CN101372563A - Faience pottery coloured drawing pigment - Google Patents
Faience pottery coloured drawing pigment Download PDFInfo
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- CN101372563A CN101372563A CNA200810230509XA CN200810230509A CN101372563A CN 101372563 A CN101372563 A CN 101372563A CN A200810230509X A CNA200810230509X A CN A200810230509XA CN 200810230509 A CN200810230509 A CN 200810230509A CN 101372563 A CN101372563 A CN 101372563A
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- drawing pigment
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Abstract
The invention relates to a pigment for colored drawing on painted pottery, which pertains to the technical field of high temperature pigments. In order to realize the purpose, the invention adopts the following technical proposal: the pigment for colored drawing on painted pottery is characterized in that the pigment contains 5-100% of pyrolusite ore according to parts by weight, the pyrolusite ore is preferably chosen from aphanitic earthy pyrolusite ore. By regulating the contents of other colorants and dilution materials according to the technical proposal, black pigment or red pigment can be obtained, and the pigment has the advantages of pure and uniform color, high temperature resistance, no color change, etc. The painted pottery artwork which is made by painting pottery blanks by the pigment for colored drawing on painted pottery and firing the blanks in a kiln has primitive and elegant patterns, and is almost the same as antique painted pottery in color.
Description
Technical field
The present invention relates to a kind of Faience pottery coloured drawing pigment, belong to the hard fire colour technical field.
Background technology
Ancient painted pottery is being put down in writing the economic life and the religion culture at human civilization initial stage as Neolithic age cultural representative, so far the history in existing 8000.Brownware is to make raw material with clay, or mud bar dish builds or manual kneading, also or wheel make greenwave, then with the vessel of burning.Ancient painted pottery then be on the orange red greenwave that polishes smooth with natural mineral raw material colored drawing, reenter klining and make type, wherein common with blusher and black coloured silk.
China's Painted-Pottery Culture is widely distributed, perdurability is long, from apart from modern 8000 to apart from modern about 3000, be continuous more than 5000 year, contained culture such as Lao Guantai, mausoleum cunette, great river village, half way up the mountain, Ma Jiayao, Dawenkou, Qu Jialing, Da Xi, Red Hill, Qi Jia, art achievements is the highest in world's ancient painted pottery history.Original ancient painted pottery genuine piece because of have a long history, consummate technology and high scientific research be worth and enjoy pursuing of domestic and international collector fan, its price is also constantly soaring.But the generation amount is few because of depositing, factor such as cost an arm and a leg makes and manyly likes the personage of ancient painted pottery to hang back.So ancient painted pottery replica exquisite in workmanship, that moulding is simple and unsophisticated has just won most important part in the ancient painted pottery market with cheap price, is " new lover " of artwork collector and domestic and international cultural exchanges.According to scholarly forecast, the domestic and international market to the annual requirement of ancient painted pottery artwork more than 3,000,000.
Yet producing its maximum difficult problem of ancient painted pottery artwork modelled after an antique that rhythm god has both is exactly coloured drawing pigment.Though have the scholar to utilize the modern science means that the pigment on the historical relic ancient painted pottery was carried out analysis, and point out to contain mineral substance such as Manganse Dioxide, ferric oxide, still unknown so far concrete prescription and production technique in the used pigment of ancients.Therefore, moderns utilize the pigment that existing pharmaceutical chemicals mixes on the market often not reach the simple and tasteful artistic effect of ancient painted pottery genuine piece.
Summary of the invention
The objective of the invention is to reappear the uncomplicated and simple and unsophisticated of ancient painted pottery at the Neolithic Age for a kind of hard fire colour of making ancient painted pottery modelled after an antique that is applicable to is provided.
In order to realize this purpose, the technical solution adopted in the present invention is: a kind of Faience pottery coloured drawing pigment is characterized in that containing in the described Faience pottery coloured drawing pigment pyrolusite stone of 5-100% weight part.
The preferred cryptocrystalline earthy pyrolusite stone of described pyrolusite stone.
In weight %, contain in the described Faience pottery coloured drawing pigment: pyrolusite stone 65-80%, Manganse Dioxide 4-8%, red iron oxide 4-8%, zirconium dioxide 0.5-1%, Calcium hydrogen carbonate 0.5-1%, all the other are the dilution material, this is for black color.
In weight %, contain in the described Faience pottery coloured drawing pigment: pyrolusite stone 5-12%, grade are at the limonite ore 35-50% more than 45%, and all the other are the dilution material, and this is a blusher.
Described dilution material is 20% carboxymethyl cellulose aqueous solution.
It is pure evenly that Faience pottery coloured drawing pigment of the present invention has color and luster, advantages such as high temperature resistant nondiscoloration, pottery embryo kiln-firing after with Faience pottery coloured drawing pigment colored drawing provided by the present invention, the simple and unsophisticated grace of producing of its pattern of ancient painted pottery artwork is compared with the color of historical relic ancient painted pottery and be there is no two samples.
Embodiment
Below in conjunction with embodiment, the present invention will be further described, but these embodiment do not limit the present invention in any form.All % are weight part or weight % among the embodiment.
Embodiment 1
Get cryptocrystalline earthy pyrolusite stone and fully grind, sieve, can directly sell as the black Faience pottery coloured drawing pigment.
Embodiment 2
Preparation has the Faience pottery coloured drawing pigment of following composition:
Manganse Dioxide 4%
Red iron oxide 4%
Zirconium dioxide 1%
Calcium hydrogen carbonate 1%
20% carboxymethyl cellulose aqueous solution 10%
Pyrolusite stone 80%
After above-mentioned each raw material takes by weighing, earlier Manganse Dioxide, red iron oxide, zirconium dioxide, Calcium hydrogen carbonate are mixed, the carboxymethyl cellulose aqueous solution of adding 20% is as the dilution material, after fully grinding with mix once more in the pyrolusite stone adding system, porphyrize, institute's pulp mixture can be directly used in Faience pottery coloured drawing, is simple and unsophisticated black behind the kiln-firing.
Embodiment 3
Preparation has the Faience pottery coloured drawing pigment of following composition:
Manganse Dioxide 6%,
Red iron oxide 5%,
Zirconium dioxide 0.5%
Calcium hydrogen carbonate 0.5%
20% carboxymethyl cellulose aqueous solution 18%
Cryptocrystalline earthy pyrolusite stone 70%
After above-mentioned each raw material takes by weighing, earlier Manganse Dioxide, red iron oxide, zirconium dioxide, Calcium hydrogen carbonate are mixed, adding 20% carboxymethyl cellulose dilution material fully grinds, to mix once more, grind in the pyrolusite stone adding system then, institute's pulp mixture can be directly used in Faience pottery coloured drawing, is simple and unsophisticated black behind the kiln-firing.
Embodiment 4
Preparation has the Faience pottery coloured drawing pigment of following composition:
Manganse Dioxide 7%
Red iron oxide 6%
Zirconium dioxide 0.7%
Calcium hydrogen carbonate 1%
20% carboxymethyl cellulose aqueous solution 10.3%
Pyrolusite stone 75%
After above-mentioned each raw material takes by weighing, earlier Manganse Dioxide, red iron oxide, zirconium dioxide, Calcium hydrogen carbonate are mixed, the carboxymethyl cellulose dilution material of adding 20% fully grinds, to mix once more, grind in the pyrolusite stone adding system then, institute's pulp mixture can be directly used in Faience pottery coloured drawing, is simple and unsophisticated black behind the kiln-firing.
Embodiment 5
Preparation has the Faience pottery coloured drawing pigment of following composition:
Manganse Dioxide 5%
Red iron oxide 8%
Zirconium dioxide 0.8%
Calcium hydrogen carbonate 0.7%
20% carboxymethyl cellulose aqueous solution 20.5%
Cryptocrystalline earthy pyrolusite stone 65%
After above-mentioned each raw material takes by weighing, earlier Manganse Dioxide, red iron oxide, zirconium dioxide, Calcium hydrogen carbonate are mixed, the carboxymethyl cellulose dilution material of adding 20% fully grinds, to mix once more, grind in the pyrolusite stone adding system then, institute's pulp mixture can be directly used in Faience pottery coloured drawing, is black behind the kiln-firing.Because pyrolusite stone consumption is lower, the black that burns out shows slightly bright.
Embodiment 6
Preparation has the Faience pottery coloured drawing pigment of following composition:
Manganse Dioxide 8%
Red iron oxide 7%
Zirconium dioxide 1%
Calcium hydrogen carbonate 0.5%
20% carboxymethyl cellulose aqueous solution 23.5%
Pyrolusite stone 60%
After above-mentioned each raw material takes by weighing, earlier Manganse Dioxide, red iron oxide, zirconium dioxide, Calcium hydrogen carbonate are mixed, the carboxymethyl cellulose of adding 20% is as the dilution material, fully grind and to mix once more, to grind in the pyrolusite stone adding system then, institute's pulp mixture can be directly used in Faience pottery coloured drawing, is black behind the kiln-firing.Because pyrolusite stone consumption is lower, the black that burns out shows slightly bright.
The Faience pottery coloured drawing pigment of preparing according to embodiment 1-6 is black coloured silk, utilizes pyrolusite stone to be equipped with other coloring components in following examples and has prepared Apollonian blusher, and is very approaching with the redness on the historical relic ancient painted pottery.
Embodiment 7
Preparation has the Faience pottery coloured drawing pigment of following composition:
Grade is in the limonite ore more than 40% 35%
Pyrolusite stone 5%
20% carboxymethyl cellulose aqueous solution 60%
After above-mentioned raw materials takes by weighing, earlier grade is slightly ground, mixed with pyrolusite stone in the limonite ore 40% or more, add 20% carboxymethyl cellulose aqueous solution then as the dilution material, the soup compound of regrinding one-tenth exquisiteness gets final product.This is a blusher.
Embodiment 8
Preparation has the Faience pottery coloured drawing pigment of following composition:
Grade is in the limonite ore more than 40% 40%
Pyrolusite stone 12%
20% carboxymethyl cellulose aqueous solution 48%
After above-mentioned raw materials takes by weighing, earlier grade is slightly ground, mixed with pyrolusite stone in the limonite ore 40% or more, add 20% carboxymethyl cellulose aqueous solution then as the dilution material, the soup compound of regrinding one-tenth exquisiteness gets final product.This is a blusher.
Embodiment 9
Preparation has the Faience pottery coloured drawing pigment of following composition:
Grade is in the limonite ore more than 40% 50%
Pyrolusite stone 10%
20% carboxymethyl cellulose aqueous solution 40%
After above-mentioned raw materials takes by weighing, earlier grade is slightly ground, mixed with pyrolusite stone in the limonite ore more than 40%, add 20% carboxymethyl cellulose aqueous solution then as the dilution material, regrinding becomes fine and smooth soup compound to get final product.This is a blusher.
Embodiment 10
Preparation has the Faience pottery coloured drawing pigment of following composition:
Grade is in the limonite ore more than 40% 45%
Pyrolusite stone 8%
20% carboxymethyl cellulose aqueous solution 47%
After above-mentioned raw materials takes by weighing, earlier grade is slightly ground, mixed with pyrolusite stone in the limonite ore more than 40%, add 20% carboxymethyl cellulose aqueous solution then as the dilution material, regrinding becomes fine and smooth soup compound to get final product.This is a blusher.
Embodiment 11
Preparation has the Faience pottery coloured drawing pigment of following composition:
Grade is in the limonite ore more than 40% 50%
Pyrolusite stone 5%
20% carboxymethyl cellulose aqueous solution 45%
After above-mentioned raw materials takes by weighing, earlier grade is slightly ground, mixed with pyrolusite stone in the limonite ore more than 40%, add 20% carboxymethyl cellulose aqueous solution then as the dilution material, regrinding becomes fine and smooth soup compound to get final product.This is a blusher.
Claims (6)
1. a Faience pottery coloured drawing pigment is characterized in that: the pyrolusite stone that contains the 5-100% weight part in the described Faience pottery coloured drawing pigment.
2. Faience pottery coloured drawing pigment as claimed in claim 1 is characterized in that: the preferred cryptocrystalline earthy pyrolusite stone of described pyrolusite stone.
3. as the described Faience pottery coloured drawing pigment of claim 1-2, it is characterized in that: in weight %, contain in the described Faience pottery coloured drawing pigment: pyrolusite stone 65-80%, Manganse Dioxide 4-8%, red iron oxide 4-8%, zirconium dioxide 0.5-1%, Calcium hydrogen carbonate 0.5-1%, all the other are the dilution material.
4. as the described pottery coloured drawing pigment of claim 1-2, it is characterized in that: in weight %, contain in the described Faience pottery coloured drawing pigment: pyrolusite stone 5-12%, grade are at the limonite ore 35-50% more than 45%, and all the other are the dilution material.
5. pottery coloured drawing pigment as claimed in claim 3 is characterized in that: described dilution material is 20% carboxymethyl cellulose aqueous solution.
6. pottery coloured drawing pigment as claimed in claim 4 is characterized in that: described dilution material is 20% carboxymethyl cellulose aqueous solution.
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
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CN200810230509XA CN101372563B (en) | 2008-10-21 | 2008-10-21 | Faience pottery coloured drawing pigment |
Applications Claiming Priority (1)
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CN200810230509XA CN101372563B (en) | 2008-10-21 | 2008-10-21 | Faience pottery coloured drawing pigment |
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CN101372563A true CN101372563A (en) | 2009-02-25 |
CN101372563B CN101372563B (en) | 2011-02-16 |
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CN200810230509XA Expired - Fee Related CN101372563B (en) | 2008-10-21 | 2008-10-21 | Faience pottery coloured drawing pigment |
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Cited By (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN105086553A (en) * | 2014-05-16 | 2015-11-25 | 康存良 | Colored drawing pigment for painted pottery |
CN111348938A (en) * | 2020-04-03 | 2020-06-30 | 范平 | Moyu color painting pigment and preparation method and application thereof |
CN112239371A (en) * | 2020-08-25 | 2021-01-19 | 湖南工业大学 | Treating agent for improving surface wettability of ceramic blank and application method thereof |
-
2008
- 2008-10-21 CN CN200810230509XA patent/CN101372563B/en not_active Expired - Fee Related
Cited By (4)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN105086553A (en) * | 2014-05-16 | 2015-11-25 | 康存良 | Colored drawing pigment for painted pottery |
CN105086553B (en) * | 2014-05-16 | 2018-10-23 | 康存良 | A kind of Faience pottery coloured drawing pigment |
CN111348938A (en) * | 2020-04-03 | 2020-06-30 | 范平 | Moyu color painting pigment and preparation method and application thereof |
CN112239371A (en) * | 2020-08-25 | 2021-01-19 | 湖南工业大学 | Treating agent for improving surface wettability of ceramic blank and application method thereof |
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Publication number | Publication date |
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CN101372563B (en) | 2011-02-16 |
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Granted publication date: 20110216 Termination date: 20131021 |