Bernard
2022
Documentary storytelling: creative nonfiction on screen
Carroll
1996
From real to reel: Entangled in nonfiction film
Diamond et al.
1992
The spot: The rise of political advertising on television
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2014-08-20
Procédé de divertissement basé sur les jeux concours à choix multiples
Katzman et al.
1972
Color vs. black-and-white effects on learning, opinion, and attention
Booth
2005
Evidence revisited: Interpreting historical materials in sport history
Pack et al.
2021
101 Ways to Win an Election
BE693905A
(cg-RX-API-DMAC7.html )
1967-08-10
McLean
2014
The achievement of television: The quality and features of John Logie Baird’s system in 1926
Townsend
2019
Money Mazes, Media Machines, and Banana Republic Realisms
Gudgel
2015
A mixed-methods study of the use of film by American Secondary School Educators in teaching about the Holocaust
Cravinho et al.
2020
Everyday Jazz Lives: A photographic project on contemporary jazz musicians lives in Birmingham
Kerr
2013
Collectors' Contributions to Archiving Early Black Films
Williams
2013
Flattened Visions from Timeless Machines 1: History in the mass media
Green
2023
Paid Media
Labrouillère
2024
Up Close and Personal
Ingham
2022
Too much reality? Reflections on the educational-observational film world of Tammy Cheung and Augustine Lam
Edmonds
2025
In search of 9.5 mm widescreen
Hinderliter
2020
A Political Foil
Erdman
0
Untitled Stag Film (circa 1945)
Escalona
2019
Contemporary Chilean political theatre between opacity and propaganda: The case of Colectivo Zoologico’s Dark
FR2604586A1
(fr )
1988-04-01
Installation de consultation et de simulation interactive d'images video
Vogel
1981
Amos Vogel and Bruce Conner: Two Views of the Money Crunch
O’Neill
2014
Branding Faith
Escalona
2019
Contemporary Chilean political theatre between opacity and propaganda