JP2014219646A - Elbow pad cushion - Google Patents
Elbow pad cushion Download PDFInfo
- Publication number
- JP2014219646A JP2014219646A JP2013107456A JP2013107456A JP2014219646A JP 2014219646 A JP2014219646 A JP 2014219646A JP 2013107456 A JP2013107456 A JP 2013107456A JP 2013107456 A JP2013107456 A JP 2013107456A JP 2014219646 A JP2014219646 A JP 2014219646A
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- JP
- Japan
- Prior art keywords
- elbow
- guitar
- cushion
- playing
- string
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
- G10D3/18—Chin-rests, hand-rests, shoulder rests or guards being removable from, or integral with the instrument
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10G—REPRESENTATION OF MUSIC; RECORDING MUSIC IN NOTATION FORM; ACCESSORIES FOR MUSIC OR MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR, e.g. SUPPORTS
- G10G7/00—Other auxiliary devices or accessories, e.g. conductors' batons or separate holders for resin or strings
Abstract
Description
本発明はギターのボディに設置する肘あてに関する。The present invention relates to an elbow rest installed on a guitar body.
ギターを演奏する場合、通常左手でギターのネックを握り右手はボディ上部側面部分に肘を乗せる形で演奏をする。その際、特にアコースティックギターの場合、構造上ボディの表板と側板が結合している約90度の角ばった部分に右肘を乗せて演奏をする事になる。その角ばった部分に肘を乗せて演奏をする事によりその肘に徐々に傷みが生じて演奏の妨げになる。また、服装の種類により異なるが半袖などのシャツでは角ばった部分が直接右肘の肌に食い込み長時間の演奏では痛みが増し従って快適な演奏が難しくなる。その結果、演奏後に角ばった部分に乗せていた肘を見ると、直線状の窪んだ一筋の跡が残る事になってしまいしばらくその跡と傷みは取れない。When playing the guitar, the left hand usually holds the guitar neck and the right hand plays with the elbow on the upper side of the body. At that time, particularly in the case of an acoustic guitar, the right elbow is placed on an angular part of about 90 degrees where the body's top plate and side plate are structurally connected. By playing with the elbow on the angular part, the elbow is gradually damaged and hinders performance. Also, depending on the type of clothes, in a shirt such as a short sleeve, the cornered portion directly bites into the skin of the right elbow, and the pain increases when playing for a long time, thus making it difficult to perform comfortably. As a result, if you look at the elbow that was placed on the corner after the performance, you will have a trace of a straight, hollow line, and you will not be able to remove it for a while.
従来、肘の痛みを軽減するような物は無く、技術的に実用新案登録第3167291号のようにギターの制作段階でボディ(共鳴箱)の表板を滑らかな傾斜面21に加工して肘の当る部分だけを面で支え痛みを軽減するやり方がある(図1)。
しかしこの場合、表板を曲げてしまうため、表板で一番大切な弦の振動により板に共鳴させるという効果が無くなってしまう。表板に使われる薄い一枚板の役割として太鼓の皮の部分のような働きがある。平らな状態では振動するがそれを曲げてしまうとその振動は無くなってしまいその結果、側板、裏板にも弦の振動が届かず低音から高音までバランスの悪い響かない音になってしまう。
また、アコースティックギターの長い歴史により、よりよい音質になるよう設計の段階から材質、ボディの形状、ネックのサイズなど細部にわたり細かく計算しつくされ完成度の高いギターが完成する。したがって安易にボディ材を曲げたり削ったりしてしまう事によりボディ(共鳴箱)の性質を変えてしまい本来の能力を低下させてしまう結果になってしまう。
また、この加工による技術も容易ではなく、生産コストがかかり大量生産は難しく一般には市販ができないようになってしまう。したがってこのギターを所有するにはメーカーに1点物のオーダーをしなければならない。しかし音質効果も悪く無駄に高額なギターになってしまい本来の「肘の痛みを軽減する」という目的からかなりかけ離れた粗悪なギターになる恐れがある。
また、エレキギターでは肘の当たる部分の木材を斜めにカットして肘の痛みを軽減するコンターカット加工という技法がある。しかし、ボディは固い木材であるため長時間の演奏では必ず肘の痛みを伴う事になる。Conventionally, there is nothing that reduces elbow pain, and technically, the body (resonance box) top plate is processed into a smooth inclined surface 21 at the stage of guitar production as in Utility Model Registration No. 3167291. There is a way to relieve pain by supporting only the part that hits (Fig. 1).
However, in this case, since the front plate is bent, the effect of resonating with the plate by vibration of the most important string on the front plate is lost. The role of the thin single plate used for the front plate is like a drum skin. Although it vibrates in a flat state, if it is bent, the vibration disappears, and as a result, the vibration of the strings does not reach the side plate and the back plate, and the sound does not sound badly balanced from low to high.
In addition, due to the long history of acoustic guitars, a detailed guitar is calculated from the design stage to details such as material, body shape, neck size, etc. to achieve better sound quality, and a highly complete guitar is completed. Therefore, bending or shaving the body material easily changes the properties of the body (resonance box), resulting in a decrease in the original ability.
In addition, the technique by this processing is not easy, and the production cost is high, so that mass production is difficult and generally cannot be marketed. Therefore, to own this guitar, you must order one item from the manufacturer. However, the sound quality effect is poor and the guitar becomes uselessly expensive, and there is a fear that it becomes a poor guitar that is far from the original purpose of “reducing elbow pain”.
An electric guitar has a technique called contour cutting that reduces the pain in the elbow by cutting the wood on the part where the elbow touches diagonally. However, since the body is hard wood, elbow pain is always accompanied by long performance.
外形は略ブーメラン状で、その外面はなだらかな円弧状で裏面は約90°の角度で構成された2面をなし、その一面はギターボディ外側部のカーブに適合させた柔らかな素材のものを演奏時に弦をつま弾く側の手の肘がかかるギターボディ部位に密着させ設置する。The outer shape is almost boomerang-shaped, the outer surface is a gentle arc shape, and the back surface is made up of two surfaces with an angle of about 90 °, one of which is made of a soft material adapted to the curve of the outside of the guitar body Install it in close contact with the guitar body part where the elbow of the hand on the side that picks up the strings is played.
a)このクッションをギターに装着する事により外面部分は丸くなっているので、そこに 肘が乗る事により以前のような傷みが無くなる。
b)このクッションを取付ける事により汗の付着によるギターの塗装のダメージを予防す る事ができる。
c)このクッションを取付ける事により外部からの衝撃によるキズの防止になる。
d)このクッションは性質上、簡単に脱着できるのでギターへのダメージが無い。a) By attaching this cushion to the guitar, the outer surface is rounded, so the elbow is placed on it and the previous damage is eliminated.
b) By attaching this cushion, it is possible to prevent damage to the paint on the guitar due to the adhesion of sweat.
c) By installing this cushion, it is possible to prevent scratches caused by external impacts.
d) Due to the nature of this cushion, there is no damage to the guitar because it can be easily detached.
以下、発明の実施の形態を図2〜図5に基づき説明する。
本発明の肘あてクッションの形態は略ブーメラン状の形に似ている(図2)。
しかし、本発明の肘あてクッション1はブーメランとは異なり表面と裏面がありその両面の形状や役割はまるで異なる。本発明の肘あてクッション1の表面は肘が乗る部分であるため柔らかな素材で丸く円弧状の山形になっている。
その裏面はギターへの装着面でボディの表板20と側板30が結合する約90°の角度の部分に装着するため円弧状のなだらかな曲線状にえぐるようにカットされている。図3に示すように本発明の肘あてクッションのxx’断面はボディに当たる面が90°のL字型になっている。
注意しなければならない点として、アコースティックギターのボディに使われる板には単板と合板がある。単板とは一枚の板により性質上繊細な振動が伝わりやすいため、拾った弦の振動をボディ全体に共鳴させる音響効果に優れている。しかし高価であるため中級者、上級者用の高級ギターに多く使用される。
また合板は2枚の板を張り合わせた物でコストを抑えたり強度を上げるために用いられるが単板ほど振動しないため音の響きが悪い安価なギターに多く使用される。よって、単板と合板との違いにより音質の効果も大きく左右してしまうためこのクッションを装着する際、表板20と側板30の振動を極力妨げないように約13センチ前後の適度な大きさにした。Hereinafter, embodiments of the present invention will be described with reference to FIGS.
The form of the elbow rest cushion of the present invention is similar to a substantially boomerang shape (FIG. 2).
However, unlike the boomerang, the
The back surface is cut so as to have an arcuate gentle curve so that it can be attached to a portion of an angle of about 90 ° where the
It should be noted that there are single and plywood boards used for acoustic guitar bodies. A single plate is easy to transmit delicate vibrations by a single plate, so it has excellent acoustic effect that resonates the vibration of the picked string with the whole body. However, because it is expensive, it is often used for high-end guitars for intermediate and advanced players.
Plywood is a laminate of two plates that is used to reduce costs and increase strength, but is often used for low-priced guitars that do not vibrate as much as a single plate and therefore have poor sound. Therefore, since the effect of sound quality greatly depends on the difference between the single plate and the plywood, when the cushion is mounted, an appropriate size of about 13 cm is provided so as not to disturb the vibration of the
クッションの素材は肌に優しい柔らかな素材として、好ましくは軟質プラスティック、軟質ゴム、最も好ましいのは軟質シリコンゴムとする。The material of the cushion is soft skin-friendly material, preferably soft plastic, soft rubber, and most preferably soft silicon rubber.
1 肘あてクッション
20 表板
30 側板1 Elbow
Claims (1)
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
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JP2013107456A JP2014219646A (en) | 2013-05-01 | 2013-05-01 | Elbow pad cushion |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
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JP2013107456A JP2014219646A (en) | 2013-05-01 | 2013-05-01 | Elbow pad cushion |
Publications (1)
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JP2014219646A true JP2014219646A (en) | 2014-11-20 |
Family
ID=51938095
Family Applications (1)
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JP2013107456A Pending JP2014219646A (en) | 2013-05-01 | 2013-05-01 | Elbow pad cushion |
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Cited By (5)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN109346038A (en) * | 2018-11-27 | 2019-02-15 | 全南利鑫工艺有限公司 | A kind of novel octave box structure |
CN110223663A (en) * | 2019-05-21 | 2019-09-10 | 王凤娟 | It is a kind of can be to avoid the guitar fupport arm of the air blowing type of sweat touch panel |
USD888147S1 (en) * | 2017-03-14 | 2020-06-23 | Key Leaves, Inc. | Musical instrument pad prop |
USD888146S1 (en) * | 2017-03-14 | 2020-06-23 | Key Leaves, Inc. | Musical instrument pad prop |
USD893587S1 (en) | 2016-03-14 | 2020-08-18 | Key Leaves, Inc. | Musical instrument pad prop with removable strap |
-
2013
- 2013-05-01 JP JP2013107456A patent/JP2014219646A/en active Pending
Cited By (5)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
USD893587S1 (en) | 2016-03-14 | 2020-08-18 | Key Leaves, Inc. | Musical instrument pad prop with removable strap |
USD888147S1 (en) * | 2017-03-14 | 2020-06-23 | Key Leaves, Inc. | Musical instrument pad prop |
USD888146S1 (en) * | 2017-03-14 | 2020-06-23 | Key Leaves, Inc. | Musical instrument pad prop |
CN109346038A (en) * | 2018-11-27 | 2019-02-15 | 全南利鑫工艺有限公司 | A kind of novel octave box structure |
CN110223663A (en) * | 2019-05-21 | 2019-09-10 | 王凤娟 | It is a kind of can be to avoid the guitar fupport arm of the air blowing type of sweat touch panel |
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