JP2017016025A - Textbook for simulation writing and imitation writing of japanese classics - Google Patents

Textbook for simulation writing and imitation writing of japanese classics Download PDF

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JP2017016025A
JP2017016025A JP2015134501A JP2015134501A JP2017016025A JP 2017016025 A JP2017016025 A JP 2017016025A JP 2015134501 A JP2015134501 A JP 2015134501A JP 2015134501 A JP2015134501 A JP 2015134501A JP 2017016025 A JP2017016025 A JP 2017016025A
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synthetic resin
writing
square
japanese
classics
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波多野 倫
Hitoshi Hatano
倫 波多野
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Nihon Solid Co Ltd
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Nihon Solid Co Ltd
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Abstract

PROBLEM TO BE SOLVED: To provide a textbook for simulation writing and imitation writing by which we can easily learn handwriting of Japanese classic characters.SOLUTION: The present invention relates to the textbook for simulation writing and imitation writing of Japanese classics, which is made up by printing Japanese classics characters on a surface of a square-shaped synthetic resin sheet or by depositing two square-shaped synthetic resin sheets on each other, sealing at least one side of the sheets, and inserting a sheet with Japanese classics characters described thereon into the sealed synthetic resin sheets.SELECTED DRAWING: Figure 2

Description

本発明は、古筆名葉の高野切第一首・第三種(古今和歌集)、小島切(斉宮女御集)、和泉式部続集切、筑柴切、本阿弥切、栂尾切、関戸本古今集切、安宅切、貫之集切、太田切、石山切貫之集下・伊勢集、仁和寺切、住吉切、佐竹本歌仙、熊野懐紙、臨土佐日記、小倉色紙等の738年〜1327年の平安・鎌倉時代を代表する古筆のような古典文字の模書および臨書に用いられる学書に関する。 The present invention includes Kono-kiri first and third kinds of old calligraphy, Kojima-Wakashu, Kojima-kiri (Saimiya-jou-shu), Izumi-style sequel, Chikubashi-kiri, Honami-kiri, Kashio-kiri, Sekido From 738 to 1327, such as the book of ancient and modern times, the end of Ataka, the end of Nukino, the end of Ota, the end of Iseyama Kiriyuki, Ise, Ninnaji, Sumiyoshi, Kakeno Satake, Kumano Kagami, Rinsa Diary, Ogura Shikishi, etc. This book is related to school books and classic books such as old calligraphy representing the Heian and Kamakura period of the year.

書の歴史は、約3500年に及んでおり、その間に多くの人が書き、その一部が古典として現在迄残されている。これらの古典は、単に書法に照らしてうまいとか、書きぶりが素晴らしいとか、気韻生動が感じられると言うことだけでなく、その書きぷりが他の時代とは異なり、その時代独特の雰囲気を最も良く表現しているところにあると言われている。 The history of the book lasts for about 3500 years, during which many people have written, some of which remain as classics. These classics not only say that they are good in light of the calligraphy, they are wonderfully written, or they feel vibrant, but their writing style is different from other times and best represents the unique atmosphere of that time. It is said that it is in place.

現在我々が古典を学ぶためには、その時代にその言葉が、その書者によってそのような表現がなされたのかと言うことを探ることが必要である。
我々は、古典を通して過去の時代における古典の表現の必然性と秘密とを解き明かすことによって現代に生きる我々が現代の言葉をどのように書くべきかを検索する上での手掛りを得ることができる。
In order for us to learn classics now, it is necessary to find out if the words were expressed by the writer at that time.
We can gain clues in searching how we should write modern words by solving the inevitability and secrets of classic expressions in the past through classics.

そして、その具体的な方法として臨書が行われていた。そして臨書をするためには、まず第1にそこに何と書かれているかを知ることが大切である。第2として、できる限り精密に観察することである。すなわち、書かれた言葉を追いながら、逐一ていねいに個々の点画の筆跡をたどる必要がある。書は、筆順と言うルールによって点画が書かれた順序が決まっている。それは、文字が形作られていく過程を我々が追体験できることを保証してくれる。実際に筆を持って追体験することによって、その言葉を書いた書者の心の動きが文字通り手にとるように伝わってくる。
この点画を書いたとき書者はどのような筆使いをしているかは、書者がどのような心の持ち方をしていたか等の作業をたんねんに繰り返し続けていくことによって、この言葉が何故このように書かれたかと言うことが判明するのである。第3として模写(敷き写し)等を続けていくと、点画の表情、文字の形、字間の呼吸、行間の間合いなどが解るようになる。
And as a concrete method, a preliminary book was made. In order to write a book, it is important to first know what is written there. The second is to observe as precisely as possible. In other words, it is necessary to carefully follow the strokes of each individual stroke while following the written words. The order of the strokes is determined by the rule of stroke order. It ensures that we can relive the process of letters being formed. By actually experiencing it with a brush, the movement of the writer who wrote the word is transmitted literally.
When writing this stippling, the writer uses the words to determine what kind of brush is used, and keeps repeating the work such as what kind of mind the writer was holding. It turns out why is written like this. Thirdly, if copying (laying out) is continued, the expressions of stippling, the shape of characters, the breathing between characters, the spacing between lines, etc. can be understood.

そして前記第1および第2のように古典を観察した後第3の模写等を行うためには、古典文字を学書として手元で使えるように作り直さなければならなかった。
現在は、もっぱら写真製版によって学書が作られている。その形態は折本(折帖)が一般的で、その他として巻子本としたものもある。
In order to perform the third copy after observing the classic as in the first and second methods, the classic character had to be remade so that it could be used as a schoolbook.
Currently, school books are created exclusively by photoengraving. As for the form, origami (eclectic) is common, and there is also the one made into a winding book as others.

しかしながら、折本の場合1ページのスペース幅が狭いために図1に示すように、1つの作品が2つに分断された状態でしか載せられないために、古典の行間の間合い等が解らない欠点があった。また見開きの状態で載せられたとしても模書する場合折り目によって上に乗せた紙が浮き上がってしまい敷き写しが困難であった。
また巻子本状の学書は開いたときに内側にわん曲した状態になるので、やはり上に乗せた紙が浮き上がってしまう欠点があった。
そこで本発明者は、模書および臨書に適した学書について種々研究を重ねた結果本発明を完成するに至った。
However, in the case of a folded book, since the space width of one page is narrow, as shown in FIG. 1, since a single work can be placed only in a state of being divided into two, the space between classical lines cannot be understood. There were drawbacks. Further, even when the paper is placed in a spread state, the paper placed on the surface is lifted by the crease and it is difficult to copy the paper.
In addition, the Makimoto-like schoolbook is bent inward when it is opened, so the paper placed on it is also raised.
Therefore, the present inventor has completed the present invention as a result of conducting various studies on academic books suitable for books and preparations.

すなわち、本発明は、方形の合成樹脂製シートの表面に古典文学を刷るかあるいは方形の2枚の合成樹脂製シートを重ね合わせ、その少なくとも一辺をシールし、該シールされた合成樹脂製シート間に古典文字を記したシートを挟着した古典の模書および臨書用学書である。 That is, the present invention prints classical literature on the surface of a rectangular synthetic resin sheet or superimposes two rectangular synthetic resin sheets, seals at least one side thereof, and seals between the sealed synthetic resin sheets. This is a classic book with a sheet with classical letters on it and a school book for temporary writing.

本発明は、原則的に一作品を一枚の学書とすることができるので、一作品全体の配置が確認できるので、点画の表情、文字の形、字間の呼吸、行間の間合い等を容易に知ることができる。
また、合成樹脂製シートに方形を形成するように、縦、横に線を設ける(方形線)ことによって、臨書する場合に文字の配列等を容易に把握することができる。従って方形線が設けられた学書を用いて臨書をする場合は、学書と同じ方形線が設けられた下敷を紙の下に敷くと学書に記載された文字の位置関係が容易に解る利点がある。
さらに図4に示すような合成樹脂製シートは、文字を書いたシートを挟着すれば方形線が入った学書となり、また合成樹脂製シートのみの場合は、臨書時の方形線入り下敷きとして用いることができる。文字を書いたシートの素材としては合成樹脂、紙、布等が揚げられる。
Since the present invention can in principle make one work as one school book, the arrangement of the whole work can be confirmed, so the expression of stippling, the shape of letters, the breathing between letters, the spacing between lines, etc. It is easy to know.
In addition, by arranging lines in the vertical and horizontal directions (square lines) so as to form a square in the synthetic resin sheet, it is possible to easily grasp the character arrangement and the like when writing. Therefore, when using a textbook with a square line, you can easily understand the positional relationship of the characters written in the textbook by placing an underlay with the same square line as the textbook under the paper. There are advantages.
Furthermore, the synthetic resin sheet as shown in FIG. 4 becomes a school book with a square line if the sheet on which the letters are written is sandwiched, and if only the synthetic resin sheet is used, it is an underlay with a square line at the time of writing. Can be used. Synthetic resin, paper, cloth, etc. are used as the material for the sheet on which the letters are written.

折本に記した古典文字の配列を示した状態図State diagram showing the arrangement of classical characters written in origami 合成樹脂製シートに方形線を設けた時の状態図State diagram when a square wire is provided on a synthetic resin sheet 合成樹脂製シートに方形線を設けた模書用下敷きの平面図Plan view of the underlay for books with a square wire on a synthetic resin sheet 二枚の合成樹脂製シートを用いた場合の斜視図Perspective view using two synthetic resin sheets

本発明は、合成樹脂製シート1に古典文字を刷ることによって学書とする。合成樹脂製シート1の大きさは通常一作品が一枚のシートに収まるものを選択する。古典文字が多い場合には、古典の行間の間合いに影響しない個所で分断して、別の合成樹脂製シート1に文字を刷る。一般的に合成樹脂製シート1のサイズは、B5版からA3版程度のものが好ましい。合成樹脂製シート1は硬質でも軟質でも差支えないが、好ましくは硬質の合成樹脂製シート1が好適である。合成樹脂製シート1の厚みは特に制限されるものではないが、取扱い、保管等から200〜1000ミクロン程度のものが好ましい。合成樹脂製シート1の素材としては、例えば塩化ビニル、ポリエチレンテレフタレート等種々の合成樹脂が使用できる。また合成樹脂製シート1は無色(透明)でも有色でも良いが、好ましくは無色が最適である。   The present invention makes a school book by printing classical characters on the synthetic resin sheet 1. The size of the synthetic resin sheet 1 is usually selected so that one work fits on one sheet. When there are many classical characters, the characters are divided at places that do not affect the spacing between the classical lines, and the characters are printed on another synthetic resin sheet 1. Generally, the size of the synthetic resin sheet 1 is preferably about B5 to A3. The synthetic resin sheet 1 may be hard or soft, but a hard synthetic resin sheet 1 is preferable. The thickness of the synthetic resin sheet 1 is not particularly limited, but is preferably about 200 to 1000 microns from the viewpoint of handling and storage. As a material of the synthetic resin sheet 1, various synthetic resins such as vinyl chloride and polyethylene terephthalate can be used. The synthetic resin sheet 1 may be colorless (transparent) or colored, but is preferably colorless.

また本発明の合成樹脂製シート1の学書は、図2に示すように、方形を形成するように縦、横に直線(方形線)2を引く。方形の形は正方形でも長方形でも良いが、好ましくは正方形が最適である。
線の種類も、実線、点線、破線、一点短鎖線、二点短鎖線、三点短鎖線、一点長鎖線、二点長鎖線、三点長鎖線等を用いることができる。また方形線2を引くときに、縦線及び横線は隣接する線と異なる種類の線あるいは色彩とすることによって文字の位置(配置)関係を容易に把握することができる。さらに縦線及び横線に符号、記号を振ることもできる。符号、記号の位置は、方形線の外側あるいは内側(図示せず)に振ることができる。
文字の位置(配置)関係を容易に把握する方法として、一例を挙げる。縦線あるいは横線の方形線2と隣接する方形線2′の間を有色透明とし、続く方形線2′と隣接する方形線2″の間を別の有色透明とした、方形線間を異なる有色透明(図示せず)とすることが好ましい。
Moreover, as shown in FIG. 2, the synthetic resin sheet 1 of the present invention draws a straight line (square line) 2 vertically and horizontally so as to form a square. The square shape may be square or rectangular, but a square is preferred.
As the types of lines, a solid line, a dotted line, a broken line, a one-point short chain line, a two-point short chain line, a three-point short chain line, a one-point long chain line, a two-point long chain line, a three-point long chain line, and the like can be used. Further, when drawing the square line 2, the vertical line and the horizontal line can be easily grasped in terms of the position (arrangement) relationship of the characters by using different types of lines or colors from the adjacent lines. Furthermore, a sign and a symbol can be assigned to the vertical line and the horizontal line. The positions of the symbols and symbols can be placed outside or inside (not shown) the square line.
An example is given as a method of easily grasping the position (arrangement) relationship of characters. Different color between square lines, with vertical or horizontal square line 2 and colored transparent between adjacent square line 2 'and another rectangular transparent line between adjacent square line 2' and adjacent rectangular line 2 ". It is preferable to be transparent (not shown).

また図3に示すように合成樹脂製のシート1に方形線2のみを刷ることによって臨書時の下敷きとして使用することができる。方形の形を大きくしたり、小さくすることによって学書より拡大した字や短縮した字として臨書することができる。 Moreover, as shown in FIG. 3, by printing only the square wire 2 on the sheet 1 made of synthetic resin, it can be used as an underlay at the time of writing. By making the shape of the square larger or smaller, it can be written as an expanded or shortened character.

さらに図4に示すように、方形型の2枚の合成樹脂製シート1、1′を重ね合わせ、少なくともその一辺をシールし、該重ね合わせた合成樹脂製シート1、1′間に古典文字を記したシートを挾着する(図示せず)ことによって学書するこができる。また図4に示すように上面になる透明の合成樹脂製シート1に方形線2を設けることにより文字の形、字間の呼吸、行間の間合いを容易に把握することができる。また方形の大きさを異なるものを種々揃えておくことによって古典文字の大きさにより適宜の大きさの方形を有する合成樹脂製シート1を用いることによって臨書がしやすくなる。
下面に成る合成樹脂製シート1′は、無色でも着色されたもののいずれも使用できる。
Further, as shown in FIG. 4, two rectangular plastic resin sheets 1, 1 'are superposed, at least one side thereof is sealed, and a classical character is placed between the superposed synthetic resin sheets 1, 1'. You can study by sticking to the sheet (not shown). Moreover, as shown in FIG. 4, by providing the square wire 2 on the transparent synthetic resin sheet 1 on the upper surface, it is possible to easily grasp the shape of characters, the breathing between characters, and the spacing between lines. In addition, by preparing various types of squares having different sizes, it becomes easy to write a letter by using the synthetic resin sheet 1 having a square having an appropriate size according to the size of the classical character.
The synthetic resin sheet 1 'on the lower surface can be either colorless or colored.

本発明の古典文字が記された合成樹脂製シート1は、その縁部にパンチで適宜の数の穴を開け、バインダー等に収納することによって一冊の学書として保管することができる。(図示せず) The synthetic resin sheet 1 on which the classical characters of the present invention are written can be stored as a single academic book by punching an appropriate number of holes in its edge and storing it in a binder or the like. (Not shown)

本発明の学書によって模書する場合は、例えば方形のトレッシングペーパーの上縁部を剥せる程度の弱いのり付けをした練習帳に学書を下敷のように差し込み、トレッシングペーパーに写った文字のうえをなぞることによって習得することができる。書き終わったトレッシングペーパーは、練習帳から剥すことによって新しいトラッシングペーパーが表れるので、次の練習に用いることができる。 When copying with a book of the present invention, for example, insert the study book into a practice book that has been glued so weak that the upper edge of the square tressing paper can be peeled off, and put the letters on the tressing paper on top of it. Can be learned by tracing. Once you have finished writing, you can remove the tressing paper from the exercise book and a new trashing paper will appear.

1・・・・・合成樹脂製シート
2・・・・方形線
1 ... Synthetic resin sheet 2 ... Square wire

Claims (2)

方形の合成樹脂製シートの表面に古典文字を刷るかあるいは方形線の2枚の合成樹脂製シートを重ね合わせ、その少なくとも一辺をシールし、該シールされた合成樹脂製シート間に古典文字を挾着することを特徴とする古典の模書および臨書用学書。 Print a classical character on the surface of a rectangular synthetic resin sheet or superimpose two rectangular synthetic resin sheets, seal at least one side, and insert a classical character between the sealed synthetic resin sheets. Classic books and ready-to-use school books characterized by wearing. 方形の合成樹脂製シートに方形線を設けた請求項1に記載の古典の模書および臨書用学書。


2. The classic model and the written book for writing according to claim 1, wherein a rectangular line is provided on a rectangular synthetic resin sheet.


JP2015134501A 2015-07-03 2015-07-03 Textbook for simulation writing and imitation writing of japanese classics Pending JP2017016025A (en)

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Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN112829506A (en) * 2020-12-29 2021-05-25 河南库课数字科技有限公司 Efficient drawing copying drawing board for children and use method
CN112874228A (en) * 2021-01-11 2021-06-01 袁杰 Drawing device with split mirror

Citations (6)

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Publication number Priority date Publication date Assignee Title
JPS49106458U (en) * 1972-12-29 1974-09-11
JPS5654475A (en) * 1979-10-09 1981-05-14 Takashima Itsuko Underlay for japanese writing with brush and ink
JPH03108278U (en) * 1990-02-19 1991-11-07
JP2001083869A (en) * 1999-09-10 2001-03-30 Akio Sei Calligraphy training implement
JP2002049300A (en) * 2000-08-04 2002-02-15 Mie Moriyama Sheet for practicing calligraphy
JP3143747U (en) * 2008-01-30 2008-08-07 良治 齊藤 Calligraphy gauge set

Patent Citations (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS49106458U (en) * 1972-12-29 1974-09-11
JPS5654475A (en) * 1979-10-09 1981-05-14 Takashima Itsuko Underlay for japanese writing with brush and ink
JPH03108278U (en) * 1990-02-19 1991-11-07
JP2001083869A (en) * 1999-09-10 2001-03-30 Akio Sei Calligraphy training implement
JP2002049300A (en) * 2000-08-04 2002-02-15 Mie Moriyama Sheet for practicing calligraphy
JP3143747U (en) * 2008-01-30 2008-08-07 良治 齊藤 Calligraphy gauge set

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN112829506A (en) * 2020-12-29 2021-05-25 河南库课数字科技有限公司 Efficient drawing copying drawing board for children and use method
CN112874228A (en) * 2021-01-11 2021-06-01 袁杰 Drawing device with split mirror

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