DE102019006015B4 - Process/technology for the production of illuminating, hand-painted pictures with immaterial colored light as a partial "color substitute" for material colors and for achieving a perfect, material color "black". - Google Patents

Abstract

Process for the production of illuminating, hand-painted images with immaterial colored light as a partial color replacement for material colors, characterized in that color is applied or painted on an illuminating, backlit image carrier (1), ideally with acrylic or oil colors or other colored materials such as Wax or graphite can be used and in further process steps the real colors are partially removed, reduced or weakened (8) in order to bring them into interaction with the colors of the illuminating background light, whereby the illuminating painted picture only works with a background lighting that works with a new self-developed system, whereby the image carrier material (1), in particular canvas, is stretched onto a technically innovative frame (2), the image carrier material (1) being drawn over the transparent frame (2) and attached to the wooden strip ( 4), which in turn is already firmly riveted or glued (3) to the diffuse or transparent Plexiglas frame (2) due to the way it was manufactured, is stapled to the rear and thus also ensures that the sides of the picture carrier (1) are illuminated. The image carrier is illuminated by the LED strips (5) or other light sources that are already attached to the ideally reflective rear wall (6), whereby the entire image carrier also shines or is illuminated on the sides. The power supply takes place either via a mains switch or battery (7).

Description

The invention relates to a technical painting process for designing illuminating surfaces (self-luminous images) which are hand-painted and have a three-dimensional side effect, whereby the image carrier (e.g. canvas, canvas, plastic, paper, etc.) is illuminated by appropriate background lighting in order to To be able to depict extremely high-contrast color structures on the viewer side of the image carrier, so that the material colors are additionally scratched, sanded or removed in different places on the surface, so that the immaterial colors (RGB and white) of the light shine through more or less at these places where the material color "white" is mainly replaced by white light, or due to the resulting shadow effects on the material colors, a perfect, virtually unassailable color "black" is guaranteed, or the material color "white" due to the above mentioned incidence of shadow is used as gray or material colors can mutually interact with the immaterial colored light and this gives rise to new regularities in mixing proportions, whereby the material colors are applied or removed with a new painting technique, by hand or machine, in order to achieve the effect of all to bring material colors into balance with the immaterial, colored lights or to stage them and can, in terms of artistic representation and the production process, be referred to as illumination painting (illuminalism).

(General introduction and state of the art)

• Es ist bekannt, das Kunst mit Licht ein weites Feld an Ausgestaltungsinterpretationen hat. Die Definition der Ausprägungen hat Nina Hinrichs 2017 wie folgt zusammengefasst:
  • Lichtkunst lässt sich nicht in die klassischen Kunstgattungen einordnen, sondern besitzt Grenzen überschreitenden Charakter. So können Lichtkunstwerke beispielsweise zweidimensionale fluoreszierende Gemälde, multimediale Lichtinstallationen, Lichtskulpturen, Projektionen im öffentlichen Raum oder Performances mit Einbindung von Lichtelementen darstellen. Auch kann Lichtkunst Überschneidungen u.a. zu Land Art, Computerkunst, Film und Fotografie beinhalten. Somit umfasst der Begriff „Lichtkunst“ verschiedene und vielfältige künstlerische Formen und Spezifika.
• Ein wesentliches Charakteristikum für die Definition von „Lichtkunst“ besteht darin, dass eine ästhetische Auseinandersetzung mit dem immateriellen Medium „Licht“ die Basis der künstlerischen Arbeit darstellt.

Delimitation of illumination painting to light art:

• It is well known that art with light has a wide range of design interpretations. In 2017, Nina Hinrichs summarized the definition of the characteristics as follows:
  • Light art cannot be classified into the classic art genres, but has a character that transcends borders. For example, light art works can represent two-dimensional fluorescent paintings, multimedia light installations, light sculptures, projections in public space or performances with the integration of light elements. Light art can also overlap with land art, computer art, film and photography, among others. Thus, the term "light art" encompasses various and diverse artistic forms and specifics.
• An essential characteristic for the definition of "light art" is that an aesthetic examination of the immaterial medium "light" represents the basis of the artistic work.

Source:

Title Nina Hinrichs, Light Art - Interdisciplinary Criteria for Artistic Analysis, in: kunsttexte.de, Contemporary Section, No. 1, 2017 (18 pages), www.kunsttexte.de. ; PD dr Nina Hinrichs, lecturer in art history and art didactics at the University of Paderborn.

It is also known that a patent for a process for the production of 3-D structural images ( DE 199 15 014A1 ) in goods class B44D2 /00 in 1999 (Wanger Holding) that describes a new technique as a process for creating works of art with a 3D structure by creating a 3D structure through various application techniques. This proves that a process through ablation techniques for the production of painted works of art, obtains patent qualities.

(Disadvantages)

To date, there has been no process for the production of painted pictures in which a colored or only "white" illuminating surface (e.g. canvas with appropriate backlighting) is technically and artistically related to the front of a picture carrier, in which the material colors of the The front of the picture interacts with "white" and/or "colored" illuminating lights from the background in order to manifest as an artistic creation or work of art.

In addition, there has not yet been a procedure whereby the material colors on the viewer's side of the illuminating picture carrier are processed technically and artistically by scratching, scouring, scrubbing, etc. by hand or machine in such a way that the colored lights shine through the canvas to a greater or lesser extent in order to complete the material colors of the picture carrier accordingly or to change their actual color character and intensity of effect, or to supplement the omitted or e.g “ or, for example, to bring a material “blue” into interaction with “reddish illuminating” light in order to make a “differing color” appear as the actual one. In particular, it is important to note that there has not yet been a process that intensifies the effect of the material color "black" due to the shadow falling from behind in such a way that that in this way a perfect or very deep and unassailable black can be realized.

In addition, there has not yet been a grinding process that is primarily concerned with removing a color from a canvas, for example, using various application and removal techniques, in order to stage immaterial light as a potential color substitute.

(Task)

The present idea is therefore based on the task of establishing a process for a new painting technique (illumination painting) in which, on the one hand, in contrast to light art, light is not primarily used in an aesthetic examination of the immaterial medium "light" as an artistic basis, but the immaterial medium "light" comes into its own through background lighting as a substitute for a material color (white or RGB colors) and the aesthetic examination of colored light is used only secondarily.

On the other hand, the present idea is based on the task, through creative exposure of the material colors on the image carrier, in this case through washing; emery: scratch; scrubbing; Abrading or etching techniques etc. to intensify the light source in places (by machine or by hand) so that the effect of a picture can be completed with all the relevant properties and processes (e.g. light/shadow/color intensity etc.) for its design (patent quality "Abbbing ' analogous to 'application' as in the above-mentioned patent of the 3D structure images) in order to let the background light appear as an illuminating color or just as a substitute for white.

(Advantages)

Illumination painting integrates and thus establishes a completely new process within the classical painting used to date, in that it uses the immaterial medium "light" partly as a color substitute and to intensify material colors and their structures and creates due to the symbiosis between material color and immaterial colored light, there are now far more extensive design options, since due to the interaction between colored light/shadow and material color, there is now a completely different law for mixing colors than was previously possible. For example, a pure white affected by shadows tends to appear as gray, or amplifies or changes character due to the warmth or coldness of a white light.

Or a real, ordinary color black, illuminating from the background of a picture carrier, appears extremely deep and unassailable due to its shadow effect. (The depth of the real black color is comparable to the black of a TV with OLED technology)

The removal techniques are particularly advantageous, whereby the free surfaces or the residual structures of the removed color areas begin to glow deeply, similar to a three-dimensional effect, and deliberately stage strong contrasts between the color substitute "light" and the real colors, whereby the balance of material Colors and the white as well as color replacement by the immaterial light only arises if these are explicitly coordinated with each other and only come into play if the picture carrier is illuminated from the back accordingly and thus describes a completely new painting process which is called illuminalism and is therefore in the field can be classified as illumination painting.

(Further developments/developments of the invention/additional claims)

In order to make an illuminating picture carrier appear even more aesthetic, the present idea creates the possibility of expanding its effect and aesthetics by building the carrier frame in a special way, in order to let the background light shine through the side frames as well, by the picture carrier has been equipped with LED strips as a light source and the frames are made of a translucent material (e.g. transparent or diffuse acrylic glass, plastic, etc.) and the support material is translucent.

The task of the new method of staging immaterial background light as a color substitute for white or RGB colors by application and removal techniques of colors on a translucent image carrier material with a transparent frame of a self-illuminating painted picture is solved with claims 1-4.

Drawings and process steps:

Three presentations of the invention/process:

character list

• ( 1 ): Structure of the image carrier with backlight
• ( 1 ) (1) Carrier material as a picture carrier, e.g. canvas
• ( 1 ) (2) Transparent frame made of acrylic, plexiglass, plastic, etc.)
• ( 1 ) (3) Glued transparent frame (2) with wooden strip (4)
• ( 1 ) (4) bar, preferably made of wood, etc.
• ( 1 ) (5) Light source, preferably LED strips or other light source
• ( 1 ) (6) Rear wall, preferably reflective eg made of wood or similar.
• ( 1 ) (7) Power supply via mains switch or battery
• ( 2 ): Painted image carrier without switched on background lighting The illustration shows that the colours/structures without the effect of light do not achieve optimal radiance or development
• ( 3 ): Painted image carrier with backlight on

The representation illustrates the intensification of the colors and structures through the effect of the light.

Procedural and signing statement

PROCESS: Process solution in detail based on the exploration drawings

In detail, according to the present invention, an image carrier material, for example canvas (1) ( 1 ) on a technically novel frame (2 to 6) (additional claim), the carrier material (1) being drawn over the transparent frame (2) and to the wooden strip (4) provided for this purpose, which in turn, due to the way it is manufactured, is already firmly attached is riveted/glued to the diffuse or transparent Plexiglas frame (2) (see 3), stapled to the rear and thus also ensures that the sides of the picture carrier (1) are illuminated.

The image carrier can now be illuminated by the LED strips (5) (or another light source) which are already attached to the - ideally reflective - rear wall (6), whereupon the entire image carrier now also begins to illuminate the sides. The power supply then takes place either via a mains switch or battery (7).

On the illuminating picture carrier (1) ( 2 ) is now ideally applied or painted with acrylic or oil paints (8) (although other paint materials such as wax or graphite can of course also be used). In the further process steps, the real colors are partially removed again, reduced or weakened (8) in order to match them with the colors of the illuminating background light ( 3 ) in harmony or interaction.

Material colors are selected and mixed taking into account the laws that prevail or are given in a natural way when material colors meet illuminating colored light (see 2 in contrast to 3 ) and influence each other, or all natural occurrences and influences, which prevail between material colors and immaterial colored light, are brought into an ideal symbiosis by appropriate mixing of the colors and appropriate application and removal techniques, in order to in this way to be artistically designed in order to be able to create a desired color composition and structure.

The artistically designed work/image ( 3 ) therefore only develops fully when the image carrier is controlled by the LEDs (or another light source) (5) ( 3 ) is illuminated from behind and the image carrier begins to illuminate ( 3 )

Claims (3)

Process for the production of illuminating, hand-painted images with immaterial colored light as a partial color replacement for material colors, characterized in that color is applied or painted on an illuminating, backlit image carrier (1), ideally with acrylic or oil colors or other colored materials such as Wax or graphite can be used and in further process steps the real colors are partially removed, reduced or weakened (8) in order to bring them into interaction with the colors of the illuminating background light, whereby the illuminating painted picture only works with a background lighting that works with a new self-developed system, whereby the image carrier material (1), in particular canvas, is stretched over a technically innovative frame (2), the image carrier material (1) being pulled over the transparent frame (2) and attached to the wooden strip ( 4), which in turn is already firmly riveted or glued (3) to the diffuse or transparent Plexiglas frame (2) due to the way it was manufactured, is stapled to the rear and thus also ensures that the sides of the picture carrier (1) are illuminated. The image carrier is illuminated by the LED strips (5) or other light sources that are already attached to the ideally reflective rear wall (6), whereby the entire image carrier also shines or is illuminated on the sides. The power supply supply takes place either via a mains switch or battery (7). procedure after claim 1 characterized in that material colors are chosen and mixed taking into account the laws that prevail or are given in a natural way when material colors meet illuminating colored light and influence each other or all natural occurrences and influences that exist between material colors and immaterial ones colored light are brought into an ideal symbiosis by appropriate mixing of the colors and appropriate application and removal techniques in order to be artistically designed in this way in order to be able to create a desired color composition and structure. Method according to the preceding claims, characterized in that the artistically designed work only develops fully when the image carrier is illuminated from behind by the LEDs or another light source (5) and the image carrier begins to illuminate.

Images