitch sequence conversion process (FIG. 17)
Execute At 14-4, it is checked whether or not the end of the generated index record has been reached. If it has not been reached, the next measure is located (14-5) and the process returns to 14-2; otherwise, the process returns to the main process. FIG. 15 shows a tone type string conversion process 14-.
2 shows a detailed flow. The purpose of the note type string conversion processing, the relative note type sequence defined in relation to the reference pitch NOM, the note type column of the type defining a first chord member by the chord root is to convert. The musical reason why this conversion is necessary is to control the motion or voice reading between the reference pitch NOM and the pitch sequence in the current section.
The direct reason for the data processing is that a PC conversion table AV, which will be described later, employs a format in which the first chord component sound is defined by a chord route. In other words, the pre-processing for performing the desired pitch conversion in the PC conversion table AV is the tone type string conversion processing.

In order to achieve the above object, the tone type string conversion process creates a pitch class set X (t) of chord constituent sounds for the current tone determined by the tonal index in the first step 15-1 (t = 0 to 3). Next, in step 15-2, an element X (CN) located immediately above the reference pitch NOM in the chord pitch class set X (t) is found, and the CN is stored. In this embodiment, the last pitch of the previous bar (previous music section) is used as the reference pitch. Next, in step 15-3, a pitch class set Y (t) of the scale sound for the current tone is created. (T = 0
2) Then, set the scale pitch class set Y at 15-4.
In (t), the reference pitch, that is, the final pitch NO of the previous section
Find the element Y (SN) immediately above M and store SN. Finally, in step 15-5, each element TND (i, j) of the tone sequence of the current bar is developed (converted) using CN and SN. FIG. 16 illustrates the conversion of the sound type sequence.
In (a), the chord constituent sound located immediately above the reference pitch NOM is the third chord constituent sound K3 counted from the chord root. Here, the expression of K1 to K4 is K
1 means a chord root. That is, (a)
In (b), note types K1 to K4 and st2 to st
Reference numeral 6 denotes a sound type (a sound type set in which a chord root is a first chord constituent sound) defined in a PC conversion table AV described later . As shown in (a), when the chord constituent sound located immediately above the NOM (to be exact, the same pitch as the NOM) is the third chord constituent sound K3, 2 is set as CN. Is done. The detection of K3 is performed by setting the value of CN in step 15-2 in FIG.
In (b), the scale sound type st6 is detected as the scale sound located immediately above the NOM. At this time, 2 is set as SN. Step 15-4 in FIG. 15 performs detection of the scale tone type located immediately above the NOM and setting of the SN as in st6. CN = 2
For the setting of , the chord type tones of the current bar shown in FIG. 8 are converted as shown in FIG. That is, K1 is converted to K3, K2 is converted to K4, K3 is converted to K1, and K4 is converted to K2. Here, the chord constituent tone types before conversion (see FIG. 8) are tone types (relative tone types) viewed from the reference pitch NOM, and the converted tone types are tone types matched to the PC conversion table AV.
When SN is set to 2, the current SN shown in FIG.
The scale sound type of the bar is converted as shown in (d).
That is, st2 is st6, st4 is st2, st6 is s
Converted to t4. The note type sequence after note type column and converted after conversion and note type string before conversion to (e) shows an example of a pitch sequence obtained by passing <br/> to P C conversion table AV. In the converted tone sequence (K3, st6, K3, K2) of (e), the first tone is a chord component sound immediately above the reference pitch NOM, and the second tone is a scale tone. The scale sound type immediately above NOM in the middle, the third sound type is the chord constituent sound just above the NOM in the chord constituent sound, and
The third sound type is a chord component sound immediately below NOM. Now here has been described the note type string after conversion in relation to the NOM is precisely this is before the conversion note type sequence (+ K1, +
st2, + K1, -K4). As can be seen from the description of FIG. 16, in the tone type string conversion process in FIG. 15, the tone type sequence is converted in such a manner that the scale tone type and the chord type are handled separately. It should be noted that a pitch from the root of the reference pitch NOM is used as a first argument, and a tone type from a relative tone type table is used as a second argument, and a simple tone type conversion look that converts the tone type expression to a tone type suitable for the PC conversion table AV. By using the up-table, it is possible to obtain a result similar to the sound type sequence conversion in FIG. Obviously, such a conversion table performs the tone sequence conversion at a high speed. In the above-mentioned tone type string conversion processing, the number of chord sounds is four and the number of scale sounds is three. However, the number of chord sounds is other than four (for example, three), and the number of scale sounds is other than three (for example, four).
If one or more processes for converting tone types for each chord / scale are added, and which process is selected is determined by the tonal harmony information of the tonal index, a more preferable conversion result can be obtained. Pitch train conversion process 1 in FIG.
In 4-3, referring to the PC conversion table AV as shown in FIG. 9, a sound type sequence (a sound type sequence converted in the process 14-2)
Are converted to pitch. As shown in FIG.
The conversion table AV has a tonal harmony (chord function) information included in the tonality index as a first argument, a converted tone type is looked up as a second argument, and a pitch when a chord root is C as a conversion result. Outputs the class (in other words, the pitch data from the chord root). As described above, the PC conversion table AV in FIG. 9 defines the chord constituent sound K1 as a chord root.
Of these, the data in the column K1 is actually unnecessary. The data in the PC conversion table AV may be represented by a pitch from a key note. In this case, the pitch class of the key note, not the pitch class of the chord route (of the current section), is added to the output of the PC conversion table AV by modulo 12. In that case, the PC
Data (pitch data from the key note of the chord root) is also required in the K1 column of the conversion table AV.

The PC conversion table AV as described in FIG.
FIG. 17 shows a detailed flow of the pitch sequence conversion process 14-3 referring to FIG. The pitch sequence conversion process is the first step 1
At 7-1, the octave of the NOM, that is, the octave of the last sound of the previous section is taken out and loaded into the OCT. At 17-2, the sound counter i of the phrase is set to 1. Loop 17-
In the first step 17-3 from 3 to 17-4, the tone type item of the converted tone type array element TND (i, j) is substituted for the tone type NT, and the direction item of TND (i, j) is set in the direction F. I do.
In step 17-4, the PC conversion table AV is looked up using the tone type NT and the chord function (tonal harmony), and the result is loaded into P. Next, at 17-5, P = (P + root) mod12
By + OCT, the reference pitch NOM is set to the pitch class of the tone type NT (the pitch class when the tone type NT is viewed in the current tonality).
Add an octave. The result P is compared with the reference pitch NOM at 17-6, that is, the final pitch of the preceding section.
If P is lower, the direction F is checked at 17-10, and if the direction F indicates lower (-), P indicates a desired pitch.
Therefore, P is substituted for the current element P (i, j) of the pitch array.
If the direction F is up, one octave to P (+12)
To obtain a desired pitch P (i, j). P
Is higher than NOM (17-6), 17-7
Go to and examine F. If the direction of the tone type NT points upward (+) from the NOM, P indicates a desired pitch, and P indicates the current element P of the array as shown in 17-8.
(I, j). If the direction F is downward (-), P is lowered by one octave (by -12) and the desired pitch P (i,
j) is obtained. At 17-13, it is checked whether or not the end of the phrase has been reached. If the end of the phrase has not been reached, j is incremented (17-14), and the process returns to 17-3. 17-15 when the tone type has been converted to pitch until the end of the phrase
Then, the final pitch P (i, j) of the current phrase is substituted for NOM, and the process returns to prepare for pitch sequence conversion in the next bar. FIG.
The information indicating the theme melody as exemplified in FIG. 8 is included in the theme record of the theme bank described above. FIG.
FIG. 9 shows an example of a generated melody as an operation result of the embodiment. When the generation of the melody is completed as described above, the automatic performance of the generated melody is executed as shown by 4-9 in FIG.

As can be seen from the above description of the first embodiment (FIGS. 3 to 19), the automatic melody generating apparatus generates a melody by an approach based on a music database. Lookup tables RCL, R as music database
A phrase database including PD, NCD, and AV and a generation index table CED are used. The phrase database provides melody data in units of phrases instead of individual sounds. The generated index record associated with the phrase database indicates the expansion, transformation, and repetition of the phrase. Therefore, the present automatic melody generating device has a wide melody generating space and has a natural melody generating capability. Further, the melody generation program itself stored in the ROM 4 does not require a special data processing program. Therefore, the automatic melody generator has a capability of generating a melody at a high speed. Therefore, it is expected that a melody is generated in a real-time or near real-time environment in response to a melody generation instruction request from a user, and the generated melody is automatically played as a response to the user. However, as shown in FIG. 4, in the automatic melody generation device of the first embodiment of the related invention, the automatic melody generation device completes the melody generation in response to the melody generation request from the user, and then performs the automatic performance. Computer performance,
Depending on the processing speed, the waiting time (overhead time) from the user's request to the start of playing the generated melody may be a problem. This waiting time also depends on the number of music sections (bars) in the generated index record. For example, if there is a generation index record of 64 measures, it takes 64 seconds to complete generation of a melody of 64 measures, even if a computer having a processing capability that takes only one second to generate a melody of one measure is used. A delay of a few seconds is sufficiently real-time (for the user), but a one-minute waiting time is not real-time. One solution to this is to perform a melody generation process prior to an automatic performance process that is performed every time the music resolution elapses, and play the generated sound immediately in the performance process. However, with this method, data processing is concentrated when moving to a new bar. That is, when moving to a new bar, the melody generation process must determine the phrase in that bar and also generate the pitch data for that note if there is a note to play on the first beat of the new bar. This results in the first note of a bar being pronounced late. This is inconvenient for automatic performance. In view of the above points, a second embodiment of a related invention described below discloses a computer-based automatic melody generation device capable of real-time generation and performance response.

Hardware Configuration (FIG. 20) FIG. 20 is a block diagram of a typical hardware configuration that can be used to realize the automatic melody generating device according to the second embodiment of the present invention. In FIG. 20, RAM 34, sound source 3
6, sound system 38, keyboard 26, input device 20,
The display operation 30 is performed by the RAM in the hardware configuration of FIG. 3 described in the first embodiment (having imperfect real-time response characteristics for melody generation and performance).
6, sound source 12, sound system 14, display device 16,
It may have the same configuration as the input device 10 at the hardware level. On the other hand, the CPU 22 needs a processing capability to guarantee a complete real-time response when a control method described later is adopted. In other words, the system of the second embodiment requires computer processing capability to guarantee the melody generation capability for one measure while the automatic performance system performs one measure of automatic performance. However, this computer processing capacity is not particularly high, and is only sufficiently covered by the processing capacity of a typical microcomputer. Program R in FIG.
The program executed by the CPU 22 is stored in the OM 20. The data ROM 32 stores fixed data such as a theme table, a melody generation index table, and a phrase database as described in the first embodiment. The timer 24 is a programmable timer (that is, a timer whose value can be variably set via a data bus). Timer 24 is G time,
A signal for requesting an interrupt (INT) to the CPU 22 at the time of the GE time and the P time. This system has three processing systems (processes). The three systems are a main system (M system), a melody generation system (G system), and an automatic performance system (P system). The program ROM 22 has a program related to the M system (main program), a program related to the G system (generation program), and a program related to the P system (automatic performance program) in order to realize these three processing systems. In this system, the M system always exists (including the meaning of time division), while the G system and the P system exist when necessary, that is, when a melody is generated and when an automatic performance is performed.

Real-time control system (FIGS. 21 to 24) Next, the real-time control system of the present system will be described with reference to FIGS. FIG. 21 shows a state transition diagram of the system. It is assumed that the state of the system is in the M system. That is, it is assumed that the M system has the control right of the CPU 22 (the main program is being executed by the CPU 22).
The system state in which the M system becomes active shifts to a state in which the G system becomes active when the G time arrives. That is, the main program being executed is G
The melody generation program is interrupted by receiving a time interrupt request signal, and the CPU 22 executes the melody generation program for the G-system process. The G system process cannot occupy the CPU 22 indefinitely, and returns to the M system when the time is over. That is, the melody generation program being executed is interrupted by the GE time signal from the timer 24, the control of the CPU 22 is transferred to the main program, and the M-system process continues the main program instruction from the interrupted position. The state of the G system is P
The transition to the P system also occurs when the time arrives. That is, the running generation program is interrupted in response to the P time signal from the timer 24, and the automatic performance program CPU 22
Control. The automatic performance program is not limited in time and runs to the end. This is because the execution of the automatic performance program is completed in a very short time. When the state of the system changes from the G system to the P system due to the arrival of the P time, the system state returns to the G system when the P system ends. On the other hand, when the system state changes to the P system due to the arrival of the P time from the state of the M system, the system state returns to the M system with respect to the termination of the P system. FIG. 22 shows that the control method of this system is pipeline control using a single processing processor (CPU 22). That is, G
The system composes (i.e., generates a melody) for the i-th section in one section unit (one bar of music time). On the other hand, the P system plays the melody of the i section composed by the G system in the next one section.
In the same manner, the melody of the bar generated in the previous section time by the G system is automatically played in the current section time. For such pipeline operation by G system and P system,
The main system (M system) operates while the G system or the P system does not occupy the CPU 22.

The above control method will be further described with reference to a process chart shown in FIG. In FIG. 23, the main program is initially executed by the CPU 22. At the time corresponding to the point P1, the G time signal is generated from the timer 24. In response to this signal generation, the CPU 22 executes up to the instruction M1 of the main program running at that time, and the control of the CPU 22 shifts to a generation interrupt (generation program) as shown at a point Q1. The generation program occupies the CPU 22 for a time T and causes the CPU 22 to execute the generation program. Where T is G from timer 24
This is the length of time from when the time signal is generated until when the GE time signal is generated. The GE time arrives at the point Q2, and the G system (CPU) executes up to the generation program instruction G2 at that time, and then passes control of the CPU 22 to the main program. At this point (at the point P2), the CPU 22 resumes the execution of the main program from the instruction following the instruction M1. Thereafter, the main program is executed and indicated by a point P3.
Control of CPU22 when G data Im arrives again proceeds to generate the program again. Here, the CPU 22 restarts the generation program interrupted by the execution of the instruction G2 from the instruction following the instruction G2. The generation program is executed again during T, and then the control of the CPU shifts to the main program. Further, when the next G time arrives, the main program is interrupted at the point P5, and the generation program is restarted from the point Q5. Here, when a P-time signal is generated from the timer 24 during execution of the generation program, the generation program is interrupted. This is indicated by point Q6. That is, the generation program executes up to the instruction G6 and gives control of the CPU 22 to the performance interrupt (performance program). The execution of the performance program ends between point R1 and point R2. Upon completion of the performance program, the CPU 22 restarts the generation program from the position following the instruction G6, which is indicated by a point Q7. When the GE time comes again, the control of the CPU shifts to the main program. When a P-time signal is generated from the timer 24 during the execution of the main program, the CPU 22 interrupts the execution of the main program and executes the performance program. This is shown by points P7, R3, and R4 in FIG. FIG. 24 is a time chart showing that the control method of this system is time-division multi-process. The timer 24 generates a G time pulse every time the G time arrives, as shown in FIG. Further timer 2
4 generates a GE time pulse as shown each time the GE time arrives. Further, the timer 24 generates a P time pulse as shown in the figure every time the P time arrives. In FIG. 24, the time T from the generation of the G time signal to the generation of the GE time signal is the time allocated to the melody generation process (G process). The generation process allocation time T may be fixed in a system that has room for the entire process, but is preferably variable depending on the performance tempo in order to increase the performance of a low-speed system. The time from the GE time to the next G time is the time allocated to the main process (main program). Since the main program is a program that handles the input and output of the electronic musical instrument, a large response delay between the input and output is not desirable in order to perform a real-time response function as the electronic musical instrument. For this reason, the main program is executed in a time-division manner even when the melody generating operation is being performed. However, depending on the processing capacity of the CPU 22, the main program may not be able to provide sufficient input / output processing during the melody generation work. In such a case, it is possible to design so that a part that is not particularly important in the main program is skipped. The generation cycle of the G time signal is preferably determined in consideration of the time for one round of the flow of the main program that determines the normal input / output response of the electronic musical instrument. In an environment where the data processing amount of the G process (and the M process) is sufficiently larger than the data processing amount of the P process, it is convenient that the generation period of the G time signal and the GE time signal is sufficiently shorter than the generation period of the T time signal. . The generation period of the P time signal determines the music resolution time RES in the automatic performance. The music resolution time RES is naturally inversely proportional to the performance tempo. That is, for example, if the tempo is doubled, the music resolution time is halved.

When the basic performance of the system is critical to the melody generation process (it is full), it is very effective to change the melody generation process allocation time T depending on the tempo.
That is, the net time for generating a melody for the G system is independent of the performance tempo. However, according to this control scheme, P system is played pipeline scheme melody information G system is generated as shown in FIG 2. Here, the performance of the P system naturally depends on the performance tempo. That one section Time 2 2 is inversely proportional to the performance tempo. On the other hand, G system is 1
The time required to generate a melody for a section depends on the phrase generation index information, the number of sounds of the generated phrase, etc., regardless of the time of one section. For Generally speaking system performance melody generation process as will be realized assigned time T pipeline control as described in FIG. 2 2 set to be longer when the tempo is fast and the generation process when critical There is a need to. Thus to set the time data of the G-time in accordance with the performance tempo when setting the time data from the CPU 2 2 to the timer 24 through the main program is desired.
The time (worst time) required for the G system to generate a melody for one section is the key to the phrase generation index information. Therefore , it would be optimal to fill in the phrase generation index record with information on the worst time required to generate the melody for the record, and thereby determine the allocation time T of the generation process. FIG. 22 shows the pipeline control for each section as shown in the figure assuming that the system can complete the composition (melody generation work) for one section within the performance time of one section, but the performance of the system is further improved. In severe cases, it is desirable that the melody generation work by the G system be performed continuously under time division control. In other words, since the time required to generate a phrase in a music section (measure) varies depending on the music section (measure), the G system is operated continuously (under time division control) to absorb the variation, and the melody work Is desirably performed continuously. In short, P system (automatic performance system)
By the time the automatic performance system controls the sound extinction of the desired sound at the desired timing so that the problem of the tempo shift or the interruption of the sound does not occur in the automatic performance process in which the performance tempo must be maintained by the G performance, It is necessary to complete the sound generation work. As described above, FIGS.
By adopting the control method described in 24, even a computer-based system with relatively limited performance can perform melody generation and performance as fast as possible, providing a real-time composition environment for the user. I do. The control principle of this system is to combine a time-division control method and a pipeline control method for multi-processes (main process, generation process, performance process) in a computer-based system having a single CPU for real-time response characteristics of the system. It is something.

Details (FIGS. 25 to 47) The details of the second embodiment of the related invention will be described below. FIG. 25 shows the flow of the main process (simplified flow of the main program). The main program executed by the CPU 22 in 25-1 scans the input device 28 and the keyboard 26. Hereinafter, the main program inspects the states of the input device 28 and the keyboard 26 that have been scanned and executes the corresponding processing. Processing of the main system involved with automatic Merode I live formation of those processing are shown in 25-2～25-9. Other processing are shown as box 25-1 0. That is, when a tempo change is input by operating the tempo volume 28T (25-2), new tempo data is written to a tempo register in the RAM 34 corresponding to the position of the tempo volume (25-3). When a theme selection is input from the theme selection input device 28M (25
-4) Theme selection (FIG. 36) processing 25-5, CED record selection (FIG. 37) processing 25-6, and GP process setting (FIG. 38) processing 25-7 are executed. In this example, the system enables the GP process in response to a theme selection input through processes 25-5 to 25-7, so that a melody generation and performance processing system is started. That is, the theme selection input is used as an input for requesting generation and performance of a melody. When a key instruction is input from the transpose key 28K (25-8), a key note update process 25-9 is executed, and the updated key note data is stored in a key note register in the RAM 34.
In order to reduce the processing load on the CPU 22, the input device 28
And hardware for scanning the state of the keyboard 26 (key scanner circuit interface). FIG.
6 shows the flow of the generation (G) process (schematic flow of the generation interrupt program). P_B entry odor generated interrupt program Te as indicated by the 2 6-1
It is checked whether AR = G_BAR , that is , whether the measure currently played by the performance process is equal to the generation measure (measure for which the generation process has completed phrase generation). Since the performance measure is the generation process if the previous measure than generating bar is still no need to generate a phrase for the new bar (see Figure 2 2) as they return. If performance bar = generation bar (26-1), the melody of the bar must be generated before the P process starts playing the next bar. Therefore, the generation process increments the generation bar number G_BAR as shown in 26-2, and
As shown in FIG. 39, a melody is generated for G_BAR (details are shown in FIG. 39). If there are no bars to be generated (when the melody generation for the last bar of the generated index record has been completed), the G_BAR is determined in step 26-3.
ML is established. In this case, since the generation process stops the generation process, the generation interrupt prohibition process 26-
Execute 4 and return. Generating interrupt prohibition process by CPU 2 2 in a state where even G time signal is generated from the subsequent timer 24 does not accept the interrupt (a state in which the main program is not interrupted). Since this interrupt prohibition technique is well known, further description is omitted.

As described above, the allocation time of the generation process is limited to the time T (see FIG. 24), and is interrupted when a time over occurs, and is interrupted when the M system (main program of the main program) is executed according to the state transition diagram shown in FIG. Execution state). Also, if a P-time signal is generated from the timer 24 during the execution of the generation program, the control is interrupted and the control of the CPU 22 shifts to the performance program. Therefore, it should be noted that the generation program is executed in a fragmentary manner, and not all the processes shown in FIG. 26 are executed in one allocation time.
FIG. 27 shows the flow of the performance (P) process (the flow of the automatic performance program). The performance program is all executed up to the illustrated return position every time the control right of the CPU 22 is acquired. The performance program immediately follows the interrupt request signal due to the P time signal from the timer 24 (after the interrupted program has completed the operation of the current instruction and the instruction address of the resumed program has been saved in the return instruction address register). Is activated. First (27-
1) It is checked whether or not it is the melody sound generation timing. If it is a sounding timing, sounding processing is executed for the sound source 36 (27-2). Next, it is checked whether or not it is the melody sound silencing timing (27-3). If the melody sound is silencing timing, the sound source 36 is subjected to a silencing process 27-4. Then 27
A register T for counting signal pulses of P time placed in the RAM 34 at -5 (the generation process described above)
(Other than the assigned time T) . In this example, the number of music resolutions per bar is 16. Therefore, if T = 16 (27-6), T is returned to 0 to indicate the start of a new measure (27-7).
Is incremented (27-8). P_B at 27-9
It is checked whether or not AR> ML , that is , whether or not there is a bar to be played. If there is a bar remaining, the sound generation buffer is switched (27-11), and the number of processed sounds P in the bar is initialized to 0 (27). -12). P_BAR> ML (27-
When 9) is satisfied, since the performance has been completed for all the melodies generated based on the generated index record, a performance interrupt prohibition process 27-10 is executed to stop the activity of the P process, and the process returns. Thereafter, even if a signal of P time is given from the timer 24 to the CPU 22, the interrupt request is not accepted. Therefore, the performance program is not executed thereafter. FIG. 28 shows a main register group relating to automatic melody generation and performance . All of these registers are located in the RAM 34. The register KEY stores the pitch class of the key note. The register MR stores the rhythm identifier of the motif (the selected theme). The register MP stores the tone type string identifier of the motif. The register PR stores the rhythm identifier of the previous bar. The register PP stores the note type string identifier of the previous bar. The register NOM stores the last pitch of the previous bar. The register REC stores the selected CED record address. The register ML stores the number of measures in the selected CED record. The register G_BAR stores the generated measure number as described above. The register P_BAR stores the performance bar number as described above. The register P stores the number of processed sounds. The contents of the registers are initialized in the main process 25-5, 25-6, 26-7. During the activity, the G system will use the rhythm identifier P
R, note type string identifier PP of previous bar, final pitch N of previous bar
OM, rewrite generated bar number G_BAR (write access from generated program). There is no other system that has write access to these registers while the P system is active.
The P system rewrites the performance bar number P_BAR and the number P of processed sounds as appropriate during the activity. During the activity of the P system, only the automatic performance program performs write access to P_BAR and P.

The register TOAL stores the tonality identifier. The register ROOT stores the pitch class of the chord route. The register STR stores the musical expression. The register CMP stores the comparison rhythm type. The register RI stores the selected rhythm index. The register PI stores the selected pitch index. The register CR stores a rhythm identifier. The register CP stores a tone type string identifier.
The register NO stores the number of sounds. The register NT (1) stores the first tone type number. The register NT (2) stores the second tone type number. Similarly, the register NT (I) stores the I-th sound type number. The register D (1) stores the first sound type direction. The register D (2) stores the second sound type direction. Similarly, the register D (I) stores the direction of the I-th sound type. The register A (1) stores an accidental symbol of the first tone type. The register A (2) stores an accidental of the second tone type. In the same manner, A (I) stores accidentals of the I-th sound type in the same manner. Of these registers, TONAL and RO
OT and STR are information extracted from the phrase index information written in the bar section of the selection generation index record. RI is rhythm index information selected from rhythm index candidates in the bar section of the selected CED record. Similarly, PI is pitch index information selected from pitch index candidates in the bar section of the selected CED record. The comparative rhythm type CMP is an information word obtained by passing a musical expression STR through a look-up table RCL. The rhythm identifier CR is information for identifying the rhythm of the current section (current bar). The note type string identifier CP is information for identifying the relative note type string of the current bar. The number of notes NO represents the number of notes in the current bar. The sound type number, the sound type direction, and the accidental symbol are initialized by the sound type data of the sound type sequence obtained by drawing the relative sound type sequence table. There are two sounding buffers, T1 and T2.
While the G system writes the generated melody data in the sound generation buffer T1, the P system decodes the data written in the sound generation buffer T2 and performs an automatic performance. The sounding buffer written by the G system and the sounding buffer read by the P system after one bar have elapsed are switched. As shown in FIG. 29, the tone generation buffer T1 is used for odd-numbered measures and the tone generation buffer T2 is used for even-numbered measures. Structure of each sound buffer one word pronunciation patterns, consisting of one word silencer patterns and sounds fraction bits <br/> word measure. In the case of 16 bits / word, the sounding pattern KP is as shown in the lower part of FIG. 29 (an example of the sounding pattern written in the sounding pattern word register by the G system). 16-bit word KP of the bit position is the measure 1
Each timing is shown when it is divided into six equal parts. Bit "1" in the bit position indicates that the timing of the sound event. Therefore, as shown in FIG.
The sounding pattern of 0010001000 indicates that there is sounding at the first beat, the second beat, the third beat, and the fourth beat.
The expression form of the muffling pattern word is the same as the pronunciation pattern word. In this example, one measure is divided into 16 equal parts (the musical resolution per measure is 16). If the musical resolution per measure is to be, for example, 48, the sounding pattern may be constituted by three 16-bit words. . The word count of the data length of a word in a computer system (bi <br/> Wattage), in this case, is a matter which depends on the memory word length / address RAM 34. The rhythm information set in the sound generation pattern or the mute pattern word by the G system is transmitted every time the music resolution time elapses in the P system (automatic performance program) , that is , the signal of the P time is output from the timer 24 to the CPU.
Each time the automatic performance program is executed, the data is shifted left by one bit. By checking the result of the carry, it is possible to check whether the current time is the sounding event time or the mute event time.

Next, a database for the automatic melody generator (theme bank, melody generation table CED, compared rhythm table RCL, rhythm table R P D, the relative note type string table NCD, PC conversion table AV) for implementing the The memory configuration will be described. Arguments must be determined and used in order to access (access) each table in the database, but search key data for matching with the arguments is not necessarily required in the table memory to be searched. Rather, in order to reduce the storage capacity of the table and increase the search speed for the table, argument data (search key data) is not provided in the table, and the address of the item to be looked up from the table can be calculated immediately from the input of the argument. It is desirable. The storage format of various tables described below follows the above principle. Note desirably fast search, such as 2 minutes Toki (binary) search by arranging the search key on the magnitude order of the storage address is the so performed in the case where the search key item in the record of each table. FIG. 30 shows a memory configuration of the theme table. The theme header memory HTM stores the theme table main memory TM at even addresses (relative addresses).
Is stored, and the compatibility record address in the compatibility table memory MATE is stored in the odd address. The relative address of the theme header memory HTM is associated with the selected theme number selected via the theme selection input device 28M. That is, the theme header memory HT specified by the selected theme number × 2
The theme record address for the selected theme is stored in the relative address of M, and the address of the compatibility record for the selected theme is stored in the next address. The theme record in the theme table main body memory TM includes the following items. That is, the motif rhythm identifier (1 word), the motif sound sequence identifier (1 word), the motif pronunciation pattern (1 word), the motif silence pattern (1 word), and the pitch items for each number of motif sounds (1 each)
Bytes). Each compatibility record in the compatibility table memory MATE includes the following items. That is, a CED record (1 word) conforming to the selected theme and each conforming CE
These are address items (each one word) of the D record. FIG. 31 shows a memory configuration of the generation index table CED. The address to the CED memory can be immediately made using the CED record address read from the compatibility table memory MATE. Each CED record consists of the following items. That is, the number of measures (1 word) and the generated index terms (G_BAR terms, phrase terms) for each measure. Each bar term is composed of 5 words. The first word contains information on the tonality index and the music style index. The tonality index is composed of 10 bits, of which 6 bits are assigned to the tonality identifier and 4 bits to the frequency.
The second word and the third word are used for a rhythm index candidate group. That is, the first 4 bits of the second word are assigned to the number of rhythm index candidates, and the rhythm index elements RI1 and RI correspond to the number of candidates below.
.. Are assigned with 4 bits each. The fourth word and the fifth word are allocated to a pitch index candidate group. The storage format is the same as that of the two words of the rhythm index. The first 4 bits of the fourth word are assigned to the number of pitch index candidates, and each pitch index candidate PI1, PI2,... Is represented by 4 bits. Therefore, each bar (G_BAR) term can have up to seven candidates for the rhythm index as well as up to seven candidates for the pitch index.

FIG. 32 shows a comparative rhythm table memory RC.
L. The selected musical data SPR (G in FIG. 31)
The relative address of the item to be extracted from the table RCL is determined by the musical expression data read from the BAR term). In that item, comparative rhythm type data for the musical style STR is written. FIG. 33 shows the memory configuration of the rhythm table. The RPD header memory HPRD specifies a relative address of the rhythm table with respect to the main memory RPD at each address (a rhythm sounding pattern is written at the relative address of the memory RPD and a mute pattern is written at the next address). Is written. R
The relative address to the PD header memory HPRD is relative address = (S1 × S2) × RLM + S2 × RLB + R
(Where S1 is the total number of rhythm types,
S2 is the total number of rhythm indexes). That is, when the comparative rhythm type RLM, the rhythm type RLB of the previous section, and the rhythm index RC are given as arguments to the rhythm table, the relative address is calculated according to the above equation, and RP
By addressing the D header memory HPRD, a rhythm identifier corresponding to the combination of its arguments can be immediately searched, and furthermore, by addressing the main memory RPD of the rhythm table using the rhythm identifier, a desired rhythm sounding pattern can be obtained. Information on the muffling pattern can be immediately obtained. Data (rhythm identifier) at different addresses in the RPD header memory HPRD may have the same value. This means that the target rhythm (the rhythm in the current section) does not have a one-to-one correspondence between the combination of the arguments including the comparative rhythm type, the rhythm type of the previous section, and the rhythm index RC. That is, the memory configuration of the rhythm table shown in FIG. 33 enables direct search to the rhythm table,
This is to save the storage capacity of the memory. FIG. 34 shows the memory configuration of the tone type sequence table NCD. The NCD header memory HNCD stores a tone type string identifier at each address. This tone type string identifier specifies a tone type string record on the NCD main body memory NCD. Given the rhythm identifier CR of the current section and the pitch index PI of the current section, the relative address of the sound type string identifier indicating the sound type string of the current section for the combination is relative address = PI + (CR × S1)
(Where S1 is the total number of rhythm types).
Therefore, a tone type string record and a tone type string identifier corresponding to the combination can be immediately obtained from the rhythm identifier of the current section and the pitch index of the current section. Each tone type string record in the NCD main body memory NCD includes the following items. That is, there are an item of the number of sounds (one word) and an item of a sound type corresponding to the number of sounds (each one byte). Therefore 1
Two tone type data are stored per word. The word structure is shown in the lower part of FIG. As shown in the figure, each note type field has a note type field and an accidental field (#
/ ♭ /

[Outside 1] ) And a sound type number field. The direction indicates whether the tone type is above or below the reference pitch NOM. The tone type numbers are the first chord constituent sound (= 0), the second chord constituent sound (= 1),
Third chord constituent sound (= 2), fourth chord constituent sound (=
3), second scale sound (= 4), fourth scale sound (=
5) or the sixth scale sound (= 6). The accidental field is used to raise or lower the generated pitch by a semitone. FIG. 35 shows the memory configuration of the PC conversion table. PC conversion table AV is continuous 7
The PC data of each tone (the pitch data of the tone from the chord root) is stored in the word. When the tonality identifier TOnal written in the bar of the generated index is taken out, the value obtained by multiplying the value by 7 is the relative address of the storage location where the target PC record (7 words) is written in the PC conversion table memory AV. To identify. PC conversion table memory AV
In each PC record, the first word is the first chord constituent sound K1
PC data, the second word is the P of the second chord constituent sound K2
C data, the third word is PC data of the third chord sound K3, the fourth word is PC data of the fourth chord sound K4, the fifth word is PC data of the second scale sound st2,
The sixth word stores the PC data of the fourth scale sound st4, and the seventh word stores the PC data of the sixth scale sound st6.

FIGS. 36 to 47 show detailed flows of the respective processes. FIG. 36, FIG. 37, and FIG. 38 each show a theme selection block 25- in the main process (FIG. 25).
5 is a detailed flow of a CED record selection block 25-6 and a GP process setting block 25-7. FIG.
Is the block 26 of the generation interrupt process (FIG. 26)
-5 (G Details of melody generation for BAR). The first block “G” in the flow of FIG. 39 BA
Details of the “R index determination” are shown in FIG. BAR comparison rhythm lookup ”is shown in FIG.
The third block "G "BAR rhythm generation"
In the fourth block "G BAR sound type sequence generation ”is shown in FIG.
Third, the fifth block “G 44 to 46. Details of the "BAR sound type sequence conversion" are shown in FIGS. 44 to 46. FIG. 47 shows a sound generation timing test 27-1, a sound generation process 27-2, and a mute process 27- in the performance interrupt process (FIG. 27).
4 is shown in detail. These flows (FIGS. 36 to 4)
The operation of (flow 7) is based on the description in the figure itself and the first and second
Since the embodiments are apparent from the above description, further description will be omitted. As described above, the description of the first embodiment of the related invention has focused on the melody generation technology based on the music database. As is clear from the description of the first embodiment, the present automatic melody generating device generates a melody in units of phrases. The phrase here is formed by selecting and synthesizing phrase components in a phrase database according to a generation index or the like. Therefore, the naturalness of the completed phrase is guaranteed.
Expansion of phrases according to the generated index information,
Deformation and repetition can be controlled as desired. One aspect of the generated index information is that, when a theme is given, expansion, deformation, repetition of the theme, or an instruction to generate a motif different from the motif of the theme is described for the phrase database. Therefore, the advantages and features of the automatic melody generating device of the related invention described through the first embodiment are at a level that cannot be achieved by the conventional technology, and a rich melody with musical characteristics can be provided. Is to be able to generate a melody in a short period of time that matches the composition environment. Second related invention
In the description of the embodiment, a system control method that enables (or facilitates) real-time response to a request from a user when a music device such as an automatic melody generating device is realized by a computer-based system including a single CPU. Focused on. This control method is not limited to a database-oriented melody generating device or a music device, and has a wide application range. Speaking of the relationship with the automatic melody generation device, for example, even if a melody of one bar requires several seconds of processing time, the melody of any bar number can be generated and played in a real-time environment by adopting this control method. Can be provided.

Modifications The embodiments of the related invention have been described above, and the embodiments of the invention incorporated in the embodiments have been described. Various modifications and applications are possible within the scope of the related invention or within the scope of the invention. For example, in the embodiment, the music database (generation index table theme bank, phrase database) is provided in the ROM of the internal memory, but information of the music database may be stored in an external storage device (for example, CDROM). Such an external storage device can have a music database for each song style (music style). When the system operates, a required data group is loaded into the RAM of the internal memory, and the system automatically generates a melody based on the loaded data. For example, when a music style is selected on the device main body side, a music data group (phrase database or the like) belonging to the music style is loaded into the internal RAM, and a desired melody can be generated by the specified music style. Also, as a simple configuration example of the automatic melody generation apparatus of the related invention, a plurality of phrases (each composed of a rhythm and a pitch sequence) are put in a phrase database, and the connection or transition between the phrases is designated by a melody generation index. It is possible to adopt a configuration for performing the above. In this case, the phrase generation record, which is an information processing unit of the generation index table CED, includes an identifier of the record, a phrase identifier group indicating some phrases in the phrase database as information indicating a group of candidates for the next phrase, and A record identifier paired with the phrase identifier is entered (a command indicating no next phrase, that is, a command indicating the end of the melody may be included in the candidate group instead of the monitoring means described later). In operation, the automatic melody generating device takes out one record of the CED table and randomly selects a pair of a phrase identifier and a record identifier from a plurality of pairs of information. Next, using the selected phrase identifier, the automatic melody generating device extracts the phrase data indicated by the phrase identifier from the phrase database and passes it to the automatic performance system. At the same time, the automatic melody generating device searches the generated index table CED for the next record using the selected record identifier, and repeats the above processing. By adopting such a configuration, the development and deformation of the phrase can be controlled as desired. Further, in addition to such a configuration, the automatic melody generating device is provided with a means for monitoring a sequence of phrase identifiers that are sequentially selected, and when the monitoring means matches the melody end pattern (cadence), automatic melody generation is performed. It can be terminated. Further, the monitor means is provided with a means for comparing a string of the selected phrase identifier with a pattern (for example, a semi-finished form or a pseudo-finished form) representing a paragraph point of music, and the next paragraph is detected when a match with the pattern of the paragraph point is detected. The phrase for the start of a (phrase) may be generated by an appropriate method. This can be realized, for example, by providing a passage start table. Each record of the passage start table has an item of a phrase identifier pattern (for example, a strict end form or a semi- or false end form) indicating a paragraph end form (used as a search key) and an item corresponding to the above-described phrase generation record (here In this example, a phrase identifier group that can be used as a phrase start phrase and a phrase generation record identifier attached to each phrase identifier in the group are provided. The monitor means compares a row of phrase identifiers selected for the generation of the melody with a search key of this table, and when a match is detected, one of a pair of a pair of a phrase identifier and a record identification associated with the search key. One pair is selected, the phrase data for starting a new phrase is retrieved from the phrase database using the phrase identifier of the selected pair, passed to the automatic performance system, and the next phrase generation record is accessed using the record identifier of the selected pair. . It should be noted that a command for terminating the automatic melody generation may be included in these pairs. Thus, the phrase generation records are networked, and the network (of the phrase generation records) represents a collection of phrase sequences or melody generation indexes. In another configuration example, a plurality of phrase data representing a tone sequence and a rhythm are prepared in a phrase database, and the generated index table has the same configuration as the above, and according to the tonality when the tonality progress is given from the outside. May be converted to a pitch sequence. Such tonality progression can be performed, for example, by inputting a chord progression from a keyboard by a user. However, means for obtaining tonality progression from chord progression is required (for this technique, see, for example, Japanese Patent Application No. 3-68922). With such a configuration, the automatic melody generation device can automatically generate and play a melody in real time in response to a chord progression input in real time from a user. It is also possible to automatically generate a melody in response to a theme performance input from a user within the scope of the related invention. For this, for example, a matching means for comparing the theme inputted in the performance with the theme group built in the system is provided, and a theme corresponding to (close to) the theme inputted in the performance is selected from the theme database.
Thereafter, the melody can be automatically generated by the method described in the embodiment. Various other modifications are possible within the scope of the present invention.

[0031]

As described in detail above, the sound string forming apparatus according to the present invention forms a sound string for an automatic performance or the like by a method completely different from the conventional one. According to the present invention, a tone sequence (information of a tone sequence of a tone) is used as original data, and the tone sequence data is converted into a pitch sequence (specifically, based on desired music background information and reference pitch data). (Information representing a tone sequence of pitches). Therefore, according to the present invention, a pitch sequence suitable for a desired music background (key and chord) and a desired music situation (tone range) can be automatically reproduced without using information of a specific pitch sequence as original data. Can be provided for.

[Brief description of the drawings]

FIG. 1 is a functional block diagram of an automatic melody generation device showing the principle of a related invention.

FIG. 2 is a functional block diagram showing main functions of an automatic melody generating device incorporating the sound sequence forming device according to the embodiment of the present invention.

FIG. 3 is a block diagram of a typical hardware configuration for realizing the automatic melody generation device of FIG. 2;

FIG. 4 is a general flowchart of a melody generation process of the apparatus of FIG. 3;

FIG. 5 is a diagram showing a generated index table.

FIG. 6 shows a comparative rhythm table.

FIG. 7 is a diagram showing a rhythm table.

FIG. 8 is a diagram showing a sound type sequence table.

FIG. 9 is a diagram showing a PC conversion table.

FIG. 10 is a flowchart of theme selection.

FIG. 11 is a flowchart for determining a generation index.

FIG. 12 is a flowchart of rhythm generation.

FIG. 13 is a flowchart of generating a sound type sequence.

FIG. 14 is a flowchart of pitch sequence generation according to the embodiment.

FIG. 15 is a flowchart of sound type sequence conversion.

FIG. 16 is a view for explaining sound type string conversion according to the embodiment;

FIG. 17 is a flowchart of pitch sequence conversion.

FIG. 18 is a diagram showing an example of a theme in a musical score.

FIG. 19 is a diagram showing an example of a generated melody in a musical score.

FIG. 20 is a block diagram of a typical hardware configuration for realizing the automatic melody generation device of FIG. 2;

FIG. 21 is a system state transition diagram of the apparatus in FIG. 20;

FIG. 22 is a time chart showing a pipeline control method in the apparatus shown in FIG. 20;

FIG. 23 is a process chart between programs in the apparatus of FIG. 20;

FIG. 24 is a time chart showing the time division method of the apparatus shown in FIG. 20;

FIG. 25 is a flowchart of a main process.

FIG. 26 is a flowchart of a generation interrupt process.

FIG. 27 is a flowchart of a performance interrupt process.

FIG. 28 is a diagram showing main variables used in the apparatus of FIG. 20.

FIG. 29 is a diagram showing a dual sound generation buffer.

FIG. 30 is a diagram showing a memory configuration of a theme table.

FIG. 31 is a diagram showing a memory configuration of a generation index table.

FIG. 32 is a diagram showing a memory configuration of a comparative rhythm table.

FIG. 33 is a diagram showing a memory configuration of a rhythm table.

FIG. 34 is a diagram showing a memory configuration of a sound type string table.

FIG. 35 is a diagram showing a memory configuration of a PC conversion table.

FIG. 36 is a flowchart of theme selection.

FIG. 37 is a flowchart of CED record selection.

FIG. 38 is a flowchart of GP process setting.

FIG. 39 is a flowchart of melody generation for one music section.

FIG. 40 9 is a flowchart of BAR index determination.

FIG. 41 9 is a flowchart of a BAR comparison rhythm lookup.

FIG. 42 9 is a flowchart of BAR rhythm generation.

FIG. 43 9 is a flowchart of BAR sound type sequence generation.

FIG. 44 9 is a flowchart of a first part of BAR sound type sequence conversion.

FIG. 45 is a flowchart of the second part.

FIG. 46 is a flowchart of the third part.

FIG. 47 is a diagram showing each flow of sounding timing, sounding processing, and mute processing.

[Explanation of symbols]

 303 Relative tone type sequence table 212 Motion control logic 216 Read-back tone type sequence 304 PC conversion table 402 Pitch sequence 4-7 Pitch type sequence generation (tone type sequence providing means) 4-8 Pitch sequence generation (pitch sequence forming means) NOM reference pitch NCD tone type table (tone type storage means) TND (i) tone type sequence TND (i, j) tone type P (i, j) pitch (a type converted to a pitch) )

──────────────────────────────────────────────────続 き Continued on the front page (58) Field surveyed (Int. Cl. ⁷ , DB name) G10H 1/00 101-102 G10H 1/36-1/42

Claims (4)

(57) [Claims] A vertical component of each tone forming a tone sequence is extracted.
Elephant specific and note type sequence providing means for providing the note type string representing the type (sound type) of sound, and music background applying means for applying the information of the desired music background, reference sound Ru gives information of the reference pitch Pitch providing means and the reference pitch given from the reference pitch providing means
The sound given from the tone sequence providing means as the pitch of the sound
A music sequence provided from the music background providing means
By converting based on the said reference pitch to the pitch sequence representing the vertical component of each tone in a concrete <br/> pitch, the reference
A pitch sequence converting means for forming a pitch sequence that follows the pitch, the sound sequence forming apparatus characterized by having a. 2. The vertical component of each tone forming a tone sequence is extracted.
A note type sequence providing means for providing the note type string representing the type of elephant sounds (sound type) sequentially, Ru gives a music background applying means for applying the information of the desired music background, the information of the reference pitch reference A pitch assigning means, and a tone type sequence given from the tone type sequence assigning means ,
Music background given by the background giving means and the reference pitch
Of each musical tone based on the reference pitch given by the
Pitch sequence conversion means for sequentially converting the direct component into a pitch sequence expressed by a specific pitch , wherein the reference pitch providing means has already been converted by the pitch sequence conversion means.
The specified pitch in the converted pitch sequence is used as the reference pitch.
Giving a sound sequence forming device. 3. The sound sequence forming apparatus according to claim 1, wherein
, Each music back tone pitch information for each of a plurality of different sound type
Further have a storage means for Jing by the storage, the pitch sequence converting means, provided from the musical background providing means
Music background and the reference pitch giving means
According to the reference pitch and the content stored in the storage means,
Converting a note type string given from the column providing means to the pitch column, the sound sequence forming apparatus characterized by. 4. A sound sequence forming apparatus according to claim 1 or 2, wherein, the information of the music background sound sequence forming apparatus, characterized in that the information of the tone and chord.