Spirn
2008
Daring to look: Dorothea Lange's photographs and reports from the field
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Arnold
2023
The Camera and the Cattle: Bovine Photography and Technologies of" Improvement" in Colonial South India
Corn
1983
The Birth of a National Icon: Grant Wood's" American Gothic"
McKenny
1939
Birds in the garden and how to attract them
Sabljak
2025
The Fate of the Works of Hugo Conrad von Hötzendorf and Adolf Waldinger in the Turbulent Times of World War II and its Aftermath
Le Feuvre
2004
Features 01: Avalanche
Dermawan
2019
Remembering the “People’s Painter”
Shovers
2002
Saving Montana's past
Haltman
1989
Private Impressions and Public Views: Titian Ramsay Peale’s Sketchbooks from the Long Expedition, 1819-1820
Cooper
2025
Alicia Boyle Astray
Kuni
2024
21 Augmented Herbarealities
Garofali
2021
The William C. Baker Papers, 1908-1988
Kerr
1984
Mary Morton Allport and the status of the colonial'lady painter'.[Eldershaw Memorial Lecture, 1983]
Oxley et al.
2017
The role and value of botanical illustration today
Marsh et al.
1983
Trade union journals revisited
Ferber
1980
Theodore E. Stebbins, Jr., Close Observation: Selected Oil Sketches by Frederic E. Church: Exh. cat., Washington, DC, Smithsonian Institution Press, 1978. Pp. ix+ 110; 112 ills. 15;paper 10
Gasco
2012
The Contribution of the Turkish Historical Society to the First Stage of the Governmental Program for the Protection of Monuments in Edirne (1933-1941): Preservation Policies and Ideology in the Representation of Architectural Heritage
Thorsen
2018
11 Constructing museum nature
Frankel
2010
Tennyson Transformed: Alfred Lord Tennyson and Visual Culture, edited by Jim Cheshire
Colvin
2014
Burnsiana
Adams
2017
Thomas Hart Benton and the South
Vlach
2008
Documentary Images and Devotional Acts: Plantation Painting as Propaganda
Troccoli
1995
George Catlin and Sir Thomas Phillipps: A Nineteenth-Century Friendship
Grauer
2016
Rounded Up in Glory: Frank Reaugh, Texas Renaissance Man