JP2009042401A - Method for judging plagiarism of music piece - Google Patents

Method for judging plagiarism of music piece Download PDF

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JP2009042401A
JP2009042401A JP2007205902A JP2007205902A JP2009042401A JP 2009042401 A JP2009042401 A JP 2009042401A JP 2007205902 A JP2007205902 A JP 2007205902A JP 2007205902 A JP2007205902 A JP 2007205902A JP 2009042401 A JP2009042401 A JP 2009042401A
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music
plagiarism
pitch
information
coincidence
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Tsuneo Kuwabara
恒夫 桑原
Katsuya Suzuki
勝也 鈴木
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Kanagawa University
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Abstract

<P>PROBLEM TO BE SOLVED: To provide a method for judging plagiarism of a music piece for automatically judging whether or not there is a plagiarizing or plagiarized relationship between two music pieces partially. <P>SOLUTION: The method includes: a digitized information extraction step for extracting note information of an arbitrary part of each music piece as digitized information that deviation from an average sound pitch is digitized in units of a prescribed sound length by one or a series of bars; a coincidence degree calculation step for comparing the digitized information of each music piece extracted by the digitized information extraction step and calculating the coincidence degree; and a judgment step for judging a plagiarizing or plagiarized relationship between two music pieces by comparing the coincidence degree with a predetermined reference value. <P>COPYRIGHT: (C)2009,JPO&INPIT

Description

本発明は、2つの楽曲間の盗作・被盗作の関係が成立するかどうかを自動的に判定するために有用な技術に関する。   The present invention relates to a technique useful for automatically determining whether a relationship of plagiarism / theft is established between two music pieces.

近年、Webの発展により、映像や音楽を投稿しそれを不特定多数の人が閲覧、視聴できるサイトができてきた。(You Tube、ヤマハのプレイヤーズ王国など)。しかし著作権を持たない投稿者の投稿が問題になっている。音楽では、特に有名楽曲そのものの投稿もさることながら、その一部を盗作して投稿する行為も問題となる。そのため現状では投稿サイトを管理する側で投稿された楽曲が盗作にあたるかどうかを人間が判断する作業が必要となる。これは時間も人的稼動も膨大となり、現実的でない。   In recent years, with the development of the Web, a site has been created where videos and music can be posted and viewed and viewed by an unspecified number of people. (You Tube, Yamaha Players Kingdom, etc.) However, postings by contributors who do not have copyright are a problem. In music, in addition to posting famous songs themselves, the act of plagiarizing and posting a part of them is also a problem. Therefore, at present, it is necessary for humans to determine whether or not the music posted on the side managing the posting site is plagiarized. This is unrealistic because it takes a lot of time and manpower.

一方、2つの楽曲の類似性判定は色々研究されている。これは検索者の好みの楽曲を検索するに当たって、好きな曲を指定するとそれに類似した楽曲を多くの楽曲の中から自動的に抽出するための技術である。そのため類似性判定は楽曲全体として印象が似ているかどうかの判定を目的としている。   On the other hand, various studies have been conducted on the similarity determination between two music pieces. This is a technique for automatically extracting a similar song from many songs when a favorite song is designated when searching for a favorite song of a searcher. Therefore, the similarity determination is aimed at determining whether or not the impression is similar for the entire music.

また、楽譜情報上の任意の2旋律間の類似度を判定するに際し、任意の調で書かれた原譜を同一調へ移調した上で、人間特有の聴感特性である記憶影響効果を応用した音列/音程時間(聴感音長)/発音点の3要素で比較し、旋律の類似度を判定することで、実感覚に則した判定結果を得るようにする手法も考えられている。
特開2001−265324号公報
Also, in determining the similarity between any two melodies on the musical score information, the original music written in an arbitrary key was transposed to the same key, and the memory effect, which is a human audible characteristic, was applied. A method of obtaining a determination result based on the real sense by comparing the three elements of the tone string / pitch time (auditory sound length) / sounding point and determining the similarity of the melody is also considered.
JP 2001-265324 A

しかしながら、盗作は一部分でも一致すれば盗作であるが、前者の構成によれば、曲全体の印象が判定されるに過ぎないので、盗作かどうかの判定は難しい。   However, although plagiarism is plagiarism even if it partially matches, according to the former configuration, it is difficult to determine whether or not it is plagiarism because only the impression of the entire song is determined.

また、後者の構成によれば、音高の完全一致か否かで判定するようにしているが、半音違いと3音違いは、違いの程度が異なるものである。しかも、全てある調に移調させて比較しているので、局所的な#,♭,ナチュラル記号に対応できなくなり、また、ほとんどが1音違いで局所的に半音違いのような類似性のある場合を検出しにくくなる。   Further, according to the latter configuration, the determination is made based on whether or not the pitches are completely coincident. However, the difference between the semitone difference and the three tone difference is different. Moreover, since all of them are transposed to a certain key and compared, local #, ♭, and natural symbols cannot be used, and most of them have a single tone difference and similar similarity, such as a local semitone difference. Is difficult to detect.

即ち、盗作部分にだけ調を変換する調号を施すことも可能であるが、局所的に調が変換された場合には、全体を移調させる従来の判定方法では盗作を見破ることはできなかった。また、同じ調で平均音高が違う部分同士でそこからのずれが同じである楽曲、例えば、同じハ調でドレドレドレとレミレミレミは、従来技術では盗作でないと判定される可能性が高い。   In other words, it is possible to apply a key signature that converts only the plagiarism part, but if the key is converted locally, the conventional judgment method that transposes the whole could not detect the plagiarism. . In addition, it is highly likely that a piece of music having the same key and different average pitches and the same deviation from the same, for example, the same C key and the dredredre and the remyremy are not plagiarism in the prior art.

本発明は、係る事情に鑑みてなされたものであり、2つの楽曲に対して部分的に盗作・非盗作の関係が成立するかどうかを自動的に判定する楽曲盗作判定方法を提供することを主たる課題としている。   The present invention has been made in view of such circumstances, and provides a music plagiarism determination method that automatically determines whether or not a relation of plagiarism / non- plagiarism is partially established for two music pieces. The main issue.

上記課題を達成するために、この発明に係る楽曲盗作判定方法は、2つの楽曲の間の盗作・被盗作の関係が成立するかどうかを判定する楽曲盗作判定方法において、1つ又は連続する複数の小節単位で各々の楽曲の任意部分の音符情報を所定の音長単位で平均音高からのずれを数値化した数値化情報として抽出する数値化情報抽出ステップと、前記数値化情報抽出ステップにより抽出された各々の楽曲の任意部分の前記数値化情報を比較してその一致度合いを算出する一致度合算出ステップと、前記一致度合いを予め定めた基準値と比較して2つの楽曲間の盗作・被盗作の関係を判定する判定ステップとを含むことを特徴としている。   In order to achieve the above object, a music plagiarism determination method according to the present invention is a music plagiarism determination method for determining whether or not a relation of plagiarism / theft is established between two music pieces. A digitized information extraction step for extracting note information of an arbitrary part of each musical piece in a unit of measure as digitized information obtained by digitizing a deviation from an average pitch in a predetermined pitch unit, and the digitized information extracting step A degree of coincidence calculating step for comparing the digitized information of an arbitrary part of each extracted piece of music and calculating the degree of coincidence; and comparing the degree of coincidence with a predetermined reference value for plagiarism between two pieces of music; And a determination step of determining the relationship of theft.

したがって、数値化情報抽出ステップにおいて、1つ又は複数の連続する小節単位で盗作側と被盗作側の各々の楽曲の任意部分の音符情報が所定の音長単位で平均音高からのずれを数値化した数値化情報として抽出され、一致度合算出ステップにおいて、各々の楽曲の任意部分の数値化情報を比較して一致度合が算出され、判定ステップにおいて、一致度合いを予め定めた基準値と比較して2つの楽曲の間の盗作・被盗作の関係が判定されるので、楽曲の一部一致の有無をも自動的に判定することが可能となる。また、平均音高からのずれを数値化した数値化情報を比較して一致度合いを算出するようにしているので、比較対象となる楽曲を移調する必要がなく、移調に伴う誤判定を無くすことが可能となる。   Therefore, in the digitized information extraction step, the note information of an arbitrary part of each piece of music on the plagiarism side and the plagiarism side in units of one or a plurality of consecutive measures is numerically expressed as a deviation from the average pitch in a predetermined pitch unit. In the coincidence degree calculation step, the degree of coincidence is calculated by comparing the digitized information of an arbitrary part of each song. In the determination step, the degree of coincidence is compared with a predetermined reference value. Since the relationship between plagiarism / theft from two music pieces is determined, it is possible to automatically determine whether or not there is a partial match between the music pieces. In addition, since the degree of coincidence is calculated by comparing the digitized information obtained by quantifying the deviation from the average pitch, there is no need to transpose the music to be compared, and erroneous determination associated with transposition is eliminated. Is possible.

ここで、一致度合い算出ステップは、比較する各々の楽曲の数値化情報に基づき、所定の音長単位毎の数値の差を積算することで一致度合いを算出するようにしてもよい。例えば、所定の音長単位ごとに音高の差の2乗を積算することで算出するようにしてよい。   Here, the degree of coincidence calculation step may calculate the degree of coincidence by integrating the numerical value differences for each predetermined sound length unit based on the digitized information of each piece of music to be compared. For example, the calculation may be performed by integrating the squares of the pitch differences for each predetermined pitch unit.

また、数値化情報抽出ステップは、具体的には前記楽曲の任意部分の音符情報を所定の音長単位に分割してそれぞれの音高を表わす数値に換算する音高換算ステップと、前記音高換算ステップで換算された数値に基づき、前記1つ又は連続する複数の小節単位での平均音高を算出する平均音高算出ステップと、前記1つ又は連続する複数の小節単位で前記音高換算ステップにより換算された数値の前記平均音高からの差を前記所定の音長単位毎に算出する相対音高算出ステップとを有して構成するようにしてもよい。   Further, the digitized information extraction step specifically includes a pitch conversion step for dividing note information of an arbitrary part of the music piece into predetermined pitch units and converting them into numerical values representing respective pitches, and the pitch Based on the numerical value converted in the conversion step, an average pitch calculation step for calculating an average pitch in the one or a plurality of continuous measures, and the pitch conversion in the one or a plurality of continuous measures A relative pitch calculation step of calculating a difference from the average pitch converted by the step for each predetermined pitch unit may be configured.

尚、上述した所定の音長単位は、判定精度を高めるために、16分音符長や32分音符長を用いるとよい。   In addition, in order to improve the determination accuracy, it is preferable to use a sixteenth note length or a thirty second note length as the above-mentioned predetermined sound length unit.

以上述べたように、本発明によれば、1つ又は連続する複数の小節単位で各々の楽曲の任意部分の音符情報を所定の音長単位で平均音高からのずれを数値化した数値化情報として抽出し、この抽出された各々の楽曲の任意部分の前記数値化情報を比較して一致度合いを算出し、この一致度合いを予め定めた基準値と比較して2つの楽曲の間の盗作・被盗作の関係を判定するようにしたので、2つの楽曲に対して部分的に盗作・非盗作の関係が成立するかどうかを自動的に判定することが可能な楽曲盗作判定方法を提供することが可能となる。   As described above, according to the present invention, the musical note information of an arbitrary part of each piece of music in units of one or a plurality of continuous measures is digitized by quantifying the deviation from the average pitch in a predetermined pitch unit. Information is extracted, and the degree of matching is calculated by comparing the digitized information of an arbitrary part of each extracted piece of music, and the degree of matching is compared with a predetermined reference value to obtain plagiarism between two pieces of music.・ Since the relationship between plagiarism is determined, a method for determining the plagiarism that can automatically determine whether or not the relationship between plagiarism and non-piracy is partially established for two songs is provided. It becomes possible.

また、音符情報を所定の音長単位で平均音高からのずれを数値化した数値化情報として抽出するようにしているので、比較単位ごとに相対的な音高の違いで一致度合いを算出することが可能となり、移調する操作が不要となる。このため、局所的な移調や、ほとんどが1音違いで局所的に半音違いのような類似性のある場合をも効果的に検出することが可能となる。   In addition, note information is extracted as digitized information obtained by quantifying the deviation from the average pitch in a predetermined pitch unit, so the degree of coincidence is calculated by the relative pitch difference for each comparison unit. And transposition is unnecessary. For this reason, it is possible to effectively detect a local transposition or a case where there is a similarity such as a difference in semitones in almost a single tone.

以下、この発明の最良の実施形態を図面に基づいて説明する。   The best mode for carrying out the invention will be described below with reference to the drawings.

2つの楽曲は盗作側、被盗作側の2つに分けられる。本発明では、被盗作側の楽曲を予め準備しておく。そしてこれとは別の楽曲が予め準備した楽曲の盗作にあたるかどうかを判定する。また楽曲の盗作は、曲の一部分が一致すれば盗作である。図1に楽曲Aと楽曲Bの譜面を示す。ここで、楽曲Aの第2小節及び第3小節の部分が楽曲Bの第3小節第4小節と一致している。このように曲全体の中の場所は違っても盗作関係が成立する。   The two songs are divided into a plagiarism side and a plagiarism side. In the present invention, a musical piece on the theft side is prepared in advance. Then, it is determined whether or not another song is a plagiarism of a song prepared in advance. Also, the plagiarism of music is plagiarism if a part of the music matches. FIG. 1 shows music scores of music A and music B. Here, the parts of the second bar and the third bar of the music A coincide with the third bar and the fourth bar of the music B. In this way, plagiarism is established even if the place in the whole song is different.

また図2に示すように楽曲が転調された場合には音の高さの絶対値は違っても相対的な変化は同じであり、これも盗作関係が成立する。また転調していなくても、局所的な♯、♭、ナチュラル記号などの利用により、全てが半音違い、1音違い、あるいは2音違いなどの楽曲は容易に作成できる。また転調や上記の局所的な♯、♭、ナチュラル記号を用いなくても、例えば大部分が1音違いで一部のみ半音違いの楽曲も容易に作成できる。また図3に示すように、転調に加え休符の位置が違う部分が存在するものも盗作が疑われる。   Also, as shown in FIG. 2, when the music is transposed, the relative change is the same even if the absolute value of the pitch is different, and this also establishes the plagiarism relationship. Even if there is no modulation, by using local #, ♭, natural symbols, etc., it is possible to easily create a music piece that is different in semitones, in one tone, or in two tones. Further, without using the modulation or the above-mentioned local #, ♭, and natural symbols, for example, it is possible to easily create, for example, a music that is mostly different by one tone and only partially different by semitones. Also, as shown in FIG. 3, plagiarism is suspected even if there is a part where the rest position is different in addition to the modulation.

本発明は、以上の楽曲相互間の盗作、非盗作を的確に判定する手法を提供するもので、本実施例においては、一例として図3に示される例を中心に説明する。   The present invention provides a method for accurately determining plagiarism and non-piracy between the above-described music pieces. In the present embodiment, an example shown in FIG. 3 will be mainly described.

先ず、使用する楽曲盗作判定システムの構成例を図4に示す。
この楽曲盗作判定システムは、CPU,ROM,RAM等を有する情報処理装置としてのコンピュータによって構成され、メモリに保持された所定のプログラムにより、所定の処理を行なうもので、楽曲情報(盗作判定対象の楽曲情報や被盗作判定対象の楽曲情報)を入力するCD等の図示しない入力機器、盗作の有無の判定結果を出力するモニターやプリンター等の図示しない出力機器に接続されている。
First, a configuration example of a music plagiarism determination system to be used is shown in FIG.
This music plagiarism determination system is constituted by a computer as an information processing apparatus having a CPU, ROM, RAM, etc., and performs predetermined processing by a predetermined program held in a memory. It is connected to an input device (not shown) such as a CD that inputs music information and music information subject to plagiarism determination), and an output device (not shown) such as a monitor or printer that outputs the result of determination of plagiarism.

このコンピュータは、アナログ信号として入力された楽曲の旋律情報(盗作判定対象となる楽曲の旋律情報や被盗作判定対象となる楽曲の旋律情報)を自動採譜して音符情報を数値化するデジタル化処理部1と、入力された盗作判定対象となる楽曲の区間分割及び被盗作判定対象となる楽曲の区間分割を行う区間分割部2と、入力された楽曲情報の中から休符情報を除去する休符情報除去部3と、休符情報が除去された音符情報を16分音単位に分割してそれぞれの音高を表わす数値に変換する16分音換算部4と、分割された単位で平均音高を算出する平均音高算出部5と、分割された単位で16分音換算された音高を表わす数値と平均音高との差(相対音高さ)を算出する相対音高算出部6と、分割された盗作判定対象楽曲の区間別情報を保持する盗作判定対象楽曲用区間別情報保持部7と、分割された被盗作判定対象楽曲の区間別情報を保持する被盗作判定対象楽曲用区間別情報保持部8と、盗作判定対象楽曲の区間と被盗作判定対象楽曲の区間との組み合わせを制御する対象区間組み合わせ制御部9と、この組合わせ制御部によって組合わせた盗作判定対象楽曲用区間別情報と被盗作判定対象楽曲用区間別情報とに基づき区画別相対音高残差の平均を算出する区画別相対音高残差平均算出部10と、区画別相対音高残差平均算出部10で算出された区画別相対音高残差の平均に基づき盗作の有無を判定する盗作関係判定部11とを備えている。   This computer automatically digitizes the melody information of music input as analog signals (melody information of music subject to plagiarism judgment and melodic information of music subject to plagiarism judgment) to digitize the note information Unit 1, segment division unit 2 that performs segment division of the music that is the target of the plagiarism determination and segment division of the musical piece that is the target of the plagiarism determination, and a rest that removes rest information from the input music information The note information removing unit 3, the 16th note converting unit 4 for dividing the note information from which the rest information has been removed into 16th note units and converting them into numerical values representing the respective pitches, and the average sound in the divided units An average pitch calculation unit 5 that calculates a pitch, and a relative pitch calculation unit 6 that calculates a difference (relative pitch) between a numerical value representing a pitch converted into a sixteenth tone and an average pitch in divided units. And divided segmental information on plagiarism determination target music Information holding section 7 for each section for the plagiarism determination target music to be held, section information holding section 8 for each section for the plagiarism determination target music for storing the divided section information of the music for determination of theft plagiarism, and the section for the plagiarism determination target music And a section combination control unit 9 that controls the combination of the section of the pirated judgment target music, the section information for the pirated judgment target music, and the section specific information for the pirated judgment target music combined by the combination control unit, The relative relative pitch residual average calculating unit 10 that calculates the average of the relative pitch residuals by zone based on the above, and the relative pitch residuals by zone calculated by the relative relative pitch residual average calculating unit 10 by the zone And a plagiarism-related determination unit 11 that determines the presence or absence of plagiarism based on the average.

このような構成においては、まず盗作判定対象となる楽曲の旋律情報と被盗作判定対象となる楽曲の旋律情報がシステムに入力されると、デジタル化処理部1で入力された楽曲の旋律情報を自動採譜して音符情報を数値化する。ただし入力が既にデジタル化された情報である場合にはこの処理部はバイパスされる(もしくは始めから設置しない)。デジタル化された旋律情報は、区間分割部2で、予め決められた区間(例えば、小節単位)に分割され、休符情報除去部3で休符情報を除去された後、16分音符換算部3で音符情報を16分音符長に分割してそれぞれの音高を表わす数値に換算される。区間分割処理は、休符除去処理の後に行うようにしてもいいが、休符を除去した後に区分を分割する場合には、分割箇所の認定手法が面倒になるので、区間分割処理は休符除去処理の前に行うことが好ましい。   In such a configuration, first, when the melody information of the music to be determined for plagiarism and the melody information of the music to be determined for plagiarism are input to the system, the melody information of the music input by the digitization processing unit 1 is obtained. Automatically record notes and digitize note information. However, if the input is already digitized information, this processing unit is bypassed (or not installed from the beginning). The digitized melody information is divided into predetermined sections (for example, in bar units) by the section dividing section 2, and after the rest information is removed by the rest information removing section 3, a sixteenth note conversion section is obtained. 3, the note information is divided into sixteenth note lengths and converted into numerical values representing the respective pitches. The segment division process may be performed after the rest removal process. However, if the segment is divided after the rest is removed, the method for identifying the division part becomes cumbersome. It is preferably performed before the removal process.

その後、平均音高算出部5で分割された区間毎に平均音高が算出され、相対音高算出部6により分割された区間単位で平均音高を基準にした音高のばらつき、即ち、16分音換算した音高を表わす数値と平均音高との差(相対音高さ)を算出する。ここで処理される楽曲は盗作判定対象楽曲と被盗作判定対象楽曲であるので、相対音高算出部6で算出された盗作判定対象楽曲の各分割区間の相対音高さに関する情報は盗作判定対象楽曲用区間別情報保持部7に保持され、また、相対音高算出部6で算出された被盗作判定対象楽曲の各分割区間の相対音高さに関する情報は被盗作判定対象楽曲用区間別情報保持部8に保持される。   Thereafter, an average pitch is calculated for each section divided by the average pitch calculation unit 5, and a pitch variation based on the average pitch for each section divided by the relative pitch calculation unit 6, that is, 16 A difference (relative pitch) between a numerical value representing a pitch converted into a partial sound and an average pitch is calculated. Since the music to be processed here is the plagiarism determination target music and the stolen determination target music, the information regarding the relative pitch of each divided section of the plagiarism determination target music calculated by the relative pitch calculation unit 6 is the plagiarism determination target. Information related to the relative pitch of each divided section of the musical composition subject to theft determination determined by the relative pitch calculation section 6 and held in the musical section specific information storage unit 7 is information related to the stolen determination target musical section. It is held by the holding unit 8.

また各々の楽曲の情報が何小節分単位で分割されたかの情報が区間分割部4から対象区間組み合わせ制御部9に送られる。その後、対象区間組み合わせ制御部9から各々の楽曲の分割区間の全ての組み合わせに対して相対音高さの残差平均を算出するよう、盗作判定対象楽曲用区間別情報保持部7、被盗作判定対象楽曲用区間別情報保持部8、及び区画別相対音高残差平均算出部10に指示を送る。これにより算出された区画別相対音高残差平均は盗作関係判定部11へ送られ、ここで盗作の有無の判定を行って結果を出力する。   Information about how many bars each piece of music information is divided is sent from the section dividing unit 4 to the target section combination control unit 9. Thereafter, the section-specific information holding section 7 for the plagiarism determination target music, the theft detection determination so as to calculate a residual average of relative pitches for all combinations of the divided sections of the respective music from the target section combination control section 9 Instructions are sent to the section-by-section information holding section 8 for the target music and the relative pitch residual average calculating section 10 by section. The average relative pitch residual difference calculated by this is sent to the plagiarism relationship determination unit 11, where the presence / absence of plagiarism is determined and the result is output.

図5に上述したシステム構成を用いた判定手法のフローチャートが示され、以下、このフローチャートに基づいて説明する。
まず、図3で示す2つの楽曲の譜面情報、即ち、盗作判定対象楽曲用の旋律情報(譜面情報)と被盗作判定対象楽曲用の旋律情報(譜面情報)とをデジタル化した状態で入力する(ステップS1)。その後、各楽曲の連続したn小節の組み合わせを抽出する(nは1以上)。m小節の楽曲では(m−n+1)個の組み合わせが抽出される(ステップS2)。この連続したn小説が楽曲同士を比較する比較単位となる。
FIG. 5 shows a flowchart of the determination method using the system configuration described above, and the following description will be given based on this flowchart.
First, the musical score information of the two pieces of music shown in FIG. 3, that is, the melodic information for the plagiarism determination target music (musical score information) and the melodic information for the plagiarism determination target music (musical score information) are input in a digitized state. (Step S1). Thereafter, a combination of consecutive n bars of each music is extracted (n is 1 or more). (m−n + 1) combinations are extracted from the music with m measures (step S2). This series of n novels is a comparison unit for comparing music pieces.

そして、分割された区間ごとに休符情報を除去し(ステップS3)、残った音符情報を、楽譜上の最小長である16分音符換算で音高を数値化表現する(ステップS4)。例えば、図3のA、Bの楽譜において、分割される区間(比較単位)を小節単位として変換すると、各々以下のように表現できる。ここで()は1小節を表す。また各数値はハ調のドの音の高さを0としたときの相対音高(半音違いを1にしている)である。この段階では、既に休符の情報は除去してある。
A1…(7,7,7,7,7,7,7,7,9,9,9,9,7,7,7,7)
(9,9,9,9,9,9,9,9,11,11,12,12,9,9,9,9)
(11,11,11,11,11,11,11,11,14,14,14,14)
(14,14,14,14,11,11,9,9,7,7,7,7)
B1…(7,7,7,7,7,7,7,7,10,10,10,10)
(10,10,10,10,10,10,10,10,8,8,8,8,10,10,10,10)
(10,10,10,10,7,7,5,5,3,3,3,3)
(3,3,3,3,2,2,2,2,3,3,3,3)
Then, rest information is removed for each of the divided sections (step S3), and the remaining note information is expressed numerically in terms of a 16th note, which is the minimum length on the score (step S4). For example, in the musical scores of A and B in FIG. 3, if the section to be divided (comparison unit) is converted as a bar unit, each can be expressed as follows. Here, () represents one measure. Each numerical value is a relative pitch (half-tone difference is set to 1) when the pitch of the C-tone is 0. At this stage, the rest information has already been removed.
A1 ... (7,7,7,7,7,7,7,7,9,9,9,9,7,7,7,7)
(9, 9, 9, 9, 9, 9, 9, 9, 11, 11, 12, 12, 9, 9, 9, 9)
(11, 11, 11, 11, 11, 11, 11, 11, 14, 14, 14, 14)
(14, 14, 14, 14, 11, 11, 9, 9, 7, 7, 7, 7)
B1 ... (7, 7, 7, 7, 7, 7, 7, 7, 10, 10, 10, 10)
(10, 10, 10, 10, 10, 10, 10, 10, 8, 8, 8, 8, 10, 10, 10, 10)
(10, 10, 10, 10, 7, 7, 5, 5, 3, 3, 3, 3)
(3, 3, 3, 3, 2, 2, 2, 2, 3, 3, 3, 3)

次いでこれを基にA1、B1の各々の小節単位の平均音高を算出する(ステップS5)。A1、B1の各々の小節単位の平均音高は以下のようになる。
A1の各小節の平均音高
第1小節7.5
第2小節9.625
第3小節12.0
第4小節10.333
Blの各小節の平均音高
第1小節8.0
第2小節9.5
第3小節6.3333
第4小節2.667
Next, based on this, the average pitch of each measure of A1 and B1 is calculated (step S5). The average pitch for each measure of A1 and B1 is as follows.
Average pitch of each measure of A1
First measure 7.5
Second measure 9.625
Measure 3 12.0
Measure 4.333
Average pitch of each measure of Bl
First measure 8.0
Second measure 9.5
3rd measure 6.3333
Measure 4.667

そしてこの値と小節ごとに各音符と平均音高との差(相対音高さ)を算出する(ステップS6)。その結果は各々A2、B2のようになる。
A2‥(-0.5,-0.5,-0.5,-0.5,-0.5,-0.5,-0.5,-0.5,1.5,1.5,
1.5,1.5,-0.5,-0.5,-0.5)、
(-0.625,-0.625,-0.625,-0.625,-0.625,-0.625,-0.625,-0.625
1.375,1.375,2.375,2.375,-0.625,-0.625,-0.625,-0.625)、
(-1,-1,-1,-1,-1,-1,-1,-1,2,2,2,2)、
(3.667,3.667,3.667,3.667,0.667,0.667,-1.333,-1.333,
-3.333,-3.333,-3.333,-3.333)
B2‥(-1,-1,-1,-1,-1,-1,-1,-1,2,2,2,2)、
(0.5,0.5,0.5,0.5,0.5,0.5,0.5,0.5,-1.5,-1.5,-l.5,
-1.5,0.5,0.5,0.5,0.5)、
(3.667,3.667,3.667,3.667,0.667,0.667,-1.333,-1.333,
-3.333,-3.333,-3.333,-3.333)、
(0.333,0.333,0.333,0.333,-0.667,-0.667,-0.667,-0.667, 0.333,0.333,0.333,0.333)
Then, a difference (relative pitch) between each note and the average pitch is calculated for each value and each measure (step S6). The results are as A2 and B2, respectively.
A2 (-0.5, -0.5, -0.5, -0.5, -0.5, -0.5, -0.5, -0.5, 1.5, 1.5) ,
1.5, 1.5, -0.5, -0.5, -0.5)
(-0.625, -0.625, -0.625, -0.625, -0.625, -0.625, -0.625, -0.625
1.375, 1.375, 2.375, 2.375, -0.625, -0.625, -0.625, -0.625),
(-1, -1, -1, -1, -1, -1, -1, -1, 2, 2, 2, 2),
(3.667, 3.667, 3.667, 3.667, 0.667, 0.667, -1.333, -1.333,
-3.333, -3.333, -3.333, -3.333)
B2 ... (-1, -1, -1, -1, -1, -1, -1, -1, 2, 2, 2, 2),
(0.5, 0.5, 0.5, 0.5, 0.5, 0.5, 0.5, 0.5, -1.5, -1.5, -l.5,
-1.5, 0.5, 0.5, 0.5, 0.5)
(3.667, 3.667, 3.667, 3.667, 0.667, 0.667, -1.333, -1.333,
-3.333, -3.333, -3.333, -3.333),
(0.333, 0.333, 0.33, 0.333, -0.667, -0.667, -0.667, -0.667, 0.33, 0.33, 0.333, 0 .333)

その後、2つの楽曲で抽出した連続したn小節同士の対の組合わせを全て抽出する(ステップS7)。図3の例において、分割単位(比較単位)を1小節に設定すると、盗作判定対象楽曲及び被盗作判定対象楽曲はそれぞれ4小節あるので、両楽曲での分割した区分同士の組み合わせは、4×4の16通りの組み合わせとなる。   Thereafter, all combinations of consecutive pairs of n bars extracted by the two music pieces are extracted (step S7). In the example of FIG. 3, if the division unit (comparison unit) is set to one measure, there are 4 measures each of the music for determination of plagiarism and the music for determination of theft, and the combination of the divided segments in both music is 4 ×. 4 to 16 combinations.

その後、抽出した全ての組み合わせに対し、相対音高さの差の二乗の平均値を算出する(ステップS8)。即ち、組み合わせた小節で、A2、B2のそれぞれの相対音高さに基づき、以下の数式(1)によって与えられる相対音高の差の2乗の平均値Zijを計算する。 Thereafter, the average value of the squares of the relative pitch differences is calculated for all the extracted combinations (step S8). That is, the average value Zij of the squares of the relative pitch differences given by the following formula (1) is calculated based on the relative pitches of A2 and B2 in the combined measures.

Figure 2009042401
Figure 2009042401

ここでi,jは各々A2,B2の何番目の小節かを示し、kは1小節を16分音符換算で区切ったときの何番目かを表し、A2ik,B2jkは各々A2,B2のi番目、j番目の小節の16分音符換算でのk番目の音高を示す。またNは比較する16分音符換算での音符数である。比較する単位を1小節ごととすると、休符が無い小節はN=16、休符がある小節では16からその休符分を引いた値となる。   Here, i and j indicate the number of measures of A2 and B2, respectively, k indicates the number of measures when one measure is divided into 16th notes, and A2ik and B2jk are the i numbers of A2 and B2, respectively. , The kth pitch in 16th note conversion of the jth measure. N is the number of notes in 16th note conversion to be compared. Assuming that the unit to be compared is one measure, a measure having no rest is N = 16, and a measure having a rest is a value obtained by subtracting the rest from 16.

そして、上述した値Zijが予め定めておいた値より小さいとき、2つの楽曲間に盗作関係があると判定し、そうでない場合には、盗作関係は無いと判定する(ステップS9)。
例えば、上記のA2とB2でこのZijを計算するとZ31=0、Z43=0となり、A2の第3小節とB2の第1小節、およびA2の第4小節とB2の第3小節が完全に一致する盗作関係にあると判定する。
When the above-described value Z ij is smaller than a predetermined value, it is determined that there is a plagiarism relationship between the two songs, and otherwise, it is determined that there is no plagiarism relationship (step S9).
For example, if Z ij is calculated with the above A2 and B2, Z 31 = 0 and Z 43 = 0, and the third measure of A2 and the first measure of B2 and the fourth measure of A2 and the third measure of B2 are It is determined that there is a plagiarism relationship that matches completely.

したがって、上述のような構成によれば、1つ又は複数の連続する小節単位で盗作側と被盗作側の各々の楽曲の任意部分の音符情報が所定の音長単位で平均音高からのずれを数値化した数値化情報として抽出され、抽出された各々の楽曲の任意部分の数値化情報を比較してその一致度合いが算出され、この一致度合いを予め定めた基準値と比較して2つの楽曲間の盗作・被盗作の関係が判定されるので、2つの楽曲に対して部分的に盗作・非盗作の関係が成立するかどうかを自動的に判定することが可能となる。   Therefore, according to the configuration as described above, note information of an arbitrary part of each piece of music on the plagiarism side and the plagiarism side is deviated from the average pitch in a predetermined pitch unit in units of one or a plurality of continuous measures. Is extracted as digitized information, and the degree of coincidence is calculated by comparing the digitized information of an arbitrary part of each extracted piece of music, and this degree of coincidence is compared with a predetermined reference value, Since the relationship between plagiarism / theft from music is determined, it is possible to automatically determine whether the relationship between the plagiarism / non-theft is partially established for two music pieces.

また、音符情報を所定の音長単位で平均音高からのずれを数値化した数値化情報として抽出するようにしているので、比較単位ごとに相対的な音高の違いで一致度合いが算出されることになり、移調する操作が不要となる。このため、局所的に移調されている場合や、ほとんどが1音違いで局所的に半音違いのような類似性のある場合をも効果的に判定することが可能となる。   In addition, note information is extracted as digitized information obtained by quantifying the deviation from the average pitch in a predetermined pitch unit, so the degree of coincidence is calculated by the relative pitch difference for each comparison unit. Therefore, the transposition operation becomes unnecessary. For this reason, it is possible to determine effectively when there is a local transposition or when there is a similarity such as a difference of almost one tone and a difference of semitones locally.

尚、上述の構成においては、比較単位は1小節ごとに設定されているが、これに限られるものではなく、2つの連続した小節ごと、4つの連続した小節ごとなど、複数の連続した小節を比較単位としても良く、その場合にはNが1小節の場合に比べて2倍、4倍と大きくなる。その場合、連続するn小節で区分すると、全体でm小節の楽曲はm−n+1区間に分割される。(連続した2小節で分割する場合、第1小節と第2小節、第2小節と第3小節、第3小節と第4小節などの区間に分割される。)   In the configuration described above, the comparison unit is set for each bar, but is not limited to this, and a plurality of continuous bars, such as every two consecutive bars, every four consecutive bars, etc. A comparison unit may be used, in which case N is twice or four times as large as when N is one bar. In that case, if divided into consecutive n bars, the music of m bars as a whole is divided into mn + 1 sections. (When dividing into two consecutive bars, it is divided into sections such as first and second bars, second and third bars, and third and fourth bars.)

また、休符を除去した小節においては、比較する相対音高さの数に差が出てくるが、この場合には、休符部分と比較する箇所は、一定の音高違いがあるものとして処理するようにしてもよい。   In the bar from which the rest is removed, there is a difference in the number of relative pitches to be compared. In this case, the portion to be compared with the rest portion is assumed to have a certain pitch difference. You may make it process.

さらに、上述においては、Z=0である場合に盗作関係にあると判定したが、Z=0ではなくても、予め定めておいた規定値以下の場合に盗作関係にあると判定することもできる。また基準値を複数段階に設定し、判定結果に幅を持たせることも可能である(例えば、「盗作の疑いが強い」、「盗作の疑いが否定できない」、「盗作は疑われない」の3段階で判定するなど)。   Furthermore, in the above description, it is determined that there is a plagiarism relationship when Z = 0, but even if Z = 0, it may be determined that there is a plagiarism relationship if it is equal to or less than a predetermined value. it can. It is also possible to set the reference value in multiple stages and to give a wide range of judgment results (for example, “suspected plagiarism is strong”, “suspected plagiarism cannot be denied”, “no plagiarism is suspected”) Etc.)

また、上述の構成においては、所定の音長単位毎の数値の差を積算する手法は、数式(1)によって与えられる音高の差の2乗の平均値Zijによって算出されているが、例えば、下記する数式(2)、数式(3)、数式(4)で示す残差平均式等で代用するようにしてもよい。 Further, in the above-described configuration, the method of integrating the numerical difference for each predetermined pitch unit is calculated by the mean value Z ij of the square of the pitch difference given by the equation (1). For example, you may make it substitute with the residual average type | formula etc. which are shown to following Numerical formula (2), Numerical formula (3), Numerical formula (4).

Figure 2009042401
Figure 2009042401

上述の構成においては、被盗作判定対象となる楽曲の旋律情報も盗作判定対象となる楽曲の旋律情報と共に入力する場合の例を示したが、被盗作判定対象楽曲の旋律データが蓄積された旋律データベース11を備えておき、このデータベースの中から比較すべき被盗作判定対象楽曲の旋律データを抽出し、同様の処理を行うようにしてもよい。   In the above-described configuration, the example in which the melody information of the music to be pirated is also input together with the melody information of the music to be pirated is shown. The database 11 may be provided, and the melody data of the stolen work determination target music to be compared may be extracted from the database, and the same processing may be performed.

さらにまた、上述の構成においては、それぞれの楽曲の音符情報を16分音符長に分解した例を示したが、これに限られるものではなく、32分音符長等に分解して同様の処理を行うようにしてもよい。   Furthermore, in the above-described configuration, an example in which the note information of each piece of music is decomposed into sixteenth note lengths is shown, but the present invention is not limited to this. You may make it perform.

図1は、盗作側の楽曲Aと被盗作側の楽曲Bの譜面の例を示す図である。FIG. 1 is a diagram illustrating an example of musical score of a musical piece A on the plagiarism side and a musical piece B on the plagiarism side. 図2は、盗作側の楽曲Aと被盗作側の楽曲Bの譜面の例を示す図である。FIG. 2 is a diagram illustrating an example of musical score of the musical piece A on the plagiarism side and the musical piece B on the plagiarism side. 図3は、盗作側の楽曲Aと被盗作側の楽曲Bの譜面の例を示す図である。FIG. 3 is a diagram showing an example of musical score of the musical piece A on the plagiarism side and the musical piece B on the plagiarism side. 図4は、楽曲盗作判定システムの構成例を示す機能ブロック図である。FIG. 4 is a functional block diagram illustrating a configuration example of the music plagiarism determination system. 図5は、楽曲盗作判定手法を示すフローチャートである。FIG. 5 is a flowchart showing a music plagiarism determination method.

Claims (4)

2つの楽曲の間の盗作・被盗作の関係が成立するかどうかを判定する楽曲盗作判定方法において、
1つ又は連続する複数の小節単位で各々の楽曲の任意部分の音符情報を所定の音長単位で平均音高からのずれを数値化した数値化情報として抽出する数値化情報抽出ステップと、
前記数値化情報抽出ステップにより抽出された各々の楽曲の任意部分の前記数値化情報を比較してその一致度合いを算出する一致度合算出ステップと、
前記一致度合いを予め定めた基準値と比較して2つの楽曲間の盗作・被盗作の関係を判定する判定ステップと
を含むことを特徴とする楽曲盗作判定方法。
In the music plagiarism determination method for determining whether the relationship of plagiarism / theft is established between two music pieces,
A digitized information extraction step of extracting note information of an arbitrary part of each musical piece in units of one or a plurality of continuous bars as digitized information obtained by digitizing a deviation from an average pitch in a predetermined pitch unit;
A degree of coincidence calculation step for comparing the digitized information of an arbitrary part of each piece of music extracted by the digitized information extraction step and calculating the degree of coincidence;
And a determination step of determining the relationship between plagiarism and plagiarism between two pieces of music by comparing the degree of coincidence with a predetermined reference value.
前記一致度合い算出ステップは、比較する各々の楽曲の前記数値化情報に基づき、前記所定の音長単位毎の数値の差を積算することで一致度合いを算出することを特徴とする請求項1記載の楽曲盗作判定方法。 2. The coincidence degree calculating step calculates the degree of coincidence by integrating the numerical difference for each predetermined sound length unit based on the digitized information of each piece of music to be compared. No music plagiarism determination method. 数値化情報抽出ステップは、
前記楽曲の任意部分の音符情報を所定の音長単位に分割してそれぞれの音高を表わす数値に換算する音高換算ステップと、
前記音高換算ステップで換算された数値に基づき、前記1つ又は連続する複数の小節単位での平均音高を算出する平均音高算出ステップと、
前記1つ又は連続する複数の小節単位で前記音高換算ステップにより換算された数値の前記平均音高からの差を前記所定の音長単位毎に算出する相対音高算出ステップと
を含むことを特徴とする請求項1記載の楽曲盗作判定方法。
The digitized information extraction step
A pitch conversion step for dividing note information of an arbitrary part of the music piece into predetermined pitch units and converting them into numerical values representing respective pitches;
Based on the numerical value converted in the pitch conversion step, an average pitch calculation step for calculating an average pitch in the one or a plurality of continuous measures;
A relative pitch calculating step of calculating, for each predetermined pitch unit, a difference from the average pitch of the numerical value converted by the pitch converting step in the one or a plurality of consecutive bar units. 2. The method for determining the plagiarism of music according to claim 1.
前記所定の音長単位は、16分音符長又は32分音符長であることを特徴とする請求項1〜3のいずれかに記載の楽曲盗作判定方法。 The music plagiarism determination method according to claim 1, wherein the predetermined tone length unit is a sixteenth note length or a thirty-second note length.
JP2007205902A 2007-08-07 2007-08-07 Method for judging plagiarism of music piece Withdrawn JP2009042401A (en)

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Cited By (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
WO2019217719A1 (en) * 2018-05-10 2019-11-14 Alibaba Group Holding Limited Blockchain-based music originality analysis method and apparatus
WO2021139284A1 (en) * 2020-06-30 2021-07-15 平安科技(深圳)有限公司 Melody similarity evaluation method and apparatus, and terminal device and storage medium
US11289059B2 (en) 2019-05-23 2022-03-29 Spotify Ab Plagiarism risk detector and interface

Cited By (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
WO2019217719A1 (en) * 2018-05-10 2019-11-14 Alibaba Group Holding Limited Blockchain-based music originality analysis method and apparatus
US10628485B2 (en) 2018-05-10 2020-04-21 Alibaba Group Holding Limited Blockchain-based music originality analysis method and apparatus
US11289059B2 (en) 2019-05-23 2022-03-29 Spotify Ab Plagiarism risk detector and interface
WO2021139284A1 (en) * 2020-06-30 2021-07-15 平安科技(深圳)有限公司 Melody similarity evaluation method and apparatus, and terminal device and storage medium

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