JP3113755U

JP3113755U - Shamisen strap

Info

Publication number: JP3113755U
Application number: JP2005001833U
Authority: JP
Inventors: 次郎福本
Original assignee: 次郎福本
Priority date: 2005-03-05
Filing date: 2005-03-05
Publication date: 2005-09-22
Anticipated expiration: 2011-03-05

Abstract

【課題】三味線演奏時の本体位置の安定と力的な保持バランスの安定性確保を提供する。
【解決手段】ストラップ金具を三味線に嵌め込む事で、従来の２点支えを１点支えにし、三味線本体が上下、前後、左右に不安定に動くのを制御できました。不安定だった力配分＜三味線本体の保持と演奏動作との腕力配分＞も安定しました。動き、歩き、移動しながら的確な演奏動作を継続する事が容易になりました。
【選択図】図１The present invention provides a stable body position and a stable holding balance during a shamisen performance.
[Solution] By fitting the strap bracket into the shamisen, the conventional two-point support can be changed to one point, and the shamisen body can be controlled to move up and down, back and forth, and from side to side. The unstable power distribution <arm power distribution between holding the shamisen body and performance> has also stabilized. It has become easier to continue accurate performance while moving, walking and moving.
[Selection] Figure 1

Description

この考案は、三味線演奏時に使用するストラップの形状と取り付け方に関するものである。 This invention relates to the shape and attachment of a strap used when playing a shamisen.

従来のストラップはギター形式で図４に示す様に、三味線の上駒部と中子先を結んでストラップとしています。ギター形式では三味線本体が上下、前後、左右に動き、的確な演奏動作＜弦押さえ、左手指の移動、撥捌き、など＞に支障がありました。加えて、我が県の有名な祭り“阿波踊り”では立ち、動き、歩き移動しながらの演奏には不都合でした。 As shown in Fig. 4, the conventional strap is a guitar-type strap that connects the upper piece of the shamisen with the tip of the core. In the guitar format, the shamisen body moved up and down, back and forth, and left and right, and there was a problem with the correct performance (string holding, left finger movement, repelling, etc.). In addition, it was inconvenient to perform while standing, moving and walking at the famous festival “Awa Odori” in our prefecture.

この考案は、本来の三味線の演奏の構えは、正座位で胴部が右膝の上にあり右腕で三味線を支えます。立ち姿での演奏も同じ位置に固定しなければ演奏には不都合で、従来のギター形式のストラップで不都合だった三味線本体の保持と演奏時の安定性確保提供することを課題とする。This idea is that the original shamisen performance posture is the sitting position with the torso on the right knee and the right arm supporting the shamisen. If the performance in standing position is not fixed at the same position, it is inconvenient for performance, and it is an object to provide a shamisen main body that is inconvenient with a conventional guitar-type strap and to ensure stability during performance.

以上の課題を解決するために、考案は、三味線の形状を考慮した図１のＢａｂＣｃに示す曲線をここの三味線形状に会わせて簡単に調節出来る金具を図２の様に三味線の棹部と胴部の間に嵌め込むことを特徴とするストラップである。 In order to solve the above-mentioned problems, the idea is to create a metal fitting that can be easily adjusted by matching the curve shown in B ab Cc of FIG. 1 considering the shape of the shamisen with the shape of the shamisen as shown in FIG. It is a strap characterized by being fitted between a part and a trunk part.

考案の金具を胴部と棹部の接点に嵌め込む事によって、１点で三味線を支持する為にギター形式の２点支持方法では得られなかった三味線本体の保持と演奏時の安定性を可能にし、動きの激しい“阿波踊り”の演奏も容易になります。 By fitting the devised metal fitting into the contact point between the body and the buttocks, it is possible to hold the shamisen body, which was not possible with the two-point support method of the guitar type, so that the shamisen can be held at one point, and stability during performance In addition, it is easy to play “Awa Odori” with a lot of movement.

この考案の実施形態を図３に示す。
考案金具を胴から抜いた棹の先から鳩胸まで通して嵌め込み胴部に差し込んで組み立てます。胴部と鳩胸の間に出ている金具の穴にフックでストラップ紐を接続して、演奏者に最適の位置なるように紐の長さを設定します。An embodiment of this device is shown in FIG.
Assemble the devised metal fittings from the tip of the collar pulled out from the trunk to the pigeon chest and insert it into the trunk. Connect the strap string with the hook to the hole of the metal fitting that appears between the trunk and the pigeon chest, and set the length of the string so that it is the best position for the performer.

「実施形態の効果」
この実施形態によれば、三味線を一点で支えるので演奏位置が安定でき、特に左手と左手指の移動、及び右手の撥捌きが楽で、三味線の構え、立ち姿が正しく維持できるので、動きながらの演奏も無理なくできます。"Effect of the embodiment"
According to this embodiment, since the shamisen is supported at a single point, the performance position can be stabilized, especially the movement of the left and left fingers and the repelling of the right hand are easy, and the shamisen's position and standing can be maintained correctly, You can also play.

「他の実施形態」
図３の実施形態では、三味線でしたが、他の実施形態では、類似型で、組み立て可能で金具は楽器の形状により多少異なるが、嵌め込む事が出来る楽器にも使用可能です。金具の素材は強度を満たすならステンレス以外でもよい。"Other embodiments"
In the embodiment of FIG. 3, the shamisen was used, but in other embodiments, it is similar and can be assembled. The material of the metal fitting may be other than stainless steel as long as it satisfies the strength.

考案した金具の形態を示す投影図である。It is a projection view which shows the form of the metal fitting devised. 考案した金具の嵌め込みを示す透視図である。It is a perspective view which shows fitting of the devised metal fitting. 考案の実施形態を示す図である。It is a figure showing an embodiment of a device. 従来技術を示す図である。It is a figure which shows a prior art. 三味線の構造名称を示す正面図と側面図Front view and side view showing the structure name of the shamisen

Explanation of symbols

Ａ正面図
Ｂ側面図
Ｃ平面図
Ｄ三味線胴部
Ｈ三味線部分鳩胸
Ｋ考案金具
Ｎ三味線部分中子
Ｓ三味線棹部
ＫＳ考案ストラップ
ＧＳギター形式ストラップ
ａ、ｂ、ｃ、考案金具の曲線部分ポイントを示すA Front view B Side view C Plane D Shamisen body H Shamisen part Pigeon chest K Device bracket N Shamisen region Core S Shamisen arm KS Device strap GS Guitar type straps a, b, c

Claims

The shamisen is an instrument that can be easily disassembled and assembled. Considering this point, a shamisen strap characterized by fitting and incorporating a stainless steel (SUS 304 thickness 1mm black baked paint) devised in the shamisen body.