CA2165352A1 - Method for measuring speech masking properties - Google Patents

Method for measuring speech masking properties

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Publication number
CA2165352A1
CA2165352A1 CA 2165352 CA2165352A CA2165352A1 CA 2165352 A1 CA2165352 A1 CA 2165352A1 CA 2165352 CA2165352 CA 2165352 CA 2165352 A CA2165352 A CA 2165352A CA 2165352 A1 CA2165352 A1 CA 2165352A1
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signal
noise
subband
power
speech
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CA 2165352
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French (fr)
Inventor
Yair Shoham
Casimir Wierzynski
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AT&T Corp
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AT&T IPM Corp
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Publication of CA2165352A1 publication Critical patent/CA2165352A1/en
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10LSPEECH ANALYSIS TECHNIQUES OR SPEECH SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING TECHNIQUES; SPEECH OR AUDIO CODING OR DECODING
    • G10L19/00Speech or audio signals analysis-synthesis techniques for redundancy reduction, e.g. in vocoders; Coding or decoding of speech or audio signals, using source filter models or psychoacoustic analysis
    • G10L19/02Speech or audio signals analysis-synthesis techniques for redundancy reduction, e.g. in vocoders; Coding or decoding of speech or audio signals, using source filter models or psychoacoustic analysis using spectral analysis, e.g. transform vocoders or subband vocoders
    • G10L19/0204Speech or audio signals analysis-synthesis techniques for redundancy reduction, e.g. in vocoders; Coding or decoding of speech or audio signals, using source filter models or psychoacoustic analysis using spectral analysis, e.g. transform vocoders or subband vocoders using subband decomposition
    • G10L19/0208Subband vocoders
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10LSPEECH ANALYSIS TECHNIQUES OR SPEECH SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING TECHNIQUES; SPEECH OR AUDIO CODING OR DECODING
    • G10L25/00Speech or voice analysis techniques not restricted to a single one of groups G10L15/00 - G10L21/00
    • G10L25/03Speech or voice analysis techniques not restricted to a single one of groups G10L15/00 - G10L21/00 characterised by the type of extracted parameters
    • G10L25/18Speech or voice analysis techniques not restricted to a single one of groups G10L15/00 - G10L21/00 characterised by the type of extracted parameters the extracted parameters being spectral information of each sub-band

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  • Engineering & Computer Science (AREA)
  • Physics & Mathematics (AREA)
  • Spectroscopy & Molecular Physics (AREA)
  • Computational Linguistics (AREA)
  • Signal Processing (AREA)
  • Health & Medical Sciences (AREA)
  • Audiology, Speech & Language Pathology (AREA)
  • Human Computer Interaction (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Compression, Expansion, Code Conversion, And Decoders (AREA)

Abstract

A method measures the masking properties of subband components of a signal and determines a noise level vector for the signal. In the preferred embodiment, a signal is separated to yield a set of subband signal components.
Bandpass noise components are also generated. For each combination of bandpass noise and subband signal component, the value of the noise-to-signal ratio that meets a specified masking criterion is determined. The values from the combinations are stored. Then, a noise level vector for any other signal can be determined by filtering the signal into a set of components, accessing the stored values and combining the values to yield a measure of the masking properties of the other signal.

Description

- _ 21653~2 A ~IETH O D FO R ~IE~SInRIN G SPEEC H ~L~SK~N G PR OPERTIES
Te~hni~i Field The invention relates to a method for measuring masking properties of components of a signal and for determining a noise level vector for the signal.
Back~round oftheIllv~.ltio..
Advances in digital networks such as ISDN (Integrated Services Digital Network) have rekindled interest in the tr~ncmi.ccion of high quality image and sound. In an age of compact discs and high-definition television, the trend toward higher and higher fidelity has come to include the telephone as well.
Aside from pure lictening pleasure, there is a need for better sounding telephones, especially in the business world. Traditional telephony, with its limited bandwidth of 300-3000 Hz for tr~n.cmi.ccion of narrowband speech, tends to strain listeners over the length of a telephone conversation. Wideband speech in the 50-7000 Hz range, on tne other hand, offers listeners a feeling of more presence (by reason of tr~n.cmic.sion of signals in the 50-300 Hz range) and more intelligibility (by reason of tr~ncmiccion of signals in the 3000-7000 Hz range) and is more easily tolerated over longer periods. Thus, wider bandwidth speech tr~ncmic.cion is a natural choice for il~ oving the quality of telephone service.
In order to transmit speech (either wideband or narrowband) over the 20 telephone network, an input speech signal, which can be characterized as a continuous function of a continuous time variable, must be converted to a digital signal -- a signal that is discrete in both time and amplitude. The conversion is a two step process. First, the input speech signal is sampled periodically in time (i.e. at a particular rate) to produce a sequence of samples where the samples take on a 25 continullm of values. Then the values are qu~nti7e~ to a finite set of values, represented by binary digits (bits), to yield the digital signal. The digital signal is characterized by a bit rate, i.e. a specified number of bits per second that reflects how often the input speech signal was sampled and how many bits were used to qu~nti7e~ the sampled values.
The hllpru~ed quality of telephone service made possible through tran.cmi.c.cion of wideband speech, unfolllmately, typically requires higher bit rate tr~ncmi.c.cion unless the wideband signal is piopt;lly coded, i.e. such that thewideband signal can be co~ ssed into representation by a fewer number of bits without introducing obvious distortion due to qll~nti7~tion errors. Recently, high 35 fidelity coders of speech and audio have relied on the notion that mean-squared-error - 216~3~2 measures of distortion (e.g. measures of the energy difference between a signal and the same signal after it is coded and decoded) do not necess~rily accurately describe the perceptual quality of a coded signal. In short, not all kinds of distortion are equally pelce~tible to the human ear. M. R. Schroeder, B. S. Atal and J. L. Hall, 5 "Optimizing Digital Speech Coders by Exploiting Masking Properties of the Human Ear," J. Acous. Soc. Am., Vol. 66, 1647-1652, 1979; N. Jayant, J. Johnston and R.
Safranek, "Signal Compression Based on Models of Human Perception," Proc.
IEEE, Vol. 81, No. 10, pp. 1385-1422, October 1993; J. D. Johnston, "Transform Coding of Audio Signals Using Perceptual Noise Criteria," IEEE J. Sel. Areas 10 Comm., Vol. 6, pp. 314-323, 1988. Thus, given some knowledge of how the humanauditory system tolerates different kinds of noise, it has been possible to design coders that reduce the audibility -- though not neces5~rily the energy -- of qn~nti7~tion errors. More specifically, these coders exploit a phenomenon of theauditory system known as m~c~ing Masking is a term describing the phenomenon of human hearing wherein one sound obscures or drowns out another. A common example is where the sound of a car engine is drowned out if the volume of the car radio is high enough. Similarly, if one is in the shower and misses a telephone call, it is because the sound of the shower masked the sound of the telephone ring; if the shower had 20 not been running, the ring would have been heard.
The m~cking pro~llies of a signal are typically measured as a noise-to-signal ratio det~rmine~ with respect to a m~C~ing criterion. For example, one m~c~ing criterion is the just-noticeable-distortion (JND) level, i.e. the noise-to-signal ratio where the noise just becomes audible to a listener. ~It~rn~tively, another25 m~c~ing criterion is the audible-but-not-annoying level, i.e. the point where a listener may hear the noise, but the noise level is not sufficiently high as to irritate the listener.
E~elil,lents in the area of psychoacoustics have focused on the m~king plopellies of pure tones (i.e. single frequencies) and of narrow band noise. See, e.g., 30 J. P. Egan and H. W. Hake, "Qn the Masking Pattern of a Simple Auditory Stimulus," J. Acous. Soc. Am., Vol. 22, pp. 622-630, 1950; R. L. Wegel and C. E.Lane, "The Masking of One Pure Tone by Another and its Probable Relation to the Dynamics of the Inner Ear," Phys. Rev., Vol. 23, No. 2, pp. 266-285, 1924.
Psychoacoustic data gathered during these experiments has demonstrated that: when 35 a first tone is used to mask a second tone, the m~cking ability of the first tone is maximized when the frequency of the first tone is near the frequency of the second ~- 2165352 tone and that the ability of narrowband noise to mask the second tone is also maximized when the narrowband noise is centered at a frequency near the second tone. a lower frequency tone can mask a higher frequency tone more readily than a higher frequency tone can mask a lower frequency tone.
5 The m~cking plùp~,~lies of more complex signals (such as wideband speech), however, are more difficult to determine, in part, because they are not readily decomposed into the tones and narrowband noise whose m~cking plupellies have been studied.
Thus, there is a need for a method to a priori measure the m~cking 10 pn~pc;.lies of complex signals, i.e. to determine a priori the level of noise which may be tolerated based on a selected m~C~ing criterion. Such measurements may then be used to improve speech coding as described in our co-pending and commonly ~c~igned application "Method for Noise Weighting Filtering," filed concurrently he.~wiLIl and incorporated by reference.
15 Summary of the Invention Central to the invention is a recognition that the m~C~ing properties of a signal, such as wideband speech, may be determined from the m~c~ing propellies of its subband components. Accordingly, the invention provides a method for determining the m~cking plopellies of a signal in which the signal is decomposed20 into a set of subband components, as for example by a filterbank. In one embodiment, for a given subband colllponent, the noise power spectrum that can be masked by each subband component is identified and the noise spectra are combined to yield the noise power spectrum that can be m~ked by the signal. In a further embodiment, output signals are generated based on the power in each subband signal 25 and on a m~cking matrix. The noise power spectrum that can be masked by the input signal is determined from the output signals.
Brief D~ ,lion of the Drawin~s Advantages of the present invention will become app~cllt from the following detailed description taken together with the drawings in which:
FIG. 1 illustrates the inventive method for determining a noise level vector of a speech signal.
FIG. 2A illustrates the elements qi,j of a m~C~ing matrix Q.
FIG. 2B illustrates the elements of a noise level vector.

2165~2 FIG. 3 illustrates a system for detPrmining the values of elements qi j in m~cking matrix Q in the inventive method.
FIG. 4 is a flow chart for determining the values of the elements q ~ j in m~cking matrix Q in the inventive method.
S De~ailed De~ lion FIG. 1 illustrates a flow chart of the inventive method in which for a frame (or segment) of an input signal, a noise level vector, i.e. the spectrum of noise which may be added to the frame without excee~ing a m~cking criterion, is determined a priori. The method involves three main steps. In step 120, the input 10 signal frame is broken down, as for example by a filterbank, into subband components whose nl~s~ing prûpc~ties are k,nown or can be determinP~l In step 140 the m~cking plupe.Lies for each colllp~ ent are identified or ~ccessed, e.g. from a database or a library, and in step 160 the m~C~ing p-upe.lies are combined to determine the noise level vector, i.e. the spectrum of noise power that can be masked 15 by the input signal.
Note that the method represents the frame of the input signal as a sum of subband components each of whose m~cking prope.Lies has already been measured.
However, in order to determine the noise level vector of an input speech signal, the m:~sking properties of the components required in step 140 must first be determined.
20 Once the library of colllponent m~C'~ing prû~lLies is determinec7 and advantageously stored in a database, the m~cking components can always be ~cescefl, and optionally adapted, to det,. ",inç the noise level vector of any input signal.
The inventive method of FIG. 1 recognizes that the m~C~ing property of a speech signal, i.e. the spe~;llL-ll of noise that the speech signal can mask, can be 25 based on the m~C~ing plupelly of components of the speech. For example, in order to ~lotermin.o the m~C~ing prl)pel~ies of speech, a segment or frame of a first speech input signal is split into subband components, as for example by using a filterbank comprising a plurality of subband (b~n~lp~cs) filters. In order to determine thespectrum of noise that can be masked by the first speech input signal in a first30 embodiment, the spectrum of noise that can be masked by each subband component of the speech input signal is ~leterrnin~ci and then the spectra for all subbandcomponents are combined to find the noise level vector for the first speech input signal.
In another embodiment, for each subband component a measurement is 35 taken to det~rmine how much narrowband noise in each subband can be masked.
Thus, the measurement could be sl-mm~ri7ed as a method consisting of two nested _ 21~S3~

steps:
for every subband of speech i and for every subband of white noise j: Adjust thenoise in subband j to the point where sufficient noise is added so that the m~c~ing criterion is met. Measure the noise-to-signal ratio at this point. repeat for next S subband j repeat for next subband i.
The noise-to-signal measurements for each combination of i and j, q i, j, represent the ratio of noise power in band j that can be masked by the first speech input signal in band i. The elements qi,j form a matrix Q. An example of such a Q matrix is illustrated in FIG. 2A where, for convenience, the entries have been converted to 10 decibels. The Q matrix of FIG. 2A illustrates the results of an experiment in which narrowband speech masked nallowl)and noise. The row numbers correspond to noise bands; the column numbers co~ pond to speech bands. Each element q i j represents the maximum power ratio that can be m~in~ined between noise in band jand the first speech input signal in band i so that the noise is m~c~d Note that not 15 all qi j have an associated value, i.~. some entries in the Q matrix are blank, because, as explained below, it typically is not necessary to deterrnine every value in the Q
matrix in order to deterrnine the noise level vector. As explained below, the subbands in the Q matrix are not uniform in bandwidth. Instead, the bandwidth ofeach subband increases with frequency. For example, as shown in Table 2 below, 20 subband 1 covers a frequency range of 80 Hz, from 0 to 80 Hz, while subband 20 covers a frequency range of 770 Hz, from 6230 Hz to 7000 Hz. If the power in each subband of the input frame of the first speech signal is represented as a columnvector, p = [P I ,P2 ,...Pn ] T, the noise level vector d NLV may be found based on the Q
matrix and on the p vector: d NLV = Qp. i.e. the noise level vector is also a column 25 vector obtained by multiplying the nxn Q matrix by the n column vector of the power in each s~bband of the input frame of speech as shown in FIG. 2B.
In either embodiment, once either the spectrum of noise m~ck~d by each subband component or the elements in the Q matrix have been determined for a given input signal, they can be used to detenTline the spectrum of noise that can be 30 m~c~e-l not only by the given input signal but also by other input signals. For example, if the power in each subband of a second input signal is P2 = [P I .P 2 ,---P n ]2T~ then d NLV2 = QP2 with Q as determin~d by the input signal.
Note that each q~ j is a power ratio determined for a particular masking criterion. This definition makes sense for stationary stimuli (i.e. signals whose 35 statistical ~lu~ ies are invariant to time translation), but in the case of dynamic 21653~2 stimuli, such as speech, care must be taken in adding noise power to a signal whose level varies rapidly. In this instance, this problem is advantageously avoided by arranging for the noise power level to vary with the speech power level so that within a given segment or frame, the ratio of speech to noise power is a pre-5 determined constant. In other words, the level of the added noise is dyn~mic~llyadjusted in order to achieve a constant signal-to-noise ratio (SNR) throughout the frame. Measuring the amount of m~cking between one subband component of speech and another subband of noise therefore consists of lictening to an ensemble of frames of b~n~ip~c.sed speech with a range of segmPnt~l SNRs to determine which 10 SNR value meets the m~cking criterion. Different frame sizes may advantageously be used for different subbands as described below.
In the paragraphs that follow a more rigorous presentation is given of the method described above. A method for deterrnining the m~C~ing pll)pe-lies ofthe component signals required for step 140 is presented below first, and then a15 method of combining the component m~C~ing ploL:)ellies in step 160 is presented.
The presentation concludes with a short discussion of other potential uses for the inventive method.
The more rigorous presentation begins by ~cs~lming that an input speech signal, s(n) is divided via a bank of filters into N subbands s l (n) ,...,sN(n), and that 20 the noise maskee d(n) is similarly split into subband components d I (n) ,...,dN(n).
For each pair of subbands (i,j), measure the maximum segm~nt~l noise-to-signal ratio (NSR) between dj (n) and s i (n) such that the combination of dj (n) +si (n) meets a given m~c~in~ threshold, e.g. such that the combination of dj(n)+si(n) is aurally inllictinguishable (i.e. meets the just noticeable distortion level) from si(n) 25 alone. Define the NSR to be the reciprocal of the traditional SNR, i.e.

NSR 3 1 3q = Idjl 3 /~

where the s~mm~tion limits span the current frame of speech.
To split the speech and noise into subbands a non-uniform, quasi-critical band filterbank is designed. The term quasi-critical is used in recognition that the 30 human cochlea may be represented as a collection of b~n~p~c.s filters where the bandwidth of each b~n~p~c.c filter is termed a critical band. See, H. Fletcher, "Auditory Patterns," Rev. Mod. Phy., Vol. 12, pp. 47-65, 1940. Thus, the characteristics and parameters of the filters in the filterbank may incorporate 216~352 knowledge from auditory experim~nts as, for example, in determining the bandwidth of the filters in the filterbank. Note that it is advantageous that the filterbank used to produce the library of m~cking ~lopellies of components be the same as the filterbank used in step 120 of FIG. 1. However, some constraints on the filterbank 5 may be advantageously imposed to make measurements obtained with one set of filterbank subbands more readily applicable to filterbanks with other subbands. In particular:
Each filter should be as rectangular as possible, although significant passband ripple can be sacrificed in the name of greater :ltt~nn~tion. Overlap between adjacent filters 10 should be minimi7e~ Thus the filterbank is not completely faithful to the human ear to the extent that ~ nt~lly measured cochlear filter responses are not rectangular and tend to overlap a great deal. These conditions are imposed, however, since the nltim~te interest is in the problem of coding, and splitting an input signal into (nearly) orthogonal subbands prevents coding the same information twice. The 15 composite response of the filters should have nearly flat frequency response.Although perfect reconstruction is not required, the combined output should advantageously be pelce~tually in~ictinguishable from the input. This quality of the filterbank may be verified by lictening tests. To avoid audible distortions due to different group delays, linear phase filters may be used, although it should be noted 20 that because of the a~y~ leLI~ of forward and backward m~cking it would be preferable to use Illinil""", phase filters. This last point is illustrated by considering the case when the speech signal consists of a single spike. The combined output of a linear-phase filterbank would consist of the same spike delayed by half of the filter length, but the combined filtered noise would be dispersed equally before and after Z5 the spike. Since fol .~vd~d m~CL ing extends much farther in time than backward m~cking, it would be preferable if more noise came after the spike instead of before;
this might be achieved with a more complicated minimnm-phase filter design.
In order to model the constant-Q, critical band nature of the cochlea, the following constraints may also advantageously be imposed: N = 20 total subbands,30 corresponding roughly to the number of critical bands between 0 and 7KHz as found in prior expe~ e~ l methods. The bandwidths form an increasing geometric series.
Assume that the first band spans the frequencies [0,a] and call b the ratio between successive bandwidths, then these last two conditions may be summarized as -b2o - I
f2o =a b - l ' wheref~0 is the highest frequency to be included, typically 7KHz in a speech case.
Setting a = 100, corresponding to previous measurements of the first critical band, and solved for b using Newton's iterative approximation. This value of b is then5 used to generate an ideal set of band edges as shown in Table 1.
Using these ideai band edges as a starting point, filters may be designed.
In one embodiment of the invention, twenty 512-point, min-max optimal filters using the well-known Remez exchange algorithm were design~1 Table 2 lists the parameters for each filter. Typically, it may be n~cess~ry to adjust the band edges so 10 that the composite filterbank response would be flatter, but the filterbank's combined output should sound identic~l to the input.
Since the human cochlea exhibits increasing time resolution at higher frequencies, the frame size for each band is advantageously chosen according to the length of the impulse response of the band filter. For higher bands, the energy of the 15 impulse response becomes more concentrated in time, leading to a choice of a smaller frame size. Table 3 shows the relationship between the noise band numberand frame size.
Despite the well-known dependence of m~C~ing on stimulus level, no precise restrictions on loudness during the e~e. ;II lr.~ typically need be imposed. It 20 is usually sufficient to measure m~C~ing effects under the normal operating conditions of an actual speech coder. Thus the volume control may be set to a comfortable level for listening to the full-bandwidth speech and left in the same position when listening to the con~titllent subbands, which as a result sound much softer than the full speech signal. Listening tests are advantageously be carried out 25 in a soundproof booth using headphones with the same signal is presented to both ears.
As mentioned above, the level of the noise should be adjusted on a frame-by-frame basis in order to m~int~in a constant local NSR, qij. FIG. 3 is ablock diagram of a system to achieve this for each frame of speech. FIG. 4 is a 30 flowchart illustrating steps carried out by the system of FIG. 3. The operation of the system of FIG. 3 is advantageously described on a step-by-step basis:

Generate a frame of unit variance noise: Unit variance G~l-ssi~n random noise generator 305 is used to produce u(n) in step 405, which is then scaled according to u(n) ~Il (n) ~ ~ mn +N~ 2 (k) where N is the frame size and m is the number of the current frame, starting from m =0. This ensures noise with unit variance on a frame-by-frame basis. Filter speech: Input the current frame of speech in step 410. In step 415 the speech is5 filtered through filter j 315 of the filterbank to produce sj (n ). Measure energy of bqn~lps~c speech: The output of filter 315 is then passed through delay 317. Thedelay allows the system of FIG. 3 to "look ahead" to m~int~in a constant local NSR
as described below. To compute how much noise to inject in this frame, in step 420 calculate the energy p j of the speech as, mN+N- I
pj = ~ sj2(k-L), k=mN
using energy measurer 320 where L s the amount of delay as explained in more detail below. ~ e look-ahead energy of ~qnApqcc speech: Because of the inherent delay imposed by the filterbank, adjustments to the noise level at the filter input are not imm~ t--ly registered at the output. Therefore some measure of the15 speech power is needed in the near future to help decide how to adjust the noise level in the present. The look-ahead energy p j is defined as the energy of one frarne of sj (n) mN+N- I
pj= ~ sj(k) k=mN
Typically L = 320 samples yields the best results for 512 point filters. Note that this 20 problem would be easier to solve if the filters were minimllm-phase rather than linear phase. Compu~e desired na~ and noise power: In step 430 multiply the speech power by the desired noise-to-signal ratio q ij in adaptive controller 330 to yield a desired noise power, ~:
~ = P~
25 Fctin~qte re~luir~d b~ hsnd noise power: To approximate the desired noise power at the filter output, it is noted that for a filter of bandwidth ~ i Hz, the filtered unit-variance noise should have a variance of c~i/S, where S is the Nyquist frequency. Linearity may therefore be exploited to try to achieve the desired noise power ~ at the filter output. Because of the filter delays described above, instead of - 211~53~2 using the speech power in the current frame to compute ~, a look-ahead desired noise energy ~ is defined:
~ = Pj4i~ -Then the noise is scaled in pre-adjuster 340 in order to try to achieve the look-ahead 5 energy as follows:

e(n) = u(n)~

Filter the adjusted noise: The adjusted noise e(n) is filtered through band i using filter 350, to yield ei(n) and then applied to delay 355so that the noise is again synchronous with the input frame of speech. Me&~.lr~ the energy of the bqn~lp~s~10 noise: Next measure the actual bandpass noise power, di in measurer 360:
mN+N- I
di = ~ ei2(k-L) .
k=mN
Fine-tune the noise: To adjust the noise so that the desired NSR is achieved exactly, apply at multiplier 380 a time-varying gain gi at the filter output. To minimi7~smearing in the noise spectrum, it is advantageous to vary g i smoothly so that it takes the form L) 2 B(1 -cos ( W ) )+A(l+cos ( W ) ) OS(n-L)<W- 1 B W<(n -L) <N- 1 where A is the final value of g i from the previous frame, W is the length of the smoothing win~ow (which can be thought of as half of a Hann window), and B is the final value of g i. Thus, given A and W, one should be able to solve for B such that mN+N- I
~ ~e~(k-L)gi(k-L)~2=~.
k=mN
Because g i is linear in B, the above expression becomes a quadratic equation of the form a2B2 +a I B +aO =, where - 21~5~5~

1 mN+W-I rc(k--L) mN+N-I
a2 = 4 ~ (1-cos W )2ei2(k-L)+ ~, e~2(k-L) k=mN k=mN+W

al = A ~ (1--cos2 rc(k L) )e~2(k--L) aO = 4 ~ (l+cos ( W ) )2e~2(k--L)--~.

Thus a colllprolllise is forced between a smooth transition using a long window, and 5 a crisp change to the desired noise level using a short window. Making the window too short smears the spectrum of the b~ndp~cc noise, an effect that typically is quite noticeable, leading to severe underestim~tt~s of m~C~ing power. Making the window too long, however, leads to more subtle clicks that emerge when the noise level lags behind the speech. Thus, an initial value of W = N/2 was chosen.
The quadratic equation for B usually has two real solutions; typically the solution that minimi7e~ IA -Bl was chosen in order to avoid drastic changes in gain and reduce spectral cm~ring Sometimes, however, there is no real solution. This may occur at transitions from loud to soft frames, when reducing the gain gradually had the effect of including more noise at the beginning of the frame than we wanted 15 in the entire frame. In these cases W may be de-;lGlllented until the longest possible window that allowed an exact solution was found. In rare cases this search can lead to W = 0, but only during very soft passages when both speech and noise were below the threshold of h~rin~ In the W=û case, g, has the form gi(n--L) = ¦ mN+N-I
~, e2 (k -L) k=mN
Since there are 20 sub-bands, potentially 400 combinations of i and j need to be measured. However, it is not typically necessary to carry out the experiment for every particular (i,j) combination because m~sking depends on howclosely the signal co.ll~onent and masker are in frequency. Thus, typically measurements should be taken for combinations of i and j such that li -il < 2.
25 Values for qi ~ for ~ > 2 can typically be assumed to be zero, i.e. no m~sking takes place, with perhaps the exception of small values of i and j where m~sking may som~otim~s extend over 3 bands.

216~352 Recall that a noise level vector for a speech signal, i.e. the spectrum of noise masked by the input signal, may be calculated according to a three step process. Already demonstrated is that speech might best be analyzed in terms of its constituent critical bands, and ~t~mining the m~C~ing ~lu~e,lies of each band.
5 Now the third step of the process, namely, superposing the m~king pro~elLies of the subbands to form a noise level vector, is discussed.
Given a vector of speech powers p = (P l .- .P 20 ). where p i corresponds to the power of the speech in band i in the current frame, a noise level vector d = (d I ,... ,d20 ) can be ~ i n~d such that noise added at these levels or 10 below does not exceed the m~C~ing threshold.
This calculation requires knowledge of how to add the m~C~ing effects of two or more maskers and the effects are combined simple addition; or, more formally:
Linear sUperp~citi~n of noise power: If a signal S masks a noise power vector d = (dl ,.. ,d20)r, i.e., where dj is the power of the noise in band j in the current frame and "T" in(liç~t.os the transpose; and another signal S', uncorrelated with S, masks a noise power vector d' = (dl ,. ,d'20 ) T; then the combined signal S + S' will mask the noise power vector d+d' = (dl+dl,.. d20+d2o) Simple addition is advantageously used instead of non-linear superpositions rules because it typically leads to more conse,~a~ive essim~t~s of the m~CI~ing p,u~,lies of the signal.
Note generally that the ~u~l~osi~ion idea assumes that consecutive 25 bands in the filterbank do not overlap, so that the noise level in one band can be adjusted without affecting the level in another, and so that the speech may be decomposed into uncorrelated subbands. Thus high-order, nearly rectangular filters in the filterbank were used.
Accordingly the total spectrum of the noise level vector, d NLV can be 30 found in a given frame if we know the m~Clring ~lu~ ly d i for every band of speech i = 1,...,20 is known. This involves a simple sum of noise powers:

dNLY = ~ di -i=l To find the masked noise vector d i for speech band i, use the measured threshold 216~

NSRs qi;- Since the speech powerpi and the miniml-m ratio of speech to noise power q ij are known, then the maximum masked power in bands 1-20 using one column of the q ij matrix can be computed:
r ~T
di = lPiqil,Piqi2.---.Piqi20J (4 3) 5 In other words, the threshold noise power in each band is equal to the product of the signal power and the threshold noise-to-signal ratio.
Combining equations 4.2 and 4.3 to summarize the method as one matrix equation yield.
d NLV = QP , lO where Q = I q i~ ~. (Note that whenever q ij has not been measured, assume that there is zero m~cking; qij = 0-) Equation 4.4 thus describes how the noise level vector for a given frame of speech can be determined based on the input power in the speechframe and on the m~cking plv~llies of speech as represented by the m:~C~ing matrix Q-The above method is flexible in that new knowledge about m~cking effects in the human auditory system may be readily incorporated. The choice of a linear superposition rule, for example, can be easily changed to a more complex function based on future auditory eA~ l t~ The values in the Q matrix, moreover, need not be fixed. Each element in the matrix could be adaptive, e.g. a 20 function of loudness since m~C~ing p,u~e.lies have been shown to change at highvolume levels. It would also be easy to use different Q matrices depending on whether the current frame of speech consisted of voiced or unvoiced speech.
This disclosure describes a method for m~cllring the m~cking plvL~ellies of cv~llponents of speech signals and for determining the m~cking 25 threshold of the speech signals. The method disclosed herein has been described without reference to specific ha,-lw~; or software. Instead the method has been described in such a manner that those skilled in the art can readily adapt such hardware or software as may be available or preferable.
While the above teaching of the present invention has been in terms of 30 determining the m~C~ing ~lvpellies of speech signals, those skilled in the art of digital signal procescing will recognize the applicability of these teachings to other specific contexts. Thus, for example, the m~cking properties of music, other audio signals, images and other signals may be determined using the present invention.

- 216~52 Band number Lower edge Upper edge Hz Hz -Band numberLower edge Upper edge ~f low ~f high W Scale factor Hz Hz Hz 1 0 8070 80 200.0 1.0 2 1201957575450.0 0.9 3 2283008080300.0 0.9 4 3374357575300.0 0.9 5 4856009090150.0 1.0 6 660806 85 85 150.0 1.0 7 8601000 85 85 150.0 1.0 810601210 85 85 150.0 1.0 912651460 85 85 150.0 1.0 1015151735 85 85 150.0 1.0 15 1117902038 85 85 lS0.0 1.0 1220952377 85 85 150.0 1.0 1324352756 85 85 150.0 1.0 1428153180 85 85 150.0 1.0 1532393654 85 85 150.0 1.0 20 1637124183 85 85 150.0 1.0 1742424775 85 85 150.0 1.0 1848355437 85 85 150.0 1.0 1954956174 85 85 lS0.0 1.0 3~32062307000 85 85 150.0 1.0 Noise band# Frame size (samples)

Claims (22)

1. A method of determining the noise power spectrum that can be masked by a signal, the method comprising the steps of:
separating said signal into a set of subband components, identifying the noise power spectrum that can be masked by each subband component in said set of subband components, and combining the identified noise power spectrum masked by each subband component to yield the noise power spectrum that can be masked by said signal.
2. The method of claim 1 wherein the step of separating comprises the step of:
applying said signal to a filterbank comprising a set of filters wherein the output of each filter in said set of filters is a subband component of the signal.
3. The method of claim 1 wherein the step of combining comprises the step of:
adding the noise power spectra masked by each subband component to yield the noise power spectrum masked by said signal.
4. The method of claim 1 wherein said signal is wideband speech.
5. A method comprising the steps of:
separating an input signal to a set of subband signal components, and generating output signals based on the power in each subband signal component and on a masking matrix.
6. The method of claim 5 wherein said masking matrix Q is an nxn matrix wherein each element qi,j of said masking matrix is the ratio of the noise power in band j that can be masked by the power of the subband signal component in band i.
7. The method of claim 5 wherein the input signal is a speech signal.
8. The method of claim 5 wherein the step of separating comprises the step of:
applying said input signal to a filterbank comprising a set of filters wherein the output of each filter in said set of filters is a subband component of the signal.
9. A method comprising the steps of:
separating a signal into a set of n subband signal components, wherein each subband signal component is characterized by a power level, generating a set of n subband noise components, and for combinations of one subband signal component i,i = 1 ,2,...n and one subband noise component j,j= 1,2,...n, measuring the ratio of the power level of the jth subband noise component that can be masked by the ith subband signal component to the power level of the ith subband signal component.
10. The method of claim 9 wherein the power level of each subband noise component that can be masked by each subband signal component is determined according to a masking criterion.
11. The method of claim 10 wherein said masking criterion is a just-noticeable-distortion level.
12. The method of claim 10 wherein said masking criterion is an audible-but-not-annoying level.
13. The method of claim 9 wherein said step of separating a signal into a set of n subband signal components comprises the step of applying said signal to a first filterbank comprising a first set of n filters, wherein the outputs of said first set of filters in said first filterbank are the set of n subband signal components.
14. The method of claim 13 wherein said step of generating a set of n subband noise components comprises applying a wideband noise signal to a second filterbank comprising a second set of filters, said second filterbank having the same filter characteristics as said first filterbank, wherein the outputs of said second set of filters in the second filterbank are said set of n subband noise components.
15. The method of claim 10 wherein the measured ratio is an element qi,j of a masking matrix Q.
16. The method of claim 15 further comprising the steps of:
multiplying the masking matrix by a vector p whose elements pi are the power in each subband component of an input signal, to yield the noise power spectrum that can be masked by the signal.
17. A method of determining the power of a filtered noise signal that can be masked by a filtered frame of speech, said method comprising the steps of:
delaying said filtered frame of speech by a specified time, determining the power of said filtered frame of speech, measuring the power of said filtered noise signal, delaying said filtered noise signal by said specified time, and adjusting the power of said filtered noise signal as a function of the power of said filtered frame of speech and of a desired noise-to-signal ratio to yield the power of the filtered noise signal that is masked by the filtered frame of speech.
18. The method of claim 17 further comprising the step of multiplying said filtered noise signal by a gain signal so as to achieve the desired noise-to-signal ratio.
19. The method of claim 17 wherein said specified time is a function of the impulse response of said first filter.
20. The method of claim 17 wherein said desired noise-to-signal ratio is determined according to a masking criterion.
21. The method of claim 17 further comprising the steps of:
generating a noise signal, said noise signal having unit variance; and applying said noise signal to a second filter to generate said filtered noise signal.
22. A method comprising the steps of:
applying an input speech signal to a filterbank, said filterbank comprising a set of n filters wherein the output of each filter is a respective subband signal component in a set of n subband signal components, and generating output signals based on the product of a masking matrix Q
and a vector p, wherein said masking matrix Q is an nxn matrix in which each element qi,j of said masking matrix is the ratio of power of the noise in filter j that can be masked by the power of the subband signal component in band i and whereinsaid vector p is a vector of length n in which each element pi is the power of the ith signal component.
CA 2165352 1994-12-30 1995-12-15 Method for measuring speech masking properties Abandoned CA2165352A1 (en)

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US20030120484A1 (en) 2001-06-12 2003-06-26 David Wong Method and system for generating colored comfort noise in the absence of silence insertion description packets
US10224017B2 (en) * 2017-04-26 2019-03-05 Ford Global Technologies, Llc Active sound desensitization to tonal noise in a vehicle

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GB8608289D0 (en) * 1986-04-04 1986-05-08 Pa Consulting Services Noise compensation in speech recognition
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