EP1112669A1 - Resonating diaphragms with different frequencies - Google Patents

Resonating diaphragms with different frequencies

Info

Publication number
EP1112669A1
EP1112669A1 EP99932954A EP99932954A EP1112669A1 EP 1112669 A1 EP1112669 A1 EP 1112669A1 EP 99932954 A EP99932954 A EP 99932954A EP 99932954 A EP99932954 A EP 99932954A EP 1112669 A1 EP1112669 A1 EP 1112669A1
Authority
EP
European Patent Office
Prior art keywords
sound
membrane
shape
different frequencies
resonators
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Withdrawn
Application number
EP99932954A
Other languages
German (de)
French (fr)
Inventor
Marc Charbonneaux
Patrice Morchain
Pierre Piccaluga
Claude-Annie Perrichon
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
ADVANCE TECHNOLOGY AUDIO ORGANISATION S.A. (ATAO)
Original Assignee
Pica-Sound International
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Priority claimed from FR9810741A external-priority patent/FR2777149B1/en
Application filed by Pica-Sound International filed Critical Pica-Sound International
Publication of EP1112669A1 publication Critical patent/EP1112669A1/en
Withdrawn legal-status Critical Current

Links

Classifications

    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R7/00Diaphragms for electromechanical transducers; Cones
    • H04R7/02Diaphragms for electromechanical transducers; Cones characterised by the construction
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R7/00Diaphragms for electromechanical transducers; Cones
    • H04R7/02Diaphragms for electromechanical transducers; Cones characterised by the construction
    • H04R7/12Non-planar diaphragms or cones
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R7/00Diaphragms for electromechanical transducers; Cones
    • H04R7/02Diaphragms for electromechanical transducers; Cones characterised by the construction
    • H04R7/04Plane diaphragms

Definitions

  • the instrumentalists have implemented objects sound such as pianos or violins, double bass, and wind instruments, certain instruments gained fame on criteria of acoustic quality, the quality of the harmonics at the same time determining the timbres.
  • Human hearing is characterized by the simultaneous perception of all the harmonics and transients, these criteria correspond to the shape of the ear by which the sounds are read.
  • the shape of the ear is the mechanical aspect of hearing, the sensor, the sensor of information.
  • the process is a fractal form, which responds to sound resonances of different frequencies physically registered by the shape of the human ear.
  • the present method consists in creating a shape of membrane, of constant or variable thickness for the phasing of harmonics and their precise amplifications.
  • the notes are produced by tabs of different dimensions and different resonance, which makes auditory reading very complete.
  • This form of membrane is active to emit the acoustic speed of harmonics and transients. The tonal balance is complete at all times by the multitude of additional sound information.
  • the shape of the membrane is a set of resonator tabs at different frequencies, called harmonic amplifier which by its shape is a series of acoustic resonators at multiple different frequencies at each moment.
  • the shape of the membrane is characterized by independent tongues, acoustic resonators, emanating from the same surface, like the fingers of one hand from the palm of the hand. This membrane is fixed near a sound generator, amplifying the harmonics by mechanical resonance.
  • This device produced in this nonlimiting example made of titanium 1/10 of a millimeter thick, with a length of six centimeters is placed, in a musical instrument, for example in a wind instrument, placed indoors near the vent, or on a violin. or in a piano.
  • a musical instrument for example in a wind instrument, placed indoors near the vent, or on a violin. or in a piano.
  • Fig. 2 Another variant of this device (Fig. 2) with resonators at different frequencies, is characterized by a digitized membrane (1) twenty centimeters long, mounted on a sound frequency generator, creating an electro-acoustic transducer (2) d 'a sound reproduction system.
  • the segments serving as support for the salad bowl (3) thus constitute an electro-acoustic device with remarkable sonic precision.
  • the membrane is made of aluminum three millimeters thick towards the center and refined towards the ends of the segments.
  • the method and apparatus known as harmonic amplifiers are useful for musical instruments and all of audio and visual audio.

Landscapes

  • Engineering & Computer Science (AREA)
  • Multimedia (AREA)
  • Physics & Mathematics (AREA)
  • Acoustics & Sound (AREA)
  • Signal Processing (AREA)
  • Piezo-Electric Transducers For Audible Bands (AREA)
  • Stringed Musical Instruments (AREA)
  • Diaphragms For Electromechanical Transducers (AREA)
  • Surface Acoustic Wave Elements And Circuit Networks Thereof (AREA)
  • Obtaining Desirable Characteristics In Audible-Bandwidth Transducers (AREA)

Abstract

For musical instruments or sound reproduction, it is important that the sound definition is as fine as possible. In the field of sound reproduction electroacoustic transducers provided with round diaphragms or electrostatic system tapes are used. There is no system which indicates if the generated sound is appropriate for the human ear. The method is a fractal shape which corresponds to the shape of the human ear. The method consists in a diaphragm which, just like the ear by its shape is a series of resonators with different frequencies. The shape of the diaphragm of said harmonic amplifier is characterised in that it comprises tongues originating from a common surface, like fingers of a hand originating from the palm. Said method is implemented by an apparatus consisting of a membrane digitised by tongues. The membrane is placed on the musical instrument. Another embodiment of the method consists in a membrane mounted on a sound frequency generator forming an electroacoustic transducer. The method and the apparatus can be used for all types of musical instruments and particularly in the whole of the audio and audio-visual field.

Description

MEMBRANES RÉSONATEURS A FRÉQUENCES DIFFÉRENTES RESONATOR MEMBRANES WITH DIFFERENT FREQUENCIES
Dans le domaine de la création des sons, ou de la reproduction des sons par l'usage de mécanisme électroacoustique, par des instruments 'de musique, il est utile que la définition sonore soit la plus intelligible.Les instrumentistes ont mis en oeuvre des objets sonores tel que les pianos ou violons, contre-basses, et instruments à vent, certains instruments prirent la renommée sur des critères de qualité acoustique, dont la qualité des harmoniques au même instant déterminent les timbres. L'auditiûn humaine est caractérisée par la perception simultanée de l'ensemble des harmoniques et des transitoires , ces critères correspondent à la forme de l'oreille par laquelle sont lus les sons. La forme de l'oreille est l'aspect mécanique de l'audition, le senseur, le capteur des informations . Le procédé est une forme fractale, qui répond aux résonances sonores de fréquences différentes inscrites physiquement par la forme de l'oreille humaine. Les sciences naturelles font remarquer les différentes formes d'oreilles liées aux différents spectres d'écoute de l'audition des animaux pour des appréciations du monde environnant différentes . Dans le domaine de la reproduction du son , il est fait usage des transducteurs électro acoustiques, munis de membranes rondes, coniques . Il est fait également usage de transducteur à ruban pour des systèmes électrostatiques . Le rendement acoustique est le premier paramètre quantifiable , mais aucun des systèmes n' indique si le son créé est bien ordonné en temps et qualité. Les musiciens indiquent que les transitoires ne sont pas retransmis . En effet les techniques actuelles manquent de précision . Le son émis peut être organisé codifié , formaté de façon à être plus structuré en chaque instant , plus complet, représentatif de la réalité sonore préhensible par l'oreille. Le présent procédé consiste à créer une forme de membrane, d'épaisseur constante ou variable pour la mise en phase des harmoniques et leur amplifications précises. Les notes sont réalisées par des languettes de dîmensions différentes et de résonance différentes, ce qui rend la lecture auditive très complète . Cette forme de membrane est active pour émettre la rapidité acoustique des harmoniques et des transitoires. L'équilibre tonal est complet en chaque instant par la multitude d'informations sonores supplémentaires. La forme de la membrane est un ensemble de languettes résonateurs à fréquences différentes, nommé amplificateur d'harmoniques qui par sa forme est une série de résonateurs acoustiques a multiples fréquences différentes à chaque instant. La forme de la membrane est caractérisée par des languettes indépendantes, des résonateurs acoustiques, émanant d'une même surface , comme les doigts d'une main issus de la paume de la main. Cette membrane est fixée près d'un générateur de son, amplifiant par résonance mécanique les harmoniques.In the field of the creation of sounds, or the reproduction of sounds by the use of an electroacoustic mechanism, by musical instruments, it is useful that the sound definition is the most intelligible. The instrumentalists have implemented objects sound such as pianos or violins, double bass, and wind instruments, certain instruments gained fame on criteria of acoustic quality, the quality of the harmonics at the same time determining the timbres. Human hearing is characterized by the simultaneous perception of all the harmonics and transients, these criteria correspond to the shape of the ear by which the sounds are read. The shape of the ear is the mechanical aspect of hearing, the sensor, the sensor of information. The process is a fractal form, which responds to sound resonances of different frequencies physically registered by the shape of the human ear. The natural sciences point out the different shapes of ears linked to the different spectra of listening to the hearing of animals for different appreciations of the surrounding world. In the field of sound reproduction, use is made of electro-acoustic transducers, provided with round, conical membranes. Ribbon transducers are also used for electrostatic systems. Acoustic performance is the first quantifiable parameter, but none of the systems indicates whether the sound created is well ordered in time and quality. The musicians indicate that the transients are not retransmitted. Indeed, current techniques lack precision. The sound emitted can be organized codified, formatted so as to be more structured at each instant, more complete, representative of the sound reality graspable by the ear. The present method consists in creating a shape of membrane, of constant or variable thickness for the phasing of harmonics and their precise amplifications. The notes are produced by tabs of different dimensions and different resonance, which makes auditory reading very complete. This form of membrane is active to emit the acoustic speed of harmonics and transients. The tonal balance is complete at all times by the multitude of additional sound information. The shape of the membrane is a set of resonator tabs at different frequencies, called harmonic amplifier which by its shape is a series of acoustic resonators at multiple different frequencies at each moment. The shape of the membrane is characterized by independent tongues, acoustic resonators, emanating from the same surface, like the fingers of one hand from the palm of the hand. This membrane is fixed near a sound generator, amplifying the harmonics by mechanical resonance.
Le procédé a pour exemple non limitatif , un appareil d'équilibrage sonore (FigJl) permettant de différentier les aigus des graves et toutes les notes intermédiaires, constitué par une membrane avec des languettes dans ce cas de forme digitalisée (1) à au moins deux languettes, mieux avec trois. Cette membrane particulière est caractérisée par cinq languettes indépendantes, ou digitalisations , dont trois importantes (2) et deux petites (3) . Une dig'rtalisation supplémentaire (4) est un segment arrondi isolé . Une petite digitalisation (5) est placée sur le côté de l'ensemble . Les résonateurs formés par les languettes, ou la membrane peuvent être pourvus de trous (6).Cet appareil réalisé dans cet exemple non limitatif, en titane de 1/10 de millimètres d'épaisseur , d'une longueur de six centimètres est placé, dans un instrument de musique, par exemple dans un instrument à vent, posé à l'intérieur à proximité de l'évent, ou sur un violon.ou dans un piano. Une autre variante de cet appareil (Fig. 2) à résonateurs à fréquences différentes, est caractérisé par une membrane digitalisée (1) de vingt centimètres de long, montée sur un générateur de fréquence de son , créant un transducteur électro acoustique (2) d'une chaîne de reproduction sonore. Les segments servant d'appui au saladier (3), constituent ainsi un appareil électro acoustique d'une précision sonore remarquable. La membrane est réalisée en aluminium épais de trois millimètres vers le centre et affinée vers les extrémités des segments. Le procédé et appareil dit amplificateurs d'harmoniques, sont utiles aux instruments de musique et tout le monde de l'audio et l'audio visuel. The process has as a nonlimiting example, a sound balancing device (FigJl) making it possible to differentiate the bass treble and all the intermediate notes, constituted by a membrane with tongues in this case of digitalized form (1) to at least two tabs, better with three. This particular membrane is characterized by five independent tabs, or digitalizations, of which three important (2) and two small (3). A dig additional rtalisation (4) is an isolated rounded segment. A small digitization (5) is placed on the side of the assembly. The resonators formed by the tongues, or the membrane may be provided with holes (6). This device produced in this nonlimiting example, made of titanium 1/10 of a millimeter thick, with a length of six centimeters is placed, in a musical instrument, for example in a wind instrument, placed indoors near the vent, or on a violin. or in a piano. Another variant of this device (Fig. 2) with resonators at different frequencies, is characterized by a digitized membrane (1) twenty centimeters long, mounted on a sound frequency generator, creating an electro-acoustic transducer (2) d 'a sound reproduction system. The segments serving as support for the salad bowl (3) thus constitute an electro-acoustic device with remarkable sonic precision. The membrane is made of aluminum three millimeters thick towards the center and refined towards the ends of the segments. The method and apparatus known as harmonic amplifiers, are useful for musical instruments and all of audio and visual audio.

Claims

REVENDICATIONS
1°- Procédé pour le domaine de la création des sons, ou de la reproduction sonore, caractérisé par une, membrane, à au moins deux languettes constituant des résonateurs à multiples fréquences différentes au même instant, dit amplificateur d'harmoniques, le procédé est une membrane active , qui répond à la physique des résonateurs de fréquences différentes inscrites dans la forme de l'oreille qui perçoivent plusieurs harmoniques dans le même instant . 2°- Procédé selon la revendication 1 caractérisé en ce que la membrane est d'épaisseur variable.1 ° - Process for the field of sound creation, or of sound reproduction, characterized by a membrane with at least two tongues constituting resonators at multiple different frequencies at the same instant, known as a harmonic amplifier, the process is an active membrane, which responds to the physics of resonators of different frequencies registered in the shape of the ear which perceive several harmonics at the same instant. 2 ° - A method according to claim 1 characterized in that the membrane is of variable thickness.
3° Appareil constitué d'une membrane 1 ( fig 1 et 2) diαitalisée par au moins deux languettes , constituant des résonateurs à fréquences différentes, qui par résonance mécanique fixé près d'un générateur de son, est un amplificateur d'harmoniques .3 ° Device consisting of a membrane 1 (fig 1 and 2) diαitalized by at least two tabs, constituting resonators at different frequencies, which by mechanical resonance fixed near a sound generator, is an amplifier of harmonics.
4°- Appareil selon la revendication 3 , qui est fixé sur ou dans un instrument de musique .4 ° - Apparatus according to claim 3, which is fixed on or in a musical instrument.
5° Appareil selon la revendication 3 monté sur un générateur de fréquence sonore. 5. Apparatus according to claim 3 mounted on a sound frequency generator.
EP99932954A 1998-08-24 1999-07-22 Resonating diaphragms with different frequencies Withdrawn EP1112669A1 (en)

Applications Claiming Priority (3)

Application Number Priority Date Filing Date Title
FR9810741 1998-08-24
FR9810741A FR2777149B1 (en) 1998-04-07 1998-08-24 RESONATOR MEMBRANES WITH DIFFERENT FREQUENCIES
PCT/FR1999/001809 WO2000011909A1 (en) 1998-08-24 1999-07-22 Resonating diaphragms with different frequencies

Publications (1)

Publication Number Publication Date
EP1112669A1 true EP1112669A1 (en) 2001-07-04

Family

ID=9529900

Family Applications (1)

Application Number Title Priority Date Filing Date
EP99932954A Withdrawn EP1112669A1 (en) 1998-08-24 1999-07-22 Resonating diaphragms with different frequencies

Country Status (12)

Country Link
US (1) US6627805B1 (en)
EP (1) EP1112669A1 (en)
JP (1) JP2002523810A (en)
KR (1) KR20010079686A (en)
CN (1) CN1321404A (en)
AU (1) AU762666B2 (en)
BR (1) BR9913332A (en)
CA (1) CA2341590A1 (en)
HK (1) HK1045435A1 (en)
IL (2) IL141625A0 (en)
NO (1) NO20010924L (en)
WO (1) WO2000011909A1 (en)

Families Citing this family (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
FR2842063A1 (en) * 2002-07-04 2004-01-09 Patrick Lecocq Electromagnetic sound reproduction having two fold resonator folded metallic strip having different inertia moments/determining acoustic phases forming refined sound phases mechanical vibration drive driven.

Family Cites Families (8)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2845135A (en) 1955-09-26 1958-07-29 Arthur Blumenfeld Auxiliary wave propagating and directing attachment for loudspeaker diaphragms
US4997058A (en) * 1989-10-02 1991-03-05 Bertagni Jose J Sound transducer
AT397898B (en) * 1991-09-25 1994-07-25 Akg Akustische Kino Geraete MEMBRANE FOR ELECTRODYNAMIC CONVERTERS
US5198602A (en) * 1991-12-09 1993-03-30 Roper Daleth F Sound bar for percussive musical instrument
US5418337A (en) 1993-05-28 1995-05-23 Bose Corporation Loudspeaker driver surrounding
KR960011026B1 (en) * 1993-07-26 1996-08-16 대우전자 주식회사 Speaker system of t.v.
FR2777149B1 (en) 1998-04-07 2002-12-06 Marc Charbonneaux RESONATOR MEMBRANES WITH DIFFERENT FREQUENCIES
FR2777148A1 (en) 1998-04-07 1999-10-08 Marc Charbonneaux Sound reproduction/creation technique

Non-Patent Citations (1)

* Cited by examiner, † Cited by third party
Title
See references of WO0011909A1 *

Also Published As

Publication number Publication date
HK1045435A1 (en) 2002-11-22
IL141625A (en) 2006-04-10
AU4915999A (en) 2000-03-14
US6627805B1 (en) 2003-09-30
AU762666B2 (en) 2003-07-03
JP2002523810A (en) 2002-07-30
CN1321404A (en) 2001-11-07
KR20010079686A (en) 2001-08-22
NO20010924D0 (en) 2001-02-23
CA2341590A1 (en) 2000-03-02
NO20010924L (en) 2001-04-23
IL141625A0 (en) 2002-03-10
BR9913332A (en) 2001-05-15
WO2000011909A1 (en) 2000-03-02

Similar Documents

Publication Publication Date Title
Larsen et al. Audio bandwidth extension: application of psychoacoustics, signal processing and loudspeaker design
US7488887B2 (en) Percussion-instrument pickup and electric percussion instrument
Borch et al. Spectral distribution of solo voice and accompaniment in pop music
US20020114481A1 (en) Speaker apparatus
EP1112669A1 (en) Resonating diaphragms with different frequencies
Lubin Getting great sounds: The microphone book
FR2777149A1 (en) Multiple frequency sound resonant membrane
Boyk There’s life above 20 kilohertz! A survey of musical instrument spectra to 102.4 kHz
JP5354295B2 (en) Sound collector
FR2777148A1 (en) Sound reproduction/creation technique
McAdams et al. Timbral cues for learning to generalize musical instrument identity across pitch register
FR2569077A1 (en) HELMHOLTZ RESONATOR SIMULATOR
Zakharchuk History of Strings with Horns: A Study Overview
JP6359707B1 (en) Sound equipment
US20140286510A1 (en) Loudspeaker Design
Houtsma et al. II. A Perceptual Evaluation
Zverev et al. On the Question of Equal Loudness of Sounds of Different Frequencies
Cabrera Resonating sound art and the aesthetics of room resonance
Tagg Summary of A platform for performance: Making the case for an improved cello podium
CN1857028A (en) Loudspeaker sensitive sound reproduction
Woszczyk Multimicrophone Pickup of Solitary Acoustical Instruments for Single-Channel Transmission
Opolko et al. A Combinative Microphone Technique Using Contact and Air Transducers
GR1009775B (en) Musical instrument body with loudspeakers
Perr Basic acoustics and Signal Processing
Chasin Music and the problem with hearing aids

Legal Events

Date Code Title Description
PUAI Public reference made under article 153(3) epc to a published international application that has entered the european phase

Free format text: ORIGINAL CODE: 0009012

17P Request for examination filed

Effective date: 20010306

AK Designated contracting states

Kind code of ref document: A1

Designated state(s): AT BE CH CY DE DK ES FI FR GB GR IE IT LI LU MC NL PT SE

AX Request for extension of the european patent

Free format text: AL;LT;LV;MK;RO;SI

RIN1 Information on inventor provided before grant (corrected)

Inventor name: PERRICHON, CLAUDE-ANNIE

Inventor name: PICCALUGA, PIERRE

Inventor name: MORCHAIN, PATRICE

Inventor name: CHARBONNEAUX, MARC

RAP1 Party data changed (applicant data changed or rights of an application transferred)

Owner name: ADVANCE TECHNOLOGY AUDIO ORGANISATION S.A. (ATAO)

17Q First examination report despatched

Effective date: 20050525

STAA Information on the status of an ep patent application or granted ep patent

Free format text: STATUS: THE APPLICATION HAS BEEN WITHDRAWN

18W Application withdrawn

Effective date: 20080318