JP2009163204A - Ultimate piece vibration transmission acceleration system rim structure 4 in frictional stringed instrument - Google Patents

Ultimate piece vibration transmission acceleration system rim structure 4 in frictional stringed instrument Download PDF

Info

Publication number
JP2009163204A
JP2009163204A JP2008154630A JP2008154630A JP2009163204A JP 2009163204 A JP2009163204 A JP 2009163204A JP 2008154630 A JP2008154630 A JP 2008154630A JP 2008154630 A JP2008154630 A JP 2008154630A JP 2009163204 A JP2009163204 A JP 2009163204A
Authority
JP
Japan
Prior art keywords
soul
plate side
column
back plate
pillar
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Pending
Application number
JP2008154630A
Other languages
Japanese (ja)
Inventor
Yoshihiro Matsumoto
吉弘 松本
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Individual
Original Assignee
Individual
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Individual filed Critical Individual
Priority to JP2008154630A priority Critical patent/JP2009163204A/en
Publication of JP2009163204A publication Critical patent/JP2009163204A/en
Pending legal-status Critical Current

Links

Images

Landscapes

  • Stringed Musical Instruments (AREA)

Abstract

<P>PROBLEM TO BE SOLVED: To establish a new piece vibration transmission path from a piece leg bottom to a rear plate side by connection to a power tree B group of a rear side, when two pieces pair posts are set in a frictional stringed instrument made of wood. <P>SOLUTION: By making " pre-attach" of the post toward a small rim side from a piece leg bottom position of a high sound string as a reference, and "post-attach" of the post toward a large rim side from an original post position, a bottom edge of a main post BC which is set on either of two places is connected in a convex form to a high B rear section arranged in a rear plate side, and a bottom edge of a post C in the specified range is connected in a plane form to the corresponding position of a plane of the rear plate side, in " two pieces one pair post". The power tree B (high B of a high string side, middle B of a center and low B of a low string side) is a member which sets in a vertical direction in the rim of rear plate side in a rim constriction section, by a semi-convex power tree sticking method. A connection member H is a member for connecting right to " the pre-attach position", for connecting the power trees B. A structure of a whole convex section of the rear plate side is named " power tree B group". <P>COPYRIGHT: (C)2009,JPO&INPIT

Description

木製擦弦楽器の駒から伝達された表板側の振動は、高音弦側駒脚底位置前後の胴内へ設置する「二本一対魂柱」と、裏板側の「力木B群」との接続方による、振動体全体への新駒振動伝達経路の確立を目的とする、胴内構造に関する。  The vibration on the front panel transmitted from the wooden bowed instrument piece is the "two-pair soul pillar" installed in the trunk before and after the treble string side piece base and the "Rikigi B group" on the back board side. The present invention relates to an in-body structure for the purpose of establishing a new piece vibration transmission path to the entire vibrating body according to the connection method.

従来構造での木製擦弦楽器の振動伝達経路は「駒と胴表板」「棹と胴」等との接続部と、高音弦側駒脚底位置より少し大胴側寄り胴内の魂柱C等で、 他に、
▲1▼「擦弦楽器の摘み付き魂柱」 (出願番号) 特願2002−334397 (魂柱案) (登録番号) 特許第3840594号 (登録日) 平成18年8月18日 上記は、魂柱の底辺を直接に裏板平面へ接続、または、(下記▲3▼・0021・図16)プレート案での実験のため、効果確認「可能・微妙」等に別れており、 ▲2▼(出願番号) 特願2007−133474 (魂柱案) (発明の名称) 擦弦楽器の摘み付き魂柱A 上記▲1▼魂柱上部の摘み部直下を「コの字型」に切り取り、この凹部へ高音弦側f孔の内側縁該当部と直近の表板裏面を接点にして嵌め込み、また、本魂柱案▲2▼では「上記▲1▼+f孔の内側縁直近の表板表面=3接点」の改良案となり、振動伝達効率的に、表板側接点は「通常の胴内魂柱1接点<▲1▼の2接点<▲2▼の3接点」接続の順番で感度を増すことは実験済みで、これを根拠に本発明のf孔の内側縁直近へ使用する魂柱は、上部に最も多く接点を有する本魂柱案▲2▼が最適であり、
従って、本発明でも前記主魂柱BC底辺を前記高B背部へ接続、前記高B底部を前記溝m(溝壁・溝底)へ嵌め込み、裏板側との接面積増大が主眼目であり、 「棹側振動の伝達促進案・同名案の▲3▼〜▲5▼」 ▲3▼(出願番号) 特願2005ー128593 (棹振動伝達棒状案) (発明の名称) 擦弦楽器に於ける完全振動伝達促進方式胴内構造 上記の同名案2も出願済み (棹振動伝達棒状案) ▲4▼(出願番号) 特願2006ー106897 (棹振動伝達力木案) (発明の名称) 擦弦楽器に於ける完全振動伝達促進方式胴内構造3 ▲5▼(出願番号) 特願2006ー317810 (棹振動伝達力木案) (発明の名称) 擦弦楽器に於ける完全振動伝達促進方式胴内構造4 (NO3の補正案のため職権によりNO4部分削除の連絡あり) 「究極駒振動の伝達促進案・同名案の▲6▼〜▲8▼」 ▲6▼(出願番号) 特願2007ー104309 (駒振動伝達究極案) (発明の名称) 擦弦楽器に於ける究極駒振動伝達促進方式胴内構造 ▲7▼(出願番号) 特願2007ー278161 (駒振動伝達究極案) (発明の名称) 擦弦楽器に於ける究極駒振動伝達促進方式胴内構造2 ▲8▼(出願番号) 特願2007ー341722 (駒振動伝達究極案) (発明の名称) 擦弦楽器に於ける究極駒振動伝達促進方式胴内構造3 本発明は、上記▲3▼〜▲8▼自己非公開案からの集大成、上記▲1▼▲2▼公開案使用有効。
The vibration transmission path of the wooden bowed instrument with the conventional structure is the connection part between the “top and torso face plate” and “棹 and torso”, and the soul column C in the torso side of the torso side slightly from the treble string side piece leg bottom position. In addition,
(1) “Princess Pillar with Bowed Instrument” (Application Number) Japanese Patent Application No. 2002-33497 (Draft Soul Pillar) (Registration Number) Patent No. 3840594 (Registration Date) August 18, 2006 The above is divided into “possible / subtle” confirmation of the effect, etc., because the bottom of the soul pillar is directly connected to the back plate plane, or because of the experiment with the plate plan ((3), 0021, FIG. 16 below) (2) (Application Number) Japanese Patent Application No. 2007-133474 (Draft Soul Column) (Title of Invention) (1) Cut the bottom part of the top of the soul column directly into a "U" shape, and insert it into this recess with the relevant part of the inner edge of the high-pitched chord side f-hole and the back surface of the nearest front plate as the contact point. The pillar plan (2) is an improvement plan of “(1) + surface plate near the inner edge of the f hole = 3 contacts”, and the vibration on the surface plate side is “normal 1 in-body soul column contact”. <2 points of <1><3 points of <2 >> It has been experimented to increase the sensitivity in the order of connection, and based on this, the soul pillar used near the inner edge of the f hole of the present invention is at the top The main pillar plan (2) with the most contact points is the best,
Therefore, in the present invention, the main soul pillar BC bottom side is connected to the high B back portion, the high B bottom portion is fitted into the groove m (groove wall / groove bottom), and the main contact area is increased with the back plate side. , “Propulsion promotion plan for the heel side vibration, the same name proposals (3) to (5)” (3) (Application number) Japanese Patent Application No. 2005-128593 (Draft vibration transmission rod plan) (Title of invention) Complete in a bowed instrument Vibration transmission facilitating in-body structure The above-mentioned plan 2 with the same name has been filed (棹 vibration transmission rod-shaped plan) ▲ 4 ▼ (application number) Japanese Patent Application No. 2006-106897 (draft of vibration transmission force) (title of invention) Full vibration transmission promotion system in-body structure 3 (5) (Application number) Japanese Patent Application No. 2006-317810 (Draft of vibration transmission force) (Title of invention) Full vibration transmission promotion system in-body structure 4 in a bowed instrument (For NO3 amendment proposal, NO4 partial deletion is notified by official authority) "Ultimate piece vibration transmission promotion plan-(6)-(8) of the same name plan" (6) (Application number) Japanese Patent Application No. 2007-104309 (Urban piece vibration transmission ultimate plan) (Title of invention) Ultimate in a bowed instrument In-body structure for frame vibration transmission promotion system (7) (Application number) Japanese Patent Application No. 2007-278161 (Ultimate proposal for frame vibration transmission) (Title of Invention) Ultimate in-body vibration transmission promotion system in-body structure for bowed instruments 2 (8) (Application number) Japanese Patent Application No. 2007-341722 (Urban piece transmission ultimate plan) (Title of invention) Ultimate piece vibration transmission promotion in-body structure 3 in a bowed instrument The present invention is a compilation of the above (3) to (8) self-undisclosed plans, and the use of the above-mentioned (1) (2) open plans.

I 従来の木製擦弦楽器の裏板側胴内には、振動伝達促進のための力木類は存在しないので、進歩には積極的振動伝達効率向上のための工夫が必要である事、
II 上記▲3▼〜▲5▼案(棹振動伝達案)よりも、本究極案構造の性能の方が優る事、
III 自己案▲1▼▲2▼「摘み付き魂柱」は、上辺一接点の孔縁直近胴内魂柱(図3)の前記主魂柱BCよりも性能的に優る事実を踏まえ、部材間の接面積増大のための「二本一対魂柱」・「力木B群」等の新設置工法による構造を開発して、表板側から裏板側への駒振動伝達効率向上を目指す事、 等々が課題である。
I Since there are no power trees for promoting vibration transmission in the back side of the traditional wooden bowed instrument, it is necessary to devise ways to actively improve vibration transmission efficiency.
II The performance of this ultimate structure is superior to the plans (3) to (5) above (the vibration transmission plan).
III Self-plan (1) (2) “Picking soul pillar” is based on the fact that it is superior in performance to the main soul pillar BC of the inner soul pillar (Fig. 3) at the upper edge of the contact hole. Aiming to improve the frame vibration transmission efficiency from the front plate side to the back plate side by developing the structure by the new installation method such as “Two pairs of soul pillars” and “Rikigi B group” for increasing the contact area , Etc. are challenges.

前記半凸型力木接着工法での三本の前記力木B(高B・中B・低B)の底辺を裏板側の前記溝mへ嵌め込む工法が、双方部材の接面積増大構造であり、これに前記接続部材Hを組み合わせた「力木B群」と、他に、魂柱底辺を前記高B背部の該当箇所へ凸部接続する前記主魂柱BC・上下振動板間へ平部接続した従来魂柱Cによる「二本一対魂柱」の設置方法、等々を用い、木製擦弦楽器の駒側から裏板側までの新たな駒振動伝達経路としてのトータルシステムを確立する事。  The construction method in which the bottom sides of the three timbers B (high B, medium B, low B) in the semi-convex type timber bonding method are fitted into the groove m on the back plate side is a structure that increases the contact area of both members In addition to this, “Rikigi B group” in which the connecting member H is combined with this, and in addition, between the main soul column BC and the upper and lower diaphragms that connect the bottom of the soul column to the corresponding portion of the high B back portion Establishing a total system as a new piece vibration transmission path from the piece side to the back plate side of the wooden bowed instrument using the installation method of “two-pair soul pillar” by the conventional soul pillar C connected to the flat part, etc. .

本発明の前試作品である単板胴バイオリンキット(28,000円)と合板胴(ベニヤ板)改造品との二本を従来構造に戻すと、前記力木B底部の嵌め込み部分が残るので(0016)記載の▲3▼平型力木接着工法になり、多少の効果は残るがほぼ無改造バイオリンとして、これ等と本発明のトータルシステム改造品との比較では、双方共に、本発明の音量が優る事を立会者全員一致で確認済みのため、
上述トータルシステムによる本発明試作品は、同材質での市販木製擦弦楽器の性能よりも優る事は明らかであり、 音質・特に音量は、確実に増大している。
When the two pieces of the single plate cylinder violin kit (28,000 yen) and the modified plywood cylinder (plywood), which are the previous prototypes of the present invention, are returned to the conventional structure, the fitting portion of the bottom of the timber B remains ( [0016] (3) The flat-type power wood bonding method described in 0016) is described, and some effects remain, but as a nearly unmodified violin, both are compared with the total system modified product of the present invention. Because all the witnesses have confirmed that it is superior,
It is clear that the prototype of the present invention using the above total system is superior to the performance of a commercially available wooden bowed instrument made of the same material, and the sound quality, particularly the volume, has definitely increased.

上記を補足すれば、魂柱設置範囲内(図5・後述鉄則)では「二本一対魂柱」が、従来「一本魂柱」より優り、市販楽器に最も近い実験では(図8)からf孔縁直近の前記主魂柱BCを外せば、裏板側の「力木B群」はほとんど無関係、ほぼ現行「一本魂柱」状態、この実験での明確な音量差が上記記載の根拠になり、
因みに、「力木B群」の無い市販バイオリンf孔の内側縁へ、(0002・▲1▼摘み付き魂柱)を追加した、即席の「二本一対魂柱」使用方では、音量増効果が「有る・微妙」に別れ、実験対象楽器によって効果の度合いが異なった。
If the above is supplemented, the "two-pair soul pillar" is superior to the "single soul pillar" in the conventional soul pillar installation range (Fig. 5, iron rule described later). f If the main soul column BC near the edge of the hole is removed, the “Rikigi B group” on the back plate side is almost irrelevant, almost the current “single soul column” state, the clear volume difference in this experiment is The basis,
By the way, using the instant “two-pair soul pillar” with (0002 ・ ▲ 1 ▼ soul pillar with knob) added to the inner edge of the commercial violin f hole without “Rikiki B group”, the volume increase effect However, the degree of the effect varies depending on the musical instrument to be tested.

第1実施例の新品キットと、僅かに側板幅減少部分へ下駄を履かせて補修した改造キット(図8)との比較では、新品キットの方が胴鳴りが強く全試作品中で最大音量、当初は「固めで強烈」音質が、一日30分の弾き込み・二ヶ月過ぎ頃から、強音を保ちながらも下記合板胴にほぼ匹敵しつつあり、更なる弾き込み続行によりこれを越える兆しを感じ、また、上記比較楽器は、補修部分が感度を下げるためか、音質的には柔らかく、自分は音量に不満を感じるが、立会者好み、
その第1実施例の合板胴・初試作2004年で今回が最終改造品は、全改造品の中では放送等で聞く音に最も近く「最善音質」と思える事から、市販楽器中級品の性能には充分に到達している事実を、自他共に確認済みであり、実験中に、「これが本当にベニヤ板胴か?」と、再確認されて「確かに!」は印象に残り、
上記「事」の真偽は、次項記載の材料で説明通りの試作・充分な弾き込み終了後であれば、 真実は自ずと明らかになる。
In comparison between the new kit of the first embodiment and the modified kit (Fig. 8) that was repaired with a clogged part slightly reduced in the side plate width, the new kit was stronger and the maximum volume of all prototypes. , Initially "hard and intense" sound quality, 30 minutes a day of ramming, since about two months, it has been almost comparable to the following plywood body while maintaining a strong sound, exceeds this by continuing further ramming I feel a sign, and the above comparative instrument is soft because the repair part reduces sensitivity, I feel dissatisfied with the volume, but I like the witness,
The first modified plywood body of the first embodiment in 2004 is the final modified product, which is the closest to the sound heard on the broadcast etc. among all the modified products. It has been confirmed that both have reached the fact that it has reached enough, and during the experiment, "Is this really a veneer body?"
The truth of the above "thing" will become clear if it is after the completion of trial production and sufficient indentation as described in the materials described in the next section.

単板胴新品・旧改造のバイオリンキット(15,000円)二本と、合板胴で胴のみの材料費(500円未満)を二本、これ等に自己流板厚調整(図10〜図12)での性能が優秀、 上述の側板幅補修の先案改造キットでも、前述立会者所有楽器で、市価30万円に「優るとも劣るまじ」から、試作では「材料を選ばず」と言え、
「前述のトータルシステム+専門家による板厚調整」での合作、更に、材料の吟味と製作後の弾き込み期間満了等を実現すれば、本構造にて既に「超高級品」の性能に到達かも? 上記は、第1実施例新品キットの性能を根拠にした場合、「一般人が趣味の段階では入手が困難な程の高価格」自判定から、結論として、
本実施例よりも高級材料を使用して、本発明トータルシステムとの合体構造にすれば、それなりの性能になる筈であり、当たり外れが無く、一般的高級品程度の性能は「射程距離内」と予測し、新品キット性能で大満足、完成を宣言する。
Two single-plate barrel new and old remodeled violin kits (15,000 yen) and two plywood barrels only for material costs (less than 500 yen), self-flow plate thickness adjustment (Figures 10 to 12) ) Excellent performance in the above-mentioned side plate width repair, even with the above-mentioned instrument owned by the witnesses, it can be said to be “any material” in the prototype,
If it is possible to achieve the performance of “ultra-high-end products” with this structure if it is possible to collaborate with the above-mentioned “total system + plate thickness adjustment by experts”, and further to examine the materials and expel the impact period after production, etc. maybe? The above is based on the performance of the new kit of the first embodiment, and as a conclusion from the self-determination of “high price that is difficult to obtain at the hobby stage for ordinary people”
Using a higher-grade material than this example and combining it with the total system of the present invention should give a decent performance, there is no hit, and the performance of a general luxury product is “within range” "We are very satisfied with the performance of the new kit and declare completion.

本発明は、胴括れ部分の表板側と「力木B群」を有する裏板側間への「二本一対魂柱」(図2・図3)、この前記主魂柱BC・魂柱C等の位置と、前記力木B三本の間隔が相互に関係して、即ち、「二本一対魂柱」の「前付け」「後付け」から前記主魂柱BCの位置決定をして、該魂柱の真下に相当する裏板側位置へ前記高Bを(以下、中B・低B)配置し、該魂柱底辺を前記高B背部へ凸部接続して、別位置指定範囲内の魂柱C底辺は、裏板側平面へ平部接続する構造であり、
合板胴では、f孔の内側縁「前付け」魂柱設置でも、この部分の魂柱による押し上げ変形率が合板特性により少ないため成立するので、魂柱を図5「前付け」「後付け」設置範囲内で、且つ、任意位置への配置方は可能であるが、従って、
単板胴では、上記の変形防止対策として、小胴側への魂柱設置位置は、下記の「前付け」定位置付近の胴内側へ限定、 「後付け」魂柱設置位置は、下記鉄則によりf孔の内側縁付近へ設置、よって、第1・2実施例のみ使用可能となり、
上記魂柱配置方により、弦振動を駒から前述[表板・主魂柱BC・半凸型力木接着工法での三本の力木Bと溝m(溝壁・溝底)、前記接続部材H等々を含めた「力木B群」全体]の順番にて、従来の魂柱Cと側板部分も経由しつつ、裏板側までの上記新駒振動伝達経路が、本発明でのトータルシステム構造である。
The present invention provides a “two-pair soul column” (FIGS. 2 and 3) between the front plate side of the waistband portion and the back plate side having the “Rikiki B group”, the main soul column BC and the soul column. The position of C, etc. and the distance between the three power trees B are related to each other, that is, the position of the main soul column BC is determined from the “front” and “retrofit” of “two pairs of soul columns”. , By placing the high B (hereinafter referred to as middle B / low B) to the position on the back plate side corresponding to directly below the soul column, and connecting the bottom of the soul column to the back of the high B with a convex portion. The bottom of the soul pillar C is a structure that connects the flat part to the back plate side plane,
In the case of the plywood body, even if the inner edge “front” of the f-hole is installed, the soul column is established because the push-up deformation rate of this part due to the soul column is less due to the plywood characteristics. Although it is possible to arrange within a range and at an arbitrary position,
In the single plate cylinder, as a measure to prevent the above deformation, the soul column installation position on the small body side is limited to the inside of the cylinder near the following “front” fixed position, and the “post installation” soul column installation position is in accordance with the following rules. f Installed near the inner edge of the hole, so only the first and second embodiments can be used.
Depending on how the soul pillars are arranged, the string vibration is changed from the piece to the above [Three force wood B and groove m (groove wall / groove bottom) in the front plate, main soul pillar BC, semi-convex type timber bonding method, the connection The above-mentioned new piece vibration transmission path to the back plate side in the order of “whole force group B group including member H etc.” in the order of the conventional soul column C and the side plate portion is the total in the present invention. System structure.

「二本一対魂柱」は、高音弦側駒脚底位置を基準にした前後二箇所の胴内側を定位置とし、前記定位置から各々の高音弦側f孔内まで掛かる横方向を魂柱の設置範囲(図5)とするが、前記主魂柱BCと魂柱Cとを各々の前述魂柱設置範囲内の決定位置へ別けて設置する際、表板側の同じ木目での一直線上配置を避けた位置への「前付け」「後付け」が、「二本一対魂柱」配置方での鉄則である。  “Two pairs of soul pillars” have two positions inside the front and rear of the body with respect to the position of the bottom of the treble string side piece base, and the lateral direction from the fixed position to the inside of each treble string side f hole Although the installation range (Fig. 5) is used, when the main soul column BC and the soul column C are installed separately to the determined positions within the above-mentioned soul column installation range, they are arranged in a straight line with the same grain on the front plate side. “Pre-attachment” and “retro-attachment” to the position that avoids the are the rules of the “two-pair soul pillar” arrangement method.

「二本一対魂柱」は、バイオリンの高音弦側駒脚位置を基準にして、これより大胴側寄りの従来魂柱C位置を「後付け」定位置とした場合、両所の間隔を1Kとすれば、上記駒脚基準位置から2K〜3K以内の小胴側寄り位置を「前付け」定位置として、上記両定位置から各々のf孔内までの横方向を魂柱設置可能範囲(図5)とするので、前記接続部材Hの設置位置は、上記魂柱「前付け」位置での単位の2,5K付近となり、 また、孔縁直近へ使用する魂柱は、(図5)範囲内f孔の内側縁を少移動しつつ、胴内魂柱と孔縁直近魂柱の二本が、互いに振動板を押し上げる力関係から、ビリツキ現象を避ける位置を模索して設置する。  “Two pairs of soul pillars” is based on the position of the violin's treble string side piece legs, and if the conventional soul pillar C position closer to the torso is set as a “retrofit” fixed position, the distance between both places is 1K. Then, the position closer to the small torso within 2K to 3K from the frame leg reference position is set as a “front” fixed position, and the lateral direction from the fixed position to the inside of each f hole can be installed in the soul column ( 5), the connecting position of the connecting member H is about 2,5K, which is the unit at the “front” position of the soul column, and the soul column used in the immediate vicinity of the hole edge is (FIG. 5). The inner soul column and the immediate soul column of the inner rim of the hole are slightly moved along the inner edge of the in-range f-hole, and the position where the two-sided soul column pushes up the diaphragm with each other is searched for and installed to avoid the flicker phenomenon.

尚、前記溝Mは、胴中央括れ部の表板裏面側で左右隅の糊代棒Eの弧に沿い、合板胴では、駒裏補強のための薄板(板厚部)との隙間部分で、表板側の左右二箇所へ細長い浅溝(幅4mm以内・深さは合板一枚分)、また、単板胴新品キットでは、直接に該当箇所へ(幅3mm以内・深さ1mm程度)を彫り込む構造のため、左右f孔の他に、前記溝Mの存在も駒裏補強部分の左右両端への振動伝達を適度に抑制することから「駒下部分の振動伝達方向を大小両胴側に限定し易い構造」と直感したので、実験のため、個人的にバイオリンの全試作品に実施している。  In addition, the groove M is along the arc of the glue bar E at the left and right corners on the back side of the front plate of the cylinder center constricted part, and in the plywood cylinder, it is a gap part with a thin plate (plate thick part) for reinforcing the back of the frame. , Long and narrow shallow grooves on the left and right sides of the front plate side (within 4 mm in width and depth for one plywood), and with a new single-plate body kit, directly to the relevant location (within 3 mm in width and about 1 mm in depth) In addition to the left and right f holes, the presence of the groove M moderately suppresses vibration transmission to the left and right ends of the back reinforcement part. Because it was intuitive that “the structure is easy to limit to the side,” I personally implemented all the violin prototypes for the experiment.

本発明の全試作品には、キットの弦と駒を用いずに、別売最高級品を使用したが、塗料については、専用の高級品を用いずに使い慣れた市販のニス類を用いた両面塗り、また、胴内魂柱の設置が困難のため、先ず、該魂柱設置位置の表板側へその上辺を接着して、該魂柱が前記主魂柱BCでは、裏板を貼る際に魂柱底辺を確実に裏板側の前記高B背部へ凸部接続させる工法を用い、尚、f孔の内側縁へ手動で前記摘み付き魂柱を設置する場合、図3の孔縁直近胴内魂柱の底辺のように突起部を設けると、前記高B背部該当箇所への凸部接続作業が容易になる。  For all prototypes of the present invention, the highest grades sold separately were used without using the strings and pieces of the kit, but for the paint, both sides using commercially available varnishes that were familiar without using dedicated luxury products were used. When the soul pillar is pasted on the main soul pillar BC, the upper side is first bonded to the front board side of the soul pillar installation position. When the soul pillar with knob is manually installed on the inner edge of the f hole, the bottom of the soul pillar is securely connected to the high B back part on the back plate side. Providing a protrusion like the bottom of the in-body soul column facilitates the connecting operation of the protrusion to the relevant part of the high B back.

「合板胴バイオリンの板厚調製・表板と側板」
合板胴バイオリンの板厚(表板2,3mm・裏板3mm・振動板の胴縁突出部省略・側板2,3mmを二重板に加工)にて試作し、また、振動板の内側面からの板厚調整は、裏面側の木目が(図10・図11)の塗り潰し線の方向で最善になり、
詳しくは、表板側胴縦方向中央と胴縁部は三重合板、胴中央括れ部には駒裏補強のため薄い単板を貼れば四重合板となり、その左右端の表板自体の該当部へは(幅3mm弱〜4mm以内・深さは合板一枚分)の前記溝Mを彫って適度に弱体化して、上記以外は芯板を完全に露出した二重合板(図10)、但し、駒裏補強の薄板部を含め、その境目は(図2・図3・図12)のように緩やかに加工した。
"Preparation of plywood body violin thickness, front and side plates"
Prototype of plywood body violin thickness (front plate 2, 3mm, back plate 3mm, vibration plate edge protrusion omitted, side plate 2, 3mm processed into a double plate), and from the inner surface of the diaphragm The plate thickness adjustment is best in the direction of the solid line of the back side (Figs. 10 and 11),
Specifically, the front plate side trunk longitudinal center and the trunk edge are tri-polymerized plates, and a thin single plate is attached to the trunk central constricted part to reinforce the back of the frame. The double plate with the core plate completely exposed (Fig. 10) except for the above, with the groove M carved in the groove M (width less than 3mm to less than 4mm and depth equal to one plywood). The boundary including the thin plate part for reinforcing the back of the piece was processed gently as shown in (FIGS. 2, 3, and 12).

「合板胴バイオリンの板厚調製・裏板の実験結果」
合板胴バイオリンの裏板側も上記と同様に加工するが、胴中央括れ部の「力木B群」の左右端部分は二重半合板になるような、少し薄めにする程度の板厚調整であり(図11)、その境目は(図12)のように緩やかに加工する他に、ベニヤ板の三重合板部分(接着面以外)には上下振動板共に、二重合板部分より塗料を厚塗りする実験もしてあり、 この製法での音量・音質が良かったことから、
上記の自己流板厚調製をそのまま、単板胴新品キット・改造品キットの二本、勿論、合板胴改造バイオリン二本へも実施して、両材質の音量比較では、単板胴新品キットは大音量、しかし、単板胴改造品では、改造の度に胴内へ熱湯を入れて裏板を剥がす事を繰り返したために、振動板の変形と、その都度、側板底辺の調整で側板幅減少部分へ別部材にて下駄を履かす補修が、「感度低下」の原因では?の疑問から、新品キット(15,000円)にて新たに試作した結果、性能的に大成功、単板胴改造キットは先案試作品中での最良楽器、また、第1実施例の合板胴改造品は側板幅が的中したため、音量・音質は良く満足出来る性能である。
“Plywood body violin thickness preparation and back plate experiment results”
The back plate side of the plywood body violin is processed in the same way as above, but the left and right ends of the “Rikigi B group” at the center neck of the body are double half plywood. (Fig. 11), and the boundary is processed gently as shown in (Fig. 12), and the upper and lower diaphragms are coated with a thicker coating on both the upper and lower vibration plate parts of the plywood (other than the adhesive surface). There is also an experiment to do, because the volume and sound quality with this manufacturing method was good,
The above self-flow plate thickness adjustment is applied to two single plate cylinder new kits and modified kits as well as two plywood cylinder modified violins. Volume, however, in the modified single-plate body, hot water was poured into the body and the back plate was peeled off each time it was modified, so the side plate width decreased by adjusting the bottom of the diaphragm and adjusting the bottom of the side plate each time. Is the cause of “decreased sensitivity” caused by repairing clogs with a separate member? As a result of a new trial production with a new kit (15,000 yen), the performance of the single-board body modification kit is the best musical instrument in the previous prototype, and the plywood of the first embodiment The modified body has the right side plate width, so the volume and sound quality are satisfactory.

「裏板力木Bの設置方と実験結果」
▲1▼ 前記力木Bを裏板側へ直接に接着する力木の凸型接着工法………効果微妙、
▲2▼ 裏板側へ前記溝mを彫り、力木底辺を嵌め込む半凸型接着工法…効果有り、
▲3▼ 半凸型力木接着工法の突出部を削り取る平型力木接着工法……少効果あり、
上記の▲2▼前記半凸型力木接着工法の実験結果から確実に有効と断言でる。
"Installation of back plate Rikiki B and experimental results"
(1) Convex bonding method for directly adhering the power tree B to the back plate side ...
▲ 2 ▼ Semi-convex adhesive method that engraves the groove m on the back plate side and fits the bottom of the power tree ...
▲ 3 ▼ Flat-type reinforced wood bonding method that scrapes off the protruding part of the semi-convex type reinforced wood bonding method.
(2) From the experimental results of the above-mentioned half-convex forcewood bonding method, it can be definitely said that it is effective.

「試作バイオリンでの接続部材Hの説明」
前記接続部材Hは、前記力木B三本の間を接続する部材であり、設置位置は、魂柱の「前付け」位置直近の裏板側胴内横方向へ直接に接着する部材であり、4mm角材を用い、その高さを中央部が3mm程度・両端を1mm程度に加工して、相対する二本の前記力木Bの底部側辺間を二部材構成にて接続する構造であり、
前記接続部材Hの有無は音量に・設置位置は音質に直接に影響して、因みに、本文2頁の(先案・▲5▼の0033と図16)の場合での前記接続部材Hは、魂柱の「後付け」位置直近へ設置した試作例で、これは本発明の「前付け」位置直近へ変更した方が音質的に優ることを確認済みであり、理由は、前記接続部材Hを両駒脚底間の基準位置前後の一方へ設置した場合の距離の違い(図2)、他に、魂柱の「前付け」位置直近の方が、胴の中央に近い事、等々が考えられ、 尚、
「前付け」魂柱底辺を前記接続部材Hへ凸部接続(0016・▲1▼凸型力木接着工法)では、魂柱HCと呼べるが、前記主魂柱BC程の効果にはならない。
"Explanation of connecting member H with prototype violin"
The connecting member H is a member that connects the three power trees B, and the installation position is a member that directly adheres in the lateral direction in the back plate side trunk in the immediate vicinity of the “front” position of the soul pillar. It is a structure that uses a 4mm square material, has a height of about 3mm at the center and about 1mm at both ends, and connects the two sides of the two opposite rams B in a two-member configuration. ,
The presence / absence of the connecting member H directly affects the sound volume and the installation position directly affects the sound quality. Incidentally, the connecting member H in the case of the second page of the text (Prior to (5) 0033 and FIG. 16) It is a prototype example installed near the “retrofit” position of the soul pillar, and it has been confirmed that the sound quality is superior to the one that is changed to the “front installation” position of the present invention. The difference in the distance between the base of the two frame legs when it is installed on either side of the reference position (Fig. 2), in addition, the “front” position of the soul post is closer to the center of the torso, etc. In addition,
In the “front” soul column base to the connection member H with a convex connection (0016 · 1) convex force tree bonding method, it can be called a soul column HC, but it is not as effective as the main soul column BC.

「本案試作バイオリンの力木Bと溝mのサイズ」
胴括れ部の裏板側へ設ける前記力木Bの設置範囲は、横方向が左右f孔の内側縁の真下に相当する裏板側の二か所間以内とし、縦方向の上限は指板末端直下に相当する裏板側位置、下限は左右f孔大胴側端の両丸孔間直下に相当する裏板側位置まで以内で、言い換えれば、胴括れ部内より僅かに下方を限度として、前記力木Bのサイズは、4mm角材を加工して前記高B・低Bの長さを75mm程度・前記中Bは80mm程度にて実験し、前記溝mは、裏板側該当箇所へ前記力木B底辺形状を正確に彫り、深さは1mm程度として、(図2・図3・図4・図7) 尚、前記力木Bの長さを[高B<中B<低B]も実験したが効果の確認不能である。
“The size of the prototypical violin Rikigi B and groove m”
The installation range of the timber B provided on the back plate side of the waistband portion is within two places on the back plate side corresponding to the right side of the inner edge of the left and right f holes, and the upper limit in the vertical direction is the fingerboard Back plate side position corresponding to directly under the terminal, the lower limit is within the back plate side position corresponding to the position between the two round holes at the left and right f hole cylinder side ends, in other words, with the limit slightly below the inside of the waist portion, The size of the timber B is a 4 mm square material, the length of the high B / low B is about 75 mm, the middle B is about 80 mm, and the groove m is moved to the corresponding position on the back plate side. The base of the force wood B is accurately carved and the depth is about 1 mm. (FIGS. 2, 3, 4, and 7) The length of the force wood B is [high B <medium B <low B]. However, the effect was not confirmed.

「試作合板胴チェロの部品サイズ」(参考資料)
バスバーDの幅を(両端7mm・駒脚下17mm程度)に変形加工、前記溝Mは、駒裏補強のために貼る薄板(板厚部)と糊代棒Eとの隙間を利用し、表板側自体は彫らずに強力な弦の圧力に備え、上下振動板は3mm厚で膨らみ率は第2実施例程度を応用・側板は3mm厚を二重合板に加工・側板幅は120mm弱で試作して、
振動板の板厚調製はバイオリン例(図10〜図12)を応用、 裏板側の前記力木Bのサイズ(高B・低B170mm、中B190mm・7mmの角材を加工)程度を用いた構造であり、高音弦側駒脚位置から16mm程度小胴側寄り位置の前記定位置「前付け」からf孔の内側縁へ寄せた位置へ前記主魂柱BC設置・魂柱Cを従来位置付近へ「後付け」配置であり、 本発明(図8)に相当する構造と、幅広型の広間隔「力木B群」(図4)応用の実施例であり、本発明の合板胴チェロは(特願2007−278161・図15)(図面省略)製作時のままであり、
胴中央括れ部で高音弦側駒脚底直下の板厚部を更に補強する前作での力木A案廃止のため、強力弦圧に対する強度不足が心配になり、未実験ではあるが、
単板胴では、本発明の第1・第2実施例の魂柱配置方を用いれば、現行の「板厚調製」のままで実施可能である事と、新品キットでのバイオリンの性能を思うとき、 大きさの異なる楽器でも、試作バイオリンのサイズを応用すれば、前述説明通りの性能を発揮することを、バイオリンの実験結果から確信している。
"Part size of prototype plywood body cello" (reference material)
The width of the bus bar D is deformed so that the width of the bus bar D is about 7 mm at both ends and the bottom of the piece leg is about 17 mm. The groove M uses a gap between a thin plate (thick portion) to be reinforced for reinforcing the back of the piece and a paste bar E, Prepared for strong string pressure without sculpting the side itself, the upper and lower diaphragms are 3mm thick, and the bulging rate is about the same as in the second embodiment. do it,
The thickness of the diaphragm is adjusted by applying the example of violin (Figs. 10 to 12), using the size of the wreck B on the back plate side (high B, low B 170 mm, medium B 190 mm, 7 mm square material processed) The main soul column BC is installed and the soul column C is located in the vicinity of the conventional position from the fixed position “front” of the position closer to the small torso side of the treble string side piece leg position to the inner edge of the f hole. This is an example of the application of the “retrofitting” arrangement, the structure corresponding to the present invention (FIG. 8), and the wide-type wide space “Rikigi B group” (FIG. 4) application. (Japanese Patent Application No. 2007-278161, FIG. 15) (drawing omitted)
Although the Rikigi A plan was abolished in the previous work, which further reinforces the plate thickness part directly below the bottom of the treble string side piece leg at the trunk central constriction part, there was concern about insufficient strength against strong string pressure,
With a single plate cylinder, if the soul pillar arrangement method of the first and second embodiments of the present invention is used, it can be carried out with the current “preparation of plate thickness” and the performance of the violin with a new kit is considered. We are convinced from the results of violin experiments that even instruments of different sizes will perform as described above if the size of the prototype violin is applied.

「バイオリンの第1実施例」
本実施例は、新品キット(15,000円)と新品駒(最高級5,000円弱)、他に、合板胴は、前作の魂柱位置変更と上記新品駒に交換して、振動板膨らみ状態が、表板8mm・裏板10mm、 側板幅37mm程度の時点で音量・音質が最善になり、
高音弦側駒脚位置直下を基準にして、少し大胴側寄り胴内の従来魂柱Cの前記定位置から、f孔の内側縁直近へ横移動した位置へ「後付け」の前記主魂柱BCを設置し、前記基準位置から11mm程度小胴側寄りの前記定位置よりも少しf孔寄りの胴内へ、「前付け」魂柱Cを設置した二本一対の魂柱配置方であり、これに組み合わせる「力木B群」は、幅広型の広間隔(図4)を使用して、 また、
上記新品キットと合板胴には(図1・図2・図3・図4・図5)の他に、前述の自己流「板厚調製」で(図10・図11・図12)を応用した実施例であり、
尚、上記は(特願2007−104309の0027・図12)記載の魂柱配置図であり、本発明では力木A廃止・前記溝Mも(特願2005−128593・0012)記載の(幅3mm以内で深さ1mm以内)程度を採用した構造である。
"First example of violin"
In this example, a new kit (15,000 yen) and a new piece (highest grade less than 5,000 yen), in addition, the plywood cylinder is replaced with the previous soul pillar position change and the new piece, and the diaphragm When the swelling state is 8mm on the front plate, 10mm on the back plate, and 37mm on the side plate, the sound volume and sound quality will be optimal.
The main soul column of “retrofitting” from the fixed position of the conventional soul column C slightly inside the trunk on the large torso side to the position laterally moved to the position near the inner edge of the hole f, based on the position immediately below the treble string side piece leg position It is a way to arrange two pairs of soul pillars with a “front” soul pillar C installed in the trunk a little closer to the f hole than the fixed position about 11 mm closer to the small body side from the reference position. The “Rikigi B group” to be combined with this, using a wide-type wide interval (FIG. 4),
In addition to the new kit and plywood cylinder (Figs. 1, 2, 3, 4 and 5), the self-flow "preparation of plate thickness" (Figs. 10, 11 and 12) was applied. An example,
The above is a soul pillar arrangement diagram described in (Japanese Patent Application No. 2007-104309, 0027, FIG. 12). In the present invention, Rikigi A is abolished and the groove M is also described in (Patent Application No. 2005-128593, 0012) This is a structure that employs a depth of 3 mm or less and a depth of 1 mm or less.

「バイオリンの第2実施例」
合板胴バイオリンを用い、振動板の膨らみ状態が表板6mm・裏板8mm程度で、側板幅を40mm程度に広くした実施例であり、上記第1実施例の魂柱配置をそのまま使用して、裏板側へ幅狭型の狭間隔「力木B群」を用いれば、前記高Bは、上項よりも少し胴中央側寄りになり、また、「前付け」魂柱位置は、前記定位置よりも少しf孔寄りの胴内になるので、該魂柱が「前付け」前記主魂柱BCになり下辺を前記高B背部へ凸部接続・f孔の内側縁直近へ「後付け」魂柱Cを設置する構造で、上項合板胴のf孔幅よりも僅かに広いため「強音量分、音質固め」の感じである。(図6・図7・図2・図3・図5・図10・図11・図12)
"Second example of violin"
Using the plywood body violin, the swelling state of the diaphragm is about 6 mm on the front plate and about 8 mm on the back plate, and the width of the side plate is widened to about 40 mm, using the soul column arrangement of the first embodiment as it is, If a narrow-type narrow “Rikigi B group” is used on the back plate side, the height B is slightly closer to the center of the trunk than the above item, and the “front” soul column position is Since it is in the body slightly closer to the f hole than the position, the soul column is “front-attached” and the main soul column BC becomes the main soul column BC, and the lower side is connected to the high B back part. The structure with the soul pillar C installed is slightly wider than the f-hole width of the upper plywood body, so it feels like “strong sound volume and sound quality”. (Fig. 6, Fig. 7, Fig. 2, Fig. 3, Fig. 5, Fig. 10, Fig. 11, Fig. 12)

「バイオリンのその他の実施例」
本実施例の単板胴改造キット(図8)は、(0002記載・▲8▼案・図1)へ新品高級駒を採用した実施例で、前記摘み付き魂柱▲2▼「前付け」の前記主魂柱BCのため、f孔の内側縁に少変形はあるものの単板胴改造品では最善性能であり、
本発明(図9)は、(0002記載・▲7▼案・図11)の魂柱配置を使用した、合板胴再改造品で先案の摘み付き魂柱▲2▼使用の「前付け」魂柱Cの実施例で、
孔縁魂柱「前付け」は(0009)での合板胴のみ使用可能、 と結論する。
"Other examples of violin"
The single plate cylinder remodeling kit (FIG. 8) of the present embodiment is an example in which a new high-quality piece is adopted in (0002 description, (8) draft, FIG. 1). Because of the main soul column BC, although the inner edge of the f hole is slightly deformed, it is the best performance with a single plate cylinder remodeled product,
The present invention (FIG. 9) is a “front” of the use of the soul pillar with the knob of the previous plan (2) using a remodeled plywood body using the soul pillar arrangement of (0002 description, {circle around (7)}, FIG. 11). In the example of Soul Pillar C,
It is concluded that the soul pillar “front” can only be used with the plywood cylinder in (0009).

第1実施例、表板胴内側の平面図である。  It is a top view of a 1st example and a front plate cylinder inner side. 前記中B位置から魂柱位置を見た駒下部分の拡大説明図である。  It is expansion explanatory drawing of the lower part of the piece which looked at the soul pillar position from the said middle B position. 胴頭部側から見た、胴内全必要部品設置方の拡大説明図である。  It is an expansion explanatory view of how to install all necessary parts in the trunk as seen from the trunk head side. 裏板側の、幅広型で広間隔「力木B群」の平面図である。  It is a top view of the wide type and wide space | interval "rikigi B group" by the back board side. 「二本一対魂柱」設置可能範囲の説明図である。  It is explanatory drawing of the range which can install "two pairs of soul pillars". 第2実施例、表板胴内側の平面図である。  It is a top view of 2nd Example and a front-plate cylinder inner side. 裏板側の、幅狭型で狭間隔「力木B群」の平面図である。  It is a top view of a narrow type and narrow space | interval "Rikigi B group" by the back board side. 主魂柱BCをf孔の内側縁直近へ「前付け」した実施例である。  This is an example in which the main soul column BC is “prepared” immediately to the inner edge of the f hole. 魂柱Cをf孔の内側縁直近へ「前付け」した実施例である。  This is an embodiment in which the soul column C is “prepared” immediately to the inner edge of the f-hole. 合板胴表板胴内側の木目方向により板厚を示す平面図である。  It is a top view which shows board thickness by the grain direction inside a plywood cylinder front board cylinder. 合板胴裏板胴内側の木目方向により板厚を示す平面図である。  It is a top view which shows board thickness by the grain direction inside a plywood cylinder back board cylinder. 合板胴小胴側切断面を大胴側から見た板厚の拡大断面図である。  It is the expanded sectional view of the plate | board thickness which looked at the cut surface of the plywood body small body side from the large body side.

符号の説明Explanation of symbols

B………………裏板側の力木(高B・中B・低B)の三本一組
BC……………主魂柱であり、魂柱底辺を高B背部へ凸部接続
C………………従来型魂柱であり、上下振動板間の平面へ平部接続
D………………バスバ−
E………………糊代棒
F(f孔)……f字形音響孔
H………………裏板側の力木B三本間の接続部材
K………………高音弦側駒脚底位置と魂柱位置との間隔を示す単位
m………………力木B底部の嵌め込み用溝
M………………胴括れ部表板側の左右両端へ設ける溝
B ……………… Rikiki on the back plate side (High B, Medium B, Low B) One set of BCs …………… The main soul column, and the bottom of the soul column protrudes from the high B back Connection C ………… Conventional soul pillar, flat connection to the plane between the upper and lower diaphragms D ……………… Bus bar
E ……………… Adhesive bar F (f hole) …… f-shaped acoustic hole H ……………… Connecting member between three timbers B on the back plate side K ……………… High string side Unit for indicating the distance between the bottom of the frame leg and the position of the soul column m ……………… Fitting groove on the bottom of Rikigi B M ………….

Claims (1)

木製擦弦楽器の胴中央括れ部裏板側胴内の力木B・溝m・接続部材H等で構成した「力木B群」と主魂柱BCとを接続し、更に、通常の魂柱Cも有し、
前記力木Bは、胴括れ部内の裏板側胴内縦方向を凡その設置範囲とする部材であり、高音弦側を高B・中央を中B・低音弦側を低Bとする三本から成り、
前記溝mは、前記力木B底辺と同形状の浅溝を予め裏板側該当部へ刻み付ける構造であり、この前記溝mを設ける事で、三本の前記力木Bの底辺を嵌め込み、上部が裏板面から突出した状態に接着する半凸型力木椄着工法が可能となり、
前記接続部材Hは、下記の魂柱設置位置である「前付け」直近位置で、裏板側の横方向へ直接に接着して、三本の前記力木B間を接続する部材であり、
以上、前記半凸型力木接着工法による三本の前記力木Bと、前記接続部材Hとで構成する裏板側の凸部全体の構造を、上記「力木B群」と総称し、
魂柱の設置位置は、高音弦側駒脚底位置直下を基準にした前後の二箇所を定位置とし、各々の前記定位置から高音弦側f孔内までの横方向を魂柱の設置可能範囲として、前記基準位置より少し大胴側寄りの従来魂柱C側を「後付け」範囲、前記基準位置から、上記間隔の3倍弱の小胴側寄りを「前付け」範囲として、
前記主魂柱BCは、上記の「前付け」「後付け」から任意の一方を選択して、該魂柱底辺を直下に配置する前記高B背部へ凸部接続し、別指定内の魂柱C底辺を裏板側平面へ平部接続する、平凸接続併用「二本一対魂柱」配置方式を用い、
「二本一対魂柱」の前記主魂柱BCと、「力木B群」の前記高Bとの接続により、弦振動を、駒・表板・バスバーD等から、魂柱Cを経て裏板側へ通常伝達する他、新設した前記主魂柱BCから、前述[高B・接続部材H・中B・接続部材H・低B・溝m(溝壁・溝底)]の順番にて、上記「力木B群」全体経由方式による裏板側への駒振動伝達経路を特徴とする、木製擦弦楽器の胴内構造である。
以上の構成から成る、擦弦楽器に於ける究極駒振動伝達促進方式胴内構造4。
Connected to the main soul pillar BC with the main soul pillar BC, which is composed of the brilliant B, groove m, connecting member H, etc. in the trunk center constricted part of the back side of the wooden bowed instrument. Also has C,
The power tree B is a member having a longitudinal direction in the back plate side of the trunk in the waistband portion as a general installation range. The high string is high B, the middle is medium B, and the low string is low B. Consisting of
The groove m has a structure in which a shallow groove having the same shape as the bottom of the reinforced wood B is preliminarily carved into a corresponding portion on the back plate side, and the bottom of the three reinforced wood B is fitted by providing the groove m. , The semi-convex type force wooden lacquer construction method that allows the upper part to stick out from the back plate surface is possible,
The connecting member H is a member for directly connecting the three power trees B by directly adhering in the lateral direction on the back plate side at the “front” position closest to the following soul pillar installation position,
As described above, the entire structure of the convex part on the back plate side constituted by the three timbers B by the semi-convex type timber bonding method and the connecting member H is collectively referred to as the above-mentioned `` branch group B ''.
The installation position of the soul pillar is the fixed position at the two positions before and after the treble string side piece base bottom, and the horizontal direction from each fixed position to the inside of the treble string side f hole is the range where the soul pillar can be installed As for the conventional soul column C side slightly closer to the torso side than the reference position as a “retrofitting” range, and from the reference position to a side of the torso that is slightly less than three times the interval as a “front attachment” range,
The main soul column BC is selected from any one of the “front” and “rear”, and is connected to the high B back portion, which is arranged directly below the soul column, and is connected to the soul column in a different designation. Using the "two-pair soul pillar" arrangement method with plano-convex connection, connecting the bottom of the C flat to the back plate side plane,
By connecting the main soul column BC of "Two-pair soul columns" and the high B of "Rikigi B group", string vibrations from the piece, front plate, bus bar D, etc., through the soul column C In addition to the normal transmission to the plate side, from the newly established main soul column BC, in the order of [High B, connecting member H, middle B, connecting member H, low B, groove m (groove wall, groove bottom)] The internal structure of the wooden bowed instrument characterized by a piece vibration transmission path to the back plate side by the above-mentioned “Rikigi B group” whole way system.
The ultimate frame vibration transmission promoting internal body structure 4 for a bowed instrument having the above-described configuration.
JP2008154630A 2007-09-27 2008-05-17 Ultimate piece vibration transmission acceleration system rim structure 4 in frictional stringed instrument Pending JP2009163204A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP2008154630A JP2009163204A (en) 2007-09-27 2008-05-17 Ultimate piece vibration transmission acceleration system rim structure 4 in frictional stringed instrument

Applications Claiming Priority (3)

Application Number Priority Date Filing Date Title
JP2007278161 2007-09-27
JP2007341722 2007-12-10
JP2008154630A JP2009163204A (en) 2007-09-27 2008-05-17 Ultimate piece vibration transmission acceleration system rim structure 4 in frictional stringed instrument

Publications (1)

Publication Number Publication Date
JP2009163204A true JP2009163204A (en) 2009-07-23

Family

ID=40965840

Family Applications (1)

Application Number Title Priority Date Filing Date
JP2008154630A Pending JP2009163204A (en) 2007-09-27 2008-05-17 Ultimate piece vibration transmission acceleration system rim structure 4 in frictional stringed instrument

Country Status (1)

Country Link
JP (1) JP2009163204A (en)

Cited By (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JP2010049289A (en) * 2007-08-20 2010-03-04 Isao Umeda Stringed instrument
CN105118479A (en) * 2015-07-29 2015-12-02 严泰昌 Tone adjusting device for stringed musical instrument
CN109204507A (en) * 2017-06-30 2019-01-15 比亚迪股份有限公司 Vehicle body crossbeam and vehicle

Cited By (5)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JP2010049289A (en) * 2007-08-20 2010-03-04 Isao Umeda Stringed instrument
JP4588109B2 (en) * 2007-08-20 2010-11-24 勲 梅田 Stringed instrument
CN105118479A (en) * 2015-07-29 2015-12-02 严泰昌 Tone adjusting device for stringed musical instrument
CN109204507A (en) * 2017-06-30 2019-01-15 比亚迪股份有限公司 Vehicle body crossbeam and vehicle
CN109204507B (en) * 2017-06-30 2020-10-23 比亚迪股份有限公司 Vehicle body cross member and vehicle

Similar Documents

Publication Publication Date Title
US4188850A (en) Foamed plastic guitar construction
CN208225477U (en) Sleeper bilayer key thumb piano
JP2009163204A (en) Ultimate piece vibration transmission acceleration system rim structure 4 in frictional stringed instrument
US6639135B1 (en) Body components for hollow body stringed instruments and method of fabricating same
US4377102A (en) Piano construction
CN103208273A (en) Machining method of urheen with acoustic resonator
JP5024680B2 (en) Ukulele and manufacturing method thereof
JP2022107569A (en) Violin or the like
CN211828063U (en) Kung Ji qin and qin stand
US20110185877A1 (en) Stringed musical instrument
JP2008052054A (en) Acoustic guitar based stringed instrument
AU2018203996A1 (en) String instrument having unitary neck support and fingerboard brace
CN212724672U (en) Zheng (Chinese zither)
CN209506367U (en) A kind of detachable bell
CN206907449U (en) The double soundboard sound source structure of grand piano
Pedgley et al. Materials-inspired innovation for acoustic guitar design
CN207337890U (en) Seven-stringed plucked instrument in some ways similar to the zither bottom plate reinforcing structure
JP2864013B1 (en) Synchronized structure of rod vibration and piece vibration by stringed instrument
CN2681275Y (en) Resonant tank of stringed musical instrument
CN204991110U (en) Bireflectance pipa
CN218585619U (en) Vertical piano central disk with soundboard
CN203721172U (en) Improved violin resonance box
CN216353312U (en) Zheng sound beam device with sound amplifying function
CN110364128B (en) Violin
CN220456081U (en) Music strengthening device for playing wooden guitar

Legal Events

Date Code Title Description
A521 Written amendment

Free format text: JAPANESE INTERMEDIATE CODE: A523

Effective date: 20090508