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1869
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1888
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Classification of Gurkani and Safavid fabrics’ motifs according to the impact of Persian art on the region
Dale
1993
The power of the Anointed: The life of David on two Coptic textiles in the Walters Art Gallery
Geddes et al.
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Blackwork embroidery
Whiteford
1991
Mystic and decorative art of the Anishinabe (Chippewa/Ojibwa)
Gordon
1990
Victorian Fancy Goods: Another Reappraisal of Shaker Material Culture
Basaffar
2023
TREATMENT AND STORAGE OF OMANI BLACK VELVET DRESS AND FLOWERPRINTED SCARF: A CASE STUDY
Berney
2020
Christena Kells's Heirloom: A North Carolina Example of Hairwork
REYNOLDS
2018
Visual Representations
Rosensweig et al.
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Self Portrait in a Velvet Dress: The Fashion of Frida Kahlo
Patterson
1979
Swiss-German and Dutch-German Mennonite Traditional Art in the Waterloo Region, Ontario
Horton
2022
WOMEN STITCHING IDENTITY: Two White Counterpanes
Eisenbarth
2002
Plain and peculiar: a case study of nineteenth-century Quaker clothing
Fernandez-Sacco
2008
Mundillo and Identity: The Revival and Transformation of Handmade Lace in Puerto Rico
Pollen
1908
Seven centuries of lace
Allgrove
1972
Vestments from the Robinson Collection at the Whitworth Gallery, Manchester
Jaramillo
2020
Conservation of an Eighteenth-century Embroidered Panel in the Graduate Study Collection at the Fashion Institute of Technology
Tansuğ et al.
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The Turkish culture of flowers
POLLOCK
1938
OCCUPATIONAL THERAPY IN FOREIGN COUNTRIES
COLE
2005
3ournal of the Soríety of 3rtg
Ferguson
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Where Have All The Flowers Gone: A Study of
Belkaïd-Neri
2018
13. Mediating Mediterranean Cultures
Williams
2006
A flowering of quilts: garden patterns and floral motifs in nineteenth century Southern quilts
Cox
1999
The Coronation Robes of the Sovereign