JP2008034998A - Automatic violin - Google Patents

Automatic violin Download PDF

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JP2008034998A
JP2008034998A JP2006203998A JP2006203998A JP2008034998A JP 2008034998 A JP2008034998 A JP 2008034998A JP 2006203998 A JP2006203998 A JP 2006203998A JP 2006203998 A JP2006203998 A JP 2006203998A JP 2008034998 A JP2008034998 A JP 2008034998A
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violin
stereo
piece
sound source
audio signal
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JP4776465B2 (en
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Shinji Kirihara
慎治 桐原
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KIRIHARA SANGYO KK
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KIRIHARA SANGYO KK
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Priority to JP2006203998A priority Critical patent/JP4776465B2/en
Priority to PCT/JP2007/062090 priority patent/WO2008013003A1/en
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00General design of stringed musical instruments
    • G10D1/02Bowed or rubbed string instruments, e.g. violins or hurdy-gurdies
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H3/00Instruments in which the tones are generated by electromechanical means
    • G10H3/12Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
    • G10H3/14Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
    • G10H3/18Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
    • G10H3/185Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar in which the tones are picked up through the bridge structure
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2220/00Input/output interfacing specifically adapted for electrophonic musical tools or instruments
    • G10H2220/461Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
    • G10H2220/465Bridge-positioned, i.e. assembled to or attached with the bridge of a stringed musical instrument
    • G10H2220/501Two or more bridge transducers, at least one transducer common to several strings
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2220/00Input/output interfacing specifically adapted for electrophonic musical tools or instruments
    • G10H2220/461Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
    • G10H2220/525Piezoelectric transducers for vibration sensing or vibration excitation in the audio range; Piezoelectric strain sensing, e.g. as key velocity sensor; Piezoelectric actuators, e.g. key actuation in response to a control voltage

Abstract

<P>PROBLEM TO BE SOLVED: To provide constitution capable of easily and automatically play a violin with a stereophonic sound source by entering a stereophonic audio signal. <P>SOLUTION: A vibration part having two piezoelectric diaphragms which vibrate with the stereophonic audio signal is fixed while shouldered on a bridge of the violin through a structure to stereophonically excite the bridge, and then a top plate, a sound post, a bass bar, and a back plate are systematically excited exactly in the same manner with normal string vibrations to automatically play the violin. <P>COPYRIGHT: (C)2008,JPO&INPIT

Description

本発明は、ステレオ音声電気信号によって1台のヴァイオリンを自動演奏する技術分野に属する。   The present invention belongs to the technical field of automatically playing a single violin by stereo audio electric signals.

音声電気信号を音波に変換するスピーカは、一般に木材や合成樹脂材等のスピーカボックスに納めて使用される。しかしこの構成は、スピーカ・コーンの振動がボックスの固有振動を誘発し、誘発振動が副作用音を発生して原音を歪曲することは、当業界で一般的に知られた事実である。この副作用音を低減するために、これまで様々な技術的工夫がなされてきたが、必ずしも満足な結果は得られていない。   A speaker that converts a sound electric signal into a sound wave is generally used in a speaker box made of wood or synthetic resin. However, this configuration is a fact commonly known in the art that the vibration of the speaker cone induces the natural vibration of the box, and the induced vibration generates a side effect sound and distorts the original sound. In order to reduce this side-effect sound, various technical ideas have been made so far, but satisfactory results have not always been obtained.

いっぽう、スピーカボックスに絃楽器を利用する技術が開示されている(特許文献1,2)。
第1の技術(特許文献1)は、音声電流を機械振動に変換する駆動コイルの振動部とヴァイオリン属絃楽器の駒を棒状部材で連結するプレーヤ装置技術である。この技術には、下記の問題点があった:
(1)筐体に納めたスピーカの駆動コイルの振動部に棒状部材を連結し、その先端を駒に連結するようにしているが、駒との連結を完全に固定的にすると、スピーカと絃楽器の両者が固定されるため、原理上振動部が振動できない。したがって、駒との連結は振動を伝達するための特殊な技術を要していた。
(2)筐体と絃楽器とが別体であるために、可搬性がなかった。
(3)筐体と絃楽器とが別体であるために、駆動コイルと楽器の駒の上下レベルが合うように両者を机上等に設置しなければならず、設置ごとに煩わしい調節が必要であった。
(4)筐体と絃楽器を並べて連結する構成上、同一音源からのステレオ演奏構成がきわめて煩瑣であった。
(5)絃楽器の駒は上縁に張られた絃の振動を表板に伝える形状に作成されているが、この技術では棒状部材を駒の側端部に連結するので、駒が正常に機能せず、忠実な音の再生に問題があった。
On the other hand, a technique of using a musical instrument for a speaker box is disclosed (Patent Documents 1 and 2).
The first technique (Patent Document 1) is a player apparatus technique in which a vibrating portion of a drive coil that converts audio current into mechanical vibration and a piece of a violin instrument are connected by a rod-shaped member. This technique had the following problems:
(1) A rod-like member is connected to the vibration portion of the drive coil of the speaker housed in the housing, and its tip is connected to the piece, but if the connection with the piece is completely fixed, Since both instruments are fixed, the vibration part cannot vibrate in principle. Therefore, the connection with the piece required a special technique for transmitting vibration.
(2) Since the casing and the musical instrument are separate bodies, they were not portable.
(3) Since the casing and the musical instrument are separate, both must be installed on a desk or the like so that the upper and lower levels of the drive coil and musical instrument piece match, and each installation requires troublesome adjustments. It was.
(4) Due to the configuration in which the casing and the musical instrument are connected side by side, the stereo performance configuration from the same sound source is extremely cumbersome.
(5) The piece of the musical instrument is made in a shape that transmits the vibration of the hook stretched on the upper edge to the front plate, but with this technique the rod-shaped member is connected to the side edge of the piece, so the piece functions normally Without, there was a problem with faithful sound reproduction.

また、第2の技術(特許文献2)は、電子増幅装置からの外力を絃楽器に加えるスピーカ絃楽器技術である。この技術には、下記の問題点があった:
(1)電子増幅装置からの外力の具体的説明がないため、再現不能であった。
(2)外力を絃楽器に伝達する手段についての具体的説明がない。実施例の説明では、魂柱の基部に伝達部を設けたり、あるいは魂柱を横方向から振動させたりするようにしているが、魂柱は絃楽器表板の縦振動を裏板に伝えるものであって、魂柱基部に伝達部を設けたのでは裏板への振動の伝達が著しく阻害される。また魂柱に横方向から振動を加えても、正常な縦振動を表板や裏板に伝達することができない。
(3)この技術の外力をヴァイオリンに加える手段を、既製のヴァイオリンに取付けることができない。
The second technique (Patent Document 2) is a loudspeaker musical instrument technique in which an external force from an electronic amplification device is applied to a musical instrument. This technique had the following problems:
(1) Since there was no specific explanation of the external force from the electronic amplifying device, it was not reproducible.
(2) There is no specific explanation about the means for transmitting external force to the musical instrument. In the description of the embodiment, a transmission unit is provided at the base of the soul column, or the soul column is vibrated from the lateral direction, but the soul column transmits the vertical vibration of the front panel of the instrument to the back plate. However, if the transmission part is provided at the base of the soul column, the transmission of vibration to the back plate is significantly hindered. Moreover, even if vibration is applied to the soul column from the lateral direction, normal longitudinal vibration cannot be transmitted to the front and back plates.
(3) The means for applying the external force of this technology to the violin cannot be attached to the ready-made violin.

近来、スピーカの振動部に圧電振動体を用いる技術が多数開示されるようになっている(一例として特許文献3)。この技術は、例えばバイモルフ型のピエゾセラミック圧電振動板の中心部を支持部材を介して音響振動板に取付けるもので、圧電振動板の中心に貫通孔を設けて支持部材を挿通している。この技術では、音響振動板が機械振動して空気振動を起し、発音体として機能するものである。この技術では、圧電振動板と音響振動板とが一体となってスピーカを構成している。また、上記音響振動板を具備せず、支持部材に吸着盤等を備えて、机やギターなど任意の物体を音響振動板として利用する商品が市場に登場している。   Recently, many techniques using a piezoelectric vibrating body for a vibrating portion of a speaker have been disclosed (for example, Patent Document 3). In this technique, for example, a central portion of a bimorph type piezoelectric ceramic piezoelectric diaphragm is attached to an acoustic diaphragm via a support member. A through hole is provided in the center of the piezoelectric diaphragm and the support member is inserted. In this technique, an acoustic diaphragm is mechanically vibrated to generate air vibration, and functions as a sounding body. In this technique, a piezoelectric diaphragm and an acoustic diaphragm are integrated to form a speaker. In addition, a product that does not include the above-described acoustic diaphragm but has an adsorption board or the like as a support member and uses any object such as a desk or guitar as an acoustic diaphragm has appeared on the market.

この吸着盤付圧電振動板をヴァイオリンの胴に貼付して、ヴァイオリンを発音体としてみると、著しく歪んだ音を発する。とくに、それぞれがステレオRL音声信号に対応する2個の圧電振動板をヴァイオリンの胴に貼付すると、さらに聞きづらい、耳障りな歪み音が発せられる。その原因は、ヴァイオリン属絃楽器の構造特性によるものである。ヴァイオリン属絃楽器では弓で擦られている絃の振動で駒が励振され、駒が表板に振動を伝えて表板を振動させるとともに、魂柱を介して裏板に振動を伝える。したがって、表板や裏板を直接的に圧電振動板で振動させると、ヴァイオリンのシステマティックな発音構造が機能せず、相互干渉や相殺が起こるのである。ヴァイオリン属絃楽器には、以上述べた構造要素の他に、力木も大きな役割を持っている。これらの特殊な構造のため、ヴァイオリン属絃楽器を良い音で鳴らすためには、駒を励振することが絶対の要件なのである(非特許文献1)。
特開平9−134168号公開特許公報 特開平11−122687号公開特許公報 特開2000−253492号公開特許公報 C.M.ハッチンス「バイオリンの音響学」、サイエンス、1981年12月
If this piezoelectric diaphragm with a suction plate is attached to the body of a violin and the violin is viewed as a sounding body, it produces a very distorted sound. In particular, when two piezoelectric diaphragms, each corresponding to a stereo RL audio signal, are affixed to the violin torso, it is more difficult to hear and an unpleasant distortion sound is emitted. The cause is due to the structural characteristics of the violin instrument. In a violin genus instrument, a piece is excited by the vibration of a spear that is rubbed with a bow, and the piece transmits vibrations to the front plate to vibrate the front plate, and also transmits vibrations to the back plate through the soul column. Therefore, when the front and back plates are directly vibrated by the piezoelectric diaphragm, the violin systematic sounding structure does not function and mutual interference and cancellation occur. In addition to the structural elements described above, Riki also plays a major role in violin genus instruments. Due to these special structures, it is an absolute requirement to excite the piece in order to produce a violin genius instrument with good sound (Non-patent Document 1).
Japanese Patent Laid-Open No. 9-134168 Japanese Patent Laid-Open No. 11-122687 Japanese Patent Laid-Open No. 2000-253492 C. M.M. Hutchins "Violin Acoustics", Science, December 1981

解決しようとする問題点は、可搬性がなく、設置調節が煩わしく、かつ原音に忠実なヴァイオリンのステレオ音源による演奏ができない点である。   The problem to be solved is that it is not portable, the installation is troublesome, and the violin stereo sound source that is faithful to the original sound cannot be played.

上記課題を解決するために、本発明の請求項1の自動ヴァイオリンは、1台のヴァイオリンがステレオ音源による演奏を行う自動ヴァイオリンであって、ステレオR音声信号に応じて振動する円板状のR圧電振動板とステレオL音声信号に応じて振動する円板状のL圧電振動板の中心部を串刺しに貫通・固定する棒状の構造体が、先端に具備したクリップ部によって着脱可能にヴァイオリンの駒上縁部に固定した構成により、R圧電振動板とL圧電振動板のそれぞれの機械振動で同時的に駒を励振してステレオ音源による演奏を行うことを特徴とする。
また、本発明の請求項2の自動ヴァイオリンは、1台のヴァイオリンがステレオ音源による演奏を行う自動ヴァイオリンであって、一端が2本の枝分かれ端部を有し、各端部がそれぞれステレオR音声信号に応じて振動する円板状のR圧電振動板の中心部とステレオL音声信号に応じて振動する円板状のL圧電振動板の中心部とをそれぞれ固定する構造体の他端が、先端に具有したクリップ部によって着脱可能にヴァイオリンの駒上縁部に固定した構成により、R圧電振動板とL圧電振動板のそれぞれの機械振動で同時的に駒を励振してステレオ音源による演奏を行うことを特徴とする。
In order to solve the above-mentioned problems, the automatic violin according to claim 1 of the present invention is an automatic violin in which one violin performs with a stereo sound source, and the disc-shaped R vibrates in response to a stereo R audio signal. A rod-shaped structure that penetrates and fixes the center portion of the piezoelectric diaphragm and the disk-shaped L piezoelectric diaphragm that vibrates in response to the stereo L audio signal to the skewer is detachable by a clip provided at the tip. The structure fixed to the upper edge portion is characterized in that a piece is excited by a mechanical vibration of each of the R piezoelectric diaphragm and the L piezoelectric diaphragm and played by a stereo sound source.
The automatic violin according to claim 2 of the present invention is an automatic violin in which one violin performs with a stereo sound source, one end having two branched ends, and each end having stereo R sound. The other end of the structure that fixes the central portion of the disc-shaped R piezoelectric diaphragm that vibrates in response to the signal and the central portion of the disc-shaped L piezoelectric diaphragm that vibrates in response to the stereo L audio signal, With a structure that is fixed to the upper edge of the violin piece so as to be detachable by a clip portion provided at the tip, the piece is excited by the mechanical vibration of each of the R piezoelectric diaphragm and the L piezoelectric diaphragm and played with a stereo sound source. It is characterized by performing.

本発明の自動ヴァイオリンは、駒上縁部にステレオ音声電気信号に応じて振動する2個の圧電振動板を固定するので、1台のヴァイオリンで原音に忠実なステレオ音源による自動演奏ができ、かつ着脱が容易で可搬性が高いという利点がある。   In the automatic violin of the present invention, two piezoelectric diaphragms that vibrate in response to stereo audio electric signals are fixed to the upper edge of the piece, so that a single violin can be automatically played with a stereo sound source faithful to the original sound, and There is an advantage that it is easy to attach and detach and has high portability.

1台のヴァイオリンで原音に忠実なステレオ音源による自動演奏ができ、かつ着脱が容易で可搬性が高いという目的を、ステレオ用の2個の圧電振動板を構造体を介してヴァイオリンの駒上縁部に着脱可能に固定する構成によって実現した。   For the purpose of being able to perform automatically with a stereo sound source that is faithful to the original sound with one violin, easy to attach and detach, and to have high portability, two piezoelectric diaphragms for stereo are connected to the upper edge of the violin piece through the structure. Realized by a structure that is detachably fixed to the part.

図1は、本発明になる自動ヴァイオリンの第1実施例を説明する図であって、Aは全体断面図、Bは振動部と構造体の側面図である。図において、1は振動部、2は圧電振動板、2−1はステレオR振動板、2−2はステレオL振動板、2−3はステレオR音声信号線、2−4はステレオL音声信号線、である。また3は機械振動を伝達すると共に振動部1を駒に固定する構造体であって、3−1は圧電振動板2−1、2−2を貫通固定する固定軸、3−2は振動板2−1、2−2の振動を伝達する伝達軸、3−3は駒の上縁部を挟むクリップ部、3−4はクリップを締めるビス、3−5は駒の側面を挿入するスリットである。また、4は駒に張られた4本の絃4−1、4−2、4−3,4−4である。5は駒であり、5−1、5−2は表板に接する脚部である。6は胴部であり、6−1は表板、6−2は側板、6−3は裏板、6−4はf孔、6−5は魂柱、6−6は力木である。   FIG. 1 is a view for explaining a first embodiment of an automatic violin according to the present invention, in which A is an overall sectional view and B is a side view of a vibrating part and a structure. In the figure, 1 is a vibrating section, 2 is a piezoelectric diaphragm, 2-1 is a stereo R diaphragm, 2-2 is a stereo L diaphragm, 2-3 is a stereo R audio signal line, and 2-4 is a stereo L audio signal. Line. Reference numeral 3 denotes a structure that transmits mechanical vibrations and fixes the vibration unit 1 to the piece. Reference numeral 3-1 denotes a fixed shaft that penetrates and fixes the piezoelectric diaphragms 2-1 and 2-2. Reference numeral 3-2 denotes a diaphragm. 2-1 and 2-2 are transmission shafts for transmitting vibrations, 3-3 is a clip part for sandwiching the upper edge of the piece, 3-4 is a screw for fastening the clip, and 3-5 is a slit for inserting the side face of the piece. Reference numeral 4 denotes four ridges 4-1, 4-2, 4-3, and 4-4 stretched on the piece. Reference numeral 5 denotes a piece, and reference numerals 5-1 and 5-2 denote leg portions in contact with the front plate. 6 is a torso, 6-1 is a front plate, 6-2 is a side plate, 6-3 is a back plate, 6-4 is an f hole, 6-5 is a soul column, and 6-6 is a power tree.

以下、実施例1の機能を説明する。構造体3は、図1Aに示すように、振動部1をヴァイオリンの駒上縁部に固定する。その結果、音声信号線2−3、2−4からのステレオ音声信号によって振動部1の圧電振動板2−1、2−2が振動しようとするが、駒と固定されているため相対的に圧電振動板2−1、2−2自体が振動する。この振動は構造体3を振動させ、構造体3が絃を弾いた際の絃振動とまったく同様に駒を励振するので、振動部1の振動によってヴァイオリンが正しく演奏されるのである。   Hereinafter, functions of the first embodiment will be described. As shown in FIG. 1A, the structure 3 fixes the vibration part 1 to the upper edge of the violin piece. As a result, the piezoelectric diaphragms 2-1 and 2-2 of the vibration unit 1 try to vibrate by stereo audio signals from the audio signal lines 2-2 and 2-4. The piezoelectric diaphragms 2-1 and 2-2 themselves vibrate. This vibration causes the structure 3 to vibrate and excites the piece in exactly the same way as the reed vibration when the structure 3 bounces the reed, so that the violin is played correctly by the vibration of the vibration part 1.

本実施例では、振動部1と構造体3を一体化しているので、クリップ部3−3で駒上縁部を挟み、固定ビス3−4を締めればきわめて容易に駒に取付けることができ、また容易に取外すことができるので、どのような場所においても直ちにセットアップができ、また完了できる。   In the present embodiment, since the vibration part 1 and the structure 3 are integrated, the upper edge part of the piece is sandwiched by the clip part 3-3, and the fixing screw 3-4 can be fastened, so that it can be attached to the piece very easily. Moreover, since it can be easily removed, it can be set up immediately at any location and completed.

次に1台のヴァイオリンによるステレオ音源演奏の原理と効果について説明する。通常、ステレオ音源の再生には、左右に置いたスピーカから方向性ある空気振動を発生させる場合や、ヘッドホーンスピーカを両耳に装着する場合がある。これらは、位相や音量が少し異なる左右からの音を聞いて、脳内で立体感を生成する方式である。ヴァイオリンやピアノなどの独奏音源でも、採音あるいは録音はステレオ方式がごく普通であり、これらの音源も、ステレオ装置で再生され、モノラル再生では得られない立体感効果を発揮している。
いっぽう本発明では、ヴァイオリン属絃楽器が、複数絃の擦絃による多重音演奏が可能であることに鑑み、駒をステレオRL音声信号で励振することにより、1台の楽器によるステレオ音源演奏を実現している。その原理は、ヴァイオリンがRL音声信号の両者に同時に対応してRL発音するので、1台のステレオ音源演奏を聴いた脳内で立体感が生成されるのである。
Next, the principle and effect of stereo sound source performance with one violin will be described. Usually, stereo sound sources are reproduced by generating directional air vibrations from left and right speakers, or wearing headphone speakers in both ears. These are methods for generating a three-dimensional effect in the brain by listening to sounds from left and right with slightly different phases and volumes. Even a solo sound source such as a violin or piano is normally recorded or recorded in stereo, and these sound sources are also reproduced by a stereo device and exhibit a stereoscopic effect that cannot be obtained by monaural reproduction.
On the other hand, in the present invention, in view of the fact that a violin genus instrument can perform multiple sound performances by multiple rubs, a stereo sound source performance by a single instrument is realized by exciting a piece with a stereo RL audio signal. is doing. The principle is that the violin produces RL in response to both of the RL audio signals at the same time, so that a three-dimensional effect is generated in the brain listening to one stereo sound source performance.

次に本発明の自動ヴァイオリンの第2実施例を図2及び図1に沿って説明する。図2のAは斜視図、Bは側面図である、図2Aにおいて、1は振動部、2は圧電振動板、2−1はステレオR振動板、2−2はステレオL振動板、2−3はステレオR音声信号線、2−4はステレオL音声信号線であって、圧電振動板2−1、2−2は、それぞれ共通の構造体3に固定されている。   Next, a second embodiment of the automatic violin of the present invention will be described with reference to FIGS. 2A is a perspective view, and B is a side view. In FIG. 2A, 1 is a vibrating section, 2 is a piezoelectric diaphragm, 2-1 is a stereo R diaphragm, 2-2 is a stereo L diaphragm, 2- 3 is a stereo R audio signal line, 2-4 is a stereo L audio signal line, and the piezoelectric diaphragms 2-1 and 2-2 are fixed to a common structure 3, respectively.

構造体3の各部は、3−1が2−1のステレオR振動板を固定する伝達軸であり、3−2が2−2のステレオL振動板を固定する伝達軸である。これらの軸は、取付け台3−3に固定され、取付け台3−3は、3−4のクリップ部1と3−5のクリップ部2を備えていて、締めつけビス3−6によって駒(図1の5)上縁部に固定される。   Each part of the structure 3 is a transmission shaft for fixing the stereo R diaphragm 2-1 at 3-1, and a transmission shaft for fixing the stereo L diaphragm 2-2 at 3-1. These shafts are fixed to a mounting base 3-3. The mounting base 3-3 includes a clip portion 1 of 3-4 and a clip portion 2 of 3-5, and a piece (see FIG. 1) 5) Fixed to the upper edge.

図2Bは駒への締めつけ動作を示している。締めつけビス3−6を締めると、クリップ部2(3−5)の上腕が押下され、直角に垂下する下腕が駒の上縁部4をクリップ部1(3−4)との間に締めつけていくようにしている。   FIG. 2B shows the tightening operation to the piece. When the tightening screw 3-6 is tightened, the upper arm of the clip portion 2 (3-5) is pushed down, and the lower arm that hangs at a right angle tightens the upper edge portion 4 of the piece between the clip portion 1 (3-4). I am going to go.

この実施例は、実施例1と同様に、ステレオ音源からの音声信号RLのステレオ音源演奏を可能にする形態である。1台のヴァイオリンによるステレオ音源演奏の原理と効果は、実施例1とまったく同様であるので、ここではその説明を割愛する。   In this embodiment, as in the first embodiment, the audio signal RL from the stereo sound source can be played with the stereo sound source. Since the principle and effect of stereo sound source performance with one violin are exactly the same as in the first embodiment, the description thereof is omitted here.

以上説明した実施例1および2は、いずれも2個の圧電振動板によってステレオ音源演奏を実現したものであるが、1個の圧電振動板を固定すれば容易にモノラル演奏が実現することは、言うまでもない。   In both the first and second embodiments described above, a stereo sound source performance is realized by two piezoelectric diaphragms, but if one piezoelectric diaphragm is fixed, monaural performance can be easily realized. Needless to say.

また1個の圧電振動板装着のヴァイオリン2台を用意し、ステレオ音声信号のRとLでそれぞれ演奏すれば、容易にセパレート型のステレオ演奏が容易に可能であることも言をまたない。   In addition, it is obvious that if two violins with one piezoelectric diaphragm are prepared and played with R and L of stereo audio signals, separate stereo performance can be easily performed.

いっぽう、例えば実施例1の圧電振動板を複数にすれば、上述したヴァイオリンの多重発音特性を利用して多重採音あるいは多重録音した音源の1台多重演奏が可能である。   On the other hand, for example, if a plurality of the piezoelectric diaphragms of the first embodiment are used, it is possible to perform multiplex performance of a single sound source that is multiplexed or recorded by using the above-described multiple tone generation characteristics of the violin.

さらに、上記1個あての圧電振動板をそれぞれ装着した高音域絃楽器(例えばヴァイオリン)や低音域絃楽器(例えばチェロ)などによる、広音域演奏もまた可能であることは、勿論である。   Furthermore, it is a matter of course that a wide-range musical performance can also be performed by a high-frequency musical instrument (for example, a violin) or a low-frequency musical instrument (for example, a cello) to which the one piezoelectric diaphragm is attached.

ステレオ音声信号に対応する2個の圧電振動板をヴァイオリンの駒に固定することによって、どのような場所でも容易にセットアップでき、ステレオ音源演奏を行う自動ヴァイオリンに適用できる。   By fixing two piezoelectric diaphragms corresponding to stereo audio signals to the violin piece, it can be easily set up at any location and can be applied to an automatic violin that performs stereo sound source performance.

自動ヴァイオリンの構成及び振動部と構造体の構成を示した説明図である。(実施例1)It is explanatory drawing which showed the structure of the automatic violin, and the structure of a vibration part and a structure. (Example 1) 自動ヴァイオリンに取付ける振動部及び構造体の構成を示した説明図である。(実施例2)It is explanatory drawing which showed the structure of the vibration part and structure which are attached to an automatic violin. (Example 2)

符号の説明Explanation of symbols

1 振動部
2 圧電振動板
3 構造体
4 絃
5 駒
6 胴部
DESCRIPTION OF SYMBOLS 1 Vibration part 2 Piezoelectric diaphragm 3 Structure 4 5 5 pieces 6 Trunk

Claims (2)

1台のヴァイオリンがステレオ音源による演奏を行う自動ヴァイオリンであって、ステレオR音声信号に応じて振動する円板状のR圧電振動板とステレオL音声信号に応じて振動する円板状のL圧電振動板の中心部を串刺しに貫通・固定する棒状の構造体が、先端に具備したクリップ部によって着脱可能にヴァイオリンの駒上縁部に固定した構成により、R圧電振動板とL圧電振動板のそれぞれの機械振動で同時的に駒を励振してステレオ音源による演奏を行う自動ヴァイオリン。   A single violin is an automatic violin that performs with a stereo sound source, a disc-shaped R piezoelectric diaphragm that vibrates in response to a stereo R audio signal and a disc-shaped L piezoelectric that vibrates in response to a stereo L audio signal. A rod-like structure that penetrates and fixes the center of the diaphragm to the skewer is fixed to the upper edge of the violin piece by a clip part provided at the tip, so that the R piezoelectric diaphragm and the L piezoelectric diaphragm are An automatic violin that uses a stereo sound source to excite the pieces simultaneously with each mechanical vibration. 1台のヴァイオリンがステレオ音源による演奏を行う自動ヴァイオリンであって、一端が2本の枝分かれ端部を有し、各端部がそれぞれステレオR音声信号に応じて振動する円板状のR圧電振動板の中心部とステレオL音声信号に応じて振動する円板状のL圧電振動板の中心部とをそれぞれ固定する構造体の他端が、先端に具有したクリップ部によって着脱可能にヴァイオリンの駒上縁部に固定した構成により、R圧電振動板とL圧電振動板のそれぞれの機械振動で同時的に駒を励振してステレオ音源による演奏を行う自動ヴァイオリン。   One violin is an automatic violin that performs with a stereo sound source, one end has two branched ends, and each end vibrates in response to a stereo R audio signal. A violin piece in which the other end of the structure for fixing the central portion of the plate and the central portion of the disc-shaped L piezoelectric diaphragm that vibrates in response to the stereo L audio signal is detachable by a clip portion provided at the tip. An automatic violin that uses a stereo sound source to excite the pieces simultaneously by mechanical vibrations of the R piezoelectric diaphragm and the L piezoelectric diaphragm with a configuration fixed to the upper edge.
JP2006203998A 2006-07-26 2006-07-26 Automatic violin Active JP4776465B2 (en)

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Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
WO2009149634A1 (en) * 2008-06-13 2009-12-17 Lo Chao Yuan Sound reproducing device and system
KR101389500B1 (en) 2012-11-20 2014-04-29 주식회사 필룩스 Speaker of a musical instrument type

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* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN109545169B (en) * 2018-12-17 2024-03-19 王曦 String music playing system

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JPS6031342Y2 (en) * 1979-12-06 1985-09-19 松島工業株式会社 stringed instrument with speaker
JP2004129058A (en) * 2002-10-04 2004-04-22 Akuubu Lab:Kk Concert system by speaker using stringed musical instrument

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
WO2009149634A1 (en) * 2008-06-13 2009-12-17 Lo Chao Yuan Sound reproducing device and system
KR101389500B1 (en) 2012-11-20 2014-04-29 주식회사 필룩스 Speaker of a musical instrument type

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