EP0772175A1 - Material zur Darstellung von Musik - Google Patents
Material zur Darstellung von Musik Download PDFInfo
- Publication number
- EP0772175A1 EP0772175A1 EP96202462A EP96202462A EP0772175A1 EP 0772175 A1 EP0772175 A1 EP 0772175A1 EP 96202462 A EP96202462 A EP 96202462A EP 96202462 A EP96202462 A EP 96202462A EP 0772175 A1 EP0772175 A1 EP 0772175A1
- Authority
- EP
- European Patent Office
- Prior art keywords
- note
- tempo
- material according
- notes
- sign
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Withdrawn
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Classifications
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B15/00—Teaching music
- G09B15/02—Boards or like means for providing an indication of notes
- G09B15/026—Non-electrically operated
Definitions
- the present invention relates to equipment for the presentation of music.
- the tempo can be indicated with words: fast, long, moderate and / or quick.
- the object of the present invention is to highlight different rhythmic fluctuations and provides the equipment according to claim 1.
- the performer is in perfect harmony with the creator.
- the interpreter who perceives these rhythmic fluctuations is more sensitive to the nuances of the fluctuations that the creator wants to define.
- the material for the presentation of music can be a carrier of musical information: for example a painting of wood, metal or other materials carrying at least one musical score.
- the tables are preferably drawings on paper, preferably pages from an instruction book and / or an exercise book.
- the designs can also be in the form of paper designs and the characters can be in the form of a coat of paint, ink or other liquid or pressure sensitive adhesive.
- the material carrying musical information can be a videotape, an optical disc, a computer diskette making it possible to reproduce the images of the lessons: for example the scores on the screen of an electronic system.
- the bottom points can be replaced by lines that are less or more apart and / or more or less thick at the quick and long place respectively. In this way the variation of the tempo can be indicated in black.
- the background can be colored with one and the same color, but more and more dark if the tempo is accelerated and more and more light if the tempo decreases.
- the background can be formed of 2 colors: for example green and yellow in such a way that in case of acceleration and degression, the background changes gradually and degressively from yellow to green and from green to yellow respectively.
- the succession of rainbow colors can be used to express the variation of the tempo on the background or on the notes.
- the part of music with normal tempo has a normal background, for example white.
- the creator prescribes for example a combination between an acceleration followed by a deceleration or the opposite; or it also proposes a combination of an acceleration movement inside a general deceleration, or the opposite.
- the bands indicating the variation of the tempo are presented between the two staves (fig. 3) and / or in the staves (fig. 4).
- connections are presented as the basic architecture of interpretation. They subtly guide and characterize the phrasing, and allow the circulation of tempo fluctuations. Normal writing links are indicated by normal arcs, which cannot qualify the rhythmic fluctuation of the phrasing.
- the connections proposed as visual support in the musical writing of the invention are nuanced by arcs uniting groups of notes, these arcs being written with differences in thickness.
- the interpreter of the link is more related to the general structure of the interpretation provided by the creator. This visual report exteriorizes the feelings of the creator well by an elaborate strategy controlled by the character of the connection, gives greater control of the articulation in the phrasing and allows the direct taking of the nuances of fluctuations in the links between the sounds either quiet, either tighter or very close together.
- Variations in the tempo of individual notes may be indicated by signs accompanying the notes in question.
- the signs have the form of round surfaces of different sizes and / or colors. To prescribe nuances of duration these notes often rest on the ends of the bonds where there is a round surface per note. This game of round surfaces makes it possible to give a very subtle qualification of the rhythmic impulse, gives a complementary effect to the interpretation and allows to go more in depth in the detail of the interpretation.
- the invention provides a set of round surfaces with nuances of size, color and / or possibly of different shape.
- the creator uses several, for example 3, kinds of circles to indicate the notes which act on the rhythmic fluctuation.
- the supporting notes 11, which mark the rhythmic impulse, give momentum in the phrasing, are pillars which structure the rhythmic unfolding of the phrasing and are generally placed at the beginning of the phrasing, on the beats, but can also be placed in mishaps;
- the articulated and retained notes 12 are almost always located at the end of the phrasing. They give the impression of retaining the phrasing and an effect of slight conclusion. They are played a little later in comparison with the rhythm.
- the fluctuation of the selected note causes breathing to start again.
- the background surfaces of notes 11-13 are round or of other shape, for example the shape of a sun 14.
- the invention also proposes measures for the interpretation of high points.
- FIG. 7 proposes fluctuations in organ points, by highlighting the ratios of size and / or shape which make it possible to visualize different stops or rests of the sound. They mark the end of the rhythmic movement and can be used as temporary or prolonged rest.
- the interpreter perceives, in addition to the highlight, its character and its impression of duration.
- the creator of a score using the present invention is for example a composer, who wishes to indicate the interpretation of his own works, or a person who wishes to indicate his interpretation of the works of other composers, for example a large repertoire.
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- Engineering & Computer Science (AREA)
- Multimedia (AREA)
- Business, Economics & Management (AREA)
- Physics & Mathematics (AREA)
- Educational Administration (AREA)
- Educational Technology (AREA)
- General Physics & Mathematics (AREA)
- Theoretical Computer Science (AREA)
- Auxiliary Devices For Music (AREA)
- Electrophonic Musical Instruments (AREA)
Applications Claiming Priority (2)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
BE9500900 | 1995-10-31 | ||
BE9500900A BE1009755A4 (fr) | 1995-10-31 | 1995-10-31 | Materiel pour la presentation de la musique. |
Publications (1)
Publication Number | Publication Date |
---|---|
EP0772175A1 true EP0772175A1 (de) | 1997-05-07 |
Family
ID=3889268
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
EP96202462A Withdrawn EP0772175A1 (de) | 1995-10-31 | 1996-09-04 | Material zur Darstellung von Musik |
Country Status (2)
Country | Link |
---|---|
EP (1) | EP0772175A1 (de) |
BE (1) | BE1009755A4 (de) |
Cited By (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
WO1999023629A1 (fr) * | 1997-11-04 | 1999-05-14 | Anne Marie Pozzo Di Borgo | Materiel pour la presentation de la musique 'tempo' |
Citations (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US3698277A (en) * | 1967-05-23 | 1972-10-17 | Donald P Barra | Analog system of music notation |
EP0661680A1 (de) * | 1993-12-31 | 1995-07-05 | Pozzo di Borgo, Anne-Marie | Material zur Darstellung von Musik |
-
1995
- 1995-10-31 BE BE9500900A patent/BE1009755A4/fr not_active IP Right Cessation
-
1996
- 1996-09-04 EP EP96202462A patent/EP0772175A1/de not_active Withdrawn
Patent Citations (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US3698277A (en) * | 1967-05-23 | 1972-10-17 | Donald P Barra | Analog system of music notation |
EP0661680A1 (de) * | 1993-12-31 | 1995-07-05 | Pozzo di Borgo, Anne-Marie | Material zur Darstellung von Musik |
Cited By (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
WO1999023629A1 (fr) * | 1997-11-04 | 1999-05-14 | Anne Marie Pozzo Di Borgo | Materiel pour la presentation de la musique 'tempo' |
Also Published As
Publication number | Publication date |
---|---|
BE1009755A4 (fr) | 1997-07-01 |
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Legal Events
Date | Code | Title | Description |
---|---|---|---|
PUAI | Public reference made under article 153(3) epc to a published international application that has entered the european phase |
Free format text: ORIGINAL CODE: 0009012 |
|
AK | Designated contracting states |
Kind code of ref document: A1 Designated state(s): AT BE CH DE DK ES FI FR GB GR IE IT LI LU MC NL PT SE |
|
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: THE APPLICATION IS DEEMED TO BE WITHDRAWN |
|
18D | Application deemed to be withdrawn |
Effective date: 19971108 |