JP3027909U - Pull - Google Patents

Abstract

(57) [Abstract] [Problem] Since it is possible for one monk to strike high and low, it is labor-saving in Buddhist events, and
The loudness of the two striking sounds can be unified, and moreover,
Provides a pull that makes it easier to hold. SOLUTION: A pair of supporting muscles, the tip of which rises, are projected on the upper end of the handle, and a bell seat troupe is placed on the rising portion of the supporting muscle, and a high tone is pulled to one of the supporting muscles. Attach a low pitch to the other support muscle,
Both handles were formed and arranged symmetrically. [Effect] It is possible for one monk to strike different pitches with different pitches, and since the role sharing in Buddhist rituals is reduced, in addition to performing rituals in Sueda, where monks are short, Convenient and reasonable labor saving. Also, in addition to being able to strike with a uniform sound volume, it is a well-balanced and large-sized one, and it is easy to maintain a straight posture, stretch your backs, and keep your imposing posture. Can support the solemnity of.

Description

[Detailed description of the device]

[0001]

[Industrial applications]

 The present invention relates to a portable tool used in Buddhist tools used in Buddhist ceremonies and events.

[0002]

[Prior art]

 Hinoki is a bowl-shaped bell (for example, the diameter is about 5-8 cm), and traditional Hinoki has a hole through which the string is inserted in the center of the bottom, and the bamboo or wooden handle is vertically attached by the string. The bell-shaped troupe is placed between the sticker and the handle, and it is called "Hinjin" because it was used by the advanced to attract the masses. There is also a theory that the sound is weak and long. Furthermore, since the handle is used by striking the handle with one hand and the metal stick with the other hand, it is also referred to as a hand porch.

[0003] Hiki is used in various denominations such as the Tendai sect, Jodo sect, Shin sect, Yutsunen Buddhist sect, and Obaku sect. In addition, the Byodoin temple in Kyoto has a ceremonial image of a Buddhist temple in the Heian period In addition to being seen, it is also seen in the “Kitano Tenjin Engi Emaki” (Kamakura period), so it is believed that the old Buddhism was incorporated into it. Generally, a high pitched pitch and a bass pitched pitch are used.

[0004] The size of the pulling is not due to the difference in size but to the pitch of the sound, and it can be used, for example, when a line of monks enters or leaves the hall, in front of a guru. There is a case where a monk of the lower priest has a lower pitch and a later monk has a higher pitch of the priest and strikes at the entrance of the hall. In addition, it may be used in a memorial service or used in a sutra reading in front of the grave.

[0005]

[Problems to be solved by the device]

 In Buddhist events, the role is divided among many monks. For example, when entering the hall, in addition to the monks who beat the above, many monks such as those with incense sticks and those with flowers also form a line, but it is like Motoyama. When it is held in a large temple, the number of monks is large, so the role is easy to reach, but in a small temple like Sueda, it is held by a few monks such as 2-3 people, so two people are involved. There was a problem that if you let the Buddhist monks share the roles, they would not be able to share other roles. In addition, since the Buddhist ritual requires majesticity, the striking method and posture of the Buddhist ceremonies are required, but conventional ceremonies may not be enough.

Regarding the way of striking, it is said that you must be careful when you enter the hall, and strike quietly to support the solemnity of the following memorial service. Frequent fluctuations in the striking sound often occurred. In addition, it is necessary to stretch the back muscles, stretch both arms, and hit in a stately manner, but the problem is that the striking posture tends to deteriorate due to its small size.

[0007] In view of the above situation, this invention saves labor in a Buddhist event because one monk can strike two high and low strokes, and also the sound of striking two strokes. The aim is to provide a pulling tool that is uniform in size and that is easy to hold.

[0008]

[Means for Solving the Problems]

 In order to achieve the above-mentioned object, the present invention proposes that a pair of supporting bars, the tip of which rises, is provided at the upper end of the handle, and the bell-shaped troupe is placed at the rising part of the supporting bar. A treble with a high tone was attached to the supporting muscle, and a bass treble was attached to the other supporting muscle, and both ridges were formed and arranged symmetrically.

In addition, the present invention is configured such that a plurality of handles having different pitches of sound are arranged and attached to the upper end of the handle so as to be balanced in the center of the handle. did .

[0010]

[Work]

 Since the chord is constructed as described above, one monk can strike two or more chords with different sound frequencies, which not only reduces the division of roles in the Buddhist ritual, but also the pitch of the sound. You can strike different pitches without disturbing the strength of the sound. Moreover, since it is well-balanced and large, it can maintain its posture correctly.

[0012] Although a plurality of sounds are close to each other, the frequencies of the sounds are different from each other, so that they hardly resonate with each other, and can be heard as peculiar ringing sounds.

[0012]

【Example】

 Next, an embodiment of the present invention will be described with reference to the drawings.

FIG. 1 and FIG. 2 show an embodiment, in which a high-pitched large pull 1 and a low-pitched small pull 2 are attached to a single handle 4. Both high and low notes 1 and 2 are supported via L-shaped support bars 5 and 5 and bell seats 7 and 7, respectively. Further, a stick 9 for striking the pulls 1 and 2 is attached by a string 11.

The large and small pulls 1 and 2 are made of brass like the ordinary pulls, have the same or almost the same bowl shape, size and weight, and are balanced left and right, By changing the composition ratio as a copper alloy, the difference in height is provided. As for the support muscles 5 and 5 of both pulls 1 and 2, those having the same shape are used from the viewpoint of balance. In addition, a through hole for the supporting bar 5 is formed in the center of each of the drags 1 and 2.

The support bar 5 has an L-shape that is formed by bending a brass bar and extending in opposite directions to stand up. The mounting base 13 is bent at the lower end and hangs down. It is welded to the common substrate 15 formed in. Also, a washer 17 for receiving the bell seat 7 at the center is welded to the lower end of the rising, and a male screw is provided on the washer 17. A decorative crown 20 is attached to the upper end of the handle 4, and the base plate 15 is welded onto the decorative crown 20.

[0016] As for the attachment of both the pulling rods 1 and 2, the bell seating rod 7 is passed through the supporting bar 5 in the middle, and the lower nut 21 is screwed into the rising screw to stop the bell feeding seating rod 7, and then the pulling rods are pulled. 1 and 2 are passed through the support bar 5 and fastened and fixed to the lower nut 21 by the upper nut 23. The string 11 of the stick 9 is tied to the mounting base 13 of the one supporting bar 5.

FIG. 3 shows a case in which the three drags 1, 2, 3 are attached to the handle 4. Since each drag 1, 2, 3 has different pitches of sound, , It is possible to enliven the Buddhist memorial service in various ways. In this case as well, the drawbars 1, 2, 3 and the bell seats 7, 7, 7 are supported by the L-shaped support bars 5, 5, 5.

One of the three drags 1, 2, and 3 can also be used as a case. In addition, Keiko is also a bowl-shaped metal sounding member, and is often used in pairs with wooden fish. Therefore, it is possible to further save the labor by arranging the three draws and the wooden fish evenly in the cross direction.

[0019]

[Effect of device]

 As explained above, according to the concept of this invention, a single monk can perform different functions with different pitches, and in particular, because the role division is reduced in the Buddhist ceremony, It is convenient and reasonably labor-saving in performing ceremonies in Suedera, where monks are in short supply. Also, in addition to being able to make a uniform striking sound, it is well-balanced and large, and it is easy to maintain a straight posture by stretching the spine, stretching both backs, and It has the excellent effect of being able to support the solemnity of the ritual.

Further, when three or more pieces are drawn, it is convenient for presenting a variety of rituals in modern times.

[Brief description of drawings]

FIG. 1 is a perspective view showing a pulling device of the present invention.

FIG. 2 is a plan view of the same drawing.

FIG. 3 is a plan view showing another embodiment.

[Explanation of symbols]

 1, 2, 3 Pull 4 Handle 5 Supporting muscle 7 Bell seat

Claims (2)

[Scope of utility model registration request] 1. A pair of supporting muscles, the tip of which rises, are projected from the upper end of the handle, and a bell-shaped troupe is placed on the rising portion of the handle so that a high-pitched tone is drawn to one of the supporting muscles. , Attach a low pitch to the other support,
A draw which is characterized in that both draws are formed and arranged symmetrically. 2. A draw which has a plurality of draws having a difference in sound pitch arranged and attached to the upper end of the handle so as to be balanced around the handle.