CA2078298C - Automated portrait studio - Google Patents

Abstract

A portrait studio system for use by a photographer in automatically setting plurality of photographic parameters corresponding to distinct photographic poses of a subject, comprising data processing means including data storage means having information stored therein regarding the photographic parameters corresponding to the distinct photographic poses data input means operatively connected to the data processing means for inputting a selection of a desired pose or sequence of poses and data output means for communicating the photographic parameters corresponding to the pose or sequence of poses selected.

Description

~07~a AUTOMATED PORTRAIT STUDIO

FIELD OF INVENTION
The present invention relates to photographic po~ il studios, and in particular, to a portrait studio that is almost entirely operated by a central processor of a compul~ .

S BACKGROUND OF THE INVENTION
Ideally, a portrait studio should have a large selection of polLl~il designs from which the customer may choose the ones they desire. The possible variables that can make up a portrait are numerous and can inc1ude, for example, the background color, backdrop scenery, poses, including posing props and the number and arrangement of the subjects, and special effects such as double exposure and burnt corners.
The number of mechanical variables involved in achieving the a~sthetic results seen by the customer can be quite large. A number of components all work cooperatively to produce a single portrait scene. In a typical portrait studio, these components can I,, T ~ 7h ~

~include subject lights, a hair light, a side light, backdrops with various colors and scenery, a backdrop light, gels for the backdrop light, a posing station, a camera and several masks for producing special effects. To achieve the ~stlletic PlPmPnts of a final , each ",~l,~ni~l co-l,ponent must be individually arranged in a specified manner 5 and coordinated to its correct position. The subjects must be prv~lly posed for the camera as well. Such arrangements are almost always made m~nu~lly by the photoglapher. Each time an equipment adjustmPnt is made, however, the possibility of error is introduced. Such errors can detract from the quality of the polliail or, if large enough, result in a pol~ it being unusable. The greater the selection of polll~ul settings 10 offered by a studio, thelefol~, the greater the number of col--ponents making up those settings and the greater the possibility that errors will occur in the photoglaphs produced for the customers.
A need exists, therefore, for a portrait studio which is capable of offering a wide s~Pl~tion of portraits yet also is capable of con~istently producing those pOllldilS with 15 uniform high quality.

SUMMARY OF THE INVENTION
The present invention provides for a portrait studio which is almost entirely automated. The studio incl~ldes data proces~ing means cont~ining information regarding photographic parameters corresponding to various photographic poses, data input means 20 for inpulling a selection of desired poses and data output means for comm~-nic~tin~ the photographic pararneters co.~sl,onding to the poses. The data output means include control means capable of controlling various components of the polll~il studio such as the ~iphting~ backdrops and special effects masks. The data output means can also i ~ ~9 ~ ~ 9 ~

~_commnni~te with a video monitor, thereby providing a tutorial to the phologl~pher for posing the subjects and producing special effects poses. Desired poses can be entered into the data pr~cessor by means of a bar code wand, ~11,oard or other input device and ~e data ~ cessor and data output means is capable of coor~in~;ng most of the studio S ~ ,ponents for each pose. This results in unifolll, pictures of consi~tently high quality.

BRIEF DESCRIPIION OF THE DRAWINGS
Figure 1 is a pe.~ ,re view of the polll~il studio.
Figure 2 is a pe.~ e view of the posing station with the span retracted.
Figure 3A is a pel~pe~ e view of the posing station with one platform removed.
Figure 3B is a perspective view of the back of the platform showing the positioning pegs.
Figure 4 is a partial cross-sectional view of the poll~il studio.
Figure S is a pe,~ e view of the backdrop appa~ s with the web partially unwound.
Figure 6 is a front view of the backdrop a~al~lus with the web partially unwound.
Figure 7 is a top view of the backdrop.
Figure 8 is a top view of the camera showing the special effects carrier.
Figure 9 is a front view of the special effects carrier showing the various masks.
Figure 10 is a sample menu showing possible portrait selections.

f 20 78 ~ ~ ~

DETAILED DESCRIPI~ON OF THE INVENTION
The pho~oglaphic app~dtus comprising the in~grn~ self ~ po.led ~lll~it studio generally desi~ ted 10 in Fig. 1, ineludes a frame 18, a camera 310, backdrops 210, ti~hting 30, a posing station 170, a central p.~ces~in~ unit 60 and an optional video 5 monitor 40.
The frame 18 offers support to the other co,-,~onenL~, defines the environment in which the phologl~hs are taken, and spatially locates the various co"-ponents with relation to one another. The frame 18 is desirably made up of a pedest~l unit 11, a background unit 12, a post unit 13 and a rail system 14. These units define generally the 10 bo-m-l~ries of the studio. The rail system 14 links the units together and acts as a conduit for the Ptectnç~l wires and s.lpl)Glls the overhead subject lights 30 as well as the video monitor cabinet 15. The studio's dim~n~ions can vary and the post unit 13 and the pedestal unit 11 can be used intelchangeably. The rail system 14 is made up of longitudin~l beams 20 which desirably link the background unit 12 to the pedestal unit 11 I5 and the post unit 13, and lateral beams 24 which link the lon~itl~din~l beams 20. The beams can be made of telescopic members, the smaller members slidably residing within the larger ones, which allow the studio to adapt to the size of the area in which it will be located. In the pf~fel~ed embodiment, however, the lateral beams 24 are at a fLl~ed length of 8 feet and the longitudinal beams 20 are constructed of two separate members~ each 20 con~i~ting of a pre-set length. In the p~Çelled embodiment, the overall dim~n~ions of the pol~il studio are desirably 8' wide by 15' long by 8.5' high. These dimensions provide ample area for most family settings while allowing the studio to be erected in a reasonably small room.

~ 0 7 8 ~ 9 8 The po~ studio desirably c4fil;~;n~ one master column 22 constructed of a suitable design and m~tPri~l In the plcf~lcd emb~imP,nt, the pedestal unit 11 c4~ c - shelving 26 which allow the photog.~l he~ to store equipment, in~e~toly or props in a con~nient yet unobt~lsive ~ nner. The shelving 26 can also house a cent~al pn~.,~;ng S unit 60. The pPAect~l unit 11 and the shelves 26 c4ll~;n~ thclcwilh, do not need to be ul~ifollll in size or shape and can be mod~ r to allow for easy adaptation for storage of dirr~,ent types of e lu;plllc,-t.
As mpnti~n~p~l~ the beams 20, 24 desirably link the units and lon~;tudin~lly and laterally traverse the studio 10. The subject lights 30 can be carried by either the 10 lo~gitudin~t 20 or lateral beams 24. These lights illl....;n~e the subjects on the posing station 170. Two lights are typically employed for s~ffit i~nt frontal li~hting and the present invention is capable ~f s.,pp~lling additional lights, such as bac~r~und lights, hair lights, side lights, etc. The l~wll~er and wattage of the lights will be dictated by the individual studio r~u~"~ents and the particular photogl~pher's needs.
A posing station 170 is situ~t~ on the floor of the studio between the camera 310 and the backdrop 210. The posing station 170 consists of at least one platform 174 with a span 176, a rear support 178 and a base 172 which is ~tt~ch~ to the background unit 12.
The pIatform 174 and support 178 are located on the base 172. Any suitable 20 configuration and m~ten~l capable of s.l~polling the components will suffice for the base 172. Preferably however, it is formed of PleYigl~s~*r similar rn~teri~l) and is generally rectangular in shape.
Located on the rear of the base 172 is a support 178. The support is desirably ~r",~n~ntly affixed to the base 172 by appr~pliate ~tt~chmçnt means. In the preferred *trade-mark 2~78~
"~
embodim~nt the support 178 has a flat top surface 190 and a front surface 192 which is plcr~,dbly vertical. The back surface 194 slopes dow~lwaldly from the top 190 ol)posite the front 192 and te~...-n~vs in a back vertical section which is parallel to the front surface of the support 178. In one plcfellcd embodim~nt the height of the s.-ppoll 178 S is desirably appro~im~tPly 21 3/4 inches while the length of the S~lppGll 178 gPnto~lly ,spor~s to the length of the base 172.
In a preferred embo~im~nt, the ~lalroll.. is comprised of two ~p~le but virtually idçntic~l pldtrol...s 174 located on the end of the base 172 a set ~ict~n~e from the s.lppo 178. The platforms 174 sit adjacent to each other and, like the s.lppoll 178, desirably 10 extend the entire width of the base 172. Although desirably two platforms are used (for ease of moving, etc.), any suitable number of individual se~tion~ could be used. The pIatforms 174 preferably are generally rectangular shaped, desirably 22 1/2 inches by 12 inches by 22 1/2 inches, although other suitable configurations or ~im~n~ions could also be used.
~tt~hed to each of the platforms is a span 176 that allows the posing station to accommodate a wide varietv of ~ll-dil subjects. The span 176 is preferably ~ ''hed to the platform 174 at the platform's uppe~-nost edge on the side closest to the support 178.
Any suitable ~ttachmpnt means can be employed, however, in the preferred embo limPnt, the span 176 is attached to the platform 174 through the means of a hinge 188 (desirably 20 a piano hinge).
The span's length and width is similar to that of the top surface of the platform 174. Thus, when the hinge 188 is closed, the span 176 is capable of resting on the top of the platform 174 with only a slight overhang as shown in Fig. 2. Conversely, with the hinge 188 in its fully opened position, the span 176 extends outwardly away from the ~ 0 7~ ~ ~ 8 pIatform 174 towards the rear of the base 172. ~lternately~ the span might be stored within a recess in the platform 174 and be slidably eYt~n~hle oulward from the back of the pldlrollll 174.
The platforms 174 are placed a set ~ t~nce away from the ~ll 178 so that an 5 aisle exists between them. The width of the aisle bel~een the platforms 174 and the support 178 is desirably such that the spans 176 rests upon the top surface of the support 190 when they are fully eYtended from the platform 174. The flat configuration of the s.l~poll's top surface 190 ensures that the spans 176 remain level when eYt~nde~ from the platforms 174.
In the plerell~d embodiment, the back vertical surface of the platrorllls 174 do not extend all the way down to the base 172. Tnste~d, a gap of appro~imately 4 inches is provided in the platform's base so that the toes of people st~ndin~ in the aisle can colllfol~bly be placed under the platforms 174.
The two positions of the spans 176 (ext~nded across the aisle and resting on top of the platform 174) allow the posing station to accommo l~te a range of polll~t subjects.
Group photographs can be taken by having part of the group stand in the aisle behind others sitting on the platforms. Conversely, extending the spans 176 to bridge the aisle produces a rather expansive surface on which individuals, babies and small children can be photogl~phed.
The expansive area created by the top of the platforms 174 and the ~Yt~nde~ spans 176 can desirably be covered by a soft material or pad-ling, such as a foam rubber pad, c~ling or the like, to provide a comfortable yet protective surface for the portrait subjects that will sit or lay upon it. In the preferred embodiment, a pliant high density foam mat 198 (e.g., of the type used in athletic mats) of approximately 1 1/2-inch ~ ~ 7 ~
1hir~ess is placed over the e~ s~ sllrf~. The mat 198 d~;.~ly ~ ds partially beyond each of the edges of the surface so that the platform's corners are not eA~osed.
- The mat 198 can be secured to the surface in any suitable manner, but in the ~f~lled embodiment, four VELCRC~type hook and loop strips, two on each side of the hinge188, are ~thehed to the exposed surface w-hile co~ on~in~ strips are Athrhe~ to the ynd~rsi~e of the mat 198. By placing the strips in a ~n~neh;cAl pattern in ~lalion to the hinge 188, the mat 198 can be placed on the surface willloul ~n~ for its o- ;en~A~
A second pr~lecLi-~e cover can also be placed on top of the mat. The cover should desirably be co.l.rol~ble to lay or sit upon yet also look attractive in a phot~l~l~h. In the preÇe.led embodiment, a soft velvet cloth is used. The cloth may include a friction-inducing bottom surface that pl~ie.lts it from slipping with respect to the mat 198.
The underside of the spans 176 can also be covered with p~lin~ so that when the spans 176 are retracted, people sifflng on them will be co-llfolt~ble. Any suitable material will suffice and in the lJlcÇelled embodimPnt a resilient foam-filled pad covered by durable vinyl is used.
~ the plefelled embodimPnt, the plalro.ms 174 are capable of being removed and then repIaced in precisely the same loc~tion on the base 172 through use of pos;l;~ning pegs 184 located on the bottom of the plalro~lls 174, and c~ sl onding receptacles 186 located in the base 172. The pegs 184 preferably are located on the platrollll in an asymmetrical paKern with respect to at least one of the platform's axes. This e.lsll~s that a platform 174 can be positioned with respect to the base 172 in only one way and that, therefore, the photog.~,her cannot acr;dent~lly replace a platform 174 backwards.
Positioning the platforms 174 on the base 172 in a concictent manner ensures that the * t r ad e -ma r k . ~ I ~.. .

~ ~, ~ ~ 7 ~ 2 ~ 8 ~-~pans 176 and storage coll-p~l,llenls, ~iccusse~ below, are always co~ ly oritnt~.
The pegs 184 and c~llei~nding receptacles 186 can be arranged in any pattern that achieves the above results. Simil~ly, any suitable number of pegs 184 and receptacles 186 can be used. In the plerell~d embodiment, four pegs are positioned on the platforms S as shown in Fig. 3B.
The shape of the positioning pegs and receptacles is not limited to those shown in Figs. 3A and 3B. There are numerous varieties of peg and receptacle arrangelllenls that would achieve the desired results. In the pler~,Yed embodiment the pegs 184 consist of pan head screws threaded into the bottom of the platforms with their heads eYtentling 10about 1/8" - 1/4". The receptacles 186 are shaped accordingly to receive the pegs 184, and consist of round holes drilled into the base 172. Obviously the pegs 184 could altelllately be carried by the base 172 with the receptacles 186 being located in the platforms 174, or other equivalent means for locating the plalrol.,.s 174 on the base 172 could be utili7~d 15The vertical surfaces of the platforms 174 are desirably r~ss~d to form cavities which may be used as storage collll)alln-ents 180 where equipment or props can be kept.
The co",p~l",ents 180 are particularly helpful when a pOlll~it of an infant or toddler is being taken. During such times, the photographer will typically work in front of the child and use props such as hand puppel~ or stuffed ~nim~lc in an attempt to get the child 20 to smile. By having storage co",p~l",ents in the front of the platforms, the photographer can conveniently reach the toys (which are otherwise out of sight of the child) while rem~ining attentive to the child.
As a further convenience, in the p~f~lled embodiment, facial tissues are acceccible from a holder 181 in the sides of the platforms 174. Additional storage ~ 0 cl 8 2 ~ 8 --co."p~l",ents can also be located on the platforms 174 for other objects or e~luipment.
Similarly, the support 178is desirably hollow for the storage of equipment and, as des-;,ibed below, a background light. ~ndlps 182, which aid in the po~iti--ning and h~n~llin~ of the platÇo~"~s 174 on the base 172, may also be provided on the two lateral 5 sides of the platÇoln,s 174 near the platform's top.
In a ~efe"~ configuration, a bac~l~und light 150 is mounted within the su~po,l 178. The light 150 can be ~tt~c~ed to the support 178 in any suitable ",a~mer but should desirably allow the light 150 to illll...in~e the central portion of the bac~r~p 210. The background light 150 may also include an aulo,naLic or manual gel changa 151 for 10 ~lt-oring the color of the light used to illumin~t~ the backdrop 210.
In a prere"ed emb~iment, nine gels of different colors and den~ities are conn~tçd end to end to form one continuous roll. Rollers are placed at opposite ends of the background light surface and the gel roll is wound up upon the two rollers and over the back~r~ut)d light 150 to forrn a scroll. By rotating the rollers, any of the gels in the 15 roll can be positioned over the back~,ound light 150. The rollers can be rotated m~nu~lly or they can be motorized. Any suitable motori7~tion method will sufffce including the use of a stepper or synchronous motor. However, in the pr~re"ed embodim~nt, a DC
gear head motor is employed.
Also in the prefe,r~d embo-limçnt, the ~h~nging of the gels is automated by 20 linking the motor to a central processing unit 60 or comp-ltGr. The gels are pl~pe,ly positioned by means of a sensor and/or detection equipment. In the prere"~d emb~liment, bar codes or patches are placed on the individual gels and a sensor capable of reading the bar codes or patches is linked to the con,~ er and placed accordingly near the gel changer. In alternative embo-1iments, a mechanical sensor is used with a stepper ~ ~ 78 ~ ~ ~
-motor or an optical scanner is used with a synchronous motor. The numerous gels and backdrops available can be used in combination to provide a wide variety of polL.~l - bac~g,ound colors.
The platforms 174, spans 176 and support 178 should all be constructed of a S lightweight yet strong m~teri~l. It is illlpGll~lt that the plal~"--s 174 be lightweight so that they can be easily moved, yet they must ,.,~in~;.ii~ the strength to S.lppOl~ the weight of the children and adults who will be pos;l;onfd on top of them. Fur~hP~nore, all of the above col.~ponents should desirably have smooth ~ r~xs and rounded or otherwise pro~led edges to reduce the possibility of injury. In the pf~felled emb~liment~ the 10 co,-ll)onents are made of ply vood, particle board, or similar m~teri~l, desirably covered with l~el~mine'(or similar smooth, durable m~tPri~l) which is l~ n~ to the plywood.
The backdrop 210 is positione~ within the bac~io~lnd unit 12. On the backdro 210 can be painted or ~tt~hed various color arrange,llcnls which serve as bac~gr~unds for the po~ that are produced in the studio. The bac~,op 210 desirably includes a 15 stabilizer or st~rin~ l~h~nism to ensure that the backdrops are properly positioned behind the posing station 110.
To facilitate the positioning of the portrait subjects, a focus positioning light 37 can be ~tt~hed to the studio above the posing station 110. The focus positioning light 37 projects the image of its fil~m~nt upon the posing station 110 desirably at a predetel,.lined 20 focaI point. This allows the opel~tor to continuously pro~.ly position the subjects on the posing station 110. The video monitor 40 also desirably assists in the positionin~ of the subjects. In the p efelr~d embcxliment the image seen by the camera 310, is displayed by the video monitor 40. The photographer can then adjust the camera 310 and/or the subjects to the proper positions for the photog-~ph. Also in the p~efel-ed emb~iment, ;"trade-mark ~ 0 7 8 ~ 9 ~
~he video monitor cabinet 15 includes both a horizontal and vertical color monitor. The camera 310, of the type typically found in the art for taking ~~ , is desirably operatively connect~ to both the video rnonitor 40 and the subject tighting 30 through appropliate e~ c~l means. The camera 310 also desirably includes a remote control to 5 enable the photoglapher to walk about the studio and/or stand or kneel adjacent the posing station 110 (particularly for small children) as well as to raise and lower the camera 310, move the camera 310 from side to side and zoom the camera 310. Ad~ition~lly, the remote control could allow the pho~og~her to focus the camera 310 if such a function is desired.
The photographic backdrop app~ t~ls, generally design~ted 210, can be ~tt~rhed to and suspended from the background unit 12. The backdrop could also be free-st~nding, mounted on a wall or suspended from the ceiling in any conve~ti~n~l f~hion As shown in Figures 5-7, the backdrop a~pa~ s is comprised of a scroll 212 cor.~;~in;n~ first and second rotatable shafts 214 and 216 positioned in a generally parallel relationship with each other. The shafts 214, 216 are desirably of a generally circular cross se~tion. The ~ meter of the shafts will vary depending upon such factors as the number of backdrops being used and the stiffness of the bacWrop m~t~ri~l (larger di~met~rs are more suitable for stiffer m~teri~ls). Preferably the (li~meter is between about 4 inches and 6 inches. The length of the shafts 214, 216 is selected to correspond 20 to the width of the backdrops being used -- typically about 4-6 feet for most studio portrait applications (though any suitable length can be used). Like the dimPn~ions of the shafts, the material of which the shafts are constructed will vary according to the particular needs of the individual portrait studio. Further considerations in the shafts' - ~ ~ 7 8 ~ ~ 8 ~- consLfuction will be cost and strength of m~t~fi~l~ In many applic~ti- n~, ~l~....ii......
shafts work well.
The shafts 214, 216 can be ~tt~ch~ or ~ ndl~ to an overhead structure by any apploylidte means. In the pf~fell~d embodim~-nt, suitable brackets are secw~d by screws S to a wooden frarne. Also in the yfefelled elubod;..~e~-l, each shaft 214, 216 has a fiange 217 e~Yten~ling outwardly from its ends. The flanges desLfably have slots 233 ul~ifollllly placed along their outer s~ff~ These slots 233 can be used to assist in the y~ "~ of the bachll~s, as desired below.
A continuous web 218, on which various colored backdrops are printed or p~int~d, is ~tt~he~ at its opposite ends to the first and second shafts 214, 216 fo.nling the scroll 212. The web 218 is at least partially wound up upon one of the shafts. The web 218 can be constructed of canvas or paper or any other suitable m~teri~l that meets the particular re~ui,c;ments of the user. A m~teri~l which has worked particularly well is Reemay. The length of the web 218 will vary according to the number of scenes desired in a pr~felled embodiment, on a 5.5 foot wide web, each backdrop is about 7 feet long, and 12 different bac~dr~ps are incl~lded, yielding a web of about 90 feet in length.
Disposed on the web 218, in~e~ te the two shafts 214, 216, is a roller weight or idler roller 222. The weight of the roller 222 assists in lowering the web 218 when a backdrop is deployed, and helps keep the bachllol) in a vertically straight orient~tion 20 The rolIer weight 222 can have any a~plopliate ~limPn~ion~ Desirably it has a generally circular cross section and is slightly longer than ~e width of the web 218. In the plefell~d embodiment, each end of the roller weight 222 eYten~is beyond the edges of the web 218 and termin~tes in a radially eYten~ing flange 224. The flanges 224 help to horizontally locate the roller weight 222 on the web 218, particularly as the roller weight ~trade-mark ~22 rotates as the web is wound and unwound. In an ~lt~ te embodiment neither the roller weight 222 nor the shafts 214, 216 contain flanges at their ends. The stabilizer (described below) and the m~llani7~tion of the bacLd~ps help to ensure that the roller weight 222 and shafts 214, 216 continu~lly remain in their proper orient~tions during 5 operation.
Each shaft 214, 216 is desirably rotatably driven. Although any suitable means can be used to rotate the shafts, in the ple~lled emb~iment, the shafts 214, 216 are driven by electric direct-drive stepper motors 226. The motors 226 work in coordinated fashion to rotate the shafts 214, 216, transferring the bac~d~ps back and forth between 10 the shafts as desired. In this way, any one of the backdrop scenes can be selected and the motors 226 used to rotate the shafts 214, 216 to deploy the selected backdrop in the proper position for use. In an ~lte n~te embo~iment, the bacLdrops can be changed by m~nu~lly rotating the shafts through the use of a timing belt wrapped around gears connect~d to each shaft.
Frequently the frame cont~inin,~ the backdrop apparatus will itself contain a permanent backdrop on its surface, often somewhat larger than the backdrops on the web.
This backdrop is usually permanently attached to the frame and typically is used for photographing larger groups. If the use of this permanent backdrop is desired, the motors 226 can be operated to fully wind up the web 218, thereby elevating the roller weight 222 20 and revealing the permanent backdrop mounted on the frame.
Besides raising to reveal the permanent backdrop, in the p,efe~red embodiment, the roller weight 222 and the web 218 also rise up when the shafts 214, 216 rotate to pIace a new backdrop into position. This action acts as a safety feature as it removes the ~ ~ 7 ~
~rotating roller weight 222 and web 218 from the reach of children who are having their p~ll~ls taken or are otherwise in the studio.
Lowering and raising the roller weight 222 and the web 218 will frequently result in a torque being applied to the roller weight 222 and the lower portion of the web 218, S causing them to twist slightly in relation to the shafts 214, 216. Even a slight twisting of the roller weight 222 and web 218 can result in the roller weight 222 residing in a vertical plane that is not parallel with the vertical planes of the shafts 214, 216. When the web 218 is then wound up upon the shafts 214, 216, the web 218 will do so at an il.lproper onent~tion and advance along the shaft it is being wound upon in a telescopic 10 fashion. This telescoping weakens the web 218 and frequently causes it to tear and, in e..L~ e cases, can jam the backdrop m~hint~ry.
To ~limin~te this problem, stabilizing means are used to secure the roller weight 222 in its proper parallel orient~tion when the web 218 is fully extended downward. The stabili7~ti~n method should desirably allow for the roller weight 222 to be raised and 15 lowered so that the permanent backdrop can still be used and the rotating roller weight 222 removed from the reach of children. Furthermore, the stabilization method should continue to steer the roIler weight 222 during those times it is being raised and lowered.
In the preferred embodiment, a cantilever stabilizer 250 is used to prevent the roller weight 222 from twisting. The stabilizer 250 consists of a steering bracket 252 20 which spans the approximate width of the permanent backdrop. Two arms 254 extend from the bracket 252 and are ~ ched to the axis of the roller weight 222. The roller weight axis can be one uniform piece or can desirably be made up of a first and second axial segment 256, 258 which extend oulwardly from the ends of the roller weight 222.

~ ~ 7 8 ~ ~ ~
In the plefe,led embo liment, a vertically l~s~ed track 260 is located along the entire length of the permanent backdrop and is desirably placed along the outermost edge of the backdrop so that it is outside of the sight lines of the camera. Both ends of the bracket 252 are ~ttach~d to a runner 262 which resides within the track 260. The runner S 262 is desirably secure within the track 260 yet free to move with the vertical motion of the bracket 252. In the preÇe.l~l embo~limPnt, this is aco~mplished through the use of ball be~ring~ positic-ne~d along the runner 262. Also in the lJ~f~.r~ embo~liment, the stabilizing system is counte~b~l~n~ to achieve ease in move"lellt and to remove much of the weight placed upon the roller weight 222 and web 218 by the addition of the bracket 10 252. Any suitable cowlte,l ~l~n~ing system can be used, but in the ple~lled embodimPnt, weights are ~tt~ehPcl to the bracket 252 by means of pulleys and wires running from the bracket 252 to the weights, which are located behind the pellllallent backdrop. The first and second axial seg".ents 256, 258 desirably contain guides for directing the wire around the se~;n.enls 256, 258 while ensuring the smooth rotation of the 15 roller weight 222. As a safety feature, all of the components of the stabilizer can desirably be p~-lded.
A stabilizer can also be used with the manual backdrop. In the prefe"ed embodim~nt, the stabilizer includes two ~"ppo,l~ ~a,~ted by the width of the backdrop.
Each support desirably contains a V-shaped slot which terminates into a vertical groove 20 which is slightly wider than the ~ meter of the roller weight. When the web is lowered and the roller weight descends, the V-shaped slot directs it into the vertical groove, where it snugly rests.
An external central processing unit (CPU) 60 may be used to continuously detect and/or calculate the location of the web 218 with respect to the shafts 214, 216 and to accordingly operate the stepper motors 226. The proper pl~m~nt of a backdrop may be achieved through the u~ of the CPU 60, optical and/or m~h~nic~l sensors and marks carried by the bac~dr~s which are det~t~ble by the ~nsors. In the p.efe.led emb~Ylim~nt ~lA~L..n~ patches (preferably black non-reflective tape) are str~te~ic~lly 5 placed on the back of the web 2 l 8 and an optical sensor 230 is used to detect the presence of the patchPs 228. The patches 228 can be placed at any convenient part of the web 218, although they are desirably placed so that the patch for a particular backdrop is ~ l across from the optical sensor 230 when the backdrop is in its a~f~imate deployed position.
The patches 228 are desirably of a shade which contrasts with that of the back of the web 218 so that they are det~t~ble by the sensor 230. The optical sensor 230 is in turn electronically conn~ted to the CPU 60. A sensor capable of tracking the revolutions of at least one of the shafts is also desirably employed and conn~ted to the CPU 60. Ln the l,~efelled embclimPnt, an optical encoder 232is positioned near each shaft for this 15 purpose. In an ~lle~n~ re embodimen~ the CPU 60 can itself include counters for keeping track of the revolutions of the shaft. Moreover, more sophisticated bar codes (a singIe black patch being the most ele-m~ntary bar code) can be used to carry inforrnation identifying a particular backdrop.
In use, the locations of various backgrounds on the web are stored in the CPU 60 2Q and the CPU 60, encoders and sensors cooperate to properly position the backdrops. The desired backdrop, or a sequence of desired backdrops, is s~ole~tçd by the opel~tor and relayed to the CPU 60. In the p~efelled embodiment, the CPU 60 activates the stepper motors 226 to rotate the shafts in the appn~pliate direction that will move the desired backdrop towards the deployed position. While the shafts 214, 216 are rotating, the ~ 1~ 7 8 ~ 9 8 ~encoders 232 next to the shafts 214, 216 track their revolution~ by detecting the light and dark regions produced by the now rotating slots 233 on the flanges 217 of the shafts 214, 216. The CPU 60 may be p~gl~u"med to operate the motors 226 to rotate the shafts214, 216 at various speeds depending on how far the web 218 must travel to reach the SPl~tP.~ bacLdl~p. Meanwhile, the encod~.rs 232 provide the CPU 60 with information which allows the CPU 60 to calculate the loc~tion of the desired backdrop in relation to the shafts 214, 216.
Once the encoders 232 detect that the desired backdrop is within proximity of being unwound, the CPU 60 may decrease the speed of the motors 226 and allow theoptical sensor 230 to aid in the proper positioning of the web through the use of the patches 228. The data read by the optical sensor 230 is relayed to the CPU 60. When the desired backdrop reaches its appropliate location, the optical sensor 230 detects the cGllt;~onding patch and relays this information to the CPU 60. If the roller weight 222 is elevated, the CPU 60 can shut off one motor so that the shaft receiving the web stops turning. This causes the roller weight 222 to descend, thereby lowering the desired backdrop. When the backdrop is lowered to its correct loc~tion, the CPU 60 shuts off the other motor. In the p~erelled embodiment, the patches are placed within 1/4 inch of the proper place.ment of the backdrop. In this way, the rotation of the shafts 214, 216 can be stopped as soon as the optical sensor 230 detects a patch.
If the roller weight 222 is already in its lowered position, the CPU 60 will continue to operate both motors until the desired backdrop is plo~elly placed in its final position. Both motors are then shut off. This results in the exact placement of the desired backdrop each time.

~ ~ 7 ~
The patches 228 read by the optical sensor 230 can also, in the plcf~lcd embo~im~P-nt, include a r~fc ence patch. The r~Ç~.cnce patch is desirably of dimPnsions different from that of the other patches so that the optical sensor and CPU 60 can use it as a reference for ~lopelly loc~ting the web each time the system is turned on (i.e., the 5 system can index through an inih~tion sequence in which the system detects the reference patch to recalibrate the position of the web with respect to the rotation of the shafts and counting of the individual patches).
A variety of detection means can be used with this app~dlus. Ad(lihon~lly, the type of ~etection patches can also vary. For example, sophistic~ted bar codes and a bar 10 code scanner may be used in lieu of the simple colored squares.
In one p~fc.l~d embodiment, the CPU 60 includes memory means for storing a sequence of backdrops, or a number of possible sequences, that may be utilized in a typical photo session. Once the pho~ogndpher is fini~hed with a particular backdrop, he or she merely in~ic~tPs this fact to the CPU 60 which then maneuvers the next required 15 backdrop into place in the manner described above.
The special effects carrier is adaptable for use in a portrait camera with a standard lens as well as a camera cont~ ing a zoom lens. Although suitable for both types of lenses, the invention will be described only in relation to a camera using a zoom lens as that is the more complicated configuration and is very common in portrait photography.
20 The operation of the invention remains the same if the zoom lens is removed and replaced by a standard lens.
The special effects carrier 320 resides within the po~ il camera and is generally positione~ between the rear objective lens of the zoom lens 312 and the film port 314.

~O78 ~ 98 ~fhe film port 314 allows the individu~li7~d frames of the film 316 to be exposed to light.
(See Figure 8 . ) The carrier 320 can be of any a~ropliate configuration that ~"nils the pl~cPmentof multiple masks, however, in the pr~fe.led embo lim~nt, it is circular. As shown in Figure 9, various special effects masks 322 may be located around the rim of the carrier 320. The masks 322 produce special effects on the photog,~hs by modirying the optical char~t~ri~tics of the image that is focused by the zoom lens 312 through the film port 314 and onto the film 316. A typical modifi~tioll involves exposing or fogging only a portion of the film. Such masks are well-known by those skilled in the art, and some of the more common special effects used include burned corners, vignPttes and soft focus, among others.
The carrier 320 can contain any suitable number and type of masks. In the pç~rel-ed embodiment, however, seven different masks-322 are used. So that the ope,d~or has a wide variety from which to choose, these masks desirably co~ist~ of the --following: Open(no effects), Vignette Vertical, Vignette Horizonlal, Double Exposure, Double E~os~l,e(side light required), Soft Focus and Burned Corners. Several carriers cont~ining a diverse number of masks can also be made available to the photographer.
Any carrier 320 used desirably inrludes a mask that does not modify the image produced on the film in any way, thereby allowing the photographer to take a photograph without any special effects. Thus, the carrier 320 can be permanently ~tt~hed to the camera 310 aIlowing the camera 310 to be used to produce photographs both with and without special effects.
The carrier 320 is desirably attached to the camera 310 in a way that allows thecarrier 320 to easily position any of the masks 322 in its effective location in front of the ~ ~ 7 8 ~ ~ ~
film port 314. In the pr~r~.r~d embodimp~nt) a rod 326 with a generally circular cross section passes through the center of the carrier 320. The carrier 320 is ~tt~chP~d to the rod 326 by apploplia~e ~th~hmPnt means so that the carrier 320 is allowed to rotate about the rod 326 as the rod 326 rotates around its own center axis. The rod 326 can be s ~ttaçhPd to the camera 310 by any suitable ~tt~-hment means. The ~tt~hment means should desirably elevate the rod 326 a suffi~ie-nt height to allow the carrier 320 to have a full 3600 rotational range.
The masks on the carrier 320 can be positionp~d in a number of appl~liale ways, including att~chmPIlt to an external lever for manual operation by the photographer.
10 Desirably, however, the carrier 320 is aulol,-atically rotated and positioned by means of a central ~sC;ng unit (CPU). In the ~r~fe~led emb~iment this CPU is the same one used to control the other parts of the pol~lail studio. A stepper motor is desirably connPctP~ to and drives the rod 326 to position the desired mask in its proper location for use. The motor is desirably conn~tPA to the CPU 60 which is preferably located outside of the camera 310. In the plefeIled embodiment, the CPU 60 is electrically conne~ted to the camera's remote control, allowing the photographer to communicate with the CPU 60 via the remote control. As an aid in positioning the carrier 320, the camera 310 desirably contains a means of detecting the position of the carrier 320 and the location of the various masks 322. Numerous detection methods are possible, but a method 20 involving a sensor located within the camera that is capable of reading identification marks positioned on the carrier is preferred. Thus, in the preferred embo~iment, bar codes, patches or other unique identifying characteristics are placed next to each mask 322 on the carrier 320.

~'7~
. ., An optical scanner 332 capable of reading the patches 334 or other characteristics iS posihon~ within the camera 310 next to the carrier 320. Other possible detection means include slots or a~?c,lul~s cut into the carrier, ~ colorations or similar m~rkin~
next to each of the masks. Mf~ch~nic~l sensors and sensors capable of t~- ~ng each rotation of the carrier can also be used.
In the p~cfe~lcd embo-lim~nt, a s~uence of poses is chosen by the subjects be~o~h~d. This sequence is then entered into the CPU 60 through the use of a keyl,oald, bar code reading wand or any other suitable input means. The CPU 60 then activates the stepper motor to rotate the carrier 320 until the proper mask 322 for the initial pose is positioned in front of the film port 314. After the first picture is taken, the CPU 60 then rotates the carrier 320 until the proper mask 322 for the next picture is in place. If this mask is the same as the one previously used, the CPU 60 does not activate the motor and the carrier 320 remains in its previous position. This entire pr~lule co~tinlles until the pre-entered sequence is completed. At that point, a new sequence can be entered and performed.
The po~ studio 10 is a relatively compact system which can easily be inst~
in a short time. To construct the portrait studio, the frame 18 is first erected by positioning the pedestal unit 11, post unit 13 and background unit 12 in their desired positions and then ~tt~chin~ the rail system 14 to these units. The subject li~htin~ 30 and video monitor cabinet 15 can then be ~tt~c~led to the overhead beams 20, 24 at the desired locations.
The posing station 170 is assembled by connecting the base 172 to the backgroundunit 13. The background light 150 may be suitably attached within the support 178 and the support 178 in turn secured to the base 172. The platforms 174, with their span 176, ~ 0 7 8 ~ g 8 can then be positionP~d on the base 172 by inserting the positioning pegs 184 on the boKom of the platforms 174 into the receptacles 186 located on the base 172.
After the posing station 170 is set up, the other col."?onents can be added. In the plef~lled embo~impnt~ most of the individual components of the ~ il studio have the S capacity to be linked with the (CPIJ) which can cooldinate their operation, funchon, and synchroni7~hon. All of the colllponents, the c~mer~, video monitor, subject lights, hair light, side light, motori7~ backdrops, background light, gels, optical and me~h~ni~l sensors and the CPU are desirably e~h;~lly conn~ted to form a cenhal el~hi~l circuit. This circuit is desirably int~l~led into a cord which runs through the frame so 10 that few vires are visible. The circuit terrnin~tes into a convçntion~l llOV plug that may be inserted into a standard e1çctnc~l wall outlet which can supply all of the power required to run the entire polll~il studio.
In the pl~felled embodimtqnt, a gray card 25 is sitll~t~ behind the video monitor 4Q so that when lowered, it hangs above the posing station near the focus positio~ing light 15 37. The gray card 25 can be used by the photographer to gather a reading of the light conditions within the po~ studio and thus standardize the photogl~phic conditions.
After the photographer has used the gray card 25, it can be replaced unobtrusively behind the video monitor 40.
When customers enter a studio, they are given a sheet to fill out which cont~ining 20 various information. The sheet contains information regarding the poses available from the studio and may have on it a number, written in both numerals and machine readable language, identifying the customer and their session. An example of a possible information sheet is shown in Figure 1~. The sheet in that figure contains finished portraits and various characteristics that the customer may choose for their individualized po~ its, such as back~rops and special effects. Each sep~.~te char~teri~tic has a collcsponding . .achine readable code on the sheet and the customer can choose their - particular packet of polllaits.
After the customer has chosen their pol~ils, the studio ~ te inputs to the 5 CPU the information that a new sitting is going to begin. This information can be ull~d by a bar code wand, keyboard or other input device. The ~oa~d monitor or the overhead video ...~n;~or will prompt the ~ te to enter the data c~ ini~g the information about the customer's PO~ S.
Within the cu~lo-,l~, s session, each pose entered c4n!~in~ various information such 10 as which backdrop, gel and lighting to use to achieve that pose, as well as possible graphic and tutorial information for display on the Illonilol~. Certain poses may also contain an unspecified backdrop or gel. If so, the ~Csoc ~le would be p~ ,pted to manually enter a choice. The customer may also request other inform~tion, such as a pose preferred for an 8x10 or other size print.
Once the ~ te, through the keyboard or remote control, enters a prompt that he or she is ready to begin the session, the CPU coordinates the studio for the first pose.
The CPU begins by using the sensors to gather readings on the location and position of each component of the studio. Each co,l-ponent that is not propc.ly positioned for the first pose then receives instructions from the CPU. The bacLglound and gel will 20 autom~ti~tly go to the proper setting as described previously. A pose mask is overlaid on the live video and instructions for the ~ te about the pose are displayed on the monitor. The proper lightin~ from the Norman Power Supply is autom~tir~lly readied.
If the pose calls for a shot with the camera in a vertical position and the camera is in horizontal position, or vice versa, the associate is prompted to change the camera *trade-mark ~, ~

~ 1~ 7 8 ~ ~ 8 nt;.tiQn The system can be configured to not respond until this is done. In the camera, the special effects ca~Tier will go to the proper position and, if the shot required a special effect, the camera will be put into that mode. When all this is done, the system will display that it is ready to take a picture and/or produce an audible beep.
S From this point, the phologlapher can eSsenli~lly use the remote control to operate the studio lllloughout the se~ion. The photo~lal)her can set the camera height, zoom and pan all from a remote location such as the posing station and allowing the photogldph~r to be attentive to the polt.~l subjects.
The CPU includes memory means for storing a sequence of bacLdlo~s that may be utilized in a typical photo session, or a nl~.llbel of possible sequences. As the photogl~her is fini~h~d with a particular backdrop, he or she merely inl1ic~s this to the central procescing unit which will then maneuver all of the components into place in the ,aanner described above.
Once the portIait studio has been readied, the taking of photogl~hs is a simple and convenient procedure for the ~cs~i~t~ The subjects are arranged on the posing station 170 in a manner that is aesthetically pleasing considering the size of the group and ages of the subjects. The position of the span 176 with respect to the platforms 174 will depend upon who the poll,dil subjects are. If a baby or a small child is to be photog,~hed, the spans 176 are extended to cover the aisle between the platforms 179 and the support 178, and the baby is placed in the middle of the eY~nde~ surface. The photographer typically will be positioned in front of the child but below the level of the camera lens and can control the camera with the remote control device, preferably zooming the camera 310 in and out and snapping the picture. The photographer mayemploy the use of props, such as hand puppets or stuffed ~nim~ls~ to get the child to ~ ~ ~ 8 ~ ~ ~
smile for the camera 310. These props can be conveniently stored in the colllp~llllents 180 located in the front of the platforms 174 where they are easily acce~il le.
If a group photog,a~h is desired, the span 176 may be retracted to reside on or within the platforms 174, thereby eAlXjsing the aisle. Taller individuals can then stand in S the aisle while the other members of the group can sit on the plalrorllls 174. This creates a typical two-level effect whereby all the subjects' faces can easily be seen. The platforms 174 may also be removed from the base 172 if a wider space is needed (such as for photographs with large props or to be ~cces~ible to wheel chairs). Once the subjects are coll~;lly posed, the photogl~dpher takes the picture.
The special effects carrier 320 and CPU allow the a~soci~t~ to operate the camera 310 as if a regular photograph without special effects was being taken. After the polLl~it ~..bjecls have been propelly arranged, the associate can use the zoom lens 318 to create whatever pose the subject desired. If the po~ il is not to contain any special effects, the carrier 320 is rotated so that the mask cont~ining no special effects is in position in front of the film port 314. If special effects are desired, the carrier 320 is rotated before the photograph is taken until the mask cont~inin~ the desired effect is propelly located in front of the film port 314. The photograph is then taken and the procedure can be repeated for each photograph.
After a prescribed period of time has elapsed after the taking of the photoglal)h, 20 the studio is autom~tiç~lly adjusted to the next pose in the sitting. This change may be speeded up by pressing a button on the remote control. If the ca~luied image on the video monitor shows a bad portrait, the shutter trip button may be pressed within a determined period of time and the pose will not change. If the associate wishes to cancel after the time period is up, then the cancel button on the keypad can be pressed and the ~ ~ 7~

"., pose will change back to the previous setting. In c~ncelling the shot, an optical mark is put on the film to show the pr~cecs;ng facility not to print this frame.
In a pf~felled embodiment, during the sequence of phologld~hs, if the ~sori~tP-, after taking a photograph, wishes to retake the picture (for eY~mple, if the subject 5 blinked) then the ~Csoci~te can alert the CPU 60 of this fact desirably by pressing a button on the remote control 20. The CPU 60 will then delay loldting the carrier 320 to its neYt position until another photogl~h in the previous pose has been taken. The studio also has the capacity to transmit data to a remote location for plocec~in~ as well as receive data, such as new polL~ parameters, from a remote location While a piefel,ed embodiment of the present invention has been described, it should be understood that various changes, adaptations and mo~ific~tions may be made therein without departing from the spirit of the invention and the scope of the appended claims.

Claims (27)

1. A portrait studio system for use by a photographer in automatically setting a plurality of photographic parameters corresponding to distinct photographic poses of a subject, comprising:
data processing means including data storage means having information stored therein regarding the photographic parameters corresponding to the distinct photographic poses;
data input means operatively connected to the data processing means for inputting a selection of a desired pose or sequence of poses, and data output means for communicating the photographic parameters corresponding to the pose or sequence of poses selected.

2. The portrait studio system of claim 1 further comprising a plurality of subject lights, the data output means including light control means for controlling the lights in response to output of one or more of the photographic parameters corresponding to the selected pose or sequence of poses.

3. The portrait studio system of claim 2 wherein the subject lights include a backdrop light and at least two studio lights.

4. The portrait studio of claim 1 further comprising a plurality of backdrops, the data output means including backdrop control means for controlling the backdrops in response to output of one or more of the photographic parameters corresponding to the selected pose or sequence of poses.

5. The portrait studio system of claim 1 further comprising a plurality of special effects masks, the data output means including mask control means for controlling the masks in response to output of one or more of the photographic parameters corresponding to the selected pose or sequence of poses.

6. The portrait studio system of claim 1 further comprising a plurality of gels, the data output means including gel control means for controlling the gels in response to output of one or more of the photographic parameters corresponding to the selected pose or sequence of poses.

7. The portrait studio system of claim 1 further comprising receiving means for receiving the communication output from the data output means; the receiving means being capable of responding to output of one or more of the photographic parameters corresponding to the selected pose or sequence of poses.

8. The portrait studio of claim 7 wherein the receiving means comprises a plurality of subject lights.

9. The portrait studio of claim 8 wherein the subject lights include at least two studio lights, at least one backdrop light and at least one hair light.

10. The portrait studio of claim 7 wherein the receiving means comprises a plurality of backdrops.

11. The portrait studio of claim 7 wherein the receiving means comprises a plurality of special effect masks.

12. The portrait studio system of claim 1 wherein the data output means includes communication means for communicating information to the photographer based upon the photographic parameters corresponding to the selected pose or sequence of poses.

13. The portrait studio system of claim 12 wherein the communication means comprises a video monitor operatively connected to the data output means so that the information to the photographer can be displayed on the monitor.

14. The portrait studio system of claim 12 wherein the communication means comprises printing means operatively connected to the data output means for producing a tangible copy of the information.

15. The portrait studio system of claim 1 wherein the data input means comprises bar codes corresponding to a desired pose or sequence of poses, and a bar code reader.

16. The portrait studio system of claim 1 wherein the data input means comprise a keyboard.

17. The portrait studio system of claim 1 wherein the data input means comprises computer disks.

18. A method of automatically setting a plurality of photographic parameters corresponding to distinct photographic poses of a subject, comprising the steps of:
storing a plurality of parameters relating to various photographic poses in a data processing and storage means;
inputting to said data processing and storage means a selection of one of the poses or sequence of poses;
retrieving from the data processing and storage means specific parameters corresponding to the selected pose;
communicating the parameters from the data processing and storage means to control aesthetic elements of the selected pose.

19. The method of automatically setting a plurality of photographic parameters recited in claim 18, further comprising the step of coordinating a plurality of subject lights in response to the data storage means communication to achieve the desired aesthetic element corresponding to the parameters communicated.

20. The method of automatically setting a plurality of photographic parameters recited in claim 18, further comprising the step of coordinating a plurality of backdrops in response to the data storage means communication to achieve the desired aesthetic element corresponding to the parameters communicated.

21. The method of automatically setting a plurality of photographic parameters recited in claim 18, further comprising the step of coordinating a plurality of special effects masks in response to the data storage means communication to achieve the desired aesthetic element corresponding to the parameters communicated.

22. The method of automatically setting a plurality of photographic parameters recited in claim 18, further comprising the step of viewing the subjects on a posing station through video means so as to properly position the subjects for a pose.

23. The method of automatically setting a plurality of photographic parameters recited in claim 22, further comprising the step of initiating a photographic sequence.

24. The method of automatically setting a plurality of photographic parameters recited in claim 23, further comprising the step of inputting into the data processing and storage means completion of a selected pose or first pose of a sequence of poses.

25. The method of automatically setting a plurality of photographic parameters recited in claim 24, further comprising the step of communicating the parameters from the data storage means to control aesthetic elements corresponding to a.
next selected pose in the sequence.

26. The method of automatically setting a plurality of photographic parameters recited in claim 24, further comprising the steps of inputting into the data processor a desire to reinitiate the photographing sequence corresponding to the original pose or first pose of a sequence of poses;
reinitiating the photographic sequence corresponding to the selected pose or first pose of a sequence of poses, and communicating the parameters from the data storage means to control aesthetic elements corresponding to a next selected pose in the sequence.

27. A method of automatically configuring a commercial portrait studio such that an inexperienced operator can generate professional quality photographs of a portrait subject based on a plurality of predetermined photographic poses, said portrait studio including a posing station for positioning a subject relative to a plurality of photographic components, video display means for viewing said subject on said posing station prior to photography, and a central processing unit having data storage means for storing photographic parameters and control means for controlling said plurality of photographic components and said video display means, said plurality of photographic components including camera means for taking a photograph of said subject, illumination means for selectively illuminating said subject, backdrop means for selectively positioning one of a plurality of backdrops behind said subject, and mask means for producing special effects on resulting photographs, comprising the steps of:
(a) pre-storing a plurality of photographic parameters relating to each of said plurality of predetermined photographic poses in said data storage means;
(b) communicating to said central processing unit a selection representing a photographic sequence comprising at least one of said plurality of predetermined photographic poses;
(c) receiving from said data storage means photographic parameters corresponding to a first pose of said photographic sequence selected in step (b);
(d) automatically coordinating said camera means, said illumination means, said back drop positioning means, and said mask means via said control means in response to said plurality of photographic parameters for said first pose of said photographic sequence to achieve a desired aesthetic element corresponding to the parameters communicated;
(e) viewing said subject on said posing station through said video display means so as to properly position said subject for said first pose of said photographic sequence;
(f) activating said camera means to take a photograph of said subject in said first pose of said photographic sequence;
(g) selectively communicating to said central processing unit a response indicating the completion of said first pose of said photographic sequence; and (h) repeating steps (c)-(g) for each pose of said photographic sequence selected in step (b).