JP2011022546A - Aging device - Google Patents
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木製楽器又は自然系植物・動物の素材を持つ物体や製品等は、その組織として細胞等の小室を持ち、経時変化により、小室内の液体の乾燥や変質によりその素材の特性が変化する。また、これらの素材には、表面処理として用いるニス類等の塗装材や素材間を接着する膠等の接着材の経時変化や残留応力の緩和が加わる。これらの経時変化を制御し、推進するエイジングに関する技術の分野である。An object or product having a material of a wooden musical instrument or a natural plant / animal has a small chamber such as a cell as its tissue, and the characteristics of the material change due to drying or alteration of the liquid in the small chamber over time. In addition, these materials are subjected to a change with time of the coating material such as varnishes used as a surface treatment and an adhesive such as glue for bonding the materials and relaxation of residual stress. This is an area of technology related to aging that controls and promotes these changes over time.
特に、木製楽器の場合、その経時変化は、残留応力の緩和、緩やかな乾燥と共に、弾性係数の向上や減衰特性の減少により、楽器としての音質を決める固有振動数や減衰特性、更に振動伝達特性等の変化を引き起こす。よって、音の豊かさや響き、音量に変化を起こし、一般には、好ましい方向に向かう傾向が大きいとされている。この現象を楽器のエイジングと呼び、長年楽器を奏き込むとその効果が期待される。Especially in the case of wooden instruments, the change over time is due to the relaxation of residual stress, gentle drying, the improvement of the elastic coefficient and the reduction of the damping characteristics, the natural frequency and damping characteristics that determine the sound quality of the instrument, and the vibration transfer characteristics. Cause changes. Therefore, it is said that the richness of the sound, the sound, and the volume change, and generally the tendency to go in the preferred direction is large. This phenomenon is called aging of musical instruments, and the effect is expected when playing musical instruments for many years.
今までの技術として、ここで述べている木製楽器だけでなく、金属製楽器や電子回路を組み込まれている電子楽器においても、製造後、ならし演奏を行うことで音質の改善があるとしている報告は存在する。ただし、周知のレベルでは、その検証は聴覚によるものの範囲にとどまっており、その理由に関する工学的なアプローチでの明確な成果は無い。As a conventional technology, not only wooden musical instruments described here but also electronic musical instruments with built-in metal musical instruments and electronic circuits are said to have improved sound quality by performing conditioned performance after production. There are reports. However, at a well-known level, the verification is limited to the auditory scope, and there is no clear result in the engineering approach for that reason.
主たるエイジング効果の因子としては、第一に、接着、組立時における締付固定作業による内部残留応力の緩和があり、弦の張力のように、構造内部の内部応力の大小は振動特性に影響を与える。第二の因子としては、含水率を低下させること及び経時変化等により、木材組織及びにかわ接着材での振動減衰特性の低減及び変質(結晶化推進等)による弾性率向上等が上げられる。The main factor of the aging effect is the relaxation of the internal residual stress due to the tightening and fixing work during bonding and assembly. The magnitude of the internal stress inside the structure, such as the tension of the string, affects the vibration characteristics. give. As the second factor, reduction of the vibration damping characteristics in the wood structure and glue adhesive and improvement in elastic modulus due to alteration (crystallization promotion, etc.) due to reduction of moisture content and change with time, etc. can be raised.
この楽器等のエイジング効果は、楽器であれば音を出す時に励振される振動パターン又は振動モードに依存する場合が多いと考えられている。よく振動する箇所は、乾燥や材質の変質の促進が行われる事例がある。一般には、楽器等の本体に直接振動を加える加振法があるが、楽器等に傷等が付きやすい、局部的な加振で加振箇所が偏在する可能性がある等の問題点がある。It is considered that the aging effect of a musical instrument or the like often depends on a vibration pattern or a vibration mode excited when a sound is produced. There are cases where the parts that vibrate well are promoted to dry or change their quality. In general, there is an excitation method that directly applies vibration to the main body of a musical instrument or the like, but there are problems such that the instrument or the like is likely to be scratched or the excitation location may be unevenly distributed due to local excitation. .
音楽的でない演奏では、いわゆるきたない音質が目立つようになる。また、あまり奏き込まれていない場合は、音の豊かさや響きに経時変化が見られず、いわゆる鳴らない楽器等になってしまうといわれている。楽器等の演奏に関する回数や演奏の「うまい、下手」の影響があり、楽器としてのばらつきが拡大してしまう傾向がある。In non-musical performance, the so-called messy sound quality becomes noticeable. Also, if not played very much, it is said that the sound richness and reverberation does not change over time, so that the instrument does not sound. There is a tendency for the variation as a musical instrument to increase due to the influence of the number of performances of musical instruments, etc. and the performance of “performance, poor”.
また、狭い内部空間(17)における定在波は、常に特有な振動数での強制的な加振を行い、その音に敏感なエイジングが行われ、音楽的なバランスを欠くエイジングと鳴る可能性がある。In addition, standing waves in a narrow internal space (17) are always subjected to forced excitation at a specific frequency, aging sensitive to the sound, and the possibility of aging that lacks musical balance There is.
エイジング効果の進行に関しては、奏き込むエイジング期間が長期にわたり、なかなか良い状態になりにくい楽器等が、作り方によって生じる場合がある。また、時間を極端に省略する急激な乾燥は楽器等にひずみを生じさせる可能性が大きい。一般的な加熱の手法としてやや急激な乾燥を行うと、局部的なストレスが加わり、場合によってはひび割れ等のダメージに至ることもある。With regard to the progress of the aging effect, there are cases where musical instruments and the like that are difficult to be in good condition are produced depending on how the aging period is played. In addition, rapid drying that saves time is extremely likely to cause distortion in musical instruments. When a rather rapid drying is performed as a general heating method, local stress is applied, and in some cases, damage such as cracks may be caused.
エイジング効果のメカニズムは、上述の通り、第一に残留応力のリリースであり、第二に含水量の低減、経時変化等の乾燥・変質に関するものである。これらに係る物質は、木質のヘミセルロースや膠のゼラチンであり、水分や温度により変化する。As described above, the mechanism of the aging effect is firstly the release of residual stress, and secondly it relates to drying and alteration such as reduction of water content and change with time. These substances are woody hemicellulose and gelatin of gelatin, and change depending on moisture and temperature.
膠はゾル(液体)⇔ゲル(固体)の変化を利用して固定する接着剤であるが、温度が高くなると軟化する特性がある。製品組立て後の内部応力をリリースするために振動による発熱等の影響で徐々に局部的なひずみの修正が行われると考えている。Glue is an adhesive that fixes using changes in sol (liquid) and gel (solid), but has a property of softening when the temperature rises. In order to release the internal stress after product assembly, the local strain is gradually corrected due to the heat generated by vibration.
これらが落ち着くと、含水率の低下や木質での緩衝成分であるヘミセルロースが落ち着き、セルロースの結晶化が進むことで弾性率が向上し、減衰特性が下がり、音量の感度や音の響きが向上する。しかし、やりすぎると、高音部の減衰の少ない音が多くなり騒がしい音質等に陥る可能性がある。When these settle down, the moisture content decreases and the hemicellulose, which is a buffer component in wood, settles, and the crystallization of the cellulose improves the elastic modulus, the damping characteristic decreases, the volume sensitivity and the sound reverberation improve . However, if you do it too much, there will be more sounds with less attenuation in the treble part, which may lead to loud sound quality.
音響加振は非接触による振動加振が可能であり、エイジングの推進を組み合わせることができる。すなわち、加振場所を特定する必要がなく、特定の音響加振スピーカーを設置することで単独でも複数の対象物への加振でも適用が可能となる。加振により、その振動パターンによって確率的によく振動する箇所は、振動によってエイジングが進み、より振動しやすくなる。すなわち、音が出やすくなる。ここでは、原則として、弦楽器の場合は、弦を張らないか、振動しないように弦を拘束することが好ましい。特定の音階のみが強調される可能性がある。Acoustic excitation can be performed without contact and can be combined with aging propulsion. That is, it is not necessary to specify the excitation location, and by installing a specific acoustic excitation speaker, it is possible to apply it alone or to a plurality of objects. Due to the vibration, the portion that vibrates with good probability due to the vibration pattern is more likely to vibrate due to the aging being advanced by the vibration. That is, it becomes easy to make a sound. Here, in principle, in the case of a stringed instrument, it is preferable to constrain the string so that the string is not stretched or vibrated. Only certain scales may be emphasized.
対象となる楽器等にふさわしい曲や名演奏を自由に選択し、音響加振を行うことができる。場合によっては、ある程度広いジャンヌの音楽や特定のジャンヌに絞り込むために、具体的な曲ではなく、音響加振のために設定される曲を新たに用意する手段も可能である。It is possible to freely select a song or a famous performance suitable for the target instrument and perform acoustic excitation. Depending on the case, in order to narrow down to a certain extent of Jeanne music or a specific Jeanne, it is possible to newly prepare a song set for acoustic excitation instead of a specific song.
また、これらの大音響を含む音響加振が内部空間で行われても、複合の断熱材による積層の遮音、吸音能力(図7)は大きく、装置の設置周りの音場での音の洩れは、問題のないレベルとすることができる。In addition, even when acoustic excitation including these large sounds is performed in the internal space, the sound insulation and sound absorption capacity of the laminated layer by the composite heat insulating material is large (Fig. 7), and sound leakage in the sound field around the installation of the device Can be at a problem-free level.
また、乾燥に関する時間を短縮するためには、実際の奏者による履歴に近い状態で、振動と高温・低湿状態による適切な条件を設定し、無人状態で連続的に効率よくエイジングを行うことが可能である。In addition, in order to shorten the time related to drying, it is possible to perform aging continuously and efficiently in an unattended state by setting appropriate conditions based on vibration and high temperature / low humidity conditions in a state close to the history of actual players. It is.
また、内部空間の定在波を低減するために、第一として、内壁材が適宜吸音性を持ち、定在波を減衰する効果を持たせる手段がある。第二に、内壁面に曲面や傾斜面を設けられることで場所によって定在波の波長が変化するように、面の法線方向が一致する対面となる内壁面がないようなレイアウトにする手段がある。第三として、細分化された片状反射板を内壁面に設置されている又は反射方向が乱反射するように内壁面の凸凹を加える手段がある。第四には、内壁面の内側に大きな吸音効果のある吸音材を設置する手段で、吸音材(8)は適宜空間内に設置され、できれば定在波の音圧の振幅の大きい箇所に吸音材があることが好ましい。場合によっては、不織布のシートを内部空間の中に暖簾状に配置することが効果的である。In order to reduce the standing wave in the internal space, first, there is a means for the inner wall material to appropriately absorb sound and to have an effect of attenuating the standing wave. Secondly, a means for providing a layout in which there is no facing inner wall surface that matches the normal direction of the surface so that the wavelength of the standing wave changes depending on the location by providing a curved surface or inclined surface on the inner wall surface There is. Thirdly, there is means for adding unevenness of the inner wall surface so that the segmented piece-like reflector is installed on the inner wall surface or the reflection direction is irregularly reflected. Fourth, means for installing a sound absorbing material having a large sound absorbing effect on the inside of the inner wall surface. The sound absorbing material (8) is appropriately installed in the space, and if possible, a sound absorbing material is provided at a location where the amplitude of the sound pressure of the standing wave is large. Preferably there is a material. In some cases, it is effective to dispose the nonwoven fabric sheet in a warm manner in the internal space.
内部空間(17)での高温低湿の雰囲気中に置かれる楽器等は、加えられる振動と連成して乾燥等のエイジングが進行する。この際の適切なる乾燥機能には、自然界に存在する素材による吸放湿性・透湿性及び保湿性(図5)を活用する。すなわち、充填断熱材(1)としては、防腐、防カビ、撥水等の付与のためホウ酸等を組み合わせる木材パルプ材等のセルロースファイバー(図6)やそれに準じる材質の素材を用い、内壁材(2)と外壁材(3)でサンドイッチ上の積層となる構造(7)を採用する。更に、充填断熱材(1)は、遮音・吸音性や保湿も有することが求められる。Musical instruments and the like placed in a high-temperature and low-humidity atmosphere in the internal space (17) are coupled with vibrations to be applied and undergo aging such as drying. The appropriate drying function at this time utilizes moisture absorption / release properties and moisture retention (FIG. 5) due to materials existing in nature. That is, as the filling heat insulating material (1), cellulose fiber (FIG. 6) such as wood pulp material combined with boric acid or the like combined with anti-corrosion, mold prevention, water repellency, etc., or a material of the same material is used. A structure (7) in which (2) and the outer wall material (3) are stacked on the sandwich is adopted. Furthermore, it is calculated | required that a filling heat insulating material (1) also has sound insulation and sound absorption property and moisture retention.
内壁材(2)は、透湿性及び内部寸法による定在波が強調されない程度の吸音率を持つ構造とし、外壁材(3)は、防水透湿性と遮音性のある木質系又は同等な特性を持つものとする。また、内部空間(17)に対象物を出し入れする扉を設けて、同様な積層の構造又はそれに準じる構造材を使用する。The inner wall material (2) has a moisture-absorbing and sound-absorbing structure that does not emphasize standing waves due to internal dimensions, and the outer wall material (3) has a waterproof or sound-insulating wood system or equivalent characteristics. Shall have. Further, a door for taking in and out the object is provided in the internal space (17), and a similar laminated structure or a structural material equivalent thereto is used.
内部空間(17)での比較的高温(雰囲気温度に対し摂氏数十度程度の高温)低湿(25〜60%程度の湿度)の状態での乾燥により抽出される水分は、水蒸気状態(6)で、内壁(2)から充填断熱材(1)を経て外壁材(3)の表面から内外温度差分の湿度上昇分として放出される。場合によっては、内部空間(17)の圧力を若干高くし、水蒸気(6)の透湿性を補助することも行うことができる。The water extracted by drying in the internal space (17) at a relatively high temperature (a high temperature of about several tens of degrees Celsius with respect to the ambient temperature) and a low humidity (a humidity of about 25 to 60%) is a water vapor state (6). Then, it is discharged from the surface of the outer wall material (3) through the filling heat insulating material (1) from the inner wall (2) as a humidity increase due to the difference between the inner and outer temperatures. In some cases, the pressure in the internal space (17) can be slightly increased to assist the moisture permeability of the water vapor (6).
また、放出される水分が多いと、断熱材層での結露が生じる場合がある。この場合では、中央の充填断熱材(1)と外壁材(3)の間に隙間を設け、外気との循環をさせる空気の通路(5)を設けることが有効的である。空気の循環は一般には自然対流方式とするが、機械的な強制循環方式も可能である。Further, when a large amount of moisture is released, condensation may occur in the heat insulating material layer. In this case, it is effective to provide a gap between the center filled heat insulating material (1) and the outer wall material (3) and provide an air passage (5) for circulation with the outside air. The air circulation is generally a natural convection method, but a mechanical forced circulation method is also possible.
適切なる高温低湿の雰囲気下で、同時にその対象物にふさわしい加振が加えられることによる振動は、乾燥や変質へのエイジングが推進される効果がある。通常、約1〜10年近くの時間を要するエイジング期間が、数週間から数ヶ月で可能となる。The vibration caused by the appropriate vibration applied to the object in an appropriate high temperature and low humidity atmosphere has the effect of promoting aging for drying and alteration. Usually, an aging period requiring a time of about 1 to 10 years is possible in several weeks to several months.
また、上述の充填断熱材(1)と内外壁(2),(3)で構成される複合壁(7)は透湿性を持ち、内外の温度差等により内部空間におかれる対象物のエイジングを行うが、その際の対象物の含水率は、水分の乾燥の機能により箇条の場合は吸水が行われ、適切な値となるように調整する機能を有している。すなわち、乾燥しすぎている楽器等のリハビリテーションにも有効である。In addition, the composite wall (7) composed of the above-mentioned filled heat insulating material (1) and the inner and outer walls (2) and (3) has moisture permeability, and the aging of the object placed in the inner space due to the temperature difference between the inside and outside. However, the moisture content of the object at that time has a function of adjusting the water content to an appropriate value by absorbing water in the case of the clause by the function of drying moisture. That is, it is also effective for rehabilitation of musical instruments that are too dry.
楽器等の音質へのこだわりを実現するために、演奏する音楽のジャンヌや曲想等に適合するエイジングのカスタマイズが可能となる。また、単独での持ち運びの可能なケース方式の装置(図8)により、エイジング過程での演奏との両立を可能とする。In order to achieve a commitment to the sound quality of musical instruments, it is possible to customize aging that matches the Jeanne and musical composition of the music being played. In addition, a case-type device (FIG. 8) that can be carried alone can be compatible with performance in the aging process.
図1に、エイジング装置の代表例を示す。箱状の複合壁(7)に囲まれる内部空間(17)に、エイジングの対象物である木製楽器、ここではギター(13)を入れ、外部より温度が高く、所定の温度差となるようヒータ(9)が設置されている。また、内部空間(17)の温度を均一にするため、ファン(10)を設置しても良い。更に、内部空間(17)に定在波ができないように、いくつかの吸音率の高い部材を配置させ、スピーカー(11)により、所望の音楽ジャンヌに適合する音楽流し、音響加振を行う。FIG. 1 shows a typical example of an aging apparatus. A wooden musical instrument, here a guitar (13), which is the object of aging, is placed in an internal space (17) surrounded by a box-shaped composite wall (7), and a heater is used so that the temperature is higher than the outside and has a predetermined temperature difference. (9) is installed. Further, a fan (10) may be installed in order to make the temperature of the internal space (17) uniform. Further, some members having high sound absorption rate are arranged so that no standing wave is generated in the internal space (17), and music that matches the desired music Jeanne is played by the speaker (11), and acoustic excitation is performed.
図2に示す複合壁では結露が生じる場合は、図3に示すように、外壁材(3)と充填断熱材(1)の間に空気の通路(5)を設けて、水蒸気(6)の結露を防止する構造を示している。その際に図4に示すような温度分布と水蒸気量のバランスにより、結露が生じない。When dew condensation occurs in the composite wall shown in FIG. 2, an air passage (5) is provided between the outer wall material (3) and the filled heat insulating material (1) as shown in FIG. It shows a structure that prevents condensation. At that time, no condensation occurs due to the balance between the temperature distribution and the amount of water vapor as shown in FIG.
図8に、単体の楽器等を対象とする保存又は運搬用の楽器を入れるケース状のエイジング装置を示す。ここでは、持ち運びを行うため、バッテリー(14)を搭載する。FIG. 8 shows a case-shaped aging device for storing a musical instrument for storage or transportation intended for a single musical instrument or the like. Here, a battery (14) is mounted for carrying.
木製楽器は、製造直後よりもしっかりと奏き込むことにより、よりよい音が出るといわれている。良い楽器はほしいが、エイジング効果がでるまで奏き込むには多大な努力が必要で購入に二の足を踏む人も多い。では中古の楽器はとなるが、その履歴は不明であり、傷等の有無も有り決定的な優位性は無い。また、最近は、高齢者の楽器演奏が認知症対策にもなり注目されるが、長い期間のエイジングは体力的にも難しく、すぐに良い音が出ることが求められている。楽器の製造元での完成楽器の在庫を兼任する倉庫形、楽器販売店での在庫、購入客へのサービスとしての大型ボックス又は在庫室形、個人所有者やプロの演奏家用の持ち運び可能なケース形等が提供可能であり、その需要が期待できる。Wooden instruments are said to produce better sound when played more firmly than immediately after manufacture. I want a good instrument, but it takes a lot of effort to play until the aging effect is achieved, and many people step on the purchase. In the case of second-hand instruments, the history is unknown, and there are no scratches, so there is no decisive advantage. Recently, elderly musical instruments have attracted attention as a countermeasure against dementia, but aging for a long period is difficult physically, and it is required to produce good sound immediately. Warehouse type, which also serves as an inventory of completed musical instruments at the manufacturer of the instrument, inventory at the musical instrument store, large box or stock room type as a service to the purchaser, portable case type for individual owners and professional musicians Etc. can be provided, and the demand can be expected.
1充填断熱材
2内壁材
3外壁材
4透湿中間壁材
5空気の通路
6水蒸気
7複合壁
8吸音材
9ヒーター
10ファン
11スピーカー
12不織布吸音シート
13木製楽器(ギター)
14バッテリー
15ケース本体
16ケース蓋体
17内部空間DESCRIPTION OF
14
Claims (9)
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Cited By (4)
Publication number | Priority date | Publication date | Assignee | Title |
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CN105163228A (en) * | 2015-08-01 | 2015-12-16 | 泰兴琴艺乐器有限公司 | Plucked stringed instrument constant-temperature, frequency-modulated and speed-regulated aging table and aging method thereof |
CN107978305A (en) * | 2018-01-26 | 2018-05-01 | 安徽工程大学 | A kind of saxophone's stent with cleaning function |
WO2020003627A1 (en) | 2018-06-26 | 2020-01-02 | 株式会社シンカ・アウトフィットNq | Vibration applicator |
CN111451118A (en) * | 2020-05-14 | 2020-07-28 | 郑州科技学院 | Device for realizing music interaction between music rooms |
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2009
- 2009-07-16 JP JP2009183846A patent/JP2011022546A/en active Pending
Cited By (5)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN105163228A (en) * | 2015-08-01 | 2015-12-16 | 泰兴琴艺乐器有限公司 | Plucked stringed instrument constant-temperature, frequency-modulated and speed-regulated aging table and aging method thereof |
CN107978305A (en) * | 2018-01-26 | 2018-05-01 | 安徽工程大学 | A kind of saxophone's stent with cleaning function |
CN107978305B (en) * | 2018-01-26 | 2021-07-02 | 安徽工程大学 | Saxophone support with cleaning function |
WO2020003627A1 (en) | 2018-06-26 | 2020-01-02 | 株式会社シンカ・アウトフィットNq | Vibration applicator |
CN111451118A (en) * | 2020-05-14 | 2020-07-28 | 郑州科技学院 | Device for realizing music interaction between music rooms |
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